Merry Movie Mayhem: North Pole (Round 1)

Today we finish the first round of Merry Movie Mayhem. If you need to go back and catch up on the results thus far just click on the links to see what went down in the Candy Cane, Eggnog, & Mistletoe Divisions. I’m pleased with the pace we’ve set so I think we’ll take a break for a few days before moving on to Round 2. If you didn’t see your favorite holiday film in the competition don’t hesitate to leave me a comment asking “What up with that, dawg??”…or something to that effect. There is probably a perfectly reasonable explanation for its exclusion. Or maybe I just completely overlooked it. Who knows??

 

 

 

 

 

 

It’s A Wonderful Life                             

Released                                           12/20/46

Starring                                              James Stewart, Donna Reed                                

Director                                              Frank Capra (It Happened One Night, Mr. Smith Goes to Washington)

Rotten Tomatoes                              94%

I feel like I’ve written just about everything there is to say about IAWL in the years since the inception of The Manofesto, but allow me to offer a brief refresher. The story was conceived by a Pennsylvania Civil War historian named Philip Van Doren Stern. The Greatest Gift was not accepted for publication for whatever reason, so Stern simply included it in his annual Christmas card mailings. Someone on his Christmas card list must have liked the short story, because it was subsequently published in 1944. A film producer saw the story and it eventually ended up in the hands of director Frank Capra. IAWL was nominated for multiple Academy Awards, including Best Picture, Best Actor, & Best Director. A clerical error prevented the copyright from being renewed in 1974, so due to it being in the public domain the movie became a popular late night staple during the holidays on local TV stations throughout the 70’s & 80’s until 1993 when the copyright was restored to Republic Pictures, who then licensed it to NBC in 1996. For the past two decades NBC had shown it only a couple of times every December (early in the month & again on Christmas Eve), but starting in 2016 USA Network (which is owned by NBC/Universal) added a few additional airings. Of course with streaming & other home video options none of that really matters anymore.

 

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Love Actually

Released                                           11/14/03

Starring                                              Hugh Grant, Liam Neeson, Colin Firth. Laura Linney, Emma Thompson, Alan Rickman, Keira Knightley

Director                                              Richard Curtis (Four Weddings & a Funeral, Notting Hill, Bridget Jones’ Diary)

Rotten Tomatoes                              63%

Personally I am more unconvinced of Love Actually’s claim to being a Christmas film than I am Die Hard, but I’m feeling generous. This is one of those movies…like New Year’s Eve, He’s Just Not That Into You, & Valentine’s Day…with a huge, very British, very talented ensemble cast involved in multiple stories that all seem to intersect by the end. There are those who love Love Actually, and maybe they are right. Perhaps I’m missing something or just being obtuse.

 

The Verdict:       It’s A Wonderful Life. Believe it or not there are people that hate IAWL. Some people say “How can a movie about suicide be a heartwarming Christmas classic??”. Others remember when it used to be on TV a bazillion times every December and still hold a grudge, even though a) that hasn’t been the case for over twenty years, & b) there are other movies these days that are shown just as much as or more than IAWL used to be and those same people love those other movies. I guess folks just like what they like, and I happen to adore IAWL. If it’s not your cup o’ tea we’ll just have to agree to disagree. Love Actually is a perfectly delightful film, but not only is it severely overmatched here, it’s also a movie that I just haven’t watched often at all & can take or leave.

 

 

 

 

The Polar Express                                

Released                                           11/10/04

Starring                                              Tom Hanks                                 

Director                                              Robert Zemeckis (Cast Away)

Rotten Tomatoes                              55%

Zemeckis is back!! Actually this was his first foray into motion capture technology…and perhaps one of the earliest feature films utilizing it. The story is based on an award winning 1985 children’s book about a group of kids who ride a magical train to the North Pole on Christmas Eve. Tom Hanks plays a half dozen different characters. I’m totally into motion capture and think it’s cool, but I understand that others find the animation disturbing for whatever reason. I am far beyond the age of believing in Santa Claus, but I’ll be darned if this movie doesn’t make me REALLY want to believe once again.

 

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Deck the Halls

Released                                           11/22/06

Starring                                              Danny DeVito, Matthew Broderick

Director                                              John Whitesell (Big Momma’s House 2)

Rotten Tomatoes                              6%

The Rotten Tomatoes score seems harsh, but I get it. With a title borrowed from the beloved Christmas carol you’d expect this movie to be a bit more uplifting, but it’s not. The story follows two neighbors who end up going to war during the holiday season when one of them decides to put up an elaborate light display that “can be seen from space”. I have to assume that the plot is inspired by those shows you see on The Travel Channel this time of year called Crazy Christmas Lights or something like that, and I think those shows & those types of gaudy displays may have been inspired by National Lampoon’s Christmas Vacation. Personally I prefer elegant & tasteful Christmas lights and can do without the rock music accompaniment, but to each their own. Anyway, in my opinion this movie isn’t as bad as the critics might indicate, if only because of the talented cast.

 

The Verdict:       The Polar Express. I adore this movie. It is the very definition of holiday magic. Wouldn’t we all like to retain that childlike wonder that allowed us to believe in something as enchanting as Santa Claus?? Of course we would. Deck the Halls is better than a rotten 6% rating…but not much better.

 

 

 

 

 

Planes, Trains, & Automobiles 

Released                                           11/25/87

Starring                                              John Candy, Steve Martin            

Director                                              John Hughes           (Mr. Mom, Sixteen Candles, Uncle Buck)

Rotten Tomatoes                              92%

Here we go…back to Thanksgiving. However I think this is probably superior to any other Thanksgiving movie or show. It’s actually a road trip/buddy comedy that happens to be set at Thanksgiving. I’m a huge John Hughes fan. He wrote/produced/directed so many wonderful films. And the pairing of Candy & Martin?? Inspired. Brilliant. Comedy gold. I only wish they would have made more movies together. Thanksgiving is a unique holiday that is difficult to besmirch with commercialism. People don’t want gifts or candy or flowers. It’s not an excuse to party or blow things up. All that most folks want on Thanksgiving is to be at home with loved ones and enjoy a nice meal. This movie captures that desire in such a subtle & funny way that it kind of sneaks up on you.

 

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Arthur Christmas

Released                                           11/23/11

Starring                                              James McAvoy, Hugh Laurie

Director                                              Sarah Smith

Rotten Tomatoes                              92%

A lot of the movies & shows you’re reading about here have been around for awhile…25 years, 35 years, 50 years, 75 years. This is one of the new kids on the block. It hasn’t had time to really ingratiate itself into our pop culture consciousness. It may or may not ever achieve that goal, but does merit inclusion in this exercise. Arthur is Santa’s youngest son, and he’s kind of the black sheep of the family. The North Pole is depicted as a high tech command center, Santa’s sleigh is the sort of ultramodern vehicle that NASA dreams about, & the annual Christmas Eve flight around the world is an intricate operation that’d make the U.S. military envious. The mantle of Santa Claus is passed from father to son, with the current titleholder, Malcolm, on the verge of retirement and his eldest, Steve, preparing to take the reins soon. But this particular Christmas Eve something goes awry and it’s up to Arthur, inept but resolute, to save the day. Arthur Christmas takes familiar territory and adds a futuristic spin, but instead of being cynical itself it is more of a fun commentary on Christmas cynicism.

 

The Verdict:       Planes, Trains, & Automobiles. I like Arthur Christmas well enough. It’s fresh, creative, & entertaining. But the competition is just too much. It has become almost as much of a Thanksgiving tradition as turkey, football, & the Macy’s Parade.

 

 

 

 

 

Frosty the Snowman         

Released                                           12/7/69

Starring                                              Jimmy Durante, Jackie Vernon          

Director                                              Rankin/Bass

Rotten Tomatoes                              60%

“Singing Cowboy” Gene Autry recorded Frosty the Snowman in 1950, just one year after his Rudolph the Red-Nosed Reindeer hit #1 on the charts. But it wasn’t until 1969 that CBS first broadcast the animated special based on the song. Nearly a half century later it is still a beloved annual tradition. While the song is a winter carol that has become tangentially associated with Christmas despite the holiday only being mentioned at the very end, saying “he waved goodbye saying ‘don’t you cry…I’ll be back on Christmas Day!’”, the special is set on Christmas Eve and features Santa Claus “resurrecting” Frosty after he’s been locked in a greenhouse by Professor Hinkle and melted.

 

 

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The Family Stone

Released                                           12/16/05

Starring                                              Diane Keaton, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Rachel McAdams, Clare Danes

Director                                              Thomas Bezucha

Rotten Tomatoes                              52%

Dysfunctional family dramedy has become a common theme in holiday films. I really can’t relate because I’ve always gotten along with my family and look forward to visiting with them on holidays. At any rate, there are several subplots in The Family Stone, as everybody seems to have some kind of issue. They scream, they cry, they argue…but familial love wins in the end, as it should. The cast is phenomenal, from the sublime Diane Keaton & elegantly low-key Craig T. Nelson to the wittily charming Luke Wilson & radiant Rachel McAdams. The movie ends on a bit of a downer, which unfortunately impacts one’s lasting impression. The story stays with you for awhile, but not necessarily in a good way.

 

The Verdict:       Frosty. Come on…was there any doubt?? Look, I realize that Christmas can be very sad for many people, and Hollywood feels compelled to address that aspect. I get it…I really do. I will admit that…mostly because of the talented ensemble and nimble writing…The Family Stone has gotten its fair share of repeat views from me. However, at the end of the day I still choose for Christmas to be a joyous occasion despite the harsh realities of life. Maybe someday I’ll be the guy sitting alone in a dive bar on Christmas Eve nursing my whiskey and raging at the jolly masses while wondering why my life has gone so horribly wrong, but thankfully I’m not there yet. Frosty the Snowman is something I grew up with, and for a short time every December I get to bring my inner child out to play, which is awesome.

 

 

 

 

Holiday Inn                           

Released                                           8/4/42

Starring                                              Bing Crosby, Fred Astaire 

Director                                              Mark Sandrich (Top Hat, The Gay Divorcee)

Rotten Tomatoes                              100%

Did you know that the Holiday Inn chain of hotels got its name from this movie?? Well you do now!! Bing Crosby stars as a song & dance man who decides to escape the bright lights of New York and open a quaint Connecticut inn that will only be open on holidays. There is singing, dancing, romance, & hijinks, all centered around familiar celebrations on the calendar. Holiday Inn is mostly remembered for introducing the world to the song White Christmas, but there are memorable performances throughout. They don’t make movies like this anymore, which is a shame.

 

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All I Want For Christmas

Released                                           11/8/91

Starring                                              Ethan Embry, Kevin Nealon, Thora Birch

Director                                              Robert Lieberman (D3: The Mighty Ducks)

Rotten Tomatoes                              0%

1991 will be forever be remembered by the masses as the year that launched the fabled career of actor Ethan Embry. And while he went on to star in cinematic masterpieces like Vegas Vacation, That Thing You Do, and Can’t Hardly Wait, it is this little holiday gem that might outlast everything else. The basic gist of the story is that two kids whose parents are divorced hatch a scheme on Christmas Eve to get them back together (spoiler alert: it works). For such an overlooked film the cast is actually quite stellar, including Thora Birch (who would go on to more notorious roles in American Beauty and…well…American Beauty is pretty much it), Leslie Nielsen as Santa Claus, SNL funnyman Kevin Nealon, & the legendary Lauren Bacall. All I Want For Christmas was a box office bomb that the critics didn’t like, but found new life for awhile popping up on television, which is where I first discovered it. It’s not a great movie, but it is delightful enough.

 

The Verdict:       Holiday Inn. I am eternally indebted to my friend & brother The Owl for introducing me to this movie back in college. I pride myself on having good taste, and films like this display a level of class generally absent from the vast majority of modern entertainment. Would it even be possible to maintain a business that is open less than a dozen times per year?? I have no idea. But the concept sure does make a terrific foundation for this movie.

 

 

 

 

 

The Santa Clause

Released                                           11/11/94

Starring                                              Tim Allen                  

Director                                              John Pasquin (Miss Congeniality 2: Armed and Fabulous)

Rotten Tomatoes                              75%

There was a brief moment in 1994 when Tim Allen starred in the top rated show on TV (Home Improvement), authored the best-selling book in the country (Don’t Stand Too Close to a Naked Man), & played Santa in the #1 film at the box office. The Santa Clause was the first of a (unplanned…I assume) trilogy, and is indisputably the best of the three movies. It is an origin story suggesting that Santa is a character inhabited by different men at different times. In this case Scott Calvin…a divorced toy executive who has consistently disillusioned his young son…inherits the job when the current Santa falls off his roof and I guess dies…a morbid fact that is mercifully glossed over. Scott & his boy Charlie deliver gifts around the world and spend a night at The North Pole, but the real fun begins the next day when the new Santa thinks it was all a dream…until he slowly begins to morph into The Jolly Old Elf over the next few months. I’m a fan of Santa Claus origin stories, and this is one of the best.

 

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Mickey’s Christmas Carol                   

Released                               12/16/83

Starring                                   Mickey Mouse, Donald Duck                 

Director                                   Burny Mattinson (The Great Mouse Detective)

Rotten Tomatoes                            90% (a)

It’s difficult to tell the story of Dickens’ A Christmas Carol in a half hour, yet it’s been tried several times with varying degrees of success. Taken at face value the Mickey Mouse version is perfectly charming. Disney created the character of Scrooge McDuck in 1947 as a homage to Ebenezer Scrooge, and that tribute comes full circle in this show. Mickey Mouse as Bob Cratchit is perfect casting, and a few other cartoon favorites make an appearance (Jiminy Cricket, Daisy Dick, Goofy, The Three Little Pigs, Chip & Dale, Huey, Dewey, & Louie, Minnie Mouse). Television aficionados may be interested to know that Hal Smith (Otis Campbell from The Andy Griffith Show) and Alan Young (Wilbur from Mister Ed) provide the voices for Goofy/Jacob Marley and Scrooge McDuck / Ebenezer Scrooge, respectively.

 

The Verdict:       The Santa Clause. Mickey’s Christmas Carol is a great introduction to the story for small children, but at a running time of less than 30 minutes it only has time to hit the highlights, which is fine for short attention spans but not all that enticing to adults. There is also an issue with accessibility. I remember it being on TV when I was a kid, but I don’t think it has aired with any kind of regularity for a decade…maybe two. The Santa Clause instantly became a beloved classic twenty years ago. Sure it has some undertones emblematic of somber 90’s cynicism, but that is minimized in favor of Christmas magic. I love Santa origin stories, and though it has a modern spin at the beginning the outcome is decidedly vintage.

 

 

 

 

A Christmas Carol (1984)

Released                                           12/17/84

Starring                                              George C. Scott       

Director                                              Clive Donner            (The Thief of Baghdad)

Rotten Tomatoes                              74% (a)

I am a traditionalist in most aspects of life, and it has always been my belief that uniquely British characters from British novels should be portrayed by British actors in film adaptations. However, there are exceptions to most rules, and in this case I must admit that Virginia native George C. Scott is a worthy Ebenezer Scrooge. This version of Carol was a made-for-television production that aired on CBS here in America, but it was released in theaters in Britain and certainly has a big screen vibe. Like just about every other adaptation it takes certain liberties with the novel, adding & subtracting little things, but none are deal breakers. If you’re channel surfing and need your Scrooge fix you could definitely do worse.

 

 

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Miracle on 34th Street (1994)

Released                                           11/18/94

Starring                                              Richard Attenborough, Dylan McDermott, Elizabeth Perkins

Director                                              Les Mayfield (Encino Man, Flubber)

Rotten Tomatoes                              61%

There are no sacred cows in Hollywood. If they’ll remake Psycho, The Karate Kid, Footloose, Willy Wonka & the Chocolate Factory, and The Pink Panther then apparently all bets are off. This was clear way back in 1994 when a remake of the 1947 classic Miracle on 34th Street was released. The thing is…it’s not that bad. Macy’s didn’t want to be involved and Gimbel’s was already out of business, so two fictional department stores fill in, but other than that and a few other modern updates the essence of the story remains. Alas, while the underrated Elizabeth Perkins as the jaded mother is luminous, the film itself lacks the innocent magic of the original, replacing it with subtle 90’s era cynicism.

 

The Verdict:       A Christmas Carol. I don’t HATE the Miracle remake and I don’t LOVE this version of Carol, but I am used to there being a plethora of A Christmas Carol adaptations and accept that each of them tries to put their own unique spin on the story. This one brings a lot of good stuff to the table. 1994 wasn’t the first time Miracle on 34th Street was remade, but the others were TV movies made in the 50’s & 70’s that are easily ignored. The 1994 movie can’t be ignored and I’m not suggesting it should be, but it just doesn’t measure up.

 

 

 

 

The Lemon Drop Kid

Released                                           3/8/51

Starring                                              Bob Hope

Director                                              Sidney Lanfield (The Hound of the Baskervilles)

Rotten Tomatoes                              73% (a)

My generation remembers Bob Hope as an aging comedian who frequently hosted variety show specials on NBC, including an annual show at Christmastime when he would introduce college football’s All-American Team, and also for regularly heading overseas to entertain American servicemen in places like Korea, Vietnam, & The Middle East. Hope always ended his shows with his signature song Thanks for the Memory, and the Christmas special traditionally featured him singing Silver Bells. But from the 1930’s thru the 60’s he was also a movie star, and Silver Bells became famous in part due to being sung in this film in which Hope plays a fast-talking racetrack hustler known as The Lemon Drop Kid because of his fondness for lemon drop candies. When The Kid inadvertently crosses a well-known gangster in Florida he is given until Christmas Eve to come up with the money he owes or else he’ll face…unpleasant…consequences. The Kid flees to New York, but when his gig as a street corner bell-ringing Santa Claus doesn’t work out he hatches a new scheme to raise donations for a phony old folks’ home. That plan is going alright until another mobster interferes. Hilarity & chaos ensue, but all’s well that ends well in a fun Christmas Eve climax.

 

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Trading Places

Released                                           6/10/83

Starring                                              Eddie Murphy, Dan Aykroyd

Director                                              John Landis (Animal House, The Blues Brothers)

Rotten Tomatoes                              86%

I wanted to avoid crossover with this project and 80’s Movie Mania, which necessitated a few difficult decisions. At the end of the day that means Trading Places & Die Hard were saved for this competition, while Lethal Weapon was a part of 80’s Movie Mania. At any rate, Murphy & Aykroyd are both SNL alums who went on to bigtime movie stardom in the 1980’s. Their stars have since faded significantly, although they still pop up now & again (Aykroyd has gracefully transitioned into supporting roles, while Murphy still labors under the delusion that he’s relevant). Hot off the success of 48 Hrs. and just before the box office triumph of Beverly Hills Cop, Murphy took this role as a smartass homeless bum who basically switches lives with an erudite stockbroker at Christmastime as part of a social experiment/wager between two wealthy old geezers. The key is that the two guys are set up and not in on the joke. It is essentially a modern take on Mark Twain’s 1881 novel The Prince & the Pauper, and the two leading men really deliver. It is a smart, funny, well-written movie with an immensely satisfying conclusion.

 

The Verdict:       The Lemon Drop Kid. This is a tough call. It’s a great example of what exactly defines a Christmas movie…or not. Both are set at Christmastime. Neither story is dependent on Christmas as a factor in the plot…they both could be set at any other time of the year with few changes needed. However, I think the Christmas timeline plays a slightly bigger role in The Lemon Drop Kid, and we cannot overlook the fact that the movie introduced the world to what has become a very popular Christmas carol. There is an accessibility issue. The Lemon Drop Kid is never shown on television…not even on AMC or TCM, and it’s not available on streaming services. The only way I know to watch it is on YouTube, which is a shame. Trading Places is a great movie…one of the best of its era. But it just doesn’t jump into my mind when pondering Christmas movies.

Merry Movie Mayhem: Candy Cane (Round 1)

Welcome to Round 1 of Merry Movie Mayhem!! Over the next few weeks we will be looking at 64 of the most notable holiday films & TV specials. Obviously Christmas is the focus of this particular genre, but there have been some prominent stories told about Thanksgiving & Hanukkah, so I am including them as well to round out the field. Most of what you’ll see here is pretty familiar…stuff you’ve watched on TV every November & December your whole life. While that may be an indictment of modern creativity, it is also a testament to the enduring affection that fans have for quality entertainment that soothes the soul, tickles the funny bone, & warms our cockles in a season that encompasses a range of emotions from joy to sorrow to wistful nostalgia. Don’t hesitate to leave feedback. The statements & decisions you’ll see here reflect my preferences & sensibilities, but sometimes I’m wrong. I would love to know what The Manoverse enjoys, so share your thoughts!! We’ll kick off the competition with the Candy Cane Division. Enjoy.

 

 

 

 

Miracle on 34th Street (1947)

Released                                           5/2/47

Starring                                              Maureen O’Hara, Edmund Gwenn, John Payne, Natalie Wood           

Director                                              George Seaton (Airport)

Rotten Tomatoes                              94%

A cynical retail executive & her precocious daughter befriend the department store Santa that Mom hired. It turns out that Kris Kringle believes he is the REAL Santa Claus, a claim that lands him in court, where he is defended by a lawyer who is also smitten with the jaded Mom.

 

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Silent Night, Deadly Night

Released                                           11/9/84

Starring                                              no one you’ve ever heard of         

Director                                              Charles E. Sellier Jr.

Rotten Tomatoes                              31%

Holidays have been horror movie fodder for decades, with deranged serial killers stalking their prey on Halloween, Valentine’s Day, St. Patrick’s Day, et al. Christmas hasn’t escaped, though the sacred nature of the occasion makes such a film a tricky proposition. This campy classic finds a young boy witnessing the murder of his parents by a thief dressed as Santa Claus. After growing up in a harsh orphanage the youngster becomes a homicidal maniac when he gets a job as a department store Santa. There were a few sequels made in which the younger brother also becomes a psycho Santa, but I’ve only seen bits & pieces of a couple of them. I remember the original mainly because our church youth group once watched it at a gathering at Christmastime. Wrap your head around that.

 

The Verdict:       Miracle on 34th Street. Easy decision. I’m not really a horror movie guy, but even if I was it’s difficult to overlook the awesomeness of Miracle.

 

 

 

Home Alone

Released                                           11/16/90

Starring                                              Macaulay Culkin, Joe Pesci, Daniel Stern        

Director                                              Chris Columbus (Only the Lonely, Mrs. Doubtfire, Harry Potter and the Sorcerer’s Stone)

Rotten Tomatoes                              55%

A mischievous child is accidentally left behind in Chicago while his family jets off to a holiday getaway in Paris. The boy is then faced with having to defend his house on Christmas Eve against two inept crooks who are looting the entire neighborhood while everyone is out of town. There was a sequel made a couple of years later that is pretty good and will be a part of this project, and then a couple of other “sequels” that may retain the title but have none of the magic of their predecessors.

 

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Mixed Nuts

Released                                           12/21/94

Starring                                              Steve Martin, Madeline Kahn, Rita Wilson, Adam Sandler    

Director                                              Nora Ephron (When Harry Met Sally, Sleepless in Seattle, You’ve Got Mail)

Rotten Tomatoes                              7%

An all-star cast makes this blip on the pop culture radar somewhat memorable. The story revolves around employees of a suicide hotline that’s about to go under right at Christmastime. There are a lot of interconnecting storylines in a madcap adventure that…on paper…should work, especially given the amount of talent involved. Unfortunately it’s a hot mess and has appeared on various Worst Movies Ever lists.

 

The Verdict:       Home Alone. A no-brainer. I assume I’m not alone in adoring the work of many of those involved with Mixed Nuts, but all of those ingredients thrown together inexplicably results in something that I suppose has fans somewhere, but they are surely few & far between. Conversely, Home Alone has become a beloved Christmas tradition.

 

 

 

 

How the Grinch Stole Christmas

Released                                           12/18/66

Starring                                              Boris Karloff, Thurl Ravenscroft   

Director                                              Chuck Jones

Rotten Tomatoes                              100%

Dr. Seuss wrote Grinch in 1957, and a decade later it was turned into a 30 minute animated special featuring the voice talents of horror icon Boris Karloff and Thurl Ravenscoft, known better as the original voice of Kellogg’s Tony the Tiger. The story is about a bitter cave dwelling creature who hates Christmas and decides to “steal” it from the delightfully optimistic & cheerful villagers in Whoville. We’ve been watching The Grinch every holiday season for over a half century, and it is adored by multiple generations. A live action film was made in 2000 starring Jim Carey as the titular character, and while I am aware that it has its fans I do not count myself among them. I’ll stick with the treasured original.

 

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Christmas Every Day

Released                                           12/1/96

Starring                                              Erik Von Detten, Robert Hays      

Director                                              Larry Peerce (The Other Side of the Mountain)

Rotten Tomatoes                              40% (a)

This was a made-for-television film shown on The Family Channel (aka ABC Family, now known as Freeform). I’m not typically a fan of made-for-TV movies. The production values are usually subpar and the writing isn’t always that good. Hallmark shows a ton of Christmas films every December that are mildly entertaining but ultimately forgettable, and Freeform, thru its many incarnations, has made contributions to the sub-genre. This movie is one of the few examples of such entertainment that has tickled my fancy and remains on my radar. The story revolves around a bratty teenage boy who relives the same Christmas over & over until he gets it right. Essentially it is a Christmas version of Groundhog Day, sans the talent of Billy Murray & Harold Ramis. I’m not sure why I like it, but I do.

 

The Verdict:       The Grinch. Another easy decision.

 

 

 

The Ref    

Released                                           3/9/94

Starring                                             Denis Leary, Kevin Spacey, Judy Davis, Glynis Johns           

Director                                             Ted Demme  (Blow)

Rotten Tomatoes                              71%

A thief on the run on Christmas Eve kidnaps a bickering couple and hides in their house while cops comb the town looking for him. Things are further complicated when the couple’s delinquent son comes home from military school and the dysfunctional extended family drops by for dinner. Kevin Spacey is phenomenal in almost everything he does, and standup comic turned actor Denis Leary is perfectly cast as the acerbic criminal. In contrast to Mixed Nuts the cast of The Ref takes an otherwise pedestrian script and spins it into comic gold.

 

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Fred Claus

Released                                           11/9/07

Starring                                              Vince Vaughn, Paul Giamatti, Elizabeth Banks           

Director                                              David Dobkin            (Wedding Crashers)

Rotten Tomatoes                              21%

Vince Vaughn stars as Fred, the slacker brother of Santa. When Fred runs into money problems his brother agrees to bail him out only if he pops up to the North Pole to help during the Christmas rush. Hilarity ensues. The conceit here is that Santa, because he is a saint, has been able to make his family ageless, so there is a time travel element that is sort of cool though sadly glossed over. Paul Giamatti is one of my favorite actors, and he puts a unique spin on a character that has been portrayed numerous ways in countless movies. Vaughn plays the same loveable loser that he portrays in almost all of his films, but that’s alright because it’s a formula that seems to work for him. Critics despise Fred Claus, and it didn’t do that great at the box office, but it is a pleasant enough diversion on a cold winter’s night.

 

The Verdict:       The Ref. There is a really funny scene in Fred Claus involving Frank Stallone, Roger Clinton, & Stephen Baldwin, all guys with brothers more famous than them. Outside of that Fred Claus is a rom-com wannabe that just doesn’t stick to one’s ribs, although it isn’t nearly as terrible as you might have heard. The charms of Vaughn & Giamatti are considerable, though not quite enough to make the movie anything close to memorable. Conversely, The Ref is an underrated gem that deserves to be shown on TV a plethora of times every December, but it’s never quite achieved that level of popularity.

 

 

 

A Christmas Carol (1938) 

Released                                           12/16/38                                                        

Starring                                              Reginald Owen, Gene Lockhart

 

Director                                              Edwin L. Marin

Rotten Tomatoes                              100%

There is no shortage of A Christmas Carol adaptations out there, and we’re going to be discussing several of them. The 1938 version is a jovial take on Dickens’ novella that omits some of the more macabre aspects of the story and takes other liberties in altering or expanding the plot. I’m not a huge fan of needlessly changing a book’s narrative for the film, but I must admit that this one works.

 

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Bad Santa

Released                                           11/26/03

Starring                                              Billy Bob Thornton, Tony Cox, Lauren Graham

Director                                              Terry Zwigoff

Rotten Tomatoes                              78%

Department store Santas provide a convenient jumping off point for Christmas movies, and this one puts a…unique…spin on that particular element. Reflecting a 21st century move toward defining vulgarity as funny, the Santa Claus here is a hard-drinking, profanity spewing horndog who also happens to be a thief. He & his partner-in-crime, a “little person” who can conveniently portray Santa’s elf, are using the holiday season to case a shopping mall that they plan to rob on Christmas Eve. Things get complicated when Santa gets a girlfriend and befriends a strange young boy. Critics…surprisingly…really like the film and Billy Bob Thornton was even nominated for a Golden Globe for his performance. I know there are those that absolutely love Bad Santa and laugh hysterically at every F-Bomb. I don’t consider myself a prude by any stretch, but I do try to be a Godly man and also pride myself on having a somewhat sophisticated entertainment palate. This movie is targeted toward teenagers & 20-somethings with a serious case of arrested development. A sequel was made in 2016, and it’s equally as….ehhhh…let’s just be nice and say neither film really frosts my cupcake.

 

The Verdict:       A Christmas Carol. This is purely a personal choice for me. If you love Bad Santa I won’t judge you, and if you dislike this particular version of A Christmas Carol I completely understand & might even agree with some of your reasoning. That being said, if I’m flipping thru the channels on a lazy Saturday in December and both of these movies are on TV I know which one I’d choose to watch.

 

 

 

Scrooged

Released                                           11/23/88

Starring                                              Bill Murray    

Director                                              Richard Donner (Superman, The Goonies, the Lethal Weapon franchise)

Rotten Tomatoes                              68%

I was a little late to the party when it comes to Scrooged, having not ever watched it until atleast a decade & a half after its release. It is a modern, strange, yet oddly faithful retelling of the Dickens tale, with Bill Murray as a greedy television executive who is verbally abusive to his employees and still pines for a lost love. It has become a cult classic that’s not necessarily thought of as being on the same level as other holiday favorites, but three decades after its release it is still shown on television annually and seems to have grown in reputation in the past several years.

 

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Love the Coopers

Released                                           11/13/15

Starring                                              Marisa Tomei, John Goodman, Ed Helms, Diane Keaton

Director                                              Jessie Nelson

Rotten Tomatoes                              19%

There seems to be a growing trend in the holiday movie genre of putting together a large cast of well-known and highly regarded performers in a story that usually revolves around family angst. I get along great with my nuclear family as well as other relatives like aunts, uncles, & cousins, so I can’t really relate to such anxiety. Our Christmas gatherings are normally quite pleasant. However, I assume such dysfunction does actually exist. Love the Coopers is a newer entry into the mix, and though I really like the actors involved, at the end of the day it is a completely forgettable movie that I’m not sure I’d bother to watch again unless I was really bored.

 

The Verdict:       Scrooged. Citizens of The Manoverse will recall that I consider repeat viewings an essential indicator of a good film. If it’s being shown on television years after its initial theatrical run and if I’m still being entertained by it after I’ve seen it dozens of times then somebody somewhere did something right. Scrooged fits that description…the competition does not.

 

 

 

The Santa Clause 2: The Mrs. Clause        

Released                                           11/1/02

Starring                                              Tim Allen, Elizabeth Mitchell        

Director                                              Michael Lembeck

Rotten Tomatoes                              54%

All three of Tim Allen’s Santa Clause movies are included in Merry Movie Mayhem, and I feel like this one gets shortchanged. You may have noticed that the original film and the third entry in the trilogy show up on TV often enough, but this second film is frequently skipped over. I read somewhere that the notion that Santa must find a wife to keep his job is considered by some to be old-fashioned or even misogynistic, which is utterly ridiculous logic. Elizabeth Mitchell, known by some for her work on the television show Lost, is radiant & enchanting. The biggest issue with The Mrs. Clause is that it came out eight years after its predecessor, which was probably 4 or 5 years too late.

 

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Home for the Holidays

Released                                           11/3/95

Starring                                              Holly Hunter, Robert Downey Jr. 

Director                                              Jodi Foster

Rotten Tomatoes                              62%

Dysfunctional family dramedy isn’t reserved for Christmas…families gather on Thanksgiving too. Another highly regarded ensemble cast is involved, which means that critics praised the film upon its release. It even has a well-known director, a rarity for the genre. I’m pretty sure Robert Downey Jr. was whacked out on cocaine throughout the film, and I find his manic display distracting. Two decades after its theatrical run I don’t feel like Home has really aged well, although it still pops up on TV occasionally around Thanksgiving.

 

The Verdict:       The Santa Clause 2. This matchup would likely generate a spirited debate among film buffs. Home for the Holidays certainly has the stronger cast and is admittedly well-written, but I’ve just never been able to embrace it. Conversely, there are those that consider The Mrs. Clause to be the weakest entry of that trilogy, and it does seem to get shafted as far as being shown on television, yet I find it completely charming.

 

 

 

Scrooge (1970)         

Released                                           11/5/70

Starring                                              Albert Finney, Sir Alec Guinness

Director                                              Ronald Neame (The Poseidon Adventure)

Rotten Tomatoes                              75%

I generally prefer movies that stay true to the books they are based on, but I understand that when a story like A Christmas Carol is remade over & over people want to try something new and distinctive to stand out from the crowd. This version of Carol is a musical that is actually more faithful to the novella than one would think. It is a testament to the acting ability of Albert Finney that he was only 34 years old when he portrayed the elderly Ebenezer Scrooge, and he was rewarded with a Golden Globe for Best Actor in a Musical or Comedy.

 

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Blackadder’s Christmas Carol

Released                                           12/23/88

Starring                                              Rowan Atkinson, Robbie Coltrane          

Director                                              Richard Boden

Rotten Tomatoes                              84% (a)

You probably haven’t seen it and may not have even heard of it. Blackadder is the titular character of a British television series that aired on the BBC in the 1980’s, with comedian Rowan Atkinson starring as Edmund Blackadder, an opportunistic descendant of an unspecified royal family. In this Christmas special Blackadder, in contrast to the traditional portrayal of Scrooge, is “the nicest man in England”, with the twist being that the ghost (there is only one…portrayed by Robbie Coltrane, better known today as Rubeus Hagrid in the Harry Potter films) who visits him on Christmas Eve showing Blackadder that “bad guys have all the fun”, resulting in him waking up bitter, disillusioned, & meanspirited. I am not a huge fan of British humor, but Atkinson is hilarious and this bizarro world take on the familiar story is unexpected fun.

 

The Verdict:       Scrooge. This is a tough one, but I lean toward Scrooge a) due to its award winning pedigree, and b) because Blackadder is tough to find if you’re not really searching for it. Scrooge has shown up on American Movie Classics (or maybe it’s Turner Classic Movies) with some regularity over the years.

Superfluous 7 Best Thanksgiving Pop Culture Traditions

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7       Home for the Holidays

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Why are families in holiday movies always so unhappy & dysfunctional?? I’m not sure it is always what I would consider funny, but it’s usually entertaining in a professional wrestling kind of way. This 1995 offering serves us an all-star cast including Holly Hunter, Robert Downey Jr., Anne Bancroft, & Clare Danes. Hunter stars as a recently downsized art restoration specialist going home to spend Thanksgiving with her peculiar family, including a stodgy sister & brother-in-law, a gay brother, & crazy parents. Did you know that the actress who portrays the weird aunt is the daughter of Charlie Chaplin?? To be honest more kudos should be given to the casting director than anyone else involved with the film, and cocaine probably deserves a tip of the cap for Downey’s frenzied performance. I’m not sure Home for the Holidays is particularly remarkable in the grand cinematic universe or even amongst holiday fare, but it’s entertaining enough.

6       Miracle on 34th St.

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I struggled a bit with this choice because it’s a Christmas movie and our present mission is all about Thanksgiving. I’ve said for years that Thanksgiving is almost treated dismissively, like a pit stop on the way to something bigger & better. However, the link between the two holidays and the fact that they bookend a month long celebratory season cannot be denied. This 1947 classic in which Santa Claus is “put on trial” opens with a unique look at a certain annual parade that just so happens to take place on Thanksgiving Day. For that reason it is often the first Christmas movie I watch. A couple of things should be noted. First of all there are two versions of the original movie…the black & white edition and a hideously colorized copy. Y’all can do whatever makes you happy, but when I see the colorized film on TV I just keep channel surfing. What can I say…I’m a traditionalist. Also, a remake was made in 1994 starring the lovely Elizabeth Perkins and I have nothing bad to say about it except that it’s a remake. Watch them both if you like, but definitely do not overlook the original in lieu of its modernized rehash. One is a perfectly tasty hamburger, while the other is flawless filet mignon.

5       A Charlie Brown Thanksgiving

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It’s probably third on the list of beloved Peanuts animated specials, but that’s okay. Originally aired back in 1973, the story follows Charlie Brown & Snoopy as they prepare a Thanksgiving “feast” that they’ve been roped into hosting by Peppermint Patty and her “friend” Marcy. The dinner hilariously consists of popcorn, toast, pretzels, jelly beans, & ice cream sundaes, which sounds like a meal I might have consumed after a few late nights back in college. All’s well that ends well though, as all the kids end up hopping in the ol’ Brown family station wagon and heading to Grandma’s house for an actual meal. I am always intrigued by the complete lack of adults in the Peanuts world. They are there, but we never see them.

4       Turkeys Away!!

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Practically every television program ever produced has aired Thanksgiving themed episodes, but very few are memorable beyond its initial airing or stand out in the canon of the show itself. This is an exception. I have opined previously that WKRP in Cincinnati is an underrated show, but among its four seasons one episode has stood the test of time. Originally aired on October 30th, 1978, Turkeys Away was only the 7th episode of Season 1. That’s like hitting your life’s peak in grade school!! The story follows station manager Mr. Carlson’s idea for the greatest Thanksgiving radio promotion of all time. The entire cast is fantastic, but special recognition must go to Richard Sanders as austere yet clueless news anchor Les Nessman. To my knowledge Sanders was never even nominated for an Emmy, which is criminal. If you are so inclined the show is easily found online, or if you have a streaming device on your TV it is available there as well.

3       Planes, Trains, & Automobiles

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There are very few Thanksgiving films out there, but even if there were alot more I have to believe this would still be the best. John Candy & Steve Martin are a match made in cinematic heaven, carrying what is essentially the kind of buddy/road trip flick that has been done many times over (The Blues Brothers, Rain Man, Dumb & Dumber, Tommy Boy, Sideways, The Hangover) to a higher level. It doesn’t hurt that the film was written, produced, & directed by the incomparable John Hughes. Planes, Trains, & Automobiles subtly & hilariously makes the point that, unlike other holidays when we may get caught up in…stuff…like presents, chocolate, roses, fireworks, or parties, the primary goal for most of us on Thanksgiving is to be somewhere we consider home, amongst family & friends.

2       NFL Football

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Pro football has been played on Thanksgiving since the sport’s earliest days in the late 19th century. The first Thanksgiving football game took place in Philadelphia on Thanksgiving Day of 1869, only a couple of weeks after Rutgers beat Princeton in what most still say was the first American football game and only six years after President Lincoln declared Thanksgiving a federal holiday in 1863. The Detroit Lions have hosted a game each season since 1934, and the Dallas Cowboys began their own tradition in 1966. In the past decade a third game has been added to the mix since Thursday night football became a regular part of the NFL schedule. College football is part of the Thanksgiving recipe, but since conference realignment has eliminated some of the best rivalries the impact has been reduced, and regardless of that fact the really big games are usually saved for Saturday. Sure it’s still Thanksgiving Weekend…but it’s NOT Thanksgiving.

1       Macy’s Thanksgiving Day Parade

Macy’s Department Store was founded in 1843 by a Massachusetts Quaker. A couple of decades later he relocated the store to New York City. A century & a half later, thru mergers, bankruptcies, buyouts, & all the other maneuverings that occur in corporate America Macy’s has nearly 800 stores, but the New York City location has stood tall as the largest department store in the world, taking up over 1 million square feet of space and an entire NY City block. Macy’s acquired a Newark, NJ store called Bamberger’s in 1924 and decided to move its Thanksgiving parade to The Big Apple. The parade’s origins are said to have come from store employees, many of whom were immigrants that wanted to celebrate their new home country, and what’s more uniquely American than Thanksgiving?? Of course it doesn’t take a genius to see the connection between a retail establishment and the kickoff of the big Christmas shopping season as well, which is why this Thanksgiving tradition always ends with the appearance of Santa Claus. The parade was first broadcast on national television by CBS in 1948, although it had been on local TV a few times before that. NBC has shown the parade annually since 1952. From the huge cartoon character balloons (Mickey Mouse, Popeye, Superman, Woody Woodpecker) to the marching bands to the badly lipsynched songs by whatever pop artists are in vogue that year it’s all very old-fashioned & kind of peculiar, but in a good way. Parades are a unique slice of Americana, and this is the biggest parade on perhaps our most singular holiday.

80’s Movie Mania: Gnarly Round 1

Welcome back to 80’s Movie Mania!! Before we move on let’s tie up some loose ends. I’m still not getting more than a couple of votes on the polls I post, which is rather vexing. Anything below double digit votes and it’s my call and that’s not how I’d prefer this whole thing work, but it is what it is. So…in the Tubular Division’s first round it’s La Bamba over Three Men & A Baby, Bill & Ted’s Excellent Adventure over History of the World Part 1, and European Vacation with a bit of an upset over Three Amigos!. Today we focus on first round matchups in the Gnarly Division. Enjoy.

 

 

 

Gnarly – Round 1

 

The Outsiders              vs.              My Tutor

outsidersThe Outsiders is based on a 1967 novel written by an Oklahoma high school girl. The story revolves around a gang of boys called The Greasers, who are essentially a tougher, darker version of The T-Birds from Grease, and their battles with the neighborhood preppies called The Socs (pronounced “soshas”). The film was made in 1983 and has remained in the collective pop culture consciousness because it stars several young up n’ comers who would go on to become Hollywood superstars…Matt Dillon, Patrick Swayze, Tom Cruise, C. Thomas Howell, Rob Lowe, Emilio Estevez, Diane Lane, & 45 year old Ralph Macchio (the future Karate Kid), here playing a junior high schooler. My Tutor is a personal favorite of the teen sex genre. Also produced in 1983, it tells the story of a recent high school graduate who must pass a French exam to secure admission into Yale. He’s more interested in chasing women and trying to lose his virginity (that again), but his rich Daddy hires a tutor to make sure he studies for and passes the test. Fortunately the tutor is young, blonde, hot, & enjoys late night skinny dipping in the family pool. Not surprisingly the kid passes French and gets lucky with the tutor.

 

The Verdict:       The Outsiders. To be honest My Tutor isn’t a great movie. I’m not even sure it is all that good. But it came along at just the right time (probably around the summer of ’84 on video and HBO) to rev the engines of a certain 12/13 year old boy, which is why it holds a special place in my heart. Actress Caryn Kaye: I’ll never forget you. However, The Outsiders is a juggernaut of greatness. It is based on a good book, directed by the legendary Frances Ford Coppola, and has an amazing cast. This is the very definition of an unfair fight. And I’m kidding…Macchio was only 22 when he starred as a high school student The Outsiders.

 

 

 

 

Weird Science             vs.              Raising Arizona 

WeirdScienceIs Weird Science a Brat Pack film?? Ehhhh…kinda sorta not really…but close enough (it was written & arizonadirected by John Hughes afterall). It came out in 1985, which is why Anthony Michael Hall didn’t reprise his role as Rusty Griswold in European Vacation. He chose this movie instead. The story follows a couple of high school geeks who decide to use a computer to build their perfect woman. Somehow it works and the guys suddenly become popular. The woman…whom they name Lisa…teaches them a few things about life and does much to improve their confidence and self-esteem. Weird Science is amongst the earliest works of both Robert Downey Jr. & Bill Paxton and has a very 80’s soundtrack featuring songs from Oingo Boingo, Ratt, & Van Halen. 1987’s Raising Arizona was one of the first films written, produced, & directed by Joel & Ethan Coen, who have since had tremendous success with movies like Fargo, The Big Lebowski, O Brother Where Art Thou?, & No Country for Old Men. Raising Arizona stars Nicolas Cage & Holly Hunter as a career criminal and police officer respectively, who marry but are unable to have children. They hatch a plot to kidnap one of the infant quintuplets of a well-known local businessman, because “anybody with five babies won’t miss one”. Of course things quickly get hilariously out of control. It is a twisted, madcap, slapstick farce, with Cage at his over-the-top zany best.

 

The Verdict:       I have my opinions, but I’m going to give The Manoverse an opportunity to weigh in. Vote!! Tell your friends to vote!!

 

 

48 Hrs.                vs.              Teen Wolf 

4848 Hrs. was one of the first of its genre…the mismatched buddy cop film. It is a formula that works really teenwolfwell when a delicate balance between action & comedy is achieved, and has since become the foundation of a plethora of films with mostly diminishing returns. In 1982 Eddie Murphy was still a regular on Saturday Night Live (he wouldn’t depart until two years later) but snagged his role in this movie when plans to cast Richard Pryor fell through. It is still amongst Murphy’s best work. The story has Nick Nolte as a San Francisco detective who enlists the help of a wisecracking criminal nearing the end of his prison sentence to track down a dangerous escaped convict. The humor is provided by Murphy but is also found in the dysfunctional relationship between an uptight cop and his streetwise partner (in this case a thief). 1985’s Teen Wolf stars Michael J. Fox as a high school basketball player who discovers that lycanthropy is in his bloodline and he has inherited the condition. He uses his newfound “talent” to become the coolest guy at school and lead his basketball team to success, though it all eventually backfires on him and he figures out that just being himself might be preferable. Fox made Teen Wolf right after the first Back to the Future film. The combined success of the two movies, along with the popularity of the TV show Family Ties, cemented Fox’s place as a bona fide star.

 

The Verdict:       48 Hrs. This is a tough call, but Teen Wolf, though a fun popcorn flick, isn’t even the best work that Michael J. Fox did in 1985. Conversely, if Eddie Murphy was still as good in his more recent movies as he was in 48 Hrs. he’d still be on top instead of an afterthought resting on his laurels.

 

 

 

 

Beetlejuice          vs.              Turner & Hooch

beetlejuiceEveryone pretty much knows going in that a Tim Burton film is going to be a weird experience, and 1988’s hoochBeetlejuice is no exception. Alec Baldwin & Geena Davis star as a couple happily settling into their idyllic New England home when they meet an untimely demise. But instead of walking on streets of gold or burning in perpetual fire they find themselves back in their house. That’d be okay, except for the fact that another family soon moves in. The original (now dead) owners want to run this new family off and enlist the help of the titular ghost, a “freelance bio-exorcist”. Hilarity ensues. Part comedy, part horror film, Beetlejuice has enjoyed a cult following (pun unavoidable) for a quarter century, mostly due to the manic performance of Michael Keaton as the title character. Winona Ryder is also…interesting…as the goth daughter of the odd family that has moved into the house. 1989 brought us Turner & Hooch, in which Tom Hanks stars as a California police detective who teams up with a rather ugly, destructive, slobbery dog to bring down a drug lord. It’s a different take on the buddy cop genre, or atleast it would have been different if the very comparable K-9 starring Jim Belushi hadn’t been released the same year. But since, in most people’s hearts & minds, Hanks > Jim Belushi this movie is generally thought of as the better of the two.

 

The Verdict:       Beetlejuice. To be honest it’s not exactly my kind of flick, but the cast is undeniably great and it is one of Keaton’s signature roles, despite the fact that he’s really not onscreen that much. I like Turner & Hooch just fine, but it just ran into stiff competition. Sometimes those are the breaks.

 

 

 

 

Purple Rain                  vs.              Crocodile Dundee

purpleWhich came first…the song or the movie?? In the case of 1984’s Purple Rain the song (and album of the crocsame name) was released just before the film, which essentially serves as unique advertising for the album. Prince stars as a small-time Minneapolis musician battling thru problems at home with abusive parents, professional rivalries in his music career, & a rocky relationship with the lovely Apollonia. Paul Hogan was already a well-known actor & comedian in his native Australia, but he became a worldwide celebrity in 1986 after the release of Crocodile Dundee. The story follows a NY City magazine writer who travels to The Outback for a story about a bushman that’s been involved in some almost mythological exploits. She finds that Mick (as he prefers to be called) isn’t quite as legendary as the anecdotes about him would indicate, but is nevertheless a really fascinating individual. The writer invites the bushman back to The Big Apple to finish the story, at which point the film becomes a classic fish-out-of-water story with a little romance thrown in for good measure. Two sequels followed over the course of the next fifteen years, but neither retained that witty charm of the original.

 

The Verdict:       Crocodile Dundee. Purple Rain has a kickass soundtrack, but that’s about it. Dundee puts a unique spin on a formulaic concept and is good for more than a few laughs.

 

 

 

Biloxi Blues                  vs.              Parenthood

biloxi-bluesIt is said that the character of Eugene Jerome is an autobiographical representation of playwright Neil parentSimon and his youth in Brooklyn during The Great Depression. In the 1988 dramedy Biloxi Blues, the second installment of The Eugene Trilogy, Matthew Broderick portrays Eugene as he heads off to basic training near the end of World War II. The viewer will recognize several young faces that you can’t quite remember where you know them from, but the best parts of the film are the interactions between Eugene and his quirky drill instructor, played by the incomparable Christopher Walken. 1989’s Parenthood is an ensemble dramedy with an all-star cast including Steve Martin, Mary Steenburgen, Jason Robards, Dianne Weist, Keanu Reeves, Rick Moranis, & Joaquin Phoenix. It has been adapted as a TV series twice. The first try was in 1990 and starred Ed Begley Jr., David Arquette, & Leonardo DiCaprio (you may have heard of him). It lasted for only one short season. The second attempt, starring Craig T. Nelson, Bonnie Bedelia, & Lauren Graham was better received and recently concluded its run after 6 seasons.

 

The Verdict:       This is a tough one, so I am going to leave it up to The Manoverse. I would REALLY love some help deciding this matchup folks!!

 

 

 

Police Academy          vs.              The Last Starfighter

police-academyPolice Academy was released in 1984 and was followed by six sequels in the next decade. For awhile it starfighterseems like a new Police Academy film was made every year, and there have been (unsuccessful) efforts to revive/reboot the series in the past several years. However, the only film that really matters is the original. It was fresh, funny, well-written slapstick comedy with a talented cast. Steve Guttenberg headlined a class of misfits trying to become police officers (for various reasons). It is an obvious riff on The Bad News Bears, but that’s okay. It’s another formula that works. 1984’s The Last Starfighter tells the story of a teenager named Alex who is obsessed with a particular video game. Because he is so skilled at the game it is revealed to him that it is actually real, and he is whisked off to outer space to help save the planet Rylos while a robot doppelganger fills in for him on Earth. The film’s special effects may seem a bit cheesy now, but thirty years ago they were pretty remarkable. The scenes with Alex’s robot double are quite funny. This is a movie that will get remade someday because Hollywood won’t be able to resist updating it with all the latest & greatest gadgetry at their disposal, but it’ll have to be a heck of an effort to improve on the original.

 

 

The Verdict:       The Last Starfighter. Reminiscent of a NASCAR photo finish, this is a really close call. I would be lying if I didn’t admit that the plethora of subpar Police Academy sequels don’t carry some weight in my decision, as they really did water down the perception of the first film’s originality, charm, & humor. While The Last Starfighter doesn’t rank alongside Star Wars or Star Trek, it is a fun, quirky, unique entry in the sci-fi genre.

80’s Movie Mania: Tubular Round 1

Welcome back to 80’s Movie Mania!! Unfortunately I’m still not getting the interactive response I’d hoped for, so I am forced to make decisions on the polls I posted for the first round of the Bodacious Division. To that end: Weekend at Bernie’s conquers Bachelor Party, Cocktail beats Stripes, and Iron Eagle defeats An Officer & A Gentleman. Now we move on to first round matchups in the Tubular Division. I am persistent so there will be more polls. Please vote. Enjoy!!

 

 

 

Tubular – Round 1

Bill & Ted’s Excellent Adventure   vs.   History of the World Part I
btdThis is a matchup for all you history buffs!! Bill and Ted are two California stoners destined to do great History-of-the-World-Part-1-mel-brooksthings in the future…if only they can pass their high school history exam. To help them in their 1989 epic adventure George Carlin travels back in time in a phone booth and introduces the two mindless teens to historical figures like Billy the Kid, Napoleon Bonaparte, Socrates, Sigmund Freud, Beethoven, & Abraham Lincoln. As you might imagine it’s a pretty funny trip thru the ol’ space-time continuum. A sequel came out a couple of years later but it lacks the magic of the original. The 1981 epic History of the World Part 1 is written, produced, & directed by the legendary Mel Brooks. It is comprised of short segments parodying events set in The Stone Age, The Old Testament Biblical era, The Roman Empire, The Spanish Inquisition, & The French Revolution and stars some pretty big names like Orson Welles (who narrates), Dom Deluise, Sid Caesar, Shecky Greene, Harvey Korman, Bea Arthur, Cloris Leachman, & Brooks himself. The humor is kind of old school vaudeville mixed with Americanized Python-esque zaniness…and it works.

The Verdict: Okay Manoverse…I’m giving you another shot here. Can we get atleast 10 votes on this one??

 

 

 
WarGames   vs.   The Best Little Whorehouse in Texas
wargamesWhat would happen if a precocious teenage computer hacker inadvertently started World War III?? best-little-whorehouse-texas-dolly1983’s WarGames addresses that idea. It was the first starring role for both Matthew Broderick & Ally Sheedy and is a fun, entertaining, vaguely conceivable, well written thrill ride. 1982’s The Best Little Whorehouse in Texas is based on a Tony Award winning Broadway musical and stars Dolly Parton as the madam of a brothel whose…activities…are largely ignored because the madam is in a relationship with the local sheriff, portrayed by Burt Reynolds (still one of the biggest actors in the world at the time). Things get riotously complicated when a Springer-esque talk show host portrayed by Dom Deluise decides to expose the “chicken ranch”.

The Verdict: WarGames. The Best Little Whorehouse in Texas is an amusing yet forgettably frivolous comedy we recall only because of its above average cast. WarGames is really well done, taking a heavy subject and spinning it into enjoyable entertainment.

 

 

Scarface   vs.   License to Drive
scarface1Al Pacino is still one of the best actors in the world and has been for over four decades, with 1983’s coreysScarface being one of his most treasured films. Pacino stars as Cuban drug lord Tony Montana in a violent story about cocaine & organized crime that was written by the infamous Oliver Stone and helmed by heralded director Brian DePalma. License to Drive is a 1988 comedy starring The Coreys…Haim & Feldman…about a 16 year old kid who takes his grandfather’s vehicle out for some misadventures despite having failed his driving test. The cast also includes Carol Kane, Heather Graham, & One Day at a Time’s Richard Masur.

The Verdict: Scarface. It isn’t necessarily my cup of tea, but considering the competition this is a no brainer. Even The Coreys made better movies than License to Drive.

 

 
Three Amigos!   vs.   European Vacation
Three-AmigosIt’s Chevy Chase vs. Chevy Chase!! In 1986’s Three Amigos! Chase co-stars with Steve Martin & Martin euroShort as dimwitted silent film actors in the early 20th century who inadvertently become involved in a battle against a bandito who is terrorizing a small Mexican village. They think they have been recruited to simply put on a show, but the young senorita who has enlisted their help mistakenly believes they are genuine heroes that can save her neighborhood. Hilarity ensues. Three Amigos! has never won any awards, but it is a quirky showcase for the inimitable talents of a trio of comedy legends. European Vacation is a 1985 follow-up to the original Vacation wherein the wacky Griswold clan wins an all-expenses paid tour of Europe on a goofy game show. As usual things go horribly yet hilariously wrong for Clark, Ellen, Rusty, & Audrey. It isn’t as funny as the first film or 1989’s Christmas Vacation, but European Vacation has its charms and upon further review is better than the first impression it might have left back in the day.

The Verdict: This one is in your hands too Manoverse. I’m counting on you!!

 

 

 
Three Men & A Baby   vs.   La Bamba
3menOnce again we have a trio of big name co-stars…in this case Tom Selleck, Ted Danson, & Steve Guttenberg. labambaThree Men & A Baby was the highest grossing film of 1987, beating out the likes of Fatal Attraction, Good Morning Vietnam, Moonstruck, The Untouchables, Dirty Dancing, Lethal Weapon, and Planes, Trains, & Automobiles. The story finds three NY City bachelors suddenly tasked with taking care of an infant that one of them has fathered. The men have no clue what they are doing and therein lies the comedy. The film was directed by Star Trek’s Leonard Nimoy and was followed a few years later by an unremarkable sequel. Word on the street is that a third film…three decades after the original…is in the works. La Bamba was also made in 1987 and is a biopic of Richie Valens, a Latino rocker in the 1950’s who had a few big hits before his life was cut short on The Day the Music Died in a plane crash that also killed Buddy Holly and The Big Bopper. La Bamba has an awesome soundtrack and Lou Diamond Phillips is mesmerizing as Valens.

The Verdict: 1987 was a really good year in film!! I’m also leaving this one up to y’all. Let’s get those votes in!!

 

 

 

Porky’s   vs.   Mr. Mom
porkys1982’s Porky’s is the quintessential teen sex comedy. Actually it is a forefather to movies like Superbad, mrmomRoad Trip, & American Pie in a genre that keeps on keepin’ on with decidedly uneven results. Porky’s is set in the 1950’s and has a group of Florida high schoolers on the typical quest to lose their virginity, ticking off a local nightclub owner in the process. There are no big stars in the film, but it was directed by Bob Clark, who would use the success of Porky’s to launch his passion project…a little ditty called A Christmas Story. You may have heard of it. 1983’s Mr. Mom is amongst the early works of Michael Keaton, still one of the most underrated actors out there to this day. Keaton co-stars with the lovely Teri Garr as an engineer downsized from Ford Motor Company who becomes a stay-at-home Dad while Mom re-enters the work force at an ad agency. It is Keaton at his funniest.

The Verdict: Mr. Mom. The basic plot of Porky’s has been done better in other films. Meanwhile, Mr. Mom is an oft overlooked gem that really showcases Keaton’s comedic talent.

 

 

Moonstruck   vs.   Flashdance
moonstruckI have long opined that Cher is a much better actress than singer, and the 1987 rom-com Moonstruck is flashdanceone of her more memorable performances, earning her an Oscar for Best Actress. Olympia Dukakis won the Oscar for Best Supporting Actress and the movie itself was nominated for Best Picture, losing out to The Last Emperor, which also beat out Broadcast News and Fatal Attraction…a prime example of the folly and apparent crack smoking prowess of Oscar voters. At any rate, the real gem in Moonstruck is Nicolas Cage as a man who falls head over heels in love with his soon-to-be sister-in-law. 1983’s Flashdance tells the story of a female steelworker/stripper in Pittsburgh who wants to be a professional dancer. She becomes romantically involved with her boss (from the steel mill…not the nudie bar) and has to overcome feelings of inadequacy to chase her dream.

The Verdict: Moonstruck. I feel like Flashdance is remembered more for its soundtrack than for the movie itself. Meanwhile, the pedigree of Moonstruck cannot be denied.

100 Favorite Movies…..11-15

Okay…so I know it’s only August, but today you get two holiday films, with both Christmas and Thanksgiving being represented. It is also another tribute to the genius of John Hughes, as three of his movies show up. I want to take this opportunity to thank my loyal readers who have stuck with this series in the year since it began. When I originally envisioned it I had no idea it would take over a year. I suppose I did not realize I would have so many other things to write about, but I believe that to be a good thing. Enjoy.

 


15 Office Space

I have to give a shout out to a former co-worker of mine, Brad, who brought Office Space into my consciousness somewhere around 2002-ish. Somehow I had missed it when it was originally in theaters in 1999 but I wasn’t alone. Office Space has become a cult classic thanks to home video and television, not because anyone went to their local cineplex and paid $7 to see it. They didn’t. Anyhow, for me the timing of my introduction to this movie was perfect. Brad and I were both supervisors at a despicable telemarketing company at the time, and the plight of Peter, Samir, Milton, Michael Bolton, and the rest of the gang resonated on a myriad of levels. I had never…and still haven’t…read the Milton cartoons, but I was intrigued by the fact that the film’s director is Mike Judge, the creator of Beavis & Butt-head. I was a huge fan of Beavis & Butt-head in college. Needless to say, Office Space does not resemble Beavis & Butt-head in the least, but it is somewhat surprising that Judge has not had wider success on the big screen. Office Space is a look at the day-to-day grind at a software engineering company and focuses on Peter, a miserable white-collar worker bee who realizes that “Ever since I started working, every single day of my life has been worse than the day before it. So that means that every single day that you see me, that’s on the worst day of my life.” Now tell me…who among us hasn’t had a similar thought pattern at one time or another?? I would feel safe in betting that the vast majority of the working population aren’t spending 9-5 at their dream job and that in many ways a lot of people are somewhere along the scale of unfulfilled, unhappy, or downright miserable. And that’s just in their professional life. But this is a movie, so unlike real folks Peter stumbles onto an escape. During some sort of wacky couples therapy he is hypnotized to basically quit giving a damn, but the therapist keels over dead before Peter is completely brought out of his trance. The next day Peter feels happy and relaxed, without a care in the world. Hilarity ensues. The ensemble cast is superb. Peter’s best work buds are Samir, a man of Indian descent who is frustrated by people who cannot pronounce his name, and Michael Bolton, a guy who liked his name until he was 12 when “that no-talent assclown became famous and started winning Grammys.” They work with an eclectic group of oddballs, including muttering milquetoast Milton, who has an odd attachment to his stapler and who was actually laid off years ago but no one ever told him and a glitch in accounting keeps the paychecks coming, Tom, who invents a Jump to Conclusions board game that he hopes will be the next Pet Rock, and Lumbergh, the annoying, clueless, oblivious, hilarious boss that we all have had in one form or another. Along the way Peter gets a new gal pal, a waitress at a chain restaurant who hates her job as much as Peter hates his, interacts with a nosy neighbor whose biggest desire is to have a threesome, gets promoted by The Bobs, efficiency experts who love his frank directness & blunt honesty, and hatches a plan to slowly embezzle money from the company in a way that won’t be noticed. It’s all very absurd yet vaguely familiar, and if you’ve ever had a job you’ll appreciate Office Space as I do.


14 Planes, Trains, & Automobiles

The world’s best Thanksgiving movie, hands down. I suppose there isn’t much competition, but nevertheless Planes, Trains, & Automobiles is a great film. With the combined talents of Steve Martin and John Candy, not to mention uber writer/director/producer John Hughes, how could it not be?? Martin is Neal Page, an uptight advertising executive trying to get from NY City to Chicago in time to have turkey with the family. Candy is Del Griffith, an unkempt salesman who’s a wee bit too extroverted. He is also making the trek from The Big Apple to The Windy City. Unfortunately for both men the journey is far from smooth, with snowstorms, flight cancellations, train derailments, and a plethora of other humorous mishaps turning a short 3 hour trip into a 3 day adventure from Hell, atleast for Neal who just wants to be left alone but can’t seem to shake gregarious Del. As with most Hughes films, the fun is underlined with a slight hint of pathos, but not so much that it becomes mawkish, atleast until the last 5 minutes. But I am willing to overlook the last 5 minutes because of all the goodness that precedes them. Edie McClurg, known to audiences as the secretary in Ferris Bueller’s Day Off and an ever present nosy neighbor in the short lived 80’s sitcom The Hogan Family, has a very memorable cameo role in this movie that singlehandedly takes the rating from PG to R. I am not advocating foul language, but this scene is undeniably funny and belongs in the pantheon of great moments in film. Other than that the supporting cast is inconsequential because the two stars carry the well written story all by themselves. What might have been a typical, formulaic, clichéd “buddy flick” or “road trip movie” is taken to a whole new level in the capable hands of Hughes, Martin, and Candy. It is a shame that the two actors never did anything else together because they make a great duo. In his review of Planes, Trains, & Automobiles critic Roger Ebert said “The movies that last, the ones we return to, don’t always have lofty themes or Byzantine complexities. Sometimes they last because they are arrows straight to the heart”. This is so true, as we are able to see much of ourselves in the foibles of both Del and Neal, as well as the predicaments they share. But above all else we laugh, and as anyone who has read this list thus far knows that is what I like to do and what I prefer in the movies I watch. Planes, Trains, & Automobiles has become as much a part of my Thanksgiving tradition as turkey, football, and the Macy’s Parade, and I would happily counsel anyone to follow suit.

 

13 National Lampoon’s Vacation

Thus far there have been 4 Vacation flicks (and no…I’m not counting that God awful made-for-TV deal they did a few years ago). The second, European Vacation, was forgettable. The fourth, Vegas Vacation, was lazy, ill-conceived, and disappointing. The third, Christmas Vacation, will be discussed at a later time. But nearly 30 years after it first hit theaters the original Vacation is a bona fide classic that has aged surprisingly well. My family was never the vacationing type. The funds just weren’t there, so we took what my Dad calls “The Old Italian Vacation”…a week on the front porch and a week on the back porch. Those of you that have had the opportunity to take a lot of family trips may identify more closely with Vacation than I do, but that doesn’t mean us homebodies can’t appreciate the uproarious misadventures of the Griswold clan. Chevy Chase stars as patriarch Clark, a food additives manufacturer in suburban Chicago. Clark loves his family and wants to take the wife, Ellen, and his two young teenagers, Rusty and Audrey, on a summer vacation. The destination?? California’s Walley World, an obvious nod to Disneyland. But instead of hopping on an airplane Clark decides that he wants to “drive the tribe cross-country” because “getting there is half the fun”. Thankfully the viewers are the ones having all the fun, as the trip is one calamity after another. It begins before the family even makes it out of town, with a shady car salesman tricking the obtuse Clark into buying The Queen Family Truckster, a horrific pea green wagon with way too much imitation wood paneling, 8 headlights, and an air bag that looks like it came out of the kitchen trash can. The Truckster looks like The Exorcist threw up on The Brady Bunch, and the dealer hysterically says “You may think you hate it now, but wait ’til you drive it” . Along the trek westward the family gets lost in the ‘hood of St. Louis, getting their car spray painted and their hubcaps stolen…barely survives Clark falling asleep at the wheel…rouses the entire sleeping population of a small motel when Clark goes skinny dipping with a Ferrari driving babe played by model Christie Brinkley…and makes the mistake of visiting Ellen’s redneck cousin in Kansas. That cousin is married to an even bigger buffoon than Clark. Eddie is a great caricature of lowbrow Welfare culture, and his kids are a chip off the old block. One of them has a box full of pot under her bed and tells Audrey that she French kisses and that “Daddy says I’m the best at it”. The older son, in response to Rusty’s indignation that there are no video games or other modern forms of entertainment, shows his cousin a large porn collection and explains the joy of…self pleasure. Then there is Aunt Edna, who hates Clark for some unknown reason and is in need of a ride to Arizona to go live with her son. Throwing Aunt Edna…and her vicious dog…into the mix just adds to the merriment, and her ultimate fate may be the highlight of the film. Needless to say The Griswolds eventually make it to Walley World, but that too has a fantastic comedic twist. I would probably not be going too far out on a limb to assume that few who saw Vacation when it hit theaters realized what a gem they were seeing and that we’d still be watching all these years later. Part of the credit once again has to go to John Hughes, who wrote the screenplay based on his vacation adventures as a child. I am hearing rumors that a franchise rebirth is in the works, with a grown up Rusty taking his own family on a wacky vacation. One can only hope that it is a properly funny offspring of its predecessor and that we may be discussing it wistfully in three decades.

 

12 Home Alone

The final part of today’s John Hughes three-peat is also another Christmas movie. Don’t say I didn’t warn you. I cannot believe it has been 20 years since little Kevin McCallister was ditched by his family and had to fend off bumbling burglars with hilarious cartoon violence. 1990 was the year I graduated high school and entered college, so it is a very special moment in my life. Viewers had gotten a small dose of MaCaulay Caulkin the year before in Uncle Buck, but in Home Alone he takes center stage as an 8 year old boy inadvertently left sleeping while his family jets off to Paris for Christmas vacation. Now I have to admit, the setup is a bit improbable if only because Kevin’s family includes parents, siblings, cousins, and an aunt & uncle. One can realistically conceive of one or two people forgetting a small child…but upwards of 8-10 people?? One has to suspend disbelief a lot to buy into it, but I will give due credit…the writing is just clever enough that we do buy it. Kevin is doing just fine taking care of himself despite being afraid of an old neighbor fella who, local legend has it, is a serial killer and also getting a little freaked out by the furnace in the basement. Meanwhile, Kevin’s Mom is frantically trying to get back to Chicago to save her poor little crumb cruncher, with little help from local law enforcement or the airline industry. While all this is happening the McCallister’s neighborhood is being cased by Harry & Marv, two inept thieves calling themselves The Wet Bandits. Kevin fools them for awhile, but soon enough they figure out that he is…yes…you guessed it…home alone. Kevin overhears them plotting their pillage of his homestead and decides to fight back. Of course in the real world would a little kid stand a chance against two grown men?? Obviously not. But this is a movie, and Kevin takes care of business quite nicely. There are Hughes’ trademark moments of poignancy and sentimentality, but for the most part the story is ever so slightly edgy. Joe Pesci and Daniel Stern acquit themselves just fine as the clueless crooks, and the family does their part in driving the plot. But make no mistake…Home Alone is all about MacCaulay Culkin. I don’t know how or where John Hughes found him, but I’m glad he did. Hindsight tells us that Culkin was like a brand new car being driven off the lot and immediately beginning to lose value…his star would never quite shine so brightly again. But to millions of viewers every Christmas season, for a brief moment in time, he is and will continue to be that cute, innocent, funny 8 year old boy. Home Alone is required viewing in my household every November & December, and I would encourage anyone to make it part of their holiday tradition as well.

 

11 The Passion of the Christ

I really struggled in deciding where this movie would fall in the countdown. On the one hand, it is not entertainment and was never meant to be. One does not sit down with a cold beverage and a bowl of popcorn on a lonely Saturday night and decide to pop in The Passion of the Christ. However, I do feel like it is an important movie that everyone, especially those purporting themselves to be Christians, need to watch occasionally. The story should be familiar to almost everyone. It is the story of Jesus Christ, His earthly ministry in the company of 12 apostles, His pursuit, capture, crucifixion, and resurrection. The plot and most of the dialogue is taken directly out of the four gospels of Matthew, Mark, Luke, and John. Director Mel Gibson makes some interesting choices, especially having all the dialogue in Aramaic, Latin, and Hebrew. I am not usually a fan of films with subtitles, but using the original languages for this film was a brilliant decision and makes the story that much more beautiful. The movie generated a lot of controversy when it was released in 2004, but that is par for the course in modern day America. Everything Muslim is cool, along with wacky Hollywood “religions” like Kabbalah and Scientology, but we dare not promote anything positive about Christianity. People complained about possible anti-Semitism because of the inference that Jews killed Jesus. Well guess what?? They did. But folks forget that Jesus Himself was a Jew and the fact that He was put to death by other Jews does not mean that we are to hate the Jewish people or that The Bible teaches that. It was all much ado about nothing. As a matter of fact, as a Christian I know that Jesus died for all of our sins including mine, so when I watch The Passion I am haunted by the thought that I did that…I am responsible for the violent flogging and crucifixion of Christ, and it convicts me tremendously. Bleeding hearts also whined about the violent nature of the film, as if they believe that Jesus was lightly spanked with a feather. The violence is what makes the film work, and I give kudos to Gibson for not holding back. The Passion of the Christ is not easy to watch. The first time I saw it I sat in the theater for about 20 minutes after the credits rolled, unable to move. Nothing I have ever seen outside the death of my own mother has ever rocked my world so deeply. I have seen it a few more times in the ensuing years, but as I said, it isn’t light entertainment that one watches for fun. I do implore every single person who has never seen it to watch atleast once though. It is an experience you will never forget.

 

 

 

 

100 Favorite Movies…..51-55

Movies have the ability to transport us thru time, whether the plot involves time travel or not. This is done in two ways. First of all, the story itself can be set in a certain time period. There are films about virtually every notable age in history, from Biblical times thru colonial America and The Civil War to the 1950’s and even history that hasn’t happened yet, i.e. the future. Secondly, some films, whether intentionally or not, become iconic symbols of the era in which they were produced, eternally capturing a brief moment in time. Today’s group does a little of both of these things.

 


55 Saturday Night Fever

Disco may be dead, but Saturday Night Fever will live forever. For those too young too remember and for the benefit of all who have purposely blocked it from their mind, disco was a unique dance style music that dominated the mid to late 1970’s. It could conceivably be thought of as a forerunner to techno…a much cooler, less annoying predecessor. But disco encompassed much more than music. It was a lifestyle personified by fashion, rampant recreational drug use, dance clubs with mirror balls, and sexual indulgence. Fever mostly leaves the seedier aspects of the subculture alone and concentrates on the music, the dancing, and the fun. John Travolta, already famous as Vinnie Barberino on television’s Welcome Back Kotter, was vaulted into superstardom by playing Brooklyn dancer Tony Manero. The story concentrates on Tony’s home life and the classic struggle of one’s desire to escape bleak circumstances versus staying within the comfort zone of family and friends. Tony’s only escape is the local disco, where he is The Man. The Saturday Night Fever soundtrack, featuring several Bee Gees songs, is the best selling movie soundtrack of all time and is essential to the enjoyment of the movie. Fever has aged gracefully over the course of 30+ years, and I anticipate that folks will still be watching it three decades from now. I just hope no one gets the bright idea to do a remake starring Zac Efron or Freddie Prinze Jr.

 

54 Swingers

1996’s Swingers is set in modern day, but it has a distinctly 60’s vibe with a nod to pre-WW2 swing era. I am a huge fan of all things Vegas, and it plays a significant part in this film, even though the majority of the action does take place in Los Angeles. When you combine a 60’s vibe with Vegas that automatically brings to mind The Rat Pack, of which I am also a big fan. The convergence of all these things were no doubt intentional by the filmmakers, and it works. Vince Vaughn, in only his second notable film (he previously had small role in Rudy), burst onto the scene and a decade and a half later is still riding high. Vaughn plays a fast talking charmer whose quest becomes helping his best friend, played by Jon Favreau (who wrote the screenplay), get over an ex-girlfriend. The two men take a road trip from L.A. to Vegas, but that doesn’t help. Back home several other buddies jump into the fray as they go club hopping and do some male bonding. Ultimately the best friend gets his head out of his tookas and asks out a lovely young lady played by Heather Graham. Swingers is one of those movies that either you get or you don’t, you either like it or think it’s kind of stupid. I get it and I like it. The combination of vibe, outstanding cast, witty and memorable writing, and very cool soundtrack melds together to form an undeniably distinctive and non-formulaic experience.

 

 

53 Star Trek VI: The Undiscovered Country

Space… the final frontier. These are the voyages of the Starship Enterprise. Its mission – to explore strange new worlds, to seek out new life & new civilizations, to boldly go where no one has gone before. And so was the concept of one of the most successful yet shortest lived television shows of all time. Airing on NBC in the late 60’s, it was cancelled after only three seasons. Hindsight is 20/20 of course, and hindsight tells us that the decision to cancel Star Trek was quite possibly one of the dumbest decisions in entertainment history. At any rate, in addition to 4 other TV series based on the Trek universe, the original crew of the starship Enterprise would fly again in 6 feature films from 1979 to 1991. Trekkies will tell you that the even numbered films in that series are the best, while the odd numbered ones are somewhat lackluster. I concur with that opinion, and so you will see “the three evens” on this list. We begin with the final ride for Captain Kirk, Spock, Bones, Sulu, Uhura, Scotty, and Chekov in 1991’s The Undiscovered Country. The plot involves The Federation and The Klingons attempting to make peace, with that effort being thwarted when the Klingon chancellor is assassinated. There seems to be thinly veiled references to The Cold War, with The Federation representing America and The Klingons standing in for Russia. One could analyze and pick apart the sociological foundation of the script and the political motivation of the powers-that-be, and if that frosts your cupcake then by all means go for it. Personally, I just enjoy the Shakespearean zeitgeist created by the best Trek villain not named Khan…Christopher Plummer’s sublime Chang, as well as the comfortable and oftentimes humorous interactions between the crew. They knew it was their last film together, and the actors gave 100%. Bones McCoy is one of the crustiest yet funniest characters in movie history, and Spock’s reactions are subtly humorous more often than might be intended. The original crew is gone now, some of them (Scotty, Bones) dead in real life. 2009’s reboot of Star Trek exceeded expectations and if that group achieves a fraction of the success of its predecessors the movie going public will be the real winners.

 

52 Die Hard With A Vengeance

This is one example I use to prove my hypothesis that in movie trilogies the first one is great, the second one a disappointment, and the third rebounds to quite good. There are exceptions, and when additional movies get made the whole balance of the equation gets thrown off, but generally…trust me…if a sequel has disappointed you just wait for film number three and you will likely be pleased. The original Die Hard came out in 1988 and dealt with one man taking on a group of terrorists in a high rise office building on Christmas Eve. We’ll examine it closer much later in this list. Die Hard II was the inevitable and rushed 1990 sequel that took the action to a hijacked plane and airport. We will not be speaking of it in this list. Not that it’s a horrible movie…just forgettable and not worth one’s time. However, the third time is a charm and five years later they got it right with a movie almost as good as the first. This time Bruce Willis’ detective John McClain is lured into a cat & mouse game all across New York City, trying to find a bomb while being fed clues by the bad guy played by Jeremy Irons. McClain’s sidekick this time is played by Samuel L. Jackson, a significant upgrade from the Dad from Family Matters and the bare assed fat police officer from NYPD Blue. I think that is what clinches it for me. Jackson’s presence elevates the film in a way that was absolutely necessary for the legitimacy of the franchise as a whole. Taking the action out of a confined space and using the entire city of New York as a backdrop was a crucial change as well. Vengeance feels fresh and can be enjoyed by folks who have never seen the first two films. It stands alone as a well written, well acted piece of entertainment rather than just rehashing things we have already seen. In 2007 a fourth film was made called Live Free or Die Hard. It uses a theme of cyber terrorism and technology. I’ve seen it a couple times and it’s okay, but it sort of felt like it was too late, that too much time had passed and that sometimes one should just leave well enough alone and know when to stop.

 

51 Father of the Bride I & II

Yes, I know…I am cheating. Here’s the deal. I did not have enough slots to include both of these films in the Top 100. I did not want to leave out any others that I had chosen. So then it became a question of which of these two did I like better. Upon pondering that question I came to the conclusion that they really are one movie split into two parts, and I couldn’t bear to eliminate either. So call it a tie if you wish, but I maintain that this is a case where, unlike most sequel situations, the story here flows like one film and therefore will be awarded this spot. Anyway…Father of the Bride is a 1991 Steve Martin remake of a 1950 film starring Elizabeth Taylor and Spencer Tracy. Father of the Bride II is a sequel to the 1991 film and a remake of a 1951 film called Father’s Little Dividend, itself a sequel to the 1950 film. Confused yet?? No worries…just forget about the 50’s flicks – the remakes are actually better, which is rare. The remakes star Steve Martin as the Dad and Diane Keaton as his wife. The extremely lovely Kimberly Williams made her film debut in Father of the Bride, and nearly 20 years later she’s still gorgeous and is now married to country singer Brad Paisley. In Father of the Bride the daughter returns home from a summer trip to Europe with big news…she fell in love with a fellow American and they’re getting hitched. Dad freaks out. Mom decides they need a wedding planner, which brings the hilarious Martin Short into the fold. Dad then really freaks out. Eventually all’s well that ends well, but the ride sure is fun. Then in the sequel both Mom and the daughter end up pregnant. Dad does a double freak out. They find a way to bring Martin Short back (to plan the baby shower and convert a bedroom into a nursery). All’s well that ends well again. These movies are pretty simple. There are no car chases, no explosions, no gunfights. There isn’t even any notable salty language or nudity. It’s all  very sweet and easy to watch. Watching these movies is like sitting on the front porch with a glass of iced tea and a gentle breeze, and that’s why I like them. Action can be good sometimes, as can drama. I am a big fan of comedy, but even then sometimes one doesn’t want to spend two hours doubled over in laughter. Sometimes one just wants to sit back, relax, and watch some old fashioned folksy, homespun, inoffensive, warm & fuzzy entertainment…the kind of lighthearted fun that’ll cure a bad mood and make one’s life a little brighter for a few hours. The Father of the Bride films more than deliver that. They put a smile on my face every time I see them, and that’s something we all could use more of in our lives.