The most amazing thing for me is that every single person who sees a movie brings a whole set of unique experiences. Through careful manipulation & good storytelling you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time. – Steven Spielberg
“Stay tuned for the Top 10…coming…soon-ish.” That’s what I said at the end of the previous installment of this series…a little over a year ago. There’s been a lot of water under the bridge since then, but this isn’t the time to dive down that rabbit hole. At this moment I just want to finish what I started way back in October 2019. As I’m sure you’ll want a little refresher please check out how we got to this point by going here, here, here, here, & here. It’s good to be back.
10 Forrest Gump (Forrest Gump)
An unnamed person, in a conversation with legendary college football coach Bear Bryant, describes the titular character in 1994’s Best Picture simply & succinctly as “a local idiot”. Of course he is so much more. It is my understanding that the film is significantly different in tone from the book it is based on, but either way it is a flight of fancy in which the aforementioned idiot finds himself in a number of inexplicable situations, from playing college football at Alabama to becoming a war hero to blowing the whistle on Watergate burglars to owning his own shrimping business. Forrest isn’t completely oblivious, and he has a level of common sense that would be the envy of many real life individuals nowadays. He loves his Mama and meets his girl Jenny in grade school, although it takes her a few decades to return his affection. Those two ladies are all he really cares about until he gets to Vietnam and meets his buddy Bubba, whose life is cut tragically short, and Lt. Dan, who eventually becomes his best friend & business partner. Tom Hanks won his second consecutive Academy Award for Best Actor for the role, and we all should be thankful he got the part after John Travolta, Bill Murray, Chevy Chase, and Sean Penn all allegedly passed on it.
Quotes
“Mama always said ‘Life is like a box of chocolates…you never know what you’re gonna get’.”
“Jenny and me was like peas & carrots.”
“Mama says stupid is as stupid does.”
“I never went back to work for Lieutenant Dan, though he did take care of my Bubba-Gump money. He got me invested in some kind of fruit company. And so then I got a call from him saying we don’t have to worry about money no more. And I said ‘That’s good…one less thing’.”
“I’m not a smart man, but I know what love is.”
“I don’t know if Mama was right or if it’s Lt. Dan. I don’t know if we each have a destiny, or if we’re all just floating around accidental-like on a breeze, but I think maybe it’s both happening at the same time.”
9 Dorothy Gale (The Wizard of Oz)
Judy Garland was 16 years old when she portrayed Dorothy in the 1939 classic, which was an annual television tradition when I was a kid (a quaint notion these days). Garland starred in dozens of films in a career that spanned four decades (remarkable when you considered she passed on at the young age of 47), but she’ll always be remembered as Dorothy, a Kansas farm girl who gets caught in a tornado and either has a really cool dream or actually goes to a fantasy land called Oz, depending on one’s interpretation of the movie. L. Frank Baum wrote 14 novels about Oz, which means that we missed out on a bunch of potential sequels. I guess Hollywood did business a whole lot different back then. At any rate, Garland’s talents as a singer & actress, as well as her youthful innocence, made her the perfect choice for the role.
Quotes
“Toto, I’ve got a feeling we’re not in Kansas anymore.”
“Lions, and tigers, and bears! Oh my!”
“There’s no place like home.”
8 Batman, Superman, & Spider-Man (various films)
I’m not a comic book guy…never was, even as a little boy. However, superheroes are such a ubiquitous part of the pop culture landscape that there are plenty of ways to become familiar with and be entertained by the plethora of adventures they engage in. Though it might be a fun debate I am fairly certain that most would consider the Big Three superheroes to be Batman, Superman, & Spider-Man. My particular favorite has always been Batman, precisely for the reason that some question his status as a superhero at all. He’s not an alien. His body hasn’t been genetically altered in any way. He doesn’t have any kind of magic powers. Batman is simply a mega rich business mogul who has dedicated his life to vigilante justice because he is psychologically damaged after watching his parents get murdered when he was a little boy. I dare you to come up with cooler origin story. Superman is an “undocumented worker” from the planet Krypton whose spaceship lands in Kansas. After growing up on the farm he becomes a big city reporter, but when he takes his glasses off & uses a phone booth to change into his red caped costume he becomes indestructible, has x-ray vision, and can fly. Spider-Man is a typical American teenager who is bitten by a radioactive spider and develops all kinds of cool powers, including the ability to shoot webs from his wrist that help him to scale tall buildings & fly. He decides to use his unique skills to bring bad guys to justice after his Uncle Ben is shot by a street thug. Our three superheroes have starred in dozens of movies & TV shows. My favorite big screen Caped Crusader was portrayed by Michael Keaton in the late 80s Tim Burton films. As far as I’m concerned the late Christopher Reeve will always embody Superman. And though I am pretty fond of Tobey Maguire’s version of Spider-Man from a couple of decades ago I have to say that the current incarnation as presented by the Marvel Cinematic Universe is quite entertaining.
Quotes
“Maybe that’s what Batman is about. Not winning, but failing and getting back up. Knowing he’ll fail, fail a thousand times, but still won’t give up.” – Batman
“No matter where you go in life there’s always going to be the one person that wants to bring you down, so stay strong and face your problems instead of running away.” – Superman
“Not everyone is meant to make a difference. But for me, the choice to lead an ordinary life is no longer an option.” – Spiderman
7 Gordon Gekko (Wall Street)
Gordon Gekko represents a moment in time, or atleast some people’s perspective of that particular era. Were the 1980s a Decade of Greed, wherein the populace engaged in intense levels of conspicuous consumption?? Certainly pop culture embraced that mythology, with TV shows like Dallas & Dynasty and movies ranging from Trading Places & Arthur to Scarface & St. Elmo’s Fire. Yuppies drinking Perrier on their yachts while constantly checking in with their stock broker were a popular stereotype. Class warfare was encouraged. Did any of that have a legit connection to the real world?? Certainly the economy was robust in the 80s, but as a kid in small town West Virginia I never encountered those kinds of people. Unlike preconceived notions of Appalachia our family wore shoes, had indoor plumbing, & didn’t have vehicles on blocks in our front yard, yet we definitely weren’t wealthy. At any rate, even if folks like Gordon Gekko were rare Michael Douglas made him seem very real, sort of cool, & really interesting. His return in the 2010 sequel Wall Street: Money Never Sleeps probably came about a decade too late, but it was still fun to see him onscreen again.
Quotes
“The most valuable commodity I know of is information.”
“What’s worth doing is worth doing for money.”
“Gimme guys who are poor, smart, & hungry. And no feelings. You win some, you lose some, but you keep on fighting. And if you need a friend, get a dog.”
“I am not a destroyer of companies. I am a liberator of them! The point is, ladies & gentlemen, that greed, for lack of a better word, is good. Greed is right, greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all its forms: greed for life, for money, for love, knowledge, has marked the upward surge of mankind.”
“It’s a zero sum game. Somebody wins, somebody loses. Money itself isn’t lost or made, it’s simply transferred from one perception to another. Like magic.”
“You got 99% of the American public out there with little or no net worth. I create nothing. I own. We make the rules, pal. The news, war, peace, famine, upheaval, the price per paper clip. We pick that rabbit out of the hat while everybody sits out there wondering how the hell we did it.”
6 Marty McFly & Doc Brown (The Back to the Future Trilogy)
I don’t think there’s any way to separate the pair. They are peanut butter & jelly, Bert & Ernie, peas & carrots…one without the other just isn’t right. I am a huge fan of the Back to the Future Trilogy. I assume most people have some level of familiarity with the franchise, but just in case I’ll refresh your memory. Marty is a typical California teen in the 1980s with a family that he finds slightly embarrassing. Dr. Emmett Brown is an eccentric scientist who builds a time machine out of a DeLorean. Marty accidentally gets sent back in time to the 1950s, inadvertently screws up the space-time continuum, jeopardizing his parents relationship and therefore his own existence. It’s pretty heavy. Throughout three very entertaining films Doc & Marty take us from the 1980s to the 1950s to the 21st Century and even the Old West. Michael J. Fox wasn’t even the original Marty, but when actor Eric Stoltz just didn’t click in the role he was replaced, and thank God for that. BTTF is just the right mix of fun, adventure, suspense, & romance, and Doc & Marty are the centerpiece.
Quotes
“If my calculations are correct, when this baby hits 88 miles per hour, you’re gonna see some serious shit.” (Doc)
“Whoa, wait a minute, Doc. Are you trying to tell me that my mother has got the hots for me?” (Marty)
“Why are things so heavy in the future? Is there a problem with the Earth’s gravitational pull?” (Doc)
“I guess you guys aren’t ready for that, yet. But your kids are gonna love it.” (Marty)
“Great Scott!” (Doc)
“So, you’re my Uncle Joey. Better get used to these bars, kid.” (Marty)
“Roads? Where we’re going, we don’t need roads.” (Doc)
“Time traveling is just too dangerous. Better that I devote myself to study the other great mystery of the universe: women.” (Doc)
“Your future hasn’t been written yet. No one’s has. Your future is whatever you make it, so make it a good one.” (Doc)
5 Rocky Balboa (The Rocky Series)
When ranking my favorite sports films several years ago I opined that Rocky redefined the genre. It was the first sports movie to win the Academy Award for Best Picture (only two others have achieved that feat since) and was actually written by Sylvester Stallone. Hollywood power brokers wanted a known entity like James Caan or Burt Reynolds to play the lead because at the time, in the mid-1970s, Stallone was a nobody. The fact that Stallone not only got the part but received an Oscar nomination and created an iconic character in the process actually mirrors the plot of the film. I like the other actors considered for the role just fine, but Stallone portrays Rocky in such a way that we see ourselves in him. He’s not rich or successful. He isn’t a well-spoken intellectual. He’s just a guy from the neighborhood doing what he can to get by and chasing a dream in his spare time. The fact that he succeeds (eventually) and builds a great life for himself & his family gives the rest of us hope that we can do the same.
Quotes
“She’s got gaps, I got gaps. Together, we fill gaps.”
“Yo Adrian! I did it!!’
“If I can change, and you can change, everybody can change!”
“The world ain’t all sunshine & rainbows. It’s a very mean & nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done!”
4 Darth Vader (The Star Wars Series)
Has there ever been a more iconic cinematic badass?? The costume. The mask. The voice. Put Vader in a cage with Freddy Krueger, Jason Voorhees, Michael Myers, and any other lunatic in the history of film and I’m guessing he’d hold his own. The question is, did the prequels ruin his story?? Aside from the weak writing and poor casting that lessened the impact of the prequel trilogy I’m going to say no…Darth Vader is still Darth Vader. I view Anakin Skywalker as a different character altogether. At the end of Rogue One (a criminally underappreciated film that’s better than any of the prequels) Vader has a brief yet effectual appearance that’ll make the hair on your neck stand up, but nothing beats that moment in The Empire Strikes Back when he drops the biggest truth bomb ever on Luke Skywalker. That scene is still quoted & parodied more than four decades later, which is quite a legacy.
Quotes
“I find your lack of faith disturbing.”
“Join me, and I will complete your training. With our combined strength, we can end this destructive conflict, and bring order to the galaxy.”
“I am your father! Join me, and together we can rule the galaxy as father & son!”
“Obi-Wan has taught you well.”
“You under estimate the power of the dark side. If you will not fight, then you will meet your destiny!”
3 Rick Blaine (Casablanca)
Do men like Rick even exist anymore?? Cool. Smart. Pragmatic. Mysterious. Debonair. A rare mix of romantic & jaded. He’s the kind of guy that makes women swoon yet men can’t help but respect & admire. His aloof demeanor hides a principled heart of gold. He owns a nightclub in Morocco that people flock to during WWII to forget about war for awhile. People from all walks of life & all nationalities (including Nazis) are welcome at Rick’s Cafe Americain because he’s a businessman who’ll gladly take anybody’s money. Perhaps men like Rick don’t exist anymore because they never did in the first place. Rick Blaine is an idealistic notion of what a man should be, and there are worse characters one could emulate.
Quotes
“Of all the gin joints in all the towns in all the world, she walks into mine.”
“I stick my neck out for nobody.”
“When it comes to women, you’re a true Democrat.”
“I don’t mind a parasite. I object to a cut-rate one.”
“I’m not fighting for anything anymore except myself. I’m the only cause I’m interested in.”
“If that plane leaves the ground and you’re not with him, you’ll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. We’ll always have Paris. I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that. Here’s looking at you, kid.”
“Louis, I think this is the beginning of a beautiful friendship.”
2 Atticus Finch (To Kill a Mockingbird)
It is rare that an attorney is viewed as a role model even in fiction, but Atticus Finch is the ultimate quixotic fantasy. Not only is he the most virtuous lawyer ever, but he’s the epitome of a perfect father. Modern audiences tend to prefer anti-heroes, or atleast a flawed protagonist in which we recognize our own imperfections and soothe ourselves with the notion that it’s okay to be a little messed up. We scoff at ideals like integrity, honor, ethics, loyalty, & altruism. That being said, is it really that bad to have such a measuring stick in our fiction?? On top of all that let me remind you of something I stated two years ago when we began this journey: “the value of a character’s name cannot be overstated”. How cool & memorable is the name Atticus Finch?? As usual I urge everyone to read To Kill A Mockingbird. It is one of my favorite books and most agree it is amongst the finest novels ever written. But we are discussing movie characters here, right?? The book had already won the 1962 Pulitzer Prize, so adapting it into a film just a year later had to have been a daunting task. Gregory Peck had already been nominated for four Academy Awards in the 1940s, so the powers-that-be knew what they were doing. It turned out better than anyone could have ever dreamed, with Peck beating out Burt Lancaster, Jack Lemmon, & Peter O’Toole to win his only Oscar.
Quotes
“You never really understand a person until you consider things from his point of view…until you climb inside of his skin and walk around in it.”
“In this country our courts are the great levelers. In our courts all men are created equal. I’m no idealist to believe firmly in the integrity of our courts and of our jury system…that’s no ideal to me. That is a living, working reality.”
“I remember when my Daddy gave me that gun. He told me that I should never point it at anything in the house, and that he’d rather I’d shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go after birds would be too much, and that I could shoot all the blue jays I wanted, if I could hit ’em, but to remember it was a sin to kill a mockingbird. Mockingbirds don’t do anything but make music for us to enjoy. They don’t eat people’s gardens, don’t nest in the corncribs. They don’t do one thing but just sing their hearts out for us.”
1 Michael Corleone (The Godfather Trilogy)
We’ve reached the pinnacle, and I am contradicting myself one last time…or am I?? When discussing Pacino’s portrayal of Lt. Col. Frank Slade I opined that, while The Godfather is his best film, Slade is his best performance. I stand by that because there is a difference. Michael Corleone is a much more memorable character, especially since he has an entire trilogy to impact our pop culture consciousness. That influence is made all the more impressive when considering the fact that Pacino shares the screen with Marlon Brando & James Caan in the original film, Part 2 is focused on Robert Deniro’s depiction of young Vito Corleone, and so many people despise Part 3 (I don’t hate it). But the one constant flowing thru all three Godfather films is Michael Corleone. He is introduced as a young war hero in a new romance, then reluctantly gets pulled into the family business. Finding that he has a knack for ruthlessness Michael evolves into a stone cold killer and merciless husband, even having his own brother murdered. As he grows old & ill he becomes consumed with regret and concerned with his legacy, his story ending with one of the more depressing deaths in cinema. The evolution of Michael Corleone is well written & performed and remarkably sad.
Quotes
“My father made him an offer he couldn’t refuse. Luca Brasi held a gun to his head and my father assured him that either his brains or his signature would be on the contract. That’s a true story. That’s my family, Kay. It’s not me.”
‘It’s not personal, Sonny. It’s strictly business.’
“Don’t ever take sides with anyone against the family again, ever.”
“Today, I settle all family business, so don’t tell me you’re innocent because it insults my intelligence. It makes me very angry.”
“I know it was you, Fredo. You broke my heart. You broke my heart!”
“My father taught me many things here. He taught me to keep your friends close but your enemies closer.”
“You’re nothing to me now. You’re not a brother, you’re not a friend. I don’t want to know you or what you do. I don’t want to see you at the hotels. I don’t want you near my house. When you see our mother, I want to know a day in advance so I won’t be there.”
“Never hate your enemies. It affects your judgment.”
“I command this family, right or wrong. It was not what I wanted!”
“Just when I thought I was out, they pull me back in!”
number of parents & boosters is a tale well known to anyone who has ever lived or attended school there. A couple of years after the crash a beautiful fountain on the student center plaza was dedicated in memory of the 75 lives lost, and during my four+ years at MU I passed by that fountain every single day. Anyway, 2006’s We Are Marshall, though an imperfect film, does an admirable job of depicting the event & its aftermath, with the haunting performance of Matthew Fox (Party of Five, Lost) as assistant coach Red Dawson deserving kudos. If you dig We Are Marshall I would highly recommend a 2000 documentary called Ashes to Glory, which is a more factual and much more emotional rendition of the story.
First, I had to decide between Jimmy Stewart & Tom Hanks, but I’m taking the easy way out and not making that choice, Secondly, I have shown love to other films by both men already, so what I have chosen to do is give a shout out to two of their lesser known films. Glenn Miller was a real life big band leader in the 1930’s & 40’s and the composer of hits like Moonlight Serenade, Little Brown Jug, & In the Mood. While flying from a gig in the United Kingdom to Paris in December 1944 Miller’s plane disappeared over the English Channel. He was only 40 years old. James Stewart just so happened to be a Glenn Miller doppelganger, so when a biopic was produced in 1954 he was the ideal choice for the part. If you like Stewart or Miller you’ll love both after watching this movie, and you just might become a fan 
of big band music, as I did. Joe Versus the Volcano isn’t as well-regarded as other Hanks/Meg Ryan films, but I encourage everyone to give it a whirl. It’s a bit of a slog at the beginning, but if you can make it past those gloomy first few minutes what you’ll find is a story that contains a lot of symbolism and has much to say about life.
I pondered & debated with myself, but I just can’t choose. History shows that Apollo 13 was released in June 1995, which wasn’t a good time in my life, so I’m not surprised I didn’t make it to the local cineplex for a flick. However, I have seen it countless times in the ensuing years and count it among the best movies ever made. I cannot recall a specific reason why I didn’t head to the theater to watch Titanic, although I’m not one for massive crowds so perhaps that scared me off. But by now I have watched it numerous times. I have 
always opined that some movies really should be seen on the big screen, and with a gigantic ship sinking into the ocean & a huge rocket being launched into space I can only assume these would have been really cool films to see in a theater. Alas, I suppose my 55 inch smart TV will have to suffice.
Ryan. She made three awesome romantic comedies (Joe Versus the Volcano, Sleepless in Seattle, & You’ve Got Mail) with Tom Hanks, who is the prototypical leading man for such films. However, I think When Harry Met Sally is probably the best of the genre. Billy Crystal is 14 years older than Ryan and early scenes depicting him as a recent college grad stretch the limits of credibility (he was 41 years old at the time), but the movie is funny, heartwarming, & a joy to watch. Near the end Crystal’s character says “when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible”, and I would love to find that person and begin the rest of my life.
As with the 
Night. Aretha Franklin. If you like Motown you can’t help but dig one of the best soundtracks ever produced. Saturday Night Fever not only skyrocketed John Travolta to superstardom, but it defined the disco era. The soundtrack relies heavily on The Bee Gees, but that’s okay because they kick ass. Disco may be dead, but it had its time in the spotlight and this particular album may have been the high point.
would I pay money to have alleged entertainment make me sad?? It’s why I lean so heavily toward comedy. Having said that, occasionally something sneaks up and gives me all the feels. When I first watched The Perfect Storm I had NO IDEA it was based on a true story. It was on television and I was bored, so I gave it a whirl. It is well-written with good performances so I was quickly hooked. At the film’s conclusion I fully expected the ship’s crew to be miraculously rescued…but, of course, they are not. I’m a little slow sometimes, but eventually I learned that this actually happened…these were real people who died. The film does a superb job of conveying the very tangible danger faced by fishermen every day, and I have developed tremendous respect for those who put their lives on the line to put food on our table. Some years after my initial viewing of the movie (which I have watched countless times) I decided to read the book on which it is based, and I must opine that it is the rare case where the film is far superior.
Seven months ago we started our journey with 
which wouldn’t necessarily be inaccurate. However, when it comes to movies I don’t think any of that translated well…atleast to anything noteworthy. When thinking about the 1990’s on film it seems as though there were solid contributions across all genres, with the defining characteristic being a general lack of defining characteristics. Whereas 80’s kids look back with fondness at some of the flicks we enjoyed growing up partly because of their singular music, kitschy style, & overall cheesiness, I don’t feel like 90’s films have that kind of unique vibe. Society seemingly turned down a dark & more violent path in the 90’s, which is certainly reflected in movies as much as anything else, but since I don’t tend to gravitate toward such morose entertainment it isn’t a big thing for me. I suppose it is fair to say technology played an increased role in 90’s movies, especially with improvements in special effects & animation. It is kind of fun & interesting to watch some 90’s films and chuckle at their depiction of The Internet, marvel at the size of cell phones, & realize how much social media would have altered the plot, but it’s not really a dominating theme.
The good thing about this lack distinction is that, instead of stories defined by their style, we were offered plenty of enjoyable movies with enough substance to give them staying power, and y’all know that’s a big deal to me. Do you realize that films made in the 90’s are now as old as films produced in the 1960’s would have been in the 90’s?? When considered thru that prism the sheer number of impactful movies made in the 1990’s that are still being viewed with some regularity three decades later is quite remarkable. Whether you prefer comedy or drama, are into horror or action, hold a special place in your heart for animation or holiday classics…the 1990’s had plenty of solid choices.
personal bias can’t be completely eliminated. I’m fine with that though, because at the end of the day favorite movies are always a matter of individual taste. We can cite box office numbers, award nominations & victories, and critical reviews ‘til the cows come home. All of those things are valid criteria for scrutiny, but the truth is that sometimes they matter and sometimes they don’t. Having said all that, my hope is that most won’t have too much of an issue with my conclusions. Enjoy.
Of the Final Four contestants Mrs. Doubtfire is probably the one that most represents a 90’s vibe, with a story centered around divorce & child custody. It’s a tough gig to turn such topics into comedy, but with Robin Williams anything was possible. He stars as Daniel Hillard, a fun-loving voice actor whose charm has worn thin with his career-driven wife Miranda, played by Sally Field. When the final straw breaks the camel’s back of their marriage Daniel is inspired to interview for the nanny position that Miranda has advertised, but obviously can’t do it as himself. The solution?? Don heavy make-up, a wig, panty hose, & a dress and transform into Euphegenia Doubtfire, an elderly British lady any mother would want to babysit their children. Adding to the hijinks is Miranda’s flirtation with a former beau, fueling Daniel’s envy. It’s not so much that he wants to rekindle the 
marital flame as much as he doesn’t like another man so smoothly stepping into a paternal role. At any rate, the premise allows Williams to dip into his arsenal of comedic tricks, and the result is a super family friendly dramedy that doesn’t sidestep real life issues or give into the temptation for an idealistic & sentimental ending, but mostly focuses on humor.
decides to use his situation to better himself, learning things like ice sculpting, piano, & French poetry. He then begins being generous & helpful to others and also falls in love with Rita, utilizing the time loop to learn everything about her and become the kind of man she wants in her life. It is her love that ultimately seems to end Phil’s nightmare, although it is never explained what caused the time loop in the first place, how long it lasts, or exactly why it stops. The entire film is an existential enigma disguised as an ordinary comedy.
Brothers, Simon & Garfunkel, Bob Seger…anyone who enjoys classic rock will dig the tunes in Forrest Gump. As far as deep analysis goes, there are some that look at the film as an allegory of two Americas, with Forrest representing small town conservatism and Jenny embodying the anti-war, free love, drug-induced counterculture that rose to prominence in the 60’s. There is plenty of symbolism, philosophical ponderings about fate & destiny, and maybe even some religious or atleast spiritual subtext. If one would rather just enjoy the pleasure of Forrest Gump as a great story, that’ll work and you won’t be disappointed, but the underlying themes are there and serve as food for thought.
I don’t remember exactly when I became fascinated by the infamous Titanic disaster, but I know it was long before 1997. There had been other books, movies, & documentaries about the tragedy, but this film took the public’s level of interest to a whole new stratosphere and created an entire cottage industry out of a voyage that lasted less than a week a century ago. Kate Winslet & Leonardo DiCaprio earned lifelong fame portraying Rose & Jack, a pair of star crossed lovers whose brief romance is cut short by an iceberg. Rose Dewitt Bewkater is a high society debutante being forced into marriage with arrogant steel tycoon Cal Hockley, while Jack Dawson is third class steerage passenger who won his ticket in a poker game. Think of it as a slightly modernized twist on Romeo & Juliet. The first part of the movie introduces us to the pair, whose initial encounter takes place when Jack talks Rose out of jumping into the ocean…ironic when one considers what is to come. Of course we know that Titanic was a real ship that actually sank, so eventually those events take center stage, the situation having been personalized by our affection for Jack & Rose. There is also a framing device, as the beginning of the film presents a modern day expedition to the bottom of the sea, with a treasure hunter seeking The Heart of the Ocean, a huge heart-
Something that I have consistently stated in our many discussions about movies in this space over the years is that a key benchmark for me is repeat viewings, and the idea of whether or not I am happy/excited when channel surfing and see that a particular movie is on TV. It is one thing to head to the local cineplex and be entertained for a couple of hours by the latest action flick, rom-com, slasher film, Christmas movie, sports drama, murder mystery, biopic, superhero adventure, sci-fi fantasy, or gross-out comedy, but it is entirely different when you are glad to watch the same story for the hundredth time decades later while vegging out at home. Not only does Forrest Gump check all the requisite boxes…made a ton of money, won a bunch of awards, killer soundtrack, received great reviews, eminently quotable…but I am still delighted to watch it whenever it is on, which is surprisingly often for a movie that hit theaters 25 years ago. My father shares my love of Forrest Gump, which is a source of amusement for me since Dad & I rarely have a similar pop culture palate. I understand that there are a fair number of cynics who despise the movie for one reason or another, but I believe those folks are either overanalyzing or simply disagree with its perspective. To each their own. My adoration has endured for over two decades and I don’t see that changing anytime soon.
It was at this point just over a year ago, as 
Greetings friends. No, I didn’t forget. With the holiday season in full swing and football reaching a fever pitch on all levels I suppose I’ve been a bit distracted, but it’s time to get back to 
My apologies for the brief hiatus I’ve taken from 
After receiving a first round bye Apollo 13 defeated John Candy’s underrated rom-com Only the Lonely in Round 2. Most of the attention is…obviously…given to Tom Hanks, as well as his fellow “astronauts” Kevin Bacon, Bill Paxton, & Gary Sinise. The Academy showed some love to Ed Harris & Kathleen Quinlan by giving them Oscar nominations in supporting categories (Harris lost to Kevin Spacey for his role as Verbal Kint/Keyser Soze in The Usual Suspects, while Quinlan lost to Mira Sorvino for Mighty Aphrodite). However, Apollo 13 features a large ensemble that really brings everything together. Character actors like Joe Spano, Chris Ellis, Marc McClure, Brett Cullen, Clint Howard, Loren Dean, & Christian Clemenson portray NASA officials. Ron Howard’s mother plays Jim Lovell’s mother Blanche. The kids portraying Lovell’s children aren’t given much to do but they do it well. These are the kinds of performances that are important in helping the viewer escape reality and really get into a movie. The film was also nominated for an Oscar for Best Original Dramatic Score, 
and the music does play a vital role. It’s a shame Apollo 13 only won two of the nine Academy Awards for which it was nominated. One never knows about such things…perhaps if it’d been released a year earlier or later it might have swept all of those awards and be considered one of the greatest films of all time. The Mask got past PCU in the first round and Ace Ventura: Pet Detective in Round 2. Unlike a large ensemble film The Mask is all about Jim Carrey (and to a lesser degree the hotness of Cameron Diaz). His talent (and some unique special effects) are the engine that makes the movie go. It’s a fun & somewhat memorable film, but hardly transcendant.
Good Will Hunting got a first round bye and then defeated Adam Sandler’s Big Daddy in Round 2. The main attraction for me is the presence of Robin Williams in a role that finally won him an Oscar. I recently finished a great biography of Williams, and it was said in that book that at some point Williams began to take some heat from critics for playing sentimental & sympathetic roles that forced him to hide is well-known comic frenzy, but I think he was just so determined to be taken seriously as an actor that he didn’t think it wise to play zany comic characters. It was a balancing act with which he struggled his entire career. Batman Returns beat Showgirls in Round 1 and emerged from a second round triple threat against Pretty Woman & What’s Eating Gilbert Grape?. It has now gotten as far as its predecessor did in 80’s Movie Mania. I’ve read many opinions stating that Returns is actually better than 1989’s Batman, but I feel like it is less memorable. Of course the original featured Jack Nicholson’s superb performance as The Joker, which is hard to beat. Returns tries to match it with three villains…Michelle Pfeiffer’s Catwoman, Danny DeVito’s Penguin, & Christopher Walken’s Max Shreck, a wealthy industrialist whose plans to build a chemical plant in Gotham City are derailed by Bruce Wayne, who then responds by backing The Penguin as a mayoral candidate to get what he wants. It is my understanding that the Schreck 
character was created when Billy Dee Williams, who portrayed Harvey Dent in the original film, decided not to return. I assume that Dent would have morphed into Two-Face, something that did occur when Tommy Lee Jones assumed the role in Batman Forever. I really like Penguin’s origin story in Returns, and of course Pfeiffer is the best Catwoman since Julie Newar & Eartha Kitt in the 60’s. Walken’s presence as Shreck feels out of place and somewhat misguided, although I’m not sure Dent’s presence would have been an improvement. Three villains is just too much in a Batman movie.
After Groundhog Day received a first round bye then got past Clueless in Round 1 I said that “I am busting at the seams to say everything I want to say” about it. The cool thing about Groundhog Day is that one can choose to view it from two different angles, and seeing it thru one prism doesn’t exclude a person from enjoying it thru the other. It works as a comedy based on Bill Murray’s sardonic wit, quirky supporting characters, & a unique situation. However, it really shines as an existential examination of life itself. One must realize that weatherman Phil Connors is stuck repeating the same day…depending on which theory one chooses to embrace…dozens, hundreds, or even thousands of times. One story I ran across awhile back estimated that Connors spends over thirty years in Punxsutawney just repeating February 2nd over & over & over. In that time he goes thru a whole range of emotions…confusion, bewilderment, anger, depression. He experiences it all. At first he uses the situation to his advantage, attempting to bed a beautiful woman and making a pass at his lovely co-worker Rita. Phil steals money, drives recklessly, & drinks heavily because he realizes there are no consequences for his actions. But then he becomes depressed and attempts to commit suicide multiple times. However nothing he tries works, and eventually he has a revelation. He accepts his weird circumstance and decides to use his time to learn new things, help people, become a better man, & woo Rita the right way. You see, Groundhog Day is not just another comedy…it’s a morality play about 
redemption, happiness, self-improvement, generosity, community, & love. American Pie got a first round bye then defeated Armageddon in Round 2, in no small part because the cast of Armageddon has been scornful of their own movie so I am not inclined to defend it if they don’t. American Pie is a generational teen sex comedy in the grand tradition of Animal House, Porky’s, Fast Times at Ridgemont High, & Risky Business. It might not be a high bar to aspire to, but then again I suppose it’s better to be remembered for gross out humor & delinquent hijinks than not be remembered at all like so many movies. The cast has gone on to do other noteworthy work, but American Pie will always be their legacy. A few sequels were made and they’re…okay…but the original stands on its own as one of the best comedies of its era.
we walk out of a theater thinking a movie was just alright, but a decade or two later it’s become a cult classic that we love and have watched countless times?? That’s why repeat viewings are crucial in my opinion. There are so many factors that play into one’s enjoyment of a movie that I truly believe it often takes time for appreciation to develop. Robin Williams was brilliant and his performance makes Aladdin great…but that is an opinion that I formed 25 years ago and I can’t be sure that it hasn’t changed. A live action remake with Will Smith as The Genie is scheduled to hit theaters next spring, and I’ll probably check it out.
After receiving a first round bye Forrest Gump got past Presumed Innocent in Round 2 in a contrast of two films based on novels. As good as Presumed Innocent the movie is the book is way better. Conversely, I’ve heard mixed reviews of Forrest Gump the book, to the point that I’m afraid to read it and have it ruin my feelings about the movie. The book’s author actually wrote a sequel called Gump & Co., but thus far it hasn’t been translated to film and it probably won’t be, especially since Tom Hanks has expressed misgivings about portraying the title character again. My affection for Forrest Gump is such that I am amazed that it isn’t universally loved, but there are detractors out there. It’s 72% Rotten Tomatoes score is good, but nowhere near some other films in the competition that have ratings of 90% or more. Some folks think it is manipulative, overly sentimental, tiresome, & not as historically accurate as it could’ve been. There is no shortage of people who believe that Pulp Fiction or The Shawshank Redemption should’ve won the Academy Award for Best Picture as well as the Oscars for Best Actor & Best Director. I disagree with all of that. Even my father loves Forrest Gump, and trust me…Dad & I rarely share similar tastes in entertainment. Die Hard: With a Vengeance wouldn’t even be in this competition if it had 
been the final Die Hard film since trilogies are disqualified. Alas, two additional (subpar) movies were made in the series with one last hurrah allegedly on the way, so Vengeance gets its well-deserved kudos. The difference between this third entry and its predecessor…1990’s Die Hard 2…is the addition of Samuel L. Jackson as Detective McClane’s reluctant sidekick. It was Jackson’s follow-up to Pulp Fiction and immediately preceded his role in A Time to Kill, meaning he was on a pretty good roll at the time. The filmmakers knew they had to mix things up in the third film because Die Hard 2 was a fairly tepid rehash of the original premise. Jackson breathes new life into the story, injecting additional humor & attitude. He & Bruce Willis play off of each other quite well.
This is a tough one. I love The Wedding Singer because of its many nods to 80’s pop culture that stir up memories of my long lost youth. The soundtrack is fantastic, with songs from the likes of Culture Club, The Police, Elvis Costello, The Thompson Twins, Billy Idol (who also has a fun cameo in the movie), Spandau Ballet, Hall & Oates, The Cure, Kool & The Gang, Bruce Springsteen, and a few others. That’s quite a lineup. I also want to give a nod to brief appearances by Jon Lovitz & Steve Buschemi. I normally find Lovitz unamusing and mostly dreadful, but his scene in The Wedding Singer is actually quite entertaining. I’m kind of surprised that someone didn’t come up with the idea of a sequel starring Buschemi & Lovitz as new wedding singers. It is my understanding that the film was adapted into a stage musical (kind of a reverse Rock of Ages situation), and I must say that I’d totally go see that show. The Fugitive got past Joe Versus the Volcano in Round 2, which broke my heart because I feel like JVtV is a profound & underappreciated gem. Conversely, appreciation abounds for The Fugitive, with a damn near perfect 96% score from the critics and seven Oscar nominations. I’ve watched The Fugitive countless times, but there is a 
scene in which Dr. Kimble finds himself in the stairwell of a huge building facing off against Lt. Gerard before narrowly escaping thru downtown Chicago’s St. Patrick’s Day Parade, and no matter how many times I’ve seen it I still feel a palpable sense of drama and tension. Actually there are a few scenes like that, and when a filmmaker can still make the viewer buy into the suspense even when we’ve seen it a bunch of times and know exactly what’s going to happen…well folks, that’s what I call great entertainment.
Back to back Sandler…which nowadays would be a cringe worthy waste of time, but two decades ago that wasn’t the case. Unlike The Wedding Singer, which is a more subdued & pleasant performance, Billy Madison is full on Sandler being Sandler, playing the kind of infantile ne’er-do-well that has largely defined peoples’ perception of him as an actor. This film & Happy Gilmore will always be the first two things that pop into the average cinephile’s mind when Sandler is the topic of conversation, and I don’t think that’s such a terrible thing. Fans of The West Wing will appreciate Bradley Whitford’s appearance as devious businessman Eric, Billy’s nemesis. 
There’s a 
and morticians & undertakers, and these two movies could merit a similar appraisal. Both are amiable comedies that did well enough to spawn affable sequels. Both star older comedic actors instead of hot young Hollywood flavors of the month. Both did surprisingly well at the box office, while critics liked but didn’t love both films. I absolutely adore both films and will watch them whenever they’re on television, and sometimes I’ll stream one or the other when I’m bored & in the mood for a good flick. These are what I call comfort food movies. They warm the cockles and make me smile, which is all I really need a movie to do.
The Manofesto 