Weekend Movie Marathons: Tom Hanks  

If you haven’t read the intro to this series please do so that you have some idea of what’s going on here.

Who doesn’t like Tom Hanks?? I can even overlook his loathsome political beliefs because I’ll be darned if he isn’t a great actor who has starred in a plethora of really entertaining movies. Our marathon doesn’t have the best of Hanks’ filmography by any stretch, but there are reasons for that which will become clear down the road. That being said, I do think we have a solid cross section of his career, from one of his breakthrough roles in 1984 to a late 90’s entry that he wrote, co-starred in, & directed. Rest assured that you’ll be seeing a lot more Hanks here in the future, but I think this is a fun way to start.

Friday Night

Bachelor Party

Full disclosure…I hadn’t watched Bachelor Party for many years until I thought it prudent to do so for this discussion. Let’s be honest…Tom Hanks has grown into a much better actor in the past three & a half decades than he was in 1984, and has starred in a ton of more highly regarded movies. However, what one gets with Bachelor Party is Hanks at his peak level of fun, before he got caught up in trying to become a great actor, before he became a regular at awards shows, before anyone had high expectations of him. Bachelor Party is exactly what it sounds like. It tells the story of Rick, a happy go lucky bus driver by day and a total party animal by night. His buddies throw him a wild bachelor party the night before the wedding (as is always the case on TV & in movies even though it’s not actually a thing in real life most of the time). Hijinks occur, and the overriding question is whether the groom will cheat on his gal before the big day. The bad guys are the bride’s father & her ex-boyfriend, who conspire to torpedo the marriage before it even begins. Recently deceased Tawny Kitaen portrays the bride, and the wave of fame earned from this movie and a notable music video she starred in a few years later was something she successfully rode for decades. The best man is played by Adrian Zmed, who was a big deal for a few years in the 80’s (anyone remember Grease 2?? TJ Hooker?? Dance Fever??). Bachelor Party has a tepid 54% rating on Rotten Tomatoes, but that’s not surprising. It isn’t really the kind of mindless entertainment notoriously priggish critics praise.

Saturday Matinee

Toy Story

To date there have been four Toy Story films, a franchise largely responsible for reviving interest in animation and taking the genre to a whole new level. Feel free to watch the entire series, but we’re only covering the original film today. It was the first ever full length feature using computer animation, putting Pixar on the map. In the years since Pixar has produced two dozen movies, and most of them have been hits. Perhaps this is trivia that only interests me, but did you know Apple founder Steve Jobs is listed as an executive producer of Toy Story?? Or that Joss Whedon, now known for writing & directing The Avengers and creating television shows like Buffy the Vampire Slayer & Angel, is credited as one of the writers of Toy Story?? Anyway, the plot revolves around a group of toys that belong to eight year old Andy. These toys become walking, talking, breathing beings as long as no humans are around, which is almost creepy when you really ponder the idea. The leader of Andy’s toys is Sheriff Woody (voiced by our guy Hanks), a pull string rag doll cowboy, but his role within the group and in Andy’s life is threatened by the arrival of Andy’s latest birthday present…Buzz Lightyear (voiced by Tim Allen), a boisterous space ranger action figure who doesn’t realize he is a toy. Woody is jealous of Buzz and a rivalry develops, but things happen and they eventually become friends. Toy Story was the third highest grossing film of 1995 and boasts a rare 100% fresh rating on Rotten Tomatoes. Critically acclaimed & accessible to the masses is a rare combination.

Saturday Night

Turner & Hooch

I just watched Turner & Hooch not long ago, which was the first time I’d seen it in atleast 20 years. You know what though?? It holds up well. It’s a comedy, but provides a small glimpse into Hanks’ future with some dramatic, tearjerker type scenes because (spoiler alert) anytime a cute animal is in mortal danger there will be some emotion. A similar film…K-9 starring Jim Belushi…featuring a cop partnered with a dog had been released a few months earlier in 1989, and I recall thinking that K-9 was a better movie than Turner & Hooch, but critics & audiences alike disagreed with me. One thing I noticed when watching Turner & Hooch recently was the supporting cast, which includes forgotten Brat Packer Mare Winningham, Craig T. Nelson (you remember him from films like All the Right Moves & Blades of Glory as well as hilarious 90’s sitcom Coach), and Reginald VelJohnson, who was Bruce Willis’ sidekick in Die Hard and the Dad who had to put up with nerdy neighbor Urkel in Family Matters. Kudos to the casting director.

Sunday Matinee

Punchline

Unlike alot of other Hanks films this isn’t one I’m all that familiar with or have watched many times, which surprises me given my affection for the dramedy sub-genre. Roger Ebert criticized Punchline for “making the fatal mistake of taking stand-up comedy seriously”, while the Washington Post opined that it “commits the unforgivable sin of being a movie about comedy that’s not funny.” Both are valid criticisms because dramedy is so difficult to pull off successfully, but Punchline isn’t bad because how can anything with a cast including Hanks, Sally Field, & John Goodman be terrible?? Hanks straddles the line, making one ponder how great he could’ve been as a standup comedian while simultaneously showing off acting chops that have been refined in the 30+ years since Punchline was produced. We can’t be too surprised though that it’s a performance oftentimes lost in the shuffle of his stellar filmography. Still, I’d encourage anyone to give it a whirl.

Sunday Night

That Thing You Do!

By the time Hanks wrote, directed, & co-starred in That Thing You Do! in 1996 he’d already won two Academy Awards for Best Actor and was a bona fide megastar, so of course Hollywood was like “Okay dude, go ahead and make your silly little film about a one hit wonder band in the 60’s with its catchy theme song”. The thing is, it’s actually a pretty decent flick. The cast consists mostly of character actors like Steve Zahn, Tom Everett Scott, & Ethan Embry. Liv Tyler is also there in one of her earlier performances, just a couple of years after she & Alicia Silverstone had gained notoriety starring in Aerosmith’s music video for the song Crazy. I suppose Jonathon Schaech, who portrays the band’s brooding lead singer in That Thing You Do!, was supposed to become a big star, but Hollywood didn’t get the memo. And then there is Hanks, whose role as the band’s manager is relatively inconsequential, but whose name & mere presence helped the movie make $35 million at the box office…not bad for film with a $26 million budget. For context, 1996’s biggest hit…Will Smith’s Independence Day…had a budget of $75 million. It certainly helps that That Thing You Do! is a pretty good film with a 93% fresh score on Rotten Tomatoes, meaning that critics liked it even more than folks like you & me. It’s the kind of delightfully satisfying movie that one watches on a lazy weekend when there’s nothing more pressing going on.

80’s Movie Mania: Bodacious Round 2

First things first. Let’s tie up a loose end from the previous installment. In a coin flip I am giving The Outsiders a victory over Weird Science. The former is just too good to overlook, with a powerful story and an all-star cast, while the latter, though it is another collaboration between John Hughes and Anthony Michael-Hall, is probably their weakest effort. Okay, so…let’s move forward. Today we’ll have the second round of competition in the Bodacious Division. Rock n’ roll dudes!!

 

 

 

Bodacious 2

Batman vs. Pretty in Pink
1989-BatmanThere have been many incarnations of my favorite superhero. The Caped Crusader of course originated in comic books in 1939 and continues to be a staple of that medium today. A famously campy television show aired on ABC for three seasons in the late 1960’s. Director Christopher Nolan brought his dark & gritty vision of the character to the big screen in a solid film trilogy a decade ago. And before that directors Tim Burton then Joel Schumacher produced a quadrilogy (I think I just created a new word!) of Batman movies in the late 80’s/early 90’s. We’ll talk about the other films at some point in the future, but for now we focus on 1989’s Batman, the first of that quadrilogy. Starring Michael Keaton as the titular hero and the legendary Jack Nicholson as his archnemesis The Joker, Batman adequately reflects the character’s caliginous & savage comic book history while still remaining classic popcorn escapism. There were concerns about Keaton being cast in the starring role because he was known mostly for being a comedic actor, but he nailed it and to this day remains my favorite big screen Batman. Of course everybody knows that Nicholson steals the show and is still the best Joker ever, with all due respect to the late Heath Ledger. Anyone who has enjoyed the plethora of films in the “Marvel Cinematic Universe” in the past several years should know that they owe a ton of credit to Batman for breathing new life into the genre nearly three decades ago. Unlike its opponent Pretty in Pink did not get a first round bye, besting Broadcast News in a close call. John Hughes, Molly Ringwald, Andrew McCarthy, John Cryer, If You LeavePretty in Pink has everything one could want in an 80’s film. A tip of the cap must be given to the powers-that-be for the ending, wherein the girl (Ringwald) DOESN’T pick the loveable loser best friend and instead chooses the good-looking rich guy…just like real life.

The Verdict: Batman. This is a tough one because Pretty in Pink is the prototypical 80’s movie, while Batman is slightly ahead of its time in embracing a gloomier 90’s-esque sensibility. However, I must go with my heart here. In my opinion this is the best comic book film ever made, although I have admittedly seen very few others.

 
Risky Business vs. Iron Eagle
risky-business-1983-02-gHe’s baaaacckk. Tom Cruise dominated the box office in the second half of the 80’s, but his breakout role came in 1983’s Risky Business. Cruise stars asiron-eagle high schooler Joel, whose parents leave him alone while they go on vacation. Like any normal teenager Joel goes a little nuts, including getting’ busy with a…lady of the night. After inadvertently sending his father’s Porsche into the river he must come up with some quick cash to get it repaired. The answer?? Turn the house into a brothel for a night…obviously. Risky Business not only features a fantastic soundtrack (Phil Collins, Bob Seger, Muddy Waters, Prince), but includes an iconic scene in which Joel dances around his living room in his underwear lipsynching Old Time Rock n’ Roll. Iron Eagle upset An Officer & A Gentlemen in Round 1. It ranked 41st at the box office in 1986, behind unremarkable bombs like Cobra, Children of a Lesser God, & Police Academy 3, but ahead of solid competition including Flight of the Navigator, Youngblood, & Brighton Beach Memoirs. Obscure trivia: Did you know that Robbie Rist, best known as Cousin Oliver in The Brady Bunch, has a role in Iron Eagle?? Well you do now!!

The Verdict: Risky Business. I love Iron Eagle, but Risky Business is a time capsule film and probably one of Cruise’s Top 5 roles.

Coming to America vs. St. Elmo’s Fire
coming-to-america1Eddie Murphy is back too. I’m sensing a theme. At any rate, 1988’s Coming to America is much more aligned with the kind of comedy we expect from sefMurphy. He stars as a pampered prince from one of those fictional nations that movies like to create, but doesn’t want to enter into an arranged loveless marriage. So the prince & his loyal assistant (played by Arsenio Hall) take off for NY City. There they find jobs at a McDonald’s-esque fast food joint and the prince falls in love with the owner’s lovely daughter. From there it is a classic fish-out-of-water story intertwined with a rom-com. James Earl Jones plays the king, while Samuel L. Jackson and Cuba Gooding Jr. have really small “blink and you’ll miss it” roles. This is undoubtedly one of Murphy’s best movies. St. Elmo’s Fire beat Romancing the Stone in the first round and is a classic Brat Pack film. It was the 23rd highest grossing film of 1985, behind stiff competition like Back to the Future, The Breakfast Club, & The Goonies, but besting notable films like Teen Wolf, Weird Science, Young Sherlock Holmes, & Vision Quest. St. Elmo’s Fire, by the way, is “a weather phenomenon in which luminous plasma is created by a coronal discharge from a sharp or pointed object in a strong electric field in the atmosphere, such as those generated by thunderstorms or created by a volcanic eruption, sometimes appeared on ships at sea during thunderstorms, regarded by sailors with religious awe for its glowing ball of light” and is named in honor of St. Erasmus of Formia, the patron saint of sailors. I have no idea what that has to do with the movie, but meaningless trivia is kind of my thing.

The Verdict: Coming to America. St. Elmo’s Fire has a fabled cast and a kickass theme song, but it is a flawed film, probably in part because it is directed by Joel Schumacher and John Hughes is nowhere in sight. Coming to America is directed by John Landis and has a likeable cast with a fun script. It doesn’t necessarily paint outside the lines, but it doesn’t really have to.

 
Star Trek IV: The Voyage Home vs. Eddie & The Cruisers
trekThere were six films made with the cast of the original Star Trek series…William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForesteddie Kelley as Dr. Bones McCoy, George Takei as Sulu, Nichelle Nichols as Uhura, Walter Koenig as Chekov, & James Doohan as Scotty…between 1979 and 1991. In this fourth installment the crew of the USS Enterprise goes back in time to modern day (1986) San Francisco to scoop up some humpback whales that will play a part in saving Earth in the 23rd century. It is a quintessential fish-out-of-water story, with our favorite space cowboys trying to fly under the radar in the 1980’s. It also holds up a rather humorous mirror to modern culture and allows the characters to really shine in a fun, lighthearted way. Eddie & The Cruisers scored an upset victory over the more acclaimed A Fish Called Wanda in Round 1 because that’s just how I roll. It is actually based on a novel that I may read someday. The premise is fantastic, but I have a lot of questions about the execution. In doing some reading about the film it sounds like it just ended up in the wrong hands and several mistakes were made. A more skilled director and production team might have made a movie that isn’t quite as overlooked & underappreciated as the final product.

The Verdict: Star Trek IV. I love Eddie & The Cruisers, but it could have been so much better. The Voyage Home isn’t necessarily a traditional Trek film. The action doesn’t take place in outer space and The Enterprise is MIA, but the script is really good and the cast does some of their finest work. It makes me smile, and in my book that’s pretty cool.

 
The Princess Bride vs. Cocktail
pb21987’s The Princess Bride is another film based on a book, the author being the guy who would go on to write or assist with screenplays for films like cButch Cassidy and the Sundance Kid, All the President’s Men, Misery, A Few Good Men, & Good Will Hunting. The film uses the book as a framing device, with Peter Falk (aka Columbo) starring as a grandfather reading to his ill grandson, played by a pre-Wonder Years Fred Savage. In the “fairy tale” a young farm girl named Buttercup falls in love with a laborer. He goes off to seek his fortune so they can be married but is presumed dead when his ship is attacked by an infamous pirate. A few years later Buttercup is set to marry the prince of yet another fictional country before she is kidnapped by one of the oddest trios you’ll ever see. Of course the young lady’s true love isn’t really dead and sets out to rescue her. The film is directed by Rob Reiner and has a charming cast, including Robin Wright, Wallace Shawn, Billy Crystal, & Andre the Giant. The best way I can describe it is delightfully quirky…family friendly escapism at its best. Cocktail got the decision over Stripes in Round 1. It was the 9th highest grossing movie of 1988, beating out solid competition like Beetlejuice, Scrooged, Bull Durham, & Everybody’s All-American. The Beach Boys’ song Kokomo is the film’s unofficial theme song and was a #1 hit.

The Verdict: The Princess Bride. This is a tough one because I love Cocktail. It is probably the most underrated Cruise movie. But The Princess Bride, besides being a cult classic, is a really solid film and a lot of fun.

 

 

Stand By Me vs. Weekend at Bernie’s
Stand-By-Me-Website-Banner-3-980x363-980x363Stand By Me defeated K-9 in Round 1. It was the 13th highest grossing film of 1986, behind Top Gun, Crocodile Dundee, & Ferris Bueller’s Day Off but WeekendAtBernies_184Pyxurzahead of Pretty in Pink, The Fly, Three Amigos!, & Hoosiers. It was directed by Rob Reiner and features a cool 50’s soundtrack. The framing device with Richard Dreyfuss as an older version of one of the characters that lets us know how all of their lives ended up playing out is a nice touch. Weekend at Bernie’s got the first round decision over Bachelor Party. It ranked 39th at the box office in 1989, ahead of Road House, The Fabulous Baker Boys, & The Dream Team but behind crapfests like The Karate Kid Part III, The Abyss, & The Bear (whatever the heck that is). It is interesting to ponder what became of stars Andrew McCarthy and Jonathan Silverman. McCarthy…a member of the infamous Brat Pack who starred in notable films like Mannequin, Pretty in Pink, & St. Elmo’s Fire…hasn’t been in anything memorable since Bernie’s (unless one wants to generously include the 1993 sequel) and has more recently been doing guest spots in TV shows that no one watches. Silverman starred in a mid-90’s sitcom called The Single Guy for a couple of seasons and does a lot of TV stuff, but Bernie’s seems to be his career highlight. Fame is indeed fleeting.

The Verdict: Stand By Me. It isn’t even close.

100 Favorite Movies…..#85

Progress on this series had hit a noticeable standstill, but happenstance has intervened and given me motivation to move forward. Coinciding with the untimely death of director/producer/writer John Hughes, the next film in the countdown is actually three films, because I just couldn’t leave one out and also because the three share so much common ground. Hughes directed two out of three.

 

Anyone who came of age in the 80’s is familiar with John Hughes and The Brat Pack (Molly Ringwald, Ally Sheedy, Judd Nelson, Andrew McCarthy, Anthony Michael Hall, Rob Lowe, Demi Moore, and Emilio Estevez). Hughes was the master of capturing teen angst on film, and those 8 actors were apparently his muses. Hughes did a lot of other great stuff, and including his two films we’ll discuss here, nine of his films appear in my Top 100. But it’s the teen stuff, the Brat Pack movies, that he is most remembered for creating. All 8 Packers appear in this three pack.

 

Specifically I am talking about Sixteen Candles, The Breakfast Club, and St. Elmo’s Fire. Those were the three Brat Pack films that most resonated with my sensibilities.

 

Sixteen Candles is obviously aimed at a more female demographic. That’s okay…..I’m in touch with my feminine side I guess. Molly Ringwald stars as a teenager whose entire family forgets her 16th birthday because they are gearing up for her older sister’s wedding. The grandparents are hilarious, and even better is the exchange student one set of grandparents bring along. This exchange student, Long Duk Dong, takes Sixteen Candles over the top in my opinion. Anthony Michael Hall is also amusing as a total geek trying to win a bet involving a a pair of panties and a dozen floppy disks (wow…what an outdated reference lol).

 

The Breakfast Club is classic 80’s, prototypical John Hughes, quintessential Brat Pack. It epitomizes the zeitgeist of teen angst on film. Is it a comedy? Is it a drama? Does it really matter? The story involves 5 high schoolers (Molly Ringwald, Ally Sheedy, Emilio Estevez, Anthony Michael Hall, & Judd Nelson) serving detention in the school library on a Saturday. The characters encompass archetypal high school clichés…..nerds, jocks, rebels, WASPS, and loners. The genius of the film is that it takes those clichés and makes us truly understand. It’s a deep message wrapped in an easily digestible and fun movie. And I’m not sure any song has ever been so closely associated with a movie as Simple Minds’ Don’t You Forget About Me.

 

St. Elmo’s Fire could have been a sequel to The Breakfast Club. It stars 3 of the 5 Clubbers (Nelson, Estevez, & Sheedy), as well as Rob Lowe, Demi Moore, and Andrew McCarthy. This time the setting isn’t high school but college, where the group has just graduated and now needs to figure out what’s next. I’ve been there, done that. Actually, 14 years later and I’m still searching for answers, but that’s a whole other issue. The title alludes to an electrical phenomenon that appears to sailors. I’ve never really understood what exactly that had to do with events in the movie, but atleast the title is creative and easily remembered. St. Elmo’s Fire is understandably heavier and more intense than The Breakfast Club, but it’s also intended for a slightly older audience. It is often lost in the shuffle amongst more lighthearted and ostensibly better 80’s/Pack flicks, but I think it deserves to be recognized right up at the top of the list.

 

As an amusing aside, I will say that I literally just now noticed that this is number 85 in the countdown and that both St.  Elmo’s Fire and The Breakfast Club came out in 1985. I’m good.

 

I toyed with the idea of doing a standalone tribute to John Hughes, but the timing of this entry (and the order of this list has been rock solid for months, so it really was coincidental) combined with the fact that a half dozen other Hughes films appear in the list will serve as a proper testament to the man’s pop culture influence and my enjoyment of his contributions.