90’s Film Frenzy: Wicked Round 2

As we wrap up Round 2 of 90’s Film Frenzy let me take this opportunity to hearken back to my childhood in the 70’s & 80’s and say a melancholy Happy Trails to legendary actor Burt Reynolds. For a brief time when I was about ten years old Reynolds was the biggest movie star in the world. At the time I was really into movies like Smokey & The Bandit, Hooper, The Cannonball Run, and The Best Little Whorehouse in Texas.  Actually, I suppose I still prefer those kinds of films. Of course Reynolds had meatier roles in stuff like Deliverance and The Longest Yard, and in later years he had sporadic success with Boogie Nights and…well…that was pretty much it. The 21st century hadn’t been particularly kind to him. In the late 80’s he often appeared on a game show that he produced called Win, Lose, or Draw, and in the early 90’s he starred with Marilu Henner, Hal Holbrook, Michael Jeter, Charles Durning, & the sublime Ossie Davis in a delightful yet underrated sitcom called Evening Shade. Throughout the decades Burt Reynolds remained in the pop culture consciousness and made frequent appearances on various chat shows. Even the bad movies he was in…like Striptease and the big screen adaptation of The Dukes of Hazzard…gained some degree of credibility because he was part of the cast. Unlike so many of today’s movie stars Burt Reynolds seemed to simply embrace being a famous actor and didn’t fancy himself an activist or an arbiter of morality for the masses. Oh sure, he went thru a very public & quite bitter divorce from WKRP in Cincinnati actress Loni Anderson in the early 90’s, but those things happen. Nobody’s perfect, right?? At the end of the day I assume that most actors would prefer their legacy to be the work that they did, and in that regard it is undeniable that Burt Reynolds provided us with more than his fair share of treasured entertainment.

If you’d like to go back and check out second round action in the Fly, Phat, & Dope divisions please follow the links and do so at your leisure.

 

 

 

 

 

The Shawshank Redemption

 

Release:    9/23/94

Starring:     Morgan Freeman, Tim Robbins

Directed By:        Frank Darabont (The Green Mile)

 

vs.

 

Doc Hollywood

 

Quotes

Listen doctor, I’ve got a boy here in cardiac crisis. You can’t treat that with Coca-Cola or Bisquick. We’re gonna have to use real medicine this time.

Southern women…well, they require a substantial commitment. You might have to stay here six months.

I suspect your version of romance is whatever will separate me from my panties.

 

Odds & Ends

The movie was filmed in Micanopy, FL, a small town of 650 people just south of Gainesville.

The makers of the Disney/Pixar film Cars have been accused of plagiarizing its plot from Doc Hollywood.

The city thru which Michael J. Fox is driving in the opening credits is Richmond, VA.

_______________________

The Shawshank Redemption is based on a 1982 Stephen King novella and might be the finest adaptation of his work to film. In the late 1940’s banker Andy Dufresne is wrongly convicted of the double murder of his wife & her lover. He is sentenced to life in prison and there befriends Red, an older & wiser convict who is able to procure items from the outside for his fellow inmates. Andy spends nearly three decades plotting his escape, battling a corrupt warden and encountering other difficulties along the way. But eventually he does break out of prison in the most ingenious way. Not long after that Red is paroled and makes his way to Mexico to reunite with his friend. The movie was 51st at the box office, behind such greatness as Pauly Shore’s In the Army Now, Major League 2, & Richie Rich starring MacCauley Culkin. In retrospect that is a really poor reflection on the collective taste of the viewing public. The Shawshank Redemption was nominated for seven Academy Awards, including Best Picture and Best Actor (Freeman), but didn’t win any of them (Forrest Gump and Tom Hanks won their respective categories). It holds a stellar 91% score on Rotten Tomatoes. The NY Daily News called it “an engagingly simple, good-hearted film, with just enough darkness around the edges to give contrast and relief to its glowingly benign view of human nature”, and the NY Times said it is “a slow, gentle story of camaraderie and growth, with an ending that abruptly finds poetic justice in what has come before”. Gene Siskel thought it was “simply marvelous entertainment”, while his cohort Roger Ebert opined that it is “a movie about time, patience and loyalty…not sexy qualities perhaps, but they grow on you during the subterranean progress of this story”. Doc Hollywood got past Liar Liar in Round 1 because I like Michael J. Fox more than Jim Carrey, and Julie Warner emerging naked out of a lake is just the cherry on top. In reading reviews of the film one will run across words like predictable, breezy, formulaic, nice, charming, loveable, & heartwarming, which unintentionally combine to damn it with faint praise. As anyone who has gone thru this process with me knows, Doc Hollywood is precisely the sort of mildly entertaining movie that is in my wheelhouse. It is comfort food cinema that doesn’t break new ground, push any envelopes, or try to convey a message. Fox was never a ultra-cool heartthrob on the level of Tom Cruise, Brad Pitt, Matthew McConaughey, or Johnny Depp, but before Parkinson’s derailed his life & career he had a likeable, boyish charm with just enough of an edge to keep things interesting. He is perfectly cast in this movie, and the rest of the ensemble compliments him well.

The Verdict:       The Shawshank Redemption. Prison movies aren’t normally my thing, but Shawshank isn’t gratuitously violent or depressing, and the performances by Freeman & Robbins are outstanding. It isn’t the kind of lighthearted fare I typically enjoy in vegg mode, but there is something about it compelling enough to have received numerous repeat viewings over the years. Doc Hollywood is a delightful fish-out-of-water story and a solid rom-com, but the competition is just too good.

************************

 

Mrs. Doubtfire

 

Release:    11/24/93

Starring:     Robin Williams, Sally Field

Directed By:        Chris Columbus (Home Alone, Only the Lonely, Harry Potter & The Sorcerer’s Stone)

 

vs.

 

That Thing You Do

 

Quotes

Don’t worry…no one’s going to prison, son. It’s a very common tale.

When was the last time you were decently kissed? I mean, truly, truly, good and kissed?

 

Odds & Ends

Tom Hanks was initially opposed to hiring Tom Everett Scott because of Scott’s strong resemblance to a younger Hanks. He was finally convinced by his wife, Rita Wilson, who thought Scott was cute. It was his film debut.

The four actors playing The Wonders rehearsed as a band for eight weeks to get the feel of performing, but most of their performances in the film were dubbed by other musicians.

The bass player played by Ethan Embry is never explicitly named. All references to him in the film are as, “the bass player”, and in the credits he is listed as “T.B. Player”.

Adam Schlesinger, the bassist of Fountains of Wayne, penned the title song in response to a contest being held by the studio.

The guys are shown drinking Koehler Beer, which was a real brand produced by the Erie Brewing Company on State Street in Erie, PA.

The state fair entertainment circuit of the mid-60s actually existed until the mid-80s. Fair managers would work together on routing and negotiate lowered performers’ fees as a group.

While trying to decide on a name for the band, the names glimpsed in Jimmy’s notebook are: The Dollars, The Lords of Erie, The Pistunes, The Thorns, The Mozarts, The Echoes, The Ticks, The Didoctics, and The Flannels.

____________________

 

In 1993 Robin Williams was several years past career defining roles in Good Morning Vietnam and Dead Poets Society, both of which had gotten him Oscar nominations. He had done a couple of good movies…Awakenings in 1990 and Aladdin in 1992…but had also been in films like The Adventures of Baron Munchausen, Cadillac Man, Shakes the Clown, & Hook that hadn’t really…made an impact. But then came this little gem, a dramedy about a divorced father who goes to the extreme of dressing as an elderly British nanny to spend time with his three children. It was the second highest grossing film of the year, behind only Jurassic Park, and holds a solid 71% rating on Rotten Tomatoes. Variety called it “overly sappy in places and probably 20 minutes too long”, but also said that it is “a slick surface for Williams’ shtick, within a story possessing broad family appeal”. Newsweek said that “I’ve rarely laughed so much at a movie I generally disliked”, which is an odd comment to say the least. Ebert was underwhelmed, opining that “the film is not as amusing as the premise”. Entertainment Weekly thought that “Williams outclasses the movie”, which seems to be the general consensus…Williams is brilliant, but the movie itself is just okay. That Thing You Do got past Backdraft in Round 1 in a battle of opposites…likeable dramedy versus an effects laden action drama. What has always fascinated me about That Thing You Do is its tone. We all know that one hit wonders are a real thing. We know that bands break up all the time. Egos. Jealousy. Greed. Pride. Differing visions and a mix of personalities. There are dozens of things that can contribute to a group’s implosion. This movie could have easily become a thoughtful, profound, sober examination of such situations, and I have no doubt that all involved would have pulled it off. But instead Hanks, in his role as screenwriter & director, decided to keep things cheerful & fun, and I think it works.

The Verdict:       Mrs. Doubtfire. Another Hanks vs. Williams contest, and this time Williams comes out on top. I actually think That Thing You Do might have benefitted from more onscreen time for Hanks, but instead he has a supporting role and the focus is on the band. I love the movie’s theme song, and if The Oneders were a real pop/rock group I’d probably like their music a lot. Having said that, Mrs. Doubtfire is just too good to ignore. I understand the perspective of the critics’…Williams’ performance stands out more than the movie as a whole. I don’t disagree. But for now that’s more than enough.

************************

 

Scent of a Woman

 

Release:    12/23/92

Starring:     Al Pacino, Chris O’Donnell

Directed By:        Martin Brest (Beverly Hills Cop, Meet Joe Black, Gigli)

 

vs.

 

The Blair Witch Project

 

Quotes

 

I just want to apologize to Josh’s mom, and Mike’s mom, and my mom. I am so sorry! Because it was my fault. I was the one who brought them here. I was the one that said “keep going south”. I was the one who said that we were not lost. It was my fault, because it was my project. Everything had to be my way. And this is where we’ve ended up and it’s all because of me that we’re here now – hungry, cold, and hunted.

Okay, here’s your motivation. You’re lost, you’re angry in the woods, and no one is here to help you. There’s a witch, and she keeps leaving shit outside your door. There’s no one here to help you! She left little trinkets, you took one of them, she ran after us. There’s no one here to help you! We walked for 15 hours today, we ended up in the same place! There’s no one here to help you, that’s your motivation! That’s your motivation!

 

Odds & Ends

This film was in the Guinness Book of World Records for “Top Budget: Box Office Ratio” (for a mainstream feature film). The film cost $60,000 to make and made back $248 million, a ratio of $1 spent for every $10,931 made.

Heather Donahue’s mother received sympathy cards from people who believed that her daughter was actually dead or missing.

To promote discord between actors the directors deliberately gave them less food each day of shooting.

In a scene where the main actors are sleeping in a tent at night, the tent suddenly shakes violently and they all get scared. This was unscripted and the director shook the tent. The actors actually were scared.

One of the video cameras used by the actors was bought at Circuit City. After filming was completed, the producers returned the camera for a refund, making their budget money go even further.

Numerous fans were so convinced of the Blair Witch’s existence that they flocked to Maryland in hopes of discovering the legend.

The actors were requested to interview the townspeople, who often, unbeknownst to the actors, were planted by the directors. As a result, the expressions on the actors’ faces were unrehearsed.

The Blair Witch was supposed to be seen in the movie. As the characters were running out of their tent, Heather yells, “Oh my God, what the f*** is that? What the f*** is that?”, the cameraman was supposed to pan to the left where the audience would briefly see a woman wearing a white gown in the distance. But the cameraman forgot to pan to the left and the scene was not reshot.

Before the film was released, the three main actors were listed as “missing, presumed dead” on IMDB.

The 1999-2000 hunting season suffered badly due to this film. The movie was so popular that fans all over the country were hiking into the wilderness to shoot their own Blair Witch-style documentaries. As a result, they kept most of the wildlife scared away from hunting areas.

The “F” is used word 154 times.

One of the first theatrical features to make use of a large-scale viral marketing, which claimed that the three main characters had really gone on a trip to shoot a documentary and were never found again, save for their video camera and the footage they shot. A website was posted on the Internet one year prior to the release to set up the premise of the documentary, complete with detailed reports of the search, the recovery of the trio’s footage within an old cabin, reactions from their families, and expert opinions. The three actors were instructed to refrain from making public appearances. The myth wasn’t debunked until after the movie’s premiere.

Held the record for the highest-grossing independent movie of all time until October 2002, when it was surpassed by My Big Fat Greek Wedding.

_________________________

 

Speaking of great performances that are more memorable than the movie itself…

With all due respect to Chris O’Donnell, Al Pacino almost singlehandedly carries Scent of a Woman, in which he portrays a retired blind Army Ranger who persuades his young caregiver to accompany him on one last adventure before he kills himself. Thankfully it’s not as depressing as it sounds. Lt. Col. Frank Slade is a cynical alcoholic who lives with his niece & her family in New Hampshire. Charlie Simms is a smart but financially challenged student at a nearby prep school. Charlie needs to make some money to afford a trip home to Oregon for Christmas, while Col. Slade’s family is headed out of town for Thanksgiving and isn’t taking him with them. Charlie accepts a job essentially babysitting Col. Slade for a few days, but he gets much more than he bargained for. There is a weak subplot about Charlie possibly getting in trouble over some prank that he witnessed at school, but make no mistake…Scent of a Woman is all about Col. Slade and Pacino’s scene chewing performance. In the hands of any other actor Col. Slade might simply be a bombastic, pitiful, angry windbag, but instead there is nuance & character development. The movie received multiple Academy Award nominations, including Best Picture (which it lost to Unforgiven), Best Director, and Best Adapted Screenplay, but the one it took home was Pacino’s first Oscar for Best Actor. He had been nominated on seven previous occasions (for performances in The Godfather & The Godfather Part II, Serpico, Dog Day Afternoon, And Justice For All, Dick Tracy, and Glengarry Glen Ross). Scent of a Woman was the 19th highest grossing film of 1992 and holds an 88% score on Rotten Tomatoes. Ebert thought the movie was a bit formulaic & predictable, but also said that “rarely have we been taken there with so much intelligence and skill”. The Washington Post complimented “a great performance from Pacino” and the “mostly wonderful, edgy script”. The NY Times praised the filmmakers for “turning a relatively contrived situation into a terrific showcase for Mr. Pacino’s talents”. There is a considerable amount of reproach for the film’s 2 ½ hour length, but I don’t mind that a bit if the story is really good. Blair Witch got past A Time to Kill in Round 1 because I feel like the book is better than the movie, and because Blair Witch is such a unique film, both the movie itself and the promotional campaign that made it a surprise hit. So much of what is commonplace today…viral marketing, “reality” entertainment, documentary style horror films…was unique & avant-garde two decades ago. I’m not a horror movie guy, but even I know that The Blair Witch Project helped revolutionize what had become a stale genre. Knowing what we know now and with social media & The Internet being such a big part of daily life, it is difficult to imagine anyone being able to pull off what the powers-that-be did with this film. A sequel was produced just a year later, and while it turned a tidy profit it didn’t come close to having the impact on pop culture as the original.

The Verdict:       Scent of a Woman. Simply put, I like Pacino a lot more than I like horror movies. I watched Blair Witch once when it first came out on home video, but it’s seldom shown on TV and chances are I’d keep right on channel surfing if it was on somewhere. Conversely, Pacino is a magnet that draws one into Scent of a Woman, and it would be rare if I didn’t stop and watch when the opportunity arose.

 

************************

The Lion King

 

Release:    6/15/94

Starring:              Matthew Broderick, James Earl Jones, Jonathan Taylor Thomas

Directed By:            Roger Allers & Rob Minkoff (Stuart Little)

 

vs.

 

Lethal Weapon 4

 

Quotes

Oh, I’m a perp? Oh, you see a young brother in the back of a police car, automatically I’m a perp?! Look at my suit! Look at my tie! What do I look like, a fuckin’ Crip’s accountant?! Look at this badge, bitch! Check out the gun!

Your baby is having my baby!

You have the right to remain silent, so shut the fuck up! Okay!? You have the right to an attorney! If you can’t afford an attorney, we’ll provide you with the dumbest fuckin’ lawyer on Earth! But if you get Johnnie Cochran, I’ll kill ya!

Stop turning everything around! You’re so damn touchy! These guys’ll tell ya, we work together, we got a history together! Hey, maybe we’ll work together someday! I’m the bomb, they’ll tell ya, I’m great!

 

Odds & Ends

Not only was this Jet Li’s first American-produced movie, it was also the first time he’d ever played a villain (Jackie Chan turned it down the role because he chooses never to play the villain in a movie). Director Richard Donner had to ask Li to slow down during action sequences because he was moving faster than the camera shutter speed and it wasn’t registering on film.

Riggs’ trailer is in the same place that Jim Rockford’s trailer was during the majority of The Rockford Files’ run.

Murtaugh’s boat is named Code 7, which is the LAPD radio code for a lunch break.

___________________________

 

Okay, confession time. While writing this project (as well as previous things like 80’s Movie Mania and Merry Movie Mayhem) I oftentimes rely on my memory and prior viewings of a movie when opining. Most of the time this hasn’t been an issue because chances are good that I have watched the film fairly recently. After all, repeat viewings are a major element for me, right?? On the rare occasions that my recall is a bit fuzzy it usually isn’t an issue to stream a movie since I’m a night owl, late night TV has lost its luster for me, and my work schedule isn’t too oppressive. However, I have not watched The Lion King in several years and it is not available to rent anywhere on my Roku. Since I am unwilling to pay $15 to buy it I am left with a conundrum. I know that Disney can be a bit weird about such matters, occasionally putting a film in their vault and making it generally unavailable to the public for a number of years. I also realize that they will be launching their own streaming service in 2019 and that a “3D virtual reality” remake of The Lion King directed by Jon Favreau will hit theaters next summer. So, despite its impressive pedigree I have to strike down The Lion King from this competition due to its…inaccessibility. Way to go Disney.

The Verdict:       Lethal Weapon 4. I suppose winning by default is still winning, right??

************************

 

Deep Impact

 

Release:    5/8/98

Starring:     Morgan Freeman, Robert Duvall, Téa Leoni

Directed By:        Mimi Leder (The Peacemaker)

 

vs.

 

October Sky

 

Quotes

My life’s work is teaching. And I believed that if you boys won that science fair, got scholarships, went off and did something great with your lives, somehow my life would have counted for something. You know what? Sometimes you really can’t listen to what anybody else says. You just gotta listen inside. You’re not supposed to end up in those mines. You know why? ‘Cause I think you made other plans. I want you to know something. I’m proud of you.

If I win at Indianapolis, maybe I can go to college, maybe even get a job at Cape Canaveral! There’s nothing here for me! The town is dying, even the mine is dying. Everybody knows that but you!

Homer once said you love the mine more than your own family. I stuck up for you because I didn’t want to believe it. Homer has gotten a lot of help from the people in this town. They’ve helped him build his rockets. They’ve watched him fly ’em. But not you, John. You never showed up, not even once. I’m not asking you to believe in it, but he’s your son, for God’s sake!

 

Odds & Ends

The location of the slag dump where the Rocket Boys actually tested their rockets still exists. It is now a large grassy field. It is located in the actual town of Coalwood, WV. The town of Coalwood celebrated the Rocket Boys with the October Sky Festival, but by 2012 the town had lost so many residents that the event was moved to Beckley, WV due to the lack of able-bodied volunteers remaining in Coalwood.

The boys rarely tested a single rocket per day. They often manufactured several rockets and tested them in sequence. The rocket that hit Homer’s father’s office during their early testing, when they were launching rockets near the mine, was actually the last rocket of several they launched that day.

Homer H. Hickam Jr. helped design and build the cannon that is used during the Virginia Tech Hokie football games.

Much of the filming took place in Petros, TN, which is a tiny little town just outside of Oak Ridge, TN. Oak Ridge is known as The Secret City because it was built specifically to help develop nuclear weaponry during WWII. It is home to the Y-12 nuclear plant, still active today.

 

____________________

You will recall that in 1998 two movies about an asteroid heading toward Earth were in theaters just months apart from one another. Armageddon made it to the second round in the Phat Division before being eliminated, but I’ve always thought Deep Impact is a better film. There are a few subplots, including a young MSNBC reporter who stumbles upon the story about the asteroid and who must repair relationships with her estranged parents before the world ends. As with Armageddon there is a crew sent up in a space shuttle in an effort to destroy the asteroid, but this crew is far different. The conflicts and storylines are much more cerebral & emotional, and the action toned down a bit, though there are still plenty of explosions and lots of destruction. The cast isn’t nearly as cool as that other movie, but whenever you have Morgan Freeman as the President of the United States that’s pretty awesome, and young star Elijah Wood would go on just a few years later to portray Frodo Baggins in The Lord of the Rings trilogy. Deep Impact was the 8th highest grossing film of 1998 but has a subpar 45% rating on Rotten Tomatoes. People Magazine opined that it is “neither deep nor impactful”, but said that it “goes well with popcorn”. The Washington Post called it a “lightweight melodrama” that presents “lackluster imitations of real life”. Variety thought it was “spectacular enough in its cataclysmic scenes of the planet being devastated by an unstoppable fireball”, but “far from thrilling in the down time spent with a largely dull assortment of troubled human beings”. October Sky upset Oscar nominated Four Weddings & a Funeral in Round 1 because that’s how I roll. I am probably a little bit biased toward movies about and/or filmed in West Virginia. We tend not to have as many famous faces or outright heroes that hail from our humble state, so we warmly embrace the handful of folks that have made us proud. Homer Hickam surely deserves that kind of respect, and his story is effectively told. Chris Cooper might be one of Hollywood’s most underrated actors, and his portrayal of Hickam’s father really rings true to the kind of quiet pride, dogged work ethic, & unspoken melancholy that I’ve witnessed in so many Appalachian men.

The Verdict:       Deep Impact. This is a tough call. Despite what most of the critics say I really like Deep Impact. The casting director may have dropped the ball (with the aforementioned Freeman as a notable exception obviously), but I have to give credit to a screenplay that tries to focus on the humanity as much as the special effects. Both of these films are kind of a downer (despite happy endings), but I think Deep Impact is just more entertaining.

 

************************

Wayne’s World

 

Release:    2/14/92

Starring:     Mike Myers, Dana Carvey

Directed By:        Penelope Spheeris (Black Sheep)

 

vs.

 

The Big Lebowski

 

Quotes

Look, let me explain something to you. I’m not Mr. Lebowski. You’re Mr. Lebowski. I’m The Dude. So that’s what you call me. That, or His Dudeness … Duder … or El Duderino, if, you know, you’re not into the whole brevity thing.

This is a very complicated case, Maude. You know, a lotta ins, lotta outs, lotta what-have-you’s. Alotta strands to keep in my head, man. Lotta strands in old Duder’s head. Luckily I’m adhering to a pretty strict drug regimen to keep my mind, you know, limber.

Well, sir, it’s this rug I had. It really tied the room together.

Saturday, Donny, is Shabbos, the Jewish day of rest. That means that I don’t work, I don’t drive a car, I don’t ride in a car, I don’t handle money, I don’t turn on the oven, and I sure as shit don’t roll!

Nihilists! I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.

You want a toe? I can get you a toe. Believe me. There are ways, Dude…you don’t wanna know about it, believe me. Hell, I can get you a toe by 3:00 this afternoon, with nail polish.

The Dude abides.

Lady, I got buddies who died face-down in the muck so that you & I could enjoy this family restaurant!

Forget it, Donny, you’re out of your element!

The Chinaman is not the issue here, Dude! I’m talking about drawing a line in the sand! Also, Dude, “Chinaman” is not the preferred nomenclature. “Asian-American,” please.

Smokey, this is not ‘Nam. This is bowling. There are rules!

Were you listening to The Dude’s story, Donny?

Yeah, well, you know, that’s just, like, your opinion, man.

 

Odds & Ends

In an early draft of the script, The Dude’s source of income was revealed. He was an heir to the inventor of the Rubik’s Cube, which would have also made him Hungarian in turn. It was Joel Coen’s idea to drop this plot point.

Jeff Bridges met with the Coen Brothers after reading the script and asked them “Did you guys hang out with me in high school?” referring to The Dude’s easygoing surfer persona.

The Dude tells Maude he was a roadie for Metallica on their (fictional) “Speed of Sound” tour and refers to the band members as a “bunch of assholes”. Metallica themselves were flattered to be referred to in a Coen Brothers movie, with guitarist Kirk Hammett once noting in an interview that they’d tried to think of a way to incorporate that scene into their live shows.

The Dude’s line, “The Dude abides”, is a reference to Ecclesiastes 1:4: “one generation passes away, and another generation comes: but the Earth abides forever.” It is a reference to how the Dude, much like the Earth, can weather change and chaos around him, but still remain the same.

Glenn Frey was reportedly so dismayed about The Dude’s hatred of The Eagles in the movie that he once angrily confronted Jeff Bridges when they met at a party.

White Russian: two parts vodka, one part Kahlúa, and one part cream. Served with ice in a low ball glass.

The “F” word or a variation of it is used 292 times. The word “dude” is used 160 times.

The man shown bowling in the picture on The Dude’s wall is President Richard Nixon. Nixon was an avid bowler, and the photo is a well-publicized shot of Nixon in the bowling alley underneath the White House.

 

________________

Films based on Saturday Night Live characters & sketches don’t have the best track record…to say the least. The Blues Brothers (winners of 80’s Movie Mania) is the gold standard, but then you have stuff like Coneheads, A Night at the Roxbury, & The Ladies’ Man that are total bombs. Turning a ten minute skit featuring only a character or two or three, one set, & a narrowly focused scenario into a two hour big screen motion picture with an actual plot and everything that goes with it can’t be easy, and the old saying that “a little goes a long way” oftentimes holds true. Having said that, Wayne’s World…unlike so many of its counterparts…actually does achieve success on a Blues Brothers level. We know from SNL that Wayne Campbell & Garth Algar are young adults who host a public access TV show filmed in the basement of Wayne’s parents’ house in Aurora, IL. Wayne & Garth are total nerds trying desperately to be cool, and the movie finds them selling their show to a production company headed by a sleazeball portrayed by Rob Lowe. Wayne also falls for a hot female singer and has an on again/off again relationship with her. The ending is kind of odd, but the movie is solidly entertaining, and it finished 1992 as the 8th highest grossing film, sandwiched between The Bodyguard & Basic Instinct (schhhwiinngg!!). Rotten Tomatoes gives Wayne’s World a rating of 86%, with Empire Magazine calling it “a classic comedy of its time”, Entertainment Weekly complimenting its “pleasing daftness”, and Ebert saying that it “works on its intended level and then sneaks in excursions to some other levels, too”. The Big Lebowski easily got past Ten Things I Hate About You in Round 1 and has a solid 82% score on Rotten Tomatoes. Since it is the quintessential cult film I thought it might be fun to venture off the beaten path and look at some audience reviews instead of what the critics had to say. “Eugene” says that it’s “a simple story that requires no over-analyzing to delve into its narrative and concept” and calls it an “effective, humorous and overall a wacky classic”. “Julie”  observes that The Dude’s “sole purpose in life is to laze around in his room smoking pot or go bowling with his strange friends” and calls the movie “a bizarre, offbeat tale of mistaken identity & revenge”. “Kevin” credits Bridges for “the most notable role in his career” and thinks Goodman is hilarious, but feels like Buscemi is “was kind of just there” and Julianne Moore in a small role “has been much better in almost everything else”. “Demesa” says that The Big Lebowski “will make any bad day go away…the crafty, nonsensical-ness of the plot is perfect and the cinematography is beautiful”, while “Aaron” praises it for being “without a doubt one of the most clever and funniest movies that I’ve ever watched in my life”.

The Verdict:       The Big Lebowski. This is a tough call because I do feel like Wayne’s World is a great 90’s snapshot and really captures the essence of an era. However, for those of us that still slip in the occasional “We’re not worthy!!”, “Not!”, “Party on!”, or “Are you mental?” into casual conversation I think we owe that space carved out in the pop culture retention area of our brain to the SNL sketches as much as or more than the movie. Conversely, The Big Lebowski is like that acquaintance we had in grade school but barely paid attention to, then one day they become our best friend, and eventually we fall madly in love & realize our soulmate has been standing right in front of us for decades. From barely being a blip on the cinematic radar two decades ago it has steadily grown into something that multiple generations embrace & enjoy repeatedly.

 

************************

Tommy Boy

 

Release:    3/31/95

Starring:     Chris Farley, David Spade

Directed By:        Peter Segal (Anger Management, 50 First Dates)

 

vs.

 

Glengarry Glen Ross

 

Quotes

 

You ever take a dump that made you feel you’d just slept for twelve hours?

Put that coffee down! Coffee’s for closers only. I’m here from downtown. I’m here from Mitch and Murray. And I’m here on a mission of mercy.

All of you’ve got just one week to regain your jobs starting with tonight. Starting with tonight’s sit. Oh…have I got your attention now? Good. ‘Cause we’re adding a little something to this month’s sales contest. As you all know, first prize is a Cadillac Eldorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you’re fired. Get the picture? You laughing now?

You drove a Hyundai to get here. I drove an $80 thousand BMW. That’s my name!

Only one thing counts in this life: Get them to sign on the line which is dotted. You hear me, you fucking faggots? A-B-C. A-Always, B-Be, C-Closing. Always. Be. Closing.

A guy don’t walk on the lot lest he wants to buy. They’re sitting out there waiting to give you their money. Are you gonna take it? Are you man enough to take it? What’s the problem, pal?

That watch costs more than your car. I made $970,000 last year. How much did you make? You see, pal, that’s who I am, and you’re nothing. Nice guy? I don’t give a shit. Good father? Fuck you! Go home and play with your kids. You wanna work here – close! You think this is abuse? You think this is abuse, you cocksucker? You can’t take this, how can you take the abuse you get on a sit? You don’t like it, leave. I can go out there tonight with the materials you’ve got and make myself $15,000. Tonight! In two hours! Can you? Go and do likewise. Get mad you son of a bitches! You want to know what it takes to sell real estate? It takes brass balls to sell real estate. Go and do likewise, gents. Money’s out there. You pick it up, it’s yours. You don’t, I got no sympathy for you. You wanna go out on those sits tonight and close…CLOSE. It’s yours. If not, you’re gonna be shining my shoes. And you know what you’ll be saying – a bunch of losers sittin’ around in a bar. ‘Oh yeah. I used to be a salesman. It’s a tough racket.’ These are the new leads. These are the Glengarry leads. And to you they’re gold, and you don’t get them. Why? Because to give them to you is just throwing them away. They’re for closers. I’d wish you good luck but you wouldn’t know what to do with it if you got it. And to answer your question, pal, why am I here? I came here because Mitch and Murray asked me to. They asked me for a favor. I said the real favor, follow my advice and fire your fucking ass, because a loser is a loser.

You can’t think on your feet, you oughta keep your mouth closed.

I subscribe to the law of contrary public opinion. If everyone thinks one thing, then I say bet the other way.

If you tell me where the leads are, I won’t turn you in. If you don’t, I am going to tell the cop you stole them. Mitch and Murray will see that you go to jail. Believe me, they will. Now, what did you do with the leads? I’m walking in that door. You have five seconds to tell me, or you are going to jail.

When you die you’re going to regret the things you don’t do. You think you’re queer? I’m going to tell you something: we’re all queer. You think you’re a thief? So what? You get befuddled by a middle-class morality? Shut it out. You cheat on your wife? You did it, live with it. There’s an absolute morality? Maybe. And then what? If you think there is, go ahead, be that thing. Bad people go to hell? I don’t think so. If you think that, act that way. A hell exists on earth? Yes. I won’t live in it. That’s me.

So I wasn’t cut out to be a thief. I was cut out to be a salesman. And now I’m back.

 

Odds & Ends

The single largest cost of production was for the rain effects throughout the first half of the film.

Jack Lemmon said the cast was the greatest acting ensemble he had ever been part of.

David Mamet’s screenplay considerably expanded his script for the play, providing more context for the pressure placed on the salesmen. Notably, Alec Baldwin’s introductory speech was added as well as Jack Lemmon’s phone calls to clients and the hospital, plus his sales call to the man with the fishing rod. Many consider the screenplay to be superior to the text for his Pultizer-winning stage play. The film version is often transcribed to stage now.

The “F” word & its derivatives are uttered 138 times.

The title refers to Glengarry Highlands and Glen Ross Farms, two properties mentioned in the movie.

David Mamet based his original play on his own experience working in a real estate office in the 1970s when he was a struggling playwright. He was the office manager who gave out sales leads and handled the paperwork.

____________________

 

Tommy Boy isn’t a Saturday Night Live film per se, but it may as well be since its two stars…Farley & Spade…were two of the biggest contributors to that television show’s success in the early 90’s. Farley was ostensibly fired from SNL (along with Adam Sandler) in 1995, while Spade stuck around for one more season and was still appearing on TV when this movie premiered. Tommy Callahan is the inept, socially awkward, accident prone son of Big Tom, the owner of an auto parts company in Ohio. When Big Tom dies unexpectedly at his wedding reception it’s up to Tommy and his buddy Richard to save the company from being sold by the new stepmother & stepbrother, who aren’t what they seem. Tommy Boy is a classic buddy/road film and is the perfect showcase for Farley’s distinctive frenetic humor balanced with Spade’s droll wit.  It was the 54th highest grossing film of 1995, behind stalwarts like Judge Dredd, Man of the House, & The Brady Bunch Movie, and holds a feeble 43% score on Rotten Tomatoes. Ebert called it “an assembly of cliches and obligatory scenes from dozens of other movies”. The Washington Post calculated that “as an SNL sketch it would have been a tour de force” but didn’t like the movie. Entertainment Weekly called Farley “a mastodon in a china shop” and said the movie “by any reasonable standard…is stupid, disreputable junk” and left the reviewer “wishing I’d never have to see anything quite like it again”. In Round 1 Glengarry Glen Ross easily beat Bruce Willis’ Striking Distance, a movie I like…but not THAT much. My observation about Glengarry Glen Ross was that “the plot is secondary to the performances”, and there is nothing inherently wrong with that. It isn’t unheard of for a great performance to carry an otherwise average story to new heights. That’s why these actors get paid the big bucks, and a few of them actually deserve it. To have half a dozen bona fide legends at the top of their game in the same movie is almost unheard of, and I can’t imagine that any of those guys did this project for the money. Having said all that, here is the issue. When one watches Glengarry Glen Ross are you watching the movie…or are you watching Pacino, Baldwin, Spacey, Harris, Lemmon, & Arkin?? If someone asked you the plot of the film or the names of any of the characters would you have the right answers?? Most people can probably quote the biggest part of Baldwin’s cameo at the beginning, but can you remember what happens afterward?? I feel like these are legitimate questions and I’m not sure the answer reflects well on the film.

 

The Verdict:       Tommy Boy. I do my best not to be repetitive, but once again the scenario that runs thru my mind is me laying around on a lazy, rainy day vegging out and watching movies. Which of these films would I watch?? I think there is a distinct possibility that I would begin watching Glengarry Glen Ross with the best of intentions, but after Baldwin’s memorable scene I might be inclined to change the channel to Tommy Boy, and once I was there I don’t think I’d switch back. Some might see that as a damning indictment of my taste in movies, and they might be right, but I am not a film critic. I’m not trying to impress anybody with my first-rate intellect. I’m just a guy who enjoys watching movies, laughing, & having a good time. Your mileage may vary and that’s okay.

 

************************

The Truman Show

 

Release:    6/5/98

Starring:     Jim Carrey, Ed Harris

Directed By:        Peter Weir (Witness, Master & Commander)

 

vs.

 

Star Trek VI: The Undiscovered Country

 

Release:    12/6/91

Starring:              William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols

Directed By:        Nicholas Meyer (The Day After)

 

vs.

 

Ghost

 

Quotes

He’s stuck, that’s what it is. He’s in between worlds. You know it happens sometimes that the spirit gets yanked out so fast that the essence still feels it has work to do here.

It’s all in your mind. The problem with you is that you still think you’re real. You think you’re wearing those clothes? You think you’re crouched on that floor? Bullshit! You ain’t got a body no more, son!

Listen, damn it. You are going to help me. There’s a woman. Her name is Molly Jensen and she’s in terrible danger. The man who killed me broke into our apartment and he’s gonna go back. So you’ve gotta warn her.

I know you don’t think I’m giving this $4 million to a bunch of nuns!

 

Odds & Ends

The role of Oda Mae Brown was not written with Whoopi Goldberg in mind, but Patrick Swayze…an admirer of hers…convinced the producers that she would be right for the part.

The film’s premise is expanded from an old urban legend dealing with a spirit of a recently deceased trying to warn their loved one of an imminent danger.

Patrick Swayze said that the pottery scene was the sexiest thing he had ever done on film.

Molly tells Sam that he “leads a charmed life”. This is a line from William Shakespeare’s Macbeth. Macbeth also claims to lead a charmed life, meaning he cannot be killed. Immediately after making this claim, however, he is killed. Sam is killed after seeing a production of Macbeth.

Patrick Swayze and Vincent Schiavelli, who played the subway ghost, both died of cancer at the age of 57.

__________________________

 

Our final triple threat match pits a beloved sci-fi franchise against two singular dramedies.  The Truman Show was Jim Carrey’s attempt at proving he could actually be a great actor after being known mostly as a clown in movies like Ace Ventura, The Mask, Dumb & Dumber, and Liar Liar. He mostly plays it straight as Truman Burbank, a thirty year old man who has unwittingly been the star of his own television show for his entire life. Everything in his “world” is phony…the quaint little town he lives in, the weather, his parents, all of his friends & colleagues…even his wife. The whole thing is the brain child of a God-like TV producer named Christof, who controls every aspect of the show, which has aired worldwide 24/7/365 for three decades. But all bets are off when Truman begins to figure out the truth. The Truman Show was the 12th highest grossing film of 1998, ahead of Enemy of the State & Shakespeare in Love (which would win the Academy Award for Best Picture), but behind Rush Hour & Godzilla. It holds a 94% score on Rotten Tomatoes and was nominated for three Oscars…Best Director (Weir, who lost to Spielberg for Saving Private Ryan), Best Adapted Screenplay, and Best Supporting Actor (Harris, who lost to James Coburn for his performance in Affliction). It wasn’t nominated for Best Picture and Carrey didn’t get a nomination for Best Actor (won by Roberto Benigni for his performance in Life is Beautiful), which in hindsight both feel like huge oversights. That was a really weird year for the Academy Awards. The NY Daily News thought the film’s premise “both reasonable and ludicrous”, but called “its execution sublime”. Rolling Stone said that it is “a near-miraculous balance of humor and feeling”. The Chicago Tribune thought it “a satire/comedy/fantasy about the future of television and the people caught in its omnipresent electronic net…a supremely intelligent jest”. The Cincinnati Enquirer said that it is “funny, moving, imaginative, and wickedly smart about the addictive power of comfy illusion”. Ghost got past the overly angst-ridden & quite tedious Reality Bites in the first round. It is the rare kind of film that is appreciated by audiences and critics alike, making a ton of money at the box office while also collecting well-deserved awards. Swayze passed away in 2009, and I can’t help but wonder how many entertaining movies we’ve been deprived of in his absence because when one looks at his filmography there is no shortage of awesomeness…The Outsiders, Red Dawn, Dirty Dancing…spanning three decades, I have to assume he would have made more good films if he’d have lived. The Undiscovered Country is the sixth & final movie featuring the cast of the original Star Trek television series. I was a bit late to the Trek party, largely because I hadn’t been born yet when the TV show aired in the 1960’s. However, the six films produced between 1979 & 1991 led to my appreciation of the franchise. The movies are admittedly hit & miss, but The Undiscovered Country is unanimously praised as one of the highlights. With The Federation and The Klingons on the verge of signing a peace treaty Captain Kirk & Dr. McCoy are set up to take the fall for the assassination of the Klingon Chancellor and find themselves imprisoned. Of course Kirk is pretty difficult to defeat, so he eventually gets at the truth and saves the day. The movie has a Rotten Tomatoes score of 83% and was the 15th highest grossing film of the year. The Hollywood Reporter observed that “the production has a dark, atmospheric sheen that persistently suggest mystery and danger” and said that it is “not the best of the series, but a suitable farewell”. The NY Times credited the cast for “enthusiasm for their material that has never seemed to fade…if anything, that enthusiasm grows more appealingly nutty with time”. The Washington Post thought that the crew “couldn’t have made a more felicitous or more satisfying exit”.

The Verdict:       The Truman Show. I wish that I could push all three contenders thru to the next round, but that’d be a bit much. As much as I love Trek it’s hard to single out The Undiscovered Country for praise when I think that both Wrath of Khan & The Voyage Home were superior films. That’s the thing about long lasting film series…the whole stands above the individual parts. Ghost is a fine film. Swayze was an underrated actor whose talent is more apparent in hindsight that it was in the moment. Demi Moore has rarely been more enchanting. Even Whoopi Goldberg…who has sadly become an insane political hack in recent years…proved herself a talented actress. The only mark against Ghost is lack of repeat viewings. It hasn’t been a movie that I become giddy to see as I’m channel surfing on a cold & lonely night. The premise of The Truman Show was almost prophetic. I can totally see a show like that capturing the world’s attention now. I’m not a fan of reality television at all, mostly because I know there’s nothing real about it and I am almost offended by people like the Kardashians, the Chrisleys, and the idiots on The Bachelor becoming famous for no legitimate reason. But what if the star of the show didn’t realize they were a star??

90’s Film Frenzy: Wicked Round 1

Before we conclude Round 1 of 90’s Film Frenzy please go back and check out first round action in the Dope, Fly, and Phat divisions.

 

You have likely noticed that I consistently use two metrics in my evaluation…box office and critic reviews. I utilize Rotten Tomatoes to see what the critics had to say, and I look at Box Office Mojo to see how the movie stacked up financially against its competition. When I was growing up we didn’t have The Internet and movie critics were a rare breed mostly confined to big city newspapers. The big dogs on the block were Siskel & Ebert because they actually had their own television show, so you’re seeing them referenced a lot, mostly out of nostalgia. I also tend to focus on reviews that were written at the time of a film’s release in the 1990s because it is rather bogus and a bit unfair to give credence to something written many years later by a critic who has suddenly jumped on the bandwagon of a cult film that has grown in stature thru the magic of home video. Having said that, neither the box office nor the critics are always an accurate measure of a movie, and something that has achieved cult status for whatever reason shouldn’t be overlooked just because it didn’t make much money or receive critical acclaim two+ decades ago. It’s a delicate balancing act…one I hope that I am doing well.

 

 

 

 

 

 

Ghost

Release:                       7/13/90

Starring:                        Patrick Swayze, Demi Moore, Whoopi Goldberg

Directed By:                 Jerry Zucker (Airplane!, Ruthless People)

 

vs.

 

Reality Bites

Release:                       2/18/94

Starring:                        Ethan Hawke, Winona Ryder, Janeane Garofalo, Steve Zahn, Renée Zellweger, John Mahoney

Directed By:                 Ben Stiller (The Cable Guy, Zoolander, Tropic Thunder)

 

If there is one film in this competition that might qualify as “quintessential 90’s” I think Reality Bites fits the bill. It’s right there in the title…Reality Bites. Angst-ridden twenty-somethings try to find their footing in the post-graduate jungle that is life. That’s pretty much the idea. The cast is impressive, and the soundtrack is representative of its era, with songs from Crowded House, Lenny Kravitz, Julianna Hatfield, & The Posies. Not exactly mainstream, right?? I feel like the most enduring legacy of Reality Bites is the hit song Stay by quirky Lisa Loeb. This movie came out right after I graduated college and had entered the workforce, but at the time I was also still clinging to the old college life…hanging out with my friends and patronizing familiar watering holes ‘til 3am. Stay was in heavy rotation on the jukebox, and I have a vague recollection of a female acquaintance of mine dancing to the song and stripping down to her unmentionables right in the middle of the bar. Ghost was nominated for five Academy Awards and won two of them. When a banker is shot & killed by a mugger his ghost enlists the help of a shady psychic to warn his grieving girlfriend of impending danger. The enduring legacy of Ghost includes the zenith of Patrick Swayze’s solid career, Whoopi Goldberg when she was still funny and not a political hack, one of Demi Moore’s best performances, a renewed appreciation for The Righteous Brothers’ hit Unchained Melody, & a sudden interest in learning more about pottery.

 

The Verdict:       Ghost. I was precisely the target audience for Reality Bites and still found it dull. It was the 63rd highest grossing film of 1994, behind such stalwarts as Shaquille O’Neal’s Blue Chips, Pauly Shore’s In the Army Now, & Jean-Claude Van Damme’s Timecop. Rotten Tomatoes scores it at 66%, with the Chicago Tribune calling it “a good example of an anti-establishment comedy crippled by a seeming desire to infatuate the establishment itself”, while The New Yorker observed that “when the movie is over you don’t feel as if you had shared the experience of a new generation…you feel puzzled and vaguely crummy”. Conversely, Ghost won Oscars for Best Original Screenplay and Best Supporting Actress (Goldberg). It was the second highest grossing film of 1990, behind only Home Alone, and holds a 74% rating on Rotten Tomatoes. Gene Siskel declared that “Moore has never been more fetching”, while his buddy Ebert said that the movie “occasionally succeeds in evoking the mysteries that it toys with”.

 

***********************************************************************************************

 

Glengarry Glen Ross

Release:                       10/2/92

Starring:                        Al Pacino, Jack Lemmon, Alec Baldwin, Alan Arkin, Ed Harris, Kevin Spacey

Directed By:                 James Foley (Reckless, The Chamber)

 

vs.

 

Striking Distance

Release:                       9/17/93

Starring:                        Bruce Willis, Sarah Jessica Parker, Tom Sizemore, Dennis Farina, John Mahoney

Directed By:                 Rowdy Herrington (Road House)

 

Just glancing at the cast of Glengarry Glen Ross elicits such high expectations that it’d be almost impossible for a film to live up to them. Based on a 1984 Pulitzer Prize winning play by David Mamet, the story shows us two days in the lives of aging real estate salesmen desperate to keep their jobs. The corporate office has announced that half of them will be fired in a week, so they must do whatever necessary to get the numbers needed to impress the boss. Lemmon, Arkin, Harris, & Pacino are powerful performers on an individual basis, and as an ensemble they are unmatched. Throw Spacey and a brief but memorable appearance by Baldwin into the mix and what you have is a movie in which the plot is secondary to the performances. In the hands of lesser actors it might be a total yawner, but what we end up with is a masterclass in how to make relatively mundane subject matter absolutely riveting. Bruce Willis was already a big movie star by 1993, with two Die Hards, two Look Who’s Talking films, & less appreciated fare like The Bonfire of the Vanities, Hudson Hawk, & The Last Boy Scout on his resume. Striking Distance tells the story of a disgraced Pittsburgh homicide detective relegated to river rescue duty after opining that a serial killer might be a rogue cop. When someone begins stalking him the game is afoot and the only person he can trust is his fetching female partner…or so he thinks. Striking Distance isn’t fondly recalled as one of Willis’ best, but with a cast that includes Parker, Mahoney, & Farina and a Pittsburgh backdrop familiar to this West Virginian I believe it is better than many may recall.

 

The Verdict:       Glengarry Glen Ross. I’m not usually into murder mysteries or police dramas, but Striking Distance works for me in a way it doesn’t seem to for many others. It was the 63rd highest grossing film of 1993 (better than Rudy but behind Pauley Shore’s Son-in-Law) and has an abysmal 14% Rotten Tomatoes score. Entertainment Weekly called Willis “morose” and the movie a “flat, dankly lit, grindingly inept thriller”, while Ebert called it “an exhausted reassembly of bits & pieces from all the other movies that are more or less exactly like this one”. Conversely, Glengarry Glen Ross has a stellar Rotten Tomatoes score of 94%, with Ebert saying that “you can see the joy with which the actors get their teeth into these great lines” and ReelViews opining that “for anyone who loves sharp dialogue, compelling characters, and a stinging social rebuke, Glengarry Glen Ross is not to be missed”. It was only the 94th highest grossing movie of 1992, yet we must consider that it isn’t a big budget epic but rather a stage play put on film. The fact that one can still appreciate its prominence nearly three decades later outweighs any perceived box office shortcomings.

 

********************************************************************************************

 

The Big Lebowski

Release:                       3/6/98

Starring:                        Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Tara Reid, Philip Seymour Hoffman

Directed By:                 Joel & Ethan Coen (Raising Arizona, Fargo, No Country for Old Men)

 

vs.

 

Ten Things I Hate About You

Release:                       3/31/99

Starring:                        Heath Ledger, Julia Stiles, Joseph Gordon-Levitt, Larisa Oleynik

Directed By:                 Gil Junger (Black Knight, If Only)

 

Ol’ William Shakespeare is still inspiring people 400 years after he left this mortal coil, and a big Hollywood trend the past few decades is to take the basic theme of a Shakespeare play and set it in modern times with young & hip movie stars. Ten Things I Hate About You turns Shakespeare’s Taming of the Shrew into a romantic dramedy about high school students. Stiles, Ledger, Gordon-Leavitt, & Oleynik star as two sisters and the guys attempting to woo them, and the cast also includes Andrew Keegan, David Krumholtz, Gabrielle Union, & Allison Janney. It was the 53rd highest grossing film of 1999 and has a Rotten Tomatoes score of 62%, with Variety observing that it “doesn’t even seem certain which decade it’s set in”, the San Francisco Chronicle opining that the movie “wimped out by blanding down the story and the characters to the point where she isn’t really a shrew and he isn’t really a maniac”, and Ebert chiming in that high school films are “running out of new ideas and have taken to recycling classic literature”. The Big Lebowski has grown in stature & popularity in the two decades since its release when it was the 96th highest grossing movie of the year, behind immense competition like Half Baked, Simon Birch, & Bulworth. It is the very definition of a cult film, although with a Rotten Tomatoes score of 82% it seems like critics recognized its greatness long before the masses caught up. Jeffrey Lebowski is known by his friends and refers to himself simply as The Dude. He is the quintessential slacker who enjoys sitting around in his bathrobe, drinking white Russians, and bowling with his pals Walter & Donny. When two thugs assault him in his house demanding money that is owed to their boss it becomes clear that they have the wrong guy…they’re after the other Jeffrey Lebowski – an old, handicapped millionaire. The thugs leave The Dude in peace but take a wiz on his area rug first, which offends him tremendously because the rug “really tied the room together”. When The Dude seeks out the other Lebowski for recompense he ends up getting caught in a complex plot involving kidnapping, ransom, a porn magnate, & a high school kid named Larry. The Cincinnati Enquirer called The Big Lebowski “loopy, unfathomable, profane, & very funny”, while Ebert simply framed it as “weirdly engaging”. There is actually an annual event in Louisville, KY called Lewbowski Fest which, since 2002, has celebrated the film with bowling, trivia, & costume contests, and a “religion” called Dudeism that advocates & encourages “going with the flow”, “being cool headed”, and “taking it easy” in the face of life’s difficulties, which does sound kind of awesome.

 

The Verdict:       The Big Lebowski. No contest. The Dude abides. But well, you know, that’s just, like, my opinion, man.

 

*******************************************************************************************

 

October Sky

Release:                       2/19/99

Starring:                        Jake Gyllenhaal, Chris Cooper, Laura Dern, Chris Owen

Directed By:                 Joe Johnston (Honey I Shrunk the Kids, Jumanji)

 

vs.

 

Four Weddings & A Funeral

Release:                       5/13/94

Starring:                        Hugh Grant, Andie MacDowell

Directed By:                 Mike Newell (Donnie Brasco, Harry Potter and the Goblet of Fire)

 

Hugh Grant first became a thing in the early 90’s mainly because of Four Weddings & A Funeral. The plot is pretty simple, as it follows a small group of people whose lives keep intersecting at various social engagements, specifically…you guessed it…four weddings and a funeral. Andi MacDowell is a charming actress who has been in a few films that I’ve really enjoyed but she mostly flies under the radar. I vaguely recall seeing Four Weddings & A Funeral back in college, and what I remember most is a cover of an old 60’s song Love Is All Around that would be co-opted again a decade later for the British Christmas rom-com Love Actually. I think others enjoyed the movie more than me, as Four Weddings & A Funeral was nominated for Best Picture and Best Original Screenplay at the Academy Awards, holds a 95% Rotten Tomatoes score, & was the 21st highest grossing film of 1994. Gene Siskel observed that it “couldn’t be more psychologically astute in its portrait of a man who defines himself by his bachelorhood”, while Entertainment Weekly raved that its “infectious charm and sunny goodwill can immediately buoy a soul”. Fellow West Virginian Homer Hickam is the subject of October Sky, which is based on his memoir Rocket Boys. We meet Homer as a high school student living amongst the economically and otherwise depressed coal fields of southern West Virginia in the 1950s. Homer and his pals dream of a better live outside of Appalachia, and the launch of Soviet satellite Sputnik into space inspires an interest in building rockets. Unfortunately dreams of success, happiness, & achievement are met with resistance from the redneck masses, and it’s up to the young lads to blaze their own trail and prove everyone wrong. The only person who seems to be in their corner is a kindhearted science teacher, but that’s enough. Homer Hickam went on to become a NASA engineer for nearly thirty years. October Sky was the 63rd highest grossing film of 1999 and holds a 90% rating on Rotten Tomatoes. Ebert complimented the movie’s “deep values”, while CNN called it “a sensational character-driven story with a strong narrative and great visual style”.

 

The Verdict:       October Sky. In doing my prep work I was surprised to learn that Four Weddings & a Funeral had been nominated for Best Picture. Perhaps the timing is just off for me. Back then I was at the tail end of my collegiate existence and caught up in other things. I remember seeing it once, and in the ensuing decades I don’t think I’ve ever seen it again. I’m sure if I went back and watched it now I’d find it perfectly delightful, but obviously it didn’t really resonate with me for whatever reason. Conversely, I can identify with certain beats in October Sky that few outside of Appalachia could ever understand. This was Jake Gyllenhaal’s first starring role, and he & the rest of the cast are superb.

*******************************************************************************************

 

Liar Liar

Release:                       3/21/97

Starring:                        Jim Carrey, Maura Tierney

Directed By:                 Tom Shadyac (Patch Adams, Bruce Almighty)

 

vs.

 

Doc Hollywood

Release:                       8/2/91

Starring:                        Michael J. Fox, Julie Warner, Woody Harrelson, Bridget Fonda, David Ogden Stiers, Barnard Hughes

Directed By:                 Michael Caton-Jones (Rob Roy)

 

Jim Carrey is a mixed bag for me. His shtick gets old really quick, and I tired of it fifteen years ago. However, between 1994 & 2003 he starred in a handful of memorable films, and Liar Liar might deserve a spot at the top of the list. Carrey plays a hotshot attorney whose focus on his career and deceitful ways have already ended his marriage and are on the verge of costing him his young son Max, who makes a wish on his birthday that his Dad not be able to lie at all for just one day. Max’s wish comes true and hilarity ensues. Liar Liar was the fourth highest grossing film of 1997 and has a Rotten Tomatoes rating of 81%. Variety called it “close to an ideal jumping-off point for Carrey”, the Hollywood Reporter opined that “Carrey has never been better, funnier, or more controlled”, and Ebert expressed trepidation that “I am gradually developing a suspicion that Jim Carrey is growing on me”. Doc Hollywood marked Michael J. Fox’s emergence from the Back to the Future niche that he’d been in for over five years, and the results aren’t too shabby. He plays a hotshot Washington DC doctor on his way to Los Angeles to make bank as a plastic surgeon. But when he crashes his classic Porsche in a rural South Carolina town he finds himself marooned for awhile and forced to serve as the local physician for a quirky group of townsfolk. Gradually he starts to mellow and grow fond of his new neighbors, and of course there is a fetching young lady with which he becomes smitten. Doc Hollywood is kind of predictable, but enchantingly so, with a great cast and fun characters. It was the 24th highest grossing movie of 1991, ahead of Bugsy, Thelma & Louise, and Point Break. Rotten Tomatoes scores it at 71%, with Newsweek saying that it “oversells its whimsy and fits its quirkiness into a sitcom formula”, while Ebert called it “a sweetheart of a movie”.

 

The Verdict:       Doc Hollywood. There is a scene in Doc Hollywood involving the exquisite Julie Warner emerging from a lake that rivals Phoebe Cates infamously exiting a swimming pool a decade earlier in Fast Times at Ridgemont High. I can’t get that scene out of my head when pondering the film. I’m a sucker for stories involving big city types being beguiled by easygoing small town life, and the cast pulls this version of the formula off to my satisfaction. I am not swayed by the box office for Liar Liar and like Fox better than Carrey.

 

**********************************************************************************************

 

Lethal Weapon 4

Release:                       7/10/98

Starring:                        Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, Jet Li

Directed By:                 Richard Donner (Superman, The Goonies, Scrooged)

 

vs.

 

Can’t Hardly Wait

Release:                       6/12/98

Starring:                        Ethan Embry, Jennifer Love Hewitt, Lauren Ambrose, Peter Facinelli, Seth Green, Charlie Korsmo, Jason Segel, Donald Faison, Selma Blair, Sara Rue, Jenna Elfman, Jerry O’Connell, Melissa Joan Hart, Breckin Meyer

Directed By:                 Deborah Kaplan (A Very Brady Sequel)

 

Fans of the Lethal Weapon series have been anxiously awaiting a fifth installment for twenty years, and though I’m usually a “never say never” kind of guy I believe at this point that it’s too little too late and I’m okay with that. The fourth & final Lethal Weapon finds Riggs reluctant to marry his very pregnant girlfriend Lorna, Murtaugh dealing with the pregnancy of his eldest daughter by a mystery man, and the long in the tooth duo investigating an illegal Chinese immigrant smuggling situation. Rock joins the cast as an overzealous detective who is more than he lets on, and of course Pesci is back as fast talking ex-con Leo. Lethal Weapon 4 was the 11th highest grossing film of 1998, though it was also the most expensive of the four films to produce. It holds a 52% score on Rotten Tomatoes, with Time referring to it as “mindless, sadistic violence juxtaposed with rote sentimentality”, while the New York Times generously pronouncing that it “turns out to be one of the nicer blow-’em-ups around”. Can’t Hardly Wait is another Hindsight Film, full of young actors who have stuck around long enough to be known for other things. It is also a classic high school film, set at a conventional graduation party and deconstructing all of the requisite high school archetypes. It was the 74th highest grossing movie of the year, ahead of Rushmore and A Simple Plan but behind Bride of Chucky and A Night at the Roxbury. It holds a 40% Rotten Tomatoes rating, with Entertainment Weekly calling it “a high-spirited, synthetically raucous house-party comedy” and Ebert saying that it “lumbers ungracefully from romantic showdowns to deep conversations to bathroom humor”.

 

The Verdict:       Lethal Weapon 4. Though rumors of one last movie persist I think 4 provides a fitting conclusion to a very entertaining series. Perhaps the powers-that-be could learn a lesson from Die Hard, a franchise that should have stopped after three installments but has subjected the masses to two additional films with a sixth one possibly on the way. Sometimes it’s better to end on a high note and leave the memories alone. Back in the days of Party of Five I had a huge celebrity crush on Jennifer Love Hewitt, so I’m all in on Can’t Hardly Wait. However, in a sub-genre that has produced so many memorable movies the past few decades it really doesn’t stand out from the crowd.

 

*************************************************************************************************

Backdraft

Release:                       5/24/91

Starring:                        Kurt Russell, William Baldwin, Robert De Niro, Donald Sutherland, Jennifer Jason Leigh, Rebecca De Mornay

Directed By:                 Ron Howard

 

vs.

 

That Thing You Do

Release:                       10/4/96

Starring:                        Tom Everett Scott, Liv Tyler, Johnathon Schaech, Steve Zahn, Ethan Embry

Directed By:                 Tom Hanks

 

Every uniformed profession…policemen, the military, doctors, lawyers (hey…a three piece suit is kind of a uniform)…seems to get their own movie or TV series eventually. After all, life or death situations provide plenty of theatre. Backdraft is an ode to firefighters that tells the story of a wave of suspicious fires in Chicago, with a little family drama, political intrigue, & romance thrown into the mix. Ron Howard is a terrific director and the all-star cast is impressive, helping to make it the 14th highest grossing film of 1991, just behind Fried Green Tomatoes and Teenage Mutant Ninja Turtles II but ahead of JFK and The Prince of Tides, and has a solid 74% Rotten Tomatoes score. Gene Siskel called it “a spectacle worth observing”, Ebert feebly praised it by saying “the scenes involving fire are so good they make me recommend the movie anyway, despite its brain-damaged screenplay”, and the Washington Post said “Backdraft is sure to do for fire what The Poseidon Adventure did for water”, which may have been meant as a compliment…possibly. That Thing You Do was written & directed by Hanks and tells the story of a small town band that quickly rises to fame in the early 60’s on the popularity of an infectious pop hit. Hanks plays a supporting role, while the real stars are the band along with a fetching young female groupie. As with many actual bands egos & personal agendas quickly get in the way and torpedo the group’s success, making the movie a more insightful than expected examination of why one hit wonders are what they are. It was the 60th highest grossing film of 1996 (better than Fargo and Sling Blade) and has a stellar 93% Rotten Tomatoes score. Variety calls it “a sweet, likeable tale”, the New York Times dubbed it “rock-and-roll nostalgia presented as pure fizz”, & Rolling Stone framed it as “a brightly entertaining blend of humor and heartbreak”.

 

The Verdict:       That Thing You Do. This matchup illustrates a few things. First of all, my personal tastes are on full display, with a breezy, lightweight, fun movie beating out an effects laden, action packed melodrama. Secondly, I think it points to the dichotomy that we see even more today than two decades ago when it comes to movies…the action film packed with explosions and A-List talent that inspires awe on the big screen versus the frivolous guilty pleasure that we watch over & over again on television years after its release. And finally, if the material is written well enough then sometimes it’s okay to cast a few under-the-radar performers and help them pull it off with catchy tunes and a good director. Tom Hanks also wrote & directed 2011’s Larry Crowne, so he isn’t infallible…but I’d be willing to give anything he wrote & directed a whirl based on That Thing You Do.

*****************************************************************************************

 

A Time to Kill

Release:                       7/24/96

Starring:                        Matthew McConaughey, Samuel L. Jackson, Kevin Spacey, Sandra Bullock, Kiefer Sutherland, Donald Sutherland

Directed By:                 Joel Schumacher (St. Elmo’s Fire, Falling Down, Batman Forever)

 

vs.

 

The Blair Witch Project

Release:                       7/14/99

Starring:                        Heather Donahue, Michael C. Williams, Joshua Leonard

Directed By:                 Daniel Myrick (Believers, The Strand)

 

In 1999 The Internet was still in its infancy and “going viral” was a new concept. Social media wasn’t a thing yet, but that worked out well for The Blair Witch Project. The movie was highly anticipated before it even hit theaters because of its ingenuous marketing campaign. Reality television wasn’t on anyone’s radar yet either, so many folks were easily duped into believing that the movie was actual lost footage of a student documentary gone terribly awry. One kind of longs for those halcyon days when we weren’t so jaded & cynical. The movie itself follows three student filmmakers investigating an urban legend called The Blair Witch. I’m not a horror film aficionado, but I recall thinking that the movie isn’t really that scary, that it is more fascinating as an examination of the trio’s descent into madness. It was the tenth highest grossing film of 1999, earning more than The Green Mile, Oscar winning Best Picture American Beauty, and the first American Pie movie. That feat is even more impressive when you know that The Blair Witch Project had a budget of only $60k and earned almost $250 million. It has a Rotten Tomatoes score of 87%, with the Associated Press pointing out that “the thought that it might just might be real makes it much scarier”, the Minneapolis Star-Tribune calling it “a no-excuses horror show with an emotional wallop like falling headlong into a bear trap”, and the Washington Post saying it is “not the goriest, the grossest, the weirdest, the eeriest, the sickest, the creepiest, or the slimiest movie…just flat out the scariest”. A Time to Kill might be John Grisham’s best book…even better than The Firm…maybe. The movie takes a few liberties in telling the story of a Mississippi lawyer attempting to defend a black man who murdered two white men that raped & beat his young daughter. McConaughey is superb as the stressed out attorney, and Jackson gives one of his most nuanced performances as the distraught & vengeful father. The main issue I have is that the part of the female law student helping the defense team is beefed up considerably from the book because Sandra Bullock was cast in the part, but I realize that probably only bothers fans of the novel. A Time to Kill was the tenth highest grossing film of 1996, ahead of Scream but behind The Nutty Professor. It has a 65% rating on Rotten Tomatoes. Rolling Stone called McConaughey “dynamite in a performance of smarts, sexiness, scrappy humor, and unmistakable star sizzle”, while Ebert thought the movie “a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions”.

 

The Verdict:       The Blair Witch Project. Wow, this is a very difficult decision. Neither film is the kind of breezy couch potato escapism to which I am typically drawn. However, evaluated on their own merits the choice becomes a bit clearer. I am not a big Sandra Bullock fan. There is just something about her that annoys me for no apparent reason. Given that fact, I was more irritated than usual when her character was magnified in the movie far more than she had been in the book. Secondly, while the novel A Time to Kill is probably a better book than The Firm I am not sure that is true when comparing the two movies. I am not at all into horror movies and probably won’t ever watch The Blair Witch Project again, but I cannot overlook its uniquely astounding success and the fact that it was most certainly a product of its time…probably a little ahead of it.

80’s Movie Mania: Bodacious Round 2

First things first. Let’s tie up a loose end from the previous installment. In a coin flip I am giving The Outsiders a victory over Weird Science. The former is just too good to overlook, with a powerful story and an all-star cast, while the latter, though it is another collaboration between John Hughes and Anthony Michael-Hall, is probably their weakest effort. Okay, so…let’s move forward. Today we’ll have the second round of competition in the Bodacious Division. Rock n’ roll dudes!!

 

 

 

Bodacious 2

Batman vs. Pretty in Pink
1989-BatmanThere have been many incarnations of my favorite superhero. The Caped Crusader of course originated in comic books in 1939 and continues to be a staple of that medium today. A famously campy television show aired on ABC for three seasons in the late 1960’s. Director Christopher Nolan brought his dark & gritty vision of the character to the big screen in a solid film trilogy a decade ago. And before that directors Tim Burton then Joel Schumacher produced a quadrilogy (I think I just created a new word!) of Batman movies in the late 80’s/early 90’s. We’ll talk about the other films at some point in the future, but for now we focus on 1989’s Batman, the first of that quadrilogy. Starring Michael Keaton as the titular hero and the legendary Jack Nicholson as his archnemesis The Joker, Batman adequately reflects the character’s caliginous & savage comic book history while still remaining classic popcorn escapism. There were concerns about Keaton being cast in the starring role because he was known mostly for being a comedic actor, but he nailed it and to this day remains my favorite big screen Batman. Of course everybody knows that Nicholson steals the show and is still the best Joker ever, with all due respect to the late Heath Ledger. Anyone who has enjoyed the plethora of films in the “Marvel Cinematic Universe” in the past several years should know that they owe a ton of credit to Batman for breathing new life into the genre nearly three decades ago. Unlike its opponent Pretty in Pink did not get a first round bye, besting Broadcast News in a close call. John Hughes, Molly Ringwald, Andrew McCarthy, John Cryer, If You LeavePretty in Pink has everything one could want in an 80’s film. A tip of the cap must be given to the powers-that-be for the ending, wherein the girl (Ringwald) DOESN’T pick the loveable loser best friend and instead chooses the good-looking rich guy…just like real life.

The Verdict: Batman. This is a tough one because Pretty in Pink is the prototypical 80’s movie, while Batman is slightly ahead of its time in embracing a gloomier 90’s-esque sensibility. However, I must go with my heart here. In my opinion this is the best comic book film ever made, although I have admittedly seen very few others.

 
Risky Business vs. Iron Eagle
risky-business-1983-02-gHe’s baaaacckk. Tom Cruise dominated the box office in the second half of the 80’s, but his breakout role came in 1983’s Risky Business. Cruise stars asiron-eagle high schooler Joel, whose parents leave him alone while they go on vacation. Like any normal teenager Joel goes a little nuts, including getting’ busy with a…lady of the night. After inadvertently sending his father’s Porsche into the river he must come up with some quick cash to get it repaired. The answer?? Turn the house into a brothel for a night…obviously. Risky Business not only features a fantastic soundtrack (Phil Collins, Bob Seger, Muddy Waters, Prince), but includes an iconic scene in which Joel dances around his living room in his underwear lipsynching Old Time Rock n’ Roll. Iron Eagle upset An Officer & A Gentlemen in Round 1. It ranked 41st at the box office in 1986, behind unremarkable bombs like Cobra, Children of a Lesser God, & Police Academy 3, but ahead of solid competition including Flight of the Navigator, Youngblood, & Brighton Beach Memoirs. Obscure trivia: Did you know that Robbie Rist, best known as Cousin Oliver in The Brady Bunch, has a role in Iron Eagle?? Well you do now!!

The Verdict: Risky Business. I love Iron Eagle, but Risky Business is a time capsule film and probably one of Cruise’s Top 5 roles.

Coming to America vs. St. Elmo’s Fire
coming-to-america1Eddie Murphy is back too. I’m sensing a theme. At any rate, 1988’s Coming to America is much more aligned with the kind of comedy we expect from sefMurphy. He stars as a pampered prince from one of those fictional nations that movies like to create, but doesn’t want to enter into an arranged loveless marriage. So the prince & his loyal assistant (played by Arsenio Hall) take off for NY City. There they find jobs at a McDonald’s-esque fast food joint and the prince falls in love with the owner’s lovely daughter. From there it is a classic fish-out-of-water story intertwined with a rom-com. James Earl Jones plays the king, while Samuel L. Jackson and Cuba Gooding Jr. have really small “blink and you’ll miss it” roles. This is undoubtedly one of Murphy’s best movies. St. Elmo’s Fire beat Romancing the Stone in the first round and is a classic Brat Pack film. It was the 23rd highest grossing film of 1985, behind stiff competition like Back to the Future, The Breakfast Club, & The Goonies, but besting notable films like Teen Wolf, Weird Science, Young Sherlock Holmes, & Vision Quest. St. Elmo’s Fire, by the way, is “a weather phenomenon in which luminous plasma is created by a coronal discharge from a sharp or pointed object in a strong electric field in the atmosphere, such as those generated by thunderstorms or created by a volcanic eruption, sometimes appeared on ships at sea during thunderstorms, regarded by sailors with religious awe for its glowing ball of light” and is named in honor of St. Erasmus of Formia, the patron saint of sailors. I have no idea what that has to do with the movie, but meaningless trivia is kind of my thing.

The Verdict: Coming to America. St. Elmo’s Fire has a fabled cast and a kickass theme song, but it is a flawed film, probably in part because it is directed by Joel Schumacher and John Hughes is nowhere in sight. Coming to America is directed by John Landis and has a likeable cast with a fun script. It doesn’t necessarily paint outside the lines, but it doesn’t really have to.

 
Star Trek IV: The Voyage Home vs. Eddie & The Cruisers
trekThere were six films made with the cast of the original Star Trek series…William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForesteddie Kelley as Dr. Bones McCoy, George Takei as Sulu, Nichelle Nichols as Uhura, Walter Koenig as Chekov, & James Doohan as Scotty…between 1979 and 1991. In this fourth installment the crew of the USS Enterprise goes back in time to modern day (1986) San Francisco to scoop up some humpback whales that will play a part in saving Earth in the 23rd century. It is a quintessential fish-out-of-water story, with our favorite space cowboys trying to fly under the radar in the 1980’s. It also holds up a rather humorous mirror to modern culture and allows the characters to really shine in a fun, lighthearted way. Eddie & The Cruisers scored an upset victory over the more acclaimed A Fish Called Wanda in Round 1 because that’s just how I roll. It is actually based on a novel that I may read someday. The premise is fantastic, but I have a lot of questions about the execution. In doing some reading about the film it sounds like it just ended up in the wrong hands and several mistakes were made. A more skilled director and production team might have made a movie that isn’t quite as overlooked & underappreciated as the final product.

The Verdict: Star Trek IV. I love Eddie & The Cruisers, but it could have been so much better. The Voyage Home isn’t necessarily a traditional Trek film. The action doesn’t take place in outer space and The Enterprise is MIA, but the script is really good and the cast does some of their finest work. It makes me smile, and in my book that’s pretty cool.

 
The Princess Bride vs. Cocktail
pb21987’s The Princess Bride is another film based on a book, the author being the guy who would go on to write or assist with screenplays for films like cButch Cassidy and the Sundance Kid, All the President’s Men, Misery, A Few Good Men, & Good Will Hunting. The film uses the book as a framing device, with Peter Falk (aka Columbo) starring as a grandfather reading to his ill grandson, played by a pre-Wonder Years Fred Savage. In the “fairy tale” a young farm girl named Buttercup falls in love with a laborer. He goes off to seek his fortune so they can be married but is presumed dead when his ship is attacked by an infamous pirate. A few years later Buttercup is set to marry the prince of yet another fictional country before she is kidnapped by one of the oddest trios you’ll ever see. Of course the young lady’s true love isn’t really dead and sets out to rescue her. The film is directed by Rob Reiner and has a charming cast, including Robin Wright, Wallace Shawn, Billy Crystal, & Andre the Giant. The best way I can describe it is delightfully quirky…family friendly escapism at its best. Cocktail got the decision over Stripes in Round 1. It was the 9th highest grossing movie of 1988, beating out solid competition like Beetlejuice, Scrooged, Bull Durham, & Everybody’s All-American. The Beach Boys’ song Kokomo is the film’s unofficial theme song and was a #1 hit.

The Verdict: The Princess Bride. This is a tough one because I love Cocktail. It is probably the most underrated Cruise movie. But The Princess Bride, besides being a cult classic, is a really solid film and a lot of fun.

 

 

Stand By Me vs. Weekend at Bernie’s
Stand-By-Me-Website-Banner-3-980x363-980x363Stand By Me defeated K-9 in Round 1. It was the 13th highest grossing film of 1986, behind Top Gun, Crocodile Dundee, & Ferris Bueller’s Day Off but WeekendAtBernies_184Pyxurzahead of Pretty in Pink, The Fly, Three Amigos!, & Hoosiers. It was directed by Rob Reiner and features a cool 50’s soundtrack. The framing device with Richard Dreyfuss as an older version of one of the characters that lets us know how all of their lives ended up playing out is a nice touch. Weekend at Bernie’s got the first round decision over Bachelor Party. It ranked 39th at the box office in 1989, ahead of Road House, The Fabulous Baker Boys, & The Dream Team but behind crapfests like The Karate Kid Part III, The Abyss, & The Bear (whatever the heck that is). It is interesting to ponder what became of stars Andrew McCarthy and Jonathan Silverman. McCarthy…a member of the infamous Brat Pack who starred in notable films like Mannequin, Pretty in Pink, & St. Elmo’s Fire…hasn’t been in anything memorable since Bernie’s (unless one wants to generously include the 1993 sequel) and has more recently been doing guest spots in TV shows that no one watches. Silverman starred in a mid-90’s sitcom called The Single Guy for a couple of seasons and does a lot of TV stuff, but Bernie’s seems to be his career highlight. Fame is indeed fleeting.

The Verdict: Stand By Me. It isn’t even close.

100 Favorite Movies…..#85

Progress on this series had hit a noticeable standstill, but happenstance has intervened and given me motivation to move forward. Coinciding with the untimely death of director/producer/writer John Hughes, the next film in the countdown is actually three films, because I just couldn’t leave one out and also because the three share so much common ground. Hughes directed two out of three.

 

Anyone who came of age in the 80’s is familiar with John Hughes and The Brat Pack (Molly Ringwald, Ally Sheedy, Judd Nelson, Andrew McCarthy, Anthony Michael Hall, Rob Lowe, Demi Moore, and Emilio Estevez). Hughes was the master of capturing teen angst on film, and those 8 actors were apparently his muses. Hughes did a lot of other great stuff, and including his two films we’ll discuss here, nine of his films appear in my Top 100. But it’s the teen stuff, the Brat Pack movies, that he is most remembered for creating. All 8 Packers appear in this three pack.

 

Specifically I am talking about Sixteen Candles, The Breakfast Club, and St. Elmo’s Fire. Those were the three Brat Pack films that most resonated with my sensibilities.

 

Sixteen Candles is obviously aimed at a more female demographic. That’s okay…..I’m in touch with my feminine side I guess. Molly Ringwald stars as a teenager whose entire family forgets her 16th birthday because they are gearing up for her older sister’s wedding. The grandparents are hilarious, and even better is the exchange student one set of grandparents bring along. This exchange student, Long Duk Dong, takes Sixteen Candles over the top in my opinion. Anthony Michael Hall is also amusing as a total geek trying to win a bet involving a a pair of panties and a dozen floppy disks (wow…what an outdated reference lol).

 

The Breakfast Club is classic 80’s, prototypical John Hughes, quintessential Brat Pack. It epitomizes the zeitgeist of teen angst on film. Is it a comedy? Is it a drama? Does it really matter? The story involves 5 high schoolers (Molly Ringwald, Ally Sheedy, Emilio Estevez, Anthony Michael Hall, & Judd Nelson) serving detention in the school library on a Saturday. The characters encompass archetypal high school clichés…..nerds, jocks, rebels, WASPS, and loners. The genius of the film is that it takes those clichés and makes us truly understand. It’s a deep message wrapped in an easily digestible and fun movie. And I’m not sure any song has ever been so closely associated with a movie as Simple Minds’ Don’t You Forget About Me.

 

St. Elmo’s Fire could have been a sequel to The Breakfast Club. It stars 3 of the 5 Clubbers (Nelson, Estevez, & Sheedy), as well as Rob Lowe, Demi Moore, and Andrew McCarthy. This time the setting isn’t high school but college, where the group has just graduated and now needs to figure out what’s next. I’ve been there, done that. Actually, 14 years later and I’m still searching for answers, but that’s a whole other issue. The title alludes to an electrical phenomenon that appears to sailors. I’ve never really understood what exactly that had to do with events in the movie, but atleast the title is creative and easily remembered. St. Elmo’s Fire is understandably heavier and more intense than The Breakfast Club, but it’s also intended for a slightly older audience. It is often lost in the shuffle amongst more lighthearted and ostensibly better 80’s/Pack flicks, but I think it deserves to be recognized right up at the top of the list.

 

As an amusing aside, I will say that I literally just now noticed that this is number 85 in the countdown and that both St.  Elmo’s Fire and The Breakfast Club came out in 1985. I’m good.

 

I toyed with the idea of doing a standalone tribute to John Hughes, but the timing of this entry (and the order of this list has been rock solid for months, so it really was coincidental) combined with the fact that a half dozen other Hughes films appear in the list will serve as a proper testament to the man’s pop culture influence and my enjoyment of his contributions.