90’s Film Frenzy: Wicked Round 2

As we wrap up Round 2 of 90’s Film Frenzy let me take this opportunity to hearken back to my childhood in the 70’s & 80’s and say a melancholy Happy Trails to legendary actor Burt Reynolds. For a brief time when I was about ten years old Reynolds was the biggest movie star in the world. At the time I was really into movies like Smokey & The Bandit, Hooper, The Cannonball Run, and The Best Little Whorehouse in Texas.  Actually, I suppose I still prefer those kinds of films. Of course Reynolds had meatier roles in stuff like Deliverance and The Longest Yard, and in later years he had sporadic success with Boogie Nights and…well…that was pretty much it. The 21st century hadn’t been particularly kind to him. In the late 80’s he often appeared on a game show that he produced called Win, Lose, or Draw, and in the early 90’s he starred with Marilu Henner, Hal Holbrook, Michael Jeter, Charles Durning, & the sublime Ossie Davis in a delightful yet underrated sitcom called Evening Shade. Throughout the decades Burt Reynolds remained in the pop culture consciousness and made frequent appearances on various chat shows. Even the bad movies he was in…like Striptease and the big screen adaptation of The Dukes of Hazzard…gained some degree of credibility because he was part of the cast. Unlike so many of today’s movie stars Burt Reynolds seemed to simply embrace being a famous actor and didn’t fancy himself an activist or an arbiter of morality for the masses. Oh sure, he went thru a very public & quite bitter divorce from WKRP in Cincinnati actress Loni Anderson in the early 90’s, but those things happen. Nobody’s perfect, right?? At the end of the day I assume that most actors would prefer their legacy to be the work that they did, and in that regard it is undeniable that Burt Reynolds provided us with more than his fair share of treasured entertainment.

If you’d like to go back and check out second round action in the Fly, Phat, & Dope divisions please follow the links and do so at your leisure.

 

 

 

 

 

The Shawshank Redemption

 

Release:    9/23/94

Starring:     Morgan Freeman, Tim Robbins

Directed By:        Frank Darabont (The Green Mile)

 

vs.

 

Doc Hollywood

 

Quotes

Listen doctor, I’ve got a boy here in cardiac crisis. You can’t treat that with Coca-Cola or Bisquick. We’re gonna have to use real medicine this time.

Southern women…well, they require a substantial commitment. You might have to stay here six months.

I suspect your version of romance is whatever will separate me from my panties.

 

Odds & Ends

The movie was filmed in Micanopy, FL, a small town of 650 people just south of Gainesville.

The makers of the Disney/Pixar film Cars have been accused of plagiarizing its plot from Doc Hollywood.

The city thru which Michael J. Fox is driving in the opening credits is Richmond, VA.

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The Shawshank Redemption is based on a 1982 Stephen King novella and might be the finest adaptation of his work to film. In the late 1940’s banker Andy Dufresne is wrongly convicted of the double murder of his wife & her lover. He is sentenced to life in prison and there befriends Red, an older & wiser convict who is able to procure items from the outside for his fellow inmates. Andy spends nearly three decades plotting his escape, battling a corrupt warden and encountering other difficulties along the way. But eventually he does break out of prison in the most ingenious way. Not long after that Red is paroled and makes his way to Mexico to reunite with his friend. The movie was 51st at the box office, behind such greatness as Pauly Shore’s In the Army Now, Major League 2, & Richie Rich starring MacCauley Culkin. In retrospect that is a really poor reflection on the collective taste of the viewing public. The Shawshank Redemption was nominated for seven Academy Awards, including Best Picture and Best Actor (Freeman), but didn’t win any of them (Forrest Gump and Tom Hanks won their respective categories). It holds a stellar 91% score on Rotten Tomatoes. The NY Daily News called it “an engagingly simple, good-hearted film, with just enough darkness around the edges to give contrast and relief to its glowingly benign view of human nature”, and the NY Times said it is “a slow, gentle story of camaraderie and growth, with an ending that abruptly finds poetic justice in what has come before”. Gene Siskel thought it was “simply marvelous entertainment”, while his cohort Roger Ebert opined that it is “a movie about time, patience and loyalty…not sexy qualities perhaps, but they grow on you during the subterranean progress of this story”. Doc Hollywood got past Liar Liar in Round 1 because I like Michael J. Fox more than Jim Carrey, and Julie Warner emerging naked out of a lake is just the cherry on top. In reading reviews of the film one will run across words like predictable, breezy, formulaic, nice, charming, loveable, & heartwarming, which unintentionally combine to damn it with faint praise. As anyone who has gone thru this process with me knows, Doc Hollywood is precisely the sort of mildly entertaining movie that is in my wheelhouse. It is comfort food cinema that doesn’t break new ground, push any envelopes, or try to convey a message. Fox was never a ultra-cool heartthrob on the level of Tom Cruise, Brad Pitt, Matthew McConaughey, or Johnny Depp, but before Parkinson’s derailed his life & career he had a likeable, boyish charm with just enough of an edge to keep things interesting. He is perfectly cast in this movie, and the rest of the ensemble compliments him well.

The Verdict:       The Shawshank Redemption. Prison movies aren’t normally my thing, but Shawshank isn’t gratuitously violent or depressing, and the performances by Freeman & Robbins are outstanding. It isn’t the kind of lighthearted fare I typically enjoy in vegg mode, but there is something about it compelling enough to have received numerous repeat viewings over the years. Doc Hollywood is a delightful fish-out-of-water story and a solid rom-com, but the competition is just too good.

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Mrs. Doubtfire

 

Release:    11/24/93

Starring:     Robin Williams, Sally Field

Directed By:        Chris Columbus (Home Alone, Only the Lonely, Harry Potter & The Sorcerer’s Stone)

 

vs.

 

That Thing You Do

 

Quotes

Don’t worry…no one’s going to prison, son. It’s a very common tale.

When was the last time you were decently kissed? I mean, truly, truly, good and kissed?

 

Odds & Ends

Tom Hanks was initially opposed to hiring Tom Everett Scott because of Scott’s strong resemblance to a younger Hanks. He was finally convinced by his wife, Rita Wilson, who thought Scott was cute. It was his film debut.

The four actors playing The Wonders rehearsed as a band for eight weeks to get the feel of performing, but most of their performances in the film were dubbed by other musicians.

The bass player played by Ethan Embry is never explicitly named. All references to him in the film are as, “the bass player”, and in the credits he is listed as “T.B. Player”.

Adam Schlesinger, the bassist of Fountains of Wayne, penned the title song in response to a contest being held by the studio.

The guys are shown drinking Koehler Beer, which was a real brand produced by the Erie Brewing Company on State Street in Erie, PA.

The state fair entertainment circuit of the mid-60s actually existed until the mid-80s. Fair managers would work together on routing and negotiate lowered performers’ fees as a group.

While trying to decide on a name for the band, the names glimpsed in Jimmy’s notebook are: The Dollars, The Lords of Erie, The Pistunes, The Thorns, The Mozarts, The Echoes, The Ticks, The Didoctics, and The Flannels.

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In 1993 Robin Williams was several years past career defining roles in Good Morning Vietnam and Dead Poets Society, both of which had gotten him Oscar nominations. He had done a couple of good movies…Awakenings in 1990 and Aladdin in 1992…but had also been in films like The Adventures of Baron Munchausen, Cadillac Man, Shakes the Clown, & Hook that hadn’t really…made an impact. But then came this little gem, a dramedy about a divorced father who goes to the extreme of dressing as an elderly British nanny to spend time with his three children. It was the second highest grossing film of the year, behind only Jurassic Park, and holds a solid 71% rating on Rotten Tomatoes. Variety called it “overly sappy in places and probably 20 minutes too long”, but also said that it is “a slick surface for Williams’ shtick, within a story possessing broad family appeal”. Newsweek said that “I’ve rarely laughed so much at a movie I generally disliked”, which is an odd comment to say the least. Ebert was underwhelmed, opining that “the film is not as amusing as the premise”. Entertainment Weekly thought that “Williams outclasses the movie”, which seems to be the general consensus…Williams is brilliant, but the movie itself is just okay. That Thing You Do got past Backdraft in Round 1 in a battle of opposites…likeable dramedy versus an effects laden action drama. What has always fascinated me about That Thing You Do is its tone. We all know that one hit wonders are a real thing. We know that bands break up all the time. Egos. Jealousy. Greed. Pride. Differing visions and a mix of personalities. There are dozens of things that can contribute to a group’s implosion. This movie could have easily become a thoughtful, profound, sober examination of such situations, and I have no doubt that all involved would have pulled it off. But instead Hanks, in his role as screenwriter & director, decided to keep things cheerful & fun, and I think it works.

The Verdict:       Mrs. Doubtfire. Another Hanks vs. Williams contest, and this time Williams comes out on top. I actually think That Thing You Do might have benefitted from more onscreen time for Hanks, but instead he has a supporting role and the focus is on the band. I love the movie’s theme song, and if The Oneders were a real pop/rock group I’d probably like their music a lot. Having said that, Mrs. Doubtfire is just too good to ignore. I understand the perspective of the critics’…Williams’ performance stands out more than the movie as a whole. I don’t disagree. But for now that’s more than enough.

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Scent of a Woman

 

Release:    12/23/92

Starring:     Al Pacino, Chris O’Donnell

Directed By:        Martin Brest (Beverly Hills Cop, Meet Joe Black, Gigli)

 

vs.

 

The Blair Witch Project

 

Quotes

 

I just want to apologize to Josh’s mom, and Mike’s mom, and my mom. I am so sorry! Because it was my fault. I was the one who brought them here. I was the one that said “keep going south”. I was the one who said that we were not lost. It was my fault, because it was my project. Everything had to be my way. And this is where we’ve ended up and it’s all because of me that we’re here now – hungry, cold, and hunted.

Okay, here’s your motivation. You’re lost, you’re angry in the woods, and no one is here to help you. There’s a witch, and she keeps leaving shit outside your door. There’s no one here to help you! She left little trinkets, you took one of them, she ran after us. There’s no one here to help you! We walked for 15 hours today, we ended up in the same place! There’s no one here to help you, that’s your motivation! That’s your motivation!

 

Odds & Ends

This film was in the Guinness Book of World Records for “Top Budget: Box Office Ratio” (for a mainstream feature film). The film cost $60,000 to make and made back $248 million, a ratio of $1 spent for every $10,931 made.

Heather Donahue’s mother received sympathy cards from people who believed that her daughter was actually dead or missing.

To promote discord between actors the directors deliberately gave them less food each day of shooting.

In a scene where the main actors are sleeping in a tent at night, the tent suddenly shakes violently and they all get scared. This was unscripted and the director shook the tent. The actors actually were scared.

One of the video cameras used by the actors was bought at Circuit City. After filming was completed, the producers returned the camera for a refund, making their budget money go even further.

Numerous fans were so convinced of the Blair Witch’s existence that they flocked to Maryland in hopes of discovering the legend.

The actors were requested to interview the townspeople, who often, unbeknownst to the actors, were planted by the directors. As a result, the expressions on the actors’ faces were unrehearsed.

The Blair Witch was supposed to be seen in the movie. As the characters were running out of their tent, Heather yells, “Oh my God, what the f*** is that? What the f*** is that?”, the cameraman was supposed to pan to the left where the audience would briefly see a woman wearing a white gown in the distance. But the cameraman forgot to pan to the left and the scene was not reshot.

Before the film was released, the three main actors were listed as “missing, presumed dead” on IMDB.

The 1999-2000 hunting season suffered badly due to this film. The movie was so popular that fans all over the country were hiking into the wilderness to shoot their own Blair Witch-style documentaries. As a result, they kept most of the wildlife scared away from hunting areas.

The “F” is used word 154 times.

One of the first theatrical features to make use of a large-scale viral marketing, which claimed that the three main characters had really gone on a trip to shoot a documentary and were never found again, save for their video camera and the footage they shot. A website was posted on the Internet one year prior to the release to set up the premise of the documentary, complete with detailed reports of the search, the recovery of the trio’s footage within an old cabin, reactions from their families, and expert opinions. The three actors were instructed to refrain from making public appearances. The myth wasn’t debunked until after the movie’s premiere.

Held the record for the highest-grossing independent movie of all time until October 2002, when it was surpassed by My Big Fat Greek Wedding.

_________________________

 

Speaking of great performances that are more memorable than the movie itself…

With all due respect to Chris O’Donnell, Al Pacino almost singlehandedly carries Scent of a Woman, in which he portrays a retired blind Army Ranger who persuades his young caregiver to accompany him on one last adventure before he kills himself. Thankfully it’s not as depressing as it sounds. Lt. Col. Frank Slade is a cynical alcoholic who lives with his niece & her family in New Hampshire. Charlie Simms is a smart but financially challenged student at a nearby prep school. Charlie needs to make some money to afford a trip home to Oregon for Christmas, while Col. Slade’s family is headed out of town for Thanksgiving and isn’t taking him with them. Charlie accepts a job essentially babysitting Col. Slade for a few days, but he gets much more than he bargained for. There is a weak subplot about Charlie possibly getting in trouble over some prank that he witnessed at school, but make no mistake…Scent of a Woman is all about Col. Slade and Pacino’s scene chewing performance. In the hands of any other actor Col. Slade might simply be a bombastic, pitiful, angry windbag, but instead there is nuance & character development. The movie received multiple Academy Award nominations, including Best Picture (which it lost to Unforgiven), Best Director, and Best Adapted Screenplay, but the one it took home was Pacino’s first Oscar for Best Actor. He had been nominated on seven previous occasions (for performances in The Godfather & The Godfather Part II, Serpico, Dog Day Afternoon, And Justice For All, Dick Tracy, and Glengarry Glen Ross). Scent of a Woman was the 19th highest grossing film of 1992 and holds an 88% score on Rotten Tomatoes. Ebert thought the movie was a bit formulaic & predictable, but also said that “rarely have we been taken there with so much intelligence and skill”. The Washington Post complimented “a great performance from Pacino” and the “mostly wonderful, edgy script”. The NY Times praised the filmmakers for “turning a relatively contrived situation into a terrific showcase for Mr. Pacino’s talents”. There is a considerable amount of reproach for the film’s 2 ½ hour length, but I don’t mind that a bit if the story is really good. Blair Witch got past A Time to Kill in Round 1 because I feel like the book is better than the movie, and because Blair Witch is such a unique film, both the movie itself and the promotional campaign that made it a surprise hit. So much of what is commonplace today…viral marketing, “reality” entertainment, documentary style horror films…was unique & avant-garde two decades ago. I’m not a horror movie guy, but even I know that The Blair Witch Project helped revolutionize what had become a stale genre. Knowing what we know now and with social media & The Internet being such a big part of daily life, it is difficult to imagine anyone being able to pull off what the powers-that-be did with this film. A sequel was produced just a year later, and while it turned a tidy profit it didn’t come close to having the impact on pop culture as the original.

The Verdict:       Scent of a Woman. Simply put, I like Pacino a lot more than I like horror movies. I watched Blair Witch once when it first came out on home video, but it’s seldom shown on TV and chances are I’d keep right on channel surfing if it was on somewhere. Conversely, Pacino is a magnet that draws one into Scent of a Woman, and it would be rare if I didn’t stop and watch when the opportunity arose.

 

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The Lion King

 

Release:    6/15/94

Starring:              Matthew Broderick, James Earl Jones, Jonathan Taylor Thomas

Directed By:            Roger Allers & Rob Minkoff (Stuart Little)

 

vs.

 

Lethal Weapon 4

 

Quotes

Oh, I’m a perp? Oh, you see a young brother in the back of a police car, automatically I’m a perp?! Look at my suit! Look at my tie! What do I look like, a fuckin’ Crip’s accountant?! Look at this badge, bitch! Check out the gun!

Your baby is having my baby!

You have the right to remain silent, so shut the fuck up! Okay!? You have the right to an attorney! If you can’t afford an attorney, we’ll provide you with the dumbest fuckin’ lawyer on Earth! But if you get Johnnie Cochran, I’ll kill ya!

Stop turning everything around! You’re so damn touchy! These guys’ll tell ya, we work together, we got a history together! Hey, maybe we’ll work together someday! I’m the bomb, they’ll tell ya, I’m great!

 

Odds & Ends

Not only was this Jet Li’s first American-produced movie, it was also the first time he’d ever played a villain (Jackie Chan turned it down the role because he chooses never to play the villain in a movie). Director Richard Donner had to ask Li to slow down during action sequences because he was moving faster than the camera shutter speed and it wasn’t registering on film.

Riggs’ trailer is in the same place that Jim Rockford’s trailer was during the majority of The Rockford Files’ run.

Murtaugh’s boat is named Code 7, which is the LAPD radio code for a lunch break.

___________________________

 

Okay, confession time. While writing this project (as well as previous things like 80’s Movie Mania and Merry Movie Mayhem) I oftentimes rely on my memory and prior viewings of a movie when opining. Most of the time this hasn’t been an issue because chances are good that I have watched the film fairly recently. After all, repeat viewings are a major element for me, right?? On the rare occasions that my recall is a bit fuzzy it usually isn’t an issue to stream a movie since I’m a night owl, late night TV has lost its luster for me, and my work schedule isn’t too oppressive. However, I have not watched The Lion King in several years and it is not available to rent anywhere on my Roku. Since I am unwilling to pay $15 to buy it I am left with a conundrum. I know that Disney can be a bit weird about such matters, occasionally putting a film in their vault and making it generally unavailable to the public for a number of years. I also realize that they will be launching their own streaming service in 2019 and that a “3D virtual reality” remake of The Lion King directed by Jon Favreau will hit theaters next summer. So, despite its impressive pedigree I have to strike down The Lion King from this competition due to its…inaccessibility. Way to go Disney.

The Verdict:       Lethal Weapon 4. I suppose winning by default is still winning, right??

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Deep Impact

 

Release:    5/8/98

Starring:     Morgan Freeman, Robert Duvall, Téa Leoni

Directed By:        Mimi Leder (The Peacemaker)

 

vs.

 

October Sky

 

Quotes

My life’s work is teaching. And I believed that if you boys won that science fair, got scholarships, went off and did something great with your lives, somehow my life would have counted for something. You know what? Sometimes you really can’t listen to what anybody else says. You just gotta listen inside. You’re not supposed to end up in those mines. You know why? ‘Cause I think you made other plans. I want you to know something. I’m proud of you.

If I win at Indianapolis, maybe I can go to college, maybe even get a job at Cape Canaveral! There’s nothing here for me! The town is dying, even the mine is dying. Everybody knows that but you!

Homer once said you love the mine more than your own family. I stuck up for you because I didn’t want to believe it. Homer has gotten a lot of help from the people in this town. They’ve helped him build his rockets. They’ve watched him fly ’em. But not you, John. You never showed up, not even once. I’m not asking you to believe in it, but he’s your son, for God’s sake!

 

Odds & Ends

The location of the slag dump where the Rocket Boys actually tested their rockets still exists. It is now a large grassy field. It is located in the actual town of Coalwood, WV. The town of Coalwood celebrated the Rocket Boys with the October Sky Festival, but by 2012 the town had lost so many residents that the event was moved to Beckley, WV due to the lack of able-bodied volunteers remaining in Coalwood.

The boys rarely tested a single rocket per day. They often manufactured several rockets and tested them in sequence. The rocket that hit Homer’s father’s office during their early testing, when they were launching rockets near the mine, was actually the last rocket of several they launched that day.

Homer H. Hickam Jr. helped design and build the cannon that is used during the Virginia Tech Hokie football games.

Much of the filming took place in Petros, TN, which is a tiny little town just outside of Oak Ridge, TN. Oak Ridge is known as The Secret City because it was built specifically to help develop nuclear weaponry during WWII. It is home to the Y-12 nuclear plant, still active today.

 

____________________

You will recall that in 1998 two movies about an asteroid heading toward Earth were in theaters just months apart from one another. Armageddon made it to the second round in the Phat Division before being eliminated, but I’ve always thought Deep Impact is a better film. There are a few subplots, including a young MSNBC reporter who stumbles upon the story about the asteroid and who must repair relationships with her estranged parents before the world ends. As with Armageddon there is a crew sent up in a space shuttle in an effort to destroy the asteroid, but this crew is far different. The conflicts and storylines are much more cerebral & emotional, and the action toned down a bit, though there are still plenty of explosions and lots of destruction. The cast isn’t nearly as cool as that other movie, but whenever you have Morgan Freeman as the President of the United States that’s pretty awesome, and young star Elijah Wood would go on just a few years later to portray Frodo Baggins in The Lord of the Rings trilogy. Deep Impact was the 8th highest grossing film of 1998 but has a subpar 45% rating on Rotten Tomatoes. People Magazine opined that it is “neither deep nor impactful”, but said that it “goes well with popcorn”. The Washington Post called it a “lightweight melodrama” that presents “lackluster imitations of real life”. Variety thought it was “spectacular enough in its cataclysmic scenes of the planet being devastated by an unstoppable fireball”, but “far from thrilling in the down time spent with a largely dull assortment of troubled human beings”. October Sky upset Oscar nominated Four Weddings & a Funeral in Round 1 because that’s how I roll. I am probably a little bit biased toward movies about and/or filmed in West Virginia. We tend not to have as many famous faces or outright heroes that hail from our humble state, so we warmly embrace the handful of folks that have made us proud. Homer Hickam surely deserves that kind of respect, and his story is effectively told. Chris Cooper might be one of Hollywood’s most underrated actors, and his portrayal of Hickam’s father really rings true to the kind of quiet pride, dogged work ethic, & unspoken melancholy that I’ve witnessed in so many Appalachian men.

The Verdict:       Deep Impact. This is a tough call. Despite what most of the critics say I really like Deep Impact. The casting director may have dropped the ball (with the aforementioned Freeman as a notable exception obviously), but I have to give credit to a screenplay that tries to focus on the humanity as much as the special effects. Both of these films are kind of a downer (despite happy endings), but I think Deep Impact is just more entertaining.

 

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Wayne’s World

 

Release:    2/14/92

Starring:     Mike Myers, Dana Carvey

Directed By:        Penelope Spheeris (Black Sheep)

 

vs.

 

The Big Lebowski

 

Quotes

Look, let me explain something to you. I’m not Mr. Lebowski. You’re Mr. Lebowski. I’m The Dude. So that’s what you call me. That, or His Dudeness … Duder … or El Duderino, if, you know, you’re not into the whole brevity thing.

This is a very complicated case, Maude. You know, a lotta ins, lotta outs, lotta what-have-you’s. Alotta strands to keep in my head, man. Lotta strands in old Duder’s head. Luckily I’m adhering to a pretty strict drug regimen to keep my mind, you know, limber.

Well, sir, it’s this rug I had. It really tied the room together.

Saturday, Donny, is Shabbos, the Jewish day of rest. That means that I don’t work, I don’t drive a car, I don’t ride in a car, I don’t handle money, I don’t turn on the oven, and I sure as shit don’t roll!

Nihilists! I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.

You want a toe? I can get you a toe. Believe me. There are ways, Dude…you don’t wanna know about it, believe me. Hell, I can get you a toe by 3:00 this afternoon, with nail polish.

The Dude abides.

Lady, I got buddies who died face-down in the muck so that you & I could enjoy this family restaurant!

Forget it, Donny, you’re out of your element!

The Chinaman is not the issue here, Dude! I’m talking about drawing a line in the sand! Also, Dude, “Chinaman” is not the preferred nomenclature. “Asian-American,” please.

Smokey, this is not ‘Nam. This is bowling. There are rules!

Were you listening to The Dude’s story, Donny?

Yeah, well, you know, that’s just, like, your opinion, man.

 

Odds & Ends

In an early draft of the script, The Dude’s source of income was revealed. He was an heir to the inventor of the Rubik’s Cube, which would have also made him Hungarian in turn. It was Joel Coen’s idea to drop this plot point.

Jeff Bridges met with the Coen Brothers after reading the script and asked them “Did you guys hang out with me in high school?” referring to The Dude’s easygoing surfer persona.

The Dude tells Maude he was a roadie for Metallica on their (fictional) “Speed of Sound” tour and refers to the band members as a “bunch of assholes”. Metallica themselves were flattered to be referred to in a Coen Brothers movie, with guitarist Kirk Hammett once noting in an interview that they’d tried to think of a way to incorporate that scene into their live shows.

The Dude’s line, “The Dude abides”, is a reference to Ecclesiastes 1:4: “one generation passes away, and another generation comes: but the Earth abides forever.” It is a reference to how the Dude, much like the Earth, can weather change and chaos around him, but still remain the same.

Glenn Frey was reportedly so dismayed about The Dude’s hatred of The Eagles in the movie that he once angrily confronted Jeff Bridges when they met at a party.

White Russian: two parts vodka, one part Kahlúa, and one part cream. Served with ice in a low ball glass.

The “F” word or a variation of it is used 292 times. The word “dude” is used 160 times.

The man shown bowling in the picture on The Dude’s wall is President Richard Nixon. Nixon was an avid bowler, and the photo is a well-publicized shot of Nixon in the bowling alley underneath the White House.

 

________________

Films based on Saturday Night Live characters & sketches don’t have the best track record…to say the least. The Blues Brothers (winners of 80’s Movie Mania) is the gold standard, but then you have stuff like Coneheads, A Night at the Roxbury, & The Ladies’ Man that are total bombs. Turning a ten minute skit featuring only a character or two or three, one set, & a narrowly focused scenario into a two hour big screen motion picture with an actual plot and everything that goes with it can’t be easy, and the old saying that “a little goes a long way” oftentimes holds true. Having said that, Wayne’s World…unlike so many of its counterparts…actually does achieve success on a Blues Brothers level. We know from SNL that Wayne Campbell & Garth Algar are young adults who host a public access TV show filmed in the basement of Wayne’s parents’ house in Aurora, IL. Wayne & Garth are total nerds trying desperately to be cool, and the movie finds them selling their show to a production company headed by a sleazeball portrayed by Rob Lowe. Wayne also falls for a hot female singer and has an on again/off again relationship with her. The ending is kind of odd, but the movie is solidly entertaining, and it finished 1992 as the 8th highest grossing film, sandwiched between The Bodyguard & Basic Instinct (schhhwiinngg!!). Rotten Tomatoes gives Wayne’s World a rating of 86%, with Empire Magazine calling it “a classic comedy of its time”, Entertainment Weekly complimenting its “pleasing daftness”, and Ebert saying that it “works on its intended level and then sneaks in excursions to some other levels, too”. The Big Lebowski easily got past Ten Things I Hate About You in Round 1 and has a solid 82% score on Rotten Tomatoes. Since it is the quintessential cult film I thought it might be fun to venture off the beaten path and look at some audience reviews instead of what the critics had to say. “Eugene” says that it’s “a simple story that requires no over-analyzing to delve into its narrative and concept” and calls it an “effective, humorous and overall a wacky classic”. “Julie”  observes that The Dude’s “sole purpose in life is to laze around in his room smoking pot or go bowling with his strange friends” and calls the movie “a bizarre, offbeat tale of mistaken identity & revenge”. “Kevin” credits Bridges for “the most notable role in his career” and thinks Goodman is hilarious, but feels like Buscemi is “was kind of just there” and Julianne Moore in a small role “has been much better in almost everything else”. “Demesa” says that The Big Lebowski “will make any bad day go away…the crafty, nonsensical-ness of the plot is perfect and the cinematography is beautiful”, while “Aaron” praises it for being “without a doubt one of the most clever and funniest movies that I’ve ever watched in my life”.

The Verdict:       The Big Lebowski. This is a tough call because I do feel like Wayne’s World is a great 90’s snapshot and really captures the essence of an era. However, for those of us that still slip in the occasional “We’re not worthy!!”, “Not!”, “Party on!”, or “Are you mental?” into casual conversation I think we owe that space carved out in the pop culture retention area of our brain to the SNL sketches as much as or more than the movie. Conversely, The Big Lebowski is like that acquaintance we had in grade school but barely paid attention to, then one day they become our best friend, and eventually we fall madly in love & realize our soulmate has been standing right in front of us for decades. From barely being a blip on the cinematic radar two decades ago it has steadily grown into something that multiple generations embrace & enjoy repeatedly.

 

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Tommy Boy

 

Release:    3/31/95

Starring:     Chris Farley, David Spade

Directed By:        Peter Segal (Anger Management, 50 First Dates)

 

vs.

 

Glengarry Glen Ross

 

Quotes

 

You ever take a dump that made you feel you’d just slept for twelve hours?

Put that coffee down! Coffee’s for closers only. I’m here from downtown. I’m here from Mitch and Murray. And I’m here on a mission of mercy.

All of you’ve got just one week to regain your jobs starting with tonight. Starting with tonight’s sit. Oh…have I got your attention now? Good. ‘Cause we’re adding a little something to this month’s sales contest. As you all know, first prize is a Cadillac Eldorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you’re fired. Get the picture? You laughing now?

You drove a Hyundai to get here. I drove an $80 thousand BMW. That’s my name!

Only one thing counts in this life: Get them to sign on the line which is dotted. You hear me, you fucking faggots? A-B-C. A-Always, B-Be, C-Closing. Always. Be. Closing.

A guy don’t walk on the lot lest he wants to buy. They’re sitting out there waiting to give you their money. Are you gonna take it? Are you man enough to take it? What’s the problem, pal?

That watch costs more than your car. I made $970,000 last year. How much did you make? You see, pal, that’s who I am, and you’re nothing. Nice guy? I don’t give a shit. Good father? Fuck you! Go home and play with your kids. You wanna work here – close! You think this is abuse? You think this is abuse, you cocksucker? You can’t take this, how can you take the abuse you get on a sit? You don’t like it, leave. I can go out there tonight with the materials you’ve got and make myself $15,000. Tonight! In two hours! Can you? Go and do likewise. Get mad you son of a bitches! You want to know what it takes to sell real estate? It takes brass balls to sell real estate. Go and do likewise, gents. Money’s out there. You pick it up, it’s yours. You don’t, I got no sympathy for you. You wanna go out on those sits tonight and close…CLOSE. It’s yours. If not, you’re gonna be shining my shoes. And you know what you’ll be saying – a bunch of losers sittin’ around in a bar. ‘Oh yeah. I used to be a salesman. It’s a tough racket.’ These are the new leads. These are the Glengarry leads. And to you they’re gold, and you don’t get them. Why? Because to give them to you is just throwing them away. They’re for closers. I’d wish you good luck but you wouldn’t know what to do with it if you got it. And to answer your question, pal, why am I here? I came here because Mitch and Murray asked me to. They asked me for a favor. I said the real favor, follow my advice and fire your fucking ass, because a loser is a loser.

You can’t think on your feet, you oughta keep your mouth closed.

I subscribe to the law of contrary public opinion. If everyone thinks one thing, then I say bet the other way.

If you tell me where the leads are, I won’t turn you in. If you don’t, I am going to tell the cop you stole them. Mitch and Murray will see that you go to jail. Believe me, they will. Now, what did you do with the leads? I’m walking in that door. You have five seconds to tell me, or you are going to jail.

When you die you’re going to regret the things you don’t do. You think you’re queer? I’m going to tell you something: we’re all queer. You think you’re a thief? So what? You get befuddled by a middle-class morality? Shut it out. You cheat on your wife? You did it, live with it. There’s an absolute morality? Maybe. And then what? If you think there is, go ahead, be that thing. Bad people go to hell? I don’t think so. If you think that, act that way. A hell exists on earth? Yes. I won’t live in it. That’s me.

So I wasn’t cut out to be a thief. I was cut out to be a salesman. And now I’m back.

 

Odds & Ends

The single largest cost of production was for the rain effects throughout the first half of the film.

Jack Lemmon said the cast was the greatest acting ensemble he had ever been part of.

David Mamet’s screenplay considerably expanded his script for the play, providing more context for the pressure placed on the salesmen. Notably, Alec Baldwin’s introductory speech was added as well as Jack Lemmon’s phone calls to clients and the hospital, plus his sales call to the man with the fishing rod. Many consider the screenplay to be superior to the text for his Pultizer-winning stage play. The film version is often transcribed to stage now.

The “F” word & its derivatives are uttered 138 times.

The title refers to Glengarry Highlands and Glen Ross Farms, two properties mentioned in the movie.

David Mamet based his original play on his own experience working in a real estate office in the 1970s when he was a struggling playwright. He was the office manager who gave out sales leads and handled the paperwork.

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Tommy Boy isn’t a Saturday Night Live film per se, but it may as well be since its two stars…Farley & Spade…were two of the biggest contributors to that television show’s success in the early 90’s. Farley was ostensibly fired from SNL (along with Adam Sandler) in 1995, while Spade stuck around for one more season and was still appearing on TV when this movie premiered. Tommy Callahan is the inept, socially awkward, accident prone son of Big Tom, the owner of an auto parts company in Ohio. When Big Tom dies unexpectedly at his wedding reception it’s up to Tommy and his buddy Richard to save the company from being sold by the new stepmother & stepbrother, who aren’t what they seem. Tommy Boy is a classic buddy/road film and is the perfect showcase for Farley’s distinctive frenetic humor balanced with Spade’s droll wit.  It was the 54th highest grossing film of 1995, behind stalwarts like Judge Dredd, Man of the House, & The Brady Bunch Movie, and holds a feeble 43% score on Rotten Tomatoes. Ebert called it “an assembly of cliches and obligatory scenes from dozens of other movies”. The Washington Post calculated that “as an SNL sketch it would have been a tour de force” but didn’t like the movie. Entertainment Weekly called Farley “a mastodon in a china shop” and said the movie “by any reasonable standard…is stupid, disreputable junk” and left the reviewer “wishing I’d never have to see anything quite like it again”. In Round 1 Glengarry Glen Ross easily beat Bruce Willis’ Striking Distance, a movie I like…but not THAT much. My observation about Glengarry Glen Ross was that “the plot is secondary to the performances”, and there is nothing inherently wrong with that. It isn’t unheard of for a great performance to carry an otherwise average story to new heights. That’s why these actors get paid the big bucks, and a few of them actually deserve it. To have half a dozen bona fide legends at the top of their game in the same movie is almost unheard of, and I can’t imagine that any of those guys did this project for the money. Having said all that, here is the issue. When one watches Glengarry Glen Ross are you watching the movie…or are you watching Pacino, Baldwin, Spacey, Harris, Lemmon, & Arkin?? If someone asked you the plot of the film or the names of any of the characters would you have the right answers?? Most people can probably quote the biggest part of Baldwin’s cameo at the beginning, but can you remember what happens afterward?? I feel like these are legitimate questions and I’m not sure the answer reflects well on the film.

 

The Verdict:       Tommy Boy. I do my best not to be repetitive, but once again the scenario that runs thru my mind is me laying around on a lazy, rainy day vegging out and watching movies. Which of these films would I watch?? I think there is a distinct possibility that I would begin watching Glengarry Glen Ross with the best of intentions, but after Baldwin’s memorable scene I might be inclined to change the channel to Tommy Boy, and once I was there I don’t think I’d switch back. Some might see that as a damning indictment of my taste in movies, and they might be right, but I am not a film critic. I’m not trying to impress anybody with my first-rate intellect. I’m just a guy who enjoys watching movies, laughing, & having a good time. Your mileage may vary and that’s okay.

 

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The Truman Show

 

Release:    6/5/98

Starring:     Jim Carrey, Ed Harris

Directed By:        Peter Weir (Witness, Master & Commander)

 

vs.

 

Star Trek VI: The Undiscovered Country

 

Release:    12/6/91

Starring:              William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols

Directed By:        Nicholas Meyer (The Day After)

 

vs.

 

Ghost

 

Quotes

He’s stuck, that’s what it is. He’s in between worlds. You know it happens sometimes that the spirit gets yanked out so fast that the essence still feels it has work to do here.

It’s all in your mind. The problem with you is that you still think you’re real. You think you’re wearing those clothes? You think you’re crouched on that floor? Bullshit! You ain’t got a body no more, son!

Listen, damn it. You are going to help me. There’s a woman. Her name is Molly Jensen and she’s in terrible danger. The man who killed me broke into our apartment and he’s gonna go back. So you’ve gotta warn her.

I know you don’t think I’m giving this $4 million to a bunch of nuns!

 

Odds & Ends

The role of Oda Mae Brown was not written with Whoopi Goldberg in mind, but Patrick Swayze…an admirer of hers…convinced the producers that she would be right for the part.

The film’s premise is expanded from an old urban legend dealing with a spirit of a recently deceased trying to warn their loved one of an imminent danger.

Patrick Swayze said that the pottery scene was the sexiest thing he had ever done on film.

Molly tells Sam that he “leads a charmed life”. This is a line from William Shakespeare’s Macbeth. Macbeth also claims to lead a charmed life, meaning he cannot be killed. Immediately after making this claim, however, he is killed. Sam is killed after seeing a production of Macbeth.

Patrick Swayze and Vincent Schiavelli, who played the subway ghost, both died of cancer at the age of 57.

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Our final triple threat match pits a beloved sci-fi franchise against two singular dramedies.  The Truman Show was Jim Carrey’s attempt at proving he could actually be a great actor after being known mostly as a clown in movies like Ace Ventura, The Mask, Dumb & Dumber, and Liar Liar. He mostly plays it straight as Truman Burbank, a thirty year old man who has unwittingly been the star of his own television show for his entire life. Everything in his “world” is phony…the quaint little town he lives in, the weather, his parents, all of his friends & colleagues…even his wife. The whole thing is the brain child of a God-like TV producer named Christof, who controls every aspect of the show, which has aired worldwide 24/7/365 for three decades. But all bets are off when Truman begins to figure out the truth. The Truman Show was the 12th highest grossing film of 1998, ahead of Enemy of the State & Shakespeare in Love (which would win the Academy Award for Best Picture), but behind Rush Hour & Godzilla. It holds a 94% score on Rotten Tomatoes and was nominated for three Oscars…Best Director (Weir, who lost to Spielberg for Saving Private Ryan), Best Adapted Screenplay, and Best Supporting Actor (Harris, who lost to James Coburn for his performance in Affliction). It wasn’t nominated for Best Picture and Carrey didn’t get a nomination for Best Actor (won by Roberto Benigni for his performance in Life is Beautiful), which in hindsight both feel like huge oversights. That was a really weird year for the Academy Awards. The NY Daily News thought the film’s premise “both reasonable and ludicrous”, but called “its execution sublime”. Rolling Stone said that it is “a near-miraculous balance of humor and feeling”. The Chicago Tribune thought it “a satire/comedy/fantasy about the future of television and the people caught in its omnipresent electronic net…a supremely intelligent jest”. The Cincinnati Enquirer said that it is “funny, moving, imaginative, and wickedly smart about the addictive power of comfy illusion”. Ghost got past the overly angst-ridden & quite tedious Reality Bites in the first round. It is the rare kind of film that is appreciated by audiences and critics alike, making a ton of money at the box office while also collecting well-deserved awards. Swayze passed away in 2009, and I can’t help but wonder how many entertaining movies we’ve been deprived of in his absence because when one looks at his filmography there is no shortage of awesomeness…The Outsiders, Red Dawn, Dirty Dancing…spanning three decades, I have to assume he would have made more good films if he’d have lived. The Undiscovered Country is the sixth & final movie featuring the cast of the original Star Trek television series. I was a bit late to the Trek party, largely because I hadn’t been born yet when the TV show aired in the 1960’s. However, the six films produced between 1979 & 1991 led to my appreciation of the franchise. The movies are admittedly hit & miss, but The Undiscovered Country is unanimously praised as one of the highlights. With The Federation and The Klingons on the verge of signing a peace treaty Captain Kirk & Dr. McCoy are set up to take the fall for the assassination of the Klingon Chancellor and find themselves imprisoned. Of course Kirk is pretty difficult to defeat, so he eventually gets at the truth and saves the day. The movie has a Rotten Tomatoes score of 83% and was the 15th highest grossing film of the year. The Hollywood Reporter observed that “the production has a dark, atmospheric sheen that persistently suggest mystery and danger” and said that it is “not the best of the series, but a suitable farewell”. The NY Times credited the cast for “enthusiasm for their material that has never seemed to fade…if anything, that enthusiasm grows more appealingly nutty with time”. The Washington Post thought that the crew “couldn’t have made a more felicitous or more satisfying exit”.

The Verdict:       The Truman Show. I wish that I could push all three contenders thru to the next round, but that’d be a bit much. As much as I love Trek it’s hard to single out The Undiscovered Country for praise when I think that both Wrath of Khan & The Voyage Home were superior films. That’s the thing about long lasting film series…the whole stands above the individual parts. Ghost is a fine film. Swayze was an underrated actor whose talent is more apparent in hindsight that it was in the moment. Demi Moore has rarely been more enchanting. Even Whoopi Goldberg…who has sadly become an insane political hack in recent years…proved herself a talented actress. The only mark against Ghost is lack of repeat viewings. It hasn’t been a movie that I become giddy to see as I’m channel surfing on a cold & lonely night. The premise of The Truman Show was almost prophetic. I can totally see a show like that capturing the world’s attention now. I’m not a fan of reality television at all, mostly because I know there’s nothing real about it and I am almost offended by people like the Kardashians, the Chrisleys, and the idiots on The Bachelor becoming famous for no legitimate reason. But what if the star of the show didn’t realize they were a star??

100 Memorable TV Characters…The Top 25

Television is an invention that permits you to be entertained in your living room by people you wouldn’t have in your home.  –  David Frost

I am easily distracted and have a short attention span. In years past I could easily finish a 500 page book within a week, and not that long ago I would have completed a fun & frivolous project like this in 3 or 4 days, but the older I get the less I seem to be able to focus and the more time it takes me to complete a task. Perhaps I’m just bored with life in general. I don’t know. Anyway, y’all didn’t stop by for me to lay on the couch and have you analyze my neuroses. If you need to get caught up with how we arrived at this point please click here. Today we reach the summit and discuss the Top 25 most memorable television characters of all time (in my humble opinion). I don’t think there are too many surprises in store, but I could be wrong. I still believe that there are writers out there creating great characters in all forms of entertainment, but sadly I think nowadays those writers and thus their characters frequently embrace a gloomier, more solemn & complex vibe. There’s nothing wrong with complexity, but for pete’s sake most of us are just trying to relax, laugh a little, and escape from the tedium of the daily grind, not join a crusade about serious worldly issues. Hollywood has become far too enamored with promoting various agendas and has forgotten how to chill out & have fun. That’s my viewpoint anyway. Your mileage may vary and that’s alright. For now though let’s recognize & give kudos to times when those left coasters got it right. Enjoy.

25     Alex P. Keaton (Family Ties)

Okay okay okay…I suppose Family Ties did have a quasi-political premise. It was the 80’s and Ronald Reagan had cast his spell on a huge portion of the country, which didn’t sit well with aging 60’s radicals. And so we got a sitcom about middle-aged former hippies raising a family in Columbus, OH, with their eldest son being a right leaning yuppie Republican. However, despite that general theme the show itself didn’t deviate much from standard nuclear family fare, except that it was funny and extremely well-written & performed. Alex Keaton isn’t your typical teenager. He wears a suit to school, carries a Richard Nixon lunchbox, reads the Wall Street Journal, and actually enjoys studying economics. While Alex is depicted as somewhat uptight and often disagrees with his parents’ opinions he is never shown to be a bad guy or antagonistic, and he’s actually rather comical. He loves his family and they love him. There is a reasonably fair-minded presentation of differing worldviews, which has become all too rare just a few decades later.

24     Dr. Leonard “Bones” McCoy (Star Trek)

Dammit Manoverse…he’s a doctor, not a writer!! Admittedly my love for Bones McCoy began with the half dozen Star Trek movies produced in the 1980’s because that was my first exposure to Trek, but rest assured that he’s the same cantankerous curmudgeon even in the original series…just a few decades younger. He’s the voice of reason that tempers the reactionary passion of his captain and injects humanity into the detached analysis of the ship’s science officer. He’s also really funny and has some of the best one liners.

23     Luke Spencer (General Hospital)

Lucas Lorenzo Spencer emerged as one of the more provocatively popular leading men in soap history a few decades ago, a real accomplishment for a character that was intended to disappear after a few months. Instead, Luke’s stay in Port Charles lasted…off & on…for nearly four decades. He famously falls for beautiful young Laura Webber and rapes her at a college disco, a deed that would normally brand a character as a villain. However, Laura loves him, so Luke is redeemed and becomes a good guy. Luke & Laura’s wedding in 1982 had 30 million television viewers, which still has to be some sort of record. Over the years Luke evolved into a beloved scoundrel, always ready for an escapade or hatching a scheme to proliferate his bank account. He is the quintessential soap hero, constantly engaged in battle with the dastardly Cassadine clan while exhibiting fierce loyalty to his family, especially son Lucky, Aunt Ruby, & sister Bobbie. Luke & Laura both die and return to life a couple of times as soap characters tend to do, and eventually end their marriage. Luke moves on with bitchy socialite Tracey Quartermaine, which is arguably a more enjoyable pairing. He is a restless soul and always finds himself in hot water, but somehow makes it thru. Alcoholism becomes an issue, as well as horrible childhood memories that had been repressed for decades, both of which add layers of complexity to Luke but weren’t well-received plot points by GH fans who prefer their fun-loving scalawag instead of a depressed, broken, suicidal old man. Luke left Port Charles a few years ago and is presumably living a life of adventure somewhere in Europe.

22     Shaggy Rogers (Scooby-Doo)

Actually his given first name is Norville. Of course he is Scooby’s owner/master (or whatever title you prefer), and the two are inseparable. Shaggy is the prototypical slacker, an animated homage to Bohemian beatnik Maynard G. Krebbs from the early 60’s sitcom The Many Loves of Dobie Gillis. Unlike his friends, who bravely seek to solve mysteries they encounter, Shaggy is a chicken who runs at the first sign of trouble. He mostly prefers to hang out with his dog and take it easy. Oddly enough they both seem to always have the munchies, though I have no idea what that’s all about. Well-known radio personality Casey Kasem voiced Shaggy for four decades.

21     Sherlock Holmes (Sherlock Holmes)

Sir Arthur Conan Doyle created the world’s foremost consulting detective in 1887, writing four novels & 56 short stories about Holmes and his trusty wingman Dr. Watson over the course of four decades. Since then Holmes has had a long life in films, television, radio, stage plays, & any other entertainment outlet imaginable. At one time Guinness had Holmes listed as the most portrayed fictional character in history, though I believe Santa Claus & Dracula are right there with him. At any rate, though (surprisingly) I have never seen Benedict Cumberbatch’s well-regarded interpretation of the treasured detective in BBC’s series Sherlock, I do fondly recall the late Jeremy Brett’s depiction in an 80’s series that ran here in America on PBS. There were 41 episodes of Sherlock Holmes, each rather faithfully adapting one of Conan Doyle’s stories. I’m sure that all 60 would have been produced had it not been for the untimely death of Brett at the age of 61. Most rankings & polls out there rate Brett’s version of Holmes as one of the 2 or 3 best, and I wholeheartedly concur.

20     Mork from Ork (Mork & Mindy)

Robin Williams was a force of nature (and cocaine)…a legendary comedian who evolved into one of the most significant actors of a generation. His acting career was launched on a 1978 episode of Happy Days in which he portrays a goofy alien from outer space who wants to take Richie Cunningham back to his home planet as a human specimen. Mork got his own spinoff in which he lands in Colorado and befriends the young & beautiful Mindy, even telling her the truth about his identity. Mork lives in Mindy’s basement for four seasons, with the two eventually falling in love, getting married, & having a “baby” (hilariously played by legendary comedian Jonathan Winters). The show itself was never great, but it was a showcase for Williams’ peerless talent and an indication of great things to come.

19     Les Nessman (WKRP in Cincinnati)

Persnickety newsman Les Nessman is probably the most overlooked part of WKRP’s greatness. Johnny Fever & Venus Flytrap are cooler, receptionist Jennifer Marlowe is sexier, & clueless boss Mr. Carlson gets a lot of laughs, but Les is the comedic gem of the ensemble. Unlike his laid-back colleagues Les is super serious about his job, approaching it as if he is an important journalist breaking momentous news on a major media outlet, whereas in reality he’s the newsman for a smallish radio station at which rock n’ roll pays the bills and news is not essential at all. Despite his erudite demeanor & professorial appearance Les is a total dufus and completely incompetent. His only area of expertise seems to be husbandry, for which he has won a Silver Sow Award and multiple Buckeye Newshawk Awards, accomplishments for which he is quite proud. He amusingly likes to imagine that his cubicle is an office, putting tape on the floor where walls would be and demanding that his co-workers knock on the imaginary door. Les Nessman’s shining moment is the 1978 Thanksgiving episode Turkeys Away, during which he gives dire news updates on a promotional gimmick initiated by Mr. Carlson that goes horribly yet hysterically awry.

18     Cliff Clavin (Cheers)

Actor John Ratzenberger originally auditioned for the role of Norm Peterson, but when he didn’t get the part he asked the producers if they had a bar know-it-all in the cast, and thus the part of blowhard mailman Cliff was created. Cliff is a middle-aged momma’s boy who is terrible with women, and like the rest of his cohorts he’s a loveable loser that would come across as sad & pathetic in reality, but somehow works as a sitcom character. The funny thing is that we’ve all known people like Cliff that are mostly full of bull and try our patience when we’re in their presence for any length of time, but despite their faults we kind of like having them around.

17     Chandler, Monica. Ross, Rachel, Joey, & Phoebe (Friends)

In retrospect Friends was better than most of us realized at the time. Oh sure it was popular, ranking as a Top 5 hit in nine of its ten seasons, and the cast became superstars, but if you watch it now in syndication almost fifteen years after the final episode aired what you realize is what a well-written & performed show it was. I can’t single out any one character from the ensemble because I feel like each was a vital part of the program’s success. Monica Geller is an OCD fussbudget, a chef by trade who acts as the de facto glue that holds the group together. Monica’s brother Ross is a neurotic paleontologist whose ex-wife became a lesbian. Ross’ best friend is Chandler Bing, a sarcastic business executive. Chandler lives across the hall from Monica with Joey Tribbiani, a dimwitted yet kindhearted struggling actor who is a bit of a ladies’ man. Monica’s childhood friend Rachel Green, a self-absorbed rich girl who left her fiancé at the altar, shows up and becomes Monica’s roommate in the inaugural episode. Rounding out the group is hippy dippy massage therapist & quirky songwriter Phoebe Buffay. They mostly assemble in Monica & Rachel’s apartment, Chandler & Joey’s place, or at the local Central Perk coffeehouse. Ross’ unrequited love for Rachel and their subsequent on again/off again relationship is a principal focus of the show thru the years, and in later seasons Chandler & Monica become involved & get married. I’m not sure it’s fair to say that any of them are accurate illustrations of real 20/30-somethings, but some of their issues do ring true and did so at a time in my life where I really appreciated that connection.

16         Fred Sanford (Sanford & Son)

For some reason Fred, an elderly black junk dealer from south central Los Angeles, always reminded me of my paternal grandfather, a retired Italian-American coal miner from West Virginia. Perhaps it is because my Papaw was a fan of the show. Fred is a widower who lives with his middle-aged son Lamont and runs his business out of his home. Fred is a feisty old dude, never hesitating to mix it up with sister-in-law Esther, next door neighbor Julio, or Lamont’s best buddy Rollo. Though he & Lamont appear to be close he is quick to belittle his son, often calling him a big dummy. Fred is oftentimes shown to be bigoted, which is played for laughs but probably wouldn’t fly with the modern day PC Police, and he is rather lazy as well as a bit of a manipulator. By far Fred’s most enduring legacy is when he would find himself in a tight spot or on the verge of having one of his harebrained schemes exposed, at which time he’d fake a heart attack and proclaim “This is the big one! You hear that, Elizabeth?? I’m coming to join you honey!!”.

15     Louie DePalma (Taxi)

Danny DeVito has had a moderately successful film career, appearing in movies like Romancing the Stone, Ruthless People, Throw Momma from the Train, Twins, Batman Returns, & Deck the Halls, but his first taste of fame came via 80’s sitcom Taxi. Louie is the dispatcher at the Sunshine Cab Company and acts as if he’s the boss, although in retrospect I’m not sure if he had any kind of authority or just likes to pretend that he does. He is a misogynistic & unscrupulous schemer who shows zero respect for any of his colleagues and is rarely at a loss for words, usually of the demeaning & insulting variety. His diminutive size coupled with an arrogant, abrasive attitude are indicative of a classic Napoleon complex. However, despite his faults Louie oftentimes does the right thing, and, in contrast to his coarse exterior, deep down there’s a big ol’ soft heart that makes an appearance on occasion.

14     Ari Gold (Entourage)

I have no idea if life in Hollywood is as…colorful…as it is depicted on Entourage, but if there really is an agent like Ari Gold I’m not sure if an actor should sign with him without hesitation or run away as fast as possible. He is ill-mannered, foul-mouthed, arrogant, belligerent, & somewhat deceitful, but is also shown to be really good at his job and truly concerned about his clients, especially rising star Vincent Chase. In contrast to Vince & his buddies, who enjoy basking in the party lifestyle like a bunch of wealthy & carefree delinquents, Ari is a faithful husband & father whose biggest fault just might be hardcore dedication to his career. Ari is one of those rare characters that demands attention, stealing every scene in which he appears.

13     Dr. Sheldon Cooper (The Big Bang Theory)

Far be it for me to fall into the “prisoner of the moment” trap, but after a decade on the air I don’t think it is an overreaction to consider Sheldon one of the best characters in television history. While TBBT writers have done a good job of remaining faithful to the ensemble dynamic of the show and still give a fair amount of screen time & storyline to everyone, it is undeniable that Sheldon is the breakout character, especially since the 9 year old version of him is already starring in a spinoff even as the original show remains one of the highest rated programs on television. I watched the first episode of Young Sheldon, but it just didn’t pique my interest. In TBBT thirtysomething Sheldon is a theoretical physicist, a genius with an eidetic memory and a total lack of social skills or emotional intelligence. He is egotistical, peculiar, somewhat irrational, & oftentimes childish. He & his pals are classic geeks who love comic books, technology, & sci-fi but know next to nothing about sports, pop culture, contemporary music, or current events. His mother is a devout Christian, and Sheldon’s devotion to science causes him to view her faith with derision, a foible that has troubled me a bit on occasion. Sheldon is an extremely well-written character whose physical comedy is an underrated portion of what has been an award winning performance.

12     Sheriff Rosco P. Coltrane (The Dukes of Hazzard)

Is he a bad guy?? Not really. Is he corrupt?? I suppose, but not in the traditional sense. It’s more accurate to say that Rosco is a weak-minded follower who is easily led astray by his greedy brother-in-law Boss Hogg. It is initially revealed that Rosco had served with integrity for 20 years, but got screwed out of his pension just as he was on the verge of retirement (Dukes was a show ahead of its time). He joins in Boss’ schemes in order to get back the money he lost. All traces of bitterness soon fade away though, as Rosco evolves into a simpleminded, inept, & comical lawman. His constant companion is a lethargic basset hound named Flash, and despite his own foolishness he consistently calls deputies Enos & Cletus dipsticks. He enjoys “hot pursuit”, but it usually doesn’t work out well as he oftentimes seems to “scuff his vehicle”. Rosco genuinely cares about Boss Hogg but is also intimidated & taken advantage of by him, rarely getting more than a small fraction of whatever windfall the duo earns from their deceitful plots. He doesn’t seem to have any genuine beef with the Dukes but is regularly ordered to chase them by Boss Hogg, though they rarely get caught & easily escape when they do end up in jail. Much like Hogg, Sheriff Rosco is portrayed as far more sinister in the 2005 big screen adaptation, which is another strike against that film.

11     Gomer Pyle (The Andy Griffith Show and Gomer Pyle USMC)

Television viewers have a love/hate relationship with spinoffs. Sometimes they work, but oftentimes they fall way short of expectations. Gomer Pyle USMC lands somewhere in the middle, which isn’t intended to be negative…it’s just that it’s almost impossible to measure up to TAGS. Gomer appears in Seasons 3 & 4 of TAGS and was introduced because the actor who portrayed Floyd the Barber had a stroke and was off the show for awhile. Like most residents of Mayberry Gomer is an unsophisticated bumpkin with a friendly & gentle disposition. He works at Wally’s Filling Station and is alternately shown to know nothing about automobiles or to be an expert mechanic (TAGS had issues with continuity). He is always willing to help out when needed and is deputized by the police on several occasions, though he proves to be a totally incompetent lawman. On a few occasions Jim Nabors is able to show off his real life singing talent. Any episode of TAGS with Gomer is even more of a delight than usual, which is probably why he was given a spinoff. That show lasted for five seasons and features Gomer as he enlists in the Marine Corps and clashes with hard-nosed drill instructor Sergeant Carter. It’s a classic fish-out-of-water story, with a bit of an Odd Couple vibe thrown into the mix. I like the TAGS version of Gomer much more than I like him in the spinoff, but that probably has more to do with the overall quality of the two shows rather than the character. When Gomer leaves Mayberry the void is filled by his cousin Goober, but I’ve never enjoyed Goober as much as Gomer.

Television is like a library. There are a lot of library books in it, and you have to pick and choose what you take out of it.  –  David L. Wolper

10     Rev. Jim Ignatowski (Taxi)

The third member of the Taxi cast to make the cut is a spaced-out relic from the 60’s who might be the most entertaining dopehead not named Cheech or Chong. Iggy grew up wealthy, but his Mom died when he was very young and his father was a busy doctor, so he was mostly raised by servants. He was extremely intelligent and attended Harvard, but in a comical twist on the whole Adam & Eve/forbidden fruit concept is goaded by his girlfriend into eating a marijuana laced brownie, which leads to him permanently becoming an eccentric & absentminded burnout. Jim’s random tangents that have nothing to do with the topic of conversation are hysterical, especially when he completely forgets whatever point he thought he wanted to make. Occasional glimpses of his former intellect & deep thinking skills sneak thru the fog and he says something profound, which of course takes everyone by surprise. Iggy once opined “You know the really great thing about television? If something important happens, anywhere in the world, night or day… you can always change the channel”, which kind of sums up how I feel about TV nowadays. In an early Season 2 episode titled “Reverend Jim: A Space Odyssey” the cabbies get Jim a job, but first they must take him to the DMV so he can pass the driver’s test and get his license. It is quintessential Iggy, and quite possibly one of the best sitcom moments of all time.

9       George Costanza (Seinfeld)

For some reason I really identified with George. He is Jerry’s best friend since junior high school, and becomes pals with Jerry’s other quirky cohorts. Jerry opines that George could have been normal, but isn’t mostly because of his crazy parents. He is a self-described “short, stocky, bald man” who is alternately bombastic & self-loathing. He always looks for the easiest way to do something, or even avoids doing it altogether. He’s awkward, impulsive, insecure, narcissistic, high-strung, occasionally devious, & not good at all with women. He has several relationships throughout the series, but always manages to screw it up. I am reminded of the 1999 film Office Space, in which the main protagonist states that “it’s not that I’m lazy, it’s that I just don’t care”, except in George’s case he actually is lazy, though not necessarily stupid. Jerry Seinfeld made a brilliant choice when he decided to play straight man and let his co-stars be the wacky oddballs with most of the comedic moments.

Michael Scott (The Office)

When we began this journey I noted that there were allegedly great television shows that I’d not watched, therefore some significant characters y’all might love may not appear here. That is still true, however I have rectified one glaring omission. The Quarantine of 2020 prompted me to binge The Office on Netflix since I had never seen it when it originally aired on NBC from 2005-13. Though it is a delightfully quirky ensemble there is no doubt that the heartbeat of the show is the World’s Best Boss, Michael Scott. As portrayed by Steve Carell, Michael is, well…unique. Clueless. Superficial. Egotistical. Unintentionally offensive. Occasionally disrespectful. Desperate to be admired. In short, he’s certainly not management material, but that is the essence of the joke. In the real world someone like Michael  wouldn’t last five minutes in a leadership position. We wonder how he stays employed. Despite his shortcomings though, he sincerely loves his job and shows genuine affection for (most of) his employees. He tries really hard, and that’s why we like him. When Carell’s budding film career took off & he left the show it was never the same. Fans are generally united in the belief that Seasons 8 & 9 were lackluster, which is proof of the significance of Michael Scott. 

8       Dr. Frasier Crane (Cheers and Frasier)

Frasier Crane has the distinction of being one of the two longest running live action characters in television history, appearing in nine seasons of Cheers and, of course, all eleven seasons of the eponymous spinoff Frasier, for a total of twenty years on the air. He’d probably deserve a spot on this list for that alone, but there is so much more to love. Dr. Crane first appears in the third season of Cheers as the new beau of waitress Diane Chambers. The two are kindred spirits…pretentious intellectuals that don’t really fit into the working class pub dynamic. Alas, Diane can’t fight her attraction to bar owner Sam Malone and eventually leaves Frasier at the altar. Even after Diane departs Cheers at the end of the fifth season Frasier sticks around and becomes a regular part of the group, eventually marrying then divorcing aloof fellow psychiatrist Lilith and fathering a son with her named Frederick. When Cheers concludes Frasier moves back to his hometown of Seattle to help his brother Niles care for their father Martin, a police officer forced to retire after being shot in the line of duty. In Seattle Frasier hosts a radio talk show, so there is interaction with eccentric callers & quirky work colleagues in addition to the familial relationships. Frasier is a bit more masculine than his brother, but is just as much of a pompous elitist. He is passionate about theater, fine art, literature, & gourmet food, but because of his time in Boston is considerate toward his blue collar father’s lifestyle & hobbies, though he by no means shares those proclivities. It almost seems as if he might be bipolar because he can transition from eloquently helping a caller on his radio show in a soothing & melodious tone into an indignant fit of rage just minutes later, something that happens in nearly every episode. Despite being an alleged expert in helping other people solve their issues Frasier does not understand his own complexities and doesn’t have a great track record with the ladies. In addition to the doomed engagement to Diane & divorce from Lilith he dates a plethora of women in Seattle, but nothing ever seems to work out.

7       The Dynamic Duo (Batman)

Nearly every incarnation of Batman stays true to his gloomy origins as an orphaned billionaire who becomes a crime fighting vigilante after his parents are murdered in the gritty, violent, & sinister milieu of Gotham City. Robin is originally a young boy in a family of acrobats who witnesses his parents die in an accident arranged by a mobster, and is afterwards taken in by Bruce Wayne who becomes his legal guardian. But all of that melancholy stuff is set aside in the 1966 action sitcom that aired for three seasons on ABC. Dick Grayson (aka Robin) is still the “youthful ward” (now a teenager) of billionaire Bruce Wayne (aka Batman), and the two team up to fight crime in Gotham City, but the atmosphere is bright, the dialogue is cleverly corny, the villains are hardly intimidating, & the end result is delightfully absurd. Adam West’s interpretation of Bruce Wayne/Batman is funny because the character takes every situation so seriously, delivering his lines in a solemn & melodramatic tone. This incarnation of Robin is enthusiastic & peppy, but not annoyingly so. The entire show is cheeky & whimsical, a definite departure from the norm and a risky choice that paid off. Joel Schumacher’s 1997 film Batman & Robin starring George Clooney as The Caped Crusader attempted to borrow the cheesy vibe, but it fell flat because…well, let’s face it…Clooney isn’t Adam West.

6       Archie & Edith Bunker (All in the Family)

Contrary to popular belief the idea of Hollywood idealists using their entertainment platform to promote an agenda and talk down to the masses about issues that common folks in flyover country are allegedly ignorant about isn’t a brand new concept conceived in the 21st century…it’s just that they used to be much better at it. Norman Lear did a lot of it in the 1970’s and did it quite well, creating shows like Sanford & Son, One Day at a Time, Maude, Good Times, & The Jeffersons. By far his greatest creation was All in the Family, centering on a working class family in Queens, NY. The head of the household is Archie Bunker, an ill-tempered, opinionated, & narrow-minded loading dock foreman. He is an equal opportunity contrarian who insults just about every minority, religion, & nationality. He is especially dismissive of his ultra-liberal son-in-law, who he calls Meathead. However, despite his gruff exterior, deep down Archie is a loving & decent man who cares about his family and friends, though he often becomes impatient with wife Edith, who he calls Dingbat. Edith is rather ditzy, but she’s usually quite jovial & compassionate, the sort of person who might get on one’s nerves but you just can’t help but like. She’s a bit of a throwback…a submissive & dedicated wife, mother, and grandmother that would be scoffed at by modern day feminists. The Bunkers are extreme caricatures certainly created to make a point. Archie is intended as a mean-spirited dig at conservative values, while Edith’s kindhearted yet naïve subservience is meant as negative commentary on the traditional but allegedly outdated idea of the stay-at-home housewife. But an odd & unexpected thing happened…the audience actually liked & identified with them. Fans understood that conservatives aren’t really evil racists and easily dismissed many of Archie’s more exaggerated traits while realizing that some of his views had merit. They were able to chuckle at Edith’s comical zaniness while recognizing that being a traditional housewife isn’t a horrible thing. People saw thru the self-righteous poppycock of Meathead and agreed with Archie’s assessment of him. Decades later folks who are now much more aware of media bias can clearly see how Lear attempted to manipulate the conversation…and how he failed miserably.

5       Arthur Fonzarelli (Happy Days)

Fonzie was never intended to be a significant part of the Happy Days cast. He is introduced as a local mechanic who Ritchie & Potsie occasionally bump into at Arnold’s Drive-In. He didn’t even wear a leather jacket at first because the powers-that-be were concerned about him looking too much like a hoodlum (which is old school slang for what we’d now call a gang member). But Fonzie is too awesome to be held down by The Man, and eventually became a central part of the show. He’s all about being cool and chillin’ with the ladies. He has the ability to make a jukebox work with the pounding of his fist, and women flock to him with the snap of a finger. Richie, Potsie, & Ralph Malph all look to Fonzie for advice about various issues, and the Cunninghams treat him like a member of the family. In the beginning he is a high school dropout, but eventually completes his education, and at various points owns a garage, is part owner of Arnold’s, & even becomes a high school teacher. Fonzie’s oddest contribution to pop culture is the 1977 fifth season opener in which, after helping a couple of Hollywood producers passing thru Milwaukee deal with mechanical issues, he finds himself in Tinseltown for a movie audition. While there he is challenged by an obnoxious jerk to a water skiing duel (a laughable idea at best). During the competition Fonzie literally leaps over a tiger shark in the water. Though Happy Days would continue for six more seasons that episode was cited by some as a moment indicative of a decline in quality, therefore popularizing the term “jumping the shark”. Fonzie became so popular that some wanted to rename the show Fonzie’s Happy Days, but actor Henry Winkler adamantly refused and insisted that Ron Howard continue to receive top billing. I believe that, even to this day, more than thirty years after Happy Days went off the air, one can still see Fonzie’s leather jacket on display at the Smithsonian Museum in Washington DC, which is a pretty cool legacy.

4       Captain Kirk & Mister Spock (Star Trek)

This may be the strangest variation on the Odd Couple formula ever seen on television. James Tiberius Kirk hails from Iowa and is Starfleet’s youngest & best yet most rebellious officer. While a student at Starfleet Academy he is the only person to ever overcome a training exercise called the Kobayashi Maru, a moral dilemma and no-win scenario that Kirk defeats by reprogramming the computer. Though his solution is what most would consider cheating he is actually commended for original thinking. That one story sets the stage for everything we see afterward from Captain Kirk. He is brash, passionate, bold, dedicated, & extremely smart. He thinks outside the box and doesn’t back down from a fight. The yin to Kirk’s yang is his science officer Mr. Spock, a half alien whose mother is human while his father is Vulcan. Spock exhibits many Vulcan traits, primarily the predisposition to rely on logic & reason and leave emotion out of their thought process. It is this ability that enables Spock to balance Kirk’s intensity and inclination to jump in with both feet. Spock can present all the options to Kirk along with every possible outcome. Conversely, since Spock is essentially a computer with legs it is Kirk that oftentimes explains concepts like feelings, humor, & emotions to him, helping him to make sense out of the foolish & illogical things that human beings tend to do. The two men don’t always understand each other, but have immense respect & admiration for one another and might have been television’s first bromance.

3       JR Ewing (Dallas)

Entertainment used to be very clear about the differences between heroes & villains. In old westerns the good guys would literally wear white cowboy hats, while the bad guys would wear black hats (an idea some would undoubtedly consider racist nowadays). However, somewhere along the line the concept of the anti-hero became prevalent, wherein a character might not necessarily be evil but certainly has dubious ethics & selfish motives. JR Ewing is the eldest son of a wealthy oil baron who eventually takes over the family business. He loves his family, but tends to love his money just a little bit more. Dallas originally intended to focus on the Romeo & Juliet-esque romance of JR’s younger brother Bobby and his new wife Pam, the daughter of patriarch Jock Ewing’s most bitter enemy, but JR’s penchant for screwing over everyone…business rivals, his family, his wife…with a sly grin on his face made him the character everyone loved to hate. It was always a treat to see who JR was going to cheat, shake down, intimidate, & defeat next. He is always a few steps ahead of everyone else, especially the honorable & benevolent Bobby, as well as Cliff Barnes, Bobby’s inept brother-in-law and JR’s spirited but overmatched nemesis. Dallas reached its pinnacle at the end of Season 3 when it popularized the concept of the cliffhanger after an unknown assailant tried to murder JR Ewing. During the entire summer of 1980 America was abuzz with the question “Who shot JR??”, a mystery that was solved that November in what remains the third most watched television episode in history, bested only by the series finales of MASH & Cheers. I was a kid when Dallas was on the air, and one of my most cherished memories is what a kick my Dad got out of it whenever JR was revealed to be the dastardly mastermind behind a scheme that had vanquished Cliff, Bobby & Pam, JR’s wife Sue Ellen, or one of Ewing Oil’s many adversaries. Dad was genuinely entertained by JR Ewing in a way that few people seem to be by anything on television these days.

2       Cosmo Kramer (Seinfeld)

Seinfeld has four of its characters on this list…two of them in the Top 10. Kramer lives in an apartment across the hall from Jerry and has been described as a “hipster dufus”, although I’m not exactly sure what that means. He has a unique fashion sense, as well as peculiar tastes in things like food, sports, cigars, & women. He is neurotic in a way unseen on television before or since, fearing clowns & mice and having seizures whenever he hears the voice of Entertainment Tonight host Mary Hart.  In nearly every episode Kramer busts into Jerry’s apartment with a combination smile & look of perpetual amazement. He doesn’t seem to have a job and supports himself with get rich quick schemes & wacky entrepreneurial ideas, sports betting, publishing a coffee table book about coffee tables, & a brief but lucrative gig as an underwear model. To call him quirky or eccentric would be an epic understatement. His philosophies & perspectives aren’t by any means normal, yet they oftentimes make sense in a way one would have never imagined to be possible. Kramer really isn’t comparable to any other character in any form of entertainment. He is a unique creation, with credit given to Seinfeld’s stellar writing as well as actor Michael Richards’ flawless physical comedy.

1       Deputy Barney Fife (The Andy Griffith Show)

TAGS can easily be separated into two eras…its first five seasons and then its final three. While it is true that those two time periods are most easily distinguished by the fact that Seasons 1-5 were broadcast in black & white before switching to color in the latter three years, a more significant difference is the departure of Barney Fife at the end of the fifth season. Barney is the excitable & ham-fisted deputy in Mayberry. Early on we are told that he is Andy Taylor’s cousin, but that relationship was only alluded to a couple of times and from then on the two are merely lifelong best friends & co-workers. Barney reminds me a bit of WKRP’s Les Nessman in the sense that he takes his job very seriously and is hilariously overzealous. There are also shades of Cheers’ Cliff Claven, with Barney’s incompetent attempts to present himself as a know-it-all when the truth is that he has no clue what he’s doing or talking about. Barney’s bravado is poorly disguised window dressing for tremendous neuroses and low self-esteem, and Andy selflessly goes above & beyond to save his deputy’s fragile ego on multiple occasions. Everyone likes Barney but few respect him, and respect is what he craves. He tends to overreact, while Andy is laid-back & steady. Barney is emotional, anxious, & easily taken advantage of by others, but despite his numerous shortcomings he is the heart of TAGS, and his absence during the program’s latter three seasons left a hole that was never quite filled. In Season 6 Floyd the Barber’s nephew Warren Ferguson becomes Mayberry’s new deputy, but he only lasted 11 episodes before the character was never heard from or spoken of again. Immediately following actor Don Knotts’ exit TAGS played with the idea of making a character who’d been introduced as a banjo player at a carnival the new deputy, but actor Jerry Van Dyke declined the opportunity. In hindsight the plan might have actually worked out for the show, but obviously that didn’t occur. Gomer Pyle’s cousin Goober was given the primary role as Andy’s sidekick, but I never really warmed up to Goober. As I’ve stated previously the final three seasons of TAGS were just dandy and it is still terrific TV, but it just isn’t the same, and I can’t think of any better example of a character’s exodus so significantly altering the fabric of a show.

The 2016 Sammy Awards – Part 3

SammyAwardeagleBefore we get to the exciting conclusion of the 2016 Sammy Awards it must be noted that less than 24 hours after “journalist” Megyn Kelly was nominated & shared a victory for the DB Cooper Award it was announced that she is leaving Fox News and heading to NBC next summer. I’m not quite sure that qualifies as disappearing, but it’s not the promotion many might think it is. As always, if you haven’t caught up with Part 1 or Part 2 of the show please do so now. Trust me…you’ll be glad you did.

 

Alright, after a brief yet amusing anecdote from our host Steve Harvey, it is a sincere pleasure for The Sammys to welcome, sharveyvia satellite, the next First Lady of the United States. Please give a warm welcome to Melania Trump, who would like to say a few words.

 

melania2“Four score and seven years ago our fathers had a dream. An awesome dream. People in the park playing games in the dark. It was Saturday in the park. I think it was the Fourth of July. And today, my friends, I also have a dream. I have a dream that my children will one day live in a nation where they will be judged only by the content of their character. I have a dream that one day we will live in a nation where people ask not what the country can do for you, but instead ask what you can do for your country. I have a dream that one day we will take not just one small step for man, but one giant leap for mankind. Until that day comes, with growing confidence and growing strength in the air, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender. And when the end is near and we face the final curtain, we will be able to say that we did it our way. To be or not to be…that is the question. Good night, good night. Parting is such sweet sorrow that I shall say goodnight till it be morrow.”

 

 

crystal3Thank you Mrs. Trump. That was…interesting. And now, to present our next award, please welcome two of the biggest movie stars in the world. justin-timberlake-7592Well okay…we did contact some of the biggest movie stars in the world, but they all politely declined our invitation. So instead, please welcome two former hosts of this show…beloved actor & comedian Billy Crystal and talented singer & actor Justin Timberlake!! And the nominees are:

 

 

 

Favorite Movie

 

My Big Fat Greek Wedding 2

Dedicated fans of the 2002 original will undoubtedly appreciate the sequel. I feel the same about both…charming, entertaining, yet ultimately prosaic. Watch out for young Elena Kampouris…she’s got star potential.

 

Popstar: Never Stop Never Stopping

Andy Samberg takes his Sandler-esque sense of humor and applies it to a modern day Spinal Tap type of mockumentary. The story follows faux rapper Conner Friel’s rise as part of a boy band thru his evolution to solo artist Conner 4Real. He’s a big star after his debut album, but when a follow-up flops h-a-r-d his life hilariously implodes. There are a ton of cameos from folks like Simon Cowell, Emma Stone, Adam Levine, & Weird Al Yankovic, as well as supporting parts for a bunch of Samberg’s old SNL cronies. Appearances by Seal, Michael Bolton, & Martin Sheen are particularly amusing. The “songs” performed are predictably bad, and to be honest a bit too…colorful…for my taste, but I assume the target demographic will find them hysterically funny in the way that youngsters back in the day appreciated Spinal Tap classics like Sex Farm and Hell Hole. If you enjoy Samberg’s shtick and aren’t easily offended this is the movie for you.

 

Now You See Me 2

The 2013 original was a surprise hit. This sequel doesn’t quite measure up. Outlaw magicians The Four Horsemen return from exile to take down an evil tech guru, but the script is flipped on them as they are goaded into helping an allegedly deceased billionaire steal…something. I don’t know. The plot is too busy and the performances by a superb cast are overly cheeky. It’s entertaining until you pause for five seconds to ponder the implausibilities, and then the whole thing crumbles like a wet paper towel. I rather enjoyed the first film, and I hope the inevitable Part 3 is more crisply written & executed. As for this entry…let’s just be polite and call it acceptably entertaining.

 

Central Intelligence

I have stated repeatedly over the years that I don’t get the love for allegedly funny comedian Kevin Hart, but somehow I always seem to end up watching his movies, which have generally been…tolerable…fun. This is no exception. Hart stars as a former high school big man on campus that…two decades later…has settled into a humdrum middle class existence. The Rock plays the fat kid from high school that was bullied by all the jocks, with the exception of Hart, who befriended him. Nowadays Rock is a buff CIA agent. The juxtaposition is comical. At any rate, there’s something about secret codes, a rogue agent, an allegedly dead partner, etc. The details aren’t important. Our two leading men get caught up in the chaos and there is gunfire & explosions, the occasional lame joke, and a vague attempt at suspense. It’s the kind of film where the actors are engaging but someone should find the screenwriters and give them a stern scolding.

 

For the Love of Spock

Documentaries haven’t typically been nominated for these awards, but the older I get the more I enjoy a good documentary. This one concurrently explores the life of actor Leonard Nimoy and to a greater extent the history & influence of the beloved character he portrayed in the original Star Trek TV show and multiple feature films. It is directed by Nimoy’s son and features a plethora of interviews with Trek cast members old & new, family members, friends, & fans. It is sort of a love letter from a son to his father, but needs to be seen by anyone who considers themselves a Trekkie.

 

Batman: Return of the Caped Crusaders

Adam West & Burt Ward, who starred in the infamously campy Batman TV show in the 60’s, return to voice The Caped Crusader & The Boy Wonder in this animated throwback. The Dynamic Duo are faced with a team of their old enemies…Joker, Riddler, Catwoman, & Penguin…who are after some kind of duplicating device that will help them rule the world…or something to that effect. Batman & Robin even follow the baddies to outer space, and somehow Catwoman slips Batman something that makes him start acting way out of character, like a real jerk. He insults Aunt Harriet, fires Alfred, kicks Robin out of Wayne Manor, & takes over as police commissioner as well as mayor. Robin talks Catwoman into giving our favorite superhero the antidote and all’s well that ends well. If you’re a fan of the old television show you’ll enjoy this harmlessly fun movie. If you’ve never seen the show you probably wouldn’t understand.

 

The Secret Life of Pets

You’ve probably seen Toy Story. This is like that, only with animals instead of toys. That isn’t necessarily deleterious, just derivative. Entertaining, but unremarkable.

 

Star Trek: Beyond

This is the third adventure featuring the “new” crew of the Enterprise but the first without JJ Abrams at the helm…and it makes a difference. The new director’s previous work consists mainly of films in the Fast & Furious franchise, which may be viewed as a positive by some…but I’m guessing not many. The story has the Enterprise being attacked by what looks like a crapload of space knives then crash landing, scattering the crew on a hostile planet where the movie’s villain is after some kind of trinket that turns out to be a bio-weapon. Beyond is the cinematic equivalent of nachos & cheese…it tastes good in the moment, but five minutes after you’ve consumed it you have forgotten it and a couple of hours later you’re hungry again. I’ll probably “get it” more after repeat viewings, but the problem is that I really don’t feel a yearning to watch it again. Thus far this new Trek movie series has been better than the TNG films but not nearly as memorable as the six films starring the original crew. My expectations are always high with Trek, and while Beyond could certainly be worse it also could’ve been way better.

 

Batman: The Killing Joke

2016 was a big year for The Caped Crusader and this may be the surprising best of what was offered. Based on a superb & highly regarded 1988 graphic novel that concurrently examines the origin story of The Joker and his plan to drive Commissioner Gordon insane by kidnapping both he & his daughter Barbara, aka Batgirl, there are some…additions…made to the story that weren’t a part of the novel, and while it upset some critics & hardcore Batfans I am not overly offended. The theme that “one bad day” is all that separates almost any of us from a completely different life is a weighty idea to ponder. I vaguely recall actor Kevin Conroy on defunct soap opera Search for Tomorrow in the 1980’s, but in the ensuing years he has voiced Batman in a plethora of animated films & TV shows. Right alongside him is Mark Hamill, who, of course, is better known as Luke Skywalker, but should probably be equally as appreciated for voicing The Joker in all of the same animated shows & movies. Just because this film is animated does not mean that it is for kids, but Batman aficionados will likely enjoy it.

 

Bad Moms

We’ve had Bad Santa, Bad Teacher, & Bad Grandpa. Now we have Bad Moms. The word “bad” in the title basically gives the main characters license to drink, curse, fornicate, & engage in other debauchery. The cast here, led by Mila Kunis & Kristen Bell, is charming and makes it work somehow. I have no children, but I was a kid once and didn’t realize the school PTA (controlled with an iron fist in this movie by super witchy Christina Applegate) could be so…authoritative. I had a difficult time buying into that concept being even remotely plausible. However I do get the prevailing theme that mothers bear a ton of pressure & responsibility, which is probably why I see so many women in their 30’s & 40’s on my Facebook feed posting about wine, ladies’ night, & the need to “get their drink on” like they’re back at the ol’ college sorority house. Look for a particularly humorous cameo from the normally detestable Martha Stewart.

 

Sully

On January 15, 2009 Captain Sully Sullenberger piloted a successful water landing of a US Airways passenger jet into New York’s Hudson River. 155 people were on board and all survived with only minor injuries. Captain Sullenberger became one of those temporary celebrities that dominates the water cooler conversation for a week or two and then fades away into the haze of history. The incomparable Tom Hanks portrays Sullenberger in this biopic, which examines the events surrounding the incident and the NTSB investigation that followed. It’s a solid film…not all that memorable or groundbreaking, but a story that needed to be told. What is successfully conveyed is the professionalism & skillful conduct under pressure of all involved…pilots, flight attendants, first responders, air traffic control, Coast Guard, etc. Hanks has the gravitas to make almost anything he is in better by his mere presence.

 

Rogue One: A Star Wars Story

Fans of the original Star Wars trilogy may recall that Luke Skywalker destroyed The Death Star in the first film, Episode IV: A New Hope. Rogue One tells the story of how the Rebel Alliance got their hands on the weapon’s blueprint and why it had a fatal flaw that would ultimately lead to its destruction. There are brief appearances by a few familiar faces, but the cast is mostly made up of new characters that we never met in the original films…with good reason. This is a worthy addition to the Star Wars canon, better than 2/3 of the sequel trilogy (I rather enjoyed Revenge of the Sith) and, in my humble opinion, superior to last year’s much anticipated The Force Awakens.

 

Batman v Superman: Dawn of Justice

Batman thinks Superman is an out-of-control God-like figure who must be stopped. Superman thinks Batman is an out-of-control vigilante who must be stopped. They battle it out in a brawl that lasts longer than Ronda Rousey’s last two fights put together, but hey, both of their mothers are named Martha so they become pals. Lex Luthor is around to stir the pot and act like a neurotic sociopath who really needs to lay off the caffeine. Wonder Woman is present for no apparent reason other than to set up a Justice League movie. All the other usual suspects are involved as well…Lois Lane, Alfred Pennyworth, Perry White. It’s quite the obnoxious spectacle thanks to director Zach Snyder, whose style just doesn’t frost my cupcake. Having said that, as a longtime Batman fan I am all in on Ben Affleck’s performance as The Caped Crusader. It is my understanding that Snyder will not have his fingerprints on a future film focusing solely on Affleck’s version of The Dark Knight, and for that I am thankful. I am not a comic book film guy…I’ve not seen any of the recent Marvel “Universe” movies…so I didn’t have unrealistic expectations going into this thing. Those that are really into that whole deal probably either love or hate Dawn of Justice. I am somewhere in the middle…I don’t dislike it at all, but I don’t foresee many repeat viewings in my future unless it’s to figure out what the heck I saw the first time.

 

 

 

And the Sammy goes to…..

 

 

 

For the Love of Spock. I have become very difficult to please when it comes to movies. I continue to lean toward comedy, but those tend to be rather vulgar & spocksophomoric these days. Action films have seemingly become even louder & more cerebrally vacant than ever before. Hollywood caters to the lowest common denominator, serving up the cinematic equivalent of soda pop & potato chips…empty calories with no nutritional value. But even a broken clock is right twice a day, so occasionally they give us a gem. Trekkies NEED to watch this film. I actually became a bit misty toward the end, which was completely unexpected. Yes the target audience is comparatively small. And there’s really nothing groundbreaking about the stories told. But that’s okay. FtLoS knows what it is. It has a very specific focus. 7 out of 10 people may have zero interest in watching it, but the three people who do will absolutely love it. Trek has been a part of the pop culture landscape for a half century, and there’s a reason for that. Part of that reason can be found right here.

 

 

 

tomi-lahrenTo present our final award of the evening please welcome a rising star in the news business. At only 24 years old she has grabbed the attention of political observers on both sides of the aisle with her hard hitting commentaries presented thru viral videos. Please give a rousing ovation to Tomi Lahren!! And the nominees are:

 

 

 

Biggest News Story

 

U.S. Presidential Election

We began 2016 with a crowded field of candidates vying for the Republican nomination. Conversely, the Democratic nomination was never in question, as Hillary Clinton was always The Chosen One despite token yet spirited opposition from socialist Bernie Sanders. By the end of the summer it became clear that it would be Donald Trump vs. Mrs. Clinton, and voters of all persuasions began pondering if this is really the best America can do. Trump’s participation in the process, once thought to be an amusing distraction, evolved into a serious candidacy despite the man’s plethora of foibles. Both sides underestimated the anger & disenchantment of America’s Heartland with a decade of growing racial tension, fragile foreign policy, fading military power, decreasing moral fiber, & amplified political correctness. Trump hit all the right notes despite his penchant for sticking his foot in his mouth. His biggest weakness was also his biggest strength. Meanwhile, HRC was a terribly unappealing candidate to most everyone outside of radical left wing strongholds in urban metropolises like New York City, Los Angeles, & Chicago. His bull in a china shop bravado against her unethical behavior & vaguely creepy demeanor was a disturbing yet entertaining battle royal. In the aftermath of a Trump victory leftists in the media & Hollywood have been throwing an endless temper tantrum, which probably foreshadows a really interesting four years.

 

Aleppo

Aleppo is a city in Syria. As a matter of fact it is one of the oldest cities in the world and is inhabited by both Christians & Muslims. A civil war has be ongoing in Syria for several years, and the city itself has seen intense fighting. I won’t pretend to know all the facts of what has happened there or the foreign policy implications, but it has been a topic of conversation here in America.

 

Hurricane Matthew

The first Level 5 hurricane to hit the United States since 2007 began near the end of September and caused destruction & chaos in Haiti, The Bahamas, & Cuba before hitting the coasts of Florida & the Carolinas in the second week of October, causing power outages and significant flooding.

 

Scalia’s Death

The Supreme Court lost its most ardent conservative voice in February with the sudden death of Justice Antonin Scalia at the age of 79. Scalia had been a strong defender of The Constitution since his appointment to The Court three decades earlier. His loss is so significant that a replacement has yet to be vetted & confirmed, although I expect that to change in the next few months.

 

Zika Virus

Every year or two another killer virus pops up that no one seems to know how to obliterate. Zika isn’t exactly new, having been around since the 50’s. However, in 2016 the virus spread from Africa to Asia to North & South America. It seemed to especially be a problem in Brazil, causing significant concern since that is where the Summer Olympics were being held. To my knowledge the mass hysteria was overblown and no Olympic athletes or fans were infected.

 

Orlando Mass Shooting

On June 12, 2016 yet another Muslim sympathizer decided to go nuts, killing 49 people and wounding 53 others inside a gay nightclub in Florida. I’m not really sure what to think or say about the whole thing except that evil exists in the world and it is tragic when innocent lives are lost for no good reason.

 

Samsung Recall

Samsung’s Galaxy Note has been a successful product for several years. However, in 2016 they began randomly catching fire & exploding. Obviously the product was recalled. Seriously folks…just get an iPhone. You won’t regret it.

 

Brexit

In June voters in the United Kingdom (a united nation comprised of the countries of England, Scotland, Wales, & Northern Ireland) decided to leave the European Union. I am not familiar enough with European politics to understand all the hows & whys, and I have no idea whether or not this is a positive occurrence. As an American I do understand the value of freedom & independence, and I cannot imagine ever merging with Canada & Mexico to form some kind of supernation.

 

Tennessee Wildfires

In November the Smoky Mountain region of the United States battled wildfires that did significant damage to the cities of Gatlinburg & Pigeon Forge, home of the Dollywood amusement park. 14k people were forced to evacuate. 16k acres were affected. 14 people died and 134 people were injured. These were the deadliest wildfires in the eastern U.S. in nearly 70 years.

 

WV Floods

The southern half of my home state was hit hard by floods back in June. Ten inches of rain fell in less than 24 hours, resulting in atleast 23 deaths and the loss of hundreds of homes in four counties. 44 of our 55 counties were declared disaster areas.

 

Dallas Police Shootings

In early July five police officers were killed and nine others injured in Dallas, TX following a Black Lives Matter rally. To be fair it is said that the event itself was a peaceful protest. The officers present were tasked with keeping the crowd safe, and it is absolutely sickening that they lost their lives to a racist scumbag when they did nothing wrong.

 

 

 

And the Sammy goes to…..

 

 

The Election. Let’s face it…the 2016 election dominated the news. Nearly every other story was dwarfed by it, and the candidates were asked to weigh in on other election-dayprominent events, making them tangentially tied to just about everything that happened in 2016. Hillary Clinton & Donald Trump were on our TVs, computer screens, & newspapers constantly. There was no escape. Even in the aftermath of the election the battle has waged on thanks to a complicit left wing news media and mindless celebrities that won’t let it die. And now we move to the next phase, which is a Trump Presidency, whether one likes it or not. I am inclined to believe that it is not the end of civilization as we know it. Though I am sure President Trump will make decisions that I won’t agree with, I also think he will surprise many folks with some positive choices & favorable results. We’d probably all be better off just ignoring the “mainstream” press & inane ramblings from Hollywood, although I know that is difficult. Let’s just see what happens. I think everything will be okay.

 

 

 

 

 

 

2016

golf icon Arnold Palmer…astronaut & former U.S. Senator John Glenn…writer/director/actor/producer Garry Marshall (Happy Days, Laverne & Shirley, Mork & Mindy, Pretty Woman)…legendary women’s basketball coach Pat Summitt…boxing legend Cassius Clay…authors Harper Lee (To Kill A Mockingbird), WP Kinsella (Shoeless Joe), Alvin Toffler (Future Shock), Tim LaHaye (Left Behind), Richard Adams (Watership Down), & Pat Conroy (The Prince of Tides, The Great Santini)…rock icons Glenn Frey, Prince, & David Bowie…Agnes Nixon (creator of soap operas All My Children, Loving, & One Life to Live)…former NFL head coach (Philadelphia Eagles) & defensive coordinator (Chicago Bears) Buddy Ryan…former First Lady Nancy Reagan…Supreme Court justice Antonin Scalia…Pulitzer prize winning playwright Edward Albee…former MLB player & broadcaster Joe Garagiola…comedians Garry Shandling & Bob Elliot…sportscasters John Saunders & Craig Sager…actresses Carrie Fisher (the Star Wars series, The Blues Brothers, When Harry Met Sally), Debbie Reynolds (Singin’ in the Rain), Florence Henderson (The Brady Bunch), Patty Duke (The Miracle Worker), Doris Roberts (Everybody Loves Raymond, Remington Steele, Christmas Vacation), Gloria DeHaven, Ann Morgan Guilbert (Grumpier Old Men, The Nanny), Zsa Zsa Gabor, Margaret Whitton (Major League), & Ronnie Claire Edwards (The Waltons)…Ray Tomlinson (inventor of e-mail)…physician Henry Heimlich (inventor of the Heimlich Maneuver)…writer/producer Earl Hamner Jr. (The Waltons, Falcon Crest, The Twilight Zone)…retired pro wrestlers Hayabusa, Lord James Blears, Joanie Laurer (aka Chyna), Balls Mahoney, Lord Littlebrook, Frenchy Martin, Blackjack Mulligan, Mr. Fuji, & “Iron” Mike Sharpe…journalist Morley Safer (60 Minutes)…televangelist Jan Crouch (TBN)…former NFL players/coaches Ted Marchibroda & Marion Campbell…Richard Trentladge (jingle writer for Oscar Meyer)…actors Abe Vigoda (The Godfather, Barney Miller), Alan Rickman (Die Hard, the Harry Potter series), Gene Wilder (Willy Wonka & The Chocolate Factory, Blazing Saddles, Young Frankenstein), Alan Thicke (Growing Pains), Bernard Fox (Bewitched, The Andy Griffith Show, Titanic), Kevin Meaney (Uncle Buck TV show), Fyvush Finkel (Picket Fences), Pat Harrington Jr. (One Day at a Time), Alexis Arquette (The Wedding Singer), Dan Haggerty (Grizzly Adams), Richard Libertini (Fletch, Awakenings, Lethal Weapon 4), Burt Kwouk (the Pink Panther films), Alan Young (Mister Ed), Kenny Baker (R2-D2 in Star Wars), Steven Hill (Law & Order), George Gaynes (Punky Brewster, Police Academy, General Hospital), Ron Lester (Varsity Blues), William Christopher (Father Mulcahey on MASH), Jack Riley (The Bob Newhart Show), Ron Glass (Barney Miller), Tony Burton (Rocky), George Kennedy (The Dirty Dozen, The Naked Gun, Dallas), Barry Jenner, Anthony Addabbo (Guiding Light), Larry Drake (L.A. Law), Anton Yelchin (Star Trek), Ken Howard (The White Shadow), Bill Nunn (Spider-Man, Sister Act, Do the Right Thing), William Schallert (The Andy Griffith Show, The Patty Duke Show), James Noble (Benson), Hugh O’Brien (The Shootist, Wyatt Earp), Joseph Mascolo (Days of Our Lives), David Huddleston (The Big Lebowski, Santa Claus: The Movie), Robert Vaughn (The Man From UNCLE), George S. Irving (voice of Heat Miser in The Year Without a Santa Claus), & Larkin Malloy (Guiding Light, The Edge of Night, All My Children)…troubled former NFL RB Lawrence Phillips…”journalist” Gwen Ifill…baseball Hall-of-Famer Monte Irvin…soap opera producer Claire Labine (General Hospital)…songwriters/musicians Frank Sinatra Jr., Leonard Cohen, George Michael, Merle Haggard, Paul Kantner (Jefferson Starship), Bobby Vee, Matt Roberts (Three Doors Down), Holly Dunn, Steve Young (Seven Bridges Road), Pete Fountain, Jimmie Van Zant, Leon Russell, Jack Hammer (Great Balls of Fire), Christina Grimmie, Rikki Martin, Buckwheat Zydeco, & Maurice White (Earth, Wind, & Fire)…MMA fighter Kimbo Slice…former U.S. Attorney General Janet Reno…voice actor Joe Alaskey (succeeded Mel Blanc in performing Bugs Bunny, Daffy Duck, Sylvester, & Tweety)…retired MLB players Tony Phillips & Milt Pappas…Oscar winning director Curtis Hanson (L.A. Confidential, Wonder Boys)…wine maker Peter Mondavi…Cuban dictator Fidel Castro…New Orleans Saints DE Will Smith & NY Jets RB Joe McKnight…Sir George Martin (record producer for The Beatles)…former Israeli Prime Minister Shimon Peres…sports journalist & tennis commentator Bud Collins…Jim Kimsey (co-founder of AOL)…NASCAR team owner Carl Haas…Rob Ford (former crackhead Mayor of Toronto)…WV radio personalities “Cadillac” Jim Stallings & Lacy Neff…EWTN founder Mother Angelica…former Duke University AD Tom Butters…retired NBA players Dwayne “Pearl” Washington, Brooks Thompson, & Sean Rooks…former Governor & Senator from Ohio George Voinovich…hockey Hall-of-Famer Gordie Howe…former MLB pitcher Ralph Branca (pitcher who gave up The Shot Heard ‘Round the World)…TV host Bill “Chilly Billy” Cardille… Jim Delligatti (creator of the Big Mac)…retired NFL coach Dennis Green…television psychic Miss Cleo…retired boxers Bobby Chacon & Aaron Pryor…conservative icon Phyllis Schlafly…former NFL players Cary Blanchard, Dennis Byrd, Keion Carpenter, Quentin Groves, Rashaan Salaam, & Fulton Walker…political host/commentator John McLaughlin…MLB pitcher Jose Fernandez (Miami Marlins)…former NBC Chairman & CEO Grant Tinker…former Congressman & WV Secretary of State Ken Hechler…retired BYU football coach Lavell Edwards…Jeopardy champion Cindy Stowell

 

 

 

2015

2015

college basketball player Lauren Hill…musician/songwriter Gary Richrath (REO Speedwagon)…actors Leonard Nimoy (Star Trek’s Mr. Spock), James Best (Dukes of Hazzard, The Andy Griffith Show), Christopher Lee (the Lord of the Rings trilogy, the Star Wars prequels), Robert Loggia (Scarface, Big), Al Molinaro (Happy Days, Joanie Loves Chachi), Wayne Rogers (MASH), Taylor Negron (Fast Times at Ridgemont High, Punchline), Richard Dysart (L.A. Law), Windell Middlebrooks (Body of Proof, Miller High Life commercials), Martin Brooks (Dallas, The Six Million Dollar Man), Geoffrey Lewis (Every Which Way But Loose, Any Which Way You Can), Tony Longo, Patrick Macnee (The Avengers), Dean Jones (The Love Bug), David Canary (All My Children, Bonanza), Omar Sharif (Lawrence of Arabia), Alex Rocco (The Godfather, Facts of Life), Marty Ingles, Nathaniel Marston (One Life to Live), Dick Van Patten (Eight is Enough, Spaceballs), Roger Rees (Cheers, The West Wing)…legendary blues man BB King…Bobbi Kristina Brown (tragic daughter of Whitney Houston & Bobby Brown)…Oscar winning composer James Horner (Field of Dreams, Titanic, Star Trek II: The Wrath of Khan, Braveheart, Apollo 13, The Perfect Storm)…televangelist Rev. Robert Schuller…NFL Hall-of-Famers Chuck Bednarik, Frank Gifford, & Ken Stabler…Gary Dahl (inventor of the Pet Rock)…ESPN sportscaster Stuart Scott…actresses Donna Douglas (Ellie Mae on The Beverly Hillbillies), Yvonne Craig (Batman, Star Trek), Maureen O’Hara (Miracle on 34th Street), Ellen Dow (The Wedding Singer), Grace Lee Whitney (Petty Officer Rand on Star Trek), Patricia Elliott (One Life to Live), Suzanne Crough (Tracy on The Partridge Family), Mary Ellen Trainor (Die Hard, the Lethal Weapon series), Ann Meara (Archie Bunker’s Place), Betsy Palmer (Friday the 13th), & Amanda Peterson (Can’t Buy Me Love, A Year in the Life)…Betty Willis (designer of the Welcome to Fabulous Las Vegas sign)…former NBA coach Flip Saunders…horror writer & director Wes Craven (A Nightmare on Elm Street)…infamous stripper Blaze Starr…former publisher & NY Mets owner Nelson Doubleday Jr….retired basketball players Moses Malone, “Hot Rod” Hundley, Roy Tarpley, Jerome Kersey, Meadowlark Lemon & Marques Haynes (Harlem Globetrotters), Darryl Dawkins, “Hot Rod” Williams, & Anthony Mason…Huntington, WV weatherman & TV personality Jule Huffman (aka Mr. Cartoon)…MLB Hall-of-Famers Yogi Berra & Ernie Banks…entrepreneur Lillian Vernon…former Governors Arch Moore Jr. (WV) & Mario Cuomo (NY)…retired NFL player & coach Allie Sherman…singers Andrae Crouch, Ben E. King (Stand By Me), Lesley Gore (It’s My Party), Little Jimmy Dickens, Jack Ely (Louie Louie as part of The Kingsmen), Percy Sledge (When A Man Loves A Woman), Jim Ed Brown, …Las Vegas entrepreneur Kirk Kerkorian…legendary college basketball coaches Jerry Tarkanian (UNLV), Guy Lewis (Houston), & Dean Smith (North Carolina)…authors Jackie Collins, E.L. Doctorow, & Colleen McCullough (The Thorn Birds)…pro wrestling legends Verne Gagne, “The American Dream” Dusty Rhodes, Tommy Rogers, “The Nature Boy” Buddy Landell, Rowdy Roddy Piper, Nick Bockwinkel, & Larry Winters…journalist Bob Simon (60 Minutes)…Hall-of-Fame golfer Billy Casper…former U.S. Senator & actor Fred Thompson…screenwriter Melissa Matheson (E.T. the Extra-Terrestrial)…Bud Paxson (founder of Home Shopping Network)…producers Jerry Weintraub (Ocean’s Eleven, Diner, The Karate Kid), Samuel Goldwyn Jr., & Harve Bennett (Star Trek II: The Wrath of Khan & four other Star Trek films, The MOD Squad, The Six Million Dollar Man, The Bionic Woman)…former MLB players Minnie Minoso, Dave Henderson, & Darryl Hamilton…TV announcer Gary Owens (Laugh-In, Space Ghost)…Ed Sabol (founder of NFL Films)…Gene Gene the Dancing Machine (The Gong Show)…former Speaker of the U.S. House Jim Wright…NASCAR announcer Steve Byrnes…Nobel Prize winning mathematician John Forbes Nash Jr. (subject of A Beautiful Mind)…trailblazing golfer Calvin Peete…attorney & author (Helter Skelter) Vincent Bugliosi…former UNC basketball coach Bill Guthridge…retired NFL kicker Garo Yepremian…songstress Natalie Cole…former NASCAR driver & broadcaster Buddy Baker…retired NFL coach Lindy Infante (Green Bay Packers, Indianapolis Colts)…former National Security Advisor Sandy Berger…rock musicians Lemmy Kilmister (Motorhead) & Scott Weiland (Stone Temple Pilots & Velvet Revolver)

 

 

80’s Movie Mania…The Sweet Sixteen – Part 2

cinema2I apologize for the delay. I had intended to publish this immediately on the heels of Part 1, but sometimes life gets busy. I’m sure y’all can relate. Anyway, we conclude the Sweet 16 round today and will likely take a little break before resuming the competition. Not only has The Lord been telling me to get some other, more meaningful stuff written, but football season is on the horizon as well. Thankfully I rarely seem to be wanting for content. Enjoy.

 

 

 

 

 

Bodacious

 

 

National Lampoon’s Vacation

Released:     8/29/83

Starring:        Chevy Chase, Beverly D’Angelo, Anthony Michael Hall, Imogene Coca, Randy Quaidvacation3

Director:        Harold Ramis

Awards:        none

Box Office:   $61 million

Rotten Tomatoes:  93% Fresh

Quotes:         “Now, I owe it to myself to tell you that if you’re taking the whole tribe cross-country this is your automobile…the Wagon Queen Family Truckster. You think you hate it now, but wait ’til you drive it.”

“Why aren’t we flying? Because getting there is half the fun. You know that.”

“Excuse me. Could you please tell how to get back on the expressway?” “Man, who do I look like, Christopher Columbo?”

“I’m going steady, and I French kiss.” “So, everybody does that.” “Yeah, but Daddy says I’m the best at it.”

“We can’t leave her on the patio!” “Would you rather I slipped her in the night deposit box at the funeral home?”

“Roy, could you imagine if you had driven all the way to Florida and it was closed?” “Closed? Uh, they don’t close Florida.”

Miscellaneous:        Notable cameos are made by John Candy and model Christie Brinkley. The script was based on a story called Vacation ’58, which was written by John Hughes and published in the September 1979 edition of National Lampoon magazine. Disneyland turned down the opportunity to be the Griswold’s destination, so Walley World was written as a fictional substitute. The original ending of the film had the Griswolds going to Roy Walley’s house and holding him hostage. It turns out that the Ferrari Girl is Walley’s daughter and she gets Clark off the hook with the police. On the plane ride home Clark realizes they’re on the wrong flight and hijacks the airplane. Test audiences didn’t respond well so the ending was changed.

 

vs.

 

 

Star Trek IV: The Voyage Home

Released:     11/26/86

Starring:        William Shatner, Leonard Nimoy, Catherine Hickstrek4b

Director:        Leonard Nimoy

Awards:        nominated for 11 Saturn Awards, Oscar nominations for Cinematography, Sound, Sound Effects Editing, & Original Score

Box Office:   $133 million

Rotten Tomatoes:  85% Fresh

Quotes:         “You mean the profanity? That’s simply the way they talk here. Nobody pays any attention to you unless you swear every other word. You’ll find it in all the literature of the period.”

“Computer! Computer? Hello, computer.” “Just use the keyboard.” “Keyboard. How quaint.”

“Don’t tell me! You’re from outer space.” “No, I’m from Iowa. I only work in outer space.”

“My God man, drilling holes in his head is not the answer! The artery must be repaired! Now, put away your butcher’s knives and let me save this patient before it’s too late!”

“Everybody remember where we parked.”

“My God, man. Do you want an acute case on your hands? This woman has immediate postprandial, upper-abdominal distention. Now, out of the way! Get out of the way!” “What did you say she has?” “Cramps.”

“Dialysis? What is this, the Dark Ages?”

Miscellaneous:        The transparent aluminum that Scotty utilizes became reality in 2009 thanks to the physics department at Oxford University. The film was dedicated to the crew of the space shuttle Challenger, which had exploded just 10 months earlier. This was the highest grossing of the six movies featuring the cast of the original series.

 

The Verdict:       Vacation. After eliminating Wrath of Khan earlier in this round I cannot in good conscience allow The Voyage Home to advance further. The same logic applies…Trekkies love it, but it is a limited target audience. Vacation is much more accessible to the masses. Chevy Chase’s career has been hit & miss at best, but he hit a home run with this one, as well as the 1989 sequel Christmas Vacation.

 

 

 

Ferris Bueller’s Day Off       

Released:     6/11/86

Starring:        Matthew Broderick, Alan Ruck, Jennifer Greybueller2

Director:        John Hughes

Awards:        highly regarded on several lists of best comedies and best high school films, Broderick was nominated for a Golden Globe for Best Actor in Comedy/Musical

Box Office:   $70 million

Rotten Tomatoes:  81% Fresh

Quotes:         “How could I possibly be expected to handle school on a day like this?”

“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

“Bueller? Bueller? Bueller?”

Miscellaneous:        A spinoff/prequel TV series (with Jennifer Aniston taking over the Jennifer Grey role) aired during the 1990-91 season, but it just couldn’t measure up. The famous parade scene supposedly takes place at Chicago’s Von Steuben Day Parade, which celebrates Baron Friedrich von Steuben, a Prussian military officer who came to America and aided George Washington during the American Revolution. The German-centric event is generally held in September. However the film is supposed to be set in late spring near the end of the school year. Oops.

 

vs.

 

Risky Business

 Released:     8/5/83

Starring:        Tom Cruise, Rebecca DeMornayrb3

Director:        Paul Brickman (Bad News Bears Breaking Training)

Awards:        none

Box Office:   $64 million

Rotten Tomatoes:  96% Fresh

Quotes:         “Every now and then, say ‘What the heck.’ ‘What the heck’ gives you freedom. Freedom brings opportunity, opportunity makes your future.”

Miscellaneous:        Sales of Wayfarer sunglasses rose 2000% after the film’s release. Timothy Hutton, Michael J. Fox, Tom Hanks, John Cusack, & Nicolas Cage were all considered for the role that ultimately went to Cruise. Frank Sinatra & Richard Dreyfus were both up for the role of Guido the pimp.

 

The Verdict:       Ferris Bueller. Critics love Risky Business, and it is a well-written film. However Bueller is equally smart and it is much purer, notably devoid of sex & foul language. Oh sure…ol’ Ferris is a bit of a rascal, but in the grand scheme of life his escapades are mostly harmless, and his advice about taking time to occasionally stop & smell the roses is more profound than what one usually finds in most teen-centric movies.

 

 

 

Tubular

 

The Breakfast Club    

Released:     2/15/85

Starring:        Molly Ringwald, Judd Nelson, Emilio Estevez, Anthony Michael Hall, Ally Sheedybreakclub

Director:        John Hughes

Awards:        2005 Silver Bucket of Excellence Award at the MTV Movie Awards

Box Office:   $52 million

Rotten Tomatoes:  89% Fresh

Quotes:         “We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you’re crazy to make us write an essay telling you who we think we are. What do you care? You see us as you want to see us…in the simplest terms, in the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess, and a criminal. Correct? That’s the way we saw each other at 7:00 this morning. We were brainwashed.”

“Don’t mess with the bull, young man. You’ll get the horns.”

“Does Barry Manilow know you raid his wardrobe?”

“My God, are we gonna be like our parents?” “It’s unavoidable. It just happens. When you grow up your heart dies.”

“Face it…you’re a neo-maxi-zoom-dweebie.”

Miscellaneous:        Originally there was an idea about doing multiple sequels, occurring every ten years, in which the group would get back together. However Hughes had an unstable working relationship with Nelson, and the director also had a falling out with Ringwald when she decided that she wanted to move on from teen roles, thus the follow-ups never happened. Ringwald & Hall were 16 at the time the film was shot…the others were all in their 20’s.

 

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Dirty Dancing

Released:     8/21/87

Starring:        Patrick Swayze, Jennifer GreyDirty_Dancing

Director:        Emile Ardolino

Awards:        won an Oscar for Best Original Song (I’ve Had the Time of My Life) & Grammy for Best Pop Performance by a Duo

Box Office:   $214 million

Rotten Tomatoes:  72% Fresh

Quotes:         “Nobody puts Baby in the corner!”

Miscellaneous:        A prequel/remake/reimagining called Dirty Dancing: Havana Nights was made in 2004. I’ve never seen it and have no interest in ever doing so.

 

The Verdict:       The Breakfast Club. This is a surprisingly easy decision. While Dirty Dancing is a cultural benchmark of the 1980’s there is no doubt that The Breakfast Club is a much better film.

 

 

 

When Harry Met Sally

Released:     7/14/89

Starring:        Billy Crystal, Meg Ryan, Bruno Kirby, Carrie Fisherharry2

Director:        Rob Reiner

Awards:        Oscar nomination for Original Screenplay, Golden Globe nominations for Best Musical/Comedy, Best Screenplay, Best Director, Best Actor (Crystal), Best Actress (Ryan)

Box Office:   $93 million

Rotten Tomatoes:  89% Fresh

Quotes:         “When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side.”

“Men and women can’t be friends because the sex part always gets in the way. No man can be friends with a woman that he finds attractive. He always wants to have sex with her.”

“There are two kinds of women: high maintenance and low maintenance.” “Which one am I?” “You’re the worst kind…you’re high maintenance but you think you’re low maintenance.”

“I’ll have what she’s having.”

“Oh, but ‘baby fish mouth’ is sweeping the nation?”

“I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”

Miscellaneous:        The infamous quote “I’ll have what she’s having” is delivered by Reiner’s mother Estelle. Harry Connick Jr. is almost as big of a star in the movie as the actors, as he performs the entire soundtrack.

 

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The Blues Brothers

Released:     6/20/80

Starring:        John Belushi & Dan Aykroydbbros

Director:        John Landis (Animal House, Trading Places, Coming to America)

Awards:        none

Box Office:   $115 million

Rotten Tomatoes:  85% Fresh

Quotes:         “We’re on a mission from God.”

“Are you the police?” “No, ma’am. We’re musicians.”

“Bring me four fried chickens and a Coke.” “And some dry white toast, please.”

“It’s a hundred and six miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses.”

“What kind of music do you usually have here?” “Oh, we got both kinds. We got country AND western.”

Miscellaneous:        Over 100 cars were wrecked during filming. The film has a fantastic soundtrack, including songs by Taj Mahal, Steve Winwood, Ray Charles, James Brown, Robert Johnson, Cab Calloway, Sam Cooke, Otis Redding, John Lee Hooker, & Elmore James.

 

The Verdict:       The Blues Brothers. This is a tough call. I adore When Harry Met Sally. However, the cultural impact of The Blues Brothers cannot be ignored. It is such a unique film. Harry/Sally is undoubtedly one of the two or three best romantic comedies ever produced, but the fact is that rom-coms are a dime-a-dozen. One’s preferences can be easily swayed by whomever the lead actors are. I loved pre-Botox Meg Ryan, and I am a huge Billy Crystal fan, yet at the end of the day rom-coms all have the same basic structure. It’s a plug & play deal, with different actors going thru similar scenarios. Harry/Sally is particularly well written & performed, but at it cannot completely escape the familiar commonalities of the genre. The Blues Brothers is lightning in a bottle. A sequel was attempted in 1998, but its failure proves my point.

80’s Movie Mania…The Sweet Sixteen – Part 1

80sWe began with 84 of the coolest films from the 1980’s and now we have narrowed the field to 16. I feel like I have said everything there is to say about the remaining competitors, from rehashing the plot to giving props to the actors & directors to film reviews to box office grosses. I’ve even thrown in tidbits of interesting trivia. What else is left to say?? The next couple of rounds will be much less…loquacious…because I really don’t want to be monotonous, especially since this is the cream of the crop. These are the films that defined the youth of an entire generation. These are the films that 80’s kids are still watching over & over because they are that entertaining. These are the films that have lasted, that still resonate on some level…whether they make us laugh, think, rock out, or simply remember a simpler time…three decades after their initial run. That doesn’t happen often. I often wonder what kids growing up today will be watching when they are middle-aged. I am sure they have their particular touchstones, yet I can’t help but feel that no group of movie lovers had it better than my generation. I could legitimately end this exercise right now and call it a 16-way tie…but I won’t. Please join me as we move forward.

 

 

Radical

 

dps3

Released:     6/2/89

Starring:        Robin Williams, Ethan Hawke, Josh Charles

Director:        Peter Weir (Witness, The Truman Show)

Awards:        Oscar for Best Original Screenplay, nominations for Best Picture, Best Director, & Best Actor (Robin Williams), nominated for Golden Globes in all the same categories

Box Office:   $236 million

Rotten Tomatoes:  85% Fresh

Quotes:         “We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering…these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love…these are what we stay alive for.”

“They’re not that different from you. Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they’re destined for great things, just like many of you. Their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But, if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen. You hear it? Carpe – – hear it? – – carpe, carpe diem. Seize the day boys. Make your lives extraordinary.”

Miscellaneous:        The part of John Keating was once intended for Dustin Hoffman. It was also going to be Hoffman’s directorial debut before he withdrew from the film. Robin Williams was in a sober mood during filming, as he was going through a divorce at the time, and there was no joking around between takes.

 

vs.

 

fast3

Released:     8/13/82

Starring:        Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Forest Whitaker, Ray Walston, Phoebe Cates

Director:        Amy Heckerling (National Lampoon’s European Vacation, Clueless)

Awards:        none

Box Office:   $27 million

Rotten Tomatoes:  78% Fresh

Quotes:         “All I need are some tasty waves, a cool buzz, and I’m fine.”

Miscellaneous:        Awesome soundtrack, featuring songs from Sammy Hagar, Jackson Browne, Joe Walsh, The Go-Go’s, Don Henley, Quarterflash, Poco, Donna Summer, Stevie Nicks, Oingo Boingo, & Jimmy Buffett. The screenplay was written by Cameron Crowe, writer/director of hits like Say Anything, Jerry Maguire, & Almost Famous.

 

 

The Verdict:       Dead Poets Society. By any objective measure it is the better film. Fast Times deserves kudos for a cast that went on to have successful careers, a great soundtrack, & generally representing the quintessential 80’s vibe. Those are all good things, but I like Dead Poets Society more.

 

 

 

stap      

Released:     3/2/84

Starring:        Michael McKean, Christopher Guest, Harry Shearer               

Director:        Rob Reiner (Stand By Me, The Princess Bride, When Harry Met Sally, A Few Good Men, The American President)

Awards:        on multiple lists as one of the funniest movies ever made

Box Office:   $5 million

Rotten Tomatoes:  95% Fresh

Quotes:         “I don’t really think that the end can be assessed as of itself as being the end because what does the end feel like? It’s like saying when you try to extrapolate the end of the universe, you say, if the universe is indeed infinite, then how – what does that mean? How far is all the way, and then if it stops, what’s stopping it, and what’s behind what’s stopping it? So, what’s the end, you know, is my question to you.”

“There’s something about this that’s so black, it’s like how much more black could this be? And the answer is none. None more black.”

“We’re very lucky in the band in that we have two visionaries, David and Nigel. They’re like poets, like Shelley and Byron. They’re two distinct types of visionaries. It’s like fire & ice, basically. I feel my role in the band is to be somewhere in the middle of that, kind of like lukewarm water.”

“He died in a bizarre gardening accident.”

“I think that the problem may have been, that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. Alright? That tended to understate the hugeness of the object.”

“It’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where? Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do? Eleven. Exactly. One louder. These go to eleven.”

Miscellaneous:        Not a box office hit, but found great success and a cult following when released on home video.

 

 vs.

et3

Released:     6/11/82          

Starring:        Henry Thomas, Drew Barrymore, Dee Wallace, Peter Coyote

Director:        Steven Spielberg

Awards:        won Oscars for Best Original Score (John Williams), Best Sound, Best Sound Effects Editing, & Best Visual Effects, nominated for Best Picture, won Golden Globes for Best Picture & Best Score, won L.A. Critics Award for Best Picture, won multiple Saturn Awards

Box Office:   $793 million

Rotten Tomatoes:  98% Fresh

Quotes:         “E.T. phone home.”

Miscellaneous:        ET’s face was modeled after poet Carl Sandburg, Albert Einstein, and a pug dog. The filmmakers had wanted M&M’s to be used to lure E.T. instead of Reese’s Pieces, but the Mars Company denied their request so Reese’s Pieces were used instead. As a direct result Reese’s Pieces’ sales skyrocketed. More & more companies then began requesting that their products be used in movies. Thus, product placement was born.

 

The Verdict:       Spinal Tap. I suppose conventional wisdom would call this a pretty big upset. E.T. has the numbers, the accolades, & Spielberg. Spinal Tap has spontaneously combusting drummers, Lick My Love Pump, & Dana Carvey as a mime. Perhaps if I went back and watched E.T. again I’d remember why it was such a big deal and be convinced to make the predictable decision. But the fact is that I haven’t seen it in atleast two decades, and I shouldn’t have to be convinced to love something. I mean no disrespect…it’s just that I’ve seen Spinal Tap multiple times and it always makes me laugh, and in my world that means a lot.

 

 

Gnarly

 

khan

Released:     6/4/82

Starring:        William Shatner, Leonard Nimoy, Ricardo Montalban

Director:        Nicholas Meyer (The Day After)

Awards:        none

Box Office:   $97 million

Rotten Tomatoes:  88% Fresh

Quotes:         “I have been . . . and always shall be . . . your friend.”

“He tasks me. He tasks me, and I shall have him. I’ll chase him round the Moons of Nibia and round the Antares Maelstrom and round Perdition’s flames before I give him up!”

Of my friend I can only say this. Of all the souls I have encountered in my travels, his was the most…human.”

“KHHHHAAAAAAAAN!!!”

“From Hell’s heart, I stab at thee. For hate’s sake I spit my last breath at thee.”

Miscellaneous:        The computer simulation of Genesis transforming a dead planet into a habitable one is the first complete computer-generated sequence ever used in a feature film. It is the brainchild of ex-Boeing engineer Loren Carpenter, whom after Boeing went on to join George Lucas Industrial Light and Magic. At Boeing in the late 1970s Carpenter discovered that Mandelbrot fractals could be used to create realistic mountain landscapes for computer animations of new aircraft designs, a previously intractable problem, and started a revolution in computer graphics and simulation. It is a running gag that there is a Federation embargo against Romulan Ale, but this still doesn’t prevent resourceful people like Dr. McCoy from procuring some for Admiral Kirk as a birthday present. It is viewed it as a forbidden status symbol, akin to Cuban cigars in the United States.

 

 vs.

 

airplane2

Released:     8/2/80

Starring:        Leslie Nielsen, Peter Graves, Lloyd Bridges, Robert Stack

Director:        Jim Abrams, David & Jerry Zucker (Ruthless People, The Naked Gun)

Awards:        on multiple lists as one of the funniest movies ever made

Box Office:   $130 million

Rotten Tomatoes:  97%

Quotes:         “Looks like I picked the wrong week to quit sniffing glue!”

“Surely you can’t be serious?”       “I am serious. And don’t call me Shirley.”

“We have clearance, Clarence.”   “Roger, Roger. What’s our vector, Victor?”

Miscellaneous:        The filmmakers chose the lead actors because of their reputation for playing no-nonsense characters. Until this film these actors had not done comedy so their staid personas & line delivery made the satire in the movie even funnier. This is an aspect of the film modern viewers miss out on. Cameos include Ethel Merman, Kareem Abdul-Jabbar, Barbara Billingsley, Maureen McGovern, & Jimmie Walker. A sequel was made two years later, but it isn’t even in the same league as its predecessor.

 

The Verdict:       Airplane!. As a Trekkie it breaks my heart, but this is a necessary decision. The fact is that no matter how dearly I love it or how much money it has made films like Wrath of Khan appeal to a niche audience. Put 100 people in a room. Maybe 50 of them…if we’re being generous…are Trekkies. Now all of those Trekkies will likely agree that Wrath of Khan is awesome, but we’re still left with 50 people who couldn’t possible care less about Star Trek specifically or sci-fi in general. Conversely, when it comes to Airplane! there will likely be two types…those who have seen it and those who haven’t. Those who have seen it will almost unanimously agree that it’s hilarious, and those who haven’t seen it will quickly join the consensus after they watch. You’d be hard-pressed to find many people who don’t have a positive opinion of Airplane!. Of course none of this would matter if I disliked Airplane!…but I don’t.

 

 

 

footloose

Released:     2/17/84

Starring:        Kevin Bacon, John Lithgow, Lori Singer, Dianne Wiest, Sarah Jessica Parker

Director:        Herbert Ross (Funny Lady, The Goodbye Girl, Steel Magnolias)

Awards:        none

Box Office:   $80 million

Rotten Tomatoes:  54% Rotten

Quotes:         “Ecclesiastes assures us that there is a time for every purpose under heaven. A time to laugh and a time to weep. A time to mourn. And there is a time to dance. And there was a time for this law, but not anymore. See, this is our time to dance. It is our way of celebrating life. It’s the way it was in the beginning. It’s the way it’s always been. It’s the way it should be now.”

Miscellaneous:        Our old pal Ebert didn’t much care for Footloose, calling it “a seriously confused movie that tries to do three things and does all of them badly.” He went on to opine that its efforts to tell a story about conflict, introduce flashy teen characters, & be a “music video” all fall short of the mark. On the bright side, there is a fantastic soundtrack with songs from Kenny Loggins, Mike Reno & Ann Wilson, Deniece Williams, Bonnie Tyler, Shalamar, & Sammy Hagar. Of course I admit that it is a soundtrack that might only be awesome to those of us that were pre-teens or teenagers in 1984.

 

 

vs.

 

buck2

Released:     8/16/89

Starring:        John Candy, MacCaulay Culkin, Amy Madigan

Director:        John Hughes

Awards:        none

Box Office:   $79 million

Rotten Tomatoes:  64% Fresh

Quotes:         “I don’t think I want to know a six-year-old who isn’t a dreamer, or a sillyheart. And I sure don’t want to know one who takes their student career seriously. I don’t have a college degree. I don’t even have a job. But I know a good kid when I see one. Because they’re all good kids until dried-out, brain-dead skags like you drag them down and convince them they’re no good. You so much as scowl at my niece or any other kid in this school and I hear about it, I’m coming looking for you! Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.”

“I’m on to cigars now. I’m on to a five-year plan. I eliminated cigarettes, then I go to cigars, then I go to pipes, then I go to chewing tobacco, then I’m on to that nicotine gum.”

Miscellaneous:        The scene where Miles interrogates Chanice through the mail slot gave director John Hughes the idea for Home Alone.

 

The Verdict:       Uncle Buck. This result surprises me. Footloose is one of the signature films of the 1980’s. It made Kevin Bacon a huge star. But I cannot in good conscience allow a film with such negative reviews to go further, atleast not against such good competition. While it is true that 80’s Movie Mania is my creation, and without participation from the masses my judgement has played an even larger role than expected, I do respect the greater public perspective. That viewpoint seems to be that Footloose has a good soundtrack and produced a big movie star, but it is largely style over substance. I also feel like Uncle Buck is more…accessible. Footloose is beloved by those of us who were 12-17 years of age in 1984, but I’m not sure anyone much older or younger would appreciate its greatness.

80’s Movie Mania: Bodacious Round 2

First things first. Let’s tie up a loose end from the previous installment. In a coin flip I am giving The Outsiders a victory over Weird Science. The former is just too good to overlook, with a powerful story and an all-star cast, while the latter, though it is another collaboration between John Hughes and Anthony Michael-Hall, is probably their weakest effort. Okay, so…let’s move forward. Today we’ll have the second round of competition in the Bodacious Division. Rock n’ roll dudes!!

 

 

 

Bodacious 2

Batman vs. Pretty in Pink
1989-BatmanThere have been many incarnations of my favorite superhero. The Caped Crusader of course originated in comic books in 1939 and continues to be a staple of that medium today. A famously campy television show aired on ABC for three seasons in the late 1960’s. Director Christopher Nolan brought his dark & gritty vision of the character to the big screen in a solid film trilogy a decade ago. And before that directors Tim Burton then Joel Schumacher produced a quadrilogy (I think I just created a new word!) of Batman movies in the late 80’s/early 90’s. We’ll talk about the other films at some point in the future, but for now we focus on 1989’s Batman, the first of that quadrilogy. Starring Michael Keaton as the titular hero and the legendary Jack Nicholson as his archnemesis The Joker, Batman adequately reflects the character’s caliginous & savage comic book history while still remaining classic popcorn escapism. There were concerns about Keaton being cast in the starring role because he was known mostly for being a comedic actor, but he nailed it and to this day remains my favorite big screen Batman. Of course everybody knows that Nicholson steals the show and is still the best Joker ever, with all due respect to the late Heath Ledger. Anyone who has enjoyed the plethora of films in the “Marvel Cinematic Universe” in the past several years should know that they owe a ton of credit to Batman for breathing new life into the genre nearly three decades ago. Unlike its opponent Pretty in Pink did not get a first round bye, besting Broadcast News in a close call. John Hughes, Molly Ringwald, Andrew McCarthy, John Cryer, If You LeavePretty in Pink has everything one could want in an 80’s film. A tip of the cap must be given to the powers-that-be for the ending, wherein the girl (Ringwald) DOESN’T pick the loveable loser best friend and instead chooses the good-looking rich guy…just like real life.

The Verdict: Batman. This is a tough one because Pretty in Pink is the prototypical 80’s movie, while Batman is slightly ahead of its time in embracing a gloomier 90’s-esque sensibility. However, I must go with my heart here. In my opinion this is the best comic book film ever made, although I have admittedly seen very few others.

 
Risky Business vs. Iron Eagle
risky-business-1983-02-gHe’s baaaacckk. Tom Cruise dominated the box office in the second half of the 80’s, but his breakout role came in 1983’s Risky Business. Cruise stars asiron-eagle high schooler Joel, whose parents leave him alone while they go on vacation. Like any normal teenager Joel goes a little nuts, including getting’ busy with a…lady of the night. After inadvertently sending his father’s Porsche into the river he must come up with some quick cash to get it repaired. The answer?? Turn the house into a brothel for a night…obviously. Risky Business not only features a fantastic soundtrack (Phil Collins, Bob Seger, Muddy Waters, Prince), but includes an iconic scene in which Joel dances around his living room in his underwear lipsynching Old Time Rock n’ Roll. Iron Eagle upset An Officer & A Gentlemen in Round 1. It ranked 41st at the box office in 1986, behind unremarkable bombs like Cobra, Children of a Lesser God, & Police Academy 3, but ahead of solid competition including Flight of the Navigator, Youngblood, & Brighton Beach Memoirs. Obscure trivia: Did you know that Robbie Rist, best known as Cousin Oliver in The Brady Bunch, has a role in Iron Eagle?? Well you do now!!

The Verdict: Risky Business. I love Iron Eagle, but Risky Business is a time capsule film and probably one of Cruise’s Top 5 roles.

Coming to America vs. St. Elmo’s Fire
coming-to-america1Eddie Murphy is back too. I’m sensing a theme. At any rate, 1988’s Coming to America is much more aligned with the kind of comedy we expect from sefMurphy. He stars as a pampered prince from one of those fictional nations that movies like to create, but doesn’t want to enter into an arranged loveless marriage. So the prince & his loyal assistant (played by Arsenio Hall) take off for NY City. There they find jobs at a McDonald’s-esque fast food joint and the prince falls in love with the owner’s lovely daughter. From there it is a classic fish-out-of-water story intertwined with a rom-com. James Earl Jones plays the king, while Samuel L. Jackson and Cuba Gooding Jr. have really small “blink and you’ll miss it” roles. This is undoubtedly one of Murphy’s best movies. St. Elmo’s Fire beat Romancing the Stone in the first round and is a classic Brat Pack film. It was the 23rd highest grossing film of 1985, behind stiff competition like Back to the Future, The Breakfast Club, & The Goonies, but besting notable films like Teen Wolf, Weird Science, Young Sherlock Holmes, & Vision Quest. St. Elmo’s Fire, by the way, is “a weather phenomenon in which luminous plasma is created by a coronal discharge from a sharp or pointed object in a strong electric field in the atmosphere, such as those generated by thunderstorms or created by a volcanic eruption, sometimes appeared on ships at sea during thunderstorms, regarded by sailors with religious awe for its glowing ball of light” and is named in honor of St. Erasmus of Formia, the patron saint of sailors. I have no idea what that has to do with the movie, but meaningless trivia is kind of my thing.

The Verdict: Coming to America. St. Elmo’s Fire has a fabled cast and a kickass theme song, but it is a flawed film, probably in part because it is directed by Joel Schumacher and John Hughes is nowhere in sight. Coming to America is directed by John Landis and has a likeable cast with a fun script. It doesn’t necessarily paint outside the lines, but it doesn’t really have to.

 
Star Trek IV: The Voyage Home vs. Eddie & The Cruisers
trekThere were six films made with the cast of the original Star Trek series…William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForesteddie Kelley as Dr. Bones McCoy, George Takei as Sulu, Nichelle Nichols as Uhura, Walter Koenig as Chekov, & James Doohan as Scotty…between 1979 and 1991. In this fourth installment the crew of the USS Enterprise goes back in time to modern day (1986) San Francisco to scoop up some humpback whales that will play a part in saving Earth in the 23rd century. It is a quintessential fish-out-of-water story, with our favorite space cowboys trying to fly under the radar in the 1980’s. It also holds up a rather humorous mirror to modern culture and allows the characters to really shine in a fun, lighthearted way. Eddie & The Cruisers scored an upset victory over the more acclaimed A Fish Called Wanda in Round 1 because that’s just how I roll. It is actually based on a novel that I may read someday. The premise is fantastic, but I have a lot of questions about the execution. In doing some reading about the film it sounds like it just ended up in the wrong hands and several mistakes were made. A more skilled director and production team might have made a movie that isn’t quite as overlooked & underappreciated as the final product.

The Verdict: Star Trek IV. I love Eddie & The Cruisers, but it could have been so much better. The Voyage Home isn’t necessarily a traditional Trek film. The action doesn’t take place in outer space and The Enterprise is MIA, but the script is really good and the cast does some of their finest work. It makes me smile, and in my book that’s pretty cool.

 
The Princess Bride vs. Cocktail
pb21987’s The Princess Bride is another film based on a book, the author being the guy who would go on to write or assist with screenplays for films like cButch Cassidy and the Sundance Kid, All the President’s Men, Misery, A Few Good Men, & Good Will Hunting. The film uses the book as a framing device, with Peter Falk (aka Columbo) starring as a grandfather reading to his ill grandson, played by a pre-Wonder Years Fred Savage. In the “fairy tale” a young farm girl named Buttercup falls in love with a laborer. He goes off to seek his fortune so they can be married but is presumed dead when his ship is attacked by an infamous pirate. A few years later Buttercup is set to marry the prince of yet another fictional country before she is kidnapped by one of the oddest trios you’ll ever see. Of course the young lady’s true love isn’t really dead and sets out to rescue her. The film is directed by Rob Reiner and has a charming cast, including Robin Wright, Wallace Shawn, Billy Crystal, & Andre the Giant. The best way I can describe it is delightfully quirky…family friendly escapism at its best. Cocktail got the decision over Stripes in Round 1. It was the 9th highest grossing movie of 1988, beating out solid competition like Beetlejuice, Scrooged, Bull Durham, & Everybody’s All-American. The Beach Boys’ song Kokomo is the film’s unofficial theme song and was a #1 hit.

The Verdict: The Princess Bride. This is a tough one because I love Cocktail. It is probably the most underrated Cruise movie. But The Princess Bride, besides being a cult classic, is a really solid film and a lot of fun.

 

 

Stand By Me vs. Weekend at Bernie’s
Stand-By-Me-Website-Banner-3-980x363-980x363Stand By Me defeated K-9 in Round 1. It was the 13th highest grossing film of 1986, behind Top Gun, Crocodile Dundee, & Ferris Bueller’s Day Off but WeekendAtBernies_184Pyxurzahead of Pretty in Pink, The Fly, Three Amigos!, & Hoosiers. It was directed by Rob Reiner and features a cool 50’s soundtrack. The framing device with Richard Dreyfuss as an older version of one of the characters that lets us know how all of their lives ended up playing out is a nice touch. Weekend at Bernie’s got the first round decision over Bachelor Party. It ranked 39th at the box office in 1989, ahead of Road House, The Fabulous Baker Boys, & The Dream Team but behind crapfests like The Karate Kid Part III, The Abyss, & The Bear (whatever the heck that is). It is interesting to ponder what became of stars Andrew McCarthy and Jonathan Silverman. McCarthy…a member of the infamous Brat Pack who starred in notable films like Mannequin, Pretty in Pink, & St. Elmo’s Fire…hasn’t been in anything memorable since Bernie’s (unless one wants to generously include the 1993 sequel) and has more recently been doing guest spots in TV shows that no one watches. Silverman starred in a mid-90’s sitcom called The Single Guy for a couple of seasons and does a lot of TV stuff, but Bernie’s seems to be his career highlight. Fame is indeed fleeting.

The Verdict: Stand By Me. It isn’t even close.

100 Favorite Movies…..24 & 25

Sequels, though not uncommon throughout the history of film, really hit their stride in the 1970’s with the success of follow-ups to movies like The Godfather & Jaws and the insatiable urge to turn huge profits into even more money. These days it seems like a sequel is oftentimes inevitable, regardless of whether or not the quality of the original deems it obligatory. It is a hit or miss proposition, but Hollywood appears to be creatively bankrupt to the point that more often than not the powers-that-be prefer to squeeze a few more dollars out a known entity rather than roll the dice on a new idea. Anyway, there are three types of sequels. Sometimes only one additional movie is made to tie up any loose ends from the first, or maybe it is just that the second film bombs so badly that no sane person would green light a third. Examples would be 48 Hours and Another 48 Hours, Analyze This and Analyze That, Fletch and Fletch Lives, Grumpy/Grumpier Old Men, Kill Bill Volumes 1 & 2, Weekend at Bernies 1 & 2, & American Graffiti and More American Graffiti. A much more common modus operandi is the trilogy, which is of course three films. Everyone knows about trilogies. Star Wars/The Empire Strikes Back/Return of the Jedi, The Lord of the Rings Trilogy, Back to the Future 1,2,&3, The Santa Clause 1,2,&3, and The Austin Powers Trilogy (International Man of Mystery, The Spy Who Shagged Me, & Goldmember) are among the best in my humble opinion. And then there is the ultimate in avarice and indolence, the series, which I define as four or more films. At some point these usually become a complete joke, which in turn leads to even more movies in an effort to somehow right the ship and recover some semblance of dignity. The four Batman movies from the late 80’s early 90’s (Batman, Batman Returns, Batman Forever, and Batman & Robin) suffered from an ever changing lineup of directors and leading men. The original Die Hard and the third entry, Die Hard With A Vengeance, were excellent, while Die Hard 2 was subpar and Live Free or Die Hard (the fourth film) was fun but forgettable. The Harry Potter series has thus far been pretty decent, but the movies aren’t nearly as good as the books. The Halloween series should have never made it past Halloween II. Parts 3-6 were horrible, H20 and Resurrection too little too late. And of course Rocky and its sequel were legendarily awesome but someone somewhere actually thought the four films that followed were a good idea (they weren’t). I won’t even get into the absurdity of horror franchises like the eleven Friday the 13th films or the eight Nightmare on Elm Street flicks.

At any rate, I go into all that as an explanation regarding my process when looking at these types of films and how I choose to fit my favorites into this Top 100. In a perfect world I would treat each the same, applying a set of rules that applied to all. But I have found this to be very difficult. If there are two films, maybe I like one and not the other (Caddyshack is appropriately celebrated…Caddyshack 2 not so much). Maybe I like both (Father of the Bride 1&2). I tend to keep trilogies together, as they generally have a “big picture” that is hard to ignore, regardless of whether their individual parts may vary in quality (Star Wars, Back to the Future). But even this isn’t always the case (Oceans’ Eleven and 13 are great…Ocean’s Twelve isn’t). Series are almost the opposite of a trilogy in that, generally, one must look at each individual piece and it is next to impossible to like all the parts (Star Trek) to the point that they can be viewed as a whole…but sometimes the whole is greater than the sum of its parts (Lethal Weapon). I felt it necessary to clarify my thoughts on these matters because I am aware of the inconsistencies inherent in the choices I have made.

Since today’s intro is longer than usual, and in an effort to stay within the confines of the theme, we will only look at the next two entries instead of five, as they are what inspired me to write this detailed preface in the first place.

 

 

 


25 The Lethal Weapon Series

It is pure coincidence that I happen to be writing about Lethal Weapon right when Mel Gibson is going through his latest public embarrassment. I have learned to separate my personal opinions about the lives of Hollywood stars from my enjoyment of their work. This became necessary over the years, as I am a hardcore conservative and the vast majority of folks we see on our televisions and on the big screen are so out of touch with average America’s principles that if I let it interfere with my entertainment I’d never have any fun. So anyway…there are four films in the Lethal Weapon canon, released between 1987 and 1998. The concept is your typical odd couple story, with Danny Glover playing Murtaugh, a curmudgeonly family man on the verge of retirement from the police force, and Gibson playing his new partner Riggs, a younger, crazier cop who has LWnothing to lose after the tragic death of his wife. Throughout the series we see the relationship between the two men grow, from distrust and antagonism to being best friends and brothers-in-arms. Each film provides a different big case for the duo to solve with the requisite bad guy steering some sort of nefarious plot. I am typically not a big fan of guns, car chases, and explosions simply because there are too many movies with only those things and no plot or character development. Lethal Weapon is an exception. Not only do we cheer for Riggs & Murtaugh, but throughout the series we get to know Roger’s wife and three kids, some supporting characters at the police department, a reformed whistleblower turned private investigator played by the always enjoyable Joe Pesci (introduced in Lethal Weapon 2 and present in the two films after), and a lady cop played by the lovely Renee Russo who flirts with Riggs in Part 3 and is having his baby in Part 4. The details of each caper aren’t really important. I even get the details of the various plots mixed up sometimes, forgetting which event happened in which movie. But it’s all good. Lethal Weapon is the rare action flick that also allows us to get to know our heroes and their loved ones, which is what separates it from the pack. Admittedly the first film is the best (it is even…if one is willing to really stretch the definition…a Christmas movie) and there has been much debate as to whether the fourth was one too many, but I prefer to look at the series as a whole because even the declining quality of the last two does not mean they were bad. Fans have been clamoring for a fifth installment for several years, but both stars have said no. I think it is likely that the franchise will be rebooted at some point, either as a total remake or with younger actors playing new characters who have some sort of minimal interaction with Riggs & Murtaugh to justify using the Lethal Weapon name. If/when that day comes I suppose I will check it out, but I can’t imagine it getting any better than the original.


24  Star Trek II: The Wrath of Khan

I have to give a shout out to my friend The Owl for turning me into a Trekkie. I was somewhat familiar with Trek, but when we were in college he really made me appreciate how cool the concept was. This was right in the midst of the popularity of Star Trek: The Next Generation in the early 1990’s. I became a fan of that show first and then went back and got into the original series and the movies. I suppose that is sort of an odd, backward way of becoming a Trekkie, but that was my experience. There were six films made starring the original crew of The Enterprise we first met in the 1960’s television show (Captain Kirk, Spock, Bones McCoy, Scotty, Chekov, Uhura, and Sulu). Three of those six appear in this list. The Wrath of Khan is almost unanimously the favorite amongst fans. 1979’s Star Trek: The Motion Picture had k2 khanreunited the cast and fans were ecstatic after a ten year absence following the abrupt cancellation of the TV show. But let’s face it…The Motion Picture was not that great of a movie. The second installment rights the ship to say the least. From opening with the infamous no-win Kobayashi Maru test to the heartbreaking death of Spock, Wrath of Khan is a total immersion experience for Trekkies. In between those bookend events we get the antics of very pissed off supervillain Khan Noonien Singh who was cryogenically frozen in the 20th century, reanimated by Kirk and friends in an episode of the TV show, and banished to a desolate planet after he tried to stage a coup of the Enterprise. Khan and Kirk engage in a battle with distinct Moby Dick overtones when Khan tries to steal the technology for The Genesis Project, a terraforming device able to create new and inhabitable planets. Genesis is the brainchild of Kirk’s former lover and what turns out to be his heretofore unknown son. Wrath of Khan is not your typical action flick. There is a story, there are grand themes about vengeance and death, and there is some real depth and a range of emotions from the characters. There is even some humor provided by the always sardonic Dr. McCoy. Because The Motion Picture bombed the studio stepped in, removing Trek creator Gene Roddenberry from the helm of this movie and restricting the budget significantly. I am sure those were hotly debated controversies at the time, but no one can argue with the results.

And let me take this opportunity to say that I have seen the 2009 reboot of the Star Trek franchise and enjoyed it very much. Because of its newness it will not be making an appearance on this list, but I anticipate that it will likely make the cut in 5 or so years when I do this all again.

100 Favorite Movies…..41-45

At this point some patterns have started to develop. You will see my affections for certain types of films, certain actors, and particular film trilogies or series. I will do my best to not become repetitive in my comments, and apologize ahead of time if I do that anyway. In video stores they used to have a section of “If you liked this then check this out…”. I don’t really peruse video stores anymore. After all, with Netflix, DVR, Video On Demand, and Redbox who needs to pay Blockbuster $4/rental?? But if my dear readers have any suggestions based on the examples I write about here please don’t hesitate to let me know.


 

45 Sleepless In Seattle

I mentioned in a previous post that Tom Hanks and Meg Ryan made three movies together. We’ve discussed You’ve Got Mail. Another was Joe Versus the Volcano, which is okay but not one of my favorites. The third Hanks/Ryan pairing is, in my opinion, the best and, with apologies to When Harry Met Sally (which we also looked at previously), the greatest romantic comedy of all time. Hanks plays a widower whose wife has just succumbed to cancer. That doesn’t seem like the basis for a romantic comedy, but we don’t get to see much of the sad stuff. What we see is Sam taking his young son and beginning a new life in Seattle. He eventually gets back into the dating scene, but his little boy isn’t satisfied with Dad’s taste in women, so he calls a nationwide radio talk show on Christmas Eve and tells the host his father needs a new wife. Sam is goaded into spilling his heart to an enraptured listening public who apparently have nothing better to do on Christmas Eve. Listening intently all the way on the other side of the country in Baltimore is Annie, played by Ryan. Annie is engaged to an allergy-ridden milquetoast that she doesn’t really love and easily becomes mesmerized…and a bit obsessed…by Sam’s story. She is among the thousands of women who send Sam letters, which he somewhat cynically yet logically dismisses. She even has a background check done on him and goes to Seattle only to chicken out when their eyes lock ever so briefly. In a nod to the 1957 Cary Grant classic An Affair to Remember, the little boy (posing as his father) writes Annie and asks her to meet him at the top of the Empire State Building on Valentine’s Day. The little boy takes off for New York by himself unbeknownst to Dad, and Annie decides to throw caution to the wind and be there too. I won’t spoil the ending for those who haven’t seen the film (and if you haven’t shame on you), but suffice to say that the phrase “Shall we??” may be one of the best lines of dialogue ever. I need to point out that Rosie O’Donnell has a role as the perfunctory best friend, and I detest Rosie O’Donnell. That should tell you all you need to know – if I can get past Rosie’s unfortunate besmirching of this movie it must be pretty extraordinary.

 

44 Star Trek IV: The Voyage Home

We’ve established the fact…or atleast the commonly held opinion among Trekkies…that of the six films starring the original Enterprise crew the even-numbered ones are superior. This fourth installment is what I call “the one with the whales”. The crew travels back in time (and time travel is always cool) to 1980’s San Francisco to secure some humpback whales that will save Earth in the future. The details are too contrived to explain here, and they don’t really matter anyway. What matters is that the movie becomes a delightfully humorous fish-out-of water tale (pun unavoidable), with our heroes from the 23rd century trying to maneuver in the 20th. Spock and Kirk encounter an annoying punk rocker on a bus that refuses to turn down his music…Spock knocks him unconscious with the Vulcan nerve pinch. Spock doesn’t understand the concept of profanity but tries to fit it by using it…and fails miserably. Scotty tries to talk to a computer instead of using the keyboard. Kirk asks the crew to “remember where we parked” the Klingon Bird of Prey they’ve cloaked in an open field. Bones’ hilariously indignant take on “modern” medicine – “Dialysis?? What is this, the Dark Ages??”…” My God, man. Drilling holes in his head isn’t the answer!!”.  It’s a rather lighthearted Trek, and that’s okay. I suppose those that crave action, explosions, and battles to the death might not favor such a jocular story, and that is a perfectly understandable opinion. As for me, I feel it is a unique and memorable chapter in the Star Trek saga, and I will treasure it always.

 

43 Mrs. Doubtfire

I really like Robin Williams. I think he may be one of the two or three funniest men on the planet, and when he does dramatic roles he can be flat-out incredible. A few of his films are in this list and there are several more…Good Morning Vietnam, Aladdin, Good Will Hunting…that are more than fine but just not quite Top 100 worthy.  I do wonder about a lot of his choices in the 12 years since Good Will Hunting though. Patch Adams, Bicentennial Man, Death to Smoochy, Old Dogs…not a notable hit among them. But that’s a discussion for another time. Right now our topic of the moment is Mrs. Doubtfire, a very funny if a bit schmaltzy 1993 outing in which Williams dresses up as matronly old English nanny in order to spend time with his children, from whom his estranged wife is keeping him. Divorce and custody battles aren’t usually fodder for comedy, but somehow Mrs. Doubtfire pulls it off. The children are affable enough, and Sally Field is halfway sympathetic as a woman who has simply grown apart from her husband. But the heart & soul of the story is Williams in drag, a concept that is even funnier than it sounds. There is a scene near the end of the film where he is trying to have dinner in the same restaurant at the same time with his family as Mrs. Doubtfire and his boss as his normal male self. He almost pulls it off with impressive acumen, but unfortunately the boss is a drinker and he feels compelled to join in. Trying to lead a double life and keep up the ruse is difficult enough, but doing it while gooned on scotch proves to be too much. The hilarity that ensues before everything falls apart is more than enough to put a smile on one’s face though. The conclusion is a little sentimental, but I have to give the powers-that-be credit for not giving in to the temptation to go for the expected happy ending. This is one you can watch with the kids and not be embarrassed, and that is becoming something rare and valuable these days.

 

42 Rear Window

Jimmy Stewart is my very favorite actor of all time, and his range of roles was wide…everything from an affable lunatic that talks to an imaginary rabbit to a few turns as a tough cowboy and seemingly every nuance in between. He starred in four movies directed by Alfred Hitchcock, and I can’t think of an odder couple. I’m not a big Hitchcock guy. I generally prefer to laugh and lean heavily toward lighter fare, so his brand of suspense or thriller or however you want to classify his films just don’t usually pique my interest. But when Stewart is involved all the sudden I tend to take a look. 1954’s Rear Window is one of Hitchcock’s tamer offerings and deals with voyeurism taking a rather minimalist approach. Stewart plays a photographer who is housebound by a broken leg in the midst of a scorching hot summer. With nothing better to do (television was around, but I guess he’s not interested), Jeff spends his time checking up on the neighbors in his courtyard apartment complex with the aid of his binoculars. He has a girlfriend (played by Grace Kelly) and a home health nurse, but he still spends a good bit of time bored and alone. He can’t help but form opinions about his neighbors as he clandestinely peeks into their lives, and he even gives them nicknames like Miss Lonelyhearts and Miss Torso. One neighbor in particular grabs his attention, a man named Thorwald (played by the future Perry Mason, Raymond Burr). Jeff becomes convinced that Thorwald has murdered his wife and tries to persuade the girlfriend, the nurse, and a police buddy. They are dismissive at first, but eventually the girlfriend starts to believe Jeff is right and even starts nosing around since he can’t. Thorwald catches on to the fact that he is being watched, and the climax is a confrontation between the two men. By today’s standards the action is rather docile, and even in the world of Hitchcock it is somewhat unremarkable. But that is exactly what I like about it. It isn’t fancy or complex and doesn’t need to be. A good steak doesn’t need any kind of accompaniment to cover up the taste…its flavor is good enough to speak for itself. Rear Window is a well written story with good actors that takes a simple but appealing concept and turns it into a jolly good piece of entertainment.

 

41 Jerry Maguire

Unfortunately we live in a world where technology tends to shine a bright light on things that are none of our business and that we didn’t want to know in the first place. This type of “open book” situation is especially true of celebrities. No longer are they just actors and actresses playing roles on television or in movies. We know way too much about their personal life…all about their romances and sexual exploits, religious views, political affiliations, and opinions on everything from the environment & abortion to who they want to win the Super Bowl or World Series. This has been a legitimate issue for me, as so many Hollywood-ites are leftist, Godless, soul sucking ne’er-do-wells. It’s bad enough that  most of the “entertainment” produced nowadays is poorly written, dumbed down, sexually perverted, needlessly violent tripe…it is really frustrating when something decent comes about but stars some liberal America hating Jesus basher. What I finally had to do was learn to separate the two. I had to get to the point where I could admit that I liked a certain performer even if I disagree with their lifestyle. And so you will see movies on this list from the likes of Tom Hanks, Susan Sarandon, John Travolta, George Clooney, Brad Pitt, and Alec Baldwin. One of these assclowns is Tom Cruise, the king of some wackjob “religion” called Scientology. As a child of the 80’s I was a witness to the rise of Tom Cruise to superstardom, and I enjoyed most of his early films*- such as Taps, The Outsiders, Losin’ It, Cocktail, and of course Rain Man, Top Gun, & All the Right Moves. The past 10 years have been rather subpar though. Minority Report, Collateral, War of the Worlds, all those Mission: Impossible flicks?? I don’t think so. But back in 1996 Cruise got it exactly, 100%, so very right in what is at this point his last great movie.  Jerry Maguire is a sports agent who has an epiphany about the rampant dishonesty and slimeyness inherent in his job. He writes a missive about these feelings and hands it out. He gets fired. Oops. With no other choice he ventures out on his own, but none of his clients follow him…except one. That lone client is Arizona Cardinals’ wide receiver Rod Tidwell (in an Oscar winning performance by Cuba Gooding Jr.), an eccentric, cocky, dissatisfied talent who just wants someone to “show me the money”. Also along for the ride is a secretary from Jerry’s former agency who is inspired to follow him and develops an infatuation. Dorothy is a single Mom of an extremely cute little boy, and Jerry develops a relationship with them after his shallow girlfriend dumps him. Sports fans get a small glimpse into the underhanded world of agent-client relations as well as enjoy cameos by such luminaries as NFL draft guru Mel Kiper Jr., quarterbacks Warren Moon, Troy Aikman, & Drew Bledsoe, sportscasters Al Michaels, Frank Gifford, & Mike Tirico, and real life sports agents Drew Rosenhaus & Leigh Steinberg. But the heart of the film is the romance between Jerry and Dorothy, a business arrangement that turns into something much deeper. 14 years later people still quote Jerry Maguire, and it’s delicate balance of comedy, drama, romance, and even a wee bit of action is a rare feat. It is sweet but not too sweet, cynical but not overly so. Writer-director Cameron Crowe, who also did Say Anything and Almost Famous, has a knack for making his characters very relatable and human. Jerry Maguire proves that a great movie doesn’t require guns ablazing, blood & guts, or special effects to be  truly special.