80’s Movie Mania…The Sweet Sixteen – Part 2

cinema2I apologize for the delay. I had intended to publish this immediately on the heels of Part 1, but sometimes life gets busy. I’m sure y’all can relate. Anyway, we conclude the Sweet 16 round today and will likely take a little break before resuming the competition. Not only has The Lord been telling me to get some other, more meaningful stuff written, but football season is on the horizon as well. Thankfully I rarely seem to be wanting for content. Enjoy.

 

 

 

 

 

Bodacious

 

 

National Lampoon’s Vacation

Released:     8/29/83

Starring:        Chevy Chase, Beverly D’Angelo, Anthony Michael Hall, Imogene Coca, Randy Quaidvacation3

Director:        Harold Ramis

Awards:        none

Box Office:   $61 million

Rotten Tomatoes:  93% Fresh

Quotes:         “Now, I owe it to myself to tell you that if you’re taking the whole tribe cross-country this is your automobile…the Wagon Queen Family Truckster. You think you hate it now, but wait ’til you drive it.”

“Why aren’t we flying? Because getting there is half the fun. You know that.”

“Excuse me. Could you please tell how to get back on the expressway?” “Man, who do I look like, Christopher Columbo?”

“I’m going steady, and I French kiss.” “So, everybody does that.” “Yeah, but Daddy says I’m the best at it.”

“We can’t leave her on the patio!” “Would you rather I slipped her in the night deposit box at the funeral home?”

“Roy, could you imagine if you had driven all the way to Florida and it was closed?” “Closed? Uh, they don’t close Florida.”

Miscellaneous:        Notable cameos are made by John Candy and model Christie Brinkley. The script was based on a story called Vacation ’58, which was written by John Hughes and published in the September 1979 edition of National Lampoon magazine. Disneyland turned down the opportunity to be the Griswold’s destination, so Walley World was written as a fictional substitute. The original ending of the film had the Griswolds going to Roy Walley’s house and holding him hostage. It turns out that the Ferrari Girl is Walley’s daughter and she gets Clark off the hook with the police. On the plane ride home Clark realizes they’re on the wrong flight and hijacks the airplane. Test audiences didn’t respond well so the ending was changed.

 

vs.

 

 

Star Trek IV: The Voyage Home

Released:     11/26/86

Starring:        William Shatner, Leonard Nimoy, Catherine Hickstrek4b

Director:        Leonard Nimoy

Awards:        nominated for 11 Saturn Awards, Oscar nominations for Cinematography, Sound, Sound Effects Editing, & Original Score

Box Office:   $133 million

Rotten Tomatoes:  85% Fresh

Quotes:         “You mean the profanity? That’s simply the way they talk here. Nobody pays any attention to you unless you swear every other word. You’ll find it in all the literature of the period.”

“Computer! Computer? Hello, computer.” “Just use the keyboard.” “Keyboard. How quaint.”

“Don’t tell me! You’re from outer space.” “No, I’m from Iowa. I only work in outer space.”

“My God man, drilling holes in his head is not the answer! The artery must be repaired! Now, put away your butcher’s knives and let me save this patient before it’s too late!”

“Everybody remember where we parked.”

“My God, man. Do you want an acute case on your hands? This woman has immediate postprandial, upper-abdominal distention. Now, out of the way! Get out of the way!” “What did you say she has?” “Cramps.”

“Dialysis? What is this, the Dark Ages?”

Miscellaneous:        The transparent aluminum that Scotty utilizes became reality in 2009 thanks to the physics department at Oxford University. The film was dedicated to the crew of the space shuttle Challenger, which had exploded just 10 months earlier. This was the highest grossing of the six movies featuring the cast of the original series.

 

The Verdict:       Vacation. After eliminating Wrath of Khan earlier in this round I cannot in good conscience allow The Voyage Home to advance further. The same logic applies…Trekkies love it, but it is a limited target audience. Vacation is much more accessible to the masses. Chevy Chase’s career has been hit & miss at best, but he hit a home run with this one, as well as the 1989 sequel Christmas Vacation.

 

 

 

Ferris Bueller’s Day Off       

Released:     6/11/86

Starring:        Matthew Broderick, Alan Ruck, Jennifer Greybueller2

Director:        John Hughes

Awards:        highly regarded on several lists of best comedies and best high school films, Broderick was nominated for a Golden Globe for Best Actor in Comedy/Musical

Box Office:   $70 million

Rotten Tomatoes:  81% Fresh

Quotes:         “How could I possibly be expected to handle school on a day like this?”

“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

“Bueller? Bueller? Bueller?”

Miscellaneous:        A spinoff/prequel TV series (with Jennifer Aniston taking over the Jennifer Grey role) aired during the 1990-91 season, but it just couldn’t measure up. The famous parade scene supposedly takes place at Chicago’s Von Steuben Day Parade, which celebrates Baron Friedrich von Steuben, a Prussian military officer who came to America and aided George Washington during the American Revolution. The German-centric event is generally held in September. However the film is supposed to be set in late spring near the end of the school year. Oops.

 

vs.

 

Risky Business

 Released:     8/5/83

Starring:        Tom Cruise, Rebecca DeMornayrb3

Director:        Paul Brickman (Bad News Bears Breaking Training)

Awards:        none

Box Office:   $64 million

Rotten Tomatoes:  96% Fresh

Quotes:         “Every now and then, say ‘What the heck.’ ‘What the heck’ gives you freedom. Freedom brings opportunity, opportunity makes your future.”

Miscellaneous:        Sales of Wayfarer sunglasses rose 2000% after the film’s release. Timothy Hutton, Michael J. Fox, Tom Hanks, John Cusack, & Nicolas Cage were all considered for the role that ultimately went to Cruise. Frank Sinatra & Richard Dreyfus were both up for the role of Guido the pimp.

 

The Verdict:       Ferris Bueller. Critics love Risky Business, and it is a well-written film. However Bueller is equally smart and it is much purer, notably devoid of sex & foul language. Oh sure…ol’ Ferris is a bit of a rascal, but in the grand scheme of life his escapades are mostly harmless, and his advice about taking time to occasionally stop & smell the roses is more profound than what one usually finds in most teen-centric movies.

 

 

 

Tubular

 

The Breakfast Club    

Released:     2/15/85

Starring:        Molly Ringwald, Judd Nelson, Emilio Estevez, Anthony Michael Hall, Ally Sheedybreakclub

Director:        John Hughes

Awards:        2005 Silver Bucket of Excellence Award at the MTV Movie Awards

Box Office:   $52 million

Rotten Tomatoes:  89% Fresh

Quotes:         “We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you’re crazy to make us write an essay telling you who we think we are. What do you care? You see us as you want to see us…in the simplest terms, in the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess, and a criminal. Correct? That’s the way we saw each other at 7:00 this morning. We were brainwashed.”

“Don’t mess with the bull, young man. You’ll get the horns.”

“Does Barry Manilow know you raid his wardrobe?”

“My God, are we gonna be like our parents?” “It’s unavoidable. It just happens. When you grow up your heart dies.”

“Face it…you’re a neo-maxi-zoom-dweebie.”

Miscellaneous:        Originally there was an idea about doing multiple sequels, occurring every ten years, in which the group would get back together. However Hughes had an unstable working relationship with Nelson, and the director also had a falling out with Ringwald when she decided that she wanted to move on from teen roles, thus the follow-ups never happened. Ringwald & Hall were 16 at the time the film was shot…the others were all in their 20’s.

 

vs.

 

Dirty Dancing

Released:     8/21/87

Starring:        Patrick Swayze, Jennifer GreyDirty_Dancing

Director:        Emile Ardolino

Awards:        won an Oscar for Best Original Song (I’ve Had the Time of My Life) & Grammy for Best Pop Performance by a Duo

Box Office:   $214 million

Rotten Tomatoes:  72% Fresh

Quotes:         “Nobody puts Baby in the corner!”

Miscellaneous:        A prequel/remake/reimagining called Dirty Dancing: Havana Nights was made in 2004. I’ve never seen it and have no interest in ever doing so.

 

The Verdict:       The Breakfast Club. This is a surprisingly easy decision. While Dirty Dancing is a cultural benchmark of the 1980’s there is no doubt that The Breakfast Club is a much better film.

 

 

 

When Harry Met Sally

Released:     7/14/89

Starring:        Billy Crystal, Meg Ryan, Bruno Kirby, Carrie Fisherharry2

Director:        Rob Reiner

Awards:        Oscar nomination for Original Screenplay, Golden Globe nominations for Best Musical/Comedy, Best Screenplay, Best Director, Best Actor (Crystal), Best Actress (Ryan)

Box Office:   $93 million

Rotten Tomatoes:  89% Fresh

Quotes:         “When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side.”

“Men and women can’t be friends because the sex part always gets in the way. No man can be friends with a woman that he finds attractive. He always wants to have sex with her.”

“There are two kinds of women: high maintenance and low maintenance.” “Which one am I?” “You’re the worst kind…you’re high maintenance but you think you’re low maintenance.”

“I’ll have what she’s having.”

“Oh, but ‘baby fish mouth’ is sweeping the nation?”

“I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”

Miscellaneous:        The infamous quote “I’ll have what she’s having” is delivered by Reiner’s mother Estelle. Harry Connick Jr. is almost as big of a star in the movie as the actors, as he performs the entire soundtrack.

 

vs.

 

 

The Blues Brothers

Released:     6/20/80

Starring:        John Belushi & Dan Aykroydbbros

Director:        John Landis (Animal House, Trading Places, Coming to America)

Awards:        none

Box Office:   $115 million

Rotten Tomatoes:  85% Fresh

Quotes:         “We’re on a mission from God.”

“Are you the police?” “No, ma’am. We’re musicians.”

“Bring me four fried chickens and a Coke.” “And some dry white toast, please.”

“It’s a hundred and six miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses.”

“What kind of music do you usually have here?” “Oh, we got both kinds. We got country AND western.”

Miscellaneous:        Over 100 cars were wrecked during filming. The film has a fantastic soundtrack, including songs by Taj Mahal, Steve Winwood, Ray Charles, James Brown, Robert Johnson, Cab Calloway, Sam Cooke, Otis Redding, John Lee Hooker, & Elmore James.

 

The Verdict:       The Blues Brothers. This is a tough call. I adore When Harry Met Sally. However, the cultural impact of The Blues Brothers cannot be ignored. It is such a unique film. Harry/Sally is undoubtedly one of the two or three best romantic comedies ever produced, but the fact is that rom-coms are a dime-a-dozen. One’s preferences can be easily swayed by whomever the lead actors are. I loved pre-Botox Meg Ryan, and I am a huge Billy Crystal fan, yet at the end of the day rom-coms all have the same basic structure. It’s a plug & play deal, with different actors going thru similar scenarios. Harry/Sally is particularly well written & performed, but at it cannot completely escape the familiar commonalities of the genre. The Blues Brothers is lightning in a bottle. A sequel was attempted in 1998, but its failure proves my point.

80’s Movie Mania: Bodacious Round 3

Greetings friends and fellow cinephiles. It’s time to put the 3rd Round of 80’s Movie Mania to bed so that we can move on to the Sweet Sixteen. At this point I can’t recall exactly what I’ve said or not said in these little preambles, so please excuse any unfortunate repetitiveness. I do want to remind The Manoverse that I am well aware that I have left many worthy films out of this competition. If you haven’t seen some of your favorite 1980’s classics there are a few possible explanations. This competition is heavily influenced…maybe totally so…by my personal preferences and what I have or haven’t seen. Therefore you won’t find any of the Indiana Jones series (I’ve never watched any of them), no horror films (the only slasher flick I like is Halloween, which was made in 1978), or stuff like Tootsie, Full Metal Jacket, Gremlins, Fatal Attraction, Amadeus, The Color Purple, or The Untouchables…because either I haven’t seen them or have and don’t believe them to be all that remarkable. You may have noticed that Lethal Weapon was included in this competition while Die Hard was not. That was a difficult decision, but I have a little something brewing for Christmas 2017 and didn’t want to be redundant (also the reason cool holiday flicks like A Christmas Story, Christmas Vacation, & Scrooged are not a part of 80’s Movie Mania). You already know that I eliminated trilogies right off the bat, specifically the Star Wars and Back to the Future films, four of which were produced in the 1980’s. There were also a lot of laudable sports films made during the decade, including Hoosiers, Raging Bull, Field of Dreams, Major League, The Karate Kid, Bull Durham, & All the Right Moves, but I’ve already focused on them elsewhere so I decided including them here was unnecessary. Even with these omissions I believe I’ve presented a compelling & provocative tournament, and a fun trip down memory lane. Okay, enough of that. We ride!!

 

 

 

Bodacious 3

 

National Lampoon’s Vacation       vs.     Stand By Me

vacation21983’s Vacation received byes thru the first two rounds. Chevy Chase stars as Clark W. Griswold Jr., a Stand-By-Me-Website-Banner-3-980x363-980x363well-intentioned yet blundering family man who decides to drive his wife & kids from Chicago to California to visit the nation’s preeminent theme park. As usual with road trip flicks there are a plethora of epic fails & hilarious calamities, with the biggest twist coming when the Griswolds finally reach Wally World. This movie has held up remarkably well over the past thirty plus years, with the notable exception that the conclusion would never ever happen in The Internet Age. A few sequels were made with variable results…European Vacation isn’t too bad, Christmas Vacation is awesome, & Vegas Vacation is…well…let’s just forget it ever happened. A reboot/sequel was made last year in which the adult version of Rusty Griswold takes his own family on a cross-country trek. It is…okay. Stand By Me has gotten past K-9 and Weekend at Bernie’s to arrive at this point. It is one of the better film/TV adaptations of Stephen King’s work, right up there with The Shawshank Redemption and Carrie. It has a 91% Fresh rating on Rotten Tomatoes, and is nostalgically romanticized by almost everyone who was a young teenager in 1986.

The Verdict:       Vacation. I’m all about nostalgia, but I really can’t fully embrace Stand By Me. I suppose I just don’t relate to the boys in the film. I never had those kinds of relationships or those sorts of adventures as a kid. Objectively speaking it is a great movie, but it’s not one for which I’ve ever had deep affection. Conversely, I’ve seen Vacation countless times in the past three decades. If it’s on television I’m probably going to stop flipping thru the channels and watch. I’ve been known to keep it saved on my DVR for a boring rainy day. There are so many great scenes & quotable lines. It is undoubtedly the zenith of Chevy Chase’s long & prosperous career.

 

 

 

Ferris Bueller’s Day Off        vs.     The Princess Bride

buellerYou were probably wondering about the whereabouts of ol’ Ferris. Well, he had byes thru the first two briderounds but has now arrived. 1986’s Ferris Bueller’s Day Off solidified the star status of Matthew Broderick and tells the story of a scheming yet likeable high schooler, his girlfriend, & their best friend who decide to play hooky for the day and enjoy some of the finer things Chicago has to offer. They visit the Art Institute of Chicago, go to the top of the Sears Tower, eat lunch at a fancy restaurant, take in a Cubs game, & Ferris commandeers the microphone on a parade float belting out fun covers of Danke Schoen and Twist & Shout. In the process Ferris outwits his clueless parents as well as a persistent school principal. It’s all great fun, and we get to vicariously live thru a character who brazenly pulls off what most of us would never have the cahonas to try. The Princess Bride got past Cocktail in Round 2. It didn’t fair that well at the box office in 1987, coming in 41st, behind drivel like Outrageous Fortune, Mannequin, & Adventures in Babysitting. It did better than Ishtar and Superman IV though, so that’s something. Like other “cult classics” The Princess Bride would have to wait for the riches gained from home video to be deemed successful. Actress Robin Wright starred in the film while still doing soap opera Santa Barbara, but of course she has gone on to become one of Hollywood’s best. Rotten Tomatoes rates The Princess Bride as 97% Fresh, and our old pals Siskel & Ebert gave it double Thumbs Up. Ebert said it is “good-hearted fun” and “satire containing true innocence”, while Siskel called it “the weirdest assortment of characters since Star Wars” (which I’m pretty sure he meant as a compliment).

The Verdict:       Ferris Bueller. It’s odd to contemplate how different this competition might look with slightly altered matchups. The Princess Bride probably deserves a better fate, but Ferris Bueller is just so entertaining. And it kind of has a subtle message. We’ll get into that some other time though.

 

 

 

Batman      vs.     Star Trek IV: The Voyage Home

batmansymbolOur favorite Caped Crusader defeated 80’s pop staple Pretty in Pink in the last round. Batman was by far trek4the #1 film at the box office in 1989, and almost three decades later it is still near the Top 50 highest grossing films of all-time when adjusted for inflation. Willem Dafoe, David Bowie, John Lithgow, Tim Curry, Ray Liotta, Robert De Niro, Christopher Walken, Richard Gere, Jeff Goldblum, Robert Englund, & James Woods were among the actors considered for The Joker. Robin Williams thought he had the role after Jack Nicholson initially turned it down, but then Nicholson reconsidered and Williams was dismissed. That angered him so much that he refused an offer to portray The Riddler in the 1995 sequel Batman Forever. Thus we were stuck with Jim Carrey. Director Tim Burton retroactively says of his own film that it was “more of a cultural phenomenon than a great movie”, while Christopher Nolan, who would direct a new Dark Knight trilogy a couple of decades later, called the 1989 film “brilliant, visionary, & extraordinarily idiosyncratic”. The Voyage Home…aka the one with the whales…defeated Eddie & The Cruisers in Round 2. It was the fifth highest grossing film of 1986, behind Top Gun and Platoon but ahead of Ferris Bueller’s Day Off, Stand By Me, Hoosiers, & Pretty in Pink. It has an 85% Fresh rating at Rotten Tomatoes, with Ebert calling it “easily the most absurd of the Star Trek stories”, but also “the best, the funniest, and the most enjoyable in simple human terms.” I concur.

The Verdict:       The Voyage Home. I can’t believe I’m saying this, but I think Burton is onto something, and since he directed the thing he should know…Batman is probably more of a cultural phenomenon than a great movie. I mean I still think of it as a great movie as well, but the competition is stiff. The Voyage Home…in my opinion…is right up there with Wrath of Khan in the Star Trek hierarchy.

 

 

 

Risky Business  vs.     Coming to America

rb2After a first round bye Risky Business took out Iron Eagle in Round 2. It was the 10th highest grossing film of 1983, cta2behind classics like Return of the Jedi & WarGames, but beating out some darn good competition like Scarface, The Big Chill, & A Christmas Story. It has an impressive 96% Fresh rating on Rotten Tomatoes. Ebert said Risky Business “is a movie about male adolescent guilt…in other words it’s a comedy”, and also called it “one of the smartest, funniest, most perceptive satires in a long time.” High praise indeed. Coming to America defeated Brat Pack classic St. Elmo’s Fire in Round 2. It was the 3rd highest grossing film of 1988, behind only Rain Man & Who Framed Roger Rabbit, and ahead of great stuff like Die Hard, Beetlejuice, Scrooged, Bull Durham, & The Naked Gun. Its rating on Rotten Tomatoes is 69% Fresh, which is really good but not quite on par with many of the greats in this competition. Judged against other Eddie Murphy films it is easily in his Top 5, but amongst the bigger universe of comedy films I’m not sure it stands out.

The Verdict:       Risky Business. While Coming to America is a solid comedy it doesn’t feel special except when held up alongside the dreck that comprises way too much of Murphy’s overvalued filmography. Conversely Risky Business is an iconic representation of its era.

80’s Movie Mania: Bodacious Round 2

First things first. Let’s tie up a loose end from the previous installment. In a coin flip I am giving The Outsiders a victory over Weird Science. The former is just too good to overlook, with a powerful story and an all-star cast, while the latter, though it is another collaboration between John Hughes and Anthony Michael-Hall, is probably their weakest effort. Okay, so…let’s move forward. Today we’ll have the second round of competition in the Bodacious Division. Rock n’ roll dudes!!

 

 

 

Bodacious 2

Batman vs. Pretty in Pink
1989-BatmanThere have been many incarnations of my favorite superhero. The Caped Crusader of course originated in comic books in 1939 and continues to be a staple of that medium today. A famously campy television show aired on ABC for three seasons in the late 1960’s. Director Christopher Nolan brought his dark & gritty vision of the character to the big screen in a solid film trilogy a decade ago. And before that directors Tim Burton then Joel Schumacher produced a quadrilogy (I think I just created a new word!) of Batman movies in the late 80’s/early 90’s. We’ll talk about the other films at some point in the future, but for now we focus on 1989’s Batman, the first of that quadrilogy. Starring Michael Keaton as the titular hero and the legendary Jack Nicholson as his archnemesis The Joker, Batman adequately reflects the character’s caliginous & savage comic book history while still remaining classic popcorn escapism. There were concerns about Keaton being cast in the starring role because he was known mostly for being a comedic actor, but he nailed it and to this day remains my favorite big screen Batman. Of course everybody knows that Nicholson steals the show and is still the best Joker ever, with all due respect to the late Heath Ledger. Anyone who has enjoyed the plethora of films in the “Marvel Cinematic Universe” in the past several years should know that they owe a ton of credit to Batman for breathing new life into the genre nearly three decades ago. Unlike its opponent Pretty in Pink did not get a first round bye, besting Broadcast News in a close call. John Hughes, Molly Ringwald, Andrew McCarthy, John Cryer, If You LeavePretty in Pink has everything one could want in an 80’s film. A tip of the cap must be given to the powers-that-be for the ending, wherein the girl (Ringwald) DOESN’T pick the loveable loser best friend and instead chooses the good-looking rich guy…just like real life.

The Verdict: Batman. This is a tough one because Pretty in Pink is the prototypical 80’s movie, while Batman is slightly ahead of its time in embracing a gloomier 90’s-esque sensibility. However, I must go with my heart here. In my opinion this is the best comic book film ever made, although I have admittedly seen very few others.

 
Risky Business vs. Iron Eagle
risky-business-1983-02-gHe’s baaaacckk. Tom Cruise dominated the box office in the second half of the 80’s, but his breakout role came in 1983’s Risky Business. Cruise stars asiron-eagle high schooler Joel, whose parents leave him alone while they go on vacation. Like any normal teenager Joel goes a little nuts, including getting’ busy with a…lady of the night. After inadvertently sending his father’s Porsche into the river he must come up with some quick cash to get it repaired. The answer?? Turn the house into a brothel for a night…obviously. Risky Business not only features a fantastic soundtrack (Phil Collins, Bob Seger, Muddy Waters, Prince), but includes an iconic scene in which Joel dances around his living room in his underwear lipsynching Old Time Rock n’ Roll. Iron Eagle upset An Officer & A Gentlemen in Round 1. It ranked 41st at the box office in 1986, behind unremarkable bombs like Cobra, Children of a Lesser God, & Police Academy 3, but ahead of solid competition including Flight of the Navigator, Youngblood, & Brighton Beach Memoirs. Obscure trivia: Did you know that Robbie Rist, best known as Cousin Oliver in The Brady Bunch, has a role in Iron Eagle?? Well you do now!!

The Verdict: Risky Business. I love Iron Eagle, but Risky Business is a time capsule film and probably one of Cruise’s Top 5 roles.

Coming to America vs. St. Elmo’s Fire
coming-to-america1Eddie Murphy is back too. I’m sensing a theme. At any rate, 1988’s Coming to America is much more aligned with the kind of comedy we expect from sefMurphy. He stars as a pampered prince from one of those fictional nations that movies like to create, but doesn’t want to enter into an arranged loveless marriage. So the prince & his loyal assistant (played by Arsenio Hall) take off for NY City. There they find jobs at a McDonald’s-esque fast food joint and the prince falls in love with the owner’s lovely daughter. From there it is a classic fish-out-of-water story intertwined with a rom-com. James Earl Jones plays the king, while Samuel L. Jackson and Cuba Gooding Jr. have really small “blink and you’ll miss it” roles. This is undoubtedly one of Murphy’s best movies. St. Elmo’s Fire beat Romancing the Stone in the first round and is a classic Brat Pack film. It was the 23rd highest grossing film of 1985, behind stiff competition like Back to the Future, The Breakfast Club, & The Goonies, but besting notable films like Teen Wolf, Weird Science, Young Sherlock Holmes, & Vision Quest. St. Elmo’s Fire, by the way, is “a weather phenomenon in which luminous plasma is created by a coronal discharge from a sharp or pointed object in a strong electric field in the atmosphere, such as those generated by thunderstorms or created by a volcanic eruption, sometimes appeared on ships at sea during thunderstorms, regarded by sailors with religious awe for its glowing ball of light” and is named in honor of St. Erasmus of Formia, the patron saint of sailors. I have no idea what that has to do with the movie, but meaningless trivia is kind of my thing.

The Verdict: Coming to America. St. Elmo’s Fire has a fabled cast and a kickass theme song, but it is a flawed film, probably in part because it is directed by Joel Schumacher and John Hughes is nowhere in sight. Coming to America is directed by John Landis and has a likeable cast with a fun script. It doesn’t necessarily paint outside the lines, but it doesn’t really have to.

 
Star Trek IV: The Voyage Home vs. Eddie & The Cruisers
trekThere were six films made with the cast of the original Star Trek series…William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForesteddie Kelley as Dr. Bones McCoy, George Takei as Sulu, Nichelle Nichols as Uhura, Walter Koenig as Chekov, & James Doohan as Scotty…between 1979 and 1991. In this fourth installment the crew of the USS Enterprise goes back in time to modern day (1986) San Francisco to scoop up some humpback whales that will play a part in saving Earth in the 23rd century. It is a quintessential fish-out-of-water story, with our favorite space cowboys trying to fly under the radar in the 1980’s. It also holds up a rather humorous mirror to modern culture and allows the characters to really shine in a fun, lighthearted way. Eddie & The Cruisers scored an upset victory over the more acclaimed A Fish Called Wanda in Round 1 because that’s just how I roll. It is actually based on a novel that I may read someday. The premise is fantastic, but I have a lot of questions about the execution. In doing some reading about the film it sounds like it just ended up in the wrong hands and several mistakes were made. A more skilled director and production team might have made a movie that isn’t quite as overlooked & underappreciated as the final product.

The Verdict: Star Trek IV. I love Eddie & The Cruisers, but it could have been so much better. The Voyage Home isn’t necessarily a traditional Trek film. The action doesn’t take place in outer space and The Enterprise is MIA, but the script is really good and the cast does some of their finest work. It makes me smile, and in my book that’s pretty cool.

 
The Princess Bride vs. Cocktail
pb21987’s The Princess Bride is another film based on a book, the author being the guy who would go on to write or assist with screenplays for films like cButch Cassidy and the Sundance Kid, All the President’s Men, Misery, A Few Good Men, & Good Will Hunting. The film uses the book as a framing device, with Peter Falk (aka Columbo) starring as a grandfather reading to his ill grandson, played by a pre-Wonder Years Fred Savage. In the “fairy tale” a young farm girl named Buttercup falls in love with a laborer. He goes off to seek his fortune so they can be married but is presumed dead when his ship is attacked by an infamous pirate. A few years later Buttercup is set to marry the prince of yet another fictional country before she is kidnapped by one of the oddest trios you’ll ever see. Of course the young lady’s true love isn’t really dead and sets out to rescue her. The film is directed by Rob Reiner and has a charming cast, including Robin Wright, Wallace Shawn, Billy Crystal, & Andre the Giant. The best way I can describe it is delightfully quirky…family friendly escapism at its best. Cocktail got the decision over Stripes in Round 1. It was the 9th highest grossing movie of 1988, beating out solid competition like Beetlejuice, Scrooged, Bull Durham, & Everybody’s All-American. The Beach Boys’ song Kokomo is the film’s unofficial theme song and was a #1 hit.

The Verdict: The Princess Bride. This is a tough one because I love Cocktail. It is probably the most underrated Cruise movie. But The Princess Bride, besides being a cult classic, is a really solid film and a lot of fun.

 

 

Stand By Me vs. Weekend at Bernie’s
Stand-By-Me-Website-Banner-3-980x363-980x363Stand By Me defeated K-9 in Round 1. It was the 13th highest grossing film of 1986, behind Top Gun, Crocodile Dundee, & Ferris Bueller’s Day Off but WeekendAtBernies_184Pyxurzahead of Pretty in Pink, The Fly, Three Amigos!, & Hoosiers. It was directed by Rob Reiner and features a cool 50’s soundtrack. The framing device with Richard Dreyfuss as an older version of one of the characters that lets us know how all of their lives ended up playing out is a nice touch. Weekend at Bernie’s got the first round decision over Bachelor Party. It ranked 39th at the box office in 1989, ahead of Road House, The Fabulous Baker Boys, & The Dream Team but behind crapfests like The Karate Kid Part III, The Abyss, & The Bear (whatever the heck that is). It is interesting to ponder what became of stars Andrew McCarthy and Jonathan Silverman. McCarthy…a member of the infamous Brat Pack who starred in notable films like Mannequin, Pretty in Pink, & St. Elmo’s Fire…hasn’t been in anything memorable since Bernie’s (unless one wants to generously include the 1993 sequel) and has more recently been doing guest spots in TV shows that no one watches. Silverman starred in a mid-90’s sitcom called The Single Guy for a couple of seasons and does a lot of TV stuff, but Bernie’s seems to be his career highlight. Fame is indeed fleeting.

The Verdict: Stand By Me. It isn’t even close.