“Film is one of three universal languages, along with mathematics & music.” – Frank Capra
My original intention was to post this a few days ago, but stuff happens…like having a big chunk of what I wrote disappear because evidently I forgot to save my work. When something like that happens I can become quite emo, and to be honest I just lost my desire to write for a few days. Anyway, I’m feeling a little better about life in general now, so let’s finish this thing up and move on to the next gig. If you have not perused Part 1 please do so, and as always I really would enjoy some feedback.
16 A film that is personal to you…
We Are Marshall
I graduated from Marshall University in Huntington, WV in the mid-1990s, and the tragic 1970 plane crash that killed the entire football team, coaching staff, and a number of parents & boosters is a tale well known to anyone who has ever lived or attended school there. A couple of years after the crash a beautiful fountain on the student center plaza was dedicated in memory of the 75 lives lost, and during my four+ years at MU I passed by that fountain every single day. Anyway, 2006’s We Are Marshall, though an imperfect film, does an admirable job of depicting the event & its aftermath, with the haunting performance of Matthew Fox (Party of Five, Lost) as assistant coach Red Dawson deserving kudos. If you dig We Are Marshall I would highly recommend a 2000 documentary called Ashes to Glory, which is a more factual and much more emotional rendition of the story.
17 Favorite film sequel…
National Lampoon’s Christmas Vacation
I really had to think long & hard about this one. Rarely do sequels even approach the greatness of the original. And what about trilogies & series?? Do I prefer the second, third, or fourth movie?? I generally think of such things as one entity and don’t go so far as to break down each film, although there are exceptions. Having said all of that, and while I still think the original 1983 National Lampoon’s Vacation is the best of the series, the particular niche that Christmas Vacation has carved out in the pop culture landscape is undeniable. Three decades after its theatrical run it is shown on television dozens of times each holiday season…and we still watch.
18 A film that stars your favorite actor/actress…
Joe Versus the Volcano and The Glenn Miller Story
First, I had to decide between Jimmy Stewart & Tom Hanks, but I’m taking the easy way out and not making that choice, Secondly, I have shown love to other films by both men already, so what I have chosen to do is give a shout out to two of their lesser known films. Glenn Miller was a real life big band leader in the 1930’s & 40’s and the composer of hits like Moonlight Serenade, Little Brown Jug, & In the Mood. While flying from a gig in the United Kingdom to Paris in December 1944 Miller’s plane disappeared over the English Channel. He was only 40 years old. James Stewart just so happened to be a Glenn Miller doppelganger, so when a biopic was produced in 1954 he was the ideal choice for the part. If you like Stewart or Miller you’ll love both after watching this movie, and you just might become a fan of big band music, as I did. Joe Versus the Volcano isn’t as well-regarded as other Hanks/Meg Ryan films, but I encourage everyone to give it a whirl. It’s a bit of a slog at the beginning, but if you can make it past those gloomy first few minutes what you’ll find is a story that contains a lot of symbolism and has much to say about life.
19 A film made by your favorite director…
Planes, Trains and Automobiles
I don’t generally have any director specific loyalties…I judge a film based on what I see on the screen, regardless of who is in front of or behind the camera. However, I am an 80’s kid, and that means I’ve seen just about everything that John Hughes wrote, produced, and/or directed. Christmas is usually the main focus of holiday entertainment, as it should be, but there is one really great film that focuses on Thanksgiving. It is the perfect mix of comedy & sentimentality, which is right in my wheelhouse. I wish Steve Martin & John Candy would’ve made more movies together, but then again I’m not sure there’s any way they could have topped their inaugural effort.
I don’t remember when or why I watched IAWL for the first time, but during my childhood it was on television countless times on numerous channels at all hours so there were no shortage of opportunities to see it. The idea of a small town guy with big dreams who never quite escapes to fulfill them spoke to me from an early age, and at this point I suppose I’m sort of a self-fulfilling prophecy. IAWL was actually marketed as a romantic comedy, but has become a Christmas classic. To say it changed my life may be a tad dramatic because I’m not one to assign such power to a movie, but it does mean a lot to me and has become an important part of my holiday tradition.
21 A film that you dozed off in…
Monty Python & The Holy Grail
I’m probably going to catch some flack, but I have to be honest. There was a little video store down the street from my college dorm, and I decided to rent this movie that I’d heard so much about but never seen. Obviously it was a less than thrilling experience. I just don’t enjoy British humor.
22 A film that made you angry…
The Big Wedding
When a movie stars Robin Williams & Robert DeNiro I don’t think it is out of line to have high expectations. Sadly, not only does this movie fall short, it is undoubtedly one of the worst I’ve ever seen. I have never left a theater before a film is over, but I came pretty close with this one. DeNiro continues to trash his legendary legacy, while the late great Williams made a string of forgettable flops in the decade before his untimely demise.
23 A film made by a director who is dead…
Again, I’m not married to any particular directors, as in I adore every movie they’ve ever made. On top of that I’m not really a Hitchcock kind of guy. However, he did make a few films I’ve enjoyed, and his work with my man Jimmy Stewart is quite good. Rear Window is interesting in that it is essentially shot from one perspective, that of main character Jeff Jefferies, a professional photographer sidelined with a broken leg. Jeff lives in a courtyard apartment and becomes kind of a voyeur, intently watching neighbors that he doesn’t really know and making up stories about them that may or may not be true. When he decides that one of those neighbors might have murdered his wife things become really interesting. Rear Window wasn’t even nominated for Best Picture, which, in hindsight, seems like a real crime.
24 A film you wish you saw in theaters…
Apollo 13 and Titanic
I pondered & debated with myself, but I just can’t choose. History shows that Apollo 13 was released in June 1995, which wasn’t a good time in my life, so I’m not surprised I didn’t make it to the local cineplex for a flick. However, I have seen it countless times in the ensuing years and count it among the best movies ever made. I cannot recall a specific reason why I didn’t head to the theater to watch Titanic, although I’m not one for massive crowds so perhaps that scared me off. But by now I have watched it numerous times. I have always opined that some movies really should be seen on the big screen, and with a gigantic ship sinking into the ocean & a huge rocket being launched into space I can only assume these would have been really cool films to see in a theater. Alas, I suppose my 55 inch smart TV will have to suffice.
25 A film you like that is not set in the current era…
I cannot believe we have made it this far without mentioning what I consider to be the best film ever produced. It is nearly flawless. Thankfully, since it is set in the 1940s & 50s The Godfather fits this category perfectly.
26 A film you like that is adapted from somewhere…
I have never read Winston Groom’s 1986 novel, and am inclined never to do so. It is my understanding that the film differs vastly from its source material, and since I think it’s a damn fine movie I’m not going to ruin it by reading the book. I am usually in the camp that believes that the book is almost always better than the movie, but there are exceptions and I’m just going to mark Forrest Gump as one of them.
27 A film that is visually striking to you…
Batman & Robin
I believe I have previously described Batman & Robin as “aurally & visually obnoxious…an assault on the senses”, and I stand by that assessment. However, there is no denying that it is visually striking, and in hindsight it is far from the worst movie ever made.
28 A film that made you feel uncomfortable…
Very Bad Things
Oh wow…let me tell you something folks…if you’ve never seen Very Bad Things you really should. It’s something everyone needs to experience just once. I say that because it’s not the kind of film for which repeat viewings are a thing. Once is enough, and it’ll be something you will remember…for better or worse…for the rest of your life. It seems like a harmless enough concept…a group of buddies go to Vegas for a bachelor party. And with an all-star cast including Jon Favreau, Daniel Stern, Jeremy Piven, Christian Slater, Cameron Diaz, & Jeanne Tripplehorn one would assume it to be a fairly mundane, mainstream cliché…but that hypothesis is way wrong. As a matter of fact everything about this movie is so wrong, but in the kind of way that one cannot avoid staring at in complete fascination.
29 A film that makes you want to fall in love…
When Harry Met Sally
I freely admit it…I am comfortable enough with my smoldering machismo to proclaim my affection for rom coms, and in the early 90s America’s Sweetheart was Meg Ryan. She made three awesome romantic comedies (Joe Versus the Volcano, Sleepless in Seattle, & You’ve Got Mail) with Tom Hanks, who is the prototypical leading man for such films. However, I think When Harry Met Sally is probably the best of the genre. Billy Crystal is 14 years older than Ryan and early scenes depicting him as a recent college grad stretch the limits of credibility (he was 41 years old at the time), but the movie is funny, heartwarming, & a joy to watch. Near the end Crystal’s character says “when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible”, and I would love to find that person and begin the rest of my life.
I have opined on multiple occasions that “anyone who doesn’t shed a tear during the last 10 minutes of Field of Dreams doesn’t have a heart”. You see, it is so much more than a “sports movie”. It isn’t really about baseball at all. Field of Dreams is about regret & redemption, and the film’s conclusion packs an unexpected emotional punch, one that resonates even deeper three decades later than it did originally.
“Movies touch our hearts, awaken our vision, and change the way we see things. They take us to other places…open doors & minds. Movies are the memories of our lifetime.” – Martin Scorsese
We’re going to forego a verbose preamble today and jump right into the fray. If you have not read Part 1 please go back and do so at your leisure. As always I appreciate everyone who stops by to read the things that are written here, and your feedback is welcome.
90 Ma & Pa Kettle (various films)
Ma & Pa Kettle starred in ten films from 1947-57. They are simple country bumpkins raising their brood of 16 kids on the family farm, and the movies put them into various fish-out-of-water scenarios like trips to New York, Hawaii, & Paris, as well as winning a “house of the future” in a contest. I seem to recall that the Kettle films were shown on Saturday morning television with some frequency during my childhood. That was way before channels like TCM & AMC, so I assume it had to be a local syndication type of deal. I also have a vague recollection that it was my Dad who enjoyed watching Ma & Pa Kettle and introduced me to the movies.
“It may be a good day for you, but it ain’t for Pa. All the poor man wanted was a new tobacco pouch and instead he won a house he didn’t want and he got a bad sunburn.” (Ma)
“You do all the barkin’, but it’s me that’s always in the doghouse.” (Pa)
“You mean, Pa & Me’s got to support all our kids and the government too?” (Ma)
“Pa, you’re lazier than that old hound dog we used to have.” “Which one?” “The one that used to lean against the wall when she barked.”
89 Thelma Dickinson & Louise Sawyer (Thelma & Louise)
Full disclosure…I believe I’ve only watched Thelma & Louise once, but that was enough. The duo are southern ladies taking a girls’ trip to escape from their mundane existence, but things go awry when a drunken rabble-rouser tries to rape Thelma and Louise kills him. Of course we all know that in TV & movies no one ever does the smart thing by calling the police…instead they get spooked & go on the run, which is the foundation for the adventure that follows. Nearly three decades later many of us still refer to mischievous gal pals as Thelma & Louise.
“You said you ‘n’ me was gonna get out of town and for once just really let our hair down. Well darlin’, look out ’cause my hair is comin’ down!” (Thelma)
“You get what you settle for.” (Louise)
“He kinda prides himself on being infantile.” (Thelma)
“Good morning everybody, this is a robbery. Now if nobody loses their head, nobody will lose their head. Simon says everybody lay down on the floor, right away, right away, except you sir. You’ll have a story to tell your friends, that or a tag on your toe, it’s your decision.” (Thelma)
“I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?” (Thelma)
88 Raymond Babbitt (Rain Man)
I’m not sure anyone in history has done more to promote awareness of autism than Raymond Babbitt. Dustin Hoffman won his second Academy Award for Best Actor for his portrayal of Raymond, a savant whose deceased father left him millions that his scheming brother is trying to get from him. It is rare for Tom Cruise to be outshined in any film, but Raymond’s charming blend of pathos, humor, & vulnerability does the trick.
“I’m an excellent driver.”
“13 minutes to Judge Wapner and The People’s Court.”
87 Dr. Frank N. Furter (The Rocky Horror Picture Show)
Some films have broad appeal, and I assume that is what the powers-that-be are going for most of the time. However, there is no shortage of movies that are focused on a rather specific target audience. I haven’t seen The Rocky Horror Picture Show since I was in college, sitting out in a field late at night throwing rice & toilet paper at the screen, but that’s okay since it is exactly the kind of weird, drunken, relatively innocuous, & completely stupid experience one should have at 19, because if that’s how you spend your weekend when your 35 or 50 it becomes a bit disturbing. Dr. Furter describes himself as a “sweet transvestite from Transsexual, Transylvania”, which seems like a fitting description. Unforgettable name?? Check. Unique outfit?? Check. Quirky as all get-out?? You bet. Actor Tim Curry has been nominated for Tony Awards, starred in films like The Hunt for Red October & Home Alone 2: Lost in New York, and portrayed Pennywise in the TV miniseries of Stephen King’s It, but he will most likely always be remembered as Dr. Frank N. Furter.
“Tonight, my unconventional conventionalists, you are about to witness a new breakthrough in biochemical research, and paradise is to be mine!”
“Don’t be upset…it was a mercy killing. He had a certain naïve charm, but no muscle.”
86 Mick “Crocodile” Dundee (Crocodile Dundee)
Let’s face it…the only reason any of us in the good ol’ USA has ever requested for someone to “throw another shrimp on the barbie” is because Crocodile Dundee taught us what that means in 1986. Outback Steakhouse was created in Tampa, FL two years after the film’s release in hopes of capitalizing on America’s newfound fascination with Australia. Two Dundee sequels were produced, but neither had the magic of the original, a classic fish-out-of-water tale featuring a most unconventional protagonist.
“Get on the right side of the road you pelican!”
“That’s not a knife…THAT’S a knife.”
“Well, you see, Aborigines don’t own the land…they belong to it. It’s like their mother. See those rocks? Been standing there for 600 million years…still be there when you & I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.”
“Imagine seven million people all wanting to live together. New York must be the friendliest place on earth.”
85 Tommy DeVito (Goodfellas)
Not too long ago I saw a poll on Facebook asking about the best mob movie and was stunned when Goodfellas beat out The Godfather, because in my humble opinion The Godfather cannot be touched. Having said that, it is a rather unfair comparison. The Godfather is an Shakespearean fantasy with lots of Hollywood style & polish, whereas Goodfellas is more raw & down-to-earth. Inasmuch as The Mafia still exists in modern America I assume Goodfellas is probably a more accurate portrayal, but for me that doesn’t necessarily equal entertainment value. It’s kind of the same thing as people who fawn all over Christopher Nolan’s Dark Knight trilogy because of its gritty realism, while I lean toward the escapism of the Burton/Schumacher Batman flicks from the late 80’s/early 90’s. At any rate, actor Joe Pesci had done Raging Bull in 1980 and added some life to the Lethal Weapon franchise in 1989 so Goodfellas wasn’t his first rodeo, but Tommy DeVito has become one of his defining roles (we’ll get to another a bit later). DeVito is loosely based on real life gangster “Two Gun Tommy” DiSimone, a NY City gangster who “disappeared” in January 1979. Two Gun Tommy was much younger, not to mention physically bigger & stronger, than the diminutive, middle-aged, fast-talking tough guy depicted in the film, but other mobsters have said that Pesci’s portrayal…for which he won the Academy Award for Best Supporting Actor…is otherwise fairly accurate.
“What do you mean I’m funny? What do you mean? You mean the way I talk? What? You mean, let me understand this, ’cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how? I mean funny like I’m a clown? I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny? Funny how? How am I funny?”
84 Larry Talbot (The Wolf Man)
Y’all know that I’m not a horror movie fan, but for some reason I love the old Universal monsters from the 1930’s & 40’s. Talbot is a mild-mannered man who returns to Wales after two decades in America to reconcile with his estranged father. He is bitten by a werewolf while trying to rescue a damsel in distress, and thereafter becomes a werewolf himself. After committing a series of murders he is eventually bludgeoned to death by his own father, who doesn’t realize The Wolf Man is his son. Lon Chaney Jr.’s portrayal of Talbot as quiet & reserved and emotionally tortured by his infirmity is the perfect contrast to the ferocity of the beast.
“You think I don’t know the difference between a wolf and a man? You’re insane! I tell you, I killed a wolf! A plain, ordinary wolf! Don’t try to make me believe that I killed a man when I know that I killed a wolf!”
83 Tony Montana (Scarface)
I don’t rate Scarface as highly as some simply because I tend not to like movies about crime & drugs…it’s just not my kind of entertainment. Having said that, there’s no denying that Tony Montana is a memorable character. Tony arrives in Miami from Cuba and starts his new life as a dishwasher. A few years later he is a wealthy drug lord with an unhealthy cocaine addiction. As is the case with such characters there is a lot of bloodshed, ultimately ending (spoiler alert) with Tony face down in a fountain after having been shot in the back by a rival’s henchman. Critics like to attach meaning to films like Scarface, seeing it as some sort of allegory about rising & falling, the excesses of the American Dream, or a commentary on criminal avarice, but I prefer to learn such lessons without all the violence & profanity. Italian-American Pacino seems like an odd choice to portray a Cuban, and I’m not sure that would fly in our newly woke culture just a few decades later. Interestingly, Robert DeNiro was the first choice for the role of Tony Montana but he declined the opportunity.
“This is paradise. This is paradise, I’m tellin’ you. I shoulda come here 10 years ago. I’d have been a millionaire by this time. By this time, I’d have had my own boat, my own car, my own golf course.”
“Me, I always tell the truth…even when I lie. So say good night to the bad guy! Come on. The last time you gonna see a bad guy like this again, let me tell you. Come on. Make way for the bad guy. There’s a bad guy comin’ through! Better get outta his way!”
“This country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the woman.”
“Okay, you little cockroaches… come on! You wanna play games? Okay, I can play with you. Come on! Okay, you wanna play rough?!?!?? Okay! SAY HELLO TO MY LITTLE FRIEND!”
82 Deputy U.S. Marshal Sam Gerard (The Fugitive)
Other than its love of sequels the other way that Hollywood plays it safe by not being particularly innovative is to recycle old television shows and bring them…or atleast the central premise…to the big screen, with the results being decidedly mixed. The Dukes of Hazzard, Leave it to Beaver, & The Wild Wild West weren’t good movies, while The Addams Family, The Brady Bunch, & Charlie’s Angels were decent enough. One of the best movie adaptations of a TV show is The Fugitive, with Harrison Ford portraying erroneously convicted Dr. Richard Kimble. While the television show had Dr. Kimble doggedly pursued across the country by local police Lt. Philip Gerard, the film kicks it up a notch by making the hunter no nonsense U.S Marshal Sam Gerard, although the quest is essentially limited to Chicago. Tommy Lee Jones won the Academy Award for Best Supporting Actor for his role as Gerard, and became the focus of the story in a much inferior sequel a few years later. In the movie neither Kimble nor Gerard resemble the television characters they are based on all that much, but in this case the adaptation is actually better than the original.
“Let that be a lesson to you, boys & girls. Don’t ever argue with the Big Dog, because the Big Dog is always right.”
“Listen up, ladies & gentlemen! Our fugitive has been on the run for 90 minutes. Average foot speed over uneven ground barring injuries is 4 miles per hour and that gives us a radius of 6 miles. What I want out of each & every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, henhouse, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive’s name is Dr. Richard Kimble. Go get him.”
81 Walter Sobchak (The Big Lebowski)
Lebowski is a weird movie, but it sure is fun to watch when a particular mood strikes. One of the key reasons for its success is John Goodman’s portrayal of Walter, the foul-mouthed, slightly unhinged, but loyal best buddy of the film’s protagonist. I’ve never been a fan of Goodman’s infamous TV show Roseanne in any of its incarnations, but I sure have enjoyed his big screen career. Raising Arizona. Everybody’s All-American. The Hangover Part III. They may not be transcendent films, but they’re enjoyable enough and better because Goodman is in them. Walter is most definitely second fiddle in Lebowksi, but that’s okay…great movies need supporting characters that add a colorful layer to the story, and in this case the mission is certainly accomplished.
“Donny, you’re out of your element! Dude, the Chinaman is not the issue here!”
“Nihilists! I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.”
“Lady, I got buddies who died face down in the muck so that you & I could enjoy this family restaurant!”
“You want a toe? I can get you a toe. Believe me. There are ways, Dude.”
“Life does not start and stop at your convenience, you miserable piece of shit!”
“You know, Dude, I myself dabbled in pacifism once. Not in ‘Nam of course.”
“We’re talking about unchecked aggression here, Dude.”
“Smokey, this is not ‘Nam. This is bowling. There are rules.”
80 Captain Louis Renault (Casablanca)
¾ of a century after its theatrical release Casablanca is still regarded as one of the best movies ever produced. There are multiple reasons for that, but one of them is Capt. Renault, a cynical & slightly corrupt French policeman. Casablanca is the largest city in Morocco on the coast of Africa. During World War II it was a vital strategic port, and since a large chunk of Europe was controlled by the Nazis travel was limited, hence the importance of the film’s “letters of transit” (a true film MacGuffin…in reality no such documents existed). Capt. Renault plays all sides, loyal only to his own needs & desires…or so we are led to believe until the film’s conclusion. He isn’t a clichéd movie bad guy…he seems pleasant enough, and in fact has some of the more blithe dialogue. It is rare for an alleged villain to add levity to the story, but that is exactly what Renault does, which is probably why I like him. Actor Claude Rains played more conventional antagonists in films like Mr. Smith Goes to Washington and Alfred Hitchcock’s Notorious, and earned four Academy Award nominations in his career, but Casablanca was the beginning of a beautiful friendship with the audience and Cpt. Renault.
“I’m making out the report now. We haven’t quite decided whether he committed suicide or died trying to escape.”
“It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient.”
“I have no conviction, if that’s what you mean. I blow with the wind, and the prevailing wind happens to be from Vichy.
“How extravagant you are, throwing away women like that. Someday they may be scarce.”
“You mustn’t underestimate American blundering. I was with them when they “blundered” into Berlin in 1918.”
“I told my men to be especially destructive. You know how that impresses Germans.”
“Everybody is to leave here immediately! This cafe is closed until further notice. Clear the room, at once! I am shocked…shocked…to find that gambling is going on in here!”
“Well, Rick, you’re not only a sentimentalist, but you’ve become a patriot.”
“Round up the usual suspects!”
79 Jack Dawson & Rose DeWitt-Bukater (Titanic)
For several years Titanic was the highest grossing film of all time, and it swept thru the 1997 awards season like a tornado. Critics & the general populace both love it, but one of the few condemnations I seem to recall hearing back then was that the main focus wasn’t on actual people who lost their lives in the infamous tragedy. Instead the spotlight was given to two fictional characters in Jack & Rose. They are essentially a riff on Shakespeare’s Romeo & Juliet. He’s a good-natured American guy from the wrong side of the tracks heading home to Wisconsin, while she is a prim & proper British debutante who hates her rigid life. In the course of three hours we become invested in them individually and in their love story. They may not be based on real people, but as composite characters I believe they are solid representatives of the 1500 souls lost on that catastrophic night.
“I’m the king of the world!” (Jack)
“Do you know of Dr. Freud, Mr. Ismay? His ideas about the male preoccupation with size might be of particular interest to you.” (Rose)
“I’m not an idiot. I know how the world works. I’ve got ten bucks in my pocket. I have nothing to offer you and I know that. I understand. But I’m too involved now. You jump, I jump, remember? I can’t turn away without knowing you’ll be all right.” (Jack)
“I’m flying, Jack!” (Rose)
“I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what’s gonna happen or, who I’m gonna meet, where I’m gonna wind up. Just the other night I was sleeping under a bridge and now here I am on the grandest ship in the world having champagne with you fine people. I figure life’s a gift and I don’t intend on wasting it. You don’t know what hand you’re gonna get dealt next. You learn to take life as it comes at you… to make each day count.” (Jack)
“Jack, I want you to draw me like one of your French girls. Wearing this…wearing only this.” (Rose)
“I don’t know about you, but I intend to go write a strongly worded letter to the White Star Line about all this.” (Jack)
“Don’t you do that…don’t you say your goodbyes. Not yet, do you understand me? You’re gonna get out of here, you’re gonna go on, and you’re gonna make lots of babies, and you’re gonna watch them grow. You’re gonna die an old… an old woman warm in her bed, not here, not this night. Not like this, do you understand me? Winning that ticket, Rose, was the best thing that ever happened to me. It brought me to you, and I’m thankful for that, Rose. I’m thankful. You must do me this honor. You must promise me that you’ll survive, that you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.” (Jack)
78 Jenny Curran (Forrest Gump)
A lot of subtext can be read into Forrest Gump. Some believe that Jenny…the lifelong friend of the film’s simpleminded hero who was abused as a young girl, becomes a hippie, descends into a life of drugs & prostitution, and ends up dying of (we assume) a sexually transmitted disease…is meant to represent the counterculture & upheaval of the 1960’s that many consider the loss of America’s innocence. She is the darkness in contrast to Forrest’s patriotic optimism. I’m not sure any of that symbolism was purposeful by the filmmakers, but the movie & the character stand on their own merits regardless of intent. Actress Robin Wright has had a solid career in Hollywood, from soap opera Santa Barbara in the mid-80’s to The Princess Bride in 1987 to the recently concluded Netflix hit House of Cards, but the sadness & vulnerability that defines Jenny has been her crowning achievement.
“Dear God, make me a bird. So I could fly far. Far far away from here.”
“Listen, you promise me something, okay? Just if you’re ever in trouble, don’t be brave. You just run, okay? Just run away.”
77 Inspector Harry Callahan (Dirty Harry)
Clint Eastwood’s career has spanned over a half century, and he’s done everything from westerns to critically acclaimed dramas to the television show Rawhide. He’s even become an Academy Award winning director. However, Eastwood will always be most closely associated with his portrayal of Harry Callahan, a tough as nails San Francisco cop who plays by his own set of rules.
“I know what you’re thinking: ‘Did he fire six shots or only five?’ Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do you, punk?”
76 Euphagenia Doubtfire (Mrs. Doubtfire)
The titular character in this film is actually a man in drag. Daniel Hillard is an itinerant voice actor whose uptight wife divorces him and gets custody of their three children. Instead of allowing their father to spend more time with them the career driven mother decides to hire a nanny, so Daniel dons a very convincing disguise and becomes an elderly British woman. The ruse works, and Mrs. Doubtfire allows Robin Williams’ comedic genius to shine.
“Oh, sir! I saw it! Some angry member of the kitchen staff. Did you not tip them? Oh, the terrorists – they ran that way. It was a run-by fruiting.”
“I’m a hip old granny who can hip-hop, be-bop, dance ’til you drop, and yo, yo, make a wicked cup of cocoa.”
“Oh. Carpe dentum. Seize the teeth. Just shake them off, like a dog.”
“I found the best way to keep from smoking again and lighting up is to be around those who do smoke. I have to randomly ingest just a little bit of nicotine and it steels my wool.”
“He was quite fond of the drink. It was the drink that killed him. He was hit by a Guinness truck. So it was quite literally the drink that killed him.”
75 Woody Pride & Buzz Lightyear (The Toy Story Series)
The older I get the more I appreciate animated movies, especially since the technology has really advanced in the past couple of decades. It doesn’t hurt that Toy Story is a great example of a film that can be enjoyed by kids but is well written enough for adults to be entertained as well. Buzz Lightyear is a boisterous Space Ranger who doesn’t understand that he’s a toy. He is the newest action figure for young Andy, a birthday present from his mother. Buzz initially has a difficult time fitting in with the rest of Andy’s toys, especially Sheriff Woody, who is envious that he’s been replaced as Andy’s favorite plaything. Woody is the unofficial leader amongst all of Andy’s toys and feels threatened by Buzz at first, although the two eventually become pals.
“To infinity and beyond!” (Buzz)
“I can’t stop Andy from growing up… but I wouldn’t miss it for the world.” (Woody)
74 Inigo Montoya (The Princess Bride)
You killed his father…prepare to die!! Inigo Montoya is a Spanish swordsman on a mission. As a child he witnessed six fingered Count Rugen murder his father and has spent his life seeking vengeance. Initially he works with malevolent Vizzini to kidnap the lovely Buttercup, but eventually he becomes a good guy, teaming up with The Man in Black & giant Fezzik to rescue Buttercup. He also comes face to face with Rugen and finally gets his revenge.
“He was a great swordmaker, my father. When the six-fingered man appeared and requested a special sword, my father took the job. He slaved a year before it was finished. The six-fingered man returned and demanded it, but at 1/10th his promised price. My father refused. Without a word, the six-fingered man slashed him through the heart. I loved my father. So naturally, I challenged his murderer to a duel. I failed. I was 11 years old. When I was strong enough, I dedicated my life to the study of fencing. So, the next time we meet, I will not fail. I will go up to the six-fingered man and say, ‘Hello, my name is Inigo Montoya. You killed my father. Prepare to die.’”
73 Lt. Dan Taylor (Forrest Gump)
I was born with a birth defect and have been disabled my entire life, so the way I do things & live my life is entirely normal to me. However, I have known people who became disabled later in life thru some sort of calamity, and it isn’t uncommon for such folks to become understandably bitter & angry about their situation. Lt. Dan captures those emotions perfectly. He’s kind of a prick, but one can’t help but have empathy and root for him. Gary Sinise might be the most underrated actor of his generation, and it’s a shame that he didn’t win the Academy Award for Best Supporting Actor for his performance as Lt. Dan.
“Now, you listen to me. We all have a destiny. Things don’t just happen…it’s all part of a plan.”
“There are two standing rules in this outfit. One, take care of your feet. Two, don’t go doing something stupid, like getting yourself killed.”
“You call this a storm?!?!?? Blow, you son of a bitch! It’s time for a showdown! You and me! I’m right here! Come and get me! You’ll never… sink… this…boat!!!!”
72 Edward Scissorhands (Edward Scissorhands)
I can’t say I’m on the Tim Burton bandwagon (I have zero interest in Ed Wood, Mars Attacks, or Sweeney Todd, Dark Shadows didn’t really work for me, and I’m thoroughly confused by The Nightmare Before Christmas), but I have enjoyed some of his work (the Batman films of the late 80’s/early 90’s are much more entertaining than Christopher Nolan’s Dark Knight trilogy no matter what anyone says, and Beetlejuice is a modern classic), with Edward Scissorhands chief among them. Edward is the Pinocchio-esque creation of an elderly inventor whose kind & quiet demeanor is offset by the scary looking blades he has instead of hands. The inventor dies and Edward lives for years in an old gothic mansion until a nosy Avon lady stumbles upon him and tries to integrate him into her odd little neighborhood. There Edward falls in love with the lovely young Kim, which makes her boyfriend jealous. Drama & violence ensue, with Edward fleeing back to his mansion. The movie has a framing device with an older version of Kim telling her granddaughter the story and saying that she believes Edward is still alive & living in the old mansion. Johnny Depp seems like kind of a weird dude, but credit where it is due…the guy is a terrific actor and Edward Scissorhands is probably his best performance. Edward is a quiet character who expresses so much with his eyes & facial expressions, which I find captivating.
“Mrs. Monroe showed me where the salon’s going to be. You could have a cosmetics counter. And then she showed me the back room where she took all of her clothes off.”
71 Mickey Goldmill (The Rocky Series)
Burgess Meredith had a long & successful career in Hollywood, doing a little bit of everything from portraying The Penguin in the 1960’s Batman TV show to playing Lenny in one of the best film adaptations of John Steinbeck’s Of Mice & Men, but to those of us of a certain age he’ll always be Rocky Balboa’s grizzled old manager in the first three Rocky films. Mickey sees Balboa’s potential and isn’t afraid to speak his mind. Mickey encourages Rocky in his pursuit of heavyweight champion Apollo Creed, and does his best a few years later to steer the champ away from the menacing Clubber Lang. Of course Rocky is mauled by Lang, but Mickey’s death immediately afterward spurs his path to revenge.
“I’m here to warn ya, that ya gotta be very careful about this shot that you got at the title. Because, like the Bible says, you ain’t gonna get a second chance. What ya need is a manager. I know, because I’ve been in this racket for fifty years. I’ve seen it all, all of it. I’ve got 21 stitches over this left eye. I’ve got 34 stitches over this eye. Do ya know that I had my nose busted 17 times. I got all this knowledge, I got it up here now, I wanna give it to you. I wanna take care of ya. I wanna make sure that all this shit that happened to me doesn’t happen to you. Ya can’t buy what I’m gonna give ya. I’ve got pain and I’ve got experience.”
“You’re gonna eat lightnin’ and you’re gonna crap thunder.”
“You got another shot. It’s a second shot at the, I don’t know, the biggest title in the world. And you’re gonna be swappin’ punches with the most dangerous fighter in the world. And just in case, you know, your brain ain’t workin’ so good, all this happens pretty soon and you ain’t ready. You’re nowhere near in any shape. So I say, you know, for God’s sake, why don’t you stand up and fight this guy hard?! Like ya done before? That was beautiful! But don’t lay down in front of him like this! Like, I don’t know, like some kind of mongrel or something. ‘Cause he’s gonna kick your face in pieces, you know that? That’s right. This guy just don’t wanna win, you know. He wants to bury ya, he wants to humiliate ya. He wants to prove to the whole world that you was nothing but some kind of a freak the first time out. And he said you’re a one-time lucky bum. Well, now, I don’t, I don’t wanna get mad, in a biblical place like this, but I think you’re a hell of a lot more than that, kid.”
“Why don’t you carry this? ‘Cause I liked you a lot better when you was carryin’ spit. ‘Cause the way you’re trainin’, you’re gonna end up pumping gas in Jersey somewhere!”
“You can’t win, Rock! This guy’ll kill ya to death inside of 3 rounds! He ain’t just another fighter. This guy is a wreckin’ machine, and he’s hungry! Hell, you ain’t been hungry since you won that belt! Three years ago, you were supernatural. You was hard and nasty. You had this cast iron jaw. But then, the worst thing happened to you that could happen to any fighter. You got civilized. Don’t worry, kid. You know, presidents retire, generals retire, horses retire, Man o War retired. They put him out to stud. That’s what you should’ve done, retire.”
70 Ace Ventura (Ace Ventura: Pet Detective)
Jim Carrey has gone on to become a fairly well-regarded actor who takes himself, his craft, and life in general way too seriously. However, 25 years ago he was an up & comer known for portraying Fire Marshal Bill on the TV sketch comedy show In Living Color. Critics hated Ace Ventura: Pet Detective, but its 47% score on Rotten Tomatoes was trumped by a $72 million box office, making it the 12th highest grossing film of 1994 and earning a sequel just a year later. The sequel was an even bigger financial success but also more panned critically. Ace is a unique & unforgettable character because really, who would even conceive of “pet detective” being a thing?
“Einhorn is Finkle. Finkle is Einhorn! Einhorn is a MAN!”
“Fiction can be fun! But I find the reference section much more enlightening. For instance, if you were to look up professional football’s all-time bonehead plays you might read about a Miami Dolphin kicker named Ray Finkle, who missed a 26-yard field goal in the closing seconds of Super Bowl XVII. What you WOULDN’T read about is how Ray Finkle lost his mind, was committed to a mental hospital, only to escape and join the police force under the assumed identity of a missing hiker, manipulating his way to the top in a diabolical scheme to get even with Dan Marino whom he blamed for the entire thing!”
69 Rhett Butler & Scarlett O’Hara (Gone with the Wind)
The on again/off again relationship between Rhett & Scarlett reminds me of every “will they or won’t they” antagonistic & tortured “romance” we’ve seen play out on TV in my lifetime. In the real world such relationships are toxic, but within the scope of entertainment we find the tension & chemistry charming. Rhett Butler is a wealthy scoundrel who eventually enlists in the Confederate Army. Scarlett O’Hara is an entitled debutante, the self-centered daughter of a plantation owner. She spends most of the film pining for southern gentleman Ashley Wilkes, but he’s married to her cousin. Rhett is immediately smitten with Scarlett, but thru the years she marries two other men for all the wrong reasons, and both husbands end up dead. Scarlett goes through a lot of stuff over the course of the story, proving herself to be as resilient & tough as she is spoiled. Eventually Rhett & Scarlett marry & have a child, but she STILL can’t get over Ashley Wilkes. Rhett becomes fed up with her shenanigans and bolts, just as she finally figures out that he’s the man she truly needs. Vivien Leigh won the Academy Award for Best Actress for her portrayal of Scarlett, beating out the likes of Greta Garbo & Bette Davis in the process. Clark Gable wasn’t the original choice to portray Rhett…Gary Cooper turned down the part. Gable was nominated for Best Actor, but lost to Robert Donat for his role in Goodbye, Mr. Chipps.
“I’m very drunk and I intend on getting still drunker before this evening is over.” (Rhett)
“As God is my witness they’re not going to lick me. I’m going to live through this and when it’s all over, I’ll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill. As God is my witness, I’ll never be hungry again! (Scarlett)
“The war stopped being a joke when a girl like you doesn’t know how to wear the latest fashion.” (Rhett)
“Tara! Home. I’ll go home. And I’ll think of some way to get him back. After all… tomorrow… is another day!” (Scarlett)
“Open your eyes and look at me. No, I don’t think I will kiss you, although you need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.” (Rhett)
“I’m the only man over 16 and under 60 who’s around to show you a good time.” (Rhett)
“There’s one thing I do know, and that is that I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we’re alike. Bad lots, both of us. Selfish & shrewd, but able to look things in the eyes as we call them by their right names.” (Rhett)
“Frankly, my dear, I don’t give a damn.” (Rhett)
68 Robin Hood (various films)
Sir Robin of Loxley first appeared in English folk ballads in the 15th century and has popped in & out of our collective pop culture consciousness for over 500 years. An outlaw who steals from the rich & gives to the poor, lives in Sherwood Forest with his band of Merry Men (Friar Tuck, Little John, Will Scarlet, et al), battles the dastardly Sheriff of Nottingham, & romances the lovely Maid Marian, Robin Hood has starred in about three dozen movies in the past hundred years. It is likely that he’d be a bit higher in our countdown if more of those films had been…noteworthy. Hollywood keeps trying, but despite their best efforts the only Robin Hood movie that has made much of an impact is 1938’s The Adventures of Robin Hood, a classic starring Errol Flynn.
“We Saxons have little to fatten on by the time your tax gatherers are through. Overtaxed, overworked, and paid off with a knife, a club, or a rope.”
“It’s time to put an end to this! Now, this forest is wide. It can shelter and clothe and feed a band of good, determined men – good swordsmen, good archers, good fighters. Men, if you’re willing to fight for our people, I want you! Are you with me?”
“What else do you call a man who takes advantage of the King’s misfortune to seize his power? Now, with the help of this sweet band of cutthroats, you’ll try to grind a ransom for him out of every helpless Saxon, a ransom that will be used, not to release Richard, but to buy your way to the throne. I’ll organize a revolt, exact a death for a death, and I’ll never rest until every Saxon in this shire can stand up free men, and strike a blow for Richard and England.”
67 Clark Griswold (The Vacation Series)
Five years ago The Manofesto ranked Clark Griswold 4th on our list of Superfluous 7 Most Awesome Fictional Dads, opining that despite being kind of a dufus it is obvious that he is a devoted family man. Chevy Chase has portrayed Clark in five films stretching all the way back to the original National Lampoon’s Vacation in 1983. He’s an interesting character in that his occupation as an R&D expert in food additives & preservatives seems to indicate some level of intelligence, yet he is depicted as an ordinary putz in his personal life. Chase’s gift for physical comedy as well as how others play off him…with sort of an eye-rolling tolerance for his buffoonery…endears Clark to the audience, making us glad when everything turns out fine despite his persistent screw-ups.
“This is no longer a vacation…it’s a quest. It’s a quest for fun! I’m gonna have fun and you’re gonna have fun! We’re all gonna have so much fuckin’ fun we’ll need plastic surgery to remove our goddamn smiles! You’ll be whistling Zip-A-Dee-Doo-Dah out of your assholes!!! HAHAHA!!! I gotta be crazy; I’m on a pilgrimage to see a moose! Praise Marty Moose! Holy shit!!!”
“Hey, look kids…there’s Big Ben and there’s Parliament.”
“Honey, we’re not normal people. We’re the Griswolds!”
66 John Doe (Se7en) & Keyser Soze (The Usual Suspects)
Oscar winning actor Kevin Spacey may be persona non grata in Hollywood these days, but until he ran into the #MeToo Mafia his career had been full of memorable roles. To be honest Se7en & The Usual Suspects aren’t really my kind of films, but both offer unforgettable villains made even better by the presence of Spacey inhabiting the characters. Se7en tells the story of a serial killer who uses The Seven Deadly Sins as a theme in his murders. John Doe forces a man to eat until his stomach ruptures (gluttony), kills a lawyer by literally taking a pound of flesh from him (greed), starves a drug dealer/child molester almost to death (sloth), forces a man at gunpoint to kill a prostitute by raping her with a bladed “toy” (lust), & mutilates the face of a model (pride). For those who haven’t seen the movie I won’t spoil the final two crimes representing envy & wrath. The Usual Suspects finds the LAPD interrogating cerebral palsy-afflicted con man Verbal Kint after he survives a massacre on a ship. Kint weaves a tale about a crime lord named Keyser Soze, but in possibly one of the best endings to a movie ever it is revealed (major spoiler alert) that Verbal Kint IS Keyser Soze. Spacey won his first Academy Award (Best Supporting Actor) for his role in The Usual Suspects.
“The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” (Keyser Soze)
“Don’t ask me to pity those people. I don’t mourn them any more than I do the thousands that died at Sodom & Gomorrah.” (John Doe)
65 Dr. Frederick Frankenstein (Young Frankenstein)
First of all, it is pronounced “Fronk-en-steen”. That is just one small way in which Frederick has intentionally distanced himself from his grandfather’s twisted legacy. However, upon inheriting the family castle in Transylvania Frederick finds himself at a crossroads, and I think we all know the hilarious path he chooses. I’m a fan of parody films, and the way director Mel Brooks spoofs the classic story is funny in a way that I fear may be lost on modern youngsters. Gene Wilder not only stars as Frederick but he also co-wrote the screenplay with Brooks. The cast…Madeline Kahn, Marty Feldman, Peter Boyle, Cloris Leachman, Teri Garr, Gene Hackman…is first rate, even if no one under 45 these days might appreciate that fact. I have a bad feeling that someday somebody is going to get the bright idea to remake Young Frankenstein, and that would be…at the very least…misguided.
“From that fateful day when stinking bits of slime first crawled from the sea and shouted to the cold stars, ‘I am man!’ our greatest dread has always been the knowledge of our mortality. But tonight, we shall hurl the gauntlet of science into the frightful face of death itself. Tonight, we shall ascend into the heavens. We shall mock the earthquake. We shall command the thunders, and penetrate into the very womb of impervious nature herself.”
“My grandfather’s work was doodoo! I am not interested in death! The only thing that concerns me is the preservation of life!”
“Are you saying that I put an abnormal brain into a 7 and a half foot long, 54- inch wide GORILLA?!?!?! IS THAT WHAT YOU’RE TELLING ME!?!”
63 Carl Spackler (Caddyshack)
One would assume that being an assistant greenskeeper at swanky Bushwood Country Club would allow even a middle class guy like Carl a decent lifestyle. Alas, he lives in small hut on the golf course, with his job & the game of golf itself consuming his life. He dreams of one day winning The Masters, and in his spare time breeds grass hybrids that one can “play 36 holes on in the afternoon” then “get stoned to the bejeezus” on it at night. He becomes obsessed with ridding the golf course of a rabblerousing gopher, going so far as to utilize explosives and blow up the very course he is employed to look after.
“What an incredible Cinderella story! This unknown, comes out of nowhere, to lead the pack at Augusta. The crowd is just on its feet here. He’s a Cinderella boy. Tears in his eyes, I guess, as he lines up this last shot. He’s got about 195 yards left, and he’s got a, looks like he’s got about an 8-iron. This crowd has gone deadly silent… Cinderella story, out of nowhere, former greenskeeper, now about to become the Masters champion. It’s in the hole! It’s in the hole!”
“My enemy…my foe…is an animal. In order to conquer the animal I have to learn to think like an animal. And, whenever possible, to look like one. I’ve gotta get inside this guy’s pelt and crawl around for a few days.”
“And he says, ‘Oh, uh, there won’t be any money, but when you die, on your deathbed, you will receive total consciousness.’ So I got that goin’ for me, which is nice.”
64 Hermione Granger (The Harry Potter Series)
Author JK Rowling describes Hermione as having “pale skin, bushy brown hair, brown eyes, & large buck teeth”. In the films she is much lovelier than the impression one gets from the books, but her personality remains unchanged: intelligent, sensible, strong-willed, loyal, & just a tad bit officious. She’s the kind of person that’s nice to have in your corner, and one that presents fierce opposition. She’s tough as nails and not afraid to stand side by side with the boys or go toe to toe with the baddies, yet she retains an element of vulnerable femininity & kindness. I suppose for a certain age of young ladies Hermione could be called a feminist icon.
“Honestly, am I the only person who’s ever bothered to read Hogwarts: A History?”
“Now if you two don’t mind, I’m going to bed. Before you come up with another idea to get us killed. Or worse, expelled.”
“I’m highly logical which allows me to look past extraneous detail and perceive clearly that which others overlook.”
“Just because you have the emotional range of a teaspoon doesn’t mean we all have!”
“No Harry, you listen…we’re coming with you. That was decided months ago…years, really.”
62 Austin Powers & Dr. Evil (The Austin Powers Series)
I may not be a James Bond fan, but I really enjoyed the Austin Powers movies, which are essentially a Bond parody. Powers is a 60’s era swinger & British spy whose arch nemesis is Dr. Evil. When Dr. Evil becomes cryogenically frozen Powers does the same so that he’ll be available to stop Evil in the future. That future is three decades later, when both Powers & Evil are thawed out and continue their battle. Dr. Evil intends to steal nuclear weapons & hold the world hostage for “$100 BILLION!!”. It’s all very silly, with double entendres, sight gags, & the kind of goofy humor that tickles my funny bone. Mike Meyers created the story as a tribute to his British parents and plays both characters. Meyers was a couple of years removed from his time at SNL and hadn’t had much success outside of the two Wayne’s World films, but cemented his stardom with the dual roles. Rumors of a fourth Powers movie have persisted since the third one hit theaters 17 years ago, but so far it hasn’t happened.
“I bet she shags like a minx.” (Austin Powers)
“Fire the laser!” (Dr. Evil)
“The 70s and the 80s? You’re not missing anything! I looked into it. There’s a gas shortage and A Flock of Seagulls. That’s about it.” (Austin Powers)
“Why must I be surrounded by frickin’ idiots?” (Dr. Evil)
“Oh, behave!” (Austin Powers)
“Throw me a frickin’ bone here!” (Dr. Evil)
“Groovy, baby!” (Austin Powers)
“I have a better idea. I’m going to place him in an easily escapable situation involving an overly elaborate and exotic death.” (Dr. Evil)
“SILENCE!! I will not tolerate your insolence!” (Dr. Evil)
“Ladies & gentlemen, welcome to my new submarine lair. It’s long and hard and full of seamen.” (Dr. Evil)
61 John Bender (The Breakfast Club)
There are five high schoolers in trouble & spending their Saturday in detention at Shurmur High School in suburban Chicago on March 24, 1984: Claire Standish (The Princess), Andrew Clark (The Athlete), Brian Johnson (The Brain), Allison Reynolds (The Basket Case), & John Bender (The Criminal). Of that group it is Bender that shines just a little brighter. The idea behind these characters is that they represent typical high school stereotypes, and it’s the main reason the film holds up nearly four decades later…those labels are universal and don’t change all that much. Every high school has rebels like Bender, the kind of badass who thumbs their nose at authority, doesn’t care all that much about academics, & seemingly has a limited future. However, the great thing about The Breakfast Club is that it explores those archetypes & exposes their folly. It’s a movie that one perceives differently thru the prism of adulthood, and as a grown man I am struck by the not-so-subtle suggestion that Bender has been physically, mentally, & emotionally abused at home. There is a scene in which blowhard Principal Vernon gets in Bender’s face, and contrary to the bluster that he exhibits in the presence of his peers, the tough as nails bully cowers like a scared child. It is a stark reminder that not everything is always as it seems – sometimes people put on masks to hide their pain.
“Screws fall out all the time; the world is an imperfect place.”
“Does Barry Manilow know you raid his wardrobe?”
“I could see you really pushing maximum density. You see, I’m not sure if you know this, but there are two kinds of fat people. There’s fat people that were born to be fat, and there’s fat people that were once thin, but they became fat, so when you look at them you can sort of see that thin person inside. You see, you’re gonna get married, you’re gonna squeeze out a few puppies and then….”
“Eat my shorts.”
“”Face it…you’re a neo-maxi-zoom-dweebie.”
60 Beetlejuice (Beetlejuice)
Horror comedies are a rare treat, but they are the kind of Halloween-ish fare I prefer instead of straight up slasher flicks. Michael Keaton is an undervalued gem of an actor, capable of adding zest to comedies, dramas, big budget superhero films, biopics, or whatever else he does. When a young couple dies in a car accident but still finds themselves residing in their suburban Connecticut home they employ the services of a centuries old “freelance bio-exorcist” to get rid of the new owners of the house. That freelancer is a fast-talking, mischievous, & crude trickster who is essentially a “Livingbuster” (as opposed to a Ghostbuster)…a ghost who exterminates the living by scaring them away. The name Betelgeuse (the proper spelling) refers to a star in the Orion constellation that is the ninth brightest star in the night sky. Rumors of a Beetlejuice sequel have been circulating for years, but the project seems to have hit a wall.
“I’m the ghost with the most, babe.”
59 Sonny Corleone (The Godfather Trilogy)
Hands down Sonny has the greatest death scene in movie history. The eldest son of Don Vito Corleone, hothead Santino takes over as temporary boss of The Family after his father is shot by goons working for narcotics kingpin Turk Sollozzo. Under Sonny’s leadership the Five Families engage in a Mafia war after Sonny’s younger brother Michael kills Sollozzo & a corrupt cop, forcing the entire Corleone organization to “go to the mattresses”. After his brother-in-law Carlo physically abuses his wife Connie, Sonny defends his sister’s honor by beating the holy hell out of Carlo, which leads to rival boss Emilio Barzini setting a trap using Carlo to bait Sonny into making a reckless mistake. He is brought down in a hail of gunfire at a toll booth. Sonny’s sexual prowess and physical…gifts…are elaborated on much more in the book than the movie, but his affair with one of Connie’s bridesmaids at the beginning of the first film is important because his illegitimate son Vincent Mancini becomes Don of the Corleone Family in the much maligned & underappreciated Part III.
“Hey, whatcha gonna do, nice college boy, eh? Didn’t want to get mixed up in the family business, huh? Now you wanna gun down a police captain ’cause he slapped ya in the face? Hah? What do you think this is? The Army, where you shoot ’em a mile away? You’ve gotta get up close like this and bada-bing, you blow their brains all over your nice Ivy League suit!”
58 Godzilla (various films)
Godzilla (which in Japanese translates into gorilla whale) is a 300-400 ft. reptilian creature weighing several hundred thousand tons who lives in the sea and is awakened as a result of nuclear radiation. He has been the star of about three dozen films dating back to the 1950’s, and the earliest movies are still the best, mostly because of the kitschiness factor of the archaic special effects & amusingly poor dubbing of English over the original Japanese. Big scary monsters are nothing new in Hollywood, but most of them come & go rather quickly. Maybe they get a couple of sequels but that’s usually it. Godzilla has stood the test of time, and we can still count on a new movie in the series popping up somewhere every few years for our viewing pleasure.
57 Bo “Bandit” Darville (Smokey & The Bandit)
At one point in my childhood Burt Reynolds was the biggest movie star in the world, and though he’d previously done well-regarded films like Deliverance & The Longest Yard my earliest memory of him is Smokey & The Bandit. I was five years old and didn’t really get all the humor, but there were car chases & crashes so that was enough to attract my attention. In the ensuing four decades I have watched this movie countless times, and though the entire cast is terrific it is The Bandit that holds it all together. He’s a trucker who’s between jobs, and that guy that knows everyone and is loved by everybody because of his charm & good looks. He’s cocky but not arrogant, confident enough in his skills to agree to a bet wherein he’ll bring 400 cases of Coors beer to Atlanta from Texarkana, TX in just 28 hours. The premise might not make much sense to folks in 21st century America because one first must understand that in the 1970’s Coors was unavailable east of Oklahoma (it didn’t become distributed nationally until 1986), and because it was made without stabilizers & preservatives could spoil quicker than other beers. Bootlegging was the illegal transport of alcoholic beverages due to violation of registration & licensing laws. I have no idea what the penalty was, but I assume the $80k Bandit is offer by Big Enos Burdette is worth the risk. At any rate, his antics are so much fun that it makes an otherwise odd & now outdated idea still entertaining after all these years.
“Oh I love your suits. It must have been a bitch to get a 68 Extra Fat and a 12 Dwarf.”
“You’re always hoppin around. And you’re kinda cute, like a frog. And I’d like to jump ya.”
“He was taking a 10-100.”
“Cowboys love fat calves.”
“What’s a Texas county mounty doing in Arkansas?”
56 Moses (The Ten Commandments)
Hollywood’s history with Biblical epics is spotty at best, but they did it right with The Ten Commandments. It’s got to be a tough gig portraying a character from The Bible, right?? They are real people who actually walked the Earth, but it was so long ago that there aren’t photos or video to lay the foundation for an accurate depiction. With the exception of events that are written about in God’s Word there isn’t much to base a character on, yet millions of people whose faith is deeply important to them have high expectations. By 1956 director Cecil B. DeMille had helmed dozens of movies, many of them in the silent era in the first two decades of the 20th century. His epic circus drama The Greatest Show on Earth had won the Academy Award for Best Picture a few years earlier. Charlton Heston wasn’t DeMille’s first choice to play Moses, but the two had worked together on The Greatest Show on Earth and Heston’s knowledge of Egyptian history captivated the director, who thought the actor resembled Michelangelo’s 16th century statue of Moses in the church of San Pietro in Rome. William Boyd, who had portrayed Hopalong Cassidy in over five dozen cowboy movies in the 1930’s & 40’s, turned down the part, so Heston was chosen. He’d acted in over a dozen previous films, but it was The Ten Commandments that made him a star.
“A city is made of brick, Pharaoh. The strong make many. The weak make few. The dead make none. So much for accusations.”
“It would take more than a man to lead the slaves from bondage. It would take a god, and I am no god. I am but a man, a man who asks by what right any man may enslave another of a different race or creed. But if I could free these people, I would.”
“Who shall withstand the power of God?!?!??”
55 Buck Russell (Uncle Buck)
It’s the role that John Candy was born to play: a slovenly black sheep uncle called on to babysit his nieces & nephew in the midst of a family emergency. Buck is a middle-aged unemployed bachelor who smokes cigars, drinks beer, drives a noisy old gas guzzler that’s seen better days, & spends a lot of time at the track betting on horses…not exactly the ideal caretaker for children. The two younger kids take an immediate liking to Buck, but he has a much more difficult time winning over his teenage niece. Those interactions between an uncle clearly out of his element and the children are the crux of the film, and Candy infuses Buck with a mix of humor, common sense, tough love, amiable befuddlement, & roguish charm that endears him to the audience.
“I’m on to cigars now. I’m on to a five year plan. I eliminated cigarettes, then I go to cigars, then I go to pipes, then I go to chewing tobacco, then I’m on to that nicotine gum.”
“What’s your record for consecutive questions asked?”
“I don’t think I want to know a 6 year old who isn’t a dreamer or a sillyheart, and I sure don’t want to know one who takes their student career seriously. I don’t have a college degree. I don’t even have a job. But I know a good kid when I see one. Because they’re all good kids until dried-out, brain-dead skags like you drag them down and convince them they’re no good. You so much as scowl at my niece or any other kid in this school and I hear about it, I’m coming looking for you! Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.
“Stand me up today and tomorrow I’ll drive you to school in my robe and pajamas and walk you to your first class.”
“Ever hear of a ritual killing? You gnaw on her face in public like that again and you’ll be one.”
“I have a friend who works at the crime lab at the police station. I could give him your toothbrush and he could run a test on it to see if you actually brushed your teeth or just ran your toothbrush under the faucet.”
54 R2D2 & C3P0 (The Star Wars series)
The Star Wars galaxy created by George Lucas offers a multitude of memorable characters. We’ll get to some others eventually, but we begin with a pair of futuristic droids that offer delightful levity amongst all the action & intrigue. There are eleven films in the series…the original trilogy, the prequel trilogy, the soon to be concluded sequel trilogy, Rogue One, & Solo. R2D2 & C3P0 have appeared in ten of these, which is by far more than any other character. R2D2 purportedly stands for Second Generation Robotic Droid Series-2, but the truth is that when Lucas heard his sound editor on American Graffiti ask for Reel 2, Dialog Track 2 in abbreviated form he liked the sound of it. R2D2 is a utility robot used for the maintenance & repair of starships and related technology. In the films he first belongs to Naboo defense forces charged with repairing Queen Padme Amidala’s ship. Thru the years he is owned by Qui-Gon Jinn, Anakin Skywalker, Owen Lars, Luke Skywalker, & Rey. R2’s distinctive shape and various beeps & unique noises are signature elements of the character. C3P0 is a little more humanlike than his buddy, having legs & feet and the ability to speak. He is a protocol droid intended to assist in etiquette, customs, & translation and is fluent in over seven million forms of communication. Thru the years he has served Shmi Skywalker, the Lars family, Padmé Amidala, Raymus Antilles, Luke Skywalker, Princess Leia, & Rey. His distinctive gold plating makes him easy to spot in a crowd, and his fussy, worrisome personality is rather comical. I’m sure back in the 70’s many people thought that by the 21st century robot assistants like R2D2 & C3P0 would be commonplace, but we’re not quite there yet.
“For a mechanic, you seem to do an incessant amount of thinking.” (C3P0)
“Don’t blame me. I’m an interpreter. I’m not supposed to know a power socket from a computer terminal.” (C3P0)
“R2, you know better than to trust a strange computer.” (C3P0)
“It’s against my programming to impersonate a deity.” (C3P0)
53 Billy Madison & Happy Gilmore (eponymous films)
Adam Sandler’s career has been a mixed bag. He is undoubtedly talented & funny, but his shtick isn’t everybody’s cup of tea and he’s made a lot of bad movies. In my opinion his funniest films were in the early 90’s, though you won’t find many critics who would agree. I take no issue with solicitous, meaningful films with life lessons, powerful messages, & profound themes, but sometimes we just want to turn off our brain for awhile and laugh at something completely stupid & pointless and Sandler has done a decent job of providing that sort of entertainment. Billy Madison is a rather juvenile 20-something in a clear state of arrested development. When his hotel tycoon father plans to retire he’d prefer Billy take over the business but knows he isn’t capable, especially since the old man bribed teachers to pass Billy all the way thru school. At any rate, Billy accepts a challenge to complete 12 grades of school in two weeks, which is somehow supposed to magically make him qualified to helm a Fortune 500 company. I know…it makes very little sense, but the journey is lots of silly fun, which is the whole point. Happy Gilmore is a failed hockey player wannabe who must figure out a way to help his grandmother buy back her house that the IRS took for back taxes she owes. He inexplicably ends up on the PGA Tour and (spoiler alert) wins enough money as a champion golfer to help out his grandmother. Once again…don’t put too much thought into it. The plots of these movies aren’t meant to be logical and the characters aren’t supposed to be realistic, but Sandler infuses both Billy & Happy with enough affable charm that we root for their success and want them to overcome the odds despite the fact that they are total idiots.
“Oh, Veronica Vaughn … soooo hot … want to touch the hiney!” (Billy)
“The Price is wrong, bitch!” (Happy)
“You ain’t cool, unless, you pee your pants! Everybody my age pee their pants; it’s the coolest!” (Billy)
52 Ellis “Red” Redding (The Shawshank Redemption)
Many folks may not realize that The Shawshank Redemption is based on a 1982 Stephen King novella. In that book Red Redding is described as a middle-aged Irish man with greying red hair, so casting Morgan Freeman in the role can only be described as an inspired choice. Red has been imprisoned at Shawshank for 40 years for murdering his wife & passengers in her vehicle after he tampered with the brakes. He has attained a level of influence for being able to smuggle a variety of goods into the jail for other inmates, though his attitude remains somewhat sullen. He is a practical man, resigned to his fate yet regretful of the crime he committed when he was young & stupid. Red befriends new inmate Andy Dufresne, and they end up changing each other’s lives tremendously. Freeman received his third Academy Award nomination for the role, but lost the Best Actor prize to Tom Hanks (Forrest Gump).
“In 1966, Andy Dufresne escaped from Shawshank prison. All they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I remember thinking it would take a 600 years to tunnel through the wall with it. Old Andy did it in less than 20. Andy crawled to freedom through 500 yards of shit-smelling foulness I can’t even imagine…or maybe I just don’t want to. 500 yards… that’s the length of five football fields; just shy of half a mile.”
“Hope is a dangerous thing. Hope can drive a man insane.”
“These prison walls are funny. First you hate ’em, then you get used to ’em. Enough time passes, gets so you depend on them. That’s institutionalized. They send you here for life, that’s exactly what they take. The part that counts anyways.”
“Rehabilitated? Well, now, let me see. You know, I don’t have any idea what that means. I know what you think it means, sonny. To me it’s just a made-up word. A politician’s word, so that young fellas like yourself can wear a suit and a tie and have a job. What do you really wanna know? Am I sorry for what I did? There’s not a day goes by that I don’t feel regret. Not because I’m in here, or because you think I should. I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try to talk some sense to him, tell him the way things are. But I can’t. That kid’s long gone, and this old man is all that’s left. I gotta live with that. Rehabilitated? It’s just a bullshit word. So go ahead and stamp your forms, sonny, and stop wasting my time. Because to tell you the truth, I don’t give a shit.”
“I find I’m so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.”
51 Laurie Strode (Halloween)
Screen legend Janet Leigh is the original Scream Queen for her small yet pivotal role in the 1960 Hitchcock classic Psycho, so it is fitting that her daughter Jamie Lee Curtis would assume the mantle after playing Lorrie Strode, an ordinary American teenager who endures a single night of terror at the hands of a knife-wielding masked maniac. Numerous sequels, remakes, & reboots have kept the Halloween franchise alive, but really the 1978 original & its initial 1981 sequel are the only two that matter.
The original goal was to wrap things up here by Christmas Eve, but that’s just not going to happen. C’est la vie. Best laid plans, etc. & so forth. I’m fine with that for a couple of reasons. First, the holiday season isn’t over until after the New Year, and if you really want to kick it old school the Twelve Days of Christmas don’t end until January 5. Secondly, I always kind of hate that Christmas night feeling when all the hoopla, hubbub, rigmarole, & hullabaloo of the past several weeks is just all the sudden over. The gifts have been unwrapped, the food has been eaten, families have returned to their own homes, radio stations stop playing carols, & these Christmas movies we love that have been a constant presence for the last month (or two) disappear as TV stations return to their normal programming. So why not extend that Christmas spirit just a little longer?? If you haven’t had time to check out Part 1 of the Sweet 16 please take a few moments to do so, and when you’re done come back here for semi-final action in the Mistletoe and Candy Cane divisions.
National Lampoon’s Christmas Vacation vs. Elf
I like to laugh. As far as movies (and television) go I have always preferred comedy to drama, action, & horror. So when my love of laughter is combined with an obvious passion for Christmas…well, that’s very cool. Christmas Vacation is the third in a series of movies starring Chevy Chase as the affable patriarch of the Griswold clan of Chicago. In this film they don’t actually go on vacation…instead they invite extended family into their home for a holiday season where everything goes hysterically wrong. But it’s not Clark Griswold who’s the real star of the movie. That honor goes to Randy Quaid as Cousin Eddie, a dimwitted country bumpkin who we first met in the original Vacation in 1983. Eddie, his wife Catherine, & two of their kids pop in on the Griswolds for a surprise visit, and in the process take Christmas Vacation to a whole new level of hilarity. Most of the best moments either belong to Cousin Eddie or involve others (mainly Clark) reacting to him. 2003’s Elf is a classic fish-out-of-water story, with much of the humor derived from Buddy the Elf trying to figure out how to interact with regular humans and being a bit overwhelmed by New York City. Elves are usually secondary characters in Christmas films, but Will Ferrell as Buddy carries Elf. I’m no expert on all the ways that a director shapes & defines a movie, but I will make an educated assumption that Jon Favreau deserves much of the credit for a flawless tone that almost feels a little retro. Even if a person doesn’t particularly enjoy Ferrell’s vibe in other films I can’t imagine many really disliking Elf.
The Verdict:Christmas Vacation. It’s amazing how well Christmas Vacation has aged nearly three decades after its theatrical release. The humor has stood the test of time, although it’s more entertainment comfort food nowadays than laugh-out-loud amusement. That’s what happens when the masses have watched a movie dozens of times and can quote almost every scene verbatim. Elf is heading down the same path (perhaps it’s there already), but Christmas Vacation has been around longer and has a stronger pedigree.
Rudolph the Red-Nosed Reindeer vs. Scrooge (1951)
Santa Claus is pretty cool all by himself, but over the years little bits & flourishes have been added to the legend, in the process creating a richly layered mythos right up there with Tolkien’s Middle Earth, George Lucas’ Star Wars Galaxy, & CS Lewis’ Narnia. In 1823 Clement Clark Moore, in his poem A Visit From St. Nicholas, made reference to eight reindeer…Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner, & Blitzen. It wasn’t until a century later that an ad campaign from Montgomery Ward added a ninth reindeer to the group, and after a song, TV special, & countless other appearances in every form of media Rudolph really has become the most famous reindeer of all. The 1964 stop motion animated television special truly is a classic and is still aired annually more than a half century after it premiered. That’s some kind of staying power. 1951’s A Christmas Carol adaptation…simply called Scrooge…is celebrated by many as the best of the numerous versions of Dickens’ story. Its tone is appropriately dark, and Alastair Sim’s performance stands out as one of the greatest interpretations of Ebenezer Scrooge on film. He has a…unique…face, and uses it quite effectively in conveying the old miser’s evolution throughout the story. Of all the Carol movies, this is considered by most to be the standard that all others should be judged against.
The Verdict:Rudolph. Here is the issue one runs into with the various A Christmas Carol movies: there’s just so many of them, and none strictly follow the book. They all add, subtract, & alter small details and/or significant plot points. Scrooge adds a character named Mr. Jorkins, a nefarious businessman largely responsible for leading Ebenezer down a greedy path, and creates a subplot in which Scrooge’s father resented him because his wife (Ebenezer’s mother) died in childbirth, and then Scrooge comes to bear a grudge toward his nephew because the boy’s mother (Scrooge’s sister) died the same way. I understand creative license and the idea of “fleshing out” a story, but I just don’t think it’s necessary when it comes to A Christmas Carol. And it’s not only major narratives…it’s small details. For example, in the book Scrooge’s fiancé is named Belle, but in this film she is called Alice. Why?? Why change something like that?? It’s completely pointless. Conversely, Rudolph actually makes direct references to the original story & song. The “film” fleshes out those things, but in a good way. We have fancier technology now than they did in the 60’s, but there’s just something about that quirky old animation that still provides the warm fuzzies. The music is fun, the characters are great, & the story is timeless.
Miracle on 34th Street (1947) vs. The Ref
A movie about the commercialization of Christmas is par for the course in the 21st century, but seventy years ago I assume it was rather edgy. Add to that a cynical single mother and a Santa Claus who ends up in a courtroom to prove his identity & defend his sanity, and all the sudden what we look at as a nostalgic trip down memory lane becomes something much more interesting. Speaking of edgy & cynical, The Ref has a lot to say about life. Listen to the dialogue. Really pay attention when watching The Ref. Yes, it is funny. The cast is perfect and the situation is amusing & silly. But what appealed to me the first time I ever watched it and why I’m still fond of it over two decades later is the writing. Compare The Ref to something like Christmas with the Kranks, and it’s like putting a Picasso on the wall next to a toddler’s finger painting. It may be a little too acerbic for the masses, especially at Christmastime when everyone expects their cockles to be warmed, which might explain why it’s never quite achieved the level of popularity that dictates heavy rotation on TV throughout November & December…and that’s a shame.
The Verdict:Miracle on 34th Street. As much as I love The Ref I have to be truthful in my assessment. It is the offensive lineman of Christmas movies. It’ll never receive the glory or adoration of the crowd. It will never be part of Freeform’s 25 Days of Christmas or be shown on TCM or AMC. The Ref can only be seen down in the trenches, and if one wants to recognize its greatness & appreciate its humor you’ll have to purposely seek it out. But I promise that if you make that effort it will be worth the time. Conversely, Miracle is on the Mount Rushmore of Christmas movies. Everyone has seen it, and everyone loves it. It may not be on television daily each December, but it’s on just enough that we continue to admire it with little risk of backlash or fatigue. Natalie Wood gets all the attention, not only because everybody digs precocious children, but also due to her fame as an adult and…sadly…in part because of her untimely demise and the mystery surrounding it. However, I really enjoy John Payne as the eager & sincere attorney Mr. Gailey, Maureen O’Hara as the jaded single mother Mrs. Walker, & Edmund Gwenn as Kris Kringle, a role for which he won an Academy Award and a Golden Globe.
Home Alone vs. How the Grinch Stole Christmas
MacCaulay Culkin got noticed for his role in Uncle Buck, became a pop culture sensation after Home Alone, and eventually flamed out like so many child actors do when they can’t bank on their cuteness any longer. But unlike so many other child stars he gets an annual opportunity to go back in time for a few weeks every holiday season and become that mischievous little boy that everyone roots for. A tip of the cap also to Joe Pesci & Daniel Stern, because The Wet Bandits provide hilarious adversaries for that small boy. Many have overanalyzed the cartoonish violence near the film’s climax, and in the hypersensitive bubble that we now reside in some are critical of it, but I’ll always fondly recall my then grade school aged nephew & I laughing so hard we were crying when he stayed with me once and we ate pizza & watched Home Alone. The Grinch is mostly a vehicle for Dr. Seuss’ curious turns of phrase (what exactly are tar-tinkers & sloo-slunkers?), and I’m sure fifty years ago landing Boris Karloff to narrate the story was a huge coup. However, when one really pays attention what you’ll discover, more than catchy music or clever rhymes, is a tale of profound significance, and how often can one say that about a thirty minute children’s cartoon??
The Verdict:The Grinch. I love Home Alone, but let’s be honest…it doesn’t age particularly well or hold up to thoughtful ponderation. I’m not a fan of paralysis by analysis, but the entire premise of Home Alone is amusingly far-fetched and there are little plot holes here & there. The biggest issue though is that less than three decades later it just could not happen. Post-9/11 there is zero chance the family could get thru an airport that rapidly, and the kid would have a laptop and/or smartphone with internet access & a social media presence that’d allow Mom & Dad to check on him before they ever got off the plane. I am well aware that I am picking nits here, but I’m also absolutely right. Conversely, The Grinch doesn’t take place within the confines of the real world, and that allows it to be eternal. I am not a fan of the live action Jim Carrey movie, but it is my understanding that 2018 will bring a computer animated film adaptation featuring the vocal talents of Benedict Cumberbatch, and I am open to giving that a whirl.
Less than a year ago…right after Christmas…I commented on Freeform’s 25 Days of Christmas, and this year they are having the same issues. With streaming options the entire Christmas movie watching process has evolved, but for those who don’t have a streaming player and anyone of a certain age who is used to watching their holiday favorites thru mindless channel surfing Freeform’s month long “event” has become problematic. I’m not a television executive and know nothing about the ins & outs of ownership and rights fees and all that jazz. Freeform is owned by Disney so obviously they’re going to air films produced under that banner. I get it. However, as massive of an entity as that company is one would think they’d have access to a wider selection of movies. Not only do they spend too much time showing Frozen, Charlie and the Chocolate Factory, & the Harry Potter franchise, none of which are Christmas movies, but the Christmas movies they do show are the same few over & over. As a fan part of me doesn’t mind because I love those particular Christmas movies, but as a couch potato & semi-creative person I yearn for the powers-that-be to do better. If I were in charge of the process the event would span 4pm-midnight (approximately) every night, meaning there’d be room for four movies each evening, or maybe just a couple of feature films and then a few animated specials. And it’d be my goal to not repeat a film or special more than 3 or 4 times. Math isn’t my thing, but off the top of my head it seems like that’d mean I’d need the rights to maybe three dozen Christmas movies & specials, which shouldn’t be that much of a challenge for the folks at Disney. The 25 Days of Christmas has been a thing since the mid-90’s and has survived multiple rebrandings of the TV channel itself, but I sense weariness from fans who look forward to the holiday season and Freeform’s contribution to it. Anyway, if you need to go back and catch up on second round action in the North Pole and Eggnog divisions please follow the links to do so. When you’re up to speed come back here and enjoy Round 2 in the Mistletoe Division.
National Lampoon’s Christmas Vacation
Nobody’s leaving. Nobody’s walking out on this fun, old-fashioned family Christmas. No, no. We’re all in this together. This is a full-blown, four-alarm holiday emergency here. We’re gonna press on, and we’re gonna have the hap, hap, happiest Christmas since Bing Crosby tap-danced with Danny f^&#@ing Kaye. And when Santa squeezes his fat white a$$ down that chimney tonight, he’s gonna find the jolliest bunch of a$$holes this side of the nuthouse. – Clark Griswold
Hurry up, Clark. I’m freezing my baguettes off. – Grandpa Art
You couldn’t hear a dump truck driving through a nitroglycerin plant. – Uncle Louis
They had to replace my metal plate with a plastic one. Every time Catherine would rev up the microwave, I’d piss my pants and forget who I was for about half an hour. – Cousin Eddie
I don’t know what to say, except it’s Christmas and we’re all in misery. – Ellen Griswold
The movie is based on John Hughes’ short story Christmas ’59, the second vacation story to be published in National Lampoon (the first was Vacation ’58, which was the basis for National Lampoon’s Vacation).
Mae Questel, who portrays Aunt Bethany, was the original voice of Betty Boop.
When Clark and Cousin Eddie are talking in the living room, they are drinking egg nog out of Walley World mugs. Walley World was the destination of the Griswolds in National Lampoon’s Vacation.
The scene where the cat bites on the Christmas lights cord and gets electrocuted was nearly cut from the movie. Prior to the first test screening, the studio executives wanted the scene taken out, fearing that it might offend some viewers, but Producer Matty Simmons begged them to leave the scene in, and they eventually gave in to his request. After the first test screening, the test audience scored the cat electrocution scene as their number one favorite scene throughout the entire movie.
The house in which the Griswolds’ neighbors, Todd and Margo, live, is the same house where the Murtaugh family lived in all four Lethal Weapon movies.
Trapped in Paradise
“Alvin, if we’re going in circles, I’m going to break your neck”…”We’re not. I took four lefts, just like the map said.”…”Four lefts is a circle you idiot!” – Bill & Alvin Firpo
In the Firpo family, the man with half a brain is king. – Bill Firpo
“I’m tellin’ ya, if I had a gun on me right now I’d go in there and take over that place.”…”Bill, you wouldn’t be angry if I were to tell you there might be guns in the trunk.” – Bill & Dave Firpo
Dana Carvey loosely based his character’s speaking style on a young Mickey Rourke.
Jon Lovitz claimed that the cast hated making the movie so much they took to calling it Trapped in Bullshit.
The Verdict:Christmas Vacation. I’m a little concerned that Vacation is heading down the old IAWL path, wherein it is on television so much each holiday season that a backlash is inevitable. But for now the masses still seem to love it, yours truly included. Trapped in Paradise is special to me for a couple of very personal reasons, but I can be objective enough to admit that it’s not a great movie.
Rudolph the Red-Nosed Reindeer
Now you know how Santa uses these flying reindeer to pull his sleigh. You know Dasher and Dancer and Prancer and Vixen, Comet and Cupid and Donner and Blitzen. But do you recall the most famous reindeer of all? – Sam the Snowman
A toy is never truly happy until it is loved by a child. – King Moonracer
Someday I’d like to be a dentist. We need one up here. I’ve been studying. It’s fascinating; you’ve no idea. Molars and bicuspids and incisors. – Hermey the Elf
How do you like that? Even among misfits you’re a misfit. – Yukon Cornelius
You’d better go home with your folks. From now on, gang, we won’t let Rudolph join in any reindeer games! Right? – Comet
When Yukon Cornelius throws his pick axe into the ground and takes it out and licks it, he’s checking neither for gold nor silver. The original concept for the special stated that Yukon was in fact searching for the elusive peppermint mine, which he found eventually.
The song Rudolph the Red-Nosed Reindeer was a seasonal standard long before it was used in the film. It was written in 1939 & its popularity skyrocketed in 1947 with Gene Autry’s recording.
When the film was first released in 1964 the technology of using an articulated metal armature inside the figures was considered so amazing that TV Guide devoted four pages to the story. They failed to mention that the “new” technology had been pioneered 31 years before, most prominently inside the gorilla King Kong.
Yukon Cornelius’ sled dogs include a cocker spaniel, a poodle, a Saint Bernard, a collie, and a dachshund.
Disney’s A Christmas Carol
There is nothing on this earth more terrifying to me than a life doomed to poverty. – Ebenezer Scrooge
There are many things from which I might have derived good, by which I have not profited, I dare say, Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round…apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that…as a good time, a kind, forgiving, charitable, pleasant time…the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it! – Fred
In the Cratchit home, there is a portrait of the story’s author, Charles Dickens, hanging by the fireplace.
During the opening credits, as we fly through the old London city roof tops, one can see the second London Bridge. In 843 it was just 12 years old and remained in London for another 124 years before it was dismantled and sold to an American in 1967. It can now be seen spanning Bridgewater Channel in Lake Havasu City, AZ.
Scrooge falls at least eighteen times throughout the film. This may be a reference to Scrooge being humbled before his fellow man, the fact that he falls from high places, as well as low ones. His final fall is from the rail at the back of the carriage on Christmas day. This fall seems to hurt him least of all, since his heart and spirit have been “lightened” by the spirit’s visits.
Between Scrooge leaving Marley’ s corpse and Scrooge going to his counting house there is a scene where servants and cooks are preparing a banquet for the mayor of London. This is directly taken from the novel where Dickens mentions a banquet being prepared for the mayor and his subjects. The only other film adaption that shows this is the 1935 version starring Seymour Hicks.
After sending the prize turkey on to Bob Cratchit’s house, Scrooge grabs onto the back of a carriage and hangs on for a ride down the street, waving to people. Many viewers saw this as a nod to one of Robert Zemeckis’ previous works, Back to the Future. However, when asked about it in an interview, Zemeckis said that had not occurred to him but reasoned it was a subconscious image.
Scrooge’s “future tombstone” says he was born in 1786 meaning Scrooge was 57 years old in the present and 50 years old when Marley died in 1836.
Scrooge doesn’t go to Cratchit’s house on Christmas Day after the encounter with the three spirits. Scrooge visits his nephew and has Christmas dinner with him, his wife, and their friends, followed by Scrooge giving Cratchit a raise the next day at work, keeping true to the book.
The Verdict:Rudolph. Opinions seem divided on Disney’s version of Carol. Some people still haven’t embraced motion capture, though I think it is utilized beautifully in this movie. One can see noticeable improvements in the technology when comparing Carol to The Polar Express, which was produced just five years earlier. Some people aren’t big Jim Carrey fans. I count myself among that group, but won’t deny his talent and the fact that it is a perfect complement for this film. Some people think this version of Carol is a little too dark and…raucous. I understand that perspective but don’t have any issue with it myself. Having said all of that, Rudolph is…well, it’s Rudolph. It is the greatest achievement of the Rankin-Bass team, and has been a Christmas tradition for over a half century.
My time with you is at an end, Ebenezer Scrooge. Will you profit from what I’ve shown you of the good in most men’s hearts? – The Spirit of Christmas Present
A few of us are endeavoring to buy the poor some meat and drink, and means of warmth. It is at Christmastime that want is most keenly felt, and abundance rejoices. – Charity Collector
Can you forgive a pig-headed old fool with no eyes to see with and no ears to hear with all these years? – Ebenezer Scrooge
As your business prospered, Ebenezer Scrooge, a golden idol took possession of your heart. – The Spirit of Christmas Past
We Spirits of Christmas do not live only one day of our year. We live the whole three-hundred and sixty-five. So is it true of the Child born in Bethlehem. He does not live in men’s hearts one day of the year, but in all days of the year. You have chosen not to seek Him in your heart. Therefore, you will come with me and seek Him in the hearts of men of good will. – The Spirit of Christmas Present
The song that Mr. Jorkin whistles after offering Scrooge a job is The Lincolnshire Poacher, wherein a poacher sings how much he loves unlawfully entering property and trapping game there. Poaching also refers to the practice of hiring an employee away from a competitor, which is what Jorkin is doing with Scrooge.
Although the word Scrooge means a stingy person now, in Charles Dickens’s time the word was a slang term meaning “to squeeze.”
This is the only film adaptation of A Christmas Carol that omits Scrooge’s famous line “If I could work my will, every idiot who goes about with ‘Merry Christmas’ on his lips should be boiled in his own pudding and buried with a stake of holly through his heart”.
Changes to the screenplay from the Charles Dickens novella were made, mostly in the Christmas Past sequence. Among these changes are: reversing the birth order of Scrooge and his sister, so as to add that Scrooge’s mother died giving birth to him…creating a character named Mr. Jorkin, who does not appear in the book…flashbacks of several incidents in Scrooge’s past (e.g. his sister’s death, meeting Jacob Marley, taking over Fezziwig’s warehouse, & Marley’s death) which do not appear in the book.
Just after Marley dies the Ghost of Christmas Past calls Scrooge a “squeezing, wrenching, grasping, covetous old sinner”, which is how Charles Dickens describes Scrooge in the novel.
A Charlie Brown Thanksgiving
One of the greatest traditions we have is the Thanksgiving Day football game. And the biggest, most important tradition of all is the kicking off of the football. – Lucy Van Pelt
Why should I give thanks on Thanksgiving? What have I got to be thankful for? All it does is make more work for us at school. Do you know what we have to do? We have to write an essay. – Sally Brown
What blockhead cooked all this? What kind of Thanksgiving dinner is this? Where’s the turkey, Chuck? Don’t you know anything about Thanksgiving dinners? Where’s the mashed potatoes, where’s the cranberry sauce, where’s the pumpkin pie? – Peppermint Patty
Thanksgiving is more than eating, Chuck. You heard what Linus was saying out there. Those early Pilgrims were thankful for what had happened to them, and we should be thankful, too. We should just be thankful for being together. I think that’s what they mean by “Thanksgiving”, Charlie Brown. – Marcie
Peppermint Patty and Marcie are voiced by male actors.
Lee Mendelson always objected to the ending where Snoopy serves Woodstock a piece of turkey, because it made him seem like a cannibal. But it was kept in at the suggestion of Charles M. Schulz and Bill Melendez.
The Verdict:Scrooge. Sorry Charlie…your Thanksgiving just doesn’t measure up to a couple of other Peanuts specials. I think that by the time Thanksgiving was produced in 1973 the children whose voices had been used in earlier specials had grown up so different actors were used. And though Vince Guaraldi once again composed the music it isn’t quite as enchanting as other tunes he’d done. This version of A Christmas Carol starring Alistair Sim is consistently praised as being amongst the best.
They’ll spend a month sifting through the rubble and by the time they figure out what went wrong we’ll be sitting on a beach earning twenty percent. – Hans Gruber
I’m Agent Johnson, this is Special Agent Johnson. No relation. – FBI Agent Johnson
Yippee-ki-ya mother%^*@#$! – John McClane
When you steal $600 you can just disappear. When you steal 600 million they will find you…unless they think you’re already dead. – Hans Gruber
The scene in which Gruber and McClane meet was inserted into the script after Alan Rickman was found to be proficient at mimicking American accents. The filmmakers had been looking for a way to have the two characters meet prior to the climax and capitalized on Rickman’s talent. It was was unrehearsed to create a greater feeling of spontaneity between the two actors.
Roger Ebert was one the few critics to give Die Hard a negative review. The main reason he did was because he hated the character Chief Dwayne Robinson. He said the character was unnecessary, useless, dumb, and prevented the movie from working.
In a street scene, a gas station sign shows the price per gallon as 74 cents.
Only a couple of the actors who played the German terrorists were actually German and only a couple more could speak broken German. The actors were cast for their menacing appearances rather than their nationality. 9 of the 12 were over 6 feet tall.
Bruce Willis was shooting Moonlighting concurrently. He would shoot the television series during the day and then come to the Fox lot in the evening to work on the film.
Near the end of the film Hans Gruber mocks John McClane by saying that the conflict wouldn’t end like an American Western with “Grace Kelly riding off into the sunset with John Wayne”. McClane corrects him and says he means Gary Cooper. The film referenced is High Noon, another action movie about a lone hero having to defeat a large group of enemies while being vastly outnumbered.
I’m the worst toymaker in the world! I’m a cotton-headed ninny-muggins. – Buddy the Elf
You stink. You smell like beef and cheese, you don`t smell like Santa. – Buddy the Elf
We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup. – Buddy the Elf
This place reminds me of Santa’s workshop. Except it smells like mushrooms and everyone looks like they want to hurt me. – Buddy the Elf
Will Ferrell suffered from headaches throughout filming due to actually eating so much sugary food on camera.
Elf was turned into a Broadway musical that premiered in November 2010 and ran through January 2011.
The elf Ming Ming, who appears briefly in the beginning of the film, is played by Peter Billingsley, who starred as Ralphie Parker in the classic holiday film A Christmas Story.
Mr. Krueger’s Christmas
I’m Willy Krueger and I’m custodian over at the Beck Apartments, but, but you know that, don’t you. You know that. I guess nobody here can see me or hear me except you. I didn’t bring a gift, but I guess that’s not important. Thank you for everything you’ve done for me. As long as I can remember you’ve been right by my side. I’ll never forget when you walked with me right in those first few hours after I lost Martha. I’ve always been able to count on you, when I felt dark inside. You were right there, right, every time, right there. Even when I didn’t feel good about myself, I knew that you cared for me enough, and that made me feel better. I love you. You’re my closest, my finest friend. And that means that I can hold my head high, wherever I go. Thank you. Thank you. Thank you. – Willy Krueger
James Stewart approached the scene where Mr. Kreuger talks to the infant Jesus very seriously. Before filming this scene, he told the producer Michael McLean, “I’ve got only one of these in me. Everyone who doesn’t need to be here, get them out. Tell them I want this to go well. I can do other takes, but this will be the right one. There will only be one.” After the scene was finished, McLean asked the cameraman, “Did you get it?” “I hope so,” was the reply, “because I was crying.”
Stewart accepted the role because he believed it would promote the true meaning of Christmas. He said that Christmas “has come to be connected with Santa Claus, gifts, lights, decorations, & trees. We may be guilty of forgetting that Christmas is really the celebration of the birth of Jesus Christ.”
The scene where the Mormon Tabernacle Choir starts clapping and gives Willy Krueger a standing ovation was the actual reaction of the Choir to James Stewart’s directing. It was a total surprise and completely unscripted.
The Verdict:Elf. We arrived at a Triple Threat Match due to a first round tie. As much as I love Mr. Krueger’s Christmas one cannot escape the fact that it is never aired anywhere on television and isn’t available on any streaming service. That’s a huge issue. When YouTube is my only option to watch a movie I cannot in good conscience advance it further in this competition. For those who may be wondering, please don’t let the fact that Krueger was produced by The Mormon Church prevent you from checking it out…there is no objectionable ideology presented in the story at all. It’s the end of the road for Die Hard as well. The debate about its worthiness as a Christmas movie is cheeky fun, and I will always defend my opinion. However, detractors make some valid points and there really are much more Christmasy movies out there. As with Christmas Vacation I am a bit apprehensive about overexposure of Elf (I’m looking at you specifically Freeform), but at present it is still generally considered to be lighthearted & palatable pleasure for the entire family, and how many things can one say that about these days??
Before we proceed further it may be worth considering what exactly makes a Christmas movie a Christmas movie, because there is legitimate dispute on the issue when it comes to certain films. Since I am the king of The Manoverse I make the rules here so it boils down to three things for me:
*the film has to be set…mostly…during the holiday season
*Christmas carols/songs must be part of the soundtrack, even if they’re just in the background
*Christmas imagery…tree, lights, Santa Claus…needs to be present
Those are the biggies…the dealbreakers. After that it becomes a matter of opinion, and sometimes those opinions might not make sense to anyone else. Why is Die Hard a Christmas movie but Lethal Weapon isn’t?? Why does Mixed Nuts make the cut but Batman Returns does not?? Edward Scissorhands isn’t but Love Actually is?? I don’t put a lot of stock in the whole idea of “if you set the film’s storyline at any other time of year other than Christmas it wouldn’t change the plot”, because that is such a broad notion. The opposite could be just as true. If George Clooney & Brad Pitt were robbing Vegas casinos on Christmas Eve would that make Ocean’s Eleven a Christmas movie?? I think it might. If Doc Brown & Marty McFly had used their time machine to visit Christmases past & yet to come would that qualify Back to the Future as a Christmas film?? Perhaps. In the grand scheme of things I believe that most people know a Christmas movie when they see it, right?? As always I value the opinions of The Manoverse and welcome your feedback.
National Lampoon’s Christmas Vacation
Starring Chevy Chase, Beverly D’Angelo, Randy Quaid
Director Jeremiah Chechik (Benny & Joon, Diabolique)
Rotten Tomatoes 64%
I never would have dreamed 28 years ago that Christmas Vacation would become the holiday entertainment juggernaut that it has evolved into, especially in the past decade. It is one of about a half dozen Christmas movies that is shown almost daily from Thanksgiving clear thru New Year’s, and oftentimes I see it popping up at other times of the year (usually as part of a Vacation marathon). I’m sure I don’t have to review the plot. Everyone has seen Christmas Vacation. Many people love it, some folks hate it. Either way, no one can deny its staying power.
Eight Crazy Nights
Starring Adam Sandler
Director Seth Kearsley
Rotten Tomatoes 12%
Adam Sandler made this mess right around the time that his career had plateaued and was beginning to approach the abyss on the other side. I’m not Jewish, but to my knowledge Hanukkah films are rare. This is an animated story wherein Sandler gives voice to Davey Stone, a thirtysomething malcontent with an alcohol problem & a rap sheet. After Davey’s latest arrest he is sentenced to community service under the guidance of an elderly referee for a youth basketball league. The rest of the film focuses on the relationship between Davey & the old guy, which has its ups & downs. This is about the least heartwarming holiday film of all time, making slasher flicks about Santa Claus look like after school specials.
The Verdict:Christmas Vacation. Come on now…was there ever any doubt?? I think two hours of infomercials would be more entertaining than Eight Crazy Nights, and probably have just as much to do with Hanukkah. Believe it or not Sandler has done worse…but he’s also produced much better, funnier, & more memorable films. Meanwhile, Christmas Vacation is a certified classic that just seems to get better with age.
Rudolph the Red-Nosed Reindeer
Starring Burl Ives
Rotten Tomatoes 92%
An advertising copywriter for Montgomery Ward named Bob May created Rudolph in 1939. Montgomery Ward had been buying and giving away coloring books for Christmas every year and it was decided that creating their own book would save money and be a nice goodwill gesture. The oddball reindeer became the star of that coloring book (with accompanying poem). May’s sister just happened to be married to Johnny Marks, a songwriter whose hits would eventually include Rockin’ Around the Christmas Tree and A Holly Jolly Christmas. But in 1949 Marks’ career hadn’t gotten off the ground yet (no pun intended) and he adapted May’s poem into a song, which was then recorded by “The Singing Cowboy” Gene Autry. The song was a smash hit, and just over 15 years later an animated special was produced and began to air annually on NBC. It shifted over to CBS in 1972 and has now been a beloved Christmas tradition for a half century.
Shrek the Halls
Starring Mike Meyers, Eddie Murphy, Cameron Diaz, Antonio Banderas
Director Gary Trousdale (Rocky & Bullwinkle, Beauty and the Beast)
Rotten Tomatoes 63% (a)
In comparison Shrek has only been a holiday tradition for about a decade, and calling it a tradition is being quite generous. Of course a quartet of movies spanning from 2001 to 2010 introduced us to the big green ogre & his quirky pals Donkey & Puss-in-Boots (a fifth film is rumored to be in the works), and he’s even made it to Broadway. The Christmas special has Shrek learning about Christmas so he can celebrate properly with his wife & children. Unfortunately all of his plans turn into chaos thanks to the well-meaning interference of his friends.
The Verdict:Rudolph. I have absolutely nothing against Shrek. The movies are solidly entertaining, and the Christmas special is just dandy. Perhaps kids growing up right now will feel about it in 35 years the way that I feel about Rudolph, Hermie the Elf, Yukon Cornelius, et al. But for me Shrek is the newbie that I have no attachment to whatsoever, while Rudolph is a HUGE part of the whole Christmas zeitgeist.
Starring Alistair Sim
Director Brian Desmond Hurst
Rotten Tomatoes 84%
Charles Dickens’ novella has been adapted for the big screen countless times, with several of those versions being part of this competition. And while you will find varying opinions of many of those movies there is almost unanimous agreement that the 1951 film starring Alistair Sim as Ebenezer Scrooge is…at the very least…one of the best. I can’t say that it’s a faithful rendering of the book, as there are several plot points that are either expanded upon or entirely fabricated for the film. However, I don’t mind these changes all that much, especially since the film does capture the solemn tone of the book quite effectively.
It’s A Very Merry Muppet Christmas Movie
Starring Kermit the Frog, Miss Piggy, David Arquette, Joan Cusack
Director Kirk Thatcher
Rotten Tomatoes 90%
Be careful not to confuse this film with The Muppet Christmas Carol. This was a made-for-TV movie that originally aired on NBC, and it is basically a Muppet send-up of It’s A Wonderful Life. Kermit is despondent at the prospect of losing his beloved theater, so various characters show him what life would be like if he’d never existed. There are several human actors involved, including Mel Brooks, David Arquette, Willam H. Macy, the cast of Scrubs (which was a semi-popular NBC show at the time), Snoop Dogg, & Kelly Ripa. That’s way way way too much humanity for a Muppet movie. IAWL has been ripped off too many times to even fathom, and this is far from the worst tribute to a great film. However, it’s not even the best Muppet Christmas film!!
The Verdict:Scrooge. Neither is an original idea. Both are based on other works. Scrooge just happens to be a far better adaptation of its source material.
Starring Bruce Willis, Alan Rickman
Director John McTiernan (Predator, The Hunt for Red October, Last Action Hero)
Rotten Tomatoes 92%
Here we go!! Yes…I do consider Die Hard a Christmas movie. NYPD Detective John McClane comes to Los Angeles on Christmas Eve to see his estranged wife at her company Christmas party. Winter Wonderland & Let It Snow! Let It Snow! Let It Snow! are part of the soundtrack. At one point a dead terrorist shows up with a Santa hat & the words “Ho Ho Ho” written on his shirt. Case closed my friends. Oh, and it also happens to be a great action flick, and that’s coming from a guy who doesn’t particularly like action flicks.
The Year Without A Santa Claus
Starring Mickey Rooney, Dick Shawn
Rotten Tomatoes 83% (a)
Hey, we’re all entitled to a bad day & the occasional foul mood, right?? Even Santa Claus isn’t always so jolly. In this stop motion animated classic from the prolific folks at Rankin-Bass ol’ Saint Nick is under the weather and isn’t sure anyone really believes in him anymore anyway, so he decides to skip the whole ordeal. Mrs. Claus helps the cause by playing two evil brothers…Heat Miser & Snow Miser (who both apparently control the weather)…against one another (with an assist from Mother Nature). Long story short…all’s well that ends well and Santa goes forth with his annual gift giving. You might have a hard time finding it on television in comparison to other Rankin-Bass classics, but Freeform (or whatever they’re calling that channel this week) usually has it on at some point.
The Verdict:Die Hard. This is a tough call. The debate about Die Hard’s worthiness as a Christmas film is legit, and though I obviously come down on the pro side that doesn’t mean I don’t understand the veracity of the argument. Conversely, TYWASC is indisputably a Christmas classic, but I’m not sure that it has held up well thru the decades. To be honest I don’t even recall it being that important of a viewing tradition in my childhood, and as an adult I can take it or leave it.
Starring Will Ferrell, James Caan, Mary Steenburgen, Zooey Deschanel
Director Jon Favreau (Iron Man)
Rotten Tomatoes 84%
Will Ferrell has to be considered one of the Top 5 alumni whose career was launched on Saturday Night Live, and that is mostly due to the staying power of Elf. As much as one might enjoy watching Talladega Nights, Old School, Step Brothers, Wedding Crashers, or Blades of Glory none of those films has achieved the pop culture significance or made the kind of sustained entertainment impact that Elf has in the past 15 years. Buddy the Elf is the role Ferrell was born to play, and its popularity will probably outlive him.
Santa Claus: The Movie
Starring Dudley Moore, John Lithgow, David Huddleston
Director Jeannot Szwarc (Jaws 2)
Rotten Tomatoes 17%
I can imagine the pitch to the studio back in the mid-80’s…”Santa…as an action fantasy!!”. It may help you wrap your head around the concept and understand why this film is what it is to know that it was produced by the same guys who produced the Superman movies starring Christopher Reeve and directed by the man who helmed Jaws 2. The Movie tells a…unique…Santa Claus origin story, and weaves in subplots involving an industrious elf and an evil toy manufacturer. The cast…Dudley Moore, John Lithgow, Burgess Meredith, among others…is solid, but the movie as a whole is largely style over substance.
The Verdict:Elf. In the three decades since its release Santa Claus: The Movie hasn’t really become a cherished holiday tradition. Oh sure, it has its fans…but there doesn’t seem to be that many of them. And it hasn’t gotten a lot of airtime on TV over the years. I understand that technology has transformed the world and that virtually anything that has ever been produced can be watched with the push of a few buttons, but please understand that I’m an old school child of the 80’s and repeat viewings to me entail using my remote to flip thru the channels and catch whatever is on. Elf almost immediately took its place as a Christmas classic when it hit theaters a decade & a half ago, and its stature as lighthearted family fun has only grown in the ensuing years.
A Charlie Brown Thanksgiving
Starring Charlie Brown, Snoopy, Peppermint Patty
Director Bill Melendez
Rotten Tomatoes 73% (a)
More than three dozen animated television specials starring Charles Schultz’s comic strip characters from Peanuts have been produced from the 1960’s until just a few years ago. Several have been centered on holidays (there’s even one about Arbor Day), which makes sense because Schultz was a very devout man. This Thanksgiving story finds Peppermint Patty, Marcie, & Franklin inviting themselves over to Charlie Brown’s place for the holiday, and ol’ Chuck being too timid to tell them that he & his family will be heading out to Grandma’s house. Linus, Snoopy, & Woodstock are recruited to help, and when the kids all sit down at a ping pong table in the back yard they are served a hilarious meal of toast, pretzels, popcorn, jelly beans, & an ice cream sundae, which totally sounds like my diet. Luckily Grandma (unseen, as all adults are in Peanuts) invites all the children to her house for real food, while Snoopy & Woodstock stay behind and have their own feast.
Jingle All the Way
Starring Arnold Schwarzenegger, Sinbad, Rita Wilson, Phil Hartman
Director Brian Levant (Beethoven, A Christmas Story 2)
Rotten Tomatoes 17%
The commercialism of Christmas has been a popular subplot for holiday films thru the years, and this one might be among the best at capturing the pathetic retail frenzy. Schwarzenegger stars as a busy, somewhat neglectful Dad (as many fathers are in Christmas movies) who waits until the last minute to find the toy that his son really wants to find under the tree. Every Christmas season has THE toy, right?? Cabbage Patch Kids, Rubik’s Cube, Beanie Babies, Tickle Me Elmo, Furby, Xbox, Playstation. Parents spend time, energy, & money to get their child what every kid wants that particular year, only to see it collecting dust before spring arrives. At any rate, in this film that toy is a super hero action figure called Turbo Man. Dad quickly develops a rivalry with a weird mailman who is desperately seeking the same item. Meanwhile, a smarmy neighbor (the late Phil Hartman at his slimy best) has his eyes on Mom and successfully drives a wedge into the marriage. The whole movie crescendos to a really fun conclusion, and overall it’s a better film after you watch it a few times than one might think from a first impression.
The Verdict:Charlie Brown. There are better Peanuts specials, and Jingle All the Way is a better movie than you may remember. However, while we all recognize the commercialization of Christmas as a bad thing I think an entire movie focused on it is a bit too cynical. Schwarzenegger can be funny (Twins is pretty good), but he is miscast here and would have benefitted from a better foil than Sinbad. Peanuts is what it is…and that’s why we’ve loved it for decades.
Disney’s A Christmas Carol
Starring Jim Carrey, Gary Oldman
Director Robert Zemeckis (the Back to the Future trilogy, Forrest Gump, Cast Away)
Although I’m not really sure what a director does when helming an animated film, I am a huge Zemeckis fan and was thrilled far in advance when I found out he’d be making a new version of the Dickens classic using performance capture technology. Jim Carrey’s shtick wore thin two decades ago, but his talent is undeniable and put to good use in an animated format that allows him to portray multiple characters. This is a fairly faithful interpretation of the source material, and technology allows scenes & characters to be depicted in fresh, distinctive, & inspired ways. Some are critical of the film’s dark tone, and Zemeckis probably does go overboard & have a little too much fun with the toys at his disposal, but one must remember that the book is rather macabre. Don’t blame the director for not caving into the temptation to make a more palatable “family friendly” adaptation…it’s been done.
Mr. Krueger’s Christmas
Starring James Stewart
Director Kieth Merrill
Rotten Tomatoes No Score Available
The legendary Jimmy Stewart’s career had peaked long before he ever made this little gem, although he would do a few more projects in the following decade. If you’ve never seen Mr. Krueger’s Christmas you are far from alone. It was produced by The Church of Jesus Christ of Latter-Day Saints and broadcast on NBC just a few days before Christmas 1980. Since then it is impossible to find on television and isn’t even available for streaming. The only avenue available to watch it…to my knowledge…is YouTube. It is a half hour in length and tells the story of Willie Krueger, an elderly janitor who lives in the basement apartment of the building that he takes care of. Willie is a lonely widower whose only companion is a cat named George, and he fills the void with Walter Mitty-esque fantasies. On this Christmas Eve Willie’s imagination has him conducting the Mormon Tabernacle Choir, wearing finer threads than he can afford in real life, enjoying a delightful sleigh ride, welcoming carolers into a much nicer abode than he actually lives in, decorating a grander tree than the little tabletop one he has, & talking to Jesus as he lays in the manger at the Nativity. You might notice that in all of these dreams except the last one Willie, as opposed to his actual life, is surrounded by people who respect & appreciate him. While he is talking to Jesus he is, as in life, invisible to others…but in the presence of Christ there is no loneliness. This short film makes such a profound impact on multiple levels that it’s a shame it isn’t shown somewhere on television during the Christmas season.
The Verdict: It’s a tie!! I’m sorry. It was never my intention to cop out in such a manner at any point in this competition, but I just can’t choose between these two. I like Zemeckis, love A Christmas Carol, & am smitten with motion capture animation. Some find the technology a bit creepy and believe its use in A Christmas Carol is too dark & scary, but I think the combination is fantastic. Mr. Krueger’s Christmas is difficult to find and repeat viewings are few, but its story is so delicately effectual that it must not be overlooked. Jimmy Stewart still had it even at 72 years old!! If you’ve never seen Mr. Krueger’s Christmas please set aside some time to find it online. Trust me…you won’t regret it.
Trapped in Paradise
Starring Nicolas Cage, Jon Lovitz, Dana Carvey
Director George Gallo (The Whole Ten Yards)
Rotten Tomatoes 10%
I have to give Nicolas Cage credit. There’s no way to typecast or pigeonhole him as an actor because he’s done a little bit of everything…comedy, action, drama, rom-coms. With films on his resume like Raising Arizona & Honeymoon in Vegas it can’t be said that he’s not funny. Yet having said that he feels…out of place…in this movie. The story follows three dimwitted brothers who head to a small Pennsylvania township (think modern day Mayberry) to rob a bank. Everything that can go wrong does go wrong and the trio is unable to make their escape, all while they are being treated warmly by the pleasant, unsuspecting citizens. I’m not a fan of Jon Lovitz, and Dana Carey is inexplicably annoying…but somehow it all works, atleast for me.
Mr. Magoo’s Christmas Carol
Starring Jim Backus, Morey Amsterdam
Director Abe Levitow
Rotten Tomatoes 67% (a)
Quincy Magoo dates all the way back to the 1950’s when he starred in animated shorts that would precede feature films. Eventually he’d make his way onto television, and in the 90’s there was even a live action movie starring Leslie Nielsen. However, the most enduring legacy of Mr. Magoo is his take on Dickens, a fairly authentic telling of the story, or atleast as faithful as a less-than-an-hour long cartoon can be. I seem to recall this particular special being an annual thing when I was a kid, but in the past 25-ish years airings have been hit & miss, and I believe it is often heavily edited to allow for more commercials.
The Verdict:Trapped in Paradise. I feel like I’m betraying my 80’s kid roots. Is Trapped in Paradise a good movie?? Not really. However, for reasons that I have alluded to on a few occasions it holds a special place in my heart, despite its shortcomings. I cannot get behind Magoo a) because repeat viewings have been scant (it’s hardly a Christmas tradition), & b) airings are usually edited significantly. I’m sure the original, full length show can be streamed, and maybe someday that’ll be the norm, but right now I’m still old school and want my Christmas movies & specials to be available the way they always were…thru mindless channel surfing.
I’m a pro wrestling fan, and occasionally, instead of the normal one-on-one or even a tag team match, they’ll stick four combatants in the ring and let them fight it out. That is how I’ve decided to conclude this project. We started out back in March 2016 with 84 films, and seven months later we’ve pared it down to four.
The choices made here over these months have been undeniably influenced by my own entertainment sensibilities, but I can assure you that I’ve done my best to be…if I may borrow a phrase…fair & balanced. I’ve given early eliminations to films that I really like, and conversely made other films victorious that aren’t necessarily my cup of tea, all out of respect for undisputable attributes like major awards, significant box office earnings, well-regarded critical praise, & enduring mass appeal. I stayed within a well-defined set of rules, which is why movies like Empire Strikes Back, Field of Dreams, A Christmas Story, & Back to the Future were not included. However don’t doubt my fanboy love for those & many others not involved in this competition.
At the end of the day I believe that we’ve ended up with a fun & interesting trek down memory lane. I’m a movie buff. I like to sit in a darkened theater with a bucket of popcorn or in the comfort of my living room snuggling with Rocco and escape into what our old pal Willie Wonka would call a world of pure imagination. Oh sure…most of us can’t spend too much time doing that. There are bills to pay, families to care for, responsibilities to fulfill, & goals to reach. But every once in a while it’s good & necessary. The 1980’s represent the latter part of my childhood & my teenage years. Life is fairly simple & typically enjoyable for the vast majority of kids, but most don’t appreciate just how truly wonderful that time was until years later, after things have become complicated, loved ones have departed, health has deteriorated, & guilt free fun is a rare commodity. Occasionally though we can temporarily close Pandora’s box and return to those halcyon days. The 80’s were a great era for cinema, and I am happy to celebrate that accomplishment. I hope you have enjoyed reading along.
The Blues Brothers
The Blues Brothers began as a Saturday Night Live sketch in January 1976. They made two additional appearances as SNL musical guests in April & November of 1978. Of course the band’s leaders…Joliet Jake & Elwood…were portrayed by SNL cast members John Belushi & Dan Aykroyd. Like so many other SNL skits that have followed in the ensuing decades an idea was hatched to evolve the characters into a movie. Aykroyd wrote the screenplay and John Landis was hired to direct. Belushi & Aykroyd formed an actual band with real & accomplished musicians, and The Blues Brothers released their first album, Briefcase Full of Blues, in 1978. Belushi had also become a movie star in 1978 after his role in Animal House (directed by Landis), and left SNL in 1979 along with Aykroyd. The film was released on June 20, 1980. The story follows Jake, upon his release from prison, and Elwood, as they put the band back together to raise money for the orphanage in which they grew up. If you are curious why a religious organization owed back taxes, well, at the time there was a proposed law in Illinois that would have stripped such entities of tax exempt status, so I suppose Aykroyd took that idea and ran with it. It’s a movie full of great music, memorable quotes, numerous car crashes, iconic imagery (dark sunglasses & fedoras), & a ton of cool cameos that modern youngsters might not understand but were awesome back in the day. Critics really liked it and it was the 10th highest grossing film of 1980. Did you know that The Empire Strikes Back was released less than a month earlier?? Heavy competition indeed. Anyway, more than thirty years later The Blues Brothers is still shown on television with some frequency, something that I consider to be somewhat of a hallmark of greatness. The Blues Brothers won the Tubular Division by defeating European Vacation, The Big Chill, When Harry Met Sally, & The Breakfast Club. That last result is probably considered a controversial upset by some, but the decision is final.
Dead Poets Society
Citizens of The Manoverse know that I am a huge Robin Williams fan, and while he was mostly known as a stand-up comedian and the star of some really funny comedy films (Aladdin, Mrs. Doubtfire, The Birdcage), he was equally accomplished in dramatic roles (Awakenings, One Hour Photo, Insomnia). He won his only Academy Award, for Best Supporting Actor, in 1997 for playing a quiet, introspective therapist in Good Will Hunting. By far my favorite dramatic Robin Williams movie is Dead Poets Society. It was released on June 2, 1989 and was the 10th highest grossing film of that year. Critics liked it very much. Williams stars as Professor John Keating, the new English teacher at a stodgy New England boarding school in the late 1950s. Keating isn’t your normal uptight teacher, and his methods & perspective on life inspire a group of students, who do some research and find out that Keating was a bit of a rebel even as a student. He attended the same school as a youth and was a member of a secret organization called the Dead Poets Society. The boys decide to revive that club and also use the things they’ve learned from the professor as encouragement to take some chances and rebel against the expectations of the school & their parents. When things don’t go well for one of the youngsters after he stands up to his domineering father the lad commits suicide and Professor Keating loses his job. It sounds much more depressing than it is…trust me. Dead Poets Society isn’t on TV as much as fans might prefer, but I understand. It isn’t the sort of silly comedy or mindless action flick that folks tend to enjoy during a lazy weekend. Even with some trademark comedic flourishes from Williams it is a serious film that some might consider kind of a downer, especially toward the end. But even without as many repeat viewings as a lot of other films discussed in 80’s Movie Mania I still have a deep fondness for Dead Poets Society. Perhaps it is the enchanting presence of Williams. Or maybe it’s the academic setting where people are learning about, discussing, & enjoying poetry & Shakespeare. I suppose the fact that it is a tale chockful of deep thoughts about life is appealing as well. Dead Poets Society topped the Radical Division, defeating The Naked Gun, Fast Times at Ridgemont High, & This Is Spinal Tap to get here.
National Lampoon’s Vacation
There have been five films in the Vacation series, but only two have really retained any lasting appeal. We’ll discuss the other one next Christmas, but for now this is the original, the one that started it all. Released on July 29, 1983, the script was written by John Hughes based on a short story called Vacation ’58 that he’d written for National Lampoon magazine in 1979. The story is available to read online, and while it is amusing and many of the broad strokes are retained in the film, what we ultimately get to enjoy onscreen is much funnier and less…intense. Harold Ramis, who many will remember as Egon Spengler in Ghostbusters or Russell Ziskey in Stripes, directed. He had previously directed Caddyshack and written the screenplays for Animal House & Stripes. Of course the star of the movie is Chevy Chase, who plays Clark Griswold, a sincere yet clueless husband & father who just wants to drive his wife & children from Chicago to California for a fun time at America’s favorite amusement park Walley World. As with any road trip flick there are adventures, mishaps, & quirky characters along the way, leading to a fairly surprising conclusion that admittedly does seem out-of-date in the Internet Age. Vacation was the 11thhighest grossing film of 1983, and received solid reviews for a “screwball comedy”. It bested Stand By Me, Star Trek IV: The Voyage Home, & Ferris Bueller’s DayOff to win the Bodacious Division. Despite its outdated final act Vacation has retained significance on the pop culture landscape more than thirty years after its initial release. It seems to be shown on television with some frequency, and the fact that the series was rebooted (with Ed Helms portraying middle-aged Rusty Griswold and cameos by Chase & Beverly D’Angelo) just last year proves its lasting popularity. The humor is accessible to a wide target audience and can be enjoyed by multiple generations.
I’m a big fan of parody & spoof films. Parody is derived from the Greek word paroidia, with para meaning “side by side” or “parallel to” and oide meaning “song”. A parody is a work that imitates the style of an earlier work, usually in a humorous manner. The Scary Movie franchise pokes fun at the Scream movies. The Naked Gun movies make fun of cop shows & films. The Austin Powers trilogy parodies James Bond. Spaceballs is a comedic ode to Star Wars. You get the idea. Parody films go all the way back to the 1930’s when Abbott & Costello did a number of movies that were a comedic take on monster flicks of that era. Then in the 70’s there was stuff like Blazing Saddles, a parody of westerns, and Young Frankenstein, yet another funny monster movie. Airplane! was released on July 2, 1980 (just a couple of weeks after The Blues Brothers) and parodies disaster flicks, which had been quite popular in the 70’s (The Swarm, Airport, The Poseidon Adventure, The Towering Inferno, etc.). It is an odd remake of a 1957 film called Zero Hour!, a film most of us have probably never heard of much less seen. Airplane! was the 4th highest grossing movie of 1980. Hindsight being 20/20 it is understandable that The Empire Strikes Back topped that year, but how in the world 9 to 5 and Stir Crazy made more money than Airplane! is mind boggling and a testament to the popularity of Richard Pryor and…Dolly Parton (???). Anyway, the casting director deserves special kudos for choosing erstwhile tough guys Robert Stack, Leslie Nielsen, Peter Graves, & Lloyd Bridges to star in deadpan comedic roles. It was a masterstroke. The writers too must be praised, as not only does the movie spoof the disaster genre, but it does so with such a plethora of amazing dialogue, funny cameos, & hilarious sight gags that Airplane! practically demands repeat viewings. Critics have loved the film since it came out nearly forty years ago, and it continues to be shown on television with some degree of regularity. Airplane! has thus far defeated Beetlejuice, Top Gun, Star Trek II: The Wrath of Khan, & Uncle Buck.
Dead Poets Society
As much as I love Robin Williams the fact is that, compared to the competition, I don’t know that this is a film that has resonated with the masses nearly as much. I’m not at all sure that many of my friends or family would immediately choose Dead Poets Society as one of the greatest films of the 80’s. I think it appeals to a certain demographic and I just happen to be in that group. It isn’t repeated on television all that much, and I believe that is because most folks, when channel surfing on a rainy day, gravitate toward comedies or action films. Dead Poets Society is probably a bit too erudite to be a cult classic. Perhaps that is an indictment of our culture and/or our education system, but it is what it is.
National Lampoon’s Vacation
Two strikes go against Vacation. First of all, many would agree that it might not even be the most beloved film in its own series. Secondly, because of the ending it doesn’t hold up as well as one would hope. Younger viewers probably watch it and think “Why didn’t they just go online and see that Walley World was going to be closed??”. Is it fair to hold that against the film since The Internet obviously didn’t exist in 1983?? Probably not. As a matter of fact I suppose some might say that the fact marks it as representative of the very era this competition purports to celebrate. Trust me…I rolled all of that around in my head. But at the end of the day if I’m splitting hairs I have to admit that I lean toward the ending, as funny as it is, being a mark against Vacation’s longevity.
The Runner Up
Here’s the problem with parodies/spoofs. Much of the humor comes from the audience’s familiarity with the source material that is being mocked. I love Airplane! yet I have never seen Zero Hour!, the original film from which it is derived. I’d probably appreciate the spoof even more if I’d watch the original. Not only that, but I wonder how many people, in 2016, have seen any of the disaster flicks that are also being parodied?? How many people these days are familiar with Peter Graves’ role in Mission: Impossible, Robert Stack in 1960’s TV show The Untouchables, Lloyd Bridges in Police Story, or Leslie Nielsen’s work in Forbidden Planet & The Poseidon Adventure?? Many of the jokes in Airplane! are dated references, like cameos from Ethel Merman & Leave it to Beaver’s Barbara Billingsley. We still laugh because it’s all so very silly, but many younger viewers would laugh even more if they knew why certain things are funny. I’m splitting hairs again…obviously…but that’s what happens when it gets down to separating greatness from greatness.
80’s Movie Mania Champion
The Blues Brothers
It’s repeated on television a lot for a movie that was released nearly forty years ago. It is SO quotable. It has great music. Even if the blues isn’t necessarily your thing you’ll enjoy the tunes in this film. Much like Airplane! some of the cameos are a bit passé, but it’s atleast a draw on that point. Belushi & Aykroyd are fantastic. A sequel, called Blues Brothers 2000, was made in 1998, but of course John Belushi had died 16 years earlier so, as talented as John Goodman is, the magic just wasn’t there. When I was in college our fraternity had a traditional dance/chant thing we did using the song Gimme Some Lovin’. Now that song was written by Steve Winwood and originally recorded by the Spencer Davis Group in 1966, but our inspiration was the awesome Blues Brothers cover. Back then I’d occasionally see guys don the famous dark sunglasses & fedoras. It’s little things like that that help a film endure so that it can be enjoyed by new generations. This is a movie that has stood the test of time. It isn’t deep. It doesn’t challenge one’s mind or elicit reflection on values, philosophy, or a person’s moral compass. It’s just great fun, and when judged against modern standards of acceptability it is remarkably devoid of sex, violence, & profanity. You can watch The Blues Brothers with your children and not only will they not be corrupted by much depravity, they might actually develop a taste for good music. What a bonus!!
After a little vacation from this series it’s time to focus on the finish line. I realize that things here have been very much sportscentric as of late, and that there are citizens of The Manoverse who aren’t really into that sort of thing. However long time readers know that this tends to occur in the fall and have hopefully modulated their expectations. At any rate, today we present the four division final matchups. Since I have said just about everything there is to say about these films I think I’ll just do a tale of the tape sort of thing this time around. Don’t worry…you’ll get a chance to enjoy more of my sparkling wit next time. Specifically I’m looking at five areas of influence that are important factors in deciding the stature of any movie:
Re-Watchability – Is it on television a lot?? If it is on TV do I stop & watch??
Relevance – Does the story hold up well?? Or do modern societal norms & changes in technology make it feel dated??
Quotability – Fun, interesting, well-written movies of all genres are usually very quotable.
Cultural Impact – Is it one of those movies that everyone of a certain age has seen?? Is it familiar to multiple generations?? Do people still occasionally talk about it & watch it even many years after its release??
Pleasure – Do I enjoy watching this movie?? We’ve all read books or watched shows/movies just because we felt compelled to…because we wanted to be cool or seem educated. But what do you enjoy when no one else is around??
Dead Poets Society vs. This Is Spinal Tap
The Verdict:Dead Poets Society. I think it comes down to timing. If Spinal Tap would have come out a few years later or Poets been released a few years earlier the coin may have flipped the other way.
National Lampoon’s Vacation vs. Ferris Bueller’s Day Off
The Verdict:Vacation. This is tough. Bueller probably deserves a better fate, but I have to be honest. Some might say that the invention of The Internet renders the conclusion of Vacation irrelevant, and I concede the point. In that one very significant way the film does not hold up well. However, I believe there is enough greatness there to balance out the one weakness. Bueller is a great time capsule that even modern high school students can enjoy, but I’m not sure it’s as relatable for adults.
The Breakfast Club vs. The Blues Brothers
The Verdict: The Blues Brothers. To be honest, this result surprises me. However, while The Breakfast Club is a great movie, its relevance & impact is limited to two demographics: high school students & those of us that were teenagers in the 80’s. Conversely, The Blues Brothers is a goofy comedy devoid of meaningful societal commentary, but it is jolly good fun for people of all ages. It is timeless in its own odd way, and has probably done more to advance interest in blues & jazz music than just about anything else in the past four decades.
Uncle Buck vs. Airplane!
The Verdict:Airplane!. With all due respect to the memory of the late, great John Candy, this wasn’t a fair fight. Uncle Buck is a nice, underrated, above average comedy, but it’s not the best work of Candy, John Hughes, or MacCaulay Culkin. Heck, it’s not even Amy Madigan’s best film. Conversely, Airplane! birthed an entire subgenre in which everything that has followed in the past 36 years STILL hasn’t measured up to the granddaddy of them all.
I apologize for the delay. I had intended to publish this immediately on the heels of Part 1, but sometimes life gets busy. I’m sure y’all can relate. Anyway, we conclude the Sweet 16 round today and will likely take a little break before resuming the competition. Not only has The Lord been telling me to get some other, more meaningful stuff written, but football season is on the horizon as well. Thankfully I rarely seem to be wanting for content. Enjoy.
National Lampoon’s Vacation
Starring: Chevy Chase, Beverly D’Angelo, Anthony Michael Hall, Imogene Coca, Randy Quaid
Director: Harold Ramis
Box Office: $61 million
Rotten Tomatoes: 93% Fresh
Quotes: “Now, I owe it to myself to tell you that if you’re taking the whole tribe cross-country this is your automobile…the Wagon Queen Family Truckster. You think you hate it now, but wait ’til you drive it.”
“Why aren’t we flying? Because getting there is half the fun. You know that.”
“Excuse me. Could you please tell how to get back on the expressway?” “Man, who do I look like, Christopher Columbo?”
“I’m going steady, and I French kiss.” “So, everybody does that.” “Yeah, but Daddy says I’m the best at it.”
“We can’t leave her on the patio!” “Would you rather I slipped her in the night deposit box at the funeral home?”
“Roy, could you imagine if you had driven all the way to Florida and it was closed?” “Closed? Uh, they don’t close Florida.”
Miscellaneous: Notable cameos are made by John Candy and model Christie Brinkley. The script was based on a story called Vacation ’58, which was written by John Hughes and published in the September 1979 edition of National Lampoon magazine. Disneyland turned down the opportunity to be the Griswold’s destination, so Walley World was written as a fictional substitute. The original ending of the film had the Griswolds going to Roy Walley’s house and holding him hostage. It turns out that the Ferrari Girl is Walley’s daughter and she gets Clark off the hook with the police. On the plane ride home Clark realizes they’re on the wrong flight and hijacks the airplane. Test audiences didn’t respond well so the ending was changed.
Star Trek IV: The Voyage Home
Starring: William Shatner, Leonard Nimoy, Catherine Hicks
Director: Leonard Nimoy
Awards: nominated for 11 Saturn Awards, Oscar nominations for Cinematography, Sound, Sound Effects Editing, & Original Score
Box Office: $133 million
Rotten Tomatoes: 85% Fresh
Quotes: “You mean the profanity? That’s simply the way they talk here. Nobody pays any attention to you unless you swear every other word. You’ll find it in all the literature of the period.”
“Computer! Computer? Hello, computer.” “Just use the keyboard.” “Keyboard. How quaint.”
“Don’t tell me! You’re from outer space.” “No, I’m from Iowa. I only work in outer space.”
“My God man, drilling holes in his head is not the answer! The artery must be repaired! Now, put away your butcher’s knives and let me save this patient before it’s too late!”
“Everybody remember where we parked.”
“My God, man. Do you want an acute case on your hands? This woman has immediate postprandial, upper-abdominal distention. Now, out of the way! Get out of the way!” “What did you say she has?” “Cramps.”
“Dialysis? What is this, the Dark Ages?”
Miscellaneous: The transparent aluminum that Scotty utilizes became reality in 2009 thanks to the physics department at Oxford University. The film was dedicated to the crew of the space shuttle Challenger, which had exploded just 10 months earlier. This was the highest grossing of the six movies featuring the cast of the original series.
The Verdict: Vacation. After eliminating Wrath of Khan earlier in this round I cannot in good conscience allow The Voyage Home to advance further. The same logic applies…Trekkies love it, but it is a limited target audience. Vacation is much more accessible to the masses. Chevy Chase’s career has been hit & miss at best, but he hit a home run with this one, as well as the 1989 sequel Christmas Vacation.
Ferris Bueller’s Day Off
Starring: Matthew Broderick, Alan Ruck, Jennifer Grey
Director: John Hughes
Awards: highly regarded on several lists of best comedies and best high school films, Broderick was nominated for a Golden Globe for Best Actor in Comedy/Musical
Box Office: $70 million
Rotten Tomatoes: 81% Fresh
Quotes: “How could I possibly be expected to handle school on a day like this?”
“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”
“Bueller? Bueller? Bueller?”
Miscellaneous: A spinoff/prequel TV series (with Jennifer Aniston taking over the Jennifer Grey role) aired during the 1990-91 season, but it just couldn’t measure up. The famous parade scene supposedly takes place at Chicago’s Von Steuben Day Parade, which celebrates Baron Friedrich von Steuben, a Prussian military officer who came to America and aided George Washington during the American Revolution. The German-centric event is generally held in September. However the film is supposed to be set in late spring near the end of the school year. Oops.
Starring: Tom Cruise, Rebecca DeMornay
Director: Paul Brickman (Bad News Bears Breaking Training)
Box Office: $64 million
Rotten Tomatoes: 96% Fresh
Quotes: “Every now and then, say ‘What the heck.’ ‘What the heck’ gives you freedom. Freedom brings opportunity, opportunity makes your future.”
Miscellaneous: Sales of Wayfarer sunglasses rose 2000% after the film’s release. Timothy Hutton, Michael J. Fox, Tom Hanks, John Cusack, & Nicolas Cage were all considered for the role that ultimately went to Cruise. Frank Sinatra & Richard Dreyfus were both up for the role of Guido the pimp.
The Verdict: Ferris Bueller. Critics love Risky Business, and it is a well-written film. However Bueller is equally smart and it is much purer, notably devoid of sex & foul language. Oh sure…ol’ Ferris is a bit of a rascal, but in the grand scheme of life his escapades are mostly harmless, and his advice about taking time to occasionally stop & smell the roses is more profound than what one usually finds in most teen-centric movies.
The Breakfast Club
Starring: Molly Ringwald, Judd Nelson, Emilio Estevez, Anthony Michael Hall, Ally Sheedy
Director: John Hughes
Awards: 2005 Silver Bucket of Excellence Award at the MTV Movie Awards
Box Office: $52 million
Rotten Tomatoes: 89% Fresh
Quotes: “We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you’re crazy to make us write an essay telling you who we think we are. What do you care? You see us as you want to see us…in the simplest terms, in the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess, and a criminal. Correct? That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
“Don’t mess with the bull, young man. You’ll get the horns.”
“Does Barry Manilow know you raid his wardrobe?”
“My God, are we gonna be like our parents?” “It’s unavoidable. It just happens. When you grow up your heart dies.”
“Face it…you’re a neo-maxi-zoom-dweebie.”
Miscellaneous: Originally there was an idea about doing multiple sequels, occurring every ten years, in which the group would get back together. However Hughes had an unstable working relationship with Nelson, and the director also had a falling out with Ringwald when she decided that she wanted to move on from teen roles, thus the follow-ups never happened. Ringwald & Hall were 16 at the time the film was shot…the others were all in their 20’s.
Starring: Patrick Swayze, Jennifer Grey
Director: Emile Ardolino
Awards: won an Oscar for Best Original Song (I’ve Had the Time of My Life) & Grammy for Best Pop Performance by a Duo
Box Office: $214 million
Rotten Tomatoes: 72% Fresh
Quotes: “Nobody puts Baby in the corner!”
Miscellaneous: A prequel/remake/reimagining called Dirty Dancing: Havana Nights was made in 2004. I’ve never seen it and have no interest in ever doing so.
The Verdict: The Breakfast Club. This is a surprisingly easy decision. While Dirty Dancing is a cultural benchmark of the 1980’s there is no doubt that The Breakfast Club is a much better film.
When Harry Met Sally
Starring: Billy Crystal, Meg Ryan, Bruno Kirby, Carrie Fisher
Director: Rob Reiner
Awards: Oscar nomination for Original Screenplay, Golden Globe nominations for Best Musical/Comedy, Best Screenplay, Best Director, Best Actor (Crystal), Best Actress (Ryan)
Box Office: $93 million
Rotten Tomatoes: 89% Fresh
Quotes: “When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side.”
“Men and women can’t be friends because the sex part always gets in the way. No man can be friends with a woman that he finds attractive. He always wants to have sex with her.”
“There are two kinds of women: high maintenance and low maintenance.” “Which one am I?” “You’re the worst kind…you’re high maintenance but you think you’re low maintenance.”
“I’ll have what she’s having.”
“Oh, but ‘baby fish mouth’ is sweeping the nation?”
“I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”
Miscellaneous: The infamous quote “I’ll have what she’s having” is delivered by Reiner’s mother Estelle. Harry Connick Jr. is almost as big of a star in the movie as the actors, as he performs the entire soundtrack.
The Blues Brothers
Starring: John Belushi & Dan Aykroyd
Director: John Landis (Animal House, Trading Places, Coming to America)
Box Office: $115 million
Rotten Tomatoes: 85% Fresh
Quotes: “We’re on a mission from God.”
“Are you the police?” “No, ma’am. We’re musicians.”
“Bring me four fried chickens and a Coke.” “And some dry white toast, please.”
“It’s a hundred and six miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses.”
“What kind of music do you usually have here?” “Oh, we got both kinds. We got country AND western.”
Miscellaneous: Over 100 cars were wrecked during filming. The film has a fantastic soundtrack, including songs by Taj Mahal, Steve Winwood, Ray Charles, James Brown, Robert Johnson, Cab Calloway, Sam Cooke, Otis Redding, John Lee Hooker, & Elmore James.
The Verdict:The Blues Brothers. This is a tough call. I adore When Harry Met Sally. However, the cultural impact of The Blues Brothers cannot be ignored. It is such a unique film. Harry/Sally is undoubtedly one of the two or three best romantic comedies ever produced, but the fact is that rom-coms are a dime-a-dozen. One’s preferences can be easily swayed by whomever the lead actors are. I loved pre-Botox Meg Ryan, and I am a huge Billy Crystal fan, yet at the end of the day rom-coms all have the same basic structure. It’s a plug & play deal, with different actors going thru similar scenarios. Harry/Sally is particularly well written & performed, but at it cannot completely escape the familiar commonalities of the genre. The Blues Brothers is lightning in a bottle. A sequel was attempted in 1998, but its failure proves my point.
Greetings friends and fellow cinephiles. It’s time to put the 3rd Round of 80’s Movie Mania to bed so that we can move on to the Sweet Sixteen. At this point I can’t recall exactly what I’ve said or not said in these little preambles, so please excuse any unfortunate repetitiveness. I do want to remind The Manoverse that I am well aware that I have left many worthy films out of this competition. If you haven’t seen some of your favorite 1980’s classics there are a few possible explanations. This competition is heavily influenced…maybe totally so…by my personal preferences and what I have or haven’t seen. Therefore you won’t find any of the Indiana Jones series (I’ve never watched any of them), no horror films (the only slasher flick I like is Halloween, which was made in 1978), or stuff like Tootsie, Full Metal Jacket, Gremlins, Fatal Attraction, Amadeus, The Color Purple, or The Untouchables…because either I haven’t seen them or have and don’t believe them to be all that remarkable. You may have noticed that Lethal Weapon was included in this competition while Die Hard was not. That was a difficult decision, but I have a little something brewing for Christmas 2017 and didn’t want to be redundant (also the reason cool holiday flicks like A Christmas Story, Christmas Vacation, & Scrooged are not a part of 80’s Movie Mania). You already know that I eliminated trilogies right off the bat, specifically the Star Wars and Back to the Future films, four of which were produced in the 1980’s. There were also a lot of laudable sports films made during the decade, including Hoosiers, Raging Bull, Field of Dreams, Major League, The Karate Kid, BullDurham, & All the Right Moves, but I’ve already focused on them elsewhere so I decided including them here was unnecessary. Even with these omissions I believe I’ve presented a compelling & provocative tournament, and a fun trip down memory lane. Okay, enough of that. We ride!!
National Lampoon’s Vacation vs. Stand By Me
1983’s Vacation received byes thru the first two rounds. Chevy Chase stars as Clark W. Griswold Jr., a well-intentioned yet blundering family man who decides to drive his wife & kids from Chicago to California to visit the nation’s preeminent theme park. As usual with road trip flicks there are a plethora of epic fails & hilarious calamities, with the biggest twist coming when the Griswolds finally reach Wally World. This movie has held up remarkably well over the past thirty plus years, with the notable exception that the conclusion would never ever happen in The Internet Age. A few sequels were made with variable results…European Vacation isn’t too bad, Christmas Vacation is awesome, & Vegas Vacation is…well…let’s just forget it ever happened. A reboot/sequel was made last year in which the adult version of Rusty Griswold takes his own family on a cross-country trek. It is…okay. Stand By Me has gotten past K-9 and Weekend at Bernie’s to arrive at this point. It is one of the better film/TV adaptations of Stephen King’s work, right up there with The Shawshank Redemption and Carrie. It has a 91% Fresh rating on Rotten Tomatoes, and is nostalgically romanticized by almost everyone who was a young teenager in 1986.
The Verdict:Vacation. I’m all about nostalgia, but I really can’t fully embrace Stand By Me. I suppose I just don’t relate to the boys in the film. I never had those kinds of relationships or those sorts of adventures as a kid. Objectively speaking it is a great movie, but it’s not one for which I’ve ever had deep affection. Conversely, I’ve seen Vacation countless times in the past three decades. If it’s on television I’m probably going to stop flipping thru the channels and watch. I’ve been known to keep it saved on my DVR for a boring rainy day. There are so many great scenes & quotable lines. It is undoubtedly the zenith of Chevy Chase’s long & prosperous career.
Ferris Bueller’s Day Off vs. The Princess Bride
You were probably wondering about the whereabouts of ol’ Ferris. Well, he had byes thru the first two rounds but has now arrived. 1986’s Ferris Bueller’s Day Off solidified the star status of Matthew Broderick and tells the story of a scheming yet likeable high schooler, his girlfriend, & their best friend who decide to play hooky for the day and enjoy some of the finer things Chicago has to offer. They visit the Art Institute of Chicago, go to the top of the Sears Tower, eat lunch at a fancy restaurant, take in a Cubs game, & Ferris commandeers the microphone on a parade float belting out fun covers of Danke Schoen and Twist & Shout. In the process Ferris outwits his clueless parents as well as a persistent school principal. It’s all great fun, and we get to vicariously live thru a character who brazenly pulls off what most of us would never have the cahonas to try. The Princess Bride got past Cocktail in Round 2. It didn’t fair that well at the box office in 1987, coming in 41st, behind drivel like Outrageous Fortune, Mannequin, & Adventures in Babysitting. It did better than Ishtar and Superman IV though, so that’s something. Like other “cult classics” The Princess Bride would have to wait for the riches gained from home video to be deemed successful. Actress Robin Wright starred in the film while still doing soap opera Santa Barbara, but of course she has gone on to become one of Hollywood’s best. Rotten Tomatoes rates The Princess Bride as 97% Fresh, and our old pals Siskel & Ebert gave it double Thumbs Up. Ebert said it is “good-hearted fun” and “satire containing true innocence”, while Siskel called it “the weirdest assortment of characters since Star Wars” (which I’m pretty sure he meant as a compliment).
The Verdict:Ferris Bueller. It’s odd to contemplate how different this competition might look with slightly altered matchups. The Princess Bride probably deserves a better fate, but Ferris Bueller is just so entertaining. And it kind of has a subtle message. We’ll get into that some other time though.
Batman vs. Star Trek IV: The Voyage Home
Our favorite Caped Crusader defeated 80’s pop staple Pretty in Pink in the last round. Batman was by far the #1 film at the box office in 1989, and almost three decades later it is still near the Top 50 highest grossing films of all-time when adjusted for inflation. Willem Dafoe, David Bowie, John Lithgow, Tim Curry, Ray Liotta, Robert De Niro, Christopher Walken, Richard Gere, Jeff Goldblum, Robert Englund, & James Woods were among the actors considered for The Joker. Robin Williams thought he had the role after Jack Nicholson initially turned it down, but then Nicholson reconsidered and Williams was dismissed. That angered him so much that he refused an offer to portray The Riddler in the 1995 sequel Batman Forever. Thus we were stuck with Jim Carrey. Director Tim Burton retroactively says of his own film that it was “more of a cultural phenomenon than a great movie”, while Christopher Nolan, who would direct a new Dark Knight trilogy a couple of decades later, called the 1989 film “brilliant, visionary, & extraordinarily idiosyncratic”. The Voyage Home…aka the one with the whales…defeated Eddie & The Cruisers in Round 2. It was the fifth highest grossing film of 1986, behind Top Gun and Platoon but ahead of Ferris Bueller’s Day Off, Stand By Me, Hoosiers, & Pretty in Pink. It has an 85% Fresh rating at Rotten Tomatoes, with Ebert calling it “easily the most absurd of the Star Trek stories”, but also “the best, the funniest, and the most enjoyable in simple human terms.” I concur.
The Verdict:The Voyage Home. I can’t believe I’m saying this, but I think Burton is onto something, and since he directed the thing he should know…Batman is probably more of a cultural phenomenon than a great movie. I mean I still think of it as a great movie as well, but the competition is stiff. The Voyage Home…in my opinion…is right up there with Wrath of Khan in the Star Trek hierarchy.
Risky Business vs. Coming to America
After a first round bye Risky Business took out Iron Eagle in Round 2. It was the 10th highest grossing film of 1983, behind classics like Return of the Jedi & WarGames, but beating out some darn good competition like Scarface, The Big Chill, & A Christmas Story. It has an impressive 96% Fresh rating on Rotten Tomatoes. Ebert said Risky Business “is a movie about male adolescent guilt…in other words it’s a comedy”, and also called it “one of the smartest, funniest, most perceptive satires in a long time.” High praise indeed. Coming to America defeated Brat Pack classic St. Elmo’s Fire in Round 2. It was the 3rd highest grossing film of 1988, behind only Rain Man & Who Framed Roger Rabbit, and ahead of great stuff like Die Hard, Beetlejuice, Scrooged, Bull Durham, & The Naked Gun. Its rating on Rotten Tomatoes is 69% Fresh, which is really good but not quite on par with many of the greats in this competition. Judged against other Eddie Murphy films it is easily in his Top 5, but amongst the bigger universe of comedy films I’m not sure it stands out.
The Verdict:Risky Business. While Coming to America is a solid comedy it doesn’t feel special except when held up alongside the dreck that comprises way too much of Murphy’s overvalued filmography. Conversely Risky Business is an iconic representation of its era.
Annnnnd we’re back!! Today we finish up our first round matchups, but before we go forward there let’s go back and tie up some loose ends as usual. I posted two polls that absolutely no one voted on. I don’t know what I’m doing wrong, but I’ll just go with the flow. So in the Gnarly Division it’s gonna be Weird Science taking out Raising Arizona and Biloxi Blues defeating Parenthood. Now let’s move on to the first round in the Radical Division. Enjoy.
Radical – Round 1
Fast Times at Ridgemont High vs. Brighton Beach Memoirs
Fast Times is the quintessential high school movie. Released in 1982, it was the first directing effort for Amy Heckerling, who would go on to direct films like Clueless, European Vacation, & Look Who’s Talking, as well as the first screenplay written by Cameron Crowe, who has since had a solid career writing & directing movies such as Say Anything, Jerry Maguire, Almost Famous, & Vanilla Sky. That’s already a pretty impressive pedigree for Fast Times, but then we must consider the cast, featuring the earliest work of some very talented performers…Sean Penn, Nicolas Cage, Jennifer Jason Leigh, Judge Reinhold, Forrest Whittaker, Eric Stoltz, & Anthony Edwards. Oh, did I forget to mention the soundtrack?? It has great 80’s songs from folks like Jackson Browne, Joe Walsh, Don Henley, The Go-Gos, Sammy Hagar, Jimmy Buffett, Poco, Donna Summer, & Stevie Nicks. Not to be outdone, 1986’s Brighton Beach Memoirs features Jonathan Silverman, Blythe Danner, & Judith Ivey in the cast and is based on a Tony Award winning play by Neil Simon. It is the first entry in Simon’s Eugene Trilogy about his youth in Depression era Brooklyn. The movie is well written & acted, but I suspect that the theater production is even better.
The Verdict:Fast Times at Ridgemont High. This is 80’s Movie Mania, right?? It only seems right that one of THE signature 80’s films makes it out of Round 1.
Fletch vs. Night Shift
Aside from blundering family man Clark W. Griswold, Chevy Chase’s most famous role is that of L.A. Times journalist Irwin Fletcher, aka Fletch. Based on a series of novels written in the 70’s, 1985’s Fletch follows the reporter as he investigates a drug ring on an L.A. beach. He is approached by a wealthy businessman offering him a big wad of cash to kill him because the businessman is ostensibly dying of cancer anyway. Things get complicated from there. The supporting cast includes Tim Matheson, George Wendt, Geena Davis, & Joe Don Baker and the VERY 80’s score was written by master of the synthesizer Harold Faltemeyer. Fletch isn’t really a traditional comedy…it’s more of a mystery/action flick with funny moments provided by Chevy Chase being…well…Chevy Chase. 1982’s Night Shift has an impeccable pedigree. It was written by Lowell Ganz & Babaloo Mandel, who have gone on to write such fantastic films as Splash, Parenthood, City Slickers, A League of Their Own, The Money Pit, Liar Liar, Fever Pitch, & Parental Guidance. It was the first film directed by Ron Howard that anyone remembers. And it stars Henry Winkler as a decidedly un-Fonzie-esque character, as well as Michael Keaton in his first leading role and Shelley Long right before Cheers made her famous. The story has a straight-laced morgue employee, his wild & crazy co-worker, & a “hooker with a heart of gold” team up to start their own escort service. Hilarity ensues. It was an indication of great things to come from Keaton.
The Verdict:Night Shift. I don’t quite get the love for Fletch. It’s mildly amusing I suppose, but mostly quite forgettable. Meanwhile, NightShift has a solid cast doing some of their best work supported by a really fun script and a director who was just beginning to demonstrate his immense talent.
Spaceballs vs. Summer School
Spaceballs is a rather amusing Star Wars parody from the mind of the legendary Mel Brooks. Made in 1987 and starring Bill Pullman, John Candy, Brooks, Daphne Zuniga, Rick Moranis, & Dick Van Patten, it is chockful of amusing word play and funny sight gags that any Star Wars fan will appreciate & enjoy. A sequel has been discussed for many years, but half of the original cast is dead now so who knows what’ll happen with that. 1987’s Summer School is a lightweight yet sneakily entertaining comedy starring Mark Harmon (from NCIS) as a slacker gym teacher who gets roped into teaching remedial English to a group of less than stellar students during the summer. The cast also includes Kirstie Alley and a young Courtney Thorne-Smith. Word on the street is that a remake is in the works, which is a shame.
The Verdict: I like both of these films and really don’t want to make a choice, so let’s see if we can get enough votes to take the decision out of my hands.
Sixteen Candles vs. Red Dawn
John Hughes strikes again!! In 1984 Hughes wrote & directed Sixteen Candles, about a girl whose family completely forgets her 16th birthday. Molly Ringwald stars as Samantha, whose sister is getting married so she kind of gets lost in the shuffle. On top of that Samantha has a thing for the hottest hunk in school but her existence doesn’t even register on his radar…or so she thinks. Anthony Michael Hall is around too as a geek who has a thing for Samantha (he has NO shot). The supporting cast, including Samantha’s grandparents, their foreign exchange student Long Duk Dong, & the sister who becomes gooned on tranquilizers to calm her wedding day jitters are all quite humorous additions. Conversely, 1984’s Red Dawn is a very sobering action flick about a group of Colorado teens who go on the lam after their town is invaded by the Soviets in the midst of World War III. The movie is notable for its star-studded cast of youngsters, including Patrick Swayze, Charlie Sheen, C. Thomas Howell, Leah Thompson, & Jennifer Grey. A remake was produced in 2012 but I’ve never seen it and likely never will.
The Verdict: This one completely depends on a person’s taste in movies. Do you prefer teen comedy or violent war?? I have my preferences but I’m going to be generous and leave the decision in the hands of The Manoverse.
The Naked Gun vs. Dragnet
It’s police spoof vs. police parody!! 1988’s TheNaked Gun is an alleged continuation of a long forgotten TV show from a few years earlier called Police Squad. No one remembers it because it only lasted six episodes on ABC. At any rate, Naked Gun follows inept police detective Frank Drebin (portrayed by the hilarious Leslie Nielsen) as he tries to prevent the assassination of England’s Queen Elizabeth while she visits Los Angeles. The film is wall-to-wall sight gags, word play, & slapstick comedy and features an intriguing supporting cast, including George Kennedy, Priscilla Presley (before she got too out of control with the plastic surgery), Ricardo Montalban, & O.J. Simpson (before he started murdering people). 1987’s Dragnet is a comedic big screen take on the legendary 1950’s/60’s TV show and stars Dan Aykroyd as the ultra-serious Sgt. Joe Friday (allegedly the nephew of the original) who is saddled with a quick-witted yet lackadaisical partner named Pep Streebeck (a GREAT name), played by Tom Hanks in one of his more underappreciated funny roles. Together the duo investigate a bizarre rash of thefts committed by a weird cult (which is a redundancy I know). The plot is silly and the reviews weren’t great, but I rather enjoyed the Aykroyd/Hanks chemistry and wish they would have gotten an opportunity to do a sequel with a better script.
The Verdict:The Naked Gun. I probably enjoyed Dragnet more than the average person, but it is admittedly a flawed film. Meanwhile, The Naked Gun, for people who enjoy these kinds of movies, is a classic that spawned two sequels and ranks as one of the funnier flicks of the 80’s.
Revenge of the Nerds vs. Twins
It’s a story as old as time…David vs. Goliath, unsophisticated vs. cool, ugly vs. good-looking, ostracized vs. popular, geeks vs. jocks. In 1984 it was presented as a battle between two fraternities…one full of socially awkward computer geeks, the other comprised of cocky football players. The hows & whys of their rivalry are unimportant…all that matters is that there is an abundance of conviviality, with an undertow of social commentary about discrimination & pride in being true to one’s self. The cast consists of second tier performers like Ted McGinley, Curtis Armstrong, Timothy Busfield, & James Cromwell, although Anthony Edwards would go on to brief moments of stardom and John Goodman has a small part as a football coach. A few sequels followed over the next decade, but none are as fun as the original. 1988’s Twins pairs diminutive Danny DeVito with brawny Arnold Schwarzenegger as long lost fraternal twins. DeVito’s Vincent is a hardened ne’er-do-well who was raised in an orphanage. Schwarzenegger’s Julius was raised on a small Pacific island by the professor who conducted the genetic experiment that resulted in the two men’s birth. Julius learns of Vincent’s existence and seeks him out. The two then go on quite the adventure in search of their long lost mother. Hilarity ensues.
The Verdict:Revenge of the Nerds. It’s not the most unique concept but it works really well. Twins relies on a one-note joke about the obvious physical differences between its two stars, but that gag runs out of steam. Schwarzenegger is better than one might assume in comedies, yet it is very much a meta idea that it’s supposed to be hilarious seeing a muscle-bound tough guy doing comedy. Sorry…I need more.
Flight of the Navigator vs. The Goonies
Flight of the Navigator still flies under the radar three decades after its release. Made in 1986 and starring Howard Hesseman (WKRP’s Dr. Johnny Fever) and Sarah Jessica Parker in one of her early roles, the story is an intriguing time travel tale about a young boy who falls into a ravine and wakes up the next morning to find that eight years have passed, though he hasn’t aged at all. It turns out that he was abducted by aliens. Folks, trust me…this is a seriously entertaining film. It strikes the perfect balance of action, drama, & whimsy. Meanwhile, The Goonies is a much celebrated film starring a group of youngsters (including Sean Astin, Corey Feldman, & Josh Brolin) who go on an adventure in search of a long lost treasure map. The film’s pedigree is first rate, with the script being written by Chris Columbus (who would go on to write and/or direct stuff like Mrs. Doubtfire, the first two Home Alone movies, Only the Lonely, the first two Harry Potter movies, & Jingle All the Way), directed by Richard Donner (Superman, Scrooged, Lethal Weapon), & produced by the iconic Steven Spielberg.
The Verdict:Flight of the Navigator. This will probably be considered a pretty big upset by many. However, I’ve just never understood what the big deal is about The Goonies. Several 80’s films had ensemble casts with kids that would end up having memorable careers, but that’s not enough. The movie has to be engaging, with a plot that makes me want to enjoy repeat viewings. The Goonies isn’t that…atleast for me. Your mileage may vary and that’s okay. I happen to believe that Navigator is a superior entertainment experience…escapism at its finest.