90’s Film Frenzy: Wicked Round 1

Before we conclude Round 1 of 90’s Film Frenzy please go back and check out first round action in the Dope, Fly, and Phat divisions.

 

You have likely noticed that I consistently use two metrics in my evaluation…box office and critic reviews. I utilize Rotten Tomatoes to see what the critics had to say, and I look at Box Office Mojo to see how the movie stacked up financially against its competition. When I was growing up we didn’t have The Internet and movie critics were a rare breed mostly confined to big city newspapers. The big dogs on the block were Siskel & Ebert because they actually had their own television show, so you’re seeing them referenced a lot, mostly out of nostalgia. I also tend to focus on reviews that were written at the time of a film’s release in the 1990s because it is rather bogus and a bit unfair to give credence to something written many years later by a critic who has suddenly jumped on the bandwagon of a cult film that has grown in stature thru the magic of home video. Having said that, neither the box office nor the critics are always an accurate measure of a movie, and something that has achieved cult status for whatever reason shouldn’t be overlooked just because it didn’t make much money or receive critical acclaim two+ decades ago. It’s a delicate balancing act…one I hope that I am doing well.

 

 

 

 

 

 

Ghost

Release:                       7/13/90

Starring:                        Patrick Swayze, Demi Moore, Whoopi Goldberg

Directed By:                 Jerry Zucker (Airplane!, Ruthless People)

 

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Reality Bites

Release:                       2/18/94

Starring:                        Ethan Hawke, Winona Ryder, Janeane Garofalo, Steve Zahn, Renée Zellweger, John Mahoney

Directed By:                 Ben Stiller (The Cable Guy, Zoolander, Tropic Thunder)

 

If there is one film in this competition that might qualify as “quintessential 90’s” I think Reality Bites fits the bill. It’s right there in the title…Reality Bites. Angst-ridden twenty-somethings try to find their footing in the post-graduate jungle that is life. That’s pretty much the idea. The cast is impressive, and the soundtrack is representative of its era, with songs from Crowded House, Lenny Kravitz, Julianna Hatfield, & The Posies. Not exactly mainstream, right?? I feel like the most enduring legacy of Reality Bites is the hit song Stay by quirky Lisa Loeb. This movie came out right after I graduated college and had entered the workforce, but at the time I was also still clinging to the old college life…hanging out with my friends and patronizing familiar watering holes ‘til 3am. Stay was in heavy rotation on the jukebox, and I have a vague recollection of a female acquaintance of mine dancing to the song and stripping down to her unmentionables right in the middle of the bar. Ghost was nominated for five Academy Awards and won two of them. When a banker is shot & killed by a mugger his ghost enlists the help of a shady psychic to warn his grieving girlfriend of impending danger. The enduring legacy of Ghost includes the zenith of Patrick Swayze’s solid career, Whoopi Goldberg when she was still funny and not a political hack, one of Demi Moore’s best performances, a renewed appreciation for The Righteous Brothers’ hit Unchained Melody, & a sudden interest in learning more about pottery.

 

The Verdict:       Ghost. I was precisely the target audience for Reality Bites and still found it dull. It was the 63rd highest grossing film of 1994, behind such stalwarts as Shaquille O’Neal’s Blue Chips, Pauly Shore’s In the Army Now, & Jean-Claude Van Damme’s Timecop. Rotten Tomatoes scores it at 66%, with the Chicago Tribune calling it “a good example of an anti-establishment comedy crippled by a seeming desire to infatuate the establishment itself”, while The New Yorker observed that “when the movie is over you don’t feel as if you had shared the experience of a new generation…you feel puzzled and vaguely crummy”. Conversely, Ghost won Oscars for Best Original Screenplay and Best Supporting Actress (Goldberg). It was the second highest grossing film of 1990, behind only Home Alone, and holds a 74% rating on Rotten Tomatoes. Gene Siskel declared that “Moore has never been more fetching”, while his buddy Ebert said that the movie “occasionally succeeds in evoking the mysteries that it toys with”.

 

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Glengarry Glen Ross

Release:                       10/2/92

Starring:                        Al Pacino, Jack Lemmon, Alec Baldwin, Alan Arkin, Ed Harris, Kevin Spacey

Directed By:                 James Foley (Reckless, The Chamber)

 

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Striking Distance

Release:                       9/17/93

Starring:                        Bruce Willis, Sarah Jessica Parker, Tom Sizemore, Dennis Farina, John Mahoney

Directed By:                 Rowdy Herrington (Road House)

 

Just glancing at the cast of Glengarry Glen Ross elicits such high expectations that it’d be almost impossible for a film to live up to them. Based on a 1984 Pulitzer Prize winning play by David Mamet, the story shows us two days in the lives of aging real estate salesmen desperate to keep their jobs. The corporate office has announced that half of them will be fired in a week, so they must do whatever necessary to get the numbers needed to impress the boss. Lemmon, Arkin, Harris, & Pacino are powerful performers on an individual basis, and as an ensemble they are unmatched. Throw Spacey and a brief but memorable appearance by Baldwin into the mix and what you have is a movie in which the plot is secondary to the performances. In the hands of lesser actors it might be a total yawner, but what we end up with is a masterclass in how to make relatively mundane subject matter absolutely riveting. Bruce Willis was already a big movie star by 1993, with two Die Hards, two Look Who’s Talking films, & less appreciated fare like The Bonfire of the Vanities, Hudson Hawk, & The Last Boy Scout on his resume. Striking Distance tells the story of a disgraced Pittsburgh homicide detective relegated to river rescue duty after opining that a serial killer might be a rogue cop. When someone begins stalking him the game is afoot and the only person he can trust is his fetching female partner…or so he thinks. Striking Distance isn’t fondly recalled as one of Willis’ best, but with a cast that includes Parker, Mahoney, & Farina and a Pittsburgh backdrop familiar to this West Virginian I believe it is better than many may recall.

 

The Verdict:       Glengarry Glen Ross. I’m not usually into murder mysteries or police dramas, but Striking Distance works for me in a way it doesn’t seem to for many others. It was the 63rd highest grossing film of 1993 (better than Rudy but behind Pauley Shore’s Son-in-Law) and has an abysmal 14% Rotten Tomatoes score. Entertainment Weekly called Willis “morose” and the movie a “flat, dankly lit, grindingly inept thriller”, while Ebert called it “an exhausted reassembly of bits & pieces from all the other movies that are more or less exactly like this one”. Conversely, Glengarry Glen Ross has a stellar Rotten Tomatoes score of 94%, with Ebert saying that “you can see the joy with which the actors get their teeth into these great lines” and ReelViews opining that “for anyone who loves sharp dialogue, compelling characters, and a stinging social rebuke, Glengarry Glen Ross is not to be missed”. It was only the 94th highest grossing movie of 1992, yet we must consider that it isn’t a big budget epic but rather a stage play put on film. The fact that one can still appreciate its prominence nearly three decades later outweighs any perceived box office shortcomings.

 

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The Big Lebowski

Release:                       3/6/98

Starring:                        Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Tara Reid, Philip Seymour Hoffman

Directed By:                 Joel & Ethan Coen (Raising Arizona, Fargo, No Country for Old Men)

 

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Ten Things I Hate About You

Release:                       3/31/99

Starring:                        Heath Ledger, Julia Stiles, Joseph Gordon-Levitt, Larisa Oleynik

Directed By:                 Gil Junger (Black Knight, If Only)

 

Ol’ William Shakespeare is still inspiring people 400 years after he left this mortal coil, and a big Hollywood trend the past few decades is to take the basic theme of a Shakespeare play and set it in modern times with young & hip movie stars. Ten Things I Hate About You turns Shakespeare’s Taming of the Shrew into a romantic dramedy about high school students. Stiles, Ledger, Gordon-Leavitt, & Oleynik star as two sisters and the guys attempting to woo them, and the cast also includes Andrew Keegan, David Krumholtz, Gabrielle Union, & Allison Janney. It was the 53rd highest grossing film of 1999 and has a Rotten Tomatoes score of 62%, with Variety observing that it “doesn’t even seem certain which decade it’s set in”, the San Francisco Chronicle opining that the movie “wimped out by blanding down the story and the characters to the point where she isn’t really a shrew and he isn’t really a maniac”, and Ebert chiming in that high school films are “running out of new ideas and have taken to recycling classic literature”. The Big Lebowski has grown in stature & popularity in the two decades since its release when it was the 96th highest grossing movie of the year, behind immense competition like Half Baked, Simon Birch, & Bulworth. It is the very definition of a cult film, although with a Rotten Tomatoes score of 82% it seems like critics recognized its greatness long before the masses caught up. Jeffrey Lebowski is known by his friends and refers to himself simply as The Dude. He is the quintessential slacker who enjoys sitting around in his bathrobe, drinking white Russians, and bowling with his pals Walter & Donny. When two thugs assault him in his house demanding money that is owed to their boss it becomes clear that they have the wrong guy…they’re after the other Jeffrey Lebowski – an old, handicapped millionaire. The thugs leave The Dude in peace but take a wiz on his area rug first, which offends him tremendously because the rug “really tied the room together”. When The Dude seeks out the other Lebowski for recompense he ends up getting caught in a complex plot involving kidnapping, ransom, a porn magnate, & a high school kid named Larry. The Cincinnati Enquirer called The Big Lebowski “loopy, unfathomable, profane, & very funny”, while Ebert simply framed it as “weirdly engaging”. There is actually an annual event in Louisville, KY called Lewbowski Fest which, since 2002, has celebrated the film with bowling, trivia, & costume contests, and a “religion” called Dudeism that advocates & encourages “going with the flow”, “being cool headed”, and “taking it easy” in the face of life’s difficulties, which does sound kind of awesome.

 

The Verdict:       The Big Lebowski. No contest. The Dude abides. But well, you know, that’s just, like, my opinion, man.

 

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October Sky

Release:                       2/19/99

Starring:                        Jake Gyllenhaal, Chris Cooper, Laura Dern, Chris Owen

Directed By:                 Joe Johnston (Honey I Shrunk the Kids, Jumanji)

 

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Four Weddings & A Funeral

Release:                       5/13/94

Starring:                        Hugh Grant, Andie MacDowell

Directed By:                 Mike Newell (Donnie Brasco, Harry Potter and the Goblet of Fire)

 

Hugh Grant first became a thing in the early 90’s mainly because of Four Weddings & A Funeral. The plot is pretty simple, as it follows a small group of people whose lives keep intersecting at various social engagements, specifically…you guessed it…four weddings and a funeral. Andi MacDowell is a charming actress who has been in a few films that I’ve really enjoyed but she mostly flies under the radar. I vaguely recall seeing Four Weddings & A Funeral back in college, and what I remember most is a cover of an old 60’s song Love Is All Around that would be co-opted again a decade later for the British Christmas rom-com Love Actually. I think others enjoyed the movie more than me, as Four Weddings & A Funeral was nominated for Best Picture and Best Original Screenplay at the Academy Awards, holds a 95% Rotten Tomatoes score, & was the 21st highest grossing film of 1994. Gene Siskel observed that it “couldn’t be more psychologically astute in its portrait of a man who defines himself by his bachelorhood”, while Entertainment Weekly raved that its “infectious charm and sunny goodwill can immediately buoy a soul”. Fellow West Virginian Homer Hickam is the subject of October Sky, which is based on his memoir Rocket Boys. We meet Homer as a high school student living amongst the economically and otherwise depressed coal fields of southern West Virginia in the 1950s. Homer and his pals dream of a better live outside of Appalachia, and the launch of Soviet satellite Sputnik into space inspires an interest in building rockets. Unfortunately dreams of success, happiness, & achievement are met with resistance from the redneck masses, and it’s up to the young lads to blaze their own trail and prove everyone wrong. The only person who seems to be in their corner is a kindhearted science teacher, but that’s enough. Homer Hickam went on to become a NASA engineer for nearly thirty years. October Sky was the 63rd highest grossing film of 1999 and holds a 90% rating on Rotten Tomatoes. Ebert complimented the movie’s “deep values”, while CNN called it “a sensational character-driven story with a strong narrative and great visual style”.

 

The Verdict:       October Sky. In doing my prep work I was surprised to learn that Four Weddings & a Funeral had been nominated for Best Picture. Perhaps the timing is just off for me. Back then I was at the tail end of my collegiate existence and caught up in other things. I remember seeing it once, and in the ensuing decades I don’t think I’ve ever seen it again. I’m sure if I went back and watched it now I’d find it perfectly delightful, but obviously it didn’t really resonate with me for whatever reason. Conversely, I can identify with certain beats in October Sky that few outside of Appalachia could ever understand. This was Jake Gyllenhaal’s first starring role, and he & the rest of the cast are superb.

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Liar Liar

Release:                       3/21/97

Starring:                        Jim Carrey, Maura Tierney

Directed By:                 Tom Shadyac (Patch Adams, Bruce Almighty)

 

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Doc Hollywood

Release:                       8/2/91

Starring:                        Michael J. Fox, Julie Warner, Woody Harrelson, Bridget Fonda, David Ogden Stiers, Barnard Hughes

Directed By:                 Michael Caton-Jones (Rob Roy)

 

Jim Carrey is a mixed bag for me. His shtick gets old really quick, and I tired of it fifteen years ago. However, between 1994 & 2003 he starred in a handful of memorable films, and Liar Liar might deserve a spot at the top of the list. Carrey plays a hotshot attorney whose focus on his career and deceitful ways have already ended his marriage and are on the verge of costing him his young son Max, who makes a wish on his birthday that his Dad not be able to lie at all for just one day. Max’s wish comes true and hilarity ensues. Liar Liar was the fourth highest grossing film of 1997 and has a Rotten Tomatoes rating of 81%. Variety called it “close to an ideal jumping-off point for Carrey”, the Hollywood Reporter opined that “Carrey has never been better, funnier, or more controlled”, and Ebert expressed trepidation that “I am gradually developing a suspicion that Jim Carrey is growing on me”. Doc Hollywood marked Michael J. Fox’s emergence from the Back to the Future niche that he’d been in for over five years, and the results aren’t too shabby. He plays a hotshot Washington DC doctor on his way to Los Angeles to make bank as a plastic surgeon. But when he crashes his classic Porsche in a rural South Carolina town he finds himself marooned for awhile and forced to serve as the local physician for a quirky group of townsfolk. Gradually he starts to mellow and grow fond of his new neighbors, and of course there is a fetching young lady with which he becomes smitten. Doc Hollywood is kind of predictable, but enchantingly so, with a great cast and fun characters. It was the 24th highest grossing movie of 1991, ahead of Bugsy, Thelma & Louise, and Point Break. Rotten Tomatoes scores it at 71%, with Newsweek saying that it “oversells its whimsy and fits its quirkiness into a sitcom formula”, while Ebert called it “a sweetheart of a movie”.

 

The Verdict:       Doc Hollywood. There is a scene in Doc Hollywood involving the exquisite Julie Warner emerging from a lake that rivals Phoebe Cates infamously exiting a swimming pool a decade earlier in Fast Times at Ridgemont High. I can’t get that scene out of my head when pondering the film. I’m a sucker for stories involving big city types being beguiled by easygoing small town life, and the cast pulls this version of the formula off to my satisfaction. I am not swayed by the box office for Liar Liar and like Fox better than Carrey.

 

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Lethal Weapon 4

Release:                       7/10/98

Starring:                        Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, Jet Li

Directed By:                 Richard Donner (Superman, The Goonies, Scrooged)

 

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Can’t Hardly Wait

Release:                       6/12/98

Starring:                        Ethan Embry, Jennifer Love Hewitt, Lauren Ambrose, Peter Facinelli, Seth Green, Charlie Korsmo, Jason Segel, Donald Faison, Selma Blair, Sara Rue, Jenna Elfman, Jerry O’Connell, Melissa Joan Hart, Breckin Meyer

Directed By:                 Deborah Kaplan (A Very Brady Sequel)

 

Fans of the Lethal Weapon series have been anxiously awaiting a fifth installment for twenty years, and though I’m usually a “never say never” kind of guy I believe at this point that it’s too little too late and I’m okay with that. The fourth & final Lethal Weapon finds Riggs reluctant to marry his very pregnant girlfriend Lorna, Murtaugh dealing with the pregnancy of his eldest daughter by a mystery man, and the long in the tooth duo investigating an illegal Chinese immigrant smuggling situation. Rock joins the cast as an overzealous detective who is more than he lets on, and of course Pesci is back as fast talking ex-con Leo. Lethal Weapon 4 was the 11th highest grossing film of 1998, though it was also the most expensive of the four films to produce. It holds a 52% score on Rotten Tomatoes, with Time referring to it as “mindless, sadistic violence juxtaposed with rote sentimentality”, while the New York Times generously pronouncing that it “turns out to be one of the nicer blow-’em-ups around”. Can’t Hardly Wait is another Hindsight Film, full of young actors who have stuck around long enough to be known for other things. It is also a classic high school film, set at a conventional graduation party and deconstructing all of the requisite high school archetypes. It was the 74th highest grossing movie of the year, ahead of Rushmore and A Simple Plan but behind Bride of Chucky and A Night at the Roxbury. It holds a 40% Rotten Tomatoes rating, with Entertainment Weekly calling it “a high-spirited, synthetically raucous house-party comedy” and Ebert saying that it “lumbers ungracefully from romantic showdowns to deep conversations to bathroom humor”.

 

The Verdict:       Lethal Weapon 4. Though rumors of one last movie persist I think 4 provides a fitting conclusion to a very entertaining series. Perhaps the powers-that-be could learn a lesson from Die Hard, a franchise that should have stopped after three installments but has subjected the masses to two additional films with a sixth one possibly on the way. Sometimes it’s better to end on a high note and leave the memories alone. Back in the days of Party of Five I had a huge celebrity crush on Jennifer Love Hewitt, so I’m all in on Can’t Hardly Wait. However, in a sub-genre that has produced so many memorable movies the past few decades it really doesn’t stand out from the crowd.

 

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Backdraft

Release:                       5/24/91

Starring:                        Kurt Russell, William Baldwin, Robert De Niro, Donald Sutherland, Jennifer Jason Leigh, Rebecca De Mornay

Directed By:                 Ron Howard

 

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That Thing You Do

Release:                       10/4/96

Starring:                        Tom Everett Scott, Liv Tyler, Johnathon Schaech, Steve Zahn, Ethan Embry

Directed By:                 Tom Hanks

 

Every uniformed profession…policemen, the military, doctors, lawyers (hey…a three piece suit is kind of a uniform)…seems to get their own movie or TV series eventually. After all, life or death situations provide plenty of theatre. Backdraft is an ode to firefighters that tells the story of a wave of suspicious fires in Chicago, with a little family drama, political intrigue, & romance thrown into the mix. Ron Howard is a terrific director and the all-star cast is impressive, helping to make it the 14th highest grossing film of 1991, just behind Fried Green Tomatoes and Teenage Mutant Ninja Turtles II but ahead of JFK and The Prince of Tides, and has a solid 74% Rotten Tomatoes score. Gene Siskel called it “a spectacle worth observing”, Ebert feebly praised it by saying “the scenes involving fire are so good they make me recommend the movie anyway, despite its brain-damaged screenplay”, and the Washington Post said “Backdraft is sure to do for fire what The Poseidon Adventure did for water”, which may have been meant as a compliment…possibly. That Thing You Do was written & directed by Hanks and tells the story of a small town band that quickly rises to fame in the early 60’s on the popularity of an infectious pop hit. Hanks plays a supporting role, while the real stars are the band along with a fetching young female groupie. As with many actual bands egos & personal agendas quickly get in the way and torpedo the group’s success, making the movie a more insightful than expected examination of why one hit wonders are what they are. It was the 60th highest grossing film of 1996 (better than Fargo and Sling Blade) and has a stellar 93% Rotten Tomatoes score. Variety calls it “a sweet, likeable tale”, the New York Times dubbed it “rock-and-roll nostalgia presented as pure fizz”, & Rolling Stone framed it as “a brightly entertaining blend of humor and heartbreak”.

 

The Verdict:       That Thing You Do. This matchup illustrates a few things. First of all, my personal tastes are on full display, with a breezy, lightweight, fun movie beating out an effects laden, action packed melodrama. Secondly, I think it points to the dichotomy that we see even more today than two decades ago when it comes to movies…the action film packed with explosions and A-List talent that inspires awe on the big screen versus the frivolous guilty pleasure that we watch over & over again on television years after its release. And finally, if the material is written well enough then sometimes it’s okay to cast a few under-the-radar performers and help them pull it off with catchy tunes and a good director. Tom Hanks also wrote & directed 2011’s Larry Crowne, so he isn’t infallible…but I’d be willing to give anything he wrote & directed a whirl based on That Thing You Do.

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A Time to Kill

Release:                       7/24/96

Starring:                        Matthew McConaughey, Samuel L. Jackson, Kevin Spacey, Sandra Bullock, Kiefer Sutherland, Donald Sutherland

Directed By:                 Joel Schumacher (St. Elmo’s Fire, Falling Down, Batman Forever)

 

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The Blair Witch Project

Release:                       7/14/99

Starring:                        Heather Donahue, Michael C. Williams, Joshua Leonard

Directed By:                 Daniel Myrick (Believers, The Strand)

 

In 1999 The Internet was still in its infancy and “going viral” was a new concept. Social media wasn’t a thing yet, but that worked out well for The Blair Witch Project. The movie was highly anticipated before it even hit theaters because of its ingenuous marketing campaign. Reality television wasn’t on anyone’s radar yet either, so many folks were easily duped into believing that the movie was actual lost footage of a student documentary gone terribly awry. One kind of longs for those halcyon days when we weren’t so jaded & cynical. The movie itself follows three student filmmakers investigating an urban legend called The Blair Witch. I’m not a horror film aficionado, but I recall thinking that the movie isn’t really that scary, that it is more fascinating as an examination of the trio’s descent into madness. It was the tenth highest grossing film of 1999, earning more than The Green Mile, Oscar winning Best Picture American Beauty, and the first American Pie movie. That feat is even more impressive when you know that The Blair Witch Project had a budget of only $60k and earned almost $250 million. It has a Rotten Tomatoes score of 87%, with the Associated Press pointing out that “the thought that it might just might be real makes it much scarier”, the Minneapolis Star-Tribune calling it “a no-excuses horror show with an emotional wallop like falling headlong into a bear trap”, and the Washington Post saying it is “not the goriest, the grossest, the weirdest, the eeriest, the sickest, the creepiest, or the slimiest movie…just flat out the scariest”. A Time to Kill might be John Grisham’s best book…even better than The Firm…maybe. The movie takes a few liberties in telling the story of a Mississippi lawyer attempting to defend a black man who murdered two white men that raped & beat his young daughter. McConaughey is superb as the stressed out attorney, and Jackson gives one of his most nuanced performances as the distraught & vengeful father. The main issue I have is that the part of the female law student helping the defense team is beefed up considerably from the book because Sandra Bullock was cast in the part, but I realize that probably only bothers fans of the novel. A Time to Kill was the tenth highest grossing film of 1996, ahead of Scream but behind The Nutty Professor. It has a 65% rating on Rotten Tomatoes. Rolling Stone called McConaughey “dynamite in a performance of smarts, sexiness, scrappy humor, and unmistakable star sizzle”, while Ebert thought the movie “a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions”.

 

The Verdict:       The Blair Witch Project. Wow, this is a very difficult decision. Neither film is the kind of breezy couch potato escapism to which I am typically drawn. However, evaluated on their own merits the choice becomes a bit clearer. I am not a big Sandra Bullock fan. There is just something about her that annoys me for no apparent reason. Given that fact, I was more irritated than usual when her character was magnified in the movie far more than she had been in the book. Secondly, while the novel A Time to Kill is probably a better book than The Firm I am not sure that is true when comparing the two movies. I am not at all into horror movies and probably won’t ever watch The Blair Witch Project again, but I cannot overlook its uniquely astounding success and the fact that it was most certainly a product of its time…probably a little ahead of it.

80’s Movie Mania: Tubular Round 3

We’re down to 32 competitors as we begin Round 3. You’ll see eight additional films that we haven’t yet talked about, two in each division that received 1st & 2nd round byes. Moving forward I am going to get back into posting polls and seeking your input, not only because I’m stubborn like that but due mainly to the fact that there are going to be some monstrously difficult decisions that I don’t want to make all by myself. As for the films that have made it thus far thru a couple of rounds, I might be running out of things to say and ways to praise them, but I’ll figure out something. I think I may even look at dollar figures and Tomato-meters just as a way of splitting hairs. Let’s start with the Tubular Division.

 

 

 

 

Tubular 3

 

The Breakfast Club     vs.     Mr. Mom

bclubYou may have been wondering where this 1985 John Hughes classic has been in the competition…and now you know. Starring five members of the infamous Brat Pack (Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, & Anthony Michael Hall), The Breakfast Club tells the story of high schoolers forced to spend an entire Saturday in detention…something that I’m pretty sure would be considered illegal today. You know…civil rights and all that jazz. At any rate, each of the students embodies an authentic high school cliché…the popular jock (Estevez), the snobbish fashionista (Ringwald), the studious nerd (Hall), the defiant hellraiser from the wrong side of the tracks (Nelson), & the antisocial weirdo (Sheedy). As they get to know each other walls come tumbling down and we understand just how imprudent preconceived notions can be. The group also bonds over their mutual loathing for assistant principal Richard Vernon, the arrogant hardass charged with the task of supervising detention. Vernon does an amusingly poor job of being in charge, but he is also one of the best, most memorable parts of the film. The Breakfast Club straddles the line between comedy & drama, but more importantly it is an honest snapshot of teenage life in America. Mr. Mom has beaten Porky’s & Ghostbusters thus far. It has an 85% Fresh rating on Rotten Tomatoes, but upon mr momits release famed critic Roger Ebert opined that it was “overwritten” and a great concept that is poorly executed like “the pilot for a TV sitcom”. That assessment might not be totally off base, and this movie in any other hands might have been a completely mediocre bomb. However, Michael Keaton makes it work. After guesting on a plethora of TV shows in the 60’s & 70’s Teri Garr was in several notable movies in the late 70’s/early 80s, but after Mr. Mom her fame seemed to dissipate considerably and these days she is retired from acting as she battles multiple sclerosis.

The Verdict:       The Breakfast Club. It’s the end of the road after an impressive run by Mr. Mom, but The Breakfast Club is just too good. It should be required viewing for every teenager in America. I look at it differently now, thru the prism of middle age. But even from that perspective it is still a well-written & performed story, and I could see it being successfully translated to a theatre production. I don’t know…maybe somebody somewhere has already done that.

 

 

 

 

When Harry Met Sally    vs.     WarGames

harrysallyI loves me some rom-coms, and 1989’s When Harry Met Sally is one of the best of the genre. It asks the intriguing question “Can men & women simply be platonic friends??” and stars Meg Ryan & Billy Crystal as college acquaintances who become best friends and eventually fall in love. The screenplay was written by Nora Ephron, who also wrote two of my other favorites…Sleepless in Seattle & You’ve Got Mail (both of which also star Meg Ryan)…and who is not in any way related to Zac Efron. The film was directed by Rob Reiner, who had quite the winning streak in the 1980’s with This Is Spinal Tap, Stand By Me, & The Princess Bride, all of which are still alive in 80’s Movie Mania. Billy Crystal is a national treasure, and the supporting cast of Carrie Fisher & Bruno Kirby is superb. WarGames has overcome challenges from The Best Little Whorehouse in Texas and Bill & Ted’s Excellent Adventure to make it this far. The director was John Badham, who less than a decade earlier had helmed a little John Travolta project you may have wargamesheard about called Saturday Night Fever. Badham’s sister Mary portrayed Scout Finch in the classic 1962 adaptation of To Kill A Mockingbird with Gregory Peck. WarGames is one of the earliest pop culture depictions of what is now commonly referred to as hacking and is thought to contain the first cinematic mention of the term firewall. When President Reagan saw the movie he was told that the scenario was indeed conceivable, prompting the President & Congress to update cyber security legislation.

The Verdict:       Okay Manoverse…this one is up to you. Please don’t leave the decision in my hands.

 

 

 

The Blues Brothers     vs.     The Big Chill

bb5The Blues Brothers received a first round bye and then beat European Vacation in Round 2. It was the tenth highest grossing film of 1980, behind classics like The Empire Strikes Back, Stir Crazy, & Coal Miner’s Daughter, but also besting some pretty solid competition like Caddyshack, The Shining, Friday the 13th, & the Academy Award winner for Best Picture Ordinary People. The screenplay was written by Dan Aykroyd and the film directed by John Landis, who had previously worked with Belushi on Animal House and would work with Aykroyd again a few years later on Trading Places. Landis has also directed such memorable efforts as Coming to America, Three Amigos!, & Michael Jackson’s Thriller music video. The Blues Brothers went $10 million over budget and at one time held the record for the most expensive comedy film ever made, but the $115 million it earned in theaters certainly softened the blow. The Big Chill received a first round bye and then defeated Scarface in Round 2. It ranked 13th at the box office in 1983, behind classics like Return of the Jedi, Flashdance, & Risky Business, but better than notables like The Outsiders, The Right Stuff, and two Stephen King adaptations…Cujo & Christine. The soundtrack is a-m-a-z-i-n-g, with songs from Marvin Gaye, Three Dog Night, Smokey Robinson & The Miracles, Aretha Franklin, The Temptations, and The Four Tops. I’m a little too young for chillsongs from the 60’s to be childhood favorites, but I’ve been blessed with good taste in music and I love these tunes. The movie’s title, according to director Lawrence Kasdan, refers to “a cooling process that takes place for every generation when they move from the outward-directed, more idealistic concerns of their youth to a kind of self-absorption, a self-interest which places their personal desires above those of the society or even an ideal”.

The Verdict:       The Blues Brothers. It’s all about repeat viewings, and The Blues Brothers is one of those movies that is often on random channels at various times of the day & night. I’ve seen it dozens of times, while I can’t remember the last time I watched The Big Chill.

 

 

 

Lethal Weapon            vs.     Dirty Dancing

lw2Lethal Weapon arrived at this point after a first round bye and a Round 2 decision over La Bamba. It was the 9th highest grossing film of 1987, behind Fatal Attraction & The Untouchables but ahead of Robocop & Throw Momma From the Train. It has an 84% Fresh Rating on Rotten Tomatoes, and upon its release critic Roger Ebert gave it 4 Stars, calling it a Bruised Forearm Movie wherein “you and your date grab each other’s arm every few minutes and you walk out black & blue and grinning from ear to ear”, and saying “this movie thrilled me from beginning to end….part of that is because I cared about the characters.” I concur. Dirty Dancing also received a first round bye and then defeated Moonstruck in Round 2. It was the 11th highest grossing movie of 1987, behind Three Men & A Baby, The Witches of Eastwick…and yes, Lethal Weapon. It’s unofficial theme song, I’ve Had the Time of My Life (sung by Bill Medley & Jennifer Warnes) won the Academy Award for Best Original Song, besting Harold Faltermeyer’s Shakedown (from Beverly Hills Cop II) and Starship’s Nothing’s Gonna Stop Us Now dd3(from Mannequin), among others. Stars Patrick Swayze & Jennifer Grey reportedly had a tumultuous working relationship dating back to when they co-starred in 1984’s Red Dawn, but thankfully they made it work or else we might have ended up with some kind of pairing involving Val Kilmer or Billy Zane with Sarah Jessica Parker or Kyra Sedgwick. No disrespect to those fine performers, but I think things turned out for the best.

The Verdict:       This is exactly the kind of decision that I need The Manoverse to make. These are two great films. Both are worthy of victory. I shall abide by the choice of the masses.

 

80’s Movie Mania: Radical Round 1

Annnnnd we’re back!! Today we finish up our first round matchups, but before we go forward there let’s go back and tie up some loose ends as usual. I posted two polls that absolutely no one voted on. I don’t know what I’m doing wrong, but I’ll just go with the flow. So in the Gnarly Division it’s gonna be Weird Science taking out Raising Arizona and Biloxi Blues defeating Parenthood. Now let’s move on to the first round in the Radical Division. Enjoy.

 

 

 

 

Radical – Round 1

 

 

Fast Times at Ridgemont High               vs.              Brighton Beach Memoirs

fasttimesFast Times is the quintessential high school movie. Released in 1982, it was the first directing effort for bbmAmy Heckerling, who would go on to direct films like Clueless, European Vacation, & Look Who’s Talking, as well as the first screenplay written by Cameron Crowe, who has since had a solid career writing & directing movies such as Say Anything, Jerry Maguire, Almost Famous, & Vanilla Sky. That’s already a pretty impressive pedigree for Fast Times, but then we must consider the cast, featuring the earliest work of some very talented performers…Sean Penn, Nicolas Cage, Jennifer Jason Leigh, Judge Reinhold, Forrest Whittaker, Eric Stoltz, & Anthony Edwards. Oh, did I forget to mention the soundtrack?? It has great 80’s songs from folks like Jackson Browne, Joe Walsh, Don Henley, The Go-Gos, Sammy Hagar, Jimmy Buffett, Poco, Donna Summer, & Stevie Nicks. Not to be outdone, 1986’s Brighton Beach Memoirs features Jonathan Silverman, Blythe Danner, & Judith Ivey in the cast and is based on a Tony Award winning play by Neil Simon. It is the first entry in Simon’s Eugene Trilogy about his youth in Depression era Brooklyn. The movie is well written & acted, but I suspect that the theater production is even better.

 

The Verdict:       Fast Times at Ridgemont High. This is 80’s Movie Mania, right?? It only seems right that one of THE signature 80’s films makes it out of Round 1.

 

 

Fletch                            vs.              Night Shift 

Aside from blundering family man Clark W. Griswold, Chevy Chase’s most famous role is that of L.A. nightshiftTimes journalist Irwin Fletcher, aka Fletch. Based on a series of novels written in the 70’s, 1985’s Fletch follows the reporter as he investigates a drug ring on an L.A. beach. He is approached by a wealthy businessman offering him a big wad of cash to kill him because the businessman is ostensibly dying of cancer anyway. Things get complicated from there. The supporting cast includes Tim Matheson, George Wendt, Geena Davis, & Joe Don Baker and the VERY 80’s score was written by master of the synthesizer Harold Faltemeyer. Fletch isn’t really a traditional comedy…it’s more of a mystery/action flick with funny moments provided by Chevy Chase being…well…Chevy Chase. 1982’s Night Shift has an impeccable pedigree. It was written by Lowell Ganz & Babaloo Mandel, who have gone on to write such fantastic films as Splash, Parenthood, City Slickers, A League of Their Own, The Money Pit, Liar Liar, Fever Pitch, & Parental Guidance. It was the first film directed by Ron Howard that anyone remembers. And it stars Henry Winkler as a decidedly un-Fonzie-esque character, as well as Michael Keaton in his first leading role and Shelley Long right before Cheers made her famous. The story has a straight-laced morgue employee, his wild & crazy co-worker, & a “hooker with a heart of gold” team up to start their own escort service. Hilarity ensues. It was an indication of great things to come from Keaton.

 

The Verdict:       Night Shift. I don’t quite get the love for Fletch. It’s mildly amusing I suppose, but mostly quite forgettable. Meanwhile, Night Shift has a solid cast doing some of their best work supported by a really fun script and a director who was just beginning to demonstrate his immense talent.

 

 

 

Spaceballs                   vs.              Summer School

Spaceballs is a rather amusing Star Wars parody from the mind of the legendary Mel Brooks. Made in ssc1987 and starring Bill Pullman, John Candy, Brooks, Daphne Zuniga, Rick Moranis, & Dick Van Patten, it is chockful of amusing word play and funny sight gags that any Star Wars fan will appreciate & enjoy. A sequel has been discussed for many years, but half of the original cast is dead now so who knows what’ll happen with that. 1987’s Summer School is a lightweight yet sneakily entertaining comedy starring Mark Harmon (from NCIS) as a slacker gym teacher who gets roped into teaching remedial English to a group of less than stellar students during the summer. The cast also includes Kirstie Alley and a young Courtney Thorne-Smith. Word on the street is that a remake is in the works, which is a shame.

 

The Verdict:       I like both of these films and really don’t want to make a choice, so let’s see if we can get enough votes to take the decision out of my hands.

 

 

 

 

Sixteen Candles                              vs.              Red Dawn

16CJohn Hughes strikes again!! In 1984 Hughes wrote & directed Sixteen Candles, about a girl whose family  reddawncompletely forgets her 16th birthday. Molly Ringwald stars as Samantha, whose sister is getting married so she kind of gets lost in the shuffle. On top of that Samantha has a thing for the hottest hunk in school but her existence doesn’t even register on his radar…or so she thinks. Anthony Michael Hall is around too as a geek who has a thing for Samantha (he has NO shot). The supporting cast, including Samantha’s grandparents, their foreign exchange student Long Duk Dong, & the sister who becomes gooned on tranquilizers to calm her wedding day jitters are all quite humorous additions. Conversely, 1984’s Red Dawn is a very sobering action flick about a group of Colorado teens who go on the lam after their town is invaded by the Soviets in the midst of World War III. The movie is notable for its star-studded cast of youngsters, including Patrick Swayze, Charlie Sheen, C. Thomas Howell, Leah Thompson, & Jennifer Grey. A remake was produced in 2012 but I’ve never seen it and likely never will.

 

The Verdict:       This one completely depends on a person’s taste in movies. Do you prefer teen comedy or violent war?? I have my preferences but I’m going to be generous and leave the decision in the hands of The Manoverse.

 

 

 

 

The Naked Gun           vs.              Dragnet

It’s police spoof vs. police parody!! 1988’s The Naked Gun is an alleged continuation of a long forgotten dragnetTV show from a few years earlier called Police Squad. No one remembers it because it only lasted six episodes on ABC. At any rate, Naked Gun follows inept police detective Frank Drebin (portrayed by the hilarious Leslie Nielsen) as he tries to prevent the assassination of England’s Queen Elizabeth while she visits Los Angeles. The film is wall-to-wall sight gags, word play, & slapstick comedy and features an intriguing supporting cast, including George Kennedy, Priscilla Presley (before she got too out of control with the plastic surgery), Ricardo Montalban, & O.J. Simpson (before he started murdering people). 1987’s Dragnet is a comedic big screen take on the legendary 1950’s/60’s TV show and stars Dan Aykroyd as the ultra-serious Sgt. Joe Friday (allegedly the nephew of the original) who is saddled with a quick-witted yet lackadaisical partner named Pep Streebeck (a GREAT name), played by Tom Hanks in one of his more underappreciated funny roles. Together the duo investigate a bizarre rash of thefts committed by a weird cult (which is a redundancy I know). The plot is silly and the reviews weren’t great, but I rather enjoyed the Aykroyd/Hanks chemistry and wish they would have gotten an opportunity to do a sequel with a better script.

 

The Verdict:       The Naked Gun. I probably enjoyed Dragnet more than the average person, but it is admittedly a flawed film. Meanwhile, The Naked Gun, for people who enjoy these kinds of movies, is a classic that spawned two sequels and ranks as one of the funnier flicks of the 80’s.

 

 

 

 

Revenge of the Nerds          vs.              Twins

nerdsIt’s a story as old as time…David vs. Goliath, unsophisticated vs. cool, ugly vs. good-looking, ostracized TWINS_320vs. popular, geeks vs. jocks. In 1984 it was presented as a battle between two fraternities…one full of socially awkward computer geeks, the other comprised of cocky football players. The hows & whys of their rivalry are unimportant…all that matters is that there is an abundance of conviviality, with an undertow of social commentary about discrimination & pride in being true to one’s self. The cast consists of second tier performers like Ted McGinley, Curtis Armstrong, Timothy Busfield, & James Cromwell, although Anthony Edwards would go on to brief moments of stardom and John Goodman has a small part as a football coach. A few sequels followed over the next decade, but none are as fun as the original. 1988’s Twins pairs diminutive Danny DeVito with brawny Arnold Schwarzenegger as long lost fraternal twins. DeVito’s Vincent is a hardened ne’er-do-well who was raised in an orphanage. Schwarzenegger’s Julius was raised on a small Pacific island by the professor who conducted the genetic experiment that resulted in the two men’s birth. Julius learns of Vincent’s existence and seeks him out. The two then go on quite the adventure in search of their long lost mother. Hilarity ensues.

 

The Verdict:       Revenge of the Nerds. It’s not the most unique concept but it works really well. Twins relies on a one-note joke about the obvious physical differences between its two stars, but that gag runs out of steam. Schwarzenegger is better than one might assume in comedies, yet it is very much a meta idea that it’s supposed to be hilarious seeing a muscle-bound tough guy doing comedy. Sorry…I need more.

 

 

 

 

Flight of the Navigator          vs.              The Goonies

navigatorFlight of the Navigator still flies under the radar three decades after its release. Made in 1986 and gooniesstarring Howard Hesseman (WKRP’s Dr. Johnny Fever) and Sarah Jessica Parker in one of her early roles, the story is an intriguing time travel tale about a young boy who falls into a ravine and wakes up the next morning to find that eight years have passed, though he hasn’t aged at all. It turns out that he was abducted by aliens. Folks, trust me…this is a seriously entertaining film. It strikes the perfect balance of action, drama, & whimsy. Meanwhile, The Goonies is a much celebrated film starring a group of youngsters (including Sean Astin, Corey Feldman, & Josh Brolin) who go on an adventure in search of a long lost treasure map. The film’s pedigree is first rate, with the script being written by Chris Columbus (who would go on to write and/or direct stuff like Mrs. Doubtfire, the first two Home Alone movies, Only the Lonely, the first two Harry Potter movies, & Jingle All the Way), directed by Richard Donner (Superman, Scrooged, Lethal Weapon), & produced by the iconic Steven Spielberg.

 

The Verdict:       Flight of the Navigator. This will probably be considered a pretty big upset by many. However, I’ve just never understood what the big deal is about The Goonies. Several 80’s films had ensemble casts with kids that would end up having memorable careers, but that’s not enough. The movie has to be engaging, with a plot that makes me want to enjoy repeat viewings. The Goonies isn’t that…atleast for me. Your mileage may vary and that’s okay. I happen to believe that Navigator is a superior entertainment experience…escapism at its finest.