We’re down to 32 competitors as we begin Round 3. You’ll see eight additional films that we haven’t yet talked about, two in each division that received 1st & 2nd round byes. Moving forward I am going to get back into posting polls and seeking your input, not only because I’m stubborn like that but due mainly to the fact that there are going to be some monstrously difficult decisions that I don’t want to make all by myself. As for the films that have made it thus far thru a couple of rounds, I might be running out of things to say and ways to praise them, but I’ll figure out something. I think I may even look at dollar figures and Tomato-meters just as a way of splitting hairs. Let’s start with the Tubular Division.
The Breakfast Club vs. Mr. Mom
You may have been wondering where this 1985 John Hughes classic has been in the competition…and now you know. Starring five members of the infamous Brat Pack (Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, & Anthony Michael Hall), The Breakfast Club tells the story of high schoolers forced to spend an entire Saturday in detention…something that I’m pretty sure would be considered illegal today. You know…civil rights and all that jazz. At any rate, each of the students embodies an authentic high school cliché…the popular jock (Estevez), the snobbish fashionista (Ringwald), the studious nerd (Hall), the defiant hellraiser from the wrong side of the tracks (Nelson), & the antisocial weirdo (Sheedy). As they get to know each other walls come tumbling down and we understand just how imprudent preconceived notions can be. The group also bonds over their mutual loathing for assistant principal Richard Vernon, the arrogant hardass charged with the task of supervising detention. Vernon does an amusingly poor job of being in charge, but he is also one of the best, most memorable parts of the film. The Breakfast Club straddles the line between comedy & drama, but more importantly it is an honest snapshot of teenage life in America. Mr. Mom has beaten Porky’s & Ghostbusters thus far. It has an 85% Fresh rating on Rotten Tomatoes, but upon its release famed critic Roger Ebert opined that it was “overwritten” and a great concept that is poorly executed like “the pilot for a TV sitcom”. That assessment might not be totally off base, and this movie in any other hands might have been a completely mediocre bomb. However, Michael Keaton makes it work. After guesting on a plethora of TV shows in the 60’s & 70’s Teri Garr was in several notable movies in the late 70’s/early 80s, but after Mr. Mom her fame seemed to dissipate considerably and these days she is retired from acting as she battles multiple sclerosis.
The Verdict: The Breakfast Club. It’s the end of the road after an impressive run by Mr. Mom, but The Breakfast Club is just too good. It should be required viewing for every teenager in America. I look at it differently now, thru the prism of middle age. But even from that perspective it is still a well-written & performed story, and I could see it being successfully translated to a theatre production. I don’t know…maybe somebody somewhere has already done that.
When Harry Met Sally vs. WarGames
I loves me some rom-coms, and 1989’s When Harry Met Sally is one of the best of the genre. It asks the intriguing question “Can men & women simply be platonic friends??” and stars Meg Ryan & Billy Crystal as college acquaintances who become best friends and eventually fall in love. The screenplay was written by Nora Ephron, who also wrote two of my other favorites…Sleepless in Seattle & You’ve Got Mail (both of which also star Meg Ryan)…and who is not in any way related to Zac Efron. The film was directed by Rob Reiner, who had quite the winning streak in the 1980’s with This Is Spinal Tap, Stand By Me, & The Princess Bride, all of which are still alive in 80’s Movie Mania. Billy Crystal is a national treasure, and the supporting cast of Carrie Fisher & Bruno Kirby is superb. WarGames has overcome challenges from The Best Little Whorehouse in Texas and Bill & Ted’s Excellent Adventure to make it this far. The director was John Badham, who less than a decade earlier had helmed a little John Travolta project you may have heard about called Saturday Night Fever. Badham’s sister Mary portrayed Scout Finch in the classic 1962 adaptation of To Kill A Mockingbird with Gregory Peck. WarGames is one of the earliest pop culture depictions of what is now commonly referred to as hacking and is thought to contain the first cinematic mention of the term firewall. When President Reagan saw the movie he was told that the scenario was indeed conceivable, prompting the President & Congress to update cyber security legislation.
The Verdict: Okay Manoverse…this one is up to you. Please don’t leave the decision in my hands.
The Blues Brothers vs. The Big Chill
The Blues Brothers received a first round bye and then beat European Vacation in Round 2. It was the tenth highest grossing film of 1980, behind classics like The Empire Strikes Back, Stir Crazy, & Coal Miner’s Daughter, but also besting some pretty solid competition like Caddyshack, The Shining, Friday the 13th, & the Academy Award winner for Best Picture Ordinary People. The screenplay was written by Dan Aykroyd and the film directed by John Landis, who had previously worked with Belushi on Animal House and would work with Aykroyd again a few years later on Trading Places. Landis has also directed such memorable efforts as Coming to America, Three Amigos!, & Michael Jackson’s Thriller music video. The Blues Brothers went $10 million over budget and at one time held the record for the most expensive comedy film ever made, but the $115 million it earned in theaters certainly softened the blow. The Big Chill received a first round bye and then defeated Scarface in Round 2. It ranked 13th at the box office in 1983, behind classics like Return of the Jedi, Flashdance, & Risky Business, but better than notables like The Outsiders, The Right Stuff, and two Stephen King adaptations…Cujo & Christine. The soundtrack is a-m-a-z-i-n-g, with songs from Marvin Gaye, Three Dog Night, Smokey Robinson & The Miracles, Aretha Franklin, The Temptations, and The Four Tops. I’m a little too young for songs from the 60’s to be childhood favorites, but I’ve been blessed with good taste in music and I love these tunes. The movie’s title, according to director Lawrence Kasdan, refers to “a cooling process that takes place for every generation when they move from the outward-directed, more idealistic concerns of their youth to a kind of self-absorption, a self-interest which places their personal desires above those of the society or even an ideal”.
The Verdict: The Blues Brothers. It’s all about repeat viewings, and The Blues Brothers is one of those movies that is often on random channels at various times of the day & night. I’ve seen it dozens of times, while I can’t remember the last time I watched The Big Chill.
Lethal Weapon vs. Dirty Dancing
Lethal Weapon arrived at this point after a first round bye and a Round 2 decision over La Bamba. It was the 9th highest grossing film of 1987, behind Fatal Attraction & The Untouchables but ahead of Robocop & Throw Momma From the Train. It has an 84% Fresh Rating on Rotten Tomatoes, and upon its release critic Roger Ebert gave it 4 Stars, calling it a Bruised Forearm Movie wherein “you and your date grab each other’s arm every few minutes and you walk out black & blue and grinning from ear to ear”, and saying “this movie thrilled me from beginning to end….part of that is because I cared about the characters.” I concur. Dirty Dancing also received a first round bye and then defeated Moonstruck in Round 2. It was the 11th highest grossing movie of 1987, behind Three Men & A Baby, The Witches of Eastwick…and yes, Lethal Weapon. It’s unofficial theme song, I’ve Had the Time of My Life (sung by Bill Medley & Jennifer Warnes) won the Academy Award for Best Original Song, besting Harold Faltermeyer’s Shakedown (from Beverly Hills Cop II) and Starship’s Nothing’s Gonna Stop Us Now (from Mannequin), among others. Stars Patrick Swayze & Jennifer Grey reportedly had a tumultuous working relationship dating back to when they co-starred in 1984’s Red Dawn, but thankfully they made it work or else we might have ended up with some kind of pairing involving Val Kilmer or Billy Zane with Sarah Jessica Parker or Kyra Sedgwick. No disrespect to those fine performers, but I think things turned out for the best.
The Verdict: This is exactly the kind of decision that I need The Manoverse to make. These are two great films. Both are worthy of victory. I shall abide by the choice of the masses.