Eric Stoltz

90’s Film Frenzy: Phat Round 1

Greetings friends, and welcome to Round 1 of 90’s Film Frenzy. If you haven’t read the intro please do so, and then we can begin with the Phat Division.

 

As with 80’s Movie Mania and Merry Movie Mayhem there are a few factors that are taken into consideration as we advance thru this process. It goes without saying that I have to have watched the movie because I can’t evaluate something I haven’t seen, right?? And generally I have to have liked it, although as opposed to its predecessors this competition has a few entries that have been included for other reasons despite my personal opinion. I’m generous like that. In addition to these obvious elements there are a few additional things I ponder:

 

*Re-Watchability        

Is it on television a lot?? If it is on TV do I stop & watch?? There are some movies that are shown on television frequently many years after debuting on the big screen. Sometimes I’ll flip right on thru to the next channel. Other times I will watch an old movie with mild interest because there really aren’t many options. But every once in awhile I’ll run across a movie that, despite the fact that I’ve seen it countless times, I will always stop whatever I’m doing and be delighted to watch it again.

 

*Relevance           

Does the story hold up well?? Or do modern societal norms & changes in technology make it feel dated?? Unlike a Christmas film or an 80’s movie I’m not sure there as many tangible features that distinguish a 90’s flick, and insomuch as something might be “quintessential 90’s” there is a strong possibility that I may not particularly like it. 1990’s music was largely defined by rap, grunge, & hip-hop. Television & movies in the 1990’s became edgy & pessimistic. Technology exploded in the 90’s, which is a double-edged sword at best. 1990’s fashion wasn’t particularly noteworthy or cool. Having said all of that, it is still possible for a 90’s film to feel…passé.

 

*Quotability         

We all love quotable movies, right?? It adds to the cool factor and long term durability of a film, and for me it indicates that it is well-written & charming story that’ll give me the warm fuzzies that I dig in a moviegoing experience.

 

*Cultural Impact 

Is it one of those movies that everyone of a certain age has seen?? Is it familiar to multiple generations?? Do people still occasionally talk about it & watch it even many years after its release??

 

*Pleasure            

Do I enjoy watching the movie?? We’ve all read books or watched shows/movies just because we felt compelled to…because we wanted to be cool or seem educated. But what do you enjoy when no one else is around??

 

*Pedigree 

My tastes are not defined by anyone else. I like what I like whether anyone agrees with me or not. However, I do give credence to things like awards, box office numbers, & the general opinions of critics. My opinion may not be persuaded by those things, but I’m not opposed to taking them into consideration.

 

Now you know a little bit about my process, and so we shall begin with the first eight head-to-head matchups. Enjoy.

 

 

 

 

Batman Returns

Release:             6/19/92

Starring:              Michael Keaton, Danny DeVito, Michelle Pfeiffer

Directed By:        Tim Burton (Beetlejuice, Batman, Edward Scissorhands)

 

vs.

 

Showgirls

Release:             9/22/95

Starring:              Elizabeth Berkley, Kyle MacLachlan, Gina Gershon

Directed By:        Paul Verhoeven (RoboCop, Total Recall, Basic Instinct)

 

Tim Burton & Michael Keaton followed up the very successful Batman (the top grossing movie of 1989) with a tale in which both The Penguin and Catwoman arrive in Gotham City to challenge The Caped Crusader. The follow-up wasn’t quite as successful as the original, but still did more than respectable numbers. At the time it was condemned by some for being a bit too dark & violent (criticism which seems rather quaint two decades later) and suffered from comparisons with its predecessor, but thru the prism of time appreciation for the film has grown and many would opine that it is the best among that particular set of four Batman movies. Conversely, Showgirls has never received much love from critics or the moviegoing public…for good reason. The buzz at the time was all about actress Elizabeth Berkley, who was determined to not be typecast as a squeaky clean good girl like the one she portrayed on frivolous Saturday morning sitcom Saved by the Bell. Mission accomplished I suppose. Berkley stars as a gal from the wrong side of the tracks who longs to rise from low class stripper to Vegas showgirl, although the way the story is presented there doesn’t seem to be much of a difference. There’s a lot of nudity & sex but not much of a plot, and the acting is atrocious. Rather than elevating Berkley from lightly regarded television star to respected film actress Showgirls essentially destroyed her career.

 

The Verdict:       Batman Returns. Widely regarded as a trainwreck, Showgirls is the kind of movie that a person might watch once just to see what all the chatter is about, and especially in the mid-90’s young men of a certain age were curious to see Jessie Spanos’ naughty bits. However, it certainly isn’t a popcorn flick that is shown on TV often or is in any way worthy of repeat viewings. In retrospect criticizing Batman Returns for its noir tone seems silly now since a decade later Christopher Nolan’s Dark Knight trilogy was celebrated for essentially the same kind of gritty vibe. Michelle Pfeiffer was the best Catwoman since Julie Newmar & Eartha Kitt, and Danny DeVito’s Penguin is just fine.

 

*******************************************************************************************

 

The Mask

Release:             7/29/94

Starring:              Jim Carrey, Cameron Diaz

Directed By:        Charles Russell (A Nightmare on Elm Street 3, The Scorpion King)

 

vs.

 

PCU

Release:             4/29/94

Starring:              Jeremy Piven, David Spade, Jon Favreau

 Directed By:       Hart Bochner (High School High)

 

Jim Carrey followed up the wildly successful Ace Ventura: Pet Detective just six months later with a comic book film adaptation in which he stars as a milquetoast bank clerk whose personality is transformed by a green mask. Stanley Ipkiss is the kind of quiet, shy pushover that everyone takes advantage of & no one respects. He becomes smitten with a gangster’s gal pal but is too introverted to do anything about it…until he finds a magical wooden mask that turns him into a suit wearing, shape shifting, supremely confident, green-faced trickster. Not only does he get the girl, but he foils the gangster’s bank robbery in the process. This was the film debut of Cameron Diaz, and one of three movies that Carrey had in the Top 20 of 1994…quite a year for him. On the flip side is PCU, a fun little jab at political correctness in which a college freshman encounters just about every sort of stereotypical fringe group one might imagine exists on campus. There’s the uptight preppy fraternity…the laid back party animal fraternity…extreme feminists…potheads…militant black students…and of course the overly sensitive school administration that fosters mistrust amongst the various groups by promoting inclusion & multiculturalism. PCU isn’t a good movie, but it was way ahead of its time and actually foreshadowed some of the issues we confront in the 21st century. Plus it has a really eclectic cast featuring some of the earlier & less appreciated work of a few folks that have gone on to bigger & better things.

 

The Verdict:       The Mask. To be honest, if I was flipping thru the channels and both were on at the same time I would probably watch PCU. I hate political correctness and love how PCU satirizes the entire concept. I enjoy just about anything with Jeremy Piven, and the rest of the cast is pretty good as well. Having said that, PCU was the 144th highest grossing film of 1994 & has a 47% rating on Rotten Tomatoes. Heck, Mixed Nuts (one of the worst Christmas films of all time) and Cops & Robbersons (easily a lowlight on Chevy Chase’s filmography) both made more at the box office than PCU!! Conversely, The Mask is the perfect showcase for Carrey’s unique talent, and it solidified his stardom. It was the 9th highest grossing film of 1994…ahead of both Pulp Fiction and Interview with the Vampire.

**********************************************************************************************

 

Clueless

Release:             7/19/95

Starring:              Alicia Silverstone, Paul Rudd, Stacey Dash, Brittany Murphy

Directed By:        Amy Heckerling (         Fast Times at Ridgemont High, Look Who’s Talking, National Lampoon’s European Vacation)

 

vs.

 

Empire Records

Release:             9/22/95

Starring:                         Anthony LaPaglia, Rory Cochrane, Johnny Whitworth, Robin Tunney, Renée Zellweger, Liv Tyler, Ethan Embry

Directed By:        Allan Moyle (Pump Up the Volume)

 

This is the film equivalent of a matchup featuring the Minnesota Twins vs. the Colorado Rockies…not scraping the bottom of the barrel by any stretch, but certainly not worth any sort of hype or enthusiasm. Alicia Silverstone gained pop culture viability after appearing in an early 90’s music video for Aerosmith alongside Liv Tyler, but it is Clueless that made her famous. She stars as Cher, a spoiled Beverly Hills high school student who checks all of the rich Daddy’s girl boxes…except that she’s not a completely shallow airhead. Cher decides to help out a nerdy gal at school, and succeeds in making her new friend cool & popular. In the process she reflects on her own life and confronts her shortcomings, becoming a better person and falling for her ex stepbrother in the process (which no one seemed to find the least bit creepy twenty years ago). Clueless wasn’t a huge box office hit, but it holds an 81% rating on Rotten Tomatoes, made Silverstone a movie star for a few years (although her fame was fleeting), and is a true snapshot of an era. Empire Records is what I like to call a Hindsight Film, meaning that its cast is full of then unknowns who would go on to bigger & better things. The movie itself is a forgettable slice of life look at one day at a small record store and its teenage employees. It ranked a putrid 236th at the box office in 1995, and only became a cult favorite after Renee Zellweger & others became more famous several years later.

 

The Verdict:       Clueless. Again, given the opportunity to watch either/or on a random rainy afternoon of couch potatoing I would personally lean toward Empire Records, but the cultural impact of Clueless cannot be denied. In retrospect I am surprised that Silverstone’s career stalled so suddenly, to the point that the last role she had in anything that drew an audience was a cameo in Tropic Thunder a decade ago.

 

***************************************************************************************************

 

Patch Adams

Release:             12/25/98

Starring:              Robin Williams, Monica Potter, Philip Seymour Hoffman

Directed By:        Tom Shadyac (Ace Ventura: Pet Detective, The Nutty Professor, Liar Liar)

 

vs.

 

Black Sheep

Release:             2/2/96

Starring:              Chris Farley, David Spade, Tim Matheson

Directed By:        Penelope Spheeris (Wayne’s World, The Beverly Hillbillies)

 

Patch Adams is based on the true story of a doctor who practices his unique brand of medicine right here in my home state of West Virginia. It is my understanding that Hollywood used broad creative license in telling the story, but I’m okay with that. Robin Williams was brilliant & is deeply missed by fans around the world, and Patch Adams is probably one of his more underappreciated roles. Critic Gene Siskel named it his worst film of 1998 and it holds a lowly 25% rating on Rotten Tomatoes. The real Patch Adams isn’t a big fan either, once saying that “it sacrificed much of his message to make a selling film” and “out of all aspects of his life and activism, the film portrayed him merely as a funny doctor”. However, after Williams’ death Dr. Adams called him “a wonderful, kind and generous man” and said “I’m enormously grateful for his wonderful performance of my early life”. Black Sheep was the second pairing of SNL alums Chris Farley & David Spade and tells the story of a well-intentioned yet blundering manchild whose attempts to help his brother’s gubernatorial campaign go hilariously awry, even with one of the candidate’s employees babysitting him. There is a certain segment of the population who may have been teens or twentysomethings in the early 90’s and were big fans of that particularly amusing era of Saturday Night Live. That is the target audience for Black Sheep, but otherwise critics hated it and the box office wasn’t impressive (it was the 50th highest grossing film of 1996).

 

The Verdict:       Patch Adams. Neither is a great movie, but both are acceptably entertaining when one is in vegg mode. Admittedly there is part of this decision that is purely sentimental in memory of Robin Williams. But also, of the two Farley/Spade collaborations Black Sheep is the lesser film, so that also makes the choice easier.

***************************************************************************************************

 

Pulp Fiction

Release:                       10/14/94

Starring:                        John Travolta, Samuel l. Jackson, Uma Thurman

Harvey Keitel, Ving Rhames, Eric Stoltz, Rosanna Arquette, Christopher Walken, Bruce Willis

Directed By:                 Quentin Tarantino (Reservoir Dogs, Jackie Brown)

vs.

 

Only the Lonely

Release:                       5/24/91

Starring:                        John Candy, Maureen O’Hara, Ally Sheedy

Directed By:                 Chris Columbus (Home Alone, Mrs. Doubtfire, Harry Potter and the Sorcerer’s Stone)

 

I have to admit that I only recall watching Pulp Fiction once, and it didn’t appeal to me at all. Tarantino’s style just doesn’t frost my cupcake. The plot is convoluted, with intersecting stories about mob hitmen, a boxer, & a gangster’s wife that don’t necessarily make any kind of sense. The cast is top notch and the movie was the tenth highest grossing film of 1994. It was nominated for seven Academy Awards, including Best Picture, Best Actor (Travolta), Best Director (Tarantino), Best Supporting Actress (Thurman), & Best Supporting Actor (Jackson), although the only Oscar it won was Best Original Screenplay. Only the Lonely is an unassuming little romantic dramedy about a middle-aged policeman who still lives with his domineering Irish mother and the uproar caused when the cop becomes involved with a timid funeral parlor beautician. It is the final performance of legendary actress Maureen O’Hara…best remembered for her role as a cynical mother in the 1947 Christmas classic Miracle on 34th Street…and holds a 62% rating on Rotten Tomatoes.

 

The Verdict:       Only the Lonely. NCAA’s March Madness always has a few big upsets, so just think of this as the cinematic equivalent of Cleveland St. over Indiana. While I try to give credence to a film’s pedigree & star power there are simply some situations where it doesn’t matter, and I’ve just never understood the love for Pulp Fiction. Film critic Gene Siskel stated that “the violent intensity of Pulp Fiction calls to mind other violent watershed films that were considered classics in their time and still are”, comparing it to Psycho, Bonnie & Clyde, and A Clockwork Orange in that they all “shook up a tired, bloated movie industry and used a world of lively lowlifes to reflect how dull other movies had become”. I suppose that is where the disconnect lies for me. I’m not looking for anything to shake me up. If a movie is well-written & performed I don’t really care how formulaic it may be, and oftentimes prefer satisfying & familiar comfort food to anything trying to challenge the status quo.

 

********************************************************************************************

 

Basic Instinct

Release:                       3/20/92

Starring:                        Michael Douglas, Sharon Stone

Directed By:                 Paul Verhoeven (RoboCop, Total Recall, Showgirls)

vs.

 

Big Daddy

Release:                       6/25/99

Starring:                        Adam Sandler, Joey Lauren Adams, Jon Stewart, Lesley Mann

Directed By:                 Dennis Dugan (Problem Child, Happy Gilmore, Saving Silverman, Grown Ups)

 

Sharon Stone burst onto the pop culture radar with one memorable flash. Basic Instinct tells the story of a cocaine sniffing homicide detective investigating the murder of a rock star in which the prime suspect is a provocative & sexy crime novelist. Of course the two become involved in a sizzling yet totally inappropriate affair, and at the end of the day the audience is led to believe that the enigmatic writer really is the killer. Big Daddy is the last gasp of Adam Sandler’s career zenith, during which he starred in a handful of sophomoric yet appealing comedies like Happy Gilmore and The Waterboy. A few of his 90’s films are part of this competition. Big Daddy sees Sandler portray the kind of infantile slacker that seems to be his wheelhouse, and that slacker…thru a series of inexplicable events that do not reflect how the world actually works in any way…becomes the foster father of an abandoned child. Of course he proves to be a loveable yet dreadfully poor role model for the boy, but everything works out okay in the end. Reviews for the film aren’t as horrible as one might assume, but obviously it’s not the kind of story that critics are going to enthusiastically endorse.

 

The Verdict:       Big Daddy. Both films are viewed as mediocre by most everyone. Big Daddy was the 7th highest grossing film of 1999, while Basic Instinct was the 9th highest grossing film of 1992…so there’s really no discernible difference in that regard. This comes down to two things. Repeat viewings are a key factor for me, and I probably haven’t watched Basic Instinct in twenty years. Conversely, Big Daddy is precisely the kind of mindless fun that pops up on television with some frequency and is always pleasurable to watch in vegg mode. It’s not Sandler’s best, but it is far from his worst. Secondly, while Sharon Stone skyrocketed to stardom she quickly faded away and hasn’t been in anything notable this century. The quality of Sandler’s work has diminished considerably and he’s been in some truly awful movies in the past decade (That’s My Boy might be the worst film ever made), but he still occasionally cranks out mildly entertaining fare like Grown-Ups, Blended, or the Hotel Transylvania movies.

 

***********************************************************************************************

 

The Firm

Release:                       6/30/93

Starring:                        Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Ed Harris, Holly Hunter, Hal Holbrook

Directed By:                 Sydney Pollack (The Way We Were, The Electric Horseman, Out of Africa, The Fabulous Baker Boys, Presumed Innocent)

vs.

My Best Friend’s Wedding

Release:                       6/20/97

Starring:                        Julia Roberts, Dermot Mulroney, Cameron Diaz, Rupert Everett

Directed By:                 P.J. Hogan (Confessions of a Shopaholic)

 

Once upon a time I was on the Grisham bandwagon like many avid readers. As a kid I had seriously pondered a law career, and even after that thought process dissipated I enjoyed any kind of book related to the profession, especially the well-written thrillers that Mr. Grisham was penning in the early 90’s. The film adaptation is worthy of the book, with Tom Cruise starring as a young lawyer employed by a shady Memphis law firm whose biggest client is The Mafia. An all-star cast brings the story to life, although I seem to recall some controversy about the conclusion. The ending of the book has the protagonist turn over evidence to the FBI therefore breaking attorney-client privilege. Knowing his career is over & he has crossed The Mob he steals $10 million dollars from the firm and flees to The Cayman Islands. In the film he refuses to sacrifice his principles but finds a way to bring down the firm by exposing overbilling violations. The Mafia is left untouched and the attorney is able to simply take his family back to Boston to resume a normal life. Such changes usually bother me, but in this case I don’t really mind. At any rate, The Firm was well-received by critics and was the 4th highest grossing film of 1993, which is rather impressive. My Best Friend’s Wedding stars Julia Roberts as a woman who is secretly in love with her male best friend, and not happy when he announces his engagement to another woman. She plays dirty to sabotage the relationship but it backfires on her and the wedding proceeds as planned, with the “best woman” bravely admitting defeat and wishing the happy couple well. The cast is charming and the plot mildly interesting, but in a sea of dime-a-dozen rom-coms I just don’t think this one stands out from the crowd.

 

The Verdict:       The Firm. Rolling Stone movie critic Peter Travers called My Best Friend’s Wedding “the summer-date-film supreme for pretty women and the gay men they love”, while Roger Ebert said that “it subverts the usual comic formulas”. Accurate assessments, and I personally have nothing negative to say either. I just happen to love The Firm in book form and think the movie does its source material proper justice. It might be one of Cruise’s best performances.

 

********************************************************************************************

 

Armageddon

Release:                       7/1/98

Starring:                        Bruce Willis, Billy Bob Thornton, Liv Tyler, Ben Affleck, Owen Wilson, William Fichtner, Steve Buscemi, Michael Clarke Duncan

Directed By:                 Michael Bay (Bad Boys. The Rock, Pearl Harbor, Transformers)

vs.

 

Clerks

Release:                       10/19/94

Starring:                        Brian O’Halloran, Jeff Anderson

Directed By:                 Kevin Smith (Chasing Amy, Dogma, Jersey Girl)

 

There were two films in 1998 about asteroids destroying Earth, because Hollywood loves blowing stuff up. These two movies were released within a couple of months of each other and preferences vary among fans, although Armageddon is general considered the cooler & more fun of the two. Bruce Willis stars as a deep sea oil driller recruited by NASA to lead a mission into space to deploy nuclear weapons on the giant asteroid. He insists on having his zany crew of oil field misfits come along for the ride. Hilarity ensues, or atleast as much joviality as can be mustered about the extinction of mankind. Armageddon was the second highest grossing film of 1998, behind Saving Private Ryan and ahead of There’s Something About Mary. It has a lowly 38% Rotten Tomatoes score, with the Boston Globe calling it “big, noisy, stupid, & shameless”, the Wall Street Journal opining that it “redefines (downward) the standard for summer stupidity”, & the Washington Post observing that it “could have been written by a chimp who’s watched too much TV…it is like putting your head in a tin washbucket while weightlifters whack it with golf clubs”. You gotta love movie critics, right?? Clerks was Kevin Smith’s first film and is still probably his most well-known work. One has to respect a guy for being able to ride the wave for almost 25 years. The story is a slice-of-life day in small town America focusing on Dante, a 20-something convenience store clerk and his pal Randal, who works next door at the video store. The duo spend more time not working than working and get themselves into various scrapes throughout the day. Clerks was the 155th highest grossing film of 1994, but made over $3 million dollars on a $31k budget. We’d all love to get that kind of return on our investments. Rotten Tomatoes gives it an impressive 88% score. Ebert loved it, calling it “so utterly authentic that its heroes have never heard of their generation”. Others agree with that assessment, with the New York Times boldly proclaiming it to be “a buoyant, bleakly funny comedy” and Entertainment Weekly christening it a “slacker manifesto” and “a fast, likable 90 minutes at the movies”.

 

The Verdict:       Armageddon. Y’all know that I fancy myself as somewhat intellectual, marginally cool, & a champion of the underdog. This should be exactly the kind of matchup in which I scoff at box office numbers and proudly side with film critics who “get it”…except that when I comes to Clerks I don’t get it at all. Perhaps if I had seen it in 1994 when I too…just like the two guys in the movie…was a directionless 22 year old floundering thru a mundane existence then I would understand. But like so many others who completely missed its theatrical run I didn’t catch it until much later on home video. Is it well-written with snappy dialogue?? To some degree yes it is. But I just can’t get past the fact that it looks like a student film starring the director’s buddies instead of actual performers with legit talent. Actually, if one looks at it thru a 21st century prism Clerks is a movie that someone could make using their smartphone and then upload it to YouTube…quirky and not without its charms, but ultimately forgettable. Armageddon isn’t a great movie, but it is a solid moviegoing experience…exactly the kind of popcorn cinema that has made summer blockbusters a thing. The cast is eclectic & entertaining, and the movie gave us Aerosmith’s power ballad I Don’t Want to Miss a Thing, which was nominated for an Academy Award and is…surprisingly…the band’s only #1 song. I’m not knowledgeable enough to comment on the scientific exactitude of Armageddon, but does it really matter?? It’s a movie…escapism personified…and that works for me.

80’s Movie Mania: Radical Round 1

Annnnnd we’re back!! Today we finish up our first round matchups, but before we go forward there let’s go back and tie up some loose ends as usual. I posted two polls that absolutely no one voted on. I don’t know what I’m doing wrong, but I’ll just go with the flow. So in the Gnarly Division it’s gonna be Weird Science taking out Raising Arizona and Biloxi Blues defeating Parenthood. Now let’s move on to the first round in the Radical Division. Enjoy.

 

 

 

 

Radical – Round 1

 

 

Fast Times at Ridgemont High               vs.              Brighton Beach Memoirs

fasttimesFast Times is the quintessential high school movie. Released in 1982, it was the first directing effort for bbmAmy Heckerling, who would go on to direct films like Clueless, European Vacation, & Look Who’s Talking, as well as the first screenplay written by Cameron Crowe, who has since had a solid career writing & directing movies such as Say Anything, Jerry Maguire, Almost Famous, & Vanilla Sky. That’s already a pretty impressive pedigree for Fast Times, but then we must consider the cast, featuring the earliest work of some very talented performers…Sean Penn, Nicolas Cage, Jennifer Jason Leigh, Judge Reinhold, Forrest Whittaker, Eric Stoltz, & Anthony Edwards. Oh, did I forget to mention the soundtrack?? It has great 80’s songs from folks like Jackson Browne, Joe Walsh, Don Henley, The Go-Gos, Sammy Hagar, Jimmy Buffett, Poco, Donna Summer, & Stevie Nicks. Not to be outdone, 1986’s Brighton Beach Memoirs features Jonathan Silverman, Blythe Danner, & Judith Ivey in the cast and is based on a Tony Award winning play by Neil Simon. It is the first entry in Simon’s Eugene Trilogy about his youth in Depression era Brooklyn. The movie is well written & acted, but I suspect that the theater production is even better.

 

The Verdict:       Fast Times at Ridgemont High. This is 80’s Movie Mania, right?? It only seems right that one of THE signature 80’s films makes it out of Round 1.

 

 

Fletch                            vs.              Night Shift 

Aside from blundering family man Clark W. Griswold, Chevy Chase’s most famous role is that of L.A. nightshiftTimes journalist Irwin Fletcher, aka Fletch. Based on a series of novels written in the 70’s, 1985’s Fletch follows the reporter as he investigates a drug ring on an L.A. beach. He is approached by a wealthy businessman offering him a big wad of cash to kill him because the businessman is ostensibly dying of cancer anyway. Things get complicated from there. The supporting cast includes Tim Matheson, George Wendt, Geena Davis, & Joe Don Baker and the VERY 80’s score was written by master of the synthesizer Harold Faltemeyer. Fletch isn’t really a traditional comedy…it’s more of a mystery/action flick with funny moments provided by Chevy Chase being…well…Chevy Chase. 1982’s Night Shift has an impeccable pedigree. It was written by Lowell Ganz & Babaloo Mandel, who have gone on to write such fantastic films as Splash, Parenthood, City Slickers, A League of Their Own, The Money Pit, Liar Liar, Fever Pitch, & Parental Guidance. It was the first film directed by Ron Howard that anyone remembers. And it stars Henry Winkler as a decidedly un-Fonzie-esque character, as well as Michael Keaton in his first leading role and Shelley Long right before Cheers made her famous. The story has a straight-laced morgue employee, his wild & crazy co-worker, & a “hooker with a heart of gold” team up to start their own escort service. Hilarity ensues. It was an indication of great things to come from Keaton.

 

The Verdict:       Night Shift. I don’t quite get the love for Fletch. It’s mildly amusing I suppose, but mostly quite forgettable. Meanwhile, Night Shift has a solid cast doing some of their best work supported by a really fun script and a director who was just beginning to demonstrate his immense talent.

 

 

 

Spaceballs                   vs.              Summer School

Spaceballs is a rather amusing Star Wars parody from the mind of the legendary Mel Brooks. Made in ssc1987 and starring Bill Pullman, John Candy, Brooks, Daphne Zuniga, Rick Moranis, & Dick Van Patten, it is chockful of amusing word play and funny sight gags that any Star Wars fan will appreciate & enjoy. A sequel has been discussed for many years, but half of the original cast is dead now so who knows what’ll happen with that. 1987’s Summer School is a lightweight yet sneakily entertaining comedy starring Mark Harmon (from NCIS) as a slacker gym teacher who gets roped into teaching remedial English to a group of less than stellar students during the summer. The cast also includes Kirstie Alley and a young Courtney Thorne-Smith. Word on the street is that a remake is in the works, which is a shame.

 

The Verdict:       I like both of these films and really don’t want to make a choice, so let’s see if we can get enough votes to take the decision out of my hands.

 

 

 

 

Sixteen Candles                              vs.              Red Dawn

16CJohn Hughes strikes again!! In 1984 Hughes wrote & directed Sixteen Candles, about a girl whose family  reddawncompletely forgets her 16th birthday. Molly Ringwald stars as Samantha, whose sister is getting married so she kind of gets lost in the shuffle. On top of that Samantha has a thing for the hottest hunk in school but her existence doesn’t even register on his radar…or so she thinks. Anthony Michael Hall is around too as a geek who has a thing for Samantha (he has NO shot). The supporting cast, including Samantha’s grandparents, their foreign exchange student Long Duk Dong, & the sister who becomes gooned on tranquilizers to calm her wedding day jitters are all quite humorous additions. Conversely, 1984’s Red Dawn is a very sobering action flick about a group of Colorado teens who go on the lam after their town is invaded by the Soviets in the midst of World War III. The movie is notable for its star-studded cast of youngsters, including Patrick Swayze, Charlie Sheen, C. Thomas Howell, Leah Thompson, & Jennifer Grey. A remake was produced in 2012 but I’ve never seen it and likely never will.

 

The Verdict:       This one completely depends on a person’s taste in movies. Do you prefer teen comedy or violent war?? I have my preferences but I’m going to be generous and leave the decision in the hands of The Manoverse.

 

 

 

 

The Naked Gun           vs.              Dragnet

It’s police spoof vs. police parody!! 1988’s The Naked Gun is an alleged continuation of a long forgotten dragnetTV show from a few years earlier called Police Squad. No one remembers it because it only lasted six episodes on ABC. At any rate, Naked Gun follows inept police detective Frank Drebin (portrayed by the hilarious Leslie Nielsen) as he tries to prevent the assassination of England’s Queen Elizabeth while she visits Los Angeles. The film is wall-to-wall sight gags, word play, & slapstick comedy and features an intriguing supporting cast, including George Kennedy, Priscilla Presley (before she got too out of control with the plastic surgery), Ricardo Montalban, & O.J. Simpson (before he started murdering people). 1987’s Dragnet is a comedic big screen take on the legendary 1950’s/60’s TV show and stars Dan Aykroyd as the ultra-serious Sgt. Joe Friday (allegedly the nephew of the original) who is saddled with a quick-witted yet lackadaisical partner named Pep Streebeck (a GREAT name), played by Tom Hanks in one of his more underappreciated funny roles. Together the duo investigate a bizarre rash of thefts committed by a weird cult (which is a redundancy I know). The plot is silly and the reviews weren’t great, but I rather enjoyed the Aykroyd/Hanks chemistry and wish they would have gotten an opportunity to do a sequel with a better script.

 

The Verdict:       The Naked Gun. I probably enjoyed Dragnet more than the average person, but it is admittedly a flawed film. Meanwhile, The Naked Gun, for people who enjoy these kinds of movies, is a classic that spawned two sequels and ranks as one of the funnier flicks of the 80’s.

 

 

 

 

Revenge of the Nerds          vs.              Twins

nerdsIt’s a story as old as time…David vs. Goliath, unsophisticated vs. cool, ugly vs. good-looking, ostracized TWINS_320vs. popular, geeks vs. jocks. In 1984 it was presented as a battle between two fraternities…one full of socially awkward computer geeks, the other comprised of cocky football players. The hows & whys of their rivalry are unimportant…all that matters is that there is an abundance of conviviality, with an undertow of social commentary about discrimination & pride in being true to one’s self. The cast consists of second tier performers like Ted McGinley, Curtis Armstrong, Timothy Busfield, & James Cromwell, although Anthony Edwards would go on to brief moments of stardom and John Goodman has a small part as a football coach. A few sequels followed over the next decade, but none are as fun as the original. 1988’s Twins pairs diminutive Danny DeVito with brawny Arnold Schwarzenegger as long lost fraternal twins. DeVito’s Vincent is a hardened ne’er-do-well who was raised in an orphanage. Schwarzenegger’s Julius was raised on a small Pacific island by the professor who conducted the genetic experiment that resulted in the two men’s birth. Julius learns of Vincent’s existence and seeks him out. The two then go on quite the adventure in search of their long lost mother. Hilarity ensues.

 

The Verdict:       Revenge of the Nerds. It’s not the most unique concept but it works really well. Twins relies on a one-note joke about the obvious physical differences between its two stars, but that gag runs out of steam. Schwarzenegger is better than one might assume in comedies, yet it is very much a meta idea that it’s supposed to be hilarious seeing a muscle-bound tough guy doing comedy. Sorry…I need more.

 

 

 

 

Flight of the Navigator          vs.              The Goonies

navigatorFlight of the Navigator still flies under the radar three decades after its release. Made in 1986 and gooniesstarring Howard Hesseman (WKRP’s Dr. Johnny Fever) and Sarah Jessica Parker in one of her early roles, the story is an intriguing time travel tale about a young boy who falls into a ravine and wakes up the next morning to find that eight years have passed, though he hasn’t aged at all. It turns out that he was abducted by aliens. Folks, trust me…this is a seriously entertaining film. It strikes the perfect balance of action, drama, & whimsy. Meanwhile, The Goonies is a much celebrated film starring a group of youngsters (including Sean Astin, Corey Feldman, & Josh Brolin) who go on an adventure in search of a long lost treasure map. The film’s pedigree is first rate, with the script being written by Chris Columbus (who would go on to write and/or direct stuff like Mrs. Doubtfire, the first two Home Alone movies, Only the Lonely, the first two Harry Potter movies, & Jingle All the Way), directed by Richard Donner (Superman, Scrooged, Lethal Weapon), & produced by the iconic Steven Spielberg.

 

The Verdict:       Flight of the Navigator. This will probably be considered a pretty big upset by many. However, I’ve just never understood what the big deal is about The Goonies. Several 80’s films had ensemble casts with kids that would end up having memorable careers, but that’s not enough. The movie has to be engaging, with a plot that makes me want to enjoy repeat viewings. The Goonies isn’t that…atleast for me. Your mileage may vary and that’s okay. I happen to believe that Navigator is a superior entertainment experience…escapism at its finest.