Thanksgiving is drawing near, so it feels like the perfect time to give some love to John Candy. I first encountered Candy on SCTV, a Canadian alternative to Saturday Night Live presented as a fictitious television network with all sorts of wacky content. It aired after The Tonight Show on Friday nights here in The States for a few years in the early 80s and launched the careers of Eugene Levy, Harold Ramis, Catherine O’Hara, Martin Short, Rick Moranis, and Candy. Even while that show was still goingCandy had small but memorably amusing roles in films like The Blues Brothers, Stripes, & National Lampoon’s Vacation. Unfortunately Hollywood’s obsession with tall, dark, & handsome (and thin) precluded him from becoming a classic leading man, but he left behind a solid and very funny filmography that I’m happy to explore.
Friday Night
Uncle Buck
It’s probably the first movie you think of when someone mentions John Candy, which is appropriate since he almost singlehandedly carries the whole thing as unkempt & unemployed Buck Russell, a middle aged, feckless, cigar smoking ne’er-do-well who spends most of his days drinking and betting on horse races. He is called upon to babysit his brother & sister-in-law’s three children while the parents tend to a family emergency. It is a unique amalgamation of the buddy comedy & fish-out-of-water formulas because Buck is definitely out of his depth. The two little kids (portrayed by Gaby Hoffman & MacCauley Culkin just one year before he stumbled into superstardom) think their uncle is weird, but get along with him just fine. Conversely, their teenage sister is in a rebellious phase and clashes with him. Hilarity ensues. My definition of a good movie has always focused on whether or not we still enjoy watching it decades later on a lazy vegg day spent on the couch, and Uncle Buck definitely qualifies. It is quintessential John Hughes and classic John Candy.
Saturday Matinee
Only the Lonely
If you haven’t seen it you really should. Writer/producer/director Chris Columbus is essentially John Hughes 2.0, having been responsible in one way or another for classics like The Goonies, Home Alone, Mrs. Doubtfire, two Harry Potter films, and Christmas with the Kranks. Columbus wrote & directed this dramedy about a middle-aged Chicago cop whose relationship with a shy funeral home beautician is complicated by his domineering mother. The cast, which includes Candy, Ally Sheedy, Anthony Quinn, and Jim Belushi, is delightful, but it’s the inclusion of screen legend Maureen O’Hara that gives the movie gravitas. O’Hara, best remembered as the mother in Miracle on 34th Street and for co-starring in several John Wayne westerns, had been retired for two decades and living in The Virgin Islands, but Columbus successfully wooed her back to Hollywood for one final big screen role.
Saturday Night
Planes, Trains, & Automobiles
Soon enough many of us will spend much of our downtime consuming Christmas movies that we’ve all seen a thousand times, which is perfectly valid. Hell, a lot of you might’ve already started your holiday film binge last month. At any rate, as much as I love Christmas I always lament the fact that Thanksgiving tends to get the shaft in the process. However, there are a few Thanksgiving-centric entertainments, and this is the best among them in my opinion. Weather & other catastrophes wreak havoc on a Chicago ad exec’s efforts to make it home from New York in time for Turkey Day, but his chief annoyance is a well-meaning yet irritating salesman making the same trek. Written, produced, and directed by John Hughes, it has become an important part of my holiday tradition. I usually watch it the night before Thanksgiving, or perhaps on the actual holiday if circumstances allow. There have been rumors of a remake in recent years, and I get it, but I hope it is done respectfully, as an homage or even an unofficial sequel using the same framework with different characters. Perhaps they could even throw in a Steve Martin cameo.
Sunday Matinee
Summer Rental
A stressed out Atlanta air traffic controller is forced to take some time off, so he treats his family to an extended vacation in a popular Florida resort town. Unfortunately the trip isn’t as relaxing as he’d prefer, as a number of things go awry. This was John Candy’s first starring role, and the cast includes Rip Torn in a kind of beta version of the character he’d play in Dodgeball two decades later. The movie itself is reminiscent of a discount rendition of National Lampoon’s Vacation, which had been released a couple of years earlier. There’s a dash of Caddyshack tossed into the mix as well. It’s not a great film, but Candy’s affable charm makes it fun.
Sunday Night
The Great Outdoors
I guess one vacation-from-hell movie wasn’t enough, so a few years later Candy teamed up with Dan Aykroyd for another one, written by the incomparable John Hughes. Candy once again takes his family on vacation, this time to a quiet cabin in the woods of Wisconsin. When his affluent, snooty brother-in-law crashes the party hilarity ensues. This is probably a better film than Summer Rental simply because of the addition of Aykroyd and the script by Hughes. There has been talk of a reboot and/or sequel in recent years, although I don’t know how the latter would work without Candy. I suppose it’ll happen eventually. Not even great movies are sacred in Hollywood, and truthfully this isn’t a great movie.
Annnnnd we’re back!! Today we finish up our first round matchups, but before we go forward there let’s go back and tie up some loose ends as usual. I posted two polls that absolutely no one voted on. I don’t know what I’m doing wrong, but I’ll just go with the flow. So in the Gnarly Division it’s gonna be Weird Science taking out Raising Arizona and Biloxi Blues defeating Parenthood. Now let’s move on to the first round in the Radical Division. Enjoy.
Radical – Round 1
Fast Times at Ridgemont High vs. Brighton Beach Memoirs
Fast Times is the quintessential high school movie. Released in 1982, it was the first directing effort for Amy Heckerling, who would go on to direct films like Clueless, European Vacation, & Look Who’s Talking, as well as the first screenplay written by Cameron Crowe, who has since had a solid career writing & directing movies such as Say Anything, Jerry Maguire, Almost Famous, & Vanilla Sky. That’s already a pretty impressive pedigree for Fast Times, but then we must consider the cast, featuring the earliest work of some very talented performers…Sean Penn, Nicolas Cage, Jennifer Jason Leigh, Judge Reinhold, Forrest Whittaker, Eric Stoltz, & Anthony Edwards. Oh, did I forget to mention the soundtrack?? It has great 80’s songs from folks like Jackson Browne, Joe Walsh, Don Henley, The Go-Gos, Sammy Hagar, Jimmy Buffett, Poco, Donna Summer, & Stevie Nicks. Not to be outdone, 1986’s Brighton Beach Memoirs features Jonathan Silverman, Blythe Danner, & Judith Ivey in the cast and is based on a Tony Award winning play by Neil Simon. It is the first entry in Simon’s Eugene Trilogy about his youth in Depression era Brooklyn. The movie is well written & acted, but I suspect that the theater production is even better.
The Verdict:Fast Times at Ridgemont High. This is 80’s Movie Mania, right?? It only seems right that one of THE signature 80’s films makes it out of Round 1.
Fletch vs. Night Shift
Aside from blundering family man Clark W. Griswold, Chevy Chase’s most famous role is that of L.A. Times journalist Irwin Fletcher, aka Fletch. Based on a series of novels written in the 70’s, 1985’s Fletch follows the reporter as he investigates a drug ring on an L.A. beach. He is approached by a wealthy businessman offering him a big wad of cash to kill him because the businessman is ostensibly dying of cancer anyway. Things get complicated from there. The supporting cast includes Tim Matheson, George Wendt, Geena Davis, & Joe Don Baker and the VERY 80’s score was written by master of the synthesizer Harold Faltemeyer. Fletch isn’t really a traditional comedy…it’s more of a mystery/action flick with funny moments provided by Chevy Chase being…well…Chevy Chase. 1982’s Night Shift has an impeccable pedigree. It was written by Lowell Ganz & Babaloo Mandel, who have gone on to write such fantastic films as Splash, Parenthood, City Slickers, A League of Their Own, The Money Pit, Liar Liar, Fever Pitch, & Parental Guidance. It was the first film directed by Ron Howard that anyone remembers. And it stars Henry Winkler as a decidedly un-Fonzie-esque character, as well as Michael Keaton in his first leading role and Shelley Long right before Cheers made her famous. The story has a straight-laced morgue employee, his wild & crazy co-worker, & a “hooker with a heart of gold” team up to start their own escort service. Hilarity ensues. It was an indication of great things to come from Keaton.
The Verdict:Night Shift. I don’t quite get the love for Fletch. It’s mildly amusing I suppose, but mostly quite forgettable. Meanwhile, NightShift has a solid cast doing some of their best work supported by a really fun script and a director who was just beginning to demonstrate his immense talent.
Spaceballs vs. Summer School
Spaceballs is a rather amusing Star Wars parody from the mind of the legendary Mel Brooks. Made in 1987 and starring Bill Pullman, John Candy, Brooks, Daphne Zuniga, Rick Moranis, & Dick Van Patten, it is chockful of amusing word play and funny sight gags that any Star Wars fan will appreciate & enjoy. A sequel has been discussed for many years, but half of the original cast is dead now so who knows what’ll happen with that. 1987’s Summer School is a lightweight yet sneakily entertaining comedy starring Mark Harmon (from NCIS) as a slacker gym teacher who gets roped into teaching remedial English to a group of less than stellar students during the summer. The cast also includes Kirstie Alley and a young Courtney Thorne-Smith. Word on the street is that a remake is in the works, which is a shame.
The Verdict: I like both of these films and really don’t want to make a choice, so let’s see if we can get enough votes to take the decision out of my hands.
Sixteen Candles vs. Red Dawn
John Hughes strikes again!! In 1984 Hughes wrote & directed Sixteen Candles, about a girl whose family completely forgets her 16th birthday. Molly Ringwald stars as Samantha, whose sister is getting married so she kind of gets lost in the shuffle. On top of that Samantha has a thing for the hottest hunk in school but her existence doesn’t even register on his radar…or so she thinks. Anthony Michael Hall is around too as a geek who has a thing for Samantha (he has NO shot). The supporting cast, including Samantha’s grandparents, their foreign exchange student Long Duk Dong, & the sister who becomes gooned on tranquilizers to calm her wedding day jitters are all quite humorous additions. Conversely, 1984’s Red Dawn is a very sobering action flick about a group of Colorado teens who go on the lam after their town is invaded by the Soviets in the midst of World War III. The movie is notable for its star-studded cast of youngsters, including Patrick Swayze, Charlie Sheen, C. Thomas Howell, Leah Thompson, & Jennifer Grey. A remake was produced in 2012 but I’ve never seen it and likely never will.
The Verdict: This one completely depends on a person’s taste in movies. Do you prefer teen comedy or violent war?? I have my preferences but I’m going to be generous and leave the decision in the hands of The Manoverse.
The Naked Gun vs. Dragnet
It’s police spoof vs. police parody!! 1988’s TheNaked Gun is an alleged continuation of a long forgotten TV show from a few years earlier called Police Squad. No one remembers it because it only lasted six episodes on ABC. At any rate, Naked Gun follows inept police detective Frank Drebin (portrayed by the hilarious Leslie Nielsen) as he tries to prevent the assassination of England’s Queen Elizabeth while she visits Los Angeles. The film is wall-to-wall sight gags, word play, & slapstick comedy and features an intriguing supporting cast, including George Kennedy, Priscilla Presley (before she got too out of control with the plastic surgery), Ricardo Montalban, & O.J. Simpson (before he started murdering people). 1987’s Dragnet is a comedic big screen take on the legendary 1950’s/60’s TV show and stars Dan Aykroyd as the ultra-serious Sgt. Joe Friday (allegedly the nephew of the original) who is saddled with a quick-witted yet lackadaisical partner named Pep Streebeck (a GREAT name), played by Tom Hanks in one of his more underappreciated funny roles. Together the duo investigate a bizarre rash of thefts committed by a weird cult (which is a redundancy I know). The plot is silly and the reviews weren’t great, but I rather enjoyed the Aykroyd/Hanks chemistry and wish they would have gotten an opportunity to do a sequel with a better script.
The Verdict:The Naked Gun. I probably enjoyed Dragnet more than the average person, but it is admittedly a flawed film. Meanwhile, The Naked Gun, for people who enjoy these kinds of movies, is a classic that spawned two sequels and ranks as one of the funnier flicks of the 80’s.
Revenge of the Nerds vs. Twins
It’s a story as old as time…David vs. Goliath, unsophisticated vs. cool, ugly vs. good-looking, ostracized vs. popular, geeks vs. jocks. In 1984 it was presented as a battle between two fraternities…one full of socially awkward computer geeks, the other comprised of cocky football players. The hows & whys of their rivalry are unimportant…all that matters is that there is an abundance of conviviality, with an undertow of social commentary about discrimination & pride in being true to one’s self. The cast consists of second tier performers like Ted McGinley, Curtis Armstrong, Timothy Busfield, & James Cromwell, although Anthony Edwards would go on to brief moments of stardom and John Goodman has a small part as a football coach. A few sequels followed over the next decade, but none are as fun as the original. 1988’s Twins pairs diminutive Danny DeVito with brawny Arnold Schwarzenegger as long lost fraternal twins. DeVito’s Vincent is a hardened ne’er-do-well who was raised in an orphanage. Schwarzenegger’s Julius was raised on a small Pacific island by the professor who conducted the genetic experiment that resulted in the two men’s birth. Julius learns of Vincent’s existence and seeks him out. The two then go on quite the adventure in search of their long lost mother. Hilarity ensues.
The Verdict:Revenge of the Nerds. It’s not the most unique concept but it works really well. Twins relies on a one-note joke about the obvious physical differences between its two stars, but that gag runs out of steam. Schwarzenegger is better than one might assume in comedies, yet it is very much a meta idea that it’s supposed to be hilarious seeing a muscle-bound tough guy doing comedy. Sorry…I need more.
Flight of the Navigator vs. The Goonies
Flight of the Navigator still flies under the radar three decades after its release. Made in 1986 and starring Howard Hesseman (WKRP’s Dr. Johnny Fever) and Sarah Jessica Parker in one of her early roles, the story is an intriguing time travel tale about a young boy who falls into a ravine and wakes up the next morning to find that eight years have passed, though he hasn’t aged at all. It turns out that he was abducted by aliens. Folks, trust me…this is a seriously entertaining film. It strikes the perfect balance of action, drama, & whimsy. Meanwhile, The Goonies is a much celebrated film starring a group of youngsters (including Sean Astin, Corey Feldman, & Josh Brolin) who go on an adventure in search of a long lost treasure map. The film’s pedigree is first rate, with the script being written by Chris Columbus (who would go on to write and/or direct stuff like Mrs. Doubtfire, the first two Home Alone movies, Only the Lonely, the first two Harry Potter movies, & Jingle All the Way), directed by Richard Donner (Superman, Scrooged, Lethal Weapon), & produced by the iconic Steven Spielberg.
The Verdict:Flight of the Navigator. This will probably be considered a pretty big upset by many. However, I’ve just never understood what the big deal is about The Goonies. Several 80’s films had ensemble casts with kids that would end up having memorable careers, but that’s not enough. The movie has to be engaging, with a plot that makes me want to enjoy repeat viewings. The Goonies isn’t that…atleast for me. Your mileage may vary and that’s okay. I happen to believe that Navigator is a superior entertainment experience…escapism at its finest.
Welcome back to 80’s Movie Mania!! Before we move on let’s tie up some loose ends. I’m still not getting more than a couple of votes on the polls I post, which is rather vexing. Anything below double digit votes and it’s my call and that’s not how I’d prefer this whole thing work, but it is what it is. So…in the Tubular Division’s first round it’s La Bamba over Three Men & A Baby, Bill & Ted’s Excellent Adventure over History of the World Part 1, and European Vacation with a bit of an upset over Three Amigos!. Today we focus on first round matchups in the Gnarly Division. Enjoy.
Gnarly – Round 1
The Outsiders vs. My Tutor
The Outsiders is based on a 1967 novel written by an Oklahoma high school girl. The story revolves around a gang of boys called The Greasers, who are essentially a tougher, darker version of The T-Birds from Grease, and their battles with the neighborhood preppies called The Socs (pronounced “soshas”). The film was made in 1983 and has remained in the collective pop culture consciousness because it stars several young up n’ comers who would go on to become Hollywood superstars…Matt Dillon, Patrick Swayze, Tom Cruise, C. Thomas Howell, Rob Lowe, Emilio Estevez, Diane Lane, & 45 year old Ralph Macchio (the future Karate Kid), here playing a junior high schooler. My Tutor is a personal favorite of the teen sex genre. Also produced in 1983, it tells the story of a recent high school graduate who must pass a French exam to secure admission into Yale. He’s more interested in chasing women and trying to lose his virginity (that again), but his rich Daddy hires a tutor to make sure he studies for and passes the test. Fortunately the tutor is young, blonde, hot, & enjoys late night skinny dipping in the family pool. Not surprisingly the kid passes French and gets lucky with the tutor.
The Verdict:The Outsiders. To be honest My Tutor isn’t a great movie. I’m not even sure it is all that good. But it came along at just the right time (probably around the summer of ’84 on video and HBO) to rev the engines of a certain 12/13 year old boy, which is why it holds a special place in my heart. Actress Caryn Kaye: I’ll never forget you. However, The Outsiders is a juggernaut of greatness. It is based on a good book, directed by the legendary Frances Ford Coppola, and has an amazing cast. This is the very definition of an unfair fight. And I’m kidding…Macchio was only 22 when he starred as a high school student The Outsiders.
Weird Science vs. Raising Arizona
Is Weird Science a Brat Pack film?? Ehhhh…kinda sorta not really…but close enough (it was written & directed by John Hughes afterall). It came out in 1985, which is why Anthony Michael Hall didn’t reprise his role as Rusty Griswold in European Vacation. He chose this movie instead. The story follows a couple of high school geeks who decide to use a computer to build their perfect woman. Somehow it works and the guys suddenly become popular. The woman…whom they name Lisa…teaches them a few things about life and does much to improve their confidence and self-esteem. Weird Science is amongst the earliest works of both Robert Downey Jr. & Bill Paxton and has a very 80’s soundtrack featuring songs from Oingo Boingo, Ratt, & Van Halen. 1987’s Raising Arizona was one of the first films written, produced, & directed by Joel & Ethan Coen, who have since had tremendous success with movies like Fargo, The Big Lebowski, O Brother Where Art Thou?, & No Country for Old Men. Raising Arizona stars Nicolas Cage & Holly Hunter as a career criminal and police officer respectively, who marry but are unable to have children. They hatch a plot to kidnap one of the infant quintuplets of a well-known local businessman, because “anybody with five babies won’t miss one”. Of course things quickly get hilariously out of control. It is a twisted, madcap, slapstick farce, with Cage at his over-the-top zany best.
The Verdict: I have my opinions, but I’m going to give The Manoverse an opportunity to weigh in. Vote!! Tell your friends to vote!!
48 Hrs. vs. Teen Wolf
48 Hrs. was one of the first of its genre…the mismatched buddy cop film. It is a formula that works really well when a delicate balance between action & comedy is achieved, and has since become the foundation of a plethora of films with mostly diminishing returns. In 1982 Eddie Murphy was still a regular on Saturday Night Live (he wouldn’t depart until two years later) but snagged his role in this movie when plans to cast Richard Pryor fell through. It is still amongst Murphy’s best work. The story has Nick Nolte as a San Francisco detective who enlists the help of a wisecracking criminal nearing the end of his prison sentence to track down a dangerous escaped convict. The humor is provided by Murphy but is also found in the dysfunctional relationship between an uptight cop and his streetwise partner (in this case a thief). 1985’s Teen Wolf stars Michael J. Fox as a high school basketball player who discovers that lycanthropy is in his bloodline and he has inherited the condition. He uses his newfound “talent” to become the coolest guy at school and lead his basketball team to success, though it all eventually backfires on him and he figures out that just being himself might be preferable. Fox made Teen Wolf right after the first Back to the Future film. The combined success of the two movies, along with the popularity of the TV show Family Ties, cemented Fox’s place as a bona fide star.
The Verdict:48 Hrs. This is a tough call, but Teen Wolf, though a fun popcorn flick, isn’t even the best work that Michael J. Fox did in 1985. Conversely, if Eddie Murphy was still as good in his more recent movies as he was in 48 Hrs. he’d still be on top instead of an afterthought resting on his laurels.
Beetlejuice vs. Turner & Hooch
Everyone pretty much knows going in that a Tim Burton film is going to be a weird experience, and 1988’s Beetlejuice is no exception. Alec Baldwin & Geena Davis star as a couple happily settling into their idyllic New England home when they meet an untimely demise. But instead of walking on streets of gold or burning in perpetual fire they find themselves back in their house. That’d be okay, except for the fact that another family soon moves in. The original (now dead) owners want to run this new family off and enlist the help of the titular ghost, a “freelance bio-exorcist”. Hilarity ensues. Part comedy, part horror film, Beetlejuice has enjoyed a cult following (pun unavoidable) for a quarter century, mostly due to the manic performance of Michael Keaton as the title character. Winona Ryder is also…interesting…as the goth daughter of the odd family that has moved into the house. 1989 brought us Turner & Hooch, in which Tom Hanks stars as a California police detective who teams up with a rather ugly, destructive, slobbery dog to bring down a drug lord. It’s a different take on the buddy cop genre, or atleast it would have been different if the very comparable K-9 starring Jim Belushi hadn’t been released the same year. But since, in most people’s hearts & minds, Hanks > Jim Belushi this movie is generally thought of as the better of the two.
The Verdict:Beetlejuice. To be honest it’s not exactly my kind of flick, but the cast is undeniably great and it is one of Keaton’s signature roles, despite the fact that he’s really not onscreen that much. I like Turner & Hooch just fine, but it just ran into stiff competition. Sometimes those are the breaks.
Purple Rain vs. Crocodile Dundee
Which came first…the song or the movie?? In the case of 1984’s Purple Rain the song (and album of the same name) was released just before the film, which essentially serves as unique advertising for the album. Prince stars as a small-time Minneapolis musician battling thru problems at home with abusive parents, professional rivalries in his music career, & a rocky relationship with the lovely Apollonia. Paul Hogan was already a well-known actor & comedian in his native Australia, but he became a worldwide celebrity in 1986 after the release of Crocodile Dundee. The story follows a NY City magazine writer who travels to The Outback for a story about a bushman that’s been involved in some almost mythological exploits. She finds that Mick (as he prefers to be called) isn’t quite as legendary as the anecdotes about him would indicate, but is nevertheless a really fascinating individual. The writer invites the bushman back to The Big Apple to finish the story, at which point the film becomes a classic fish-out-of-water story with a little romance thrown in for good measure. Two sequels followed over the course of the next fifteen years, but neither retained that witty charm of the original.
The Verdict:Crocodile Dundee. Purple Rain has a kickass soundtrack, but that’s about it. Dundee puts a unique spin on a formulaic concept and is good for more than a few laughs.
Biloxi Blues vs. Parenthood
It is said that the character of Eugene Jerome is an autobiographical representation of playwright Neil Simon and his youth in Brooklyn during The Great Depression. In the 1988 dramedy Biloxi Blues, the second installment of The Eugene Trilogy, Matthew Broderick portrays Eugene as he heads off to basic training near the end of World War II. The viewer will recognize several young faces that you can’t quite remember where you know them from, but the best parts of the film are the interactions between Eugene and his quirky drill instructor, played by the incomparable Christopher Walken. 1989’s Parenthood is an ensemble dramedy with an all-star cast including Steve Martin, Mary Steenburgen, Jason Robards, Dianne Weist, Keanu Reeves, Rick Moranis, & Joaquin Phoenix. It has been adapted as a TV series twice. The first try was in 1990 and starred Ed Begley Jr., David Arquette, & Leonardo DiCaprio (you may have heard of him). It lasted for only one short season. The second attempt, starring Craig T. Nelson, Bonnie Bedelia, & Lauren Graham was better received and recently concluded its run after 6 seasons.
The Verdict: This is a tough one, so I am going to leave it up to The Manoverse. I would REALLY love some help deciding this matchup folks!!
Police Academy vs. The Last Starfighter
Police Academy was released in 1984 and was followed by six sequels in the next decade. For awhile it seems like a new Police Academy film was made every year, and there have been (unsuccessful) efforts to revive/reboot the series in the past several years. However, the only film that really matters is the original. It was fresh, funny, well-written slapstick comedy with a talented cast. Steve Guttenberg headlined a class of misfits trying to become police officers (for various reasons). It is an obvious riff on The Bad News Bears, but that’s okay. It’s another formula that works. 1984’s The Last Starfighter tells the story of a teenager named Alex who is obsessed with a particular video game. Because he is so skilled at the game it is revealed to him that it is actually real, and he is whisked off to outer space to help save the planet Rylos while a robot doppelganger fills in for him on Earth. The film’s special effects may seem a bit cheesy now, but thirty years ago they were pretty remarkable. The scenes with Alex’s robot double are quite funny. This is a movie that will get remade someday because Hollywood won’t be able to resist updating it with all the latest & greatest gadgetry at their disposal, but it’ll have to be a heck of an effort to improve on the original.
The Verdict:The Last Starfighter. Reminiscent of a NASCAR photo finish, this is a really close call. I would be lying if I didn’t admit that the plethora of subpar Police Academy sequels don’t carry some weight in my decision, as they really did water down the perception of the first film’s originality, charm, & humor. While The Last Starfighter doesn’t rank alongside Star Wars or Star Trek, it is a fun, quirky, unique entry in the sci-fi genre.
The Manofesto 