100 Memorable Movie Characters…Part 2

“Movies touch our hearts, awaken our vision, and change the way we see things. They take us to other places…open doors & minds. Movies are the memories of our lifetime.”  –  Martin Scorsese

We’re going to forego a verbose preamble today and jump right into the fray. If you have not read Part 1 please go back and do so at your leisure. As always I appreciate everyone who stops by to read the things that are written here, and your feedback is welcome.

90           Ma & Pa Kettle (various films)

Ma & Pa Kettle starred in ten films from 1947-57. They are simple country bumpkins raising their brood of 16 kids on the family farm, and the movies put them into various fish-out-of-water scenarios like trips to New York, Hawaii, & Paris, as well as winning a “house of the future” in a contest. I seem to recall that the Kettle films were shown on Saturday morning television with some frequency during my childhood. That was way before channels like TCM & AMC, so I assume it had to be a local syndication type of deal. I also have a vague recollection that it was my Dad who enjoyed watching Ma & Pa Kettle and introduced me to the movies.

Quotes

“It may be a good day for you, but it ain’t for Pa. All the poor man wanted was a new tobacco pouch and instead he won a house he didn’t want and he got a bad sunburn.” (Ma)

“You do all the barkin’, but it’s me that’s always in the doghouse.” (Pa)

“You mean, Pa & Me’s got to support all our kids and the government too?” (Ma)

“Pa, you’re lazier than that old hound dog we used to have.” “Which one?” “The one that used to lean against the wall when she barked.”

89           Thelma Dickinson & Louise Sawyer (Thelma & Louise)

Full disclosure…I believe I’ve only watched Thelma & Louise once, but that was enough. The duo are southern ladies taking a girls’ trip to escape from their mundane existence, but things go awry when a drunken rabble-rouser tries to rape Thelma and Louise kills him. Of course we all know that in TV & movies no one ever does the smart thing by calling the police…instead they get spooked & go on the run, which is the foundation for the adventure that follows. Nearly three decades later many of us still refer to mischievous gal pals as Thelma & Louise.

Quotes

“You said you ‘n’ me was gonna get out of town and for once just really let our hair down. Well darlin’, look out ’cause my hair is comin’ down!” (Thelma)

“You get what you settle for.” (Louise)

“He kinda prides himself on being infantile.” (Thelma)

“Good morning everybody, this is a robbery. Now if nobody loses their head, nobody will lose their head. Simon says everybody lay down on the floor, right away, right away, except you sir. You’ll have a story to tell your friends, that or a tag on your toe, it’s your decision.” (Thelma)

“I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?” (Thelma)

88           Raymond Babbitt (Rain Man)

I’m not sure anyone in history has done more to promote awareness of autism than Raymond Babbitt. Dustin Hoffman won his second Academy Award for Best Actor for his portrayal of Raymond, a savant whose deceased father left him millions that his scheming brother is trying to get from him. It is rare for Tom Cruise to be outshined in any film, but Raymond’s charming blend of pathos, humor, & vulnerability does the trick.

Quotes

“I’m an excellent driver.”

“13 minutes to Judge Wapner and The People’s Court.”

“K-mart sucks.”

87           Dr. Frank N. Furter (The Rocky Horror Picture Show)

Some films have broad appeal, and I assume that is what the powers-that-be are going for most of the time. However, there is no shortage of movies that are focused on a rather specific target audience. I haven’t seen The Rocky Horror Picture Show since I was in college, sitting out in a field late at night throwing rice & toilet paper at the screen, but that’s okay since it is exactly the kind of weird, drunken, relatively innocuous, & completely stupid experience one should have at 19, because if that’s how you spend your weekend when your 35 or 50 it becomes a bit disturbing. Dr. Furter describes himself as a “sweet transvestite from Transsexual, Transylvania”, which seems like a fitting description. Unforgettable name?? Check. Unique outfit?? Check. Quirky as all get-out?? You bet. Actor Tim Curry has been nominated for Tony Awards, starred in films like The Hunt for Red OctoberHome Alone 2: Lost in New York, and portrayed Pennywise in the TV miniseries of Stephen King’s It, but he will most likely always be remembered as Dr. Frank N. Furter.

Quotes

“Tonight, my unconventional conventionalists, you are about to witness a new breakthrough in biochemical research, and paradise is to be mine!”

“Don’t be upset…it was a mercy killing. He had a certain naïve charm, but no muscle.”

86           Mick “Crocodile” Dundee (Crocodile Dundee)

Let’s face it…the only reason any of us in the good ol’ USA has ever requested for someone to “throw another shrimp on the barbie” is because Crocodile Dundee taught us what that means in 1986. Outback Steakhouse was created in Tampa, FL two years after the film’s release in hopes of capitalizing on America’s newfound fascination with Australia. Two Dundee sequels were produced, but neither had the magic of the original, a classic fish-out-of-water tale featuring a most unconventional protagonist.

Quotes

“Get on the right side of the road you pelican!”

“That’s not a knife…THAT’S a knife.”

“Well, you see, Aborigines don’t own the land…they belong to it. It’s like their mother. See those rocks? Been standing there for 600 million years…still be there when you & I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.”

“Imagine seven million people all wanting to live together. New York must be the friendliest place on earth.”

85           Tommy DeVito (Goodfellas)

Not too long ago I saw a poll on Facebook asking about the best mob movie and was stunned when Goodfellas beat out The Godfather, because in my humble opinion The Godfather cannot be touched. Having said that, it is a rather unfair comparison. The Godfather is an Shakespearean fantasy with lots of Hollywood style & polish, whereas Goodfellas is more raw & down-to-earth. Inasmuch as The Mafia still exists in modern America I assume Goodfellas is probably a more accurate portrayal, but for me that doesn’t necessarily equal entertainment value. It’s kind of the same thing as people who fawn all over Christopher Nolan’s Dark Knight trilogy because of its gritty realism, while I lean toward the escapism of the Burton/Schumacher Batman flicks from the late 80’s/early 90’s. At any rate, actor Joe Pesci had done Raging Bull in 1980 and added some life to the Lethal Weapon franchise in 1989 so Goodfellas wasn’t his first rodeo, but Tommy DeVito has become one of his defining roles (we’ll get to another a bit later). DeVito is loosely based on real life gangster “Two Gun Tommy” DiSimone, a NY City gangster who “disappeared” in January 1979. Two Gun Tommy was much younger, not to mention physically bigger & stronger, than the diminutive, middle-aged, fast-talking tough guy depicted in the film, but other mobsters have said that Pesci’s portrayal…for which he won the Academy Award for Best Supporting Actor…is otherwise fairly accurate.

Quotes

“What do you mean I’m funny? What do you mean? You mean the way I talk? What? You mean, let me understand this, ’cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how? I mean funny like I’m a clown? I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny? Funny how? How am I funny?”

84           Larry Talbot (The Wolf Man)

Y’all know that I’m not a horror movie fan, but for some reason I love the old Universal monsters from the 1930’s & 40’s. Talbot is a mild-mannered man who returns to Wales after two decades in America to reconcile with his estranged father. He is bitten by a werewolf while trying to rescue a damsel in distress, and thereafter becomes a werewolf himself. After committing a series of murders he is eventually bludgeoned to death by his own father, who doesn’t realize The Wolf Man is his son. Lon Chaney Jr.’s portrayal of Talbot as quiet & reserved and emotionally tortured by his infirmity is the perfect contrast to the ferocity of the beast.

Quotes

“You think I don’t know the difference between a wolf and a man? You’re insane! I tell you, I killed a wolf! A plain, ordinary wolf! Don’t try to make me believe that I killed a man when I know that I killed a wolf!”

83           Tony Montana (Scarface)

I don’t rate Scarface as highly as some simply because I tend not to like movies about crime & drugs…it’s just not my kind of entertainment. Having said that, there’s no denying that Tony Montana is a memorable character. Tony arrives in Miami from Cuba and starts his new life as a dishwasher. A few years later he is a wealthy drug lord with an unhealthy cocaine addiction. As is the case with such characters there is a lot of bloodshed, ultimately ending (spoiler alert) with Tony face down in a fountain after having been shot in the back by a rival’s henchman. Critics like to attach meaning to films like Scarface, seeing it as some sort of allegory about rising & falling, the excesses of the American Dream, or a commentary on criminal avarice, but I prefer to learn such lessons without all the violence & profanity. Italian-American Pacino seems like an odd choice to portray a Cuban, and I’m not sure that would fly in our newly woke culture just a few decades later. Interestingly, Robert DeNiro was the first choice for the role of Tony Montana but he declined the opportunity.

Quotes

“This is paradise. This is paradise, I’m tellin’ you. I shoulda come here 10 years ago. I’d have been a millionaire by this time. By this time, I’d have had my own boat, my own car, my own golf course.”

“Me, I always tell the truth…even when I lie. So say good night to the bad guy! Come on. The last time you gonna see a bad guy like this again, let me tell you. Come on. Make way for the bad guy. There’s a bad guy comin’ through! Better get outta his way!”

“This country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the woman.”

“Okay, you little cockroaches… come on! You wanna play games? Okay, I can play with you. Come on! Okay, you wanna play rough?!?!??  Okay! SAY HELLO TO MY LITTLE FRIEND!”

82           Deputy U.S. Marshal Sam Gerard (The Fugitive)

Other than its love of sequels the other way that Hollywood plays it safe by not being particularly innovative is to recycle old television shows and bring them…or atleast the central premise…to the big screen, with the results being decidedly mixed. The Dukes of Hazzard, Leave it to Beaver, & The Wild Wild West weren’t good movies, while The Addams Family, The Brady Bunch, & Charlie’s Angels were decent enough. One of the best movie adaptations of a TV show is The Fugitive, with Harrison Ford portraying erroneously convicted Dr. Richard Kimble. While the television show had Dr. Kimble doggedly pursued across the country by local police Lt. Philip Gerard, the film kicks it up a notch by making the hunter no nonsense U.S Marshal Sam Gerard, although the quest is essentially limited to Chicago. Tommy Lee Jones won the Academy Award for Best Supporting Actor for his role as Gerard, and became the focus of the story in a much inferior sequel a few years later. In the movie neither Kimble nor Gerard resemble the television characters they are based on all that much, but in this case the adaptation is actually better than the original.

Quotes

“Let that be a lesson to you, boys & girls. Don’t ever argue with the Big Dog, because the Big Dog is always right.”

“Listen up, ladies & gentlemen! Our fugitive has been on the run for 90 minutes. Average foot speed over uneven ground barring injuries is 4 miles per hour and that gives us a radius of 6 miles. What I want out of each & every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, henhouse, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive’s name is Dr. Richard Kimble. Go get him.”

81           Walter Sobchak (The Big Lebowski)

Lebowski is a weird movie, but it sure is fun to watch when a particular mood strikes. One of the key reasons for its success is John Goodman’s portrayal of Walter, the foul-mouthed, slightly unhinged, but loyal best buddy of the film’s protagonist. I’ve never been a fan of Goodman’s infamous TV show Roseanne in any of its incarnations, but I sure have enjoyed his big screen career. Raising Arizona. Everybody’s All-American. The Hangover Part III. They may not be transcendent films, but they’re enjoyable enough and better because Goodman is in them. Walter is most definitely second fiddle in Lebowksi, but that’s okay…great movies need supporting characters that add a colorful layer to the story, and in this case the mission is certainly accomplished.

Quotes

“Donny, you’re out of your element! Dude, the Chinaman is not the issue here!”

“Nihilists!  I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.”

“Lady, I got buddies who died face down in the muck so that you & I could enjoy this family restaurant!”

“You want a toe? I can get you a toe. Believe me. There are ways, Dude.”

“Life does not start and stop at your convenience, you miserable piece of shit!”

“You know, Dude, I myself dabbled in pacifism once. Not in ‘Nam of course.”

“We’re talking about unchecked aggression here, Dude.”

“Smokey, this is not ‘Nam. This is bowling. There are rules.”

80           Captain Louis Renault (Casablanca)

¾ of a century after its theatrical release Casablanca is still regarded as one of the best movies ever produced. There are multiple reasons for that, but one of them is Capt. Renault, a cynical & slightly corrupt French policeman. Casablanca is the largest city in Morocco on the coast of Africa. During World War II it was a vital strategic port, and since a large chunk of Europe was controlled by the Nazis travel was limited, hence the importance of the film’s “letters of transit” (a true film MacGuffin…in reality no such documents existed). Capt. Renault plays all sides, loyal only to his own needs & desires…or so we are led to believe until the film’s conclusion. He isn’t a clichéd movie bad guy…he seems pleasant enough, and in fact has some of the more blithe dialogue. It is rare for an alleged villain to add levity to the story, but that is exactly what Renault does, which is probably why I like him. Actor Claude Rains played more conventional antagonists in films like Mr. Smith Goes to Washington and Alfred Hitchcock’s Notorious, and earned four Academy Award nominations in his career, but Casablanca was the beginning of a beautiful friendship with the audience and Cpt. Renault.

Quotes

“I’m making out the report now.  We haven’t quite decided whether he committed suicide or died trying to escape.”

“It is a little game we play.  They put it on the bill, I tear up the bill.  It is very convenient.”

“I have no conviction, if that’s what you mean.  I blow with the wind, and the prevailing wind happens to be from Vichy.

“How extravagant you are, throwing away women like that. Someday they may be scarce.”

“You mustn’t underestimate American blundering. I was with them when they “blundered” into Berlin in 1918.”

“I told my men to be especially destructive. You know how that impresses Germans.”

“Everybody is to leave here immediately! This cafe is closed until further notice. Clear the room, at once! I am shocked…shocked…to find that gambling is going on in here!”

“Well, Rick, you’re not only a sentimentalist, but you’ve become a patriot.”

“Round up the usual suspects!”

79           Jack Dawson & Rose DeWitt-Bukater (Titanic)

For several years Titanic was the highest grossing film of all time, and it swept thru the 1997 awards season like a tornado. Critics & the general populace both love it, but one of the few condemnations I seem to recall hearing back then was that the main focus wasn’t on actual people who lost their lives in the infamous tragedy. Instead the spotlight was given to two fictional characters in Jack & Rose. They are essentially a riff on Shakespeare’s Romeo & Juliet. He’s a good-natured American guy from the wrong side of the tracks heading home to Wisconsin, while she is a prim & proper British debutante who hates her rigid life. In the course of three hours we become invested in them individually and in their love story. They may not be based on real people, but as composite characters I believe they are solid representatives of the 1500 souls lost on that catastrophic night.

Quotes

“I’m the king of the world!” (Jack)

“Do you know of Dr. Freud, Mr. Ismay? His ideas about the male preoccupation with size might be of particular interest to you.” (Rose)

“I’m not an idiot. I know how the world works. I’ve got ten bucks in my pocket. I have nothing to offer you and I know that. I understand. But I’m too involved now. You jump, I jump, remember? I can’t turn away without knowing you’ll be all right.” (Jack)

“I’m flying, Jack!” (Rose)

“I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what’s gonna happen or, who I’m gonna meet, where I’m gonna wind up. Just the other night I was sleeping under a bridge and now here I am on the grandest ship in the world having champagne with you fine people. I figure life’s a gift and I don’t intend on wasting it. You don’t know what hand you’re gonna get dealt next. You learn to take life as it comes at you… to make each day count.” (Jack)

“Jack, I want you to draw me like one of your French girls. Wearing this…wearing only this.” (Rose)

“I don’t know about you, but I intend to go write a strongly worded letter to the White Star Line about all this.” (Jack)

“Don’t you do that…don’t you say your goodbyes. Not yet, do you understand me? You’re gonna get out of here, you’re gonna go on, and you’re gonna make lots of babies, and you’re gonna watch them grow. You’re gonna die an old… an old woman warm in her bed, not here, not this night. Not like this, do you understand me? Winning that ticket, Rose, was the best thing that ever happened to me. It brought me to you, and I’m thankful for that, Rose. I’m thankful. You must do me this honor. You must promise me that you’ll survive, that you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.” (Jack)

78           Jenny Curran (Forrest Gump)

A lot of subtext can be read into Forrest Gump. Some believe that Jenny…the lifelong friend of the film’s simpleminded hero who was abused as a young girl, becomes a hippie, descends into a life of drugs & prostitution, and ends up dying of (we assume) a sexually transmitted disease…is meant to represent the counterculture & upheaval of the 1960’s that many consider the loss of America’s innocence. She is the darkness in contrast to Forrest’s patriotic optimism. I’m not sure any of that symbolism was purposeful by the filmmakers, but the movie & the character stand on their own merits regardless of intent. Actress Robin Wright has had a solid career in Hollywood, from soap opera Santa Barbara in the mid-80’s to The Princess Bride in 1987 to the recently concluded Netflix hit House of Cards, but the sadness & vulnerability that defines Jenny has been her crowning achievement.

Quotes

“Dear God, make me a bird. So I could fly far. Far far away from here.”

“Listen, you promise me something, okay? Just if you’re ever in trouble, don’t be brave. You just run, okay? Just run away.”

77           Inspector Harry Callahan (Dirty Harry)

Clint Eastwood’s career has spanned over a half century, and he’s done everything from westerns to critically acclaimed dramas to the television show Rawhide. He’s even become an Academy Award winning director. However, Eastwood will always be most closely associated with his portrayal of Harry Callahan, a tough as nails San Francisco cop who plays by his own set of rules.

Quotes

“I know what you’re thinking: ‘Did he fire six shots or only five?’ Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off,  you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do you, punk?”

76           Euphagenia Doubtfire (Mrs. Doubtfire)

The titular character in this film is actually a man in drag. Daniel Hillard is an itinerant voice actor whose uptight wife divorces him and gets custody of their three children. Instead of allowing their father to spend more time with them the career driven mother decides to hire a nanny, so Daniel dons a very convincing disguise and becomes an elderly British woman. The ruse works, and Mrs. Doubtfire allows Robin Williams’ comedic genius to shine.

Quotes

“Oh, sir! I saw it! Some angry member of the kitchen staff. Did you not tip them? Oh, the terrorists – they ran that way. It was a run-by fruiting.”

“I’m a hip old granny who can hip-hop, be-bop, dance ’til you drop, and yo, yo, make a wicked cup of cocoa.”

“Oh. Carpe dentum. Seize the teeth. Just shake them off, like a dog.”

“I found the best way to keep from smoking again and lighting up is to be around those who do smoke. I have to randomly ingest just a little bit of nicotine and it steels my wool.”

“He was quite fond of the drink. It was the drink that killed him. He was hit by a Guinness truck. So it was quite literally the drink that killed him.”

75           Woody Pride & Buzz Lightyear (The Toy Story Series)

The older I get the more I appreciate animated movies, especially since the technology has really advanced in the past couple of decades. It doesn’t hurt that Toy Story is a great example of a film that can be enjoyed by kids but is well written enough for adults to be entertained as well. Buzz Lightyear is a boisterous Space Ranger who doesn’t understand that he’s a toy. He is the newest action figure for young Andy, a birthday present from his mother. Buzz initially has a difficult time fitting in with the rest of Andy’s toys, especially Sheriff Woody, who is envious that he’s been replaced as Andy’s favorite plaything. Woody is the unofficial leader amongst all of Andy’s toys and feels threatened by Buzz at first, although the two eventually become pals.

Quotes

“To infinity and beyond!” (Buzz)

“I can’t stop Andy from growing up… but I wouldn’t miss it for the world.” (Woody)

74           Inigo Montoya (The Princess Bride)

You killed his father…prepare to die!! Inigo Montoya is a Spanish swordsman on a mission. As a child he witnessed six fingered Count Rugen murder his father and has spent his life seeking vengeance. Initially he works with malevolent Vizzini to kidnap the lovely Buttercup, but eventually he becomes a good guy, teaming up with The Man in Black & giant Fezzik to rescue Buttercup. He also comes face to face with Rugen and finally gets his revenge.

Quotes

“He was a great swordmaker, my father. When the six-fingered man appeared and requested a special sword, my father took the job. He slaved a year before it was finished. The six-fingered man returned and demanded it, but at 1/10th his promised price. My father refused. Without a word, the six-fingered man slashed him through the heart. I loved my father. So naturally, I challenged his murderer to a duel. I failed. I was 11 years old. When I was strong enough, I dedicated my life to the study of fencing. So, the next time we meet, I will not fail. I will go up to the six-fingered man and say, ‘Hello, my name is Inigo Montoya. You killed my father. Prepare to die.’”

73           Lt. Dan Taylor (Forrest Gump)

I was born with a birth defect and have been disabled my entire life, so the way I do things & live my life is entirely normal to me. However, I have known people who became disabled later in life thru some sort of calamity, and it isn’t uncommon for such folks to become understandably bitter & angry about their situation. Lt. Dan captures those emotions perfectly. He’s kind of a prick, but one can’t help but have empathy and root for him. Gary Sinise might be the most underrated actor of his generation, and it’s a shame that he didn’t win the Academy Award for Best Supporting Actor for his performance as Lt. Dan.

Quotes

“Now, you listen to me. We all have a destiny. Things don’t just happen…it’s all part of a plan.”

“There are two standing rules in this outfit. One, take care of your feet. Two, don’t go doing something stupid, like getting yourself killed.”

“You call this a storm?!?!?? Blow, you son of a bitch! It’s time for a showdown! You and me! I’m right here! Come and get me! You’ll never… sink… this…boat!!!!”

72           Edward Scissorhands (Edward Scissorhands)

I can’t say I’m on the Tim Burton bandwagon (I have zero interest in Ed Wood, Mars Attacks, or Sweeney Todd, Dark Shadows didn’t really work for me, and I’m thoroughly confused by The Nightmare Before Christmas), but I have enjoyed some of his work (the Batman films of the late 80’s/early 90’s are much more entertaining  than Christopher Nolan’s Dark Knight trilogy no matter what anyone says, and Beetlejuice is a modern classic), with Edward Scissorhands chief among them. Edward is the Pinocchio-esque creation of an elderly inventor whose kind & quiet demeanor is offset by the scary looking blades he has instead of hands. The inventor dies and Edward lives for years in an old gothic mansion until a nosy Avon lady stumbles upon him and tries to integrate him into her odd little neighborhood. There Edward falls in love with the lovely young Kim, which makes her boyfriend jealous. Drama & violence ensue, with Edward fleeing back to his mansion. The movie has a framing device with an older version of Kim telling her granddaughter the story and saying that she believes Edward is still alive & living in the old mansion. Johnny Depp seems like kind of a weird dude, but credit where it is due…the guy is a terrific actor and Edward Scissorhands is probably his best performance. Edward is a quiet character who expresses so much with his eyes & facial expressions, which I find captivating.

Quotes

“Mrs. Monroe showed me where the salon’s going to be. You could have a cosmetics counter. And then she showed me the back room where she took all of her clothes off.”

71           Mickey Goldmill (The Rocky Series)

Burgess Meredith had a long & successful career in Hollywood, doing a little bit of everything from portraying The Penguin in the 1960’s Batman TV show to playing Lenny in one of the best film adaptations of John Steinbeck’s Of Mice & Men, but to those of us of a certain age he’ll always be Rocky Balboa’s grizzled old manager in the first three Rocky films. Mickey sees Balboa’s potential and isn’t afraid to speak his mind. Mickey encourages Rocky in his pursuit of heavyweight champion Apollo Creed, and does his best a few years later to steer the champ away from the menacing Clubber Lang. Of course Rocky is mauled by Lang, but Mickey’s death immediately afterward spurs his path to revenge.

Quotes

“I’m here to warn ya, that ya gotta be very careful about this shot that you got at the title. Because, like the Bible says, you ain’t gonna get a second chance. What ya need is a manager. I know, because I’ve been in this racket for fifty years. I’ve seen it all, all of it. I’ve got 21 stitches over this left eye. I’ve got 34 stitches over this eye. Do ya know that I had my nose busted 17 times. I got all this knowledge, I got it up here now, I wanna give it to you. I wanna take care of ya.  I wanna make sure that all this shit that happened to me doesn’t happen to you. Ya can’t buy what I’m gonna give ya. I’ve got pain and I’ve got experience.”

“You’re gonna eat lightnin’ and you’re gonna crap thunder.”

“You got another shot. It’s a second shot at the, I don’t know, the biggest title in the world. And you’re gonna be swappin’ punches with the most dangerous fighter in the world. And just in case, you know, your brain ain’t workin’ so good, all this happens pretty soon and you ain’t ready. You’re nowhere near in any shape. So I say, you know, for God’s sake, why don’t you stand up and fight this guy hard?! Like ya done before? That was beautiful! But don’t lay down in front of him like this! Like, I don’t know, like some kind of mongrel or something. ‘Cause he’s gonna kick your face in pieces, you know that? That’s right. This guy just don’t wanna win, you know. He wants to bury ya, he wants to humiliate ya. He wants to prove to the whole world that you was nothing but some kind of a freak the first time out. And he said you’re a one-time lucky bum. Well, now, I don’t, I don’t wanna get mad, in a biblical place like this, but I think you’re a hell of a lot more than that, kid.”

“Why don’t you carry this? ‘Cause I liked you a lot better when you was carryin’ spit. ‘Cause the way you’re trainin’, you’re gonna end up pumping gas in Jersey somewhere!”

“You can’t win, Rock! This guy’ll kill ya to death inside of 3 rounds! He ain’t just another fighter. This guy is a wreckin’ machine, and he’s hungry! Hell, you ain’t been hungry since you won that belt! Three years ago, you were supernatural. You was hard and nasty. You had this cast iron jaw. But then, the worst thing happened to you that could happen to any fighter. You got civilized. Don’t worry, kid. You know, presidents retire, generals retire, horses retire, Man o War retired. They put him out to stud. That’s what you should’ve done, retire.”

70           Ace Ventura (Ace Ventura: Pet Detective)

Jim Carrey has gone on to become a fairly well-regarded actor who takes himself, his craft, and life in general way too seriously. However, 25 years ago he was an up & comer known for portraying Fire Marshal Bill on the TV sketch comedy show In Living Color. Critics hated Ace Ventura: Pet Detective, but its 47% score on Rotten Tomatoes was trumped by a $72 million box office, making it the 12th highest grossing film of 1994 and earning a sequel just a year later. The sequel was an even bigger financial success but also more panned critically. Ace is a unique & unforgettable character because really, who would even conceive of “pet detective” being a thing?

Quotes

“Einhorn is Finkle. Finkle is Einhorn! Einhorn is a MAN!”

“Alrighty then!”

“Fiction can be fun! But I find the reference section much more enlightening. For instance, if you were to look up professional football’s all-time bonehead plays you might read about a Miami Dolphin kicker named Ray Finkle, who missed a 26-yard field goal in the closing seconds of Super Bowl XVII. What you WOULDN’T read about is how Ray Finkle lost his mind, was committed to a mental hospital, only to escape and join the police force under the assumed identity of a missing hiker, manipulating his way to the top in a diabolical scheme to get even with Dan Marino whom he blamed for the entire thing!”

69           Rhett Butler & Scarlett O’Hara (Gone with the Wind)

The on again/off again relationship between Rhett & Scarlett reminds me of every “will they or won’t they” antagonistic & tortured  “romance” we’ve seen play out on TV in my lifetime. In the real world such relationships are toxic, but within the scope of entertainment we find the tension & chemistry charming. Rhett Butler is a wealthy scoundrel who eventually enlists in the Confederate Army. Scarlett O’Hara is an entitled debutante, the self-centered daughter of a plantation owner. She spends most of the film pining for southern gentleman Ashley Wilkes, but he’s married to her cousin. Rhett is immediately smitten with Scarlett, but thru the years she marries two other men for all the wrong reasons, and both husbands end up dead. Scarlett goes through a lot of stuff over the course of the story, proving herself to be as resilient & tough as she is spoiled. Eventually Rhett & Scarlett marry & have a child, but she STILL can’t get over Ashley Wilkes. Rhett becomes fed up with her shenanigans and bolts, just as she finally figures out that he’s the man she truly needs. Vivien Leigh won the Academy Award for Best Actress for her portrayal of Scarlett, beating out the likes of Greta Garbo & Bette Davis in the process. Clark Gable wasn’t the original choice to portray Rhett…Gary Cooper turned down the part. Gable was nominated for Best Actor, but lost to Robert Donat for his role in Goodbye, Mr. Chipps.

Quotes

“I’m very drunk and I intend on getting still drunker before this evening is over.” (Rhett)

“As God is my witness they’re not going to lick me. I’m going to live through this and when it’s all over, I’ll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill. As God is my witness, I’ll never be hungry again! (Scarlett)

“The war stopped being a joke when a girl like you doesn’t know how to wear the latest fashion.” (Rhett)

“Tara! Home. I’ll go home. And I’ll think of some way to get him back. After all… tomorrow… is another day!” (Scarlett)

“Open your eyes and look at me. No, I don’t think I will kiss you, although you need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.” (Rhett)

“I’m the only man over 16 and under 60 who’s around to show you a good time.” (Rhett)

“There’s one thing I do know, and that is that I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we’re alike. Bad lots, both of us. Selfish & shrewd, but able to look things in the eyes as we call them by their right names.” (Rhett)

“Frankly, my dear, I don’t give a damn.” (Rhett)

68           Robin Hood (various films)

Sir Robin of Loxley first appeared in English folk ballads in the 15th century and has popped in & out of our collective pop culture consciousness for over 500 years. An outlaw who steals from the rich & gives to the poor, lives in Sherwood Forest with his band of Merry Men (Friar Tuck, Little John, Will Scarlet, et al), battles the dastardly Sheriff of Nottingham, & romances the lovely Maid Marian, Robin Hood has starred in about three dozen movies in the past hundred years. It is likely that he’d be a bit higher in our countdown if more of those films had been…noteworthy. Hollywood keeps trying, but despite their best efforts the only Robin Hood movie that has made much of an impact is 1938’s The Adventures of Robin Hood, a classic starring Errol Flynn.

Quotes

“We Saxons have little to fatten on by the time your tax gatherers are through. Overtaxed, overworked, and paid off with a knife, a club, or a rope.”

“It’s time to put an end to this! Now, this forest is wide. It can shelter and clothe and feed a band of good, determined men – good swordsmen, good archers, good fighters. Men, if you’re willing to fight for our people, I want you! Are you with me?”

“What else do you call a man who takes advantage of the King’s misfortune to seize his power? Now, with the help of this sweet band of cutthroats, you’ll try to grind a ransom for him out of every helpless Saxon, a ransom that will be used, not to release Richard, but to buy your way to the throne. I’ll organize a revolt, exact a death for a death, and I’ll never rest until every Saxon in this shire can stand up free men, and strike a blow for Richard and England.”

67           Clark Griswold (The Vacation Series)

Five years ago The Manofesto ranked Clark Griswold 4th on our list of Superfluous 7 Most Awesome Fictional Dads, opining that despite being kind of a dufus it is obvious that he is a devoted family man. Chevy Chase has portrayed Clark in five films stretching all the way back to the original National Lampoon’s Vacation in 1983. He’s an interesting character in that his occupation as an R&D expert in food additives & preservatives seems to indicate some level of intelligence, yet he is depicted as an ordinary putz in his personal life. Chase’s gift for physical comedy as well as how others play off him…with sort of an eye-rolling tolerance for his buffoonery…endears Clark to the audience, making us glad when everything turns out fine despite his persistent screw-ups.

Quotes

“This is no longer a vacation…it’s a quest. It’s a quest for fun! I’m gonna have fun and you’re gonna have fun! We’re all gonna have so much fuckin’ fun we’ll need plastic surgery to remove our goddamn smiles! You’ll be whistling Zip-A-Dee-Doo-Dah out of your assholes!!! HAHAHA!!! I gotta be crazy; I’m on a pilgrimage to see a moose! Praise Marty Moose! Holy shit!!!”

“Hey, look kids…there’s Big Ben and there’s Parliament.”

“Honey, we’re not normal people. We’re the Griswolds!”

66           John Doe (Se7en) & Keyser Soze (The Usual Suspects)

Oscar winning actor Kevin Spacey may be persona non grata in Hollywood these days, but until he ran into the #MeToo Mafia his career had been full of memorable roles. To be honest Se7en & The Usual Suspects aren’t really my kind of films, but both offer unforgettable villains made even better by the presence of Spacey inhabiting the characters. Se7en tells the story of a serial killer who uses The Seven Deadly Sins as a theme in his murders. John Doe forces a man to eat until his stomach ruptures (gluttony), kills a lawyer by literally taking a pound of flesh from him (greed),  starves a drug dealer/child molester almost to death (sloth), forces a man at gunpoint to kill a prostitute by raping her with a bladed “toy” (lust), & mutilates the face of a model (pride). For those who haven’t seen the movie I won’t spoil the final two crimes representing envy & wrath. The Usual Suspects finds the LAPD interrogating cerebral palsy-afflicted con man Verbal Kint after he survives a massacre on a ship. Kint weaves a tale about a crime lord named Keyser Soze, but in possibly one of the best endings to a movie ever it is revealed (major spoiler alert) that Verbal Kint IS Keyser Soze. Spacey won his first Academy Award (Best Supporting Actor) for his role in The Usual Suspects.

Quotes

“The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” (Keyser Soze)

“Don’t ask me to pity those people. I don’t mourn them any more than I do the thousands that died at Sodom & Gomorrah.” (John Doe)

65           Dr. Frederick Frankenstein (Young Frankenstein)

First of all, it is pronounced “Fronk-en-steen”. That is just one small way in which Frederick has intentionally distanced himself from his grandfather’s twisted legacy. However, upon inheriting the family castle in Transylvania Frederick finds himself at a crossroads, and I think we all know the hilarious path he chooses. I’m a fan of parody films, and the way director Mel Brooks spoofs the classic story is funny in a way that I fear may be lost on modern youngsters. Gene Wilder not only stars as Frederick but he also co-wrote the screenplay with Brooks. The cast…Madeline Kahn, Marty Feldman, Peter Boyle, Cloris Leachman, Teri Garr, Gene Hackman…is first rate, even if no one under 45 these days might appreciate that fact. I have a bad feeling that someday somebody is going to get the bright idea to remake Young Frankenstein, and that would be…at the very least…misguided.

Quotes

“From that fateful day when stinking bits of slime first crawled from the sea and shouted to the cold stars, ‘I am man!’ our greatest dread has always been the knowledge of our mortality. But tonight, we shall hurl the gauntlet of science into the frightful face of death itself. Tonight, we shall ascend into the heavens. We shall mock the earthquake. We shall command the thunders, and penetrate into the very womb of impervious nature herself.”

“My grandfather’s work was doodoo! I am not interested in death! The only thing that concerns me is the preservation of life!”

“Are you saying that I put an abnormal brain into a 7 and a half foot long, 54- inch wide GORILLA?!?!?! IS THAT WHAT YOU’RE TELLING ME!?!”

63           Carl Spackler (Caddyshack)

One would assume that being an assistant greenskeeper at swanky Bushwood Country Club would allow even a middle class guy like Carl a decent lifestyle. Alas, he lives in small hut on the golf course, with his job & the game of golf itself consuming his life. He dreams of one day winning The Masters, and in his spare time breeds grass hybrids that one can “play 36 holes on in the afternoon” then “get stoned to the bejeezus” on it at night. He becomes obsessed with ridding the golf course of a rabblerousing gopher, going so far as to utilize explosives and blow up the very course he is employed to look after.

Quotes

“What an incredible Cinderella story! This unknown, comes out of nowhere, to lead the pack at Augusta.  The crowd is just on its feet here. He’s a Cinderella boy. Tears in his eyes, I guess, as he lines up this last shot. He’s got about 195 yards left, and he’s got a, looks like he’s got about an 8-iron. This crowd has gone deadly silent… Cinderella story, out of nowhere, former greenskeeper, now about to become the Masters champion. It’s in the hole! It’s in the hole!”

“My enemy…my foe…is an animal. In order to conquer the animal I have to learn to think like an animal. And, whenever possible, to look like one. I’ve gotta get inside this guy’s pelt and crawl around for a few days.”

“And he says, ‘Oh, uh, there won’t be any money, but when you die, on your deathbed, you will receive total consciousness.’ So I got that goin’ for me, which is nice.”

64           Hermione Granger (The Harry Potter Series)

Author JK Rowling describes Hermione as having “pale skin, bushy brown hair, brown eyes, & large buck teeth”. In the films she is much lovelier than the impression one gets from the books, but her personality remains unchanged: intelligent, sensible, strong-willed, loyal, & just a tad bit officious. She’s the kind of person that’s nice to have in your corner, and one that presents fierce opposition. She’s tough as nails and not afraid to stand side by side with the boys or go toe to toe with the baddies, yet she retains an element of vulnerable femininity & kindness. I suppose for a certain age of young ladies Hermione could be called a feminist icon.

Quotes

“Honestly, am I the only person who’s ever bothered to read Hogwarts: A History?”

“Now if you two don’t mind, I’m going to bed. Before you come up with another idea to get us killed. Or worse, expelled.”

“I’m highly logical which allows me to look past extraneous detail and perceive clearly that which others overlook.”

“Just because you have the emotional range of a teaspoon doesn’t mean we all have!”

“No Harry, you listen…we’re coming with you. That was decided months ago…years, really.”

62           Austin Powers & Dr. Evil (The Austin Powers Series)

I may not be a James Bond fan, but I really enjoyed the Austin Powers movies, which are essentially a Bond parody. Powers is a 60’s era swinger & British spy whose arch nemesis is Dr. Evil. When Dr. Evil becomes cryogenically frozen Powers does the same so that he’ll be available to stop Evil in the future. That future is three decades later, when both Powers & Evil are thawed out and continue their battle. Dr. Evil intends to steal nuclear weapons & hold the world hostage for “$100 BILLION!!”. It’s all very silly, with double entendres, sight gags, & the kind of goofy humor that tickles my funny bone. Mike Meyers created the story as a tribute to his British parents and plays both characters. Meyers was a couple of years removed from his time at SNL and hadn’t had much success outside of the two Wayne’s World films, but cemented his stardom with the dual roles. Rumors of a fourth Powers movie have persisted since the third one hit theaters 17 years ago, but so far it hasn’t happened.

Quotes

“I bet she shags like a minx.” (Austin Powers)

“Fire the laser!” (Dr. Evil)

“The 70s and the 80s? You’re not missing anything! I looked into it. There’s a gas shortage and A Flock of Seagulls. That’s about it.” (Austin Powers)

“Why must I be surrounded by frickin’ idiots?” (Dr. Evil)

“Oh, behave!” (Austin Powers)

“Throw me a frickin’ bone here!” (Dr. Evil)

“Groovy, baby!” (Austin Powers)

“I have a better idea. I’m going to place him in an easily escapable situation involving an overly elaborate and exotic death.” (Dr. Evil)

“SILENCE!! I will not tolerate your insolence!” (Dr. Evil)

“Ladies & gentlemen, welcome to my new submarine lair. It’s long and hard and full of seamen.” (Dr. Evil)

61           John Bender (The Breakfast Club)

There are five high schoolers in trouble & spending their Saturday in detention at Shurmur High School in suburban Chicago on March 24, 1984: Claire Standish (The Princess), Andrew Clark (The Athlete), Brian Johnson (The Brain), Allison Reynolds (The Basket Case), & John Bender (The Criminal). Of that group it is Bender that shines just a little brighter. The idea behind these characters is that they represent typical high school stereotypes, and it’s the main reason the film holds up nearly four decades later…those labels are universal and don’t change all that much. Every high school has rebels like Bender, the kind of badass who thumbs their nose at authority, doesn’t care all that much about academics, & seemingly has a limited future. However, the great thing about The Breakfast Club is that it explores those archetypes & exposes their folly. It’s a movie that one perceives differently thru the prism of adulthood, and as a grown man I am struck by the not-so-subtle suggestion that Bender has been physically, mentally, & emotionally abused at home. There is a scene in which blowhard Principal Vernon gets in Bender’s face, and contrary to the bluster that he exhibits in the presence of his peers, the tough as nails bully cowers like a scared child. It is a stark reminder that not everything is always as it seems –  sometimes people put on masks to hide their pain.

Quotes

“Screws fall out all the time; the world is an imperfect place.”

“Does Barry Manilow know you raid his wardrobe?”

“I could see you really pushing maximum density. You see, I’m not sure if you know this, but there are two kinds of fat people. There’s fat people that were born to be fat, and there’s fat people that were once thin, but they became fat, so when you look at them you can sort of see that thin person inside. You see, you’re gonna get married, you’re gonna squeeze out a few puppies and then….”

“Eat my shorts.”

“”Face it…you’re a neo-maxi-zoom-dweebie.”

60           Beetlejuice (Beetlejuice)

Horror comedies are a rare treat, but they are the kind of Halloween-ish fare I prefer instead of straight up slasher flicks. Michael Keaton is an undervalued gem of an actor, capable of adding zest to comedies, dramas, big budget superhero films, biopics, or whatever else he does. When a young couple dies in a car accident but still finds themselves residing in their suburban Connecticut home they employ the services of a centuries old “freelance bio-exorcist” to get rid of the new owners of the house. That freelancer is a fast-talking, mischievous, & crude trickster who is essentially a “Livingbuster” (as opposed to a Ghostbuster)…a ghost who exterminates the living by scaring them away. The name Betelgeuse (the proper spelling) refers to a star in the Orion constellation that is the ninth brightest star in the night sky. Rumors of a Beetlejuice sequel have been circulating for years, but the project seems to have hit a wall.

Quotes

“I’m the ghost with the most, babe.”

“It’s showtime!”

59           Sonny Corleone (The Godfather Trilogy)

Hands down Sonny has the greatest death scene in movie history. The eldest son of Don Vito Corleone, hothead Santino takes over as temporary boss of The Family after his father is shot by goons working for narcotics kingpin Turk Sollozzo. Under Sonny’s leadership the Five Families engage in a Mafia war after Sonny’s younger brother Michael kills Sollozzo & a corrupt cop, forcing the entire Corleone organization to “go to the mattresses”. After his brother-in-law Carlo physically abuses his wife Connie, Sonny defends his sister’s honor by beating the holy hell out of Carlo, which leads to rival boss Emilio Barzini setting a trap using Carlo to bait Sonny into making a reckless mistake. He is brought down in a hail of gunfire at a toll booth. Sonny’s sexual prowess and physical…gifts…are elaborated on much more in the book than the movie, but his affair with one of Connie’s bridesmaids at the beginning of the first film is important because his illegitimate son Vincent Mancini becomes Don of the Corleone Family in the much maligned & underappreciated Part III.

Quotes

“Hey, whatcha gonna do, nice college boy, eh? Didn’t want to get mixed up in the family business, huh? Now you wanna gun down a police captain ’cause he slapped ya in the face? Hah? What do you think this is? The Army, where you shoot ’em a mile away? You’ve gotta get up close like this and bada-bing, you blow their brains all over your nice Ivy League suit!”

58           Godzilla (various films)

Godzilla (which in Japanese translates into gorilla whale) is a 300-400 ft. reptilian creature weighing several hundred thousand tons who lives in the sea and is awakened as a result of nuclear radiation. He has been the star of about three dozen films dating back to the 1950’s, and the earliest movies are still the best, mostly because of the kitschiness factor of the archaic special effects & amusingly poor dubbing of English over the original Japanese. Big scary monsters are nothing new in Hollywood, but most of them come & go rather quickly. Maybe they get a couple of sequels but that’s usually it. Godzilla has stood the test of time, and we can still count on a new movie in the series popping up somewhere every few years for our viewing pleasure.

Quotes

57           Bo “Bandit” Darville (Smokey & The Bandit)

At one point in my childhood Burt Reynolds was the biggest movie star in the world, and though he’d previously done well-regarded films like Deliverance & The Longest Yard my earliest memory of him is Smokey & The Bandit. I was five years old and didn’t really get all the humor, but there were car chases & crashes so that was enough to attract my attention. In the ensuing four decades I have watched this movie countless times, and though the entire cast is terrific it is The Bandit that holds it all together. He’s a trucker who’s between jobs, and that guy that knows everyone and is loved by everybody because of his charm & good looks. He’s cocky but not arrogant, confident enough in his skills to agree to a bet wherein he’ll bring 400 cases of Coors beer to Atlanta from Texarkana, TX in just 28 hours. The premise might not make much sense to folks in 21st century America because one first must understand that in the 1970’s Coors was unavailable east of Oklahoma (it didn’t become distributed nationally until 1986), and because it was made without stabilizers & preservatives could spoil quicker than other beers. Bootlegging was the illegal transport of alcoholic beverages due to violation of registration & licensing laws. I have no idea what the penalty was, but I assume the $80k Bandit is offer by Big Enos Burdette is worth the risk. At any rate, his antics are so much fun that it makes an otherwise odd & now outdated idea still entertaining after all these years.

Quotes

“Oh I love your suits. It must have been a bitch to get a 68 Extra Fat and a 12 Dwarf.”

“You’re always hoppin around. And you’re kinda cute, like a frog. And I’d like to jump ya.”

“He was taking a 10-100.”

“Cowboys love fat calves.”

“What’s a Texas county mounty doing in Arkansas?”

56           Moses (The Ten Commandments)

Hollywood’s history with Biblical epics is spotty at best, but they did it right with The Ten Commandments. It’s got to be a tough gig portraying a character from The Bible, right?? They are real people who actually walked the Earth, but it was so long ago that there aren’t photos or video to lay the foundation for an accurate depiction. With the exception of events that are written about in God’s Word there isn’t much to base a character on, yet millions of people whose faith is deeply important to them have high expectations. By 1956 director Cecil B. DeMille had helmed dozens of movies, many of them in the silent era in the first two decades of the 20th century. His epic circus drama The Greatest Show on Earth had won the Academy Award for Best Picture a few years earlier. Charlton Heston wasn’t DeMille’s first choice to play Moses, but the two had worked together on The Greatest Show on Earth and Heston’s knowledge of Egyptian history captivated the director, who thought the actor resembled Michelangelo’s 16th century statue of Moses in the church of San Pietro in Rome. William Boyd, who had portrayed Hopalong Cassidy in over five dozen cowboy movies in the 1930’s & 40’s, turned down the part, so Heston was chosen. He’d acted in over a dozen previous films, but it was The Ten Commandments that made him a star.

Quotes

“A city is made of brick, Pharaoh. The strong make many. The weak make few. The dead make none. So much for accusations.”

“It would take more than a man to lead the slaves from bondage. It would take a god, and I am no god. I am but a man, a man who asks by what right any man may enslave another of a different race or creed. But if I could free these people, I would.”

“Who shall withstand the power of God?!?!??”

55           Buck Russell (Uncle Buck)

It’s the role that John Candy was born to play: a slovenly black sheep uncle called on to babysit his nieces & nephew in the midst of a family emergency. Buck is a middle-aged unemployed bachelor who smokes cigars, drinks beer, drives a noisy old gas guzzler that’s seen better days, & spends a lot of time at the track betting on horses…not exactly the ideal caretaker for children. The two younger kids take an immediate liking to Buck, but he has a much more difficult time winning over his teenage niece. Those interactions between an uncle clearly out of his element and the children are the crux of the film, and Candy infuses Buck with a mix of humor, common sense, tough love, amiable befuddlement, & roguish charm that endears him to the audience.

Quotes

“I’m on to cigars now. I’m on to a five year plan. I eliminated cigarettes, then I go to cigars, then I go to pipes, then I go to chewing tobacco, then I’m on to that nicotine gum.”

“What’s your record for consecutive questions asked?”

“I don’t think I want to know a 6 year old who isn’t a dreamer or a sillyheart, and I sure don’t want to know one who takes their student career seriously. I don’t have a college degree. I don’t even have a job. But I know a good kid when I see one. Because they’re all good kids until dried-out, brain-dead skags like you drag them down and convince them they’re no good. You so much as scowl at my niece or any other kid in this school and I hear about it, I’m coming looking for you! Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.

“Stand me up today and tomorrow I’ll drive you to school in my robe and pajamas and walk you to your first class.”

“Ever hear of a ritual killing? You gnaw on her face in public like that again and you’ll be one.”

“I have a friend who works at the crime lab at the police station. I could give him your toothbrush and he could run a test on it to see if you actually brushed your teeth or just ran your toothbrush under the faucet.”

54           R2D2 & C3P0 (The Star Wars series)

The Star Wars galaxy created by George Lucas offers a multitude of memorable characters. We’ll get to some others eventually, but we begin with a pair of futuristic droids that offer delightful levity amongst all the action & intrigue. There are eleven films in the series…the original trilogy, the prequel trilogy, the soon to be concluded sequel trilogy, Rogue One, & Solo. R2D2 & C3P0 have appeared in ten of these, which is by far more than any other character. R2D2 purportedly stands for Second Generation Robotic Droid Series-2, but the truth is that when Lucas heard his sound editor on American Graffiti ask for Reel 2, Dialog Track 2 in abbreviated form he liked the sound of it. R2D2 is a utility robot used for the maintenance & repair of starships and related technology. In the films he first belongs to Naboo defense forces charged with repairing Queen Padme Amidala’s ship. Thru the years he is owned by Qui-Gon Jinn, Anakin Skywalker, Owen Lars, Luke Skywalker, & Rey. R2’s distinctive shape and various beeps & unique noises are signature elements of the character. C3P0 is a little more humanlike than his buddy, having legs & feet and the ability to speak. He is a protocol droid intended to assist in etiquette, customs, & translation and is fluent in over seven million forms of communication. Thru the years he has served Shmi Skywalker, the Lars family, Padmé Amidala, Raymus Antilles, Luke Skywalker, Princess Leia, & Rey. His distinctive gold plating makes him easy to spot in a crowd, and his fussy, worrisome personality is rather comical. I’m sure back in the 70’s many people thought that by the 21st century robot assistants like R2D2 & C3P0 would be commonplace, but we’re not quite there yet.

Quotes

“For a mechanic, you seem to do an incessant amount of thinking.” (C3P0)

“Don’t blame me. I’m an interpreter. I’m not supposed to know a power socket from a computer terminal.” (C3P0)

“R2, you know better than to trust a strange computer.” (C3P0)

“It’s against my programming to impersonate a deity.” (C3P0)

53           Billy Madison & Happy Gilmore (eponymous films)

Adam Sandler’s career has been a mixed bag. He is undoubtedly talented & funny, but his shtick isn’t everybody’s cup of tea and he’s made a lot of bad movies. In my opinion his funniest films were in the early 90’s, though you won’t find many critics who would agree. I take no issue with solicitous, meaningful films with life lessons, powerful messages, & profound themes, but sometimes we just want to turn off our brain for awhile and laugh at something completely stupid & pointless and Sandler has done a decent job of providing that sort of entertainment. Billy Madison is a rather juvenile 20-something in a clear state of arrested development. When his hotel tycoon father plans to retire he’d prefer Billy take over the business but knows he isn’t capable, especially since the old man bribed teachers to pass Billy all the way thru school. At any rate, Billy accepts a challenge to complete 12 grades of school in two weeks, which is somehow supposed to magically make him qualified to helm a Fortune 500 company. I know…it makes very little sense, but the journey is lots of silly fun, which is the whole point. Happy Gilmore is a failed hockey player wannabe who must figure out a way to help his grandmother buy back her house that the IRS took for back taxes she owes. He inexplicably ends up on the PGA Tour and (spoiler alert) wins enough money as a champion golfer to help out his grandmother. Once again…don’t put too much thought into it. The plots of these movies aren’t meant to be logical and the characters aren’t supposed to be realistic, but Sandler infuses both Billy & Happy with enough affable charm that we root for their success and want them to overcome the odds despite the fact that they are total idiots.

Quotes

“Oh, Veronica Vaughn … soooo hot … want to touch the hiney!” (Billy)

“The Price is wrong, bitch!” (Happy)

“You ain’t cool, unless, you pee your pants! Everybody my age pee their pants; it’s the coolest!” (Billy)

52           Ellis “Red” Redding (The Shawshank Redemption)

Many folks may not realize that The Shawshank Redemption is based on a 1982 Stephen King novella. In that book Red Redding is described as a middle-aged Irish man with greying red hair, so casting Morgan Freeman in the role can only be described as an inspired choice. Red has been imprisoned at Shawshank for 40 years for murdering his wife & passengers in her vehicle after he tampered with the brakes. He has attained a level of influence for being able to smuggle a variety of goods into the jail for other inmates, though his attitude remains somewhat sullen. He is a practical man, resigned to his fate yet regretful of the crime he committed when he was young & stupid. Red befriends new inmate Andy Dufresne, and they end up changing each other’s lives tremendously. Freeman received his third Academy Award nomination for the role, but lost the Best Actor prize to Tom Hanks (Forrest Gump).

Quotes

“In 1966, Andy Dufresne escaped from Shawshank prison. All they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I remember thinking it would take a 600 years to tunnel through the wall with it. Old Andy did it in less than 20. Andy crawled to freedom through 500 yards of shit-smelling foulness I can’t even imagine…or maybe I just don’t want to. 500 yards… that’s the length of five football fields; just shy of half a mile.”

“Hope is a dangerous thing. Hope can drive a man insane.”

“These prison walls are funny. First you hate ’em, then you get used to ’em. Enough time passes, gets so you depend on them. That’s institutionalized. They send you here for life, that’s exactly what they take. The part that counts anyways.”

“Rehabilitated? Well, now, let me see. You know, I don’t have any idea what that means. I know what you think it means, sonny. To me it’s just a made-up word. A politician’s word, so that young fellas like yourself can wear a suit and a tie and have a job. What do you really wanna know? Am I sorry for what I did? There’s not a day goes by that I don’t feel regret. Not because I’m in here, or because you think I should. I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try to talk some sense to him, tell him the way things are. But I can’t. That kid’s long gone, and this old man is all that’s left. I gotta live with that. Rehabilitated? It’s just a bullshit word. So go ahead and stamp your forms, sonny, and stop wasting my time. Because to tell you the truth, I don’t give a shit.”

“I find I’m so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.”

51           Laurie Strode (Halloween)

Screen legend Janet Leigh is the original Scream Queen for her small yet pivotal role in the 1960 Hitchcock classic Psycho, so it is fitting that her daughter Jamie Lee Curtis would assume the mantle after playing Lorrie Strode, an ordinary American teenager who endures a single night of terror at the hands of a knife-wielding masked maniac. Numerous sequels, remakes, & reboots have kept the Halloween franchise alive, but really the 1978 original & its initial 1981 sequel are the only two that matter.

Quotes

“Was it the boogeyman?”

Stay tuned!! There is more to come!!

90’s Film Frenzy: The Elite Eight

It was at this point just over a year ago, as Merry Movie Mayhem was drawing to a conclusion, that I took the easy path and  let the final eight combatants bow out with what was essentially a collective tie. I don’t feel bad about that because Christmas movies are just so special that I am fine with not following thru with a fight to the death. I don’t have the same kind of sentimental attachment to the 1990’s, so today we move forward with the division finals, aka The Elite 8. Enjoy.

 

 

 

 

 

Titanic                vs.              Sleepless in Seattle

After receiving a first round bye Titanic has gotten past Saving Private Ryan, Father of the Bride II, & The Birdcage. Sleepless in Seattle also received a first round bye then overcame challenges from Galaxy Quest, Dumb & Dumber, and My Cousin Vinny. I knew this moment would eventually come, and sadly it has arrived. During 80’s Movie Mania I eliminated National Lampoon’s Vacation in The Final Four because the ending makes it feel outdated. As I mentioned back then, the debate is whether that should be a mark against the film or celebrated as something that marks the era we are commemorating. Obviously I decided the former rather than the latter, and we are faced with a similar situation now. I adore Sleepless in Seattle, but the fact is that it feels dated because the invention of The Internet has made much of the premise irrelevant. The same story simply couldn’t be told nowadays. Conversely, Titanic has the advantage of being an historical drama. The story is what it is and it is…with all due respect to the unfortunate victims of the tragedy…frozen in time. The movie doesn’t feel outdated two decades later, and it won’t be two decades from now. One also cannot overlook the fact that it remains the second highest grossing film of all time and is one of only three films (the others being Ben-Hur and The Lord of the Rings: The Return of the King) to win eleven Academy Awards. It has pretty good scores on Rotten Tomatoes too…89% from critics & 69% from the public, meaning that it is the rare movie that is actually good and popular. Though a film about a disaster that occurred in 1912 can’t really represent the decade of the 90’s I do feel like it is a signature piece of the cinematic experience of the 90’s.

 

      The Verdict:       

 

 

 

 

You’ve Got Mail                    vs.              Groundhog Day

You’ve Got Mail received a first round bye then defeated The Firm, Aladdin, & Good Will Hunting to make it to this point. After a first round bye Groundhog Day has gotten this far by overcoming Clueless, American Pie, & Apollo 13. The bottom line for me is originality. I have said for many years that I am secure enough in my smoldering machismo to admit that I enjoy a good rom-com, and You’ve Got Mail is a good rom-com. However, having said that, the thing about rom-coms is that they all share similar structural DNA. And why not?? The blueprint works, right?? But also, of the three films that Tom Hanks & Meg Ryan did together I think You’ve Got Mail might be the weakest…or atleast the most formulaic. Both Sleepless in Seattle and Joe Versus the Volcano feel more innovative, which makes a lot of sense since You’ve Got Mail is a loose remake of the 1940 James Stewart classic The Shop Around the Corner. Conversely, Groundhog Day is an inspired meditation on life, philosophy, love, & spirituality hiding in plain sight as an ordinary comedy. No one can argue with a straight face that Bill Murray & Andie MacDowell are as cute, perky, & charming as Hanks & Ryan, but his beleaguered cynicism and her enthusiastic naiveté work perfectly in Groundhog Day. It’s the kind of film one can watch over & over and discover something new each time, which seems rather appropriate.

 

      The Verdict:       

 

 

 

 

Forrest Gump             vs.              The Fugitive

After a first round bye Forrest Gump defeated Presumed Innocent, Die Hard: With A Vengeance, & Office Space to land in the Elite 8. The Fugitive received a first round bye then got past Joe Versus the Volcano, The Wedding Singer, & Father of the Bride. If you watch The Fugitive with absolutely no prior knowledge of the 60’s TV hit your enjoyment of the movie won’t suffer at all. Two powerhouse performances by Harrison Ford & Tommy Lee Jones (who won the Academy Award for Best Supporting Actor) combined with great writing & edge-of-your seat drama make for a terrific cinematic experience. Forrest Gump is based on a novel that had gone virtually unnoticed, and the movie makes changes so significant that it feels completely original. Forrest Gump has a great cast (Tom Hanks, Robin Wright, Sally Field, Gary Sinise), a fantastic soundtrack, and was both critically acclaimed & popular with the masses. I do know people that hate it, but I just don’t understand those folks at all. This is a tough one, but repeat viewings give Gump the nod in a photo finish.

    The Verdict:       

 

 

 

 

Mrs. Doubtfire             vs.              The Big Lebowski

After a first round bye Mrs. Doubtfire has beaten That Thing You Do, Tommy Boy, & Scent of a Woman.  The Big Lebowski is the lone film in The Elite 8 that did not receive a first round bye, and thus far has overcome Ten Things I Hate About You, Wayne’s World, Deep Impact, & The Shawshank Redemption. My vibe is that, in a poll of many, those that were teens or in their early 20’s back in the late 1990s would lean toward Lebowski, while older folks might favor Doubtfire. It is probably an unfair comparison, but much like the early comedies of Adam Sandler (most notably Happy Gilmore & Billy Madison), if one happened to be at the exact right age and/or maturity when The Big Lebowski was released then it is likely an essential movie for that person. That doesn’t mean that it can’t be enjoyed by others, just that its humor is quite specific & unique. Jeff Bridges is one of the most underrated thespians of his generation, and his role as The Dude (or His Dudeness, Duder, or El Duderino, if, you know, you’re not into the whole brevity thing) might be his crowning achievement, even if it’s not the kind of character or film that the awards shows fawn all over. John Goodman is another undervalued actor, and his performance as somewhat aggressive & slightly off kilter Vietnam vet Walter Sobchak is a hidden gem. Conversely, it is likely that slightly older folks…those that came of age in the 80’s as Robin Williams rose to fame…would have a greater appreciation of Mrs. Doubtfire. Williams had a rather eclectic career and was capable of playing a whole range of parts, but his wheelhouse was funny comedies in which he could put his full arsenal of comedic genius on display, and Doubtfire fit his skills like a glove. The supporting cast…including Sally Field & Pierce Brosnan…have their moments, but it’s Williams’ show and he carries it well. I suppose that I must reluctantly admit to being part of the older crowd, because, though I appreciate Lebowski for what it is, there are moments of weirdness that don’t resonate with my particular comedy palate, while Doubtfire is the kind of gentle, easygoing, family friendly humor that I tend to gravitate toward.

 

    The Verdict:       

90’s Film Frenzy: The Sweet Sixteen

Greetings friends. No, I didn’t forget. With the holiday season in full swing and football reaching a fever pitch on all levels I suppose I’ve been a bit distracted, but it’s time to get back to 90’s Film Frenzy. I have decided to reintroduce an idea originally utilized during 80’s Movie Mania…a tale of the tape comparison focusing on five factors that I consider significant when evaluating these films:

 

Re-Watchability:       Is it on television a lot?? If it is on TV am I excited enough to stop channel surfing & watch??

Relevance:                 Does the story hold up well?? Or do modern societal norms & changes in technology make it feel dated??

Quotability:                Fun, interesting, well-written movies of all genres are usually very quotable.

Cultural Impact:            Is it one of those movies that everyone of a certain age has seen?? Is it familiar to multiple generations?? Do people still occasionally talk about it & watch it even many years after its release??

Pleasure:                     Do I enjoy watching this movie?? We’ve all read books or watched shows/movies just because we felt compelled to…because we wanted to be cool or seem educated. But what do you enjoy when no one else is around??

 

 

 

                                                                                                           

 

 

Titanic                                            vs.                       The Birdcage

 

Re-Watchability                                                                               

 

Relevance                         

 

Quotability                                                        

 

Cultural Impact                                                 

 

Pleasure                       

 

The Verdict:       Titanic. This one breaks my heart a little because The Birdcage and my man Robin Williams probably deserve a better fate, but I have to “keep it real” as the kids like to say. The Birdcage, while obviously a farce, looks a little different thru a 21st century prism of how we now view & treat the “LGBTQ Community”. Society wasn’t quite as “woke” back in the 90’s, so the caricature presented of a gay couple and their lifestyle might be offensive to some nowadays. And honestly, the exaggeration works both ways, because the movie doesn’t portray conservatives in the best light either. But above & beyond all of that Titanic is simply a cultural phenomenon that still ranks as the second highest grossing movie of all time and just about swept all the major awards. It is still shown on television with some regularity, and I enjoy watching it now almost as much as I ever did.

 

 

  

 

 

                                    My Cousin Vinny             vs.                   Sleepless in Seattle

 

Re-Watchability                    

 

 

 

 

Relevance                              

Quotability                          

Cultural Impact                                                                                     

 

 

 

 

Pleasure                                                                                                   

 

 

 

 

The Verdict:        Sleepless in Seattle. This is a tough one. I’m not sure either movie is all that quotable, but I give the edge to My Cousin Vinny because I still refer to young people as “yutes”. Vinny also wins the relevance category because Sleepless in Seattle has one major flaw…a quarter century later it simply couldn’t happen. Sam Baldwin would probably be pouring his heart out on a podcast rather than a radio show. Instead of thousands of lonely & desperate women sending him letters he’d be getting friend requests and ladies would be “sliding into his DMs”. Annie Reed wouldn’t need to sic a private investigator on Sam or fly to Seattle to check him out…she could just scrutinize his social media profiles. I’m not sure if young Jonah could still pull off the feat of booking a flight & making it all the way from Seattle to New York, but surely it would be much more difficult for a ten year old kid to do that in a post-9/11 world. However, having said that, Sleepless would be my choice to watch in vegg mode, I still get excited to catch it on TV & will occasionally stream it for no apparent reason when I’m bored, and I feel comfortable saying that the cultural impact of Tom Hanks & Meg Ryan outweighs the charm of Joe Pesci & Marisa Tomei.

 

 

  

 

 

                                                          Forrest Gump                    vs.                      Office Space

 

Re-Watchability                        

Relevance                                    

Quotability                                                                                                         

 

 

Cultural Impact                             

 

 

Pleasure                                       

 

The Verdict:       Forrest Gump. Kudos to Office Space for making it to the Sweet 16. That’s pretty darn good for a movie that ranked 121st at the box office in 1999 and has an ensemble of character actors, with Jennifer Aniston as the only real movie star in the cast. While it is extremely quotable it is also inescapably out-of-date with plot points centering around the Y2K “virus”, floppy disks, & a laserjet printer. However, the human frailties & frustrations associated with workplace culture that the movie pokes fun are universal & timeless. Conversely, Forrest Gump is a mini history lesson with a bit of romance thrown into the mix, which makes it somewhat similar to Titanic. Gump won Best Picture, Best Actor (Tom Hanks), and Best Director (Robert Zemeckis), and was the top box office draw of 1994, so its pedigree is irrefutable.

 

  

 

 

                                            The Fugitive              vs.                            Father of the Bride

 

Re-Watchability                              

 

Relevance                                        

 

Quotability                                     

 

Cultural Impact                               

 

Pleasure                                           

 

The Verdict:        The Fugitive. This is a coin toss situation. I could (and have) watched both movies over & over again. I’m not sure either one has any claim to being especially relevant, but neither is there anything about them that is particularly passé two decades later. Neither movie is all that quotable. As far as cultural impact goes, The Fugitive is based on a 1960’s TV show and Father of the Bride is a remake of a 1950 film. So what it comes down to for me is the fact that The Fugitive was nominated for seven Academy Awards (Tommy Lee Jones won Best Supporting Actor and Best Picture was lost to Schindler’s List) and has a 96% score on Rotten Tomatoes, while Father of the Bride has a 71% Rotten Tomatoes score and received two MTV Movie Awards nominations. As much as I adore Father of the Bride I cannot overlook the pedigree of the competition.

 

   

 

 

                                           Apollo 13                            vs.                             Groundhog Day

 

Re-Watchability                              

Relevance                                                                                              

 

 

Quotability                

 

 

Cultural Impact                               

 

 

Pleasure                                         

 

The Verdict:       Groundhog Day. This might be the hardest decision I’ve had to make thus far. Apollo 13 gets a small tip of the cap because all of us still say “Houston…we have a problem” whenever the opportunity arises, and kudos must be given for the film’s nine Academy Award nominations (Best Picture went to Braveheart) as well as its remarkable 95% Rotten Tomatoes score. Having said that, Groundhog Day has an even better 96% Rotten Tomatoes score, and where it really makes an impact is its relevance. Groundhog Day is…ironically…timeless. I cannot emphasize enough that it is so much more than a run-of-the mill comedy. It is profound in a way that is unique & rare. A lot of movies have an agenda and make a concerted effort to be meaningful & didactic, but Groundhog Day takes such a nuanced approach to being insightful that I’m not even sure the filmmakers intended anything so evocative. Apollo 13 is brilliant. Hanks, Ron Howard, Ed Harris, the music…the whole package is a dazzling display of what talented people can accomplish when they unite to make a good movie. However, let’s be honest…it is based on a real event that was pretty extraordinary. I do not want to sell the powers-that-be short. Afterall, plenty of terrible movies have evolved from really cool true stories. But in this case I have to give the edge to creative brilliance born from fiction.

 

  

 

 

                                         Good Will Hunting                 vs.          You’ve Got Mail

Re-Watchability                                                                                                 

 

Relevance                                      

Quotability                                      

 

 

Cultural Impact                                                                                                 

 

 

Pleasure                                                                                                          

 

 

 

The Verdict:       You’ve Got Mail. The biggest mark against You’ve Got Mail is relevance. AOL, dial-up, chat rooms…all are 90’s relics. Much like the other Hanks/Ryan collaboration that I adore…Sleepless in Seattle…social media makes the whole plot of You’ve Got Mail largely obsolete. But despite that notable deficiency it is still a film with irresistible charm and fine performances from its two leads as well as supporting roles for Greg Kinnear, Parker Posey, Jean Stapleton, Steve Zahn, & Heather Burns. Good Will Hunting garnered Academy Awards for Matt Damon & Ben Affleck (Best Original Screenplay) as well as my man Robin Williams (Best Supporting Actor), but honestly…I haven’t watched it in two decades. It just hasn’t remained in our collective pop culture consciousness.

 

  

 

 

                          Shawshank Redemption                 vs.              The Big Lebowski

Re-Watchability                                                                                               

 

 

Relevance                    

 

 

Quotability                                                       

 

 

 

 

Cultural Impact                            

 

 

 

 

Pleasure                   

 

 

 

 

The Verdict:       The Big Lebowski. This may surprise some folks. The pedigree for Shawshank is enviable. Seven Academy Award nominations (though it did not win any of them). A 91% rating on Rotten Tomatoes. Conversely, Lebowski was barely noticed at the box office and took several years to make an impact on the pop culture landscape. I still don’t think one can think of it as “mainstream”. However, once it became a thing amongst film buffs the popularity of Lebowski soared. It is one of the most quotable movies out there, and for me it comes down to the idea of sitting down for the enjoyable diversion of watching a movie. I’m not against drama at all, but Lebowski is just more fun. Shawshank has an inspirational & uplifting conclusion, but one has to grind thru a pretty intense couple of hours before that, and I am rarely in the mood for that.

 

  

 

 

                                             Mrs. Doubtfire             vs.               Scent of a Woman

Re-Watchability                            

Relevance                                     

Quotability                                                                                                        

 

 

Cultural Impact                              

 

 

Pleasure                                         

 

The Verdict:       Mrs. Doubtfire. I recently read a really interesting biography about Robin Williams, and in it there is a discussion about the latter part of his career. His wheelhouse was undoubtedly zany comedy, but a combination of Williams’ determination to prove himself as an actor and some questionable decisions by various folks led him to do films like What Dreams May Come, One Hour Photo, August Rush, & Insomnia. Some of his dramatic roles…Good Will Hunting, Awakenings, Dead Poets Society…are well regarded, while a few of his comedies…Flubber, Patch Adams, License to Wed…missed the mark, but Mrs. Doubtfire is a perfect platform for his talent and I can’t help but wish that his filmography contained a lot more such showcases. Scent of a Woman is essentially two hours of Al Pacino chewing scenery, which is delightful fun that I enjoy just fine, but Mrs. Doubtfire is the better movie.

90’s Film Frenzy: Fly Round 3

In the early rounds of 90’s Film Frenzy I provided y’all with as much information as I could about each movie, including the big stars we allegedly flock to the theater to see. That is all well & good, but I think there is much more that goes into one’s enjoyment of a film. The old adage is that little things mean a lot, and we shouldn’t overlook all the small things that can add up to a movie really being a fun experience. What’s the setting?? Is it a small town, big city, or foreign locale?? Don’t forget about music. I happen to think that a film’s soundtrack can be a huge contributor to its success. And while everyone focuses on the lead actors I feel like we should give some love to those with supporting roles and even the “character actors” who might only have a scene or two but make the most out of it. These are some of the things I am focusing on in the third round of this competition.

 

 

 

 

 

 

Forrest Gump                                vs.              Die Hard: With A Vengeance

After receiving a first round bye Forrest Gump got past Presumed Innocent in Round 2 in a contrast of two films based on novels. As good as Presumed Innocent the movie is the book is way better. Conversely, I’ve heard mixed reviews of Forrest Gump the book, to the point that I’m afraid to read it and have it ruin my feelings about the movie. The book’s author actually wrote a sequel called Gump & Co., but thus far it hasn’t been translated to film and it probably won’t be, especially since Tom Hanks has expressed misgivings about portraying the title character again. My affection for Forrest Gump is such that I am amazed that it isn’t universally loved, but there are detractors out there. It’s 72% Rotten Tomatoes score is good, but nowhere near some other films in the competition that have ratings of 90% or more. Some folks think it is manipulative, overly sentimental, tiresome, & not as historically accurate as it could’ve been. There is no shortage of people who believe that Pulp Fiction or The Shawshank Redemption should’ve won the Academy Award for Best Picture as well as the Oscars for Best Actor & Best Director. I disagree with all of that. Even my father loves Forrest Gump, and trust me…Dad & I rarely share similar tastes in entertainment. Die Hard: With a Vengeance wouldn’t even be in this competition if it had been the final Die Hard film since trilogies are disqualified. Alas, two additional (subpar) movies were made in the series with one last hurrah allegedly on the way, so Vengeance gets its well-deserved kudos. The difference between this third entry and its predecessor…1990’s Die Hard 2…is the addition of Samuel L. Jackson as Detective McClane’s reluctant sidekick. It was Jackson’s follow-up to Pulp Fiction and immediately preceded his role in A Time to Kill, meaning he was on a pretty good roll at the time. The filmmakers knew they had to mix things up in the third film because Die Hard 2 was a fairly tepid rehash of the original premise. Jackson breathes new life into the story, injecting additional humor & attitude. He & Bruce Willis play off of each other quite well.

 

The Verdict:       Forrest Gump. Though it made it into the competition thru a loophole, the fact is that Vengeance isn’t nearly as great as the original Die Hard. Sequels are tough. They (usually) get made because the first movie was so good and made a lot of money, but that will always mean unfair comparisons right from the start. Forrest Gump is like a golfer that always finishes second in major tournaments…as good as it is there are people all too willing to point out its flaws. But whether or not you believe it deserved all the accolades it received back in 1994, the fact is that being the #1 film at the box office & winning a half dozen Academy Awards isn’t something I can overlook, especially when it comes to a movie that I stop everything to watch almost every single time it is on TV.

 

*******************************

The Fugitive                                   vs.              The Wedding Singer

This is a tough one. I love The Wedding Singer because of its many nods to 80’s pop culture that stir up memories of my long lost youth. The soundtrack is fantastic, with songs from the likes of Culture Club, The Police, Elvis Costello, The Thompson Twins, Billy Idol (who also has a fun cameo in the movie), Spandau Ballet, Hall & Oates, The Cure, Kool & The Gang, Bruce Springsteen, and a few others. That’s quite a lineup. I also want to give a nod to brief appearances by Jon Lovitz & Steve Buschemi. I normally find Lovitz unamusing and mostly dreadful, but his scene in The Wedding Singer is actually quite entertaining. I’m kind of surprised that someone didn’t come up with the idea of a sequel starring Buschemi & Lovitz as new wedding singers. It is my understanding that the film was adapted into a stage musical (kind of a reverse Rock of Ages situation), and I must say that I’d totally go see that show. The Fugitive got past Joe Versus the Volcano in Round 2, which broke my heart because I feel like JVtV is a profound & underappreciated gem. Conversely, appreciation abounds for The Fugitive, with a damn near perfect 96% score from the critics and seven Oscar nominations. I’ve watched The Fugitive countless times, but there is a scene in which Dr. Kimble finds himself in the stairwell of a huge building facing off against Lt. Gerard before narrowly escaping thru downtown Chicago’s St. Patrick’s Day Parade, and no matter how many times I’ve seen it I still feel a palpable sense of drama and tension. Actually there are a few scenes like that, and when a filmmaker can still make the viewer buy into the suspense even when we’ve seen it a bunch of times and know exactly what’s going to happen…well folks, that’s what I call great entertainment.

 

The Verdict:       The Fugitive. These choices are becoming harder & harder, but sometimes I’ve got to pick nits. Ninety percent of the time I’ll lean toward an easygoing comedy, and The Wedding Singer gets bonus points for fantastic music & delightful Sandler/Barrymore chemistry. However, The Fugitive is special. It creates drama without a lot of gratuitous violence, and there is really only one big, explosive action sequence. The rest is just brilliant writing and superb performances.

 

*******************************

 

Billy Madison                                 vs.              Office Space

Back to back Sandler…which nowadays would be a cringe worthy waste of time, but two decades ago that wasn’t the case. Unlike The Wedding Singer, which is a more subdued & pleasant performance, Billy Madison is full on Sandler being Sandler, playing the kind of infantile ne’er-do-well that has largely defined peoples’ perception of him as an actor. This film & Happy Gilmore will always be the first two things that pop into the average cinephile’s mind when Sandler is the topic of conversation, and I don’t think that’s such a terrible thing. Fans of The West Wing will appreciate Bradley Whitford’s appearance as devious businessman Eric, Billy’s nemesis. Christmas film aficionados will delight in seeing A Christmas Story’s Old Man…Darren McGavin…as Billy’s wealthy yet exasperated father. I’m somewhat surprised that the vivacious Bridgette Wilson (wife of tennis legend Pete Sampras) never became a big star, but Billy Madison & 2001’s The Wedding Planner are among her few career highlights, and she hasn’t done any notable acting work since 2008. Office Space got a first round bye before beating out Spielberg’s expensive flop Hook in Round 2. According to my limited research the definition of a cult classic is…flexible…but typically focuses more on obscure & unconventional films shunned by the mainstream. Office Space would seem to qualify since it made less than $11 million during its theatrical run. In comparison, the budget for 1999’s highest grossing film… Star Wars: Episode I – The Phantom Menace…was over $115 million and it made $431 million. But Office Space would find new life on home video and come to be appreciated by anyone who has ever worked in an office environment, which is obviously a lot of people. It is one of the most quotable films of the 90’s, and has characters & situations that are very relatable. Jennifer Aniston was & is the film’s biggest star since she was right in the middle of her run on the hit TV show Friends at the time and has become even more well-known in the ensuing years, but other cast members like Ron Livingston, Stephen Root, Gary Cole, Diedrich Bader, & John C. McGinley have had solid careers (mostly on television). Like most of the general public movie critics pretty much ignored Office Space at first, but once it gained traction and reviews were written they were mostly favorable.

 

The Verdict:       Office Space. I’ve had several people tell me over the years that they thought I’d enjoy popular sitcom The Office, the original British incarnation of which premiered in 2001 and surely had to be somewhat influenced by the movie. However I must admit that I’ve never watched either version of The Office because I’m pretty old-fashioned and prefer multi-camera sitcoms with a live studio audience & laugh track…I just can’t embrace single camera sitcoms like The Office, Modern Family, Young Sheldon, & It’s Always Sunny In Philadelphia. I know I know…I’m probably missing out. At any rate, I can get my fix of corporate culture humor anytime by watching Office Space, and that’s good enough for me.

 

*******************************

Grumpy Old Men                                    vs.              Father of the Bride

There’s a Twix commercial that’s getting a lot of play on TV these days that amusingly compares ghosts & spirits, janitors & custodians, and morticians & undertakers, and these two movies could merit a similar appraisal. Both are amiable comedies that did well enough to spawn affable sequels. Both star older comedic actors instead of hot young Hollywood flavors of the month. Both did surprisingly well at the box office, while critics liked but didn’t love both films. I absolutely adore both films and will watch them whenever they’re on television, and sometimes I’ll stream one or the other when I’m bored & in the mood for a good flick. These are what I call comfort food movies. They warm the cockles and make me smile, which is all I really need a movie to do.

 

The Verdict:       Father of the Bride. I have decided against the cop out of a tie and will let the numbers be a tiebreaker. Father of the Bride did slightly better at the box office and the critics like it just a skosh more, so I defer to the will of the people. Personally I think both films are winners.

90’s Film Frenzy: Fly Round 2

Welcome back to Round 2 of 90’s Film Frenzy!! We went thru the Dope and Phat divisions a couple of weeks ago and I apologize for the delay. I won’t bore y’all with a long preamble because discussion of these great movies is lengthy enough, but let me take this opportunity to wish The Manoverse a delightful Labor Day Weekend. The catch-22 of this time of year is that summer is ending, which signifies colder weather & gloomier skies in the not-so-distant future, but it also means football is back and a few other fun things about autumn, so let us not despair. Have fun and enjoy life!!

 

 

 

 

 

 

Forrest Gump

Release:    7/6/94

Starring:     Tom Hanks, Robin Wright, Sally Field, Gary Sinise

Directed By:        Robert Zemeckis (Romancing the Stone, The Back to the Future Trilogy, Cast Away)

 

vs.

 

Presumed Innocent

 

Quotes

It is a practical impossibility to try two people for the same crime. Even if it wasn’t, I couldn’t take his mother from my son.

 

You understand what happened had to happen. It couldn’t have turned out any other way. A woman’s depressed…with herself, with life. With her husband, who had made life possible for her…until he was bewitched by another woman. A destroyer. Abandoned…like someone left for dead…she plans her suicide…until the dream begins. In the dream, the destroyer is destroyed. That’s a dream worth living for.

 

Odds & Ends

Before the book was published in August 1987 producer Sydney Pollack purchased the rights to the film for $1 million.

 

Harrison Ford’s hair was cut in such a way to make him look “wimpier” than his previous brave leading man roles.

 

Kevin Costner and Robert Redford turned down the role of Rusty Sabich.

 

_______________________

Tom Hanks followed his Oscar winning role in Philadelphia with Forrest Gump, for which he won a second consecutive Academy Award for Best Actor. Gump is based on a 1986 novel by Winston Groom. I’ve pondered the idea of reading the book because I am generally inclined to believe a book is usually better than the movie, but most of the time the film closely follows the original story and the reason the book is better is a matter of subplots & nuance that might have been cut from the movie. However, it is my understanding that Forrest Gump the film completely alters the tone and character development of Forrest Gump the book, so I have been hesitant to read it lest it diminish my affection for the movie. At any rate, the film essentially tells diverging stories of two childhood friends who grew up in 1950’s Alabama. The titular Forrest is what we might now call a “special needs student” or a “low IQ learner”, but he defies the odds by graduating from college, serving in Vietnam, becoming an international ping pong star, meeting multiple U.S. Presidents, and eventually co-founding a successful shrimping business. The love of his life…Jenny…isn’t so lucky. She is abused by her father at a young age, works as a stripper, gets involved with drugs, becomes a hippie, & eventually dies from a mysterious disease (likely either AIDS or hepatitis). Forrest Gump shows these two lives diverging & intersecting at various times, and is unique in its ability to make the viewer chuckle one moment and shed a tear two seconds later. It actually won six Academy Awards, including Best Director (Zemeckis), Best Adapted Screenplay, and Best Picture (beating out Pulp Fiction and The Shawshank Redemption). It was the #1 film at the box office in 1994 and holds a 72% rating on Rotten Tomatoes. The Boston Globe called it “a one-of-a-kind treat”. The NY Daily News had a really interesting take, observing that “what looks at first like a bright, bouncy, & sentimental trip through the baby-boom era turns out, on closer inspection, to be a dark and driven work, haunted by violence, cruelty, & a sense of the tragically absurd” but goes on to say that “where most American movies of the ’90s strike a single note over & over, Forrest Gump is a symphony” that is “an original and deeply moving experience”. People Magazine thought it a “plodding, heavy-handed parable”, while Rolling Stone called it a “heart-breaker of oddball wit & startling grace” and our old pal Ebert simply referred to it as “a magical movie”. Presumed Innocent got past Honeymoon in Vegas in Round 1 because an 87% Rotten Tomatoes score is pretty hard to overlook and I really loved the book back in the day. Harrison Ford is a tremendously talented actor that shouldn’t be pigeonholed as Han Solo, Jack Ryan, or Indiana Jones. Some of his best work has been in films that didn’t get any sequels.

 

The Verdict:       Forrest Gump. Just a really tough draw for Presumed Innocent. Between books, TV, & movies the entertainment landscape is overflowing with legal dramas, and the public’s thirst for such stories has made “true crime” a powerful sub-genre. Amongst Forrest Gump’s many strengths is its distinctiveness…there aren’t many comparable stories, so this is sort of like lobster versus a gourmet hamburger…it may be perfectly cooked with loads of flavor, but at the end of the day it’s still a hamburger.

 

 

*************************

 

The Fugitive

Release:    8/6/93

Starring:     Harrison Ford, Tommy Lee Jones

Directed By:        Andrew Davis (Above the Law, Under Seige)

 

vs.

 

Joe Versus the Volcano

 

Quotes

I don’t know what your situation is but I wanted you to know what mine is not just to explain some rude behavior, but because we’re on a little boat for a while and I’m soul sick…and you’re going to see that.

 

Do you think I feel good? Nobody feels good. After childhood, it’s a fact of life. I feel rotten. So what? I don’t let it bother me. I don’t let it interfere with my job.

 

90% of people are asleep, and those of who are awake look around us in wonder.

 

I have no interest in myself. I think about myself, I get bored out of my mind.

 

My father says almost the whole world’s asleep. Everybody you know, everybody you see, everybody you talk to. He says only a few people are awake. And they live in a state of constant, total amazement.

 

You have some life left. My advice to you is: live it well.

 

I ask myself, why have I put up with you? I can’t imagine, but now I know. Fear. Yellow freakin’ fear. I’ve been too chicken shit afraid to live my life so I sold it to you for 300 freakin’ dollars a week!

 

I don’t know who you are. I don’t want to know. It’s taken me my whole life to find out who I am, and I’m tired now.

 

There are certain times in your life when I guess you’re not supposed to have anybody. There are certain doors you have to go through alone.

 

If you have a choice between killing yourself and doing something you’re scared of doing, why not take the leap and do the thing you’re scared of doing?

 

Odds & Ends

The lamp that Joe brings into his office displays future events in the movie, including the yacht, a volcano, & a large full moon.

 

If one really pays attention you’ll notice several references to losing one’s soul.

 

The coordinates that Patricia gives… -10.1333, -150.3…places the island ten miles SSW of Caroline Island in the South Pacific.

 

______________________

 

Hey…more Harrison Ford!! Back in the mid-60’s ABC aired four seasons of a drama about a doctor wrongly convicted of murdering his wife and his vagabond lifestyle as he eluded law enforcement while searching for the one-armed man that he claimed was the real killer. Dr. Richard Kimble would move from town to town under an assumed name, work at various menial jobs, and inevitably risk being caught to help someone in need. The 1967 series finale was the most watched television show in history until the 1980 episode of Dallas during which the answer to the question “Who shot J.R.??” is revealed. The Fugitive aired on television long before I was a gleam in my Daddy’s eye, but at some point in the 80’s one channel or another began showing reruns and I was hooked. The big screen adaptation condenses the time frame and changes a few minor details, but retains the spirit of the original premise. It was the third highest grossing film of 1993, has a stellar 96% rating on Rotten Tomatoes, and was nominated for seven Academy Awards, though the only one it took home was Best Supporting Actor for Tommy Lee Jones. Best Picture went to Schindler’s List, which is exactly the kind of thing one would expect from the Oscars, while Jones beat out Leonardo DiCaprio (What’s Eating Gilbert Grape?) and John Malkovich (In the Line of Fire) for his award. Joe Versus the Volcano benefitted from a total cop out from Yours Truly in Round 1, tying Hook and therefore moving forward in the competition. Here’s the thing about JVtV…if you watch it as if it is just a silly rom-com it’ll be slightly weird, mostly enjoyable, but ultimately forgettable. However, if you recognize the symbolism, value the metaphor, and truly grasp the existential subtext it will blow your freakin’ mind. I kinda sorta understood it on my own, but there is a video on YouTube that really explains everything that one might have missed about JVtV, and I highly recommend re-watching the movie thru that prism. I’ve seen it called “a near-masterpiece of cinema”. It is about life. It is about death. It is about morality & spirituality. It is about values. It is about heroism. It is about failure. It is about destiny. Everyone who has ever had a job they despised can appreciate the first twenty minutes of JVtV, and anyone who can get thru those depressing twenty minutes will thoroughly enjoy the rest of the journey.

 

The Verdict:       The Fugitive. I feel really guilty about this one. JVtV deserves a better outcome. But I have to be honest, and the truth is that anytime The Fugitive is on I will stop and watch. Ford & Jones have never been better. The film’s tense moments are so well done, and frivolous action & violence are minimal. The strength of Joe Versus the Volcano is also its weakness. If one chooses to simply enjoy it as just another silly rom-com it gets lost in the shuffle amidst movies that are funnier and more romantic, charming, & quotable. But if one makes the correct choice to recognize the imagery & meaning behind it all then it ceases to become the kind of breezy & watchable escapism that a good movie should be. It is a film best reserved for those rare moments of philosophical self-reflection.

 

 

*************************

 

Billy Madison

Release:    2/10/95

Starring:     Adam Sandler

Directed By:        Tamra Davis (Half Baked)

 

vs.

 

The American President

 

Quotes

Being President of this country is entirely about character. America isn’t easy. America is advanced citizenship. You’ve gotta want it bad.

 

You cannot address crime prevention without getting rid of assault weapons and hand guns. I consider them a threat to national security, and I will go door-to-door if I have to, but I’m gonna convince Americans that I’m right, and I’m gonna get the guns.

 

The American people have a funny way of deciding on their own what is and what is not their business.

 

Somewhere in Libya right now a janitor’s working the night shift at Libyan intelligence headquarters. He’s going about doing his job because he has no idea that in about an hour he’s going to die in a massive explosion. He has no idea that about an hour ago I gave an order to have him killed. You’ve just seen me do the least Presidential thing I do.

 

Perhaps I didn’t properly explain the fundamentals of the slowdown plan.

 

People want leadership, Mr. President, and in the absence of genuine leadership, they’ll listen to anyone who steps up to the microphone. They want leadership. They’re so thirsty for it they’ll crawl through the desert toward a mirage, and when they discover there’s no water, they’ll drink the sand.

 

Odds & Ends

The telephone number President Shepherd gives Sydney to call him back (456-1414) is in fact the number to the White House (area code 202).

 

Robert Redford was originally cast in the lead role, but was replaced with Michael Douglas after a falling out with Rob Reiner.

 

Early versions of the script depicted President Andrew Shepherd as a military veteran and former Special Ops Agent. Rob Reiner discussed the lead role with Bruce Willis and Steven Seagal before Aaron Sorkin’s re-writes transitioned Shepherd to a more academic character.

 

The screenplay for the film inspired many aspects of Sorkin’s later television drama The West Wing. The two productions follow the staff of a largely idealized White House, and like many of Sorkin’s projects, share ideologies. Even the set of the Oval Office in The American President was later used in The West Wing. Sorkin has indicated that much of the first season of The West Wing was actually taken from material he edited out of the first draft of The American President script.

 

___________________

Adam Sandler was a cast member on Saturday Night Live for the first half of the 1990s. He had bit parts in barely notable films like Shakes the Clown, Airheads, & Mixed Nuts while he was also doing SNL, but immediately following his departure from television he hit the ground running with Billy Madison, the story of a lazy & dim-witted 20-something coasting thru life in a state of arrested development and living off of his father’s hard earned wealth. When dear old Dad decides that one of his staff members would be more equipped to take over his business someday Billy objects, only to find out that the reason he made it thru grade school, middle school, & high school was because his father bribed teachers to pass him. Billy convinces his father to change his plan of succession on the condition that the young man complete twelve grades of school within six months. Hilarity ensues. Yes it is a bizarre & inane premise. Yes the critics hated it (46% on Rotten Tomatoes). Your 75 year old father probably doesn’t get it, and most teenagers won’t either, because Billy Madison is a very specific film for a smallish target audience. But more than two decades later those of us that got a chuckle out of Sandler’s antics back then are still watching Billy Madison now. It was the 65th highest grossing film of 1995, but a lot of movies that made more money that year…Major Payne, Rob Roy, Judge Dredd, Man of the House, The Net, Sabrina, Outbreak…have been forgotten, while television continues to air Billy Madison and people continue to watch. The American President slipped past Boogie Nights in Round 1 because I just can’t wrap my mind around a drama about the porn industry, and because it eventually sparked a greater legacy called The West Wing, one of the finest television shows of the past quarter century. Michael Douglas is an underrated actor and Annette Bening can be compelling in the right role. They both shine in lighthearted fare that allows them to smile & laugh.

 

The Verdict:       Billy Madison. Aaron Sorkin should consider The American President a beta test for what eventually became his best creation. I don’t know if it was him or someone else, but somebody somewhere figured out that an idealistic rendition of The White House with a charming President, dogmatic & loyal staffers, and snappy dialogue would make a much better TV show than a movie. Adam Sandler isn’t everyone’s cup o’ tea and no one is saying that he’s ever made a great film, but Billy Madison is harmless fun that has weathered the sands of time.

 

*************************

 

Grumpy Old Men

Release:    12/25/93

Starring:     Jack Lemmon, Walter Matthau, Ann Margret

Directed By:        Donald Petrie (Mystic Pizza, Miss Congeniality)

 

vs.

 

Mr. Saturday Night

Quotes

For me, my family was like, uh, Dances With Jews. Oh sure, we had names for our relatives like they had in that movie. We had “Eats With His Hands,” “Spits When He Talks,” “Makes Noise When He Bends,” “Sweats Like a Pig,” “Whines In a Cab,” “Never Buys Retail,” “Shaves His Back.”

 

Buddy, my whole life I listened to ya’ bellyache about your luck. Well, you are where you are because of who you are.

 

Odds & Ends

Marisa Tomei auditioned for the part of Buddy’s wife, Elaine, but was deemed too young for the role. Tomei later played Billy Crystal’s daughter in 2012’s Parental Guidance.

 

Billy Crystal’s directorial debut.

 

The film is based on a SNL Weekend Update sketch in which Billy Crystal plays Buddy Young Jr. reviewing a restaurant.

_________________________

 

Jack Lemmon & Walter Matthau starred in eleven movies together, the most famous of which is probably 1968’s The Odd Couple, an adaptation of Neil Simon’s stage play from a few years earlier. The play & film would eventually find its way to television in a series starring Tony Randall & Jack Klugman that ran thru the first half of the 1970s. Nearly three decades after their greatest success together the pair reunited in this charming comedy about two old geezers fighting over a woman. John Gustafson & Max Goldman are next door neighbors in the frozen tundra of Wabasha, MN. They spend their days fishing, drinking beer, watching TV, and insulting one other. We learn that they’ve known each other all of their lives but battled it out over a woman named Mae decades ago. Mae apparently chose John, but was unfaithful and eventually divorced him. Max ended up with a better woman (now deceased), but still harbors resentment over the one that got away. When a new lady moves in across the street…beautiful, slightly younger, & full of the spirit that Max & John lost long ago…the old rivalry finds new life. Grumpy Old Men was the 14th highest grossing film of 1993, ahead of Cool Runnings and Demolition Man but behind Free Willy and The Pelican Brief. Rotten Tomatoes gives it a score of 62%, with the NY Times cautioning “don’t expect their bickering to be on the level of Neil Simon and you won’t be disappointed”, Ebert calling it “too pat and practiced to really be convincing”, the Washington Post advising that “if you poke through the cheap sentimentality you’ll find a worthy picture somewhere”, and Entertainment Weekly observing that “the shallow pratfalls hide richly funny observations”. Mr. Saturday Night upset Scream in the first round because horror movies just don’t frost my cupcake. If Billy Crystal were an employee at an average 9-5 business his boss would describe him as solid, dependable, trustworthy, & proficient. In Hollywood terms that means that he’s rarely brought up in discussions about the biggest, hottest, most talented top box office stars, but he has carved out a nice career that’s lasted several decades and produced some quality entertainment. Mr. Saturday Night is unlikely to appeal to anyone younger than 35, which obviously has a negative impact on the kinds of numbers that Hollywood deems important. If it were made today instead of 25 years ago it might be direct-to-video or more likely an original production of Netflix or Hulu, which would be fine. That’s the world we live in, right?? As a writer I recognize the movie’s flaws but also have to give kudos to some outstanding performances. Crystal is known to be a big baseball fan, and in that sport’s parlance I’ll call this movie a single stretched into a double thru good base running, but there is no one on base, two outs, and the next batter strikes out, rendering the previous play somewhat futile.

 

The Verdict:       Grumpy Old Men. I still love you Billy Crystal!!

*************************

 

Father of the Bride

Release:    12/20/91

Starring:     Steve Martin, Kimberly Williams, Diane Keaton, Martin Short

Directed By:        Charles Shyer (Private Benjamin, Baby Boom)

 

vs.

 

City Slickers

 

Quotes

Value this time in your life kids, because this is the time in your life when you still have your choices, and it goes by so quickly. When you’re a teenager you think you can do anything, and you do. Your twenties are a blur. Your thirties, you raise your family, you make a little money and you think to yourself, “What happened to my twenties?” Your forties, you grow a little pot belly you grow another chin. The music starts to get too loud and one of your old girlfriends from high school becomes a grandmother. Your fifties you have a minor surgery. You’ll call it a procedure, but it’s a surgery. Your sixties you have a major surgery, the music is still loud but it doesn’t matter because you can’t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, you start eating dinner at two, lunch around ten, breakfast the night before. And you spend most of your time wandering around malls looking for the ultimate in soft yogurt and muttering “how come the kids don’t call?” By your eighties, you’ve had a major stroke, and you end up babbling to some Jamaican nurse who your wife can’t stand but who you call mama. Any questions?

 

Women need a reason to have sex, men just need a place.

 

Have you ever had that feeling that this is the best I’m ever gonna do, this is the best I’m ever gonna feel… and it ain’t that great?

 

We’re black and we’re dentists. Let’s not make an issue out of it.

 

We had different needs. I needed him to treat me decently and get a job, and he needed to empty my bank account and leave.

 

Ed, have you noticed that the older you get, the younger your girlfriends get? Soon you’ll be dating sperm.

 

Odds & Ends

The story that Billy Crystal tells about his “best day” of going to a Yankee game with his father is a true story from his childhood. He notes at one point that, “I still have the program.” Not only does he really still have it, but he got Mickey Mantle to autograph it twice: once at the game that day and once again some 20 years later on a talk show they were both guests on.

 

This was Jake Gyllenhaal’s film debut.

 

Billy Crystal is a diehard New York Yankees fan but wears a New York Mets cap in the film because the Mets made a major contribution to Comic Relief.

 

_________________________

 

See, I told you!! Billy Crystal is still in it to win it dawg!! City Slickers got past Hocus Pocus in Round 1 because who can deny the trifecta of an Academy Award, Crystal, and a 90% score from the critics?? Comedy is tricky. We like to divide everything into categories and stack things into neat little piles, but there are so many different kinds of comedy. When it comes to movies there are some that are just a jumbled mess that can’t decide what they are or the idea they are trying to convey. To my understanding the reason for that is oftentimes because so many writers, producers, directors, actors, & suits have tampered with the product in pre-production that by the time we see it on the big screen it’s like consuming a dish that dozens of cooks have had a hand in making without really communicating with one another, to the point that no one knows what the hell we’re eating. Conversely, great films have been infused with different flavors that are expertly blended, resulting in a pleasurable outcome. City Slickers is a cut above so many of the idiotic comedies that seem to find their way to our local cineplex in the 21st century. It actually has a point, with well-written characters that develop thru the story. None of the actors are the kind of popular hot commodities that seem to be in a different movie every other month, but the performances are tremendous and the cast gels together nicely. A sequel…called City Slickers II: The Legend of Curly’s Gold…was made a few years later, but the magic was gone, and it didn’t help that Jon Lovitz joined the cast. Lovitz ruins everything. Father of the Bride is a remake of a 1950 film starring Spencer Tracy and Elizabeth Taylor. Steve Martin plays the beleaguered father of a 20-something daughter who has just announced her engagement. Despite Dad’s dreams of a simple backyard BBQ wedding the bride-to-be and her mother have a different idea and hire a hilariously weird wedding planner. Dad’s a cheapskate who isn’t emotionally ready to let his little girl go, so the whole process is torturous & expensive for him, but everything works out just fine in the end. FotB was 9th highest grossing film of 1991 and has a solid 71% score on Rotten Tomatoes. In comparing the remake to the original the NY Times said “the material has been successfully refurbished with new jokes and new attitudes”. Ebert called it “a movie with heart” with “little moments in it when Martin is deeply moved”. Entertainment Weekly liked the “feel-good finale’, but wasn’t overly impressed by “the pat, amiable, and rather dawdling farce that preceded it”.

 

The Verdict:       Father of the Bride. I suppose one might consider it a slight upset. Most critics would probably say that City Slickers is clearly the better movie. For me it is largely about repeat viewings. As good as many seem to think it is, City Slickers just hasn’t popped up on television all that much in the past 27 years, and as such it is kind of easily forgotten. Father of the Bride, on the other hand, seems to be on an awful lot, and at some point in the past couple of decades I have developed a deep affection for it.

 

*************************

 

Office Space

Release:    2/19/99

Starring:     Ron Livingston, Stephen Root, Gary Cole, Jennifer Aniston

Directed By:        Mike Judge (Beavis & Butt-Head Do America, Idiocracy)

 

vs.

 

Hook

 

Quotes

Oh, I hate being disappointed, Smee. And I hate living in this flawed body. And I hate living in Neverland. And I hate, I hate, I hate Peter Pan!

 

The stories are true! I swear to you! I swear to you on everything I hold dear! And now he’s come back to seek his revenge. The fight isn’t over for Captain James Hook. He wants you back. He knows that you’ll follow Jack and Maggie to the ends of the earth and beyond. And by heavens, you must find a way. Only you can save your children. Somehow, you must go back. You must make yourself remember.

 

Your children love you, they want to play with you. How long do you think that lasts? Just a few years, and it’s over. And you are not being careful. And you are missing it.

 

You know you’re not really Peter Pan, don’t you? This is only a dream. When you wake up, you’ll just be Peter Banning…a cold, selfish man who drinks too much, is obsessed with success, and runs & hides from his wife & children.

 

That is the same window and this is the same room where we made up bedtime stories telling about Peter, Neverland, and scary old Captain Hook. But did you know that Mr. Barrie… well, Sir James, our neighbor, he loved our stories so much that he wrote them all down in a book… oh dear me… eighty years ago.

 

Odds & Ends

The kissing couple who begin to float when some fairy dust lands on them are actually George Lucas and Carrie Fisher in a cameo.

 

Williams & Spielberg became close friends after making this film. Reportedly, after Williams’s death, Spielberg decided to watch this film out of remembrance but couldn’t finish it because he couldn’t stop crying for hours.

 

Maggie Smith, being only 56 years old at the time of filming, was aged up by makeup to play 92-year-old Granny Wendy.

 

Julia Roberts was nicknamed “Tinkerhell” because she was difficult to deal with, a reaction to her working conditions of solitude & a green screen.

 

Dustin Hoffman’s former co-star, Jon Voight, asked him if he could bring his children, James Haven and Angelina Jolie, to the set because they were “dying to meet Captain Hook.” Hoffman agreed to meet them while in costume. Jolie was 16 years old, and Hoffman described her as a “tall, thin, gawky-looking girl with a mouth full of braces.” After Jolie told Hoffman she was going to be an actress, Hoffman went home to his wife and said, “I don’t think this kid has any idea what a tough road she’s got.”

 

Steven Spielberg admitted to being disappointed with final result of the movie. He had such a hard time working with the rebellious crew of young actors that he later said, only somewhat kiddingly, that the experience made him wonder if he wanted to have any more kids. He also felt guilty that he wasn’t able to find an economical method to filming the many complex human-flight sequences in the film.

 

Gwyneth Paltrow appears briefly as the teenage Wendy.

 

Dustin Hoffman based the voice of Captain Hook on that of the columnist William F. Buckley.

 

Glenn Close, Phil Collins, Steven Spielberg, David Crosby, & Jimmy Buffett all make cameos.

_____________________________

 

Office Space is the very definition of a cult classic. No one paid attention to it in theaters. It ranked 121st at the box office in 1999. 121st!! Something called The Adventures of Elmo in Grouchland made more money. I knew nothing about it until 3 or 4 years later when a co-worker kept quoting it and told me how awesome it is. At the time he & I both worked at a place strikingly similar to the business depicted in the film. Actually I think anyone who has ever worked in any kind of office can see similarities between their reality and what we see onscreen, which is a huge reason Office Space became such a big hit on home video. The cast is filled with character actors that have never done much beyond supporting roles on both television & film, with the lone exception being Jennifer Aniston. In 1999 she was halfway thru her run as Rachel on Friends, and I guess she was supposed to help Office Space make money, but her role is smallish and not at all why people love the movie. Rotten Tomatoes gives it a 79% score, though most of those reviews were done in hindsight, long after it had gained traction and gained popularity. I’m going to go out on a limb and assume that very few critics even bothered to watch it or write a review back in 1999. The Washington Post called it “a knowing, somewhat slight, often hilarious sendup of cubicle culture” that “exploits the yuks in the chronic misery of those routinely exposed to the monotonous gray of corporate minds and company décor”. Variety said it is “frequently uproarious”, Ebert observed that “movie’s dialogue is smart”, and the Village Voice dubbed it “a surprisingly good-natured comedy about the suppressed rage and paranoia of unappreciated employees”. As a perpetually underappreciated employee I must agree. Hook benefitted from a first round cop-out tie from me, though with a cast that includes Robin Williams, Dustin Hoffman, & Julia Roberts, all directed by Steven Spielberg, one would think it shouldn’t have to rely on such benevolence. I’ve told this story before, but I fondly recall seeing Hook in an old historic theater in downtown Huntington, WV. I was with a few of my fraternity brothers and we were the only people there, which began my lifelong affection for an essentially empty theater versus being in a crowded one. At any rate, that memorable viewing experience combined with my fondness for Williams has combined to elevate Hook a bit higher in my heart & mind than it probably deserves.

 

The Verdict:       Office Space. If I’m being honest I have to admit that Hook has its flaws. Julia Roberts as Tinkerbell was a huge mistake. The whole “Peter Pan grew up to be an uptight Type A neglectful workaholic that ignores his family” thing is a premise that probably sounded really cool in the early 90’s, but in retrospect a straight retelling of the Peter Pan story might have been a better choice. Spielberg is indisputably brilliant, but he could have benefitted from the kind of CGI and technological movie magic that probably wasn’t available in the 90’s. Office Space is more proof that when a story really works, the script is well written, and the jokes are funny a big budget and top shelf actors aren’t necessary. It further illustrates the difference between a movie that’ll make a splash on the big screen for a few weeks but quickly evaporate into the pop culture ether versus something that is built to last and make a long term impact.

*************************

 

The Wedding Singer

Release:    2/13/98

Starring:     Adam Sandler, Drew Barrymore

Directed By:        Frank Coraci (The Waterboy, Blended)

 

vs.

 

Edward Scissorhands

 

Quotes

It’s not heaven he’s from! It’s straight from the stinking flames of hell! The power of Satan is in him; I can feel it. Can’t you? Have you poor sheep strayed so far from the path? He has been sent first to tempt you. But it’s not too late. You must push him from you, expel him! Trample down the perversion of nature!

 

Sweetheart, you can’t buy the necessities of life with cookies.

 

The years spent in isolation have not equipped him with the tools necessary to judge right from wrong. He’s had no context. He’s been completely without guidance.

 

You see, before he came down here, it never snowed. And afterwards, it did. If he weren’t up there now, I don’t think it would be snowing. Sometimes you can still catch me dancing in it.

 

Odds & Ends

The idea for the movie was inspired by a drawing Tim Burton had done when he was a teenager,The drawing depicted a thin, solemn man with long, sharp blades for fingers. Burton stated that he was often alone and had trouble retaining friendships. “I get the feeling people just got this urge to want to leave me alone for some reason, I don’t know exactly why.”

 

Winona Ryder dropped out of The Godfather: Part III to appear in this film. Reportedly, it was Johnny Depp who actually convinced her to do so.

 

Vincent Price’s role was intended to be larger, but the veteran actor was very ill with emphysema and Parkinson’s disease, so his scenes were cut to a minimum.

 

The houses used in the film were a real community in Florida, completely unchanged, except for their garish exterior paint.

 

Some of the topiary that Edward makes in the movie can be seen permanently at the New York City restaurant Tavern On the Green.

 

Viewers are left to decide whether they think Kim is telling a fairy tale to her granddaughter or relating a story about something that really happened to her.

 

Burton and screenwriter Caroline Thompson cite various monster stories like The Hunchback of Notre Dame, The Phantom of the Opera, Frankenstein, King Kong, and Creature from the Black Lagoon as an influential to the film.

 

___________________________

When did I become old enough that the 1980’s could be deemed proper fodder for nostalgia?? Apparently the answer to that question is 1998. Sandler followed-up his successful hits Billy Madison and Happy Gilmore with a story about Robbie Hart, an aspiring musician who lives with his sister & her family in New Jersey. Robbie’s dreams of becoming a rock star seem to have faded as he has settled into an apathetic existence as the leader of a cover band that performs at weddings, birthday parties, & bar mitzvahs. His girlfriend has grown weary of this lack of vision & ambition and ditches him at the altar on their wedding day. Robbie has a hilarious yet pitiful breakdown, but the clouds begin to lift when he meets Julia, a waitress at the catering hall where he often performs. If rom-coms were sports teams Sandler & Barrymore would be great backups coming off the bench behind starters Tom Hanks & Meg Ryan. They’ve done three movies together and this first collaboration is the best. It was the 24th highest grossing film of 1998 (behind Shakespeare in Love but ahead of Halloween: H2O) and holds a 68% score on Rotten Tomatoes. The L.A. Times glowingly called it “a sparkling romantic comedy…the kind that glides by so gracefully & unpretentiously that it’s only upon reflection that you realize how much skill, caring, and good judgment had to have gone into its making”, while Ebert opined that “one of the sad byproducts of the dumbing-down of America is that we’re now forced to witness the goofy plots of the 1930s played sincerely, as if they were really deep”. I’m not really sure exactly what that means, but it makes me wonder what Roger Ebert…who died in 2013…would think of some of the absolute crapfests that besmirch theaters these days, because The Wedding Singer is Citizen Kane in comparison to many of them. Edward Scissorhands got past Mallrats in Round 1 because I just don’t understand what the big deal is about Kevin Smith. It’s hard to categorize Edward Scissorhands, but I think that’s part of its charm. It appeals to different people for various reasons, and all of those perspectives are valid. The film is visually stunning, with the fascinating contrast between Edward’s gothic existence and the colorful 50’s vibe of the human neighborhood he is brought to, and as a person with a disability who has oftentimes found it challenging to fit into “normal” society I appreciate that theme. Burton squashed the idea of a sequel a few years ago, and one can only hope he doesn’t ever let anyone do a stupid remake.

 

The Verdict:       The Wedding Singer. This one comes down to repeat viewings for me, and I can’t remember the last time I watched Edward Scissorhands. Burton is a weird dude who’s made some strange movies. Some of them aren’t bad, but personally I have to be in the right kind of mood to enjoy his stuff. The Wedding Singer has wider appeal, and especially speaks to an 80’s kid like myself.

 

*************************

 

Die Hard: With A Vengeance

Release:    5/19/95

Starring:     Bruce Willis, Samuel L. Jackson, Jeremy Irons

Directed By:        John McTiernan (Predator, The Hunt for Red October. The Last Action Hero)

 

vs.

 

Goodfellas

Release:    9/19/90

Starring:     Ray Liotta, Robert DeNiro, Joe Pesci

Directed By:        Martin Scorsese (Taxi Driver, Raging Bull, The Last Temptation of Christ)

 

vs.

 

Twister

 

Quotes

When you told me you used to chase tornados I always thought it was a metaphor!

 

It’s the Fujita Scale. It measures the intensity of a tornado by how much it eats.

 

He’s a nightcrawler. We all started out working in the same lab, but Jonas went out and got some corporate sponsors. He’s in it for the money not the science. He has a lot of high tech gadgets, but he doesn’t have any instinct.

 

Odds & Ends

Filming in Oklahoma was briefly delayed due to the bombing of the Alfred P. Murrah Federal Building in Oklahoma City on April 19, 1995. Much of the crew went to the site to help with recovery efforts.

 

A recording of a camel’s moan was slowed down and used as the sound of the tornado.

 

The characters are alarmed when TV screens go blank, showing only static, before the tornado hits. In the days before digital TV, it was discovered that tornadoes generate a signal that will override and blank channel 2 on TV sets. Digital TVs do not react that way.

 

In the town of Wakita, the building the actors used to get ready for filming was turned into a museum for the movie where they have “Dorothy” on display as well as many other items from the movie.

 

As one of the characters looks at the screen of their weather computer, he screams “That’s no moon, it’s a space station!” That’s Obi-Wan Kenobi’s line when he, Luke, Han, and Chewbacca first discover the Death Star.

 

____________________________________

 

Bruce Willis has now made five Die Hard films, with one final swan song allegedly on the way (reportedly a prequel). I don’t think it’s possible to surpass the first one, but Vengeance gives it a heck of a try. Seven years after the dramatic Christmas party at Nakatomi Plaza and five years after another memorable yuletide at an airport Detective John McClane is again estranged from his wife, suspended from the NYPD, and apparently an alcoholic. But then a terrorist threatens to blow up a school and specifically requests McClane’s involvement in the case, which involves a cat & mouse game of solving riddles throughout The Big Apple. McClane’s impromptu partner this time is a Harlem store owner named Zeus, who inadvertently gets pulled into the action. The criminal turns out to be the brother of the bad guy from the first film, and there is a similar twist as far as what his motives are. Jackson was a welcome addition to the franchise and breathes a lot of life into the story. Vengeance was the tenth highest grossing film of 1995 but holds an unimpressive 52% rating on Rotten Tomatoes. Variety said that it “degenerates into an improbable & confusing series of chases and an overly involved heist that takes far too long to set up”, Rolling Stone called it “a tense, terrifically funny action dazzler”, Ebert referred to it as “a wind-up action toy…cleverly made and delivered with high energy”, and Entertainment Weekly thought it was “a more racially charged Lethal Weapon”, opining that the mad bomber “toys with McClane like a villain on the old Batman TV series”. Twister easily beat Very Bad Things in Round 1 but now faces a stiffer challenge. Time Magazine harshly observed that “you know a movie is in trouble when a cow provides its only moment of authentic human interest”. Variety said that the movie “conveys the overwhelming impression of a mechanical entertainment, a very high concept in which the characters and their problems seem like utterly arbitrary creations”. The NY Times thought that “science aside… it works as escapism even if you do know enough to come in out of the rain”. Goodfellas is a mob movie far different from anything we saw in The Godfather films. Based on the story of real life mobster Henry Hill, Goodfellas is a grittier and less cinematic story than The Godfather, but I suspect that it’s a more accurate portrayal of mob life. The cast is first rate, and the movie was nominated for a half dozen Academy Awards, including Best Picture and Best Director. However, the only Oscar it took home was Best Supporting Actor for Pesci. Goodfellas was the 26th highest grossing film of 1990, behind Problem Child, Days of Thunder, and the much maligned Godfather Part III, but ahead of Rocky V, Predator 2, and Ernest Goes to Jail. It has a near perfect Rotten Tomatoes score of 96%. The NY Daily News said that “Scorsese succeeds in smashing all the foolishly romantic myths about the mob with this shocking, vigorously honest portrait”, Rolling Stone observed that it “bristles with violent passion, howitzer wit, and virtuoso style”, and Variety dissented from the majority by calling it “colorful but dramatically unsatisfying”. Our buddy Ebert didn’t hold back when he said that “no finer film has ever been made about organized crime…not even The Godfather”, which is where I have to draw the line. I have no doubt that Goodfellas is more authentic, but Variety hit the nail on the head by calling it dramatically unsatisfying. The old saying is that truth is stranger than fiction…but is it more entertaining?? I don’t think so.

 

The Verdict:       Die Hard: With a Vengeance. With all due respect, I must defend The Godfather. It may be more realistic, but Goodfellas is NOT a better movie…not in any universe I’d ever want to inhabit. That’s just crazy talk. I’m not really into violence, and Goodfellas is a much more vicious film than The Godfather, while none of its characters are as well written or performed with the exception of Pesci’s Tommy DeVito. Twister is a decent disaster flick, but gets lost in the shuffle amongst much better movies of that genre. Vengeance isn’t as good as the original Die Hard, but it’s certainly better than any of the other sequels, and it’s one of my favorite Samuel L. Jackson performances.

100 Favorite Movies…..16-20

As the cream rises closer and closer to the top you, my dear reader, get another set of examples illustrating my eclectic tastes. Today’s group includes a musical, a drama, an action-adventure, a comedy, and of course my favorite…the Christmas film. Enjoy.

 

 

 

20 Grease

Grease is the word. It’s got groove, it’s got meaning. Grease is the time, is the place, is the motion. Grease is the way we are feeling. Or atleast it’s the way I am feeling at the moment. Released in 1978 but set in the 1950’s, Grease is another one of those films that has a certain timeless quality. Not all of us constantly broke out into song in high school but the issues faced at that time in our lives…the cliques, peer pressure, the snarkiness, bittersweetness of innocent love, rebellion against authority, the absolute need to be cool…are universal. 21st century teens are faced with modern problems…drugs, STDs, gun violence…that make those dealt with in Grease seem innocent in comparison, but anyone who remembers high school knows what a huge deal those seemingly innocent obstacles feel like at the time. Based on a 1971 play that I have admittedly yet to see but hope to someday, Grease has long been one of my very favorite movies. John Travolta and Olivia Newton-John star as star-crossed lovers who met over the summer and now end up at the same school. Travolta’s Danny Zucco is a leather jacket wearing bad boy and leader of The T-Birds, a fairly innocuous “gang” by today’s standards. Newton-John’s Sandy is the girl-next-door goody-two-shoes who isn’t quite edgy enough for the school’s female cool crew, The Pink Ladies. They and their friends engage in assorted hijinks like mooning a national TV audience when an American Bandstand-esque show broadcasts live from Rydell High, going head to head with a rival gang in a supposedly dangerous car race, and various breakups, arguments, and reunions. It’s all quite tame but nonetheless entertaining. The soundtrack is catchy and memorable. As a 3rd grader back in the early 80’s I once sang the song Sandy in a talent show. I was supposed to do it with two pals, but they no showed and I did it alone. I don’t think there is enough money or booze in the universe capable of getting me on a stage like that all these years later, but it is a fun memory. Grease still pops up on television quite frequently and has withstood the test of time quite well. I am shocked that someone hasn’t attempted to do a remake, and I sincerely hope that never happens. A sequel was made in 1982 starring Michelle Pfeiffer and Adrian Zmed, but it bombed at the box office and is usually mentioned in conversations about the worst sequels of all time. Personally I don’t hate it all that much, but there is no doubt that it doesn’t come close to stacking up against its predecessor. Olivia Newton-John never again attained the success she reached with Grease, and other than Saturday Night Fever it is Travolta’s signature role. I suppose other films may surpass it on my list as time passes, but I have no doubt that Grease will always hold a special place in my heart.

 

19 The Fugitive

Some movies are like wine…they get better with age and repeated viewings. Such is the case with The Fugitive, a film I liked when it first came out but have steadily grown fonder of as the years have passed. Based on a 1960’s television series, it is the story of an Indiana doctor who is convicted of murdering his wife and goes on the run (thanks to a train crash while en route to death row) to escape the death penalty, all the while maintaining his innocence and searching for the real killer who he claims is a one-armed man. In the TV show Dr. Richard Kimble pops up in a different small town each week with a fake name and doing odd jobs. Invariably his medical expertise is required and since he is a good guy he puts his efforts to remain under the radar aside and comes to the aid of people in need. This always attracts the attention of police Lieutenant Gerard who is doggedly pursuing Dr. Kimble across the fruited plain. The movie doesn’t stray too far from its origin story. Dr. Richard Kimble is portrayed by Harrison Ford with a mixture of pathos, street savvy, fear, courage, anguish, and determination. Gerard, now portrayed as a U.S. Marshal with gritty determination and sardonic wit by the exemplary Tommy Lee Jones, begins the chase. He and his posse don’t have to go far, as Dr. Kimble never leaves his hometown (although it is Chicago instead of a small Indiana hamlet). Kimble is hell-bent on finding the one-armed man, and Gerard is just as resolute in his mission to track down the convict. The cat & mouse game, the close calls, and the daring escapades of Kimble, who is concurrently pursuing and being pursued, gives the viewer a heart pounding edge-of-your-seat thrill ride while always remaining within the realm of plausibility and never straying from writing that is nothing short of excellent. The Fugitive is that rare action film with a well laid out plot. It does not rely on phony looking special effects and mindless explosions and gunfire for no apparent reason. The bus wreck/train crash that sets the chase in motion by facilitating Kimble’s escape is one of the more memorable scenes in recent movie history and kudos should be given to the folks who pulled that off. The climax is exciting though convoluted. The details of who really killed Kimble’s wife and why are secondary to the fact that it wasn’t him, he confronts the real culprit, and Gerard is thrown into the mix as a wild card whose actions are unpredictable. The one-armed man is sort of a MacGuffin, as he may have actually committed the crime but he was just a hired hand (pun very much intended). Tommy Lee Jones has flourished as a non-traditional leading character actor despite having to serve time as Algore’s roommate at Harvard in the 60’s, and he won an Oscar for Best Supporting Actor for his effort in The Fugitive. To be honest he is just as much the star as Ford though. Both men are pivotal to the success of the film. Could The Fugitive have been made with two different actors?? Sure. Would it have been anywhere near as good?? I have serious doubts. My affection for this film has been surprising to me, as it isn’t at all the type of movie I usually enjoy. And it is far and away one of the best movies based on a television series. I think the secret lies in the restraint exercised by both actor and director alike. There is action, but not the typical cartoonish violence we see in a lot of movies. There is drama and suspense, but the performances aren’t forced or over-the-top in any way. The Fugitive sneaks up on you, and I’m not complaining.

 

18 Dead Poets Society

Carpe Diem. If you do not know what that means then you have never watched Dead Poets Society and you need to get yourself to a video store or on Netflix ASAP. I am a big fan of Robin Williams the comedian and Robin Williams the actor. He won the Oscar for Best Supporting Actor in 1998 for Good Will Hunting, but in my mind he should have received a statue 9 years earlier for this performance, a contest he lost to Daniel Day-Lewis who starred in some movie all of a dpsdozen people ever gave a damn about. The movie itself was also nominated for Best Picture, as was a movie you will see later on in this list, Field of Dreams. Both lost out to Driving Miss Daisy. These two travesties of justice prove just how little the Hollywood award shows really matter. Anyway, Williams stars as John Keating, an English teacher at a stuffy New England prep school in the 1950’s. His teaching methods are rather…unconventional, which suits his students just fine but raises some eyebrows amongst the school’s old fashioned elitist hierarchy. Keating teaches his students about more than just what their books say…he teaches them life lessons. He implores them to “suck the marrow out of life” and to make their lives extraordinary. A small group of boys in his class discover that when Keating was a student he was part of a secret society that would sneak out at night, meet in a cave, and read poetry. That sounds innocent enough by 21st century standards, but in the time this story is set it has an air of mystery and danger. The boys revive this Dead Poets Society and begin to buy into what Keating is selling, challenging authority and refusing more and more to conform to others’ expectations. One of the students, Neil, defies his overbearing father by performing in a play. The father expects Neil to matriculate to Harvard and become a doctor. The burden of this battle eventually persuades Neil to commit suicide. An investigation is launched, and somehow Keating is blamed for Neil’s death and loses his job. I know it sounds depressing, and the school, its faculty, and the obtuse parents are depressing. But Keating is the type of inspirational teacher we all wish we’d had more of in school. Williams’ performance is extraordinary. He throws in some of his trademark humor, but for the most part reigns in the manic schtick and is rather understated and nuanced. I wish he would make better choices with his roles, because when given good stuff to work with like Dead Poets Society, Good Will Hunting, Mrs. Doubtfire, and Good Morning Vietnam he knocks it out of the park, making it all the more disappointing when his ample talents are wasted in crap like Toys, Patch Adams, Bicentennial Man, and Death to Smoochy. The group of boys who are the main focus of the story are portrayed by young actors who I thought might become a bit more successful, with the most famous among them being Ethan Hawke in what was only his 2nd film. Dead Poets Society has aged well and has that timeless quality that I seem to gravitate toward. It is a bittersweet viewing for me these days. When the movie came out over 20 years ago I was on the verge of attending college and had my whole life in front of me. The advice given by Keating resonated deeply. Two decades later and I realize just how much I did not seize the day and just how unextraordinary my life has been. Dead Poets Society should be shown to all high school seniors or college freshman, with the directive to take the road less travelled, contribute a verse to the poem of life, and live up to what we are fully capable of with passion and vigor all being given special emphasis. Carpe Diem indeed.

 

17 Bull Durham

If baseball were as fun as Bull Durham makes it look I could totally buy into the whole bit about “the national pastime”. Watching this movie we see nothing about steroids, gambling, or other cheating scandals. The players are portrayed as loveable ne’er-do-wells who aren’t too bright but they sure do know how to have fun. Rather than give us a glimpse of the big leagues, Bull Durham gives us some insight into the minor leagues, where the players aren’t playing for megabucks and being treated like kings. They are renting rooms, riding on buses, and finding ways to combat boredom between games. Kevin Costner stars as Crash Davis, a long-in-the-tooth veteran catcher who is given the task of holding the hand of dimwitted bonus baby pitcher Nuke Laloosh, played by Tim Robbins in his breakout role. They form an odd triangle with Annie Savoy (played by Susan Sarandon), a groupie who chooses one player from the Durham Bulls each season with which to have an affair. Annie is…unique. She has a singular set of values, and views herself as sharing more than just a bed with her chosen beau. It is a strange brew of spiritualism, friendship, poetry, metaphysics, sensuality, and moral support. She tells us, in a voiceover at the start of the film, that she believes in “the Church of Baseball” because she has “tried all the major religions, and most of the minor ones. I’ve worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms, and Isadora Duncan. There are 108 beads in a Catholic rosary and there are 108 stitches in a baseball. When I heard that, I gave Jesus a chance. But it just didn’t work out between us. The Lord laid too much guilt on me. I prefer metaphysics to theology. You see, there’s no guilt in baseball, and it’s never boring… which makes it like sex. There’s never been a ballplayer slept with me who didn’t have the best year of his career. Making love is like hitting a baseball: you just gotta relax and concentrate. Besides, I’d never sleep with a player hitting under .250… not unless he had a lot of RBIs and was a great glove man up the middle. You see, there’s a certain amount of life wisdom I give these boys. I can expand their minds. Sometimes when I’ve got a ballplayer alone, I’ll just read Emily Dickinson or Walt Whitman to him, and the guys are so sweet, they always stay and listen. ‘Course, a guy’ll listen to anything if he thinks it’s foreplay. I make them feel confident, and they make me feel safe, and pretty. ‘Course, what I give them lasts a lifetime; what they give me lasts 142 games. Sometimes it seems like a bad trade. But bad trades are part of baseball It’s a long season and you gotta trust. I’ve tried ’em all, I really have, and the only church that truly feeds the soul, day in, day out, is the Church of Baseball.” When Crash refuses to “try out” Nuke becomes Annie’s boy toy by default. Meanwhile, the relationship between pitcher and catcher is volatile, as world-weary Crash resents the “million dollar arm and ten-cent head” of the wildly goofy Nuke. The supporting cast is chock full of unknowns whose career highlight likely was Bull Durham, but that is just fine. The three main characters along with a strong, well written, amusing script are enough to make this a movie that has stood the test of time. One cannot help but think of it when attending any type of baseball game. Every time I see a “conference” on the mound I wonder if they are really talking about live roosters, jammed eyelids, and how candlesticks make a nice wedding gift. Eventually our trio comes to a crossroads. Nuke is called up to “The Show” and we get an inkling that some of Crash’s wisdom may have actually seeped through. Crash is released from the team once his babysitting task is done and must decide whether or not to call it a career or keep chasing a dream he knows will never become reality. And Annie must face her feelings for Crash. There is a certain sweetness mixed in with the hilarity, and that is a good combination. Writer/director Ron Shelton has done a few other notable films…White Men Can’t Jump and another Costner vehicle, Tin Cup, among them. But Bull Durham is one more case of lightning in a bottle, a once in a lifetime piece of magic that is almost impossible to replicate.

 

16 The Polar Express

So many words come to mind when trying to describe The Polar Express, but over the years I have come to settle on a just a few…whimsical, magical, and hauntingly beautiful. It somehow manages to put a smile on one’s face and bring a tear to the eye at the same time. The Polar Express is the quintessential embodiment of the spirit of Christmas. Does it invoke the name of Jesus or talk about the true reason for the season?? No. But I suppose I have become sort of immune to that type of omission. I understand the forces of political correctness and the fact that Christianity is a target in our modern world. Readers of The Manofesto know of my immense fondness for Christmas movies, and I am at peace with the fact that they either focus on the inherent wackiness of family interaction during the holidays (National Lampoon’s Christmas Vacation, Four Christmases, Home Alone), confront commercialization and its many branches (A Christmas Story, Deck the Halls), or tell a variation on the story of Santa (The Santa Clause, Elf, Miracle on 34th St., Fred Claus). I am strong in my faith and don’t need validation from Hollywood. However, I do like stories that, in their own way, talk about things that are representative of the teachings of Christ and exemplify the undefined, you-know-it-when-its-present Christmas Spirit. The Polar Express is based on a 1985 children’s book but did not get the big screen treatment until 2004. A big reason for that is the motion capture technology used, which wasn’t available in the 80’s. I cannot imagine a live action movie being within the realm of possibility, and I am so very glad an ordinary, ho-hum, been there done that animated film was not made. Some find motion capture to be a bit creepy, and it is very distinctive. Personally I find it visually stunning, which probably plays a major role in my affinity for The Polar Express. The story involves a young boy, never named or given an age, but seemingly right at that point in life where his belief in Santa Claus is beginning to wane. As he lay in his bed on Christmas Eve thinking over this very subject, a locomotive screeches down his street. This train if for children exactly like him…kids who are on the verge of putting Santa in the ol’ rear view mirror. The boy boards the train and makes friends with a young girl, a shy boy, and an annoying know-it-all. The trip toward the North Pole is full of action and adventure, but the group eventually makes it safely. Once there they meet Santa Claus and the boy is given the first gift of Christmas for that year, a small sleigh bell. The movie closes with a poignant voiceover that basically says that true believers will always hear the ringing, but most of us eventually lose the ability to hear the lovely sound of the bell. I take that as an allegory, alluding to the fact that most of us don’t see or hear the beauty in the world because we get too busy and caught up in our own drama. We don’t take time to stop and listen. I am 37 years old and long ago learned the truth about Santa, but there is and hopefully always will be a small part of me that yearns for the myth to be true. Jesus tells us in the book of Matthew that we are to be like little children, retaining our innocence and always leaning on Him for guidance. We have a tendency to grow up and shed our idealism in favor of doubt, skepticism, and cynicism. I have never had an issue with Santa Claus as a symbol of Christmas because I think that he represents the purity of childhood, an ideal state that The Lord tells us we need to somehow retain. I think Jesus and Santa would be friends. That statement may be equally offensive to hardcore Christians and agnostic secular types, and that’s okay…to each his own. As for me, I will continue to look forward each Christmas season to watching The Polar Express and being magically transported back in time, to that period in my life when all seemed right with the world.