100 Memorable Movie Characters – The Top 10

The most amazing thing for me is that every single person who sees a movie brings a whole set of unique experiences. Through careful manipulation & good storytelling you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time. – Steven Spielberg

“Stay tuned for the Top 10…coming…soon-ish.” That’s what I said at the end of the previous installment of this series…a little over a year ago. There’s been a lot of water under the bridge since then, but this isn’t the time to dive down that rabbit hole. At this moment I just want to finish what I started way back in October 2019. As I’m sure you’ll want a little refresher please check out how we got to this point by going here, here, here, here, & here. It’s good to be back.

10      Forrest Gump (Forrest Gump)

An unnamed person, in a conversation with legendary college football coach Bear Bryant, describes the titular character in 1994’s Best Picture simply & succinctly as “a local idiot”. Of course he is so much more. It is my understanding that the film is significantly different in tone from the book it is based on, but either way it is a flight of fancy in which the aforementioned idiot finds himself in a number of inexplicable situations, from playing college football at Alabama to becoming a war hero to blowing the whistle on Watergate burglars to owning his own shrimping business. Forrest isn’t completely oblivious, and he has a level of common sense that would be the envy of many real life individuals nowadays. He loves his Mama and meets his girl Jenny in grade school, although it takes her a few decades to return his affection. Those two ladies are all he really cares about until he gets to Vietnam and meets his buddy Bubba, whose life is cut tragically short, and Lt. Dan, who eventually becomes his best friend & business partner. Tom Hanks won his second consecutive Academy Award for Best Actor for the role, and we all should be thankful he got the part after John Travolta, Bill Murray, Chevy Chase, and Sean Penn all allegedly passed on it.

Quotes

“Mama always said ‘Life is like a box of chocolates…you never know what you’re gonna get’.”

“Jenny and me was like peas & carrots.”

“Mama says stupid is as stupid does.”

“I never went back to work for Lieutenant Dan, though he did take care of my Bubba-Gump money. He got me invested in some kind of fruit company. And so then I got a call from him saying we don’t have to worry about money no more. And I said ‘That’s good…one less thing’.”

“I’m not a smart man, but I know what love is.”

“I don’t know if Mama was right or if it’s Lt. Dan. I don’t know if we each have a destiny, or if we’re all just floating around accidental-like on a breeze, but I think maybe it’s both happening at the same time.”

9        Dorothy Gale (The Wizard of Oz)

Judy Garland was 16 years old when she portrayed Dorothy in the 1939 classic, which was an annual television tradition when I was a kid (a quaint notion these days). Garland starred in dozens of films in a career that spanned four decades (remarkable when you considered she passed on at the young age of 47), but she’ll always be remembered as Dorothy, a Kansas farm girl who gets caught in a tornado and either has a really cool dream or actually goes to a fantasy land called Oz, depending on one’s interpretation of the movie. L. Frank Baum wrote 14 novels about Oz, which means that we missed out on a bunch of potential sequels. I guess Hollywood did business a whole lot different back then. At any rate, Garland’s talents as a singer & actress, as well as her youthful innocence, made her the perfect choice for the role.

Quotes

“Toto, I’ve got a feeling we’re not in Kansas anymore.”

“Lions, and tigers, and bears! Oh my!”

“There’s no place like home.”

8 Batman, Superman, & Spider-Man (various films)

I’m not a comic book guy…never was, even as a little boy. However, superheroes are such a ubiquitous part of the pop culture landscape that there are plenty of ways to become familiar with and be entertained by the plethora of adventures they engage in. Though it might be a fun debate I am fairly certain that most would consider the Big Three superheroes to be Batman, Superman, & Spider-Man. My particular favorite has always been Batman, precisely for the reason that some question his status as a superhero at all. He’s not an alien. His body hasn’t been genetically altered in any way. He doesn’t have any kind of magic powers. Batman is simply a mega rich business mogul who has dedicated his life to vigilante justice because he is psychologically damaged after watching his parents get murdered when he was a little boy. I dare you to come up with cooler origin story. Superman is an “undocumented worker” from the planet Krypton whose spaceship lands in Kansas. After growing up on the farm he becomes a big city reporter, but when he takes his glasses off & uses a phone booth to change into his red caped costume he becomes indestructible, has x-ray vision, and can fly. Spider-Man is a typical American teenager who is bitten by a radioactive spider and develops all kinds of cool powers, including the ability to shoot webs from his wrist that help him to scale tall buildings & fly. He decides to use his unique skills to bring bad guys to justice after his Uncle Ben is shot by a street thug. Our three superheroes have starred in dozens of movies & TV shows. My favorite big screen Caped Crusader was portrayed by Michael Keaton in the late 80s Tim Burton films. As far as I’m concerned the late Christopher Reeve will always embody Superman. And though I am pretty fond of Tobey Maguire’s version of Spider-Man from a couple of decades ago I have to say that the current incarnation as presented by the Marvel Cinematic Universe is quite entertaining.

Quotes

“Maybe that’s what Batman is about. Not winning, but failing and getting back up. Knowing he’ll fail, fail a thousand times, but still won’t give up.” – Batman

“No matter where you go in life there’s always going to be the one person that wants to bring you down, so stay strong and face your problems instead of running away.” – Superman

“Not everyone is meant to make a difference. But for me, the choice to lead an ordinary life is no longer an option.” – Spiderman

7 Gordon Gekko (Wall Street)

Gordon Gekko represents a moment in time, or atleast some people’s perspective of that particular era. Were the 1980s a Decade of Greed, wherein the populace engaged in intense levels of conspicuous consumption?? Certainly pop culture embraced that mythology, with TV shows like Dallas & Dynasty and movies ranging from Trading Places & Arthur to Scarface & St. Elmo’s Fire. Yuppies drinking Perrier on their yachts while constantly checking in with their stock broker were a popular stereotype. Class warfare was encouraged. Did any of that have a legit connection to the real world?? Certainly the economy was robust in the 80s, but as a kid in small town West Virginia I never encountered those kinds of people. Unlike preconceived notions of Appalachia our family wore shoes, had indoor plumbing, & didn’t have vehicles on blocks in our front yard, yet we definitely weren’t wealthy. At any rate, even if folks like Gordon Gekko were rare Michael Douglas made him seem very real, sort of cool, & really interesting. His return in the 2010 sequel Wall Street: Money Never Sleeps probably came about a decade too late, but it was still fun to see him onscreen again.

Quotes

“The most valuable commodity I know of is information.”

“What’s worth doing is worth doing for money.”

“Gimme guys who are poor, smart, & hungry. And no feelings. You win some, you lose some, but you keep on fighting. And if you need a friend, get a dog.”

“I am not a destroyer of companies. I am a liberator of them! The point is, ladies & gentlemen, that greed, for lack of a better word, is good. Greed is right, greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all its forms: greed for life, for money, for love, knowledge, has marked the upward surge of mankind.”

“It’s a zero sum game. Somebody wins, somebody loses. Money itself isn’t lost or made, it’s simply transferred from one perception to another. Like magic.”

“You got 99% of the American public out there with little or no net worth. I create nothing. I own. We make the rules, pal. The news, war, peace, famine, upheaval, the price per paper clip. We pick that rabbit out of the hat while everybody sits out there wondering how the hell we did it.”

6 Marty McFly & Doc Brown (The Back to the Future Trilogy)

I don’t think there’s any way to separate the pair. They are peanut butter & jelly, Bert & Ernie, peas & carrots…one without the other just isn’t right. I am a huge fan of the Back to the Future Trilogy. I assume most people have some level of familiarity with the franchise, but just in case I’ll refresh your memory. Marty is a typical California teen in the 1980s with a family that he finds slightly embarrassing. Dr. Emmett Brown is an eccentric scientist who builds a time machine out of a DeLorean. Marty accidentally gets sent back in time to the 1950s, inadvertently screws up the space-time continuum, jeopardizing his parents relationship and therefore his own existence. It’s pretty heavy. Throughout three very entertaining films Doc & Marty take us from the 1980s to the 1950s to the 21st Century and even the Old West. Michael J. Fox wasn’t even the original Marty, but when actor Eric Stoltz just didn’t click in the role he was replaced, and thank God for that. BTTF is just the right mix of fun, adventure, suspense, & romance, and Doc & Marty are the centerpiece.

Quotes

“If my calculations are correct, when this baby hits 88 miles per hour, you’re gonna see some serious shit.” (Doc)

“Whoa, wait a minute, Doc. Are you trying to tell me that my mother has got the hots for me?” (Marty)

“Why are things so heavy in the future? Is there a problem with the Earth’s gravitational pull?” (Doc)

“I guess you guys aren’t ready for that, yet. But your kids are gonna love it.” (Marty)

“Great Scott!”  (Doc)

“So, you’re my Uncle Joey. Better get used to these bars, kid.” (Marty)

“Roads? Where we’re going, we don’t need roads.” (Doc)

“Time traveling is just too dangerous. Better that I devote myself to study the other great mystery of the universe: women.” (Doc)

“Your future hasn’t been written yet. No one’s has. Your future is whatever you make it, so make it a good one.” (Doc)

5 Rocky Balboa (The Rocky Series)

When ranking my favorite sports films several years ago I opined that Rocky redefined the genre. It was the first sports movie to win the Academy Award for Best Picture (only two others have achieved that feat since) and was actually written by Sylvester Stallone. Hollywood power brokers wanted a known entity like James Caan or Burt Reynolds to play the lead because at the time, in the mid-1970s, Stallone was a nobody. The fact that Stallone not only got the part but received an Oscar nomination and created an iconic character in the process actually mirrors the plot of the film. I like the other actors considered for the role just fine, but Stallone portrays Rocky in such a way that we see ourselves in him. He’s not rich or successful. He isn’t a well-spoken intellectual. He’s just a guy from the neighborhood doing what he can to get by and chasing a dream in his spare time. The fact that he succeeds (eventually) and builds a great life for himself & his family gives the rest of us hope that we can do the same.

Quotes

“She’s got gaps, I got gaps. Together, we fill gaps.”

“Yo Adrian! I did it!!’

“If I can change, and you can change, everybody can change!”

“The world ain’t all sunshine & rainbows. It’s a very mean & nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done!”

4 Darth Vader (The Star Wars Series)

Has there ever been a more iconic cinematic badass?? The costume. The mask. The voice. Put Vader in a cage with Freddy Krueger, Jason Voorhees, Michael Myers, and any other lunatic in the history of film and I’m guessing he’d hold his own. The question is, did the prequels ruin his story?? Aside from the weak writing and poor casting that lessened the impact of the prequel trilogy I’m going to say no…Darth Vader is still Darth Vader. I view Anakin Skywalker as a different character altogether. At the end of Rogue One (a criminally underappreciated film that’s better than any of the prequels) Vader has a brief yet effectual appearance that’ll make the hair on your neck stand up, but nothing beats that moment in The Empire Strikes Back when he drops the biggest truth bomb ever on Luke Skywalker. That scene is still quoted & parodied more than four decades later, which is quite a legacy.

Quotes

“I find your lack of faith disturbing.”

“Join me, and I will complete your training. With our combined strength, we can end this destructive conflict, and bring order to the galaxy.”

“I am your father! Join me, and together we can rule the galaxy as father & son!”

“Obi-Wan has taught you well.”

“You under estimate the power of the dark side. If you will not fight, then you will meet your destiny!”

3 Rick Blaine (Casablanca)

Do men like Rick even exist anymore?? Cool. Smart. Pragmatic. Mysterious. Debonair. A rare mix of romantic & jaded. He’s the kind of guy that makes women swoon yet men can’t help but respect & admire. His aloof demeanor hides a principled heart of gold. He owns a nightclub in Morocco that people flock to during WWII to forget about war for awhile. People from all walks of life & all nationalities (including Nazis) are welcome at Rick’s Cafe Americain because he’s a businessman who’ll gladly take anybody’s money. Perhaps men like Rick don’t exist anymore because they never did in the first place. Rick Blaine is an idealistic notion of what a man should be, and there are worse characters one could emulate.

Quotes

“Of all the gin joints in all the towns in all the world, she walks into mine.”

“I stick my neck out for nobody.”

“When it comes to women, you’re a true Democrat.”

“I don’t mind a parasite. I object to a cut-rate one.”

“I’m not fighting for anything anymore except myself. I’m the only cause I’m interested in.”

“If that plane leaves the ground and you’re not with him, you’ll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. We’ll always have Paris. I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that. Here’s looking at you, kid.”

“Louis, I think this is the beginning of a beautiful friendship.”

2 Atticus Finch (To Kill a Mockingbird)

It is rare that an attorney is viewed as a role model even in fiction, but Atticus Finch is the ultimate quixotic fantasy. Not only is he the most virtuous lawyer ever, but he’s the epitome of a perfect father. Modern audiences tend to prefer anti-heroes, or atleast a flawed protagonist in which we recognize our own imperfections and soothe ourselves with the notion that it’s okay to be a little messed up. We scoff at ideals like integrity, honor, ethics, loyalty, & altruism. That being said, is it really that bad to have such a measuring stick in our fiction?? On top of all that let me remind you of something I stated two years ago when we began this journey: “the value of a character’s name cannot be overstated”. How cool & memorable is the name Atticus Finch?? As usual I urge everyone to read To Kill A Mockingbird. It is one of my favorite books and most agree it is amongst the finest novels ever written. But we are discussing movie characters here, right?? The book had already won the 1962 Pulitzer Prize, so adapting it into a film just a year later had to have been a daunting task. Gregory Peck had already been nominated for four Academy Awards in the 1940s, so the powers-that-be knew what they were doing. It turned out better than anyone could have ever dreamed, with Peck beating out Burt Lancaster, Jack Lemmon, & Peter O’Toole to win his only Oscar.

Quotes

“You never really understand a person until you consider things from his point of view…until you climb inside of his skin and walk around in it.”

“In this country our courts are the great levelers. In our courts all men are created equal. I’m no idealist to believe firmly in the integrity of our courts and of our jury system…that’s no ideal to me. That is a living, working reality.”

“I remember when my Daddy gave me that gun. He told me that I should never point it at anything in the house, and that he’d rather I’d shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go after birds would be too much, and that I could shoot all the blue jays I wanted, if I could hit ’em, but to remember it was a sin to kill a mockingbird. Mockingbirds don’t do anything but make music for us to enjoy. They don’t eat people’s gardens, don’t nest in the corncribs. They don’t do one thing but just sing their hearts out for us.”

1 Michael Corleone (The Godfather Trilogy)

We’ve reached the pinnacle, and I am contradicting myself one last time…or am I?? When discussing Pacino’s portrayal of Lt. Col. Frank Slade I opined that, while The Godfather is his best film, Slade is his best performance. I stand by that because there is a difference. Michael Corleone is a much more memorable character, especially since he has an entire trilogy to impact our pop culture consciousness. That influence is made all the more impressive when considering the fact that Pacino shares the screen with Marlon Brando & James Caan in the original film, Part 2 is focused on Robert Deniro’s depiction of young Vito Corleone, and so many people despise Part 3 (I don’t hate it). But the one constant flowing thru all three Godfather films is Michael Corleone. He is introduced as a young war hero in a new romance, then reluctantly gets pulled into the family business. Finding that he has a knack for ruthlessness Michael evolves into a stone cold killer and merciless husband, even having his own brother murdered. As he grows old & ill he becomes consumed with regret and concerned with his legacy, his story ending with one of the more depressing deaths in cinema. The evolution of Michael Corleone is well written & performed and remarkably sad. 

Quotes

“My father made him an offer he couldn’t refuse. Luca Brasi held a gun to his head and my father assured him that either his brains or his signature would be on the contract. That’s a true story. That’s my family, Kay. It’s not me.”

‘It’s not personal, Sonny. It’s strictly business.’

“Don’t ever take sides with anyone against the family again, ever.”

“Today, I settle all family business, so don’t tell me you’re innocent because it insults my intelligence. It makes me very angry.”

“I know it was you, Fredo. You broke my heart. You broke my heart!”

“My father taught me many things here. He taught me to keep your friends close but your enemies closer.”

“You’re nothing to me now. You’re not a brother, you’re not a friend. I don’t want to know you or what you do. I don’t want to see you at the hotels. I don’t want you near my house. When you see our mother, I want to know a day in advance so I won’t be there.”

“Never hate your enemies. It affects your judgment.”

“I command this family, right or wrong. It was not what I wanted!”

“Just when I thought I was out, they pull me back in!”

100 Favorite Movies…..21-23

Since we only covered two films in the previous installment, we’ll finish out that grouping’s other three entrants now. And since I did a lengthy preamble last time I will spare my dear readers that type of verbosity this go round.

 

 


23 A Christmas Carol

When I first did this series at the original Manofesto on MySpace I left out A Christmas Carol. My reasoning was that there were so many different versions, many of them very good in their own way, that I just could not pick one. That is still the case, but this time I am not letting that fact stop me from recognizing the story and putting it in its rightful place in The Top 100. There have been dozens of adaptations of A Christmas Carol on the big screen and on television, and countless others that aren’t really versions of the story but borrow certain elements.


For anyone who has been living in a vacuum their entire life, A Christmas Carol is an 1843 novella by Charles Dickens in which bitter old miser Ebenezer Scrooge is visited by the Ghosts of Christmases Past, Present, & Future on, of course, Christmas Eve. He is shown the error of his ways and wakes up on Christmas morning a changed man. Along the way we meet Scrooge’s poor but cheerful nephew Fred and Bob Cratchit, Scrooge’s underpaid and mistreated clerk, who is barely able to support his large family, which includes young son Tiny Tim, who has been stricken with a disease that is never specified and will die without proper (and expensive) medical care.


I highly recommend reading the book, but we are here to talk about movies. So with that being said, I have a few favorite versions of the tale. Reginald Owen starred as Scrooge in a 1938 MGM release which one can usually catch a few times during the holiday season on Turner Classic Movies or American Movie Classics. It is a scaled back, family friendly movie that leaves out some of the darker details of Dickens, but still gets the point across. More grim is the 1951 movie starring Alistair Sim. This one doesn’t leave out as much but it adds some things, detailing some peripheral issues in which Dickens was not as specific. It too is a favorite of the classic movie channels at Christmas time. In 1999 TNT did an excellent made-for-TV adaptation with Patrick Stewart (Captain Picard from Star Trek: The Next Generation) as Scrooge. I was attracted to it initially because I am a Trekkie so I dig Stewart, but it is a really good version, especially for being a television movie instead of on the big screen. It is more faithful to the book than any other take on the story that I have seen. Last year Robert Zemeckis and Jim Carrey teamed up for the newest A Christmas Carol using the same unique performance capture technology used in The Polar Express (which we will discuss at a later date). I saw it in the theater and was impressed, though it is the darkest vision of the story I have seen yet. They were very faithful to the book but went a tad crazy with special effects, making it a bit of an assault on the senses. Time will tell where it rates in the pantheon. Several movies have been made that are not meant to be faithful to the book…they are “modernized” updates. Among the best of those are 1988’s Scrooged in which Bill Murray plays a cynical TV producer, Mickey’s Christmas Carol and Mr. Magoo’s Christmas Carol, both lighthearted animated fare starring some of our favorite cartoon characters, and A Carol Christmas, with Tori Spelling as a Scrooge-esque talk show host, a Hallmark Channel offering I mention only because it stars a uniquely kitschy combination of Spelling, William Shatner, and Gary Coleman.


Modern audiences may not fully grasp the significant role A Christmas Carol played in reviving Christmas. English Puritanism had nearly killed the holiday in the 18th century, but Dickens and his little novella helped spearhead a renewed Christmas spirit. Some may criticize his seemingly secular vision of what is meant to be a celebration of the birth of Christ just as many complain about the modern issues of commercialization, and those are valid criticisms…Dickens does not mention Jesus or delve into the religious aspects of Christmas at all. But A Christmas Carol is about Christian principles like friendship, love, and generosity, and I don’t think The Lord would have any objections.


22 Jaws

More than 30 years after the release of Jaws I still have no desire to swim in an ocean. I think that speaks volumes about the impact of this particular movie. Not really a horror film but more than a thriller, Jaws was the first summer blockbuster and permanently altered the way we view movies and the way Hollywood produces and promotes them. Nowadays it is an expected cliché that all the “big” movies, mostly special effects laden action flicks or highly anticipated sequels, will come to your local cineplex sometime between Memorial Day and Labor Day. But in 1975 this was not the case. Jaws changed the rules. However, while I think it appropriate to give that aspect of the story its proper due, I am more interested in the story itself, which is awesome.


I am not really all that much into action movies, a fact that I am sure I have mentioned more than once in the course of this series. Too often the filmmakers seem to believe that if enough people get shot, a plethora of stuff explodes, and computer generated special effects make us gasp in amazement that we will overlook little things like character development, plot, and good writing. And sadly they are correct way too much of the time. But that sort of trickery doesn’t work with me. Obviously I am a writer, so that is what I tend to focus on. Jaws is the rare film that works on both levels. Based on a 1974 novel by Peter Benchley, Jaws scares of the crap out of the viewer but also makes us give a damn about the folks on the screen. As faithful readers know, I tend to believe that the book is better than the movie in almost all cases. Is that the case here?? I don’t know. I have to confess that I have never read the book. I have heard that the movie is much better, that the book isn’t really all that stellar. Maybe someday I will decide for myself. In the meantime, Roy Schneider, Richard Dreyfuss, and Robert Shaw star as a police chief, a marine biologist, and a shark hunter charged with the task of hunting down a great white shark that is terrorizing a small New England tourist trap. We get to know each of these characters, and the subplot of the town’s angst concerning the safety of the masses versus the need to make a profit is an important element as well. But make no mistake…the real star of the show is the shark. Jaws was directed by Steven Spielberg before anyone knew or cared who he was, and he does a masterful job of exercising restraint, creating suspense and drama instead of just enabling the cheap blood and gore mentality. Much of this was due to a limited budget and a lot of headaches during filming, but those negatives are turned into such a positive that Jaws is and will forever will be a legendary movie. It is not a coincidence that several subpar sequels were made and that Spielberg was not involved in any of them. I would be remiss if I did not mention the haunting musical contribution of composer John Williams. Who knew that two simple notes could be made into such spectacularly memorable music?? Jaws is like a fine wine…its greatness grows on a person over the course of time and multiple viewings. Modern filmmakers should take heed of the lessons learned from this movie. Just because one has access to unlimited funds and countless technological toys does not mean that the movies they make are great. Write a good story first, then get some truly talented actors (and just because they are huge movie stars does not mean they qualify as good actors). Don’t go too crazy with all the special effects…a little goes a long way. Throw in a quality musical score and you just may have something. Spielberg’s offerings have been kind of hit or miss over the last decade. Minority Report?? War of the Worlds?? Come on Spielberg…step away from the pitcher of Tom Cruise Kool-Aid. But no matter what he does in the future he must always be given kudos for the ultimate summer blockbuster.


21 Casablanca

I did not realize it until just now, but today’s threesome really brings home the old adage “they don’t make ’em like they used to”. The best versions of A Christmas Carol were made more than 50 years ago, Jaws is the youngster at only 35 years old, and then we have 1942’s Casablanca. Some of the films in this Top 100 may fall out of fashion and not frost my cupcake 10 or 20 years from now, but I will be shocked if Casablanca ever leaves the collective consciousness of the moviegoing public.

I don’t remember when I first saw Casablanca. I am sure it was probably sometime back in junior high on a channel like American Movie Classics. I am not one to try to keep up with the joneses, but there are certain books that I feel need to be read and certain films I think need to be seen in order to become the well rounded, educated, cultured person that elevates one above toothless hillbilly, perpetual bottom feeder status. I am proudly born and bred in the great state of West Virginia and tend to be sensitive to such things. At any rate, Casablanca stars Humphrey Bogart as Rick, an American misanthrope running a nightclub in the French controlled North African colony of Morocco during World War II at a time when the Nazis are steadily taking over the vast majority of Europe. Rick gains possession of “letters of transit” which would allow the bearer to escape to America. Things get complicated when Rick’s ex Ilsa pops in, with her husband, a Czech resistance leader, in tow. Ilsa’s appearance explains Rick’s cynical resentment and hardscrabble attitude. She attempts to convince Rick that she is still in love with him in order to gain possession of the letters of transit so her husband can escape to America. Rick seems to buy into it, but at the last second pulls an ol’ bait & switch, revealing himself to be more of a softy than we realize. He makes Ilsa get on a plane with her husband, and runs interference against the Nazis and the corrupt local French police captain while the couple make their escape. Casablanca is one of our most quotable films and there is not a bad performance from any of the cast. It is a nearly flawless exercise in filmmaking. There’s a little romance, a little drama, some suspense, a twist ending, and even a laugh or two. There simply aren’t enough superlatives in the dictionary to properly encapsulate its greatness, and nothing I write can do it justice. Rent it at your local video store or make an effort to catch it sometime on AMC or TCM and you will understand. I hope that younger generations continue to embrace the superb quality of Casablanca and use it as an example in demanding better stories from modern Hollywood.