Top 25 Fictional Christmas Characters…..Part Deux

Welcome back!! If you have not taken the time to peruse Part 1 please do so now. Take your time…I’ll wait right here.

 

In the meantime, allow me a moment of reflection…

christmas2A year ago I languished in a hospital during Thanksgiving, Christmas, & New Year’s. I missed practically everything except watching Christmas movies on television. This project was in the works way before all of that, so the two events aren’t connected. Being able to go out & about this year…to have the privilege of breaking bread with my family on Thanksgiving…to be able to buy gifts for family & friends…to see all of the beautiful lights in the neighborhoods…to hear a jazz ensemble play a lovely rendition of Silent Night…to see the big beautiful tree at church & put up a much more humble tree in my own place…to enjoy hot chocolate & fireworks at a local community Christmas celebration…to be able to eat goodies & participate in a Secret Santa exchange with co-workers…to be able to spend the upcoming carolers2Christmas Eve with extended family…to be able to sing Christmas carols with church family on a crisp early December evening & worship in God’s house on Christmas Day…all fill my heart with immense joy, and really, shouldn’t that be part of the goal during the holiday season??

 

Okay, so now that you’re all caught up let’s finish with the second half of the countdown. Adeste Fideles.

 

 

 

 

 

12     Charlie Brown / Bob Cratchit

charlie_brown_xmas_treeI see these two as kindred spirits…overlooked, taken advantage of, & pushed around by those who don’t appreciate their gentle souls. Charlie Brown, of course, is the perpetual 8 year old boy who is the centerpiece of Charles Shulz’s long running Peanuts comic strip. Chuck is a prototypical yet resolute lovable loser. In the 1965 classic special A Charlie Brown Christmas he is down in the dumps and just can’t find the Christmas spirit. With a little help from his friends (especially Linus) Charlie Brown eventually gets in the holiday groove just in time to save a sad little Christmas tree. Cratchit is similarly downtrodden…abused by his boss, lacking sufficient funds to comfortably provide for his bobcratchitlarge family, & facing the inevitable death of his ill son. Yet, much like Charlie Brown, Bob Cratchit is determined to overcome negative circumstances and enjoy Christmas. I’m sure I am not the only person who almost always roots for the little guy, and Charlie Brown & Bob Cratchit are the two ultimate underdogs of the holiday season.

 

 

11     The Island of Misfit Toys

My friend The Owl & I often refer to ourselves as inhabitants of The Island of Misfit Toys…not cool enough, rich enough, sexy enough, or  misfittoysunprincipled enough to fit in with The Pretty People in modern day America. The reference comes from the 1964 stop motion special Rudolph the Red-nosed Reindeer, during which Rudolph and his friends Yukon Cornelius & Hermie the Elf happen upon an island populated by toys that don’t quite meet societal expectations. There’s Charlie-in-the-Box, a polka-dotted elephant, a train with square wheels, a water pistol that squirts jelly, a bird that swims, the cowboy that rides an ostrich, & an airplane that can’t fly…among others. The island is ruled by King Moonracer (another fantastic name), a winged lion whose most fervent wish is that Santa Claus will visit the island and find loving homes for these defective & unwanted toys. These characters are a fascinating & subversive bit of social commentary, appreciated by adults but explained on a level that can be understood by children. In 2001 a sequel called Rudolph & The Island of Misfit Toys was produced for the home video market, but I have yet to check it out. Maybe someday.

 

 

10     Cousin Eddie / John McClane

cousineddieWe begin the Top 10 with an unavoidable tie. This is kind of a funny stalemate since these two couldn’t possibly be more different. We first meet Cousin Eddie in 1983’s Vacation, where he & his wife, along with a sizeable brood of offspring, make a brief but memorable appearance as Ellen Griswold’s uncultured, dirt poor relatives in Kansas. The character was so hilarious that he was brought back to play a bigger role in 1989’s Christmas Vacation. Practically every scene & line of dialogue involving Cousin Eddie in Christmas Vacation has become a classic, and many agree that he steals the show. He was given his own spinoff film in 2003 called Christmas Vacation 2: Cousin Eddie’s Island Adventure, a poorly conceived made-for-TV movie that has been mostly blocked out of the collective memory of Vacation fans everywhere. On the opposite end of the spectrum is John McClane, a tough NY City police detective whose wife has fractured their marriage to move across the country and become dieharda corporate mover & shaker. McClane comes to Los Angeles to visit the wife & kids in 1988’s Die Hard, during which terrorists take over the company Christmas party leaving the lone wolf cop to singlehandedly save the day. He is a wonderful combination of gritty, determined, vulnerable, smart, & funny, and needless to say he ultimately gets the job done. Multiple sequels have been produced with varying degrees of success, but John McClane has never been cooler than in the original.

 

 

9       Ralphie Parker

We all remember those Christmases when we were little kids and desperately wanted Santa Claus to bring us that one special toy. My perception is that nowadays ralphiechildren don’t really appreciate that struggle because they’re mostly a bunch of spoiled brats that get everything handed to them on a silver platter. That may or may not be painting with a broad brush. I don’t have any offspring (that I am aware of) so I really don’t know. At any rate, 1983’s A Christmas Story tells just such a tale of a 9 year old boy in 1940’s rural Indiana whose singular mission is to receive a Red Ryder BB gun for Christmas. The problem is that everyone…his mother, his teacher, even Jolly Old St. Nick himself…keeps telling him it’s a bad idea because “you’ll shoot your eye out”. Ralphie is such a great character because he isn’t extraordinary. He isn’t cool. He isn’t especially bright or tough or funny. Ralphie is Everykid. He is you and me and everyone else when we were children…just hanging out with his buddies, putting up with his little brother, enduring school, facing off with a bully, & taking orders from Mom & Dad. It warms our cockles when he gets his BB gun, and we feel bad for him when he does in fact shoot his eye out (kind of). Anyone who has ever been young can identify with Ralphie Parker.

 

 

8       Henry F. Potter

The richest & meanest man in Bedford Falls!! Mr. Potter is clearly a riff on a Dickens character that we’ll get to soon enough. We don’t know how he became wealthy, potterbut we know that he owns most of the town, has no family, and everybody fears him. He is a cold-hearted tycoon in direct contrast to generous business owner Peter Bailey, who is driven to an early grave due to constantly battling Potter. It is interesting to note that, while most films have the villain either receive a long overdue comeuppance or see the light & seek redemption, It’s A Wonderful Life does neither with Mr. Potter, a fact hilariously lampooned on a fabulous 1986 episode of Saturday Night Live.

 

 

7       Clark Griswold

How can anyone not love Clark Griswold?? He’s a devoted husband & father who just wants to do right by his family, whether that means taking them on a cross clarkwcountry trek to an awesome amusement park or providing them with a memorable old-fashioned Christmas. In 1989’s Christmas Vacation he invites the grandparents and an elderly aunt & uncle to enjoy the yuletide at the family abode (a cousin & his family show up uninvited as well), and as usual things get hilariously chaotic. Clark has a lot in common with Charlie Brown & Linus Van Pelt in that he doesn’t get much respect from others. He’s a bit of a dunderhead, although his job as a food scientist would seem to indicate that he is book smart. I know many don’t really enjoy Chevy Chase’s shtick, but it really works as Clark Griswold.

 

 

6       The Old Man

What is his first name?? We’re never told!! It’s a small idiosyncrasy that just endears the character to us even more. 1983’s A Christmas Story is presumably about 9 oldmanyear old Ralphie and his quest to receive a Red Ryder BB Gun on Christmas morning. However, it is my opinion that his cantankerous father steals the show. There is The Old Man’s ongoing dislike of the neighbor’s dogs. His battle with the broken furnace. His love for turkey. His negotiating skills that come in handy at the tree lot. His ability to quickly change a fuse or a flat tire. And of course his love of puzzles that nets him a major award in the form of a lovely leg lamp. The Old Man seems a bit long in the tooth to have such young children (Darren McGavin was 60 years old at the time), but it works and I believe it to be an oddly significant element of the character’s appeal. The clincher is the fact that (spoiler alert) it is The Old Man who ultimately gets Ralphie the BB gun for Christmas, emphasizing the point that, despite his gruff exterior & salty language, he is a good father and a decent guy.

 

 

5       Macy’s Kris Kringle

The second Santa Claus in our countdown is the real deal. Well…kind of. In the 1947 classic (B&W!! – avoid the colorized version) Miracle on 34th Street Mr. Kringle is kkringlea kindhearted old man who becomes the Santa Claus at New York’s famed Macy’s Department Store for their beloved Thanksgiving parade and throughout the Christmas season. He teams up with an idealistic attorney to convince a jaded Mom & her strangely articulate young daughter to lighten up and believe in magic. He also flips the retail industry on its ear by happily sending folks to other stores that might have what Macy’s doesn’t or are selling it at a better price. Oh, by the way…Kringle may or may not be THE Santa Claus, a matter that is decided in a court of law, which makes Miracle a film about a half century ahead of its time.

 

 

4       The Grinch

It is a testament to the lasting impact of Dr. Seuss’ 1966 animated classic How the Grinch Stole Christmas that the term grinch has become grinch2part of the common lexicon, denoting anyone who doesn’t embrace all the Christmas craziness…lights, music, movies, shopping, & general merriment…that people like me adore. However, THE Grinch takes it a whole lot further than the modern day grinches that you & I encounter. He actually creeps into Whoville…a nice little village full of cheery, loveable folks…and steals everything on Christmas Eve. He steals their presents. He steals their stockings. He steals their Christmas trees. He even steals all their food. But Dr. Seuss is a sneaky one, and tucked into this innocuous cartoon is a subtle morality play suggesting that Christmas is about more than just stuff. Once the delightful little Whos begin singing on Christmas morning despite what The Grinch did to them he quickly learns the lesson and is converted. And really, who doesn’t enjoy a good redemption story??

 

 

3       Rudolph the Red-nosed Reindeer

In his beloved 1823 poem A Visit from St. Nicholas author Clement Clark Moore mentions Santa’s eight reindeer…Dasher, Dancer, Prancer, Vixen, Comet, Cupid, rudolphDonner, & Blitzen. It wasn’t until a century later, when ad writer Robert May was assigned to come up with something special for Montgomery Ward’s 1939 holiday campaign, that a ninth member of the team was added. May’s creation is an outcast, a reindeer born with an anomalous glowing red nose who is teased & excluded by his peers…until his “handicap” becomes quite useful one very foggy Christmas Eve. It just so happens that May’s brother-in-law was a struggling songwriter named Johnny Marks, and he was inspired to write a tune about Rudolph a decade after the original story was published. That song was recorded by famous “singing cowboy” Gene Autry and became a #1 hit single. Fifteen years later Rankin-Bass produced the classic animated TV special that we still enjoy annually. It’s been quite a ride for ol’ Rudy, and he remains a huge part of the secular Christmas mythos, one that every child loves and adults wistfully embrace.

 

 

2       George Bailey

James Stewart has been my favorite actor for many years, and while I enjoy his work in classics like Harvey, Rear Window, Mr. Smith Goes to Washington, & Vertigo, george-baileyit is his role in the beloved 1946 Christmas favorite It’s A Wonderful Life that first made me love Jimmy. I fondly recall watching IAWL at all hours of the day & night numerous times during the Christmas seasons of my youth (NBC killed that awesomeness about two decades ago). George Bailey is a smart guy with big dreams, but we watch with empathy as one thing after another prevents George from “shaking the dust” of his hometown of Bedford Falls to go out and “see the world”. George gets married, has a few kids, & keeps his late father’s business afloat, all while being a trusted friend & hero to family & neighbors and battling the dastardly Mr. Potter. George is a 20th century version of Bob Cratchit, but unlike Bob, who seems to be truly happy despite dire circumstances, George is despondent in the midst of what most would consider a rather decent situation. He’s living the life he was forced to live, not the life that he had planned on living…a plight to which many can relate. It takes a little help from Heaven to help George see the light, to make him understand that he’s got it pretty good. Does that invalidate his dreams?? No, of course not. It just means that life happens, and we can either wallow in despair & victimhood, or we can choose happiness and look at the glass as half full. It isn’t necessarily a traditional Christmas message, but it’s an important one. George Bailey is a small reflection of many folks, and he is a reminder to look forward, enjoy the moment, & take nothing for granted.

 

 

1       Ebenezer Scrooge

I am going to contradict myself. I mentioned in Part 1 that it’d be too easy to just give the top spot in this list to Santa Claus and that instead I prefer to look at the scrooge1various depictions of that character in pop culture individually. We could do the same with Scrooge, but I think he is a little bit different. First of all I don’t believe Scrooge is quite as ubiquitous as Santa. And secondly, despite his numerous appearances in movies & on TV portrayed by a multitude of actors, Ebenezer Scrooge is essentially always the character that Charles Dickens created…a bitter, affluent old man who seemingly hates people in general and has a specific loathing for Christmas. He first appears in the 1843 novella A Christmas Carol, and in the century & a half since has been brought to life by dozens of performers in various incarnations. Much like the term grinch the name scrooge has become popular nomenclature not only for anyone who doesn’t like Christmas, but also for people who are rather stingy & selfish with their money. Yet if that were all there was to Ebenezer Scrooge it is unlikely that A Christmas Carol would have become such a beloved book let alone adapted into other entertainment, and the character certainly wouldn’t have topped these rankings. Two other things stand out about Scrooge. First, we see what ultimately led to his descent into acrimony & greediness. It is hinted that he had a somewhat lonely childhood with an uncaring & possibly abusive father. His cherished younger sister Fan died as a young woman. Though it isn’t really examined thoroughly in the book we understand that Scrooge develops such anxiety about being poor that he skews in the extreme opposite direction…an obsession with being wealthy. This preoccupation leads to the love of his life…a fiancée named Belle…ending their relationship and is in stark contrast to Bob Cratchit who is poor but happy & loved. Because of these things we don’t completely hate Scrooge…we feel sorry for him. Second & most importantly, we witness Scrooge’s redemption. The Ghosts help him see the error of his ways and it is mentioned that afterward he “became as good a friend, as good a master, and as good a man, as the good old city knew” and that “he knew how to keep Christmas well, if any man alive possessed the knowledge”. Once again, we love redemption stories, mostly because human beings have an innate understanding of our shortcomings and our need for salvation. It isn’t Scrooge’s hostility or greed that has helped him stand the test of time as a treasured character of Christmas…it is his humanity.

Pondering A New “A Christmas Carol” Film

cc1I recently shared with The Manoverse my favorite film adaptations of the Charles Dickens classic A Christmas Carol. In the process of producing that piece a few things became clear. First of all, there has been no perfect version of the story made for the big screen. Older movies leave too much out in an effort to be “family friendly”. Newer attempts lean toward either animation or modernization of the story so that it isn’t really a straight-up translation but something that is merely inspired by the Dickens book. Few have had well-known stars in lead roles. Secondly, some of the better takes on the story have actually been made-for-television movies. There’s nothing wrong with that, but I think A Christmas Carol deserves a faithful, big budget, live action film with all the bells & whistles…a star-studded & talented cast, superior production values, a top shelf director, and Oscar buzz. Hollywood specializes in remakes, right?? They remake classics that didn’t need remade like Footloose, The Poseidon Adventure, Halloween, The Karate Kid, Arthur, The Pink Panther, Miracle on 34th Street, & Psycho, as well as movies that few gave a darn about in the first place like Teenage Mutant Ninja Turtles, Red Dawn, Total Recall, Robocop, & The Manchurian Candidate. But while all these lukewarm pieces of crap litter our cinemas the fact is that a non-gimmicky big screen adaptation of A Christmas Carol hasn’t been made in over 60 years. It’s time for that to change.

 

First though, there needs to be a few rules. This would be a live action film. No animation. As much as I like The Muppet Christmas Carol and the 2009 Jim Carrey cc2motion capture movie that kind of thing isn’t what I’m going for here. Besides, it’s been done and probably can’t be done much better. This would not be a musical. I’m not necessarily anti-musical, although they aren’t really my thing. However, making a Carol musical is just another gimmick that has been done so there’s no need to go there. This would be an authentic version of the novella. Too many films leave things out, add things in, change names for no apparent reason, gender bend, & make other unnecessary alterations. I am by no means a film production or screenplay writing expert, but I don’t see why it’d be so difficult to translate a hundred page novella into a two hour movie without pointless modifications. And finally, the cast would be comprised completely of British actors & actresses. Charles Dickens was British. A Christmas Carol is set in London. Scrooge, Marley, Bob Cratchit, & all the other characters are British. I don’t care how talented Tom Hanks, Leonard DiCaprio, Sandra Bullock, Kevin Spacey, or Meryl Streep may be…they are American and should not star in A Christmas Carol.

 

pjI’ve given a lot of thought as to who the director should be, and while I do not have an encyclopedic knowledge of every filmmaker out there and all of their work I do, as a movie fan, have a passing familiarity with many of the more prominent modern auteurs and their styles. In pondering the issue one name kept creeping into my mind…Peter Jackson. Jackson, of course, is best known for spending most of the past 15 years bringing author JRR Tolkien’s Lord of the Rings trilogy and The Hobbit to life on the big screen. I believe he could make the kind of epic version of A Christmas Carol that I envision, and he could do it while showing immense respect to the source material. He has the skill to capture the dark tone of much of the story while infusing the film with lighter moments that’d make an audience smile. Jackson isn’t British and prefers to work in his native New Zealand, but I am confident a solution could be negotiated in which most of this movie would be shot in London. Hopefully he wouldn’t try to make A Christmas Carol into a trilogy.

 

Now…onto the main cast…..
As mentioned I believe that this needs to be a strictly British group. As much as I love Robert Downey Jr. it bothers me tremendously that he has portrayed Sherlock Holmes on the big screen. Do you realize that America’s most beloved trio of superheroes…Batman, Superman, & Spiderman…have all most recently been played by three British actors (Christian Bale, Henry Cavill, & Andrew Garfield)?? It’s not that these capable performers have done a bad job. Bale, in particular, was quite good in his role as The Caped Crusader. I just think that it takes a contemporary moviegoer, with all we know about the moviemaking process due to The Internet and other accessible & informative technologies, out of the realm of fantasy & imagination when we know “Hey…that dude is using a fake accent!! He’s from another country!!”. I am only mildly neurotic and most of my fixations are kind of trivial…this just happens to be one of them. Fortunately there is a plethora of very gifted British actors to choose from and I think we can put together the best cast of any A Christmas Carol adaptation ever made:

 

 

Ebenezer Scrooge – Daniel Day-Lewis
Lewis, with his three Oscars for Best Actor, adds instant gravitas to our film. To be honest I am not a huge fan of most of his work. His movies justdaniel-day-lewis aren’t my thing. However, I did enjoy his performance in 2012’s Lincoln in which he was mesmerizing as our 16th president. Dickens describes Scrooge as having “old features”, a “pointed nose”, “thin lips”, & a “wiry chin”. He is generally thought of as skinny, which makes sense since he only eats “a small saucepan of gruel”…a porridge/oatmeal type of substance typically eaten by peasants…for supper. Lewis fits the bill physically and at 57 years old the transformation into an elderly miser wouldn’t be all that difficult.

Bob Cratchit – Simon Pegg or Martin Freeman
peggI would be fine with either of these two gentlemen in the role of Scrooge’s overworked & underpaid clerk. Bob is freemanmarried and has 6 children, the eldest of whom is said to be an apprentice at a milliner (hat maker) shop. This means she is probably a teenager, which puts Bob somewhere in his 30’s or 40’s. He is generally depicted as a mistreated milquetoast who doesn’t dare challenge his nasty boss Mr. Scrooge, but then when he gets home is a devoted father & husband who tries to make the best life possible for his family despite a decided lack of resources. Pegg is best known as Scotty in JJ Abrams’ Star Trek reboot films, while Freeman stars as Dr. Watson in the British television update of Sherlock Holmes and as Bilbo Baggins in The Hobbit trilogy. Both actors could portray the lighthearted, doting, & generally content Cratchit while not ignoring the underlying pathos present in a character who is abused at work, is very poor, and has a young son on the verge of death.

Mrs. Cratchit – Emily Blunt
This is a relatively minor role. Mrs. Cratchit is Bob’s supportive spouse who nevertheless isn’t afraid to call a spade a spade when it comes toblunt Ebenezer Scrooge. She appears to be a traditional wife & mother who loves her family, but with just the tiniest bit of spunk. Blunt isn’t as well-known as she probably should be due to her eclectic career choices, having done a whole spectrum of movies from rom-coms to action-adventure to drama to Shakespeare…few of them being all that great or profitable. She may be a tad young to play a mother of 6, but I think she could pull it off and add some much needed refreshing beauty to what can largely be a bleak story.

Jacob Marley – Alan Rickman
Marley, as you’ll recall, is Scrooge’s business partner who is “dead as a doornail”. He shows up in ghost form to tell Scrooge how he has completely rickmanscrewed up his entire life and to warn him of the impending visit of three spirits. It is a relatively small yet vital role. Rickman is best known for playing bad guys like Hans Gruber in the original Die Hard and, more recently, Professor Severus Snape in the Harry Potter series. Marley isn’t necessarily a bad guy I suppose. It seems that, when alive, he was as much of a ruthless & greedy businessman as Scrooge, but now he is a sad & pathetic figure, doomed to roam the Earth in the afterlife bearing the burden of the chains that he forged in life. He is in only one scene, but it is important and sets the tone of the entire film. Anyone who has seen Rickman’s work knows that he could pull off the scary spectral figure of Jacob Marley.

Fred – Benedict Cumberbatch
Fred is Ebenezer’s nephew and the antithesis of his grouchy uncle. He is friendly, jovial, & full of Christmas spirit. He genuinely cares for his uncle and cbatchcontinues to attempt to have a relationship with him despite Scrooge’s perpetual rejection. Cumberbatch has seen his career trajectory rise exponentially since playing Sherlock Holmes in the contemporary BBC television show, but it seems like he is often cast as the villain otherwise. He played Khan in 2013’s Star Trek: Into Darkness and voiced the dragon Smaug in The Hobbit trilogy. I think it would be interesting to see him go against type and play a cheerful & approachable character. This is another small but key role, and Cumberbatch would undoubtedly be a tremendous addition to the cast.

Tiny Tim – unknown British child
I don’t know enough about child actors in general, let alone specific British child actors, to pull a name out of the hat. However, I will tinytim_optopine just a bit. We don’t know exactly what disease young Tim suffers from, but we know that he will die without proper treatment which Bob Cratchit cannot afford to provide, and that he walks with the aid of a single crutch. Tiny Tim should be portrayed as a loving child with a positive attitude and faith in God. At one point in Dickens’ novella it is said that Tim “hoped the people saw him in the church because he was a cripple, and it might be pleasant to them to remember upon Christmas Day who made lame beggars walk and blind men see.” However, I believe it is unnecessary and counterproductive to have Tiny Tim be an incessantly jolly child. That is just annoying and does the story no favors.

Fezziwig – Robbie Coltrane
When Ebenezer Scrooge was a young man just starting out in the business world he worked for Mr. Fezziwig, who we can assume was in the samecoltrane “money-lending” profession as his young apprentice. Fezziwig is portrayed as the kind of employer we all wish we had, a kindhearted man who has his priorities straight and treats people with warmth & respect. He is generous, loyal, & presumably successful. Fezziwig’s benevolence is a stark contrast to Scrooge’s malicious attitude and serves to show us who Ebenezer could have and probably should have become had he allowed Fezziwig to be more of an influence in his life. Coltrane is best known nowadays as the gregarious Rubeus Hagrid in the Harry Potter series, and he immediately sprang to mind as I pondered this role. In addition to Harry Potter, Coltrane has been in a couple of James Bond films as well as forgettable movies like Nuns on the Run, Message in a Bottle, & Van Helsing. Fezziwig is another brief but vital part in a story that seems to be full of them.

Young Scrooge – Daniel Radcliffe
The Ghost of Christmas Past takes Ebenezer Scrooge back in time to a few significant moments in his life, one of those being when he was a young radcliffeman just beginning his career and facing the choice between love and professional achievement. Radcliffe, of course, is best known for his role as the titular character in the mega-successful Harry Potter series, and I think he vaguely resembles a young Daniel Day-Lewis. It is tempting to overlook such a small role in what I visualize as a grand film, but I believe it would be a mistake to cast a marginal talent in the part. This is when we see who Ebenezer Scrooge used to be and gain some insight as to what went so terribly wrong. It is a turning point, and a youthful but skilled actor like Radcliffe adds credibility that lets critics & audiences know that this film is legit.

Belle – Carey Mulligan
If you meet a man who is cynical, angry, bitter, & kind of a jackass there is a good chance that there is a woman somewhere in his past that is partly to mulliganblame. Okay okay okay…I’m kidding…sort of. At any rate, Belle is a young lady that Scrooge meets at one of Fezziwig’s Christmas parties. They fall in love and become engaged. Eventually Belle breaks up with Scrooge because of his obsession with money. Remember, The Bible says in 1 Timothy 6:10 that “the love of money is a root of all kinds of evil”. While Scrooge goes thru life brokenhearted & lonely Belle eventually finds love again, marries, and has a happy life with several children. Mulligan is best known for her roles in Wall Street: Money Never Sleeps and as Daisy Buchanan in the 2013 adaptation of The Great Gatsby that starred Leonardo DiCaprio as Gatsby. She is quite fetching but also tough, like the kind of person who wouldn’t hesitate to kick her fiancée to the curb when he becomes selfish, greedy, & narcissistic.

Christmas Past – Tilda Swinton
Dickens describes The Ghost of Christmas Past thusly: “A strange figure—like a child: yet not so like a child as like an old man, viewed through some swintonsupernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm.” It is further said that “its belt sparkled and glittered now in one part and now in another, and what was light one instant, at another time was dark, so the figure itself fluctuated in its distinctness: being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts, no outline would be visible in the dense gloom wherein they melted away. And in the very wonder of this, it would be itself again; distinct and clear as ever.” Various adaptations have shown Christmas Past as an angelic female, an elderly man, & an “androgynous” figure of unspecified age. The 2009 Disney motion capture film comes the closest to bringing Dickens’ unique vision to fruition. Obviously with CGI we could do something similar even in a live action movie. However, I think what might work best is a combination of computerized magic and a performance by a real actress. Swinton not only has a unique look, but she is another Academy Award winner to add to our fully loaded cast.

Christmas Present – Sir Anthony Hopkins
Dickens describes The Ghost of Christmas Present as “a jolly giant” clothed in a green robe with white fur and sitting upon a throne of various kinds of food (yum…my kind of throne!!). Most films represent the spirit fairly accurately. However, many don’t present the events of the story faithfully. hopkinsChristmas Present takes Scrooge into the streets of London on Christmas Day, to Bob Cratchit’s house, to see a poor miner’s family celebrating in their little shack upon a lonely moor, to visit two men keeping watch in a lighthouse, out to sea where the crew of a ship (possibly a fishing boat…the book doesn’t specify) is quietly remembering Christmas amongst themselves, & to his nephew Fred’s house where he and a group of friend’s are making merry. For some reason the visits to the lighthouse, the miner’s shack, & the ship are often left out of A Christmas Carol movies. We would not allow that in our version. Christmas Present also reveals to Scrooge two “wretched, abject, frightful, hideous, miserable” children hiding under his regal robes named Ignorance & Want. It is a disturbing scene rife with social commentary and is too often left out of movies. Not this one though. At any rate, when pondering the casting decision my mind immediately fell upon Academy Award winner Sir Anthony Hopkins. We associate him most with the role of evil Hannibal Lecter, so I think it would be really interesting to see him instead play a character that is ebullient & gregarious. Christmas Present ages as the night goes along, and we undoubtedly could pull that off as well.

Christmas Yet to Come – Andy Serkis
Dickens describes Christmas Future as a “draped and hooded” phantom “shrouded in a deep black garment, which concealed its head, its face, its serkisform, and left nothing of it visible save one outstretched hand”. Essentially it is The Grim Reaper, and almost all film versions of A Christmas Carol depict it as so. The spirit doesn’t actually speak…it just points a lot and acts menacing. This is a tough one from a casting standpoint, but I immediately thought of Andy Serkis. That name might not ring a bell because he isn’t a well-known actor in the traditional sense. His specialty is giving voice and physicality to computer generated characters like Gollum in the Lord of the Rings trilogy and the titular character in King Kong (a lukewarm 2005 film directed by…Peter Jackson). We could certainly go the CGI route here, but I think Serkis’ unique talent adds a level of je ne sais quoi that would elevate our movie to another strata.

 

Ideally this film would be released in early December so that it could be enjoyed by audiences looking for some holiday cheer at their local cineplex in the midst of their Christmas shopping. Hopefully it would get lots of love from Hollywood during its awards season. What do you think?? Do we need another A Christmas Carol movie?? Did I do a good job of casting?? Does this look like a film you might be tempted to check out?? As always your comments & feedback are welcome. Merry Christmas Manoverse…and God bless us everyone!!

Superfluous 7 – Favorite A Christmas Carol Adaptations

CTVIt has become an annual tradition the past few years for me to kvetch about the peculiar entertainment options offered on TV during the Christmas season. If I were to own or run a station like American Movie Classics or Turner Classic Movies the entire month of December would be dedicated almost exclusively to the plethora of holiday favorites that have been produced over the past several decades. Instead what has become the norm for these channels is to show a meager smattering of Christmas films here & there while still using the majority of their time to broadcast movies that have absolutely no relationship to the holiday season. Who in the heck wants to turn on a classic movie channel in December and watch some crappy 90’s rom-com, a western, or anything starring James Dean?? Not this humble Potentate of Profundity. Anyway, one holiday classic that you will usually see somewhere every year is A Christmas Carol, based on Charles Dickens’ wonderful 1843 novella. The question is which adaptation is being shown?? And for the purposes of this exercise a more important query is which version is worth watching?? In an effort to clarify the matter The Manofesto presents…..

 

 

 

from the home office in Dickens, TX…..

 

 

 

The Superfluous 7 Best Adaptations of A Christmas Carol:

 

 

 

 

 

7 Scrooge (1970) starring Albert Finney
I know a lot of people love this version. I like it well enough. However, there are issues. The music isn’t horrible, but no one in the cast is especially talented at ScroogeAFsinging. They are the kind of vocalists that get laughed at during the auditions on America Idol. When we are introduced to young Ebenezer’s girlfriend Belle it is said that she is Fezziwig’s daughter. The source material never states that and it seems like an unnecessary alteration. When Scrooge meets the Ghost of Christmas Present it is said that the year is 1860. The book was published in 1843 and almost all other films acknowledge that. Why change it?? The Ghost of Christmas Present sequence leaves out the child specters of Want & Ignorance and also skips over visits to a lighthouse, coal mining shack, & a ship at sea…omissions that aren’t uncommon among Carol films. And let’s talk about Scrooge’s visit to Hell. What kind of cheesy sci-fi schlock is that? However, all things considered, this is an entertaining movie that retains the essence of the story even if it is a bit liberal with the details. Albert Finney was only 34 years old when this film was made yet plays a fairly convincing Scrooge. Sir Alec Guinness…known primarily nowadays as Obi-wan Kenobi in Star Wars…plays the ghost of Jacob Marley, a bit of trivia that I find rather amusing.

 

 

 

6 A Christmas Carol (1999) starring Patrick Stewart
I am a self-proclaimed Trekkie, so of course any adaptation starring Captain Picard is going to make the cut. Stewart has done a one man stage production of Carol ScroogePSin the UK for many years, therefore it makes sense that he’d star in a full scale movie. This was a made-for-TV film on TNT about 15 years ago, and unlike another television version we’ll get to eventually this one feels…small. The supporting cast is fine but not particularly notable. Stewart’s performance is extraordinary…as are most Stewart performances…but still not especially memorable. It is a fairly faithful re-telling of the story and even includes the scene where the Ghost of Christmas Present shows Scrooge people celebrating Christmas in a lighthouse, on a ship at sea, and a small cabin with coal miners. That is a part of the book left out of too many film adaptations for no particular reason. If you’re a Patrick Stewart fan you’ll probably like this movie. If you’re not a Star Trek: TNG enthusiast and have little affinity for Stewart you may be unimpressed.

 

 

 

5 A Christmas Carol (1938) starring Reginald Owen
This particular adaptation of the story is what most will remember as the cheery one. Some might say it is a bit too jovial, which is seemingly intentional on the part ScroogeROof the filmmakers. Tiny Tim is quite peppy for a terminally ill child and Bob Cratchit looks pretty content & well-nourished for a man who can barely feed his family and is constantly on the verge of losing his job. At worst he’s kind of a jittery guy, like someone who might want to consider downsizing his daily caramel macchiato from venti to grande. Melancholy aspects of the tale like Scrooge’s fiancée that dumps him when he becomes a greedy money-loving jackass and the ghastly child apparitions of Want & Ignorance are not in the film at all. This is definitely a sanitized version of Carol, but on some level it still works. Owen’s take on Scrooge isn’t particularly noteworthy but neither is it dreadful. I seem to recall seeing this movie on TV a lot as a child which probably explains my affection toward it.

 

 

 

4 Disney’s A Christmas Carol (2009) starring Jim Carrey
This version hasn’t really had time to find a foothold in the collective pop culture consciousness just yet. It may get there one day or maybe it won’t, but I assume it ScroogeJCwill receive ample opportunity in the next several years due to its $200 million budget and the hours of effort & skill it had to have taken to put together such a high tech project. I saw the film in a theater upon its release in 2009 and it is a dazzlingly beautiful piece of work from director Robert Zemeckis, the man who gave us the brilliant Back to the Future trilogy. I am a big fan of motion capture animation, and although this movie doesn’t measure up to 2004’s The Polar Express one can clearly see how much the technology has advanced over the years. Jim Carrey…much like what Tom Hanks did in Express…plays multiple roles and does a nice job. I like animated Carrey a lot more than I do real Carrey. The movie stays quite true to the book and that fact alone probably makes it more appealing to me. It is actually a rather dark film at times because the format allows the ominous aspects of the story to be portrayed more artistically than a live action movie might allow. It is kind of surprising how menacing some scenes are. This isn’t a kids’ movie. The filmmakers probably had a little too much fun with their toys and there are moments when I wish they would have dialed it back just a bit, but it’s a small nit to pick.

 

 

 

3 A Christmas Carol (1984) starring George C. Scott
It is my humble opinion that legendary British characters…Sherlock Holmes, James Bond, Harry Potter, & yes, Ebenezer Scrooge…should be portrayed by British ScroogeGCSactors just as beloved American characters…Huck Finn & Tom Sawyer, Jay Gatsby, Batman, Superman, & Spiderman…should be played by American actors. It’s kind of a hang-up with me. That being said, due credit must be given to George C. Scott for a portrayal of Scrooge that has aged quite well and has been shown on television with some frequency only since 2007 when Mr. Scott’s estate sold the rights. Perhaps that two decade time lag is what makes this one of the lesser appreciated versions of Carol. Originally a TV movie on CBS, it has a big screen vibe that makes it feel significant. Scott’s Scrooge is more of a cunning & merciless business tycoon than a bitter old geezer, a subtle yet intriguing departure. It is a fairly austere, decidedly gimmick-less version, which is a refreshing rarity. There are minor omissions & variations from the source material, but nothing that is glaring or unforgivable.

 

 

 

2 The Muppet Christmas Carol (1992)
I pondered whether or not to include this movie at all, but ultimately decided that its magnetic charm cannot be overlooked. My preference for the perfect A ScroogeMCChristmas Carol adaptation is a straightforward, high quality, authentic rendering of Charles Dickens’ story. No animation. No song & dance numbers. No gender bending. No omissions of key characters or plot points. No additions or “fleshing out” of things barely alluded to in the book. Unfortunately, for whatever reason, that seems to be an almost impossible task to accomplish. Having said that, I have, over the years, opened my mind just a bit and accepted some unique interpretations on their own merits. Those of us that grew up in the 70’s & 80’s were blessed to have Jim Henson’s Muppets as a ubiquitous part of our childhood, and probably one of the greatest Muppet productions of all time is this take on A Christmas Carol. Is it faithful to the book?? Well…more than one might expect. I mean sure…it is so family friendly that it makes the 1938 Reginald Owen version look like a snuff film from Sam Peckinpah, but that’s okay. It’s fun, which isn’t a bad thing. I love the narration & running commentary from Gonzo the Great (as Charles Dickens) and Rizzo the Rat. Kermit the Frog is a fine Bob Cratchit. Michael Caine…one of the few “real” actors in the film…gives quite possibly one of his best performances as Ebenezer Scrooge. Music adds some unobtrusive levity yet the dark nature of the original story isn’t completely lost. Like most Muppet movies this one is amusing & will warm the cockles of even the coldest heart.

 

1 Scrooge (1951) starring Alastair Sim
This is generally considered one of the best adaptations of the Dickens novella by most critics…whoever “they” are. For me it rises to the top spot kind of by default.ScroogeAS I won’t award an animated/musical/cartoon version the #1 spot. I just can’t do it. That narrows it down quite a bit. The 1938 Reginald Owen movie leaves too much out and gives the source material a tonal lobotomy. It is a fine film on its own merits but cannot be #1. It is a testament to George C. Scott’s brilliance that his Ebenezer Scrooge is thought of by many as definitive, however I cannot give the honor to a made-for-TV movie that was largely inaccessible to the public for over two decades and stars an American actor in a uniquely British role. So we are left with the film that would probably win most polls anyway. However it is not without flaws. An entire subplot is added in which young Scrooge & Marley thrown in with a shady businessman named Mr. Jorkin and leave old Fezziwig in the dust. Later on the crooked Jorkin’s legal problems lead to success for Scrooge & Marley. It’s not horrible background material…it just isn’t in Dickens’ novella. For some reason Scrooge’s maid Mrs. Dilber gets a lot of airtime in the movie as well. Again it isn’t necessarily bad character development…just not faithful to the book. And for no apparent reason whatsoever young Scrooge’s fiancee’s name is Alice instead of Belle. I am sure that someone somewhere had a reason for making that change 65 years ago, but I hate stuff like that. It makes it seem as if the people who were getting paid to make the movie couldn’t be bothered to read the book first. At any rate, even with those issues this is still a great film. It retains the solemn (at times forbidding) tone of the story, and Sim is uniquely memorable in the titular role. He has a singular appearance that allows him to convincingly exhibit both sides of the Scrooge coin…the bitter & lonely old miser who is then transformed and joyously embraces a second chance. The supporting cast is solid if not all that remarkable. If/when Hollywood ever decides to do another big screen remake of A Christmas Carol this is the one they should emulate.

Understanding Ebenezer

As Samuel was offering up the burnt offering, the Philistines drew near to battle against Israel. But the LORD thundered with a loud thunder upon the Philistines that day, and so confused them that they were overcome before Israel. And the men of Israel went out of Mizpah and pursued the Philistines, and drove them back as far as below Beth Car. Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, “Thus far the LORD has helped us.” So the Philistines were subdued, and they did not come anymore into the territory of Israel. And the hand of the LORD was against the Philistines all the days of Samuel.” (1 Samuel 7:10-13)


Ebenezer thus means “stone of help”, which isn’t necessarily vital or even helpful information, just an interesting note to begin a discussion of the holiday season and the undeniable emotional dichotomy it presents.


I had always heard folks say that Christmas is both the happiest and saddest time of the year. I am sure somewhere in the annals of time a well known sage or scribe uttered a memorable quote denoting this, but I cannot tell you that for sure. At any rate, it is something I’ve heard but never really paid much attention to…until now.


I have always loved the Thanksgiving-Christmas-New Year’s holiday corridor. Christmas especially…with its singular music, delicious food, classic movies & TV specials, lovely lights & decorations, and unique vibe has always been my favorite holiday. As a child one is obviously drawn toward the idea of Santa Claus and presents, while adulthood hopefully brings about a deeper appreciation of Christmas as a celebration of the birth of our Lord & Savior Jesus Christ. At least that was my experience anyway. Many of us also have a plethora of traditions, usually family related, that we take for granted as kids then develop a wistful nostalgia for as we grow older. Most people mature & evolve, developing new traditions as life’s many transitions…birth, death, marriage, relocation…occur. But it is in these inevitable transitions that the aforementioned duality develops.


Let me go back to Ebenezer for a moment. That, of course, is the first name of the protagonist Scrooge in Charles Dickens’ A Christmas Carol. I feel confident in assuming most will have read the book or watched the movies and be familiar with the story. Scrooge is a mean, uncaring, greedy miser who hates everything and everyone. But why?? I am not Dr. Phil, Dr. Drew, Dr. Oz, or Dr. Ruth, but I have read the book and know that The Ghost of Christmas Past showed that there were reasons why Scrooge ended up the way he did. It is suggested that his childhood wasn’t the best, that his Dad treated him badly. He did have a sister, Fan, that he loved dearly, but she died as a young woman during childbirth. That probably was the exclamation point that sealed Scrooge’s bitterness. In between these two events we see Scrooge become a businessman obsessed with money, an obsession that cost him the only other person he ever seemed to have loved, a fiancee named Belle.


Now I know that Ebenezer Scrooge is a fictional character. I can separate fantasy from reality. But it seems likely that Dickens based his story and his characters, to a degree, on his real life experiences. And let’s face it…we all know people in our own lives that share atleast a shadow of a trait or two or three with ol’ Scrooge.


As I move steadily along my 30’s on the brink of “middle age” I have struggled mightily to retain my childish enthusiasm for Christmas. I still love the sights and sounds and smells of the season. But I have also developed a deeper understanding of how and why it can also be a very sad time for some, and why there are those that are more like Ebenezer Scrooge than Bob Cratchit.


Those inevitable transitions of life are much kinder to some than others. The most important night of the holiday season when I was a kid was Christmas Eve when we would gather at my grandparents’ home to celebrate what I call The Mano Fish Fest. It is a hybrid version of the Italian-Catholic Feast of the Seven Fishes, modified because for some strange reason my particular branch of the family is not Catholic, I am not sure we’ve ever had 7 types of fish, and there is a lot of other food as well. As my grandparents grew older the celebration moved to my aunt’s house, but for the most part nothing else changed. However, over time things have been transformed significantly. A photo of the big night from 20 years ago versus one from last year will show that several people…my grandfather, my Mom, my maternal grandmother (who was always included even though she was not a Mano), a couple of cousins, and an uncle…have died. My Grandma Mano is now 96 and in poor health. My aunt isn’t all that well herself, and I can foresee the day when the big Fish Fest is a thing of the past, and I have nothing better to do on Christmas Eve than stay at home watching the TBS A Christmas Story marathon. Christmas Day has changed dramatically too. My life, as well as the lives of my father and sister, was forever altered by the death of my mother ten years ago. We decided that we just couldn’t celebrate Christmas at my parents’ house with Mom gone, so we transitioned to my sisters’ home. At the time her two boys were just little tikes and she’d do her best to fix a meal, although it could never live up to the feast Mom always prepared. Now my nephews are teenagers, and they have to spend part of the day with their father and his 2nd wife and family anyway. All my grandparents’ came to our house on Christmas Day when I was a child, so that of course is gone now too. Add to all these changes the fact that I am single and have no children. My friend The Owl and I have had many discussions about how society is dictated by and for married people with children and how single, childless individuals are marginalized and often get lost in the shuffle. It is no one’s fault, and it is not my intention to lay blame at anyone’s feet or expect the world to cry me a river. We all have our issues. My purpose here is simply to point out my increased understanding of the two-sided, happy/sad Christmas coin. And I won’t even go into what a nightmare it is to go shopping this time of year. I haven’t decided if the fact that I used to love that hustle & bustle but now dread going within a mile of the mall in December is more a reflection of my own personality changing or just the growing debasement of society as a whole.


Please do not misunderstand. I am not becoming an acrimonious old misanthrope. I still love Christmas. But I do realize how and why so many find this time of year to be nothing but lonely and sad. I am very fortunate to have what family remains, a roof over my head, a job that enables me to buy a few gifts for my Dad, sister, and nephews, and a church with which I am involved that engages in a lot of Christmas activities (even if half of them get cancelled almost annually when the powers-that-be are repeatedly surprised that it is cold in December). There are so many people who aren’t as fortunate, and that realization helps me overcome my own tendency to gravitate toward melancholy.


I wish I had some sagacious words of wisdom for those whose spirits are pierced with the sharp sword of sorrow this time of year, but unfortunately I am not quite there yet. All I can say is that I can, on some level, understand and empathize, just like I can dislike the type of ill tempered curmudgeon that personifies the Scrooge mentality but can also say with a smidgen of sagacity that I get it, that I see where they are coming from and will keep them in my prayers.

 

 


 

100 Favorite Movies…..21-23

Since we only covered two films in the previous installment, we’ll finish out that grouping’s other three entrants now. And since I did a lengthy preamble last time I will spare my dear readers that type of verbosity this go round.

 

 


23 A Christmas Carol

When I first did this series at the original Manofesto on MySpace I left out A Christmas Carol. My reasoning was that there were so many different versions, many of them very good in their own way, that I just could not pick one. That is still the case, but this time I am not letting that fact stop me from recognizing the story and putting it in its rightful place in The Top 100. There have been dozens of adaptations of A Christmas Carol on the big screen and on television, and countless others that aren’t really versions of the story but borrow certain elements.


For anyone who has been living in a vacuum their entire life, A Christmas Carol is an 1843 novella by Charles Dickens in which bitter old miser Ebenezer Scrooge is visited by the Ghosts of Christmases Past, Present, & Future on, of course, Christmas Eve. He is shown the error of his ways and wakes up on Christmas morning a changed man. Along the way we meet Scrooge’s poor but cheerful nephew Fred and Bob Cratchit, Scrooge’s underpaid and mistreated clerk, who is barely able to support his large family, which includes young son Tiny Tim, who has been stricken with a disease that is never specified and will die without proper (and expensive) medical care.


I highly recommend reading the book, but we are here to talk about movies. So with that being said, I have a few favorite versions of the tale. Reginald Owen starred as Scrooge in a 1938 MGM release which one can usually catch a few times during the holiday season on Turner Classic Movies or American Movie Classics. It is a scaled back, family friendly movie that leaves out some of the darker details of Dickens, but still gets the point across. More grim is the 1951 movie starring Alistair Sim. This one doesn’t leave out as much but it adds some things, detailing some peripheral issues in which Dickens was not as specific. It too is a favorite of the classic movie channels at Christmas time. In 1999 TNT did an excellent made-for-TV adaptation with Patrick Stewart (Captain Picard from Star Trek: The Next Generation) as Scrooge. I was attracted to it initially because I am a Trekkie so I dig Stewart, but it is a really good version, especially for being a television movie instead of on the big screen. It is more faithful to the book than any other take on the story that I have seen. Last year Robert Zemeckis and Jim Carrey teamed up for the newest A Christmas Carol using the same unique performance capture technology used in The Polar Express (which we will discuss at a later date). I saw it in the theater and was impressed, though it is the darkest vision of the story I have seen yet. They were very faithful to the book but went a tad crazy with special effects, making it a bit of an assault on the senses. Time will tell where it rates in the pantheon. Several movies have been made that are not meant to be faithful to the book…they are “modernized” updates. Among the best of those are 1988’s Scrooged in which Bill Murray plays a cynical TV producer, Mickey’s Christmas Carol and Mr. Magoo’s Christmas Carol, both lighthearted animated fare starring some of our favorite cartoon characters, and A Carol Christmas, with Tori Spelling as a Scrooge-esque talk show host, a Hallmark Channel offering I mention only because it stars a uniquely kitschy combination of Spelling, William Shatner, and Gary Coleman.


Modern audiences may not fully grasp the significant role A Christmas Carol played in reviving Christmas. English Puritanism had nearly killed the holiday in the 18th century, but Dickens and his little novella helped spearhead a renewed Christmas spirit. Some may criticize his seemingly secular vision of what is meant to be a celebration of the birth of Christ just as many complain about the modern issues of commercialization, and those are valid criticisms…Dickens does not mention Jesus or delve into the religious aspects of Christmas at all. But A Christmas Carol is about Christian principles like friendship, love, and generosity, and I don’t think The Lord would have any objections.


22 Jaws

More than 30 years after the release of Jaws I still have no desire to swim in an ocean. I think that speaks volumes about the impact of this particular movie. Not really a horror film but more than a thriller, Jaws was the first summer blockbuster and permanently altered the way we view movies and the way Hollywood produces and promotes them. Nowadays it is an expected cliché that all the “big” movies, mostly special effects laden action flicks or highly anticipated sequels, will come to your local cineplex sometime between Memorial Day and Labor Day. But in 1975 this was not the case. Jaws changed the rules. However, while I think it appropriate to give that aspect of the story its proper due, I am more interested in the story itself, which is awesome.


I am not really all that much into action movies, a fact that I am sure I have mentioned more than once in the course of this series. Too often the filmmakers seem to believe that if enough people get shot, a plethora of stuff explodes, and computer generated special effects make us gasp in amazement that we will overlook little things like character development, plot, and good writing. And sadly they are correct way too much of the time. But that sort of trickery doesn’t work with me. Obviously I am a writer, so that is what I tend to focus on. Jaws is the rare film that works on both levels. Based on a 1974 novel by Peter Benchley, Jaws scares of the crap out of the viewer but also makes us give a damn about the folks on the screen. As faithful readers know, I tend to believe that the book is better than the movie in almost all cases. Is that the case here?? I don’t know. I have to confess that I have never read the book. I have heard that the movie is much better, that the book isn’t really all that stellar. Maybe someday I will decide for myself. In the meantime, Roy Schneider, Richard Dreyfuss, and Robert Shaw star as a police chief, a marine biologist, and a shark hunter charged with the task of hunting down a great white shark that is terrorizing a small New England tourist trap. We get to know each of these characters, and the subplot of the town’s angst concerning the safety of the masses versus the need to make a profit is an important element as well. But make no mistake…the real star of the show is the shark. Jaws was directed by Steven Spielberg before anyone knew or cared who he was, and he does a masterful job of exercising restraint, creating suspense and drama instead of just enabling the cheap blood and gore mentality. Much of this was due to a limited budget and a lot of headaches during filming, but those negatives are turned into such a positive that Jaws is and will forever will be a legendary movie. It is not a coincidence that several subpar sequels were made and that Spielberg was not involved in any of them. I would be remiss if I did not mention the haunting musical contribution of composer John Williams. Who knew that two simple notes could be made into such spectacularly memorable music?? Jaws is like a fine wine…its greatness grows on a person over the course of time and multiple viewings. Modern filmmakers should take heed of the lessons learned from this movie. Just because one has access to unlimited funds and countless technological toys does not mean that the movies they make are great. Write a good story first, then get some truly talented actors (and just because they are huge movie stars does not mean they qualify as good actors). Don’t go too crazy with all the special effects…a little goes a long way. Throw in a quality musical score and you just may have something. Spielberg’s offerings have been kind of hit or miss over the last decade. Minority Report?? War of the Worlds?? Come on Spielberg…step away from the pitcher of Tom Cruise Kool-Aid. But no matter what he does in the future he must always be given kudos for the ultimate summer blockbuster.


21 Casablanca

I did not realize it until just now, but today’s threesome really brings home the old adage “they don’t make ’em like they used to”. The best versions of A Christmas Carol were made more than 50 years ago, Jaws is the youngster at only 35 years old, and then we have 1942’s Casablanca. Some of the films in this Top 100 may fall out of fashion and not frost my cupcake 10 or 20 years from now, but I will be shocked if Casablanca ever leaves the collective consciousness of the moviegoing public.

I don’t remember when I first saw Casablanca. I am sure it was probably sometime back in junior high on a channel like American Movie Classics. I am not one to try to keep up with the joneses, but there are certain books that I feel need to be read and certain films I think need to be seen in order to become the well rounded, educated, cultured person that elevates one above toothless hillbilly, perpetual bottom feeder status. I am proudly born and bred in the great state of West Virginia and tend to be sensitive to such things. At any rate, Casablanca stars Humphrey Bogart as Rick, an American misanthrope running a nightclub in the French controlled North African colony of Morocco during World War II at a time when the Nazis are steadily taking over the vast majority of Europe. Rick gains possession of “letters of transit” which would allow the bearer to escape to America. Things get complicated when Rick’s ex Ilsa pops in, with her husband, a Czech resistance leader, in tow. Ilsa’s appearance explains Rick’s cynical resentment and hardscrabble attitude. She attempts to convince Rick that she is still in love with him in order to gain possession of the letters of transit so her husband can escape to America. Rick seems to buy into it, but at the last second pulls an ol’ bait & switch, revealing himself to be more of a softy than we realize. He makes Ilsa get on a plane with her husband, and runs interference against the Nazis and the corrupt local French police captain while the couple make their escape. Casablanca is one of our most quotable films and there is not a bad performance from any of the cast. It is a nearly flawless exercise in filmmaking. There’s a little romance, a little drama, some suspense, a twist ending, and even a laugh or two. There simply aren’t enough superlatives in the dictionary to properly encapsulate its greatness, and nothing I write can do it justice. Rent it at your local video store or make an effort to catch it sometime on AMC or TCM and you will understand. I hope that younger generations continue to embrace the superb quality of Casablanca and use it as an example in demanding better stories from modern Hollywood.