Yes West Virginia, there is a Santa Claus…or atleast there used to be a long time ago. Saint Nicholas was a 4th century clergyman in Turkey. He is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers, & unmarried people, and is well known for his practice of secret gift giving. That very real bishop gave rise to the legend of Santa Claus (aka Kris Kringle, Jolly Old Saint Nick, Father Christmas, Pere Noel, Sinter Klaas, et al). As a central figure in our modern celebration of Christmas he is not without controversy, but unlike some of my Christian brothers & sisters I take no issue with Santa’s role in our merriment. I choose to see him as a friend & servant of Christ, spreading joy, generosity, & good cheer thru his interactions with children of all ages. Pop culture has embraced Santa Claus for centuries, and he ranks right up there with characters like Sherlock Holmes & Dracula in the countless times & ways he has been portrayed. In pondering that very subject I began thinking about all of the great & not so great depictions of Santa thru the years, and decided to present…..
from the home office in Santa Claus, IN…..
The Superfluous 7 Best (And Worst) Fictional Santa Clauses:
7 Worst – Santa Claus (Rudolph the Red-Nosed Reindeer)
It is only thru the prism of adulthood that we begin to understand that this Santa is kind of an ass!! While it isn’t surprising that other reindeer bully Rudolph about his…physical deformity…we expect more from Santa, who essentially says the whole red nose thing might prevent Rudolph from making his sleigh team. But then the weather gets bad (as if snowstorms are rare at The North Pole 🤷🏻♂️) and, like so many of us flawed human beings, Santa suddenly warms up to Rudolph when he realizes that red nose just might be advantageous. In other words, Rudolph is disposable until Santa needs to use him, which is pretty disheartening.
Best – Santa Claus (Rudolph the Red-Nosed Reindeer)
For those of us of a certain age the Rankin-Bass stop-motion animated holiday specials produced in the 1960s & 70s are quintessential Christmas and represent a huge piece of our childhood. 1964’s Rudolph the Red-Nosed Reindeer was the first of those TV specials and is still shown annually a half century later. While Rudolph, Hermey the Elf, & Yukon Cornelius take center stage, The Jolly Old Elf is there as a supporting character, and, despite his questionable attitude, he is the first Santa many encounter on television as kids. He has the red suit, the full white beard, a deep booming voice, & the requisite “Ho Ho Ho!”.
6 Worst – Nick Claus (Fred Claus)
This one hurts because I freakin’ love Paul Giamatti. From his breakout role in Howard Stern’s Private Parts to the Andy Kaufman biopic Man on the Moon to portraying quirky writer Harvey Pekar in American Splendor to my personal favorite Sideways (a critically acclaimed yet underrated gem), Giamatti quietly became one of the most undervalued actors in Hollywood about two decades ago. It’s not that Giamatti is miscast as Sadsack Santa because vaguely depressed is kind of his wheelhouse, it’s the fact that characterizing Santa that way simply doesn’t feel right. Fred Claus isn’t a good movie to begin with, despite the presence of Vince Vaughn, Giamatti, & Oscar winner Kevin Spacey, but a milquetoast Santa with family drama who gets bullied by a bitter efficiency expert (🤔🤷🏻♂️👀) isn’t the least bit amusing. To top it off, Santa is unable to deliver gifts on Christmas Eve due to a back injury, so it’s up to his slacker brother to get the job done. And I’m supposed to laugh??
Best – The Norelco Santa Claus
From 1961-89 it was an annual tradition for Norelco (a division of electronics conglomerate Philips) to hawk their electric razor with a commercial featuring Santa Claus. This Santa didn’t say anything, he just zoomed thru snow covered hills utilizing an electric shaver head as a sleigh while a voiceover detailed the latest razor on the market that you might want to gift Dad, Grandpa, or any other man on your list. The irony of a full-bearded Santa shilling for a razor never occurred to me back then, and now those commercials (thankfully available on YouTube) provide a healthy dose of nostalgia, which becomes a huge part of the Christmas experience as one grows older.
5 Worst – Higbee’s Santa (A Christmas Story)
“Find a job you enjoy doing and you will never work a day in your life” is a quote I’ve seen attributed to both Mark Twain & Confucius, but the truth is that the vast majority of adults hate their job. We have bills to pay & oftentimes families to support, so you do what you have to do. Nobody embodies this ethos more than the department store Santa in our favorite 1983 holiday classic. In his brief time on screen he moans about possibly having to work overtime, shows utter disdain for the children standing in line to see him, grows impatient with a very nervous Ralphie, and literally kicks the boy in the face. Far from the jolly, kindhearted, magical elf we think of Santa being, this version is just Joe Sixpack anxiously awaiting the end of his shift, probably so he can go home, smoke a bowl, watch some porn, and eat a bologna sandwich with mustard dripping all over his wifebeater.
Best – Kris Kringle (Santa Claus is Comin’ to Town)
I love a good origin story, and this is the best explanation of all things Santa. Another well done Rankin-Bass production, it shows how a baby named Claus is abandoned, then found & raised by a family of toymakers named Kringle. When he grows up Kris volunteers to deliver toys to children in nearby Sombertown, ruled by the malevolent Burgermeister Meisterburger. Kris meets & falls in love with schoolteacher Jessica, who eventually becomes Mrs. Claus. He is forced to go down chimneys & leave toys in stockings after Meisterburger orders a lockdown (must be a Democrat). Jessica asks the Winter Warlock for help in freeing an imprisoned Kris, and he does so by feeding magic corn to reindeer, enabling them to fly. While in hiding Kris grows a beard, marries Jessica, & builds a toy empire at The North Pole. He decides that he’ll deliver gifts on one special night each year…Christmas Eve. It’s quite neat to have questions surrounding the Santa mythos answered, and seeing him grow from a baby to a red haired young man to the white-haired old man in a red suit we all know & love is delightful.
4 Worst – Emo Santa (The Year Without a Santa Claus)
Men are infamous whiners when we fall ill, but this dude takes the cake. Voiced by the legendary Mickey Rooney, this Santa Claus just isn’t feeling the good vibes or appreciation that he expects, so he sends forth the decree that Christmas is cancelled. It is this sort of thing that makes a lot of religious folks dislike Santa, as if he has the ultimate authority to cancel Christmas. Hollywood notoriously avoids focusing on the true Reason for the Season, something I reluctantly made peace with long ago. However, to insinuate that Santa Claus is in charge of the entire holiday is a bit much. And really, the guy isn’t even physically sick. He’s desperately seeking validation & an ego boost, and perhaps suffers from Seasonal Affective Disorder. He should ask himself for some Vitamin D pills or a Sunlight Therapy Lamp for Christmas.
Best – The Coca-Cola Santa Claus
Coca-Cola’s signature red & white colors sync perfectly with Santa Claus, right?? However, it wasn’t always that way. If you look at visual depictions of Santa from the early 20th century or before how he looks varies widely. Sometimes he’s tall & thin, other times (in tune with his role as the Jolly Old Elf) he is seen as…well, elf size. He might be wearing the long & flowing robes of a typical bishop, or even military gear. When Coke began using Santa in advertising campaigns in the 1930s they hired illustrator Haddon Sundblom to create a warm & friendly Santa with rosy cheeks, an amiable smile, & that twinkle in his eye. He appears as a full-grown man with an ample mid-section. Sunblom’s Santa became the standard, and his nostalgic drawings can still give one all the feels.
3 Worst – The Santas That Killed Grandma & Kissed Mommy
I Saw Mommy Kissing Santa Claus (recorded in 1952 by 13 year old Jimmy Boyd) and Grandma Got Run Over By A Reindeer (recorded by Elmo & Patsy in 1979) are two of the most enduring novelty songs of the holiday season, and I can’t stand them. Despite the title of the song, the kid’s drunken grandmother didn’t technically get killed by reindeer. The lyrics even indicate that the corpse had “incriminating Claus marks on her back” and warns “they should never give a license to a man who drives a sleigh and plays with elves”. Santa should’ve been arrested for vehicular manslaughter!! The other song is only marginally better. No one dies, but a child seeing Mom play tonsil hockey with Santa is likely going to need therapy. He thinks Dad will get a good laugh out of his wife being a skank, but that’s probably way too optimistic.
Best – Scott Calvin (The Santa Clause Trilogy)
I love the origin story of The Santa Clause. Rather than having Santa be one guy who magically lives forever it is depicted as a role that one person takes over when the previous portrayer dies. It makes a lot of logical sense. Scott Calvin is just an Average Joe, a middle-aged divorced Dad navigating associated pitfalls like custody issues & the ex wife’s new boyfriend, all while working 9 to 5 as an executive for a toy manufacturer (convenient). The whole deal with Santa falling off the roof is a little weird, but we soon forget it once Scott & his young son Charlie are transported to The North Pole. When Scott fully embraces his new life and becomes ensconced in the ultimate dream job it is truly magical. It’s a very modern perspective on the Santa Claus mythology, but with just enough notes of enchantment to make it special.
2 Worst – Willie T. Soke (Bad Santa)
Y’all know how much I love Christmas movies. Whether it’s a Santa Claus story, wacky family hijinks, or one of the plethora of adaptations of Dickens’ A Christmas Carol, I’m always ready to jump onboard the Holiday Film Train. That being said, while I realize there are folks who absolutely love this “modern classic” from 2003, I’m not one of them. Willie is another mall Santa, but he’s even worse than the guy from A Christmas Story because he & his “elf” sidekick are pulling a long con…working at the mall until right before Christmas, then cleaning out the safe. But wait, there’s more!! Not only is Santa Willie a thief, he’s also a drunken, foul mouthed nymphomaniac who has sex with women in the mall dressing room & parking lot. On top of all that he is befriended by a mentally challenged young boy who he proceeds to take advantage of throughout the film. I’m no prude, and enjoy the occasional dark comedy, but come on man…this movie makes Die Hard look like a rom-com. They actually produced a sequel about five years ago, and it’s less amusing than the original.
Best – St. Nick (A Visit from St. Nicholas)
Published anonymously in the Troy Sentinel newspaper in 1823, it wasn’t until almost fifteen years later that Clement Clark Moore claimed authorship. At the time Moore was a middle-aged professor at a New York City seminary. The poem is very descriptive and solidified the Santa Claus persona, creating the perception most everyone has of him to this day. The idea that he is “jolly”. He rides a flying sleigh pulled by eight reindeer (and he gives us their names!!). He arrives on Christmas Eve and comes down the chimney. The twinkling eyes, jiggly belly, white beard, & rosy cheeks. It’s a beautiful story, one that many parents read to their children on Christmas Eve. I have always opined that anything…books, music, film & TV, etc…that we are still enjoying decades after its initial release deserves respect, and in this case we’re talking about a poem & a vivid interpretation of Santa Claus that has stood the test of time for two centuries.
1 Worst – Billy Chapman (Silent Night Deadly Night)
When I was a teenager our church had an active & tightly knit youth group. We shared some awesome times, one of those being our annual Progressive Dinner during which we’d have appetizers at one house, salad at the next, then go to another place for an entree, and finally end up at the home of our youth leaders for dessert. We’d stay there quite late, eating junk food, playing cards, and watching movies (oh to be a teen again). On one of these delightful evenings we watched a slasher film in which a young boy witnesses his parents get carjacked & murdered by Santa Claus. Billy ends up in an orphanage, grows up with…issues (shocker)…and becomes a murderous Santa himself. Look, I know that there are people who love this kind of thing, but horror films have never been my cup o’ tea, and involving Santa in such craziness, while undeniably creative, just isn’t entertaining. Surprisingly enough the movie birthed four sequels, and I think they’re going to remake the original.
Best – Kris Kringle (Miracle on 34th Street)
The first Christmas movie I watch every year actually begins its story on Thanksgiving, at the Macy’s Parade in NY City. When the man originally hired by the department store to portray Santa Claus is found intoxicated, kindly old Kris Kringle is Johnny On-the-Spot and takes over the gig. Along the way he befriends his world weary boss, her precocious daughter, & a quixotic attorney who is sweet on the single Mom. After claiming to be the REAL Santa the good-natured old man finds himself in a looney bin then on trial. Edmund Gwenn won the Academy Award for Best Supporting Actor for his portrayal of Kris Kringle, and of all the Santas ever seen on the big screen his is simply the best. He makes you want to believe that Santa Claus could actually be real.
One may make an assumption that Batman & Robin is included in this competition for the same reason films like Showgirls & Very Bad Things have been thrown a bone…because they are so dreadful that their sheer awfulness prompted a level of negative buzz that warrants discussion (kind of like how Cabbage Patch Dolls were considered so ugly they’re cute). That is partially true. However, as a huge fan of all things Batman I must also opine that it’s not really as bad of a movie as many seem to think. In 1995 Joel Schumacher took the reins of the franchise after Tim Burton was asked to step back from the director’s chair because the studio wasn’t happy with the box office for Batman Returns in 1992. Schumacher had already done St. Elmo’s Fire, The Lost Boys, & the John Grisham adaptation The Client, so there was reason to believe that he wasn’t a decent choice, and 1995’s Batman Forever did little to dissuade that notion. But then, after Val Kilmer decided not to reprise his one stint as The Caped Crusader for various reasons, George Clooney got the job. Clooney was still doing the TV show ER but had begun his movie career as well. Schumacher wanted to pay homage to the kitschy 1960’s Batman television show, so he decided the tone of his films would be more colorful & humorous than its predecessors, and though no one seemed to have much of an issue with the more cartoonish vibe of Batman Forever, it seems to be a point of contention when it comes to Batman & Robin. On paper the cast is top notch…Clooney, Schwarzenegger, Thurman, Silverstone…but critically it bombed & commercially didn’t fare as well as the previous films in the series. I remember seeing it in the theater with my best buddy Greg and thinking that it was aurally & visually obnoxious…an assault on the senses. However, when watching Batman & Robin on video…in the comfort of one’s own home where you can control the volume & the lighting…it’s much more palatable. In hindsight the movie suffered from comparisons with its forerunners, and as the fourth film in a series with two directors and three leading men there was a lack of stability that fans found unsettling. In a game of “One of These Things Isn’t Like the Others” it sticks out like a sore thumb…but on its own merits it is harmless cinematic fluff that is acceptably entertaining. Swingers was 
written by Jon Favreau, and was the first starring role for both he & Vaughn. The plot isn’t necessarily as important as the vibe, with the story revolving around a group of underemployed actors in 1990’s Los Angeles, a period when 60’s era swing music was experiencing a revival. The soundtrack is top notch, with tunes from the likes of Dean Martin, Big Bad Voodoo Daddy, Bobby Darin, & Sammy Davis Jr. There is a portion of the film that takes place in Las Vegas, and y’all know that tickles my fancy. Swingers isn’t a thought-provoking masterpiece that will cause one to ponder deep & philosophical questions of life, but it oozes cool and is quite quotable. Critic Roger Ebert called it “sweet, funny, observant, & goofy”, and I concur.
returns as the titular father who must deal with the concurrent pregnancies of his daughter and middle-aged wife. Martin Short is given a bigger role in the sequel after an amusing turn as an eccentric wedding planner in the first film. FotB 2 ranked 17th at the box office in 1995, ahead of some well-regarded movies like Braveheart, Clueless, Casino, Dead Man Walking, The Usual Suspects, & Leaving Las Vegas. It holds a 50% rating on Rotten Tomatoes, with critic Roger Ebert opining “movies like this butter us up so well that we’d feel like a grouch criticizing them”, adding that the movie is “warm & fuzzy, and has some good laughs & a lot of sweetness” before concluding that “I had the unmistakable feeling, toward the end of this film, that they may be reaching the end of this particular road and that there may be new horizons to investigate”. Other critics said things like “Short is trotted back out for more of his mincing shtick…a pretty feeble way to keep his character in the story”, “starts off weak but finishes strong…wacky & weepy, silly & sweet”, and “the strengths of these films are not so much laughs as sincerity & heart”. What About Bob? is a dark comedy about a psychiatric patient who stalks his therapist on vacation and befriends the doctor’s family, which upsets the arrogant shrink to the point that he becomes unhinged & ends up in a catatonic state. Bill Murray apparently doesn’t work & play well with others in real life, and nearly two decades after the film was released Richard Dreyfuss said of Murray “Terribly unpleasant experience. We didn’t get along, me and Bill Murray, but I’ve got to give it to him…I don’t like him, but he makes me laugh even now.”, which kind of sums up my feelings about 
Murray. I’m not a huge fan, but I give credit where it is due in that he is a talented actor who has been in some memorable movies. I’m just not sure that What About Bob? is one of them. It was the 19th highest grossing film of 1991 and holds an 83% score on Rotten Tomatoes, with The Washington Post proclaiming it “one comic session strung to feature-length breaking point”, while Entertainment Weekly states that it “begins as a rambunctious satire…but turns into little more than a pleasant one-joke movie.”
The only issue I have with the Lethal Weapon series is that it is easy to get the plots confused. They all star Mel Gibson & Danny Glover as a pair of mismatched cops fighting nefarious criminals, with the latter two films adding Rene Russo as a love interest for Gibson and 2, 3, & 4 having Joe Pesci as an annoying reformed criminal. In the third installment Riggs & Murtaugh track down a dirty cop who has become an arms dealer. A subplot involves the budding romance between Riggs and internal affairs officer Lorna Cole. LW3 was the fourth highest grossing film of 1992 and had the best box office of any film in the series. It has a 57% score on Rotten Tomatoes, with Ebert opining that “we miss the sense of invention that brightened the earlier movies…this one falls back on experience & craftsmanship”, and Peter Travers of Rolling Stone calling the film “mediocrity wielded by experts”. Those are fair assessments in that we 
don’t necessarily keep going back to series like Lethal Weapon for innovative storytelling or fresh ideas…we have developed a deep fondness for familiar characters and the actors who portray them. Airheads is an example of the earlier work of guys like Sandler, Buscemi, Fraser, & Mantegna. It is a mildly entertaining tale about an unsuccessful garage band who takes an L.A. radio station hostage in an effort to get their demo tape played. It has a 21% rating on Rotten Tomatoes and ranked 138th at the box office in 1994, which was atleast better than something called Spanking the Monkey.
I love a good biopic. Let’s face it…if a movie is being made about a person’s life story it is a fair assumption that the person & their life was noteworthy and/or interesting. Whether the movie tickles one’s fancy largely depends on the level of curiosity about the subject, and I am old enough to have some degree of fascination with Andy Kaufmann. I am not a big Jim Carrey fan, but do recognize that he has a fair amount of talent when given the right material. Man on the Moon derives its title from a 1992 song by alt-rock band REM that was written as a tribute to Kaufman. The movie follows Kaufman’s rise from struggling night club act to infamous sitcom star thru his death from cancer at age 35. There are some questionable decisions made (like the cast of the sitcom Taxi portraying their 1970’s selves fifteen years later) that negatively impact one’s overall impression of the film, but praise for Carrey’s performance as Kaufman is nearly universal, to the point that he won the Golden Globe for Best Actor. In the Line of 
Fire is a criminally underappreciated movie about a guilt ridden Secret Service agent whose failure to save JFK’s life has messed with him for three decades. The agent gets another chance when a deranged former CIA assassin threatens the current President. The conclusion is somewhat predictable, but the ride getting there is lots of fun. I’ve never been a bigtime Eastwood fan simply because he typically stars in westerns & cop films that aren’t really in my wheelhouse, but for some reason I find this particular movie compelling.
I think we’ve established the fact that I have a type. If I am in vegg mode and doing some couch potatoing on a lazy afternoon I gravitate toward breezy comedies with pleasant characters and a charming plot. That’s my jam and I’m not sorry. Grumpier Old Men is a follow-up to the 1993 original and finds our two favorite cantankerous geezers resuming hostilities in the frozen tundra of Wabasha, MN. Things have calmed down between John Gustafson & Max Goldman, with John now happily married to Ariel (who moved into the neighborhood in the first film) and the two men’s offspring…Gustafson’s daughter Melanie and Goldman’s son Jacob…set to get married. But an alluring Italian divorcee moves into the neighborhood and all hell hilariously breaks loose once again. The cast is terrific, proof that not everyone has to be a gorgeous 20something for a movie to be good. Old-timer Burgess Meredith is the unsung hero once again, stealing the show at 87 years of age. It was the 20th highest grossing film of 1995 but only has a 17% rating on Rotten Tomatoes. By 1997 hit TV show Friends was only in its fourth season (not even halfway thru its decade long run) but the cast was already beginning feature film careers. Matthew Perry’s first leading man role was Fools Rush In, about a NY City architect who has a one night stand in Vegas while he is there supervising the construction of a night club. The vivacious young lady shows up at his door a few months later with a bun in the oven, and simply wants to introduce him to her close-knit & very 
traditional Mexican family so that when she breaks the news about her pregnancy she’ll be able to tell them they’ve met the baby’s father. The city boy is enchanted by the beautiful woman and her family ties, and in short order the two have a quickie wedding and move in together. Of course the culture clash is inevitable, especially when his snooty parents show up, and as tends to happen in rom-coms the couple fight, break up, & eventually reunite just in time to welcome their child into the world. It’s all very sweet & predictable, but I’m okay with that. Fools Rush In was the 70th highest grossing film of 1997 and has a 33% rating on Rotten Tomatoes.
Galaxy Quest works on multiple levels. It’s a comedy. It’s a sci-fi adventure. And it is a spoof. Allen, Weaver, Rickman, et al portray the cast of a Star Trek-esque TV show that was cancelled long ago but still has a community of hardcore fans that hold conventions & such, many of which the actors attend because they’ve been typecast and aren’t able to make any kind of money otherwise. The “captain” still basks in the glow of his small slice of fame, but the rest of the crew is really just over the whole deal. But then a strange thing happens…they find themselves caught up in an actual outer space adventure when a well-meaning group of aliens mistakenly believes the TV show to be real life and thinks the crew can save their species…or something like that. I suspect that Trekkies & other sci-fi nerds are the only audience that can truly appreciate everything Galaxy Quest has to offer, but perhaps those who just enjoy good popcorn cinema are entertained by it as well. The Bodyguard was a big deal back in 1992 because Whitney Houston was at the top of 
the music charts and was transitioning into acting with her first film role. Houston portrays a famous singer (not much of a stretch) who gains a former Secret Service agent as a bodyguard after being nominated for an Academy Award and being sent death threats by a mysterious stalker. Unsurprisingly the singer & the bodyguard fall for each other, and naturally the audience loves it because of the undeniable charm and chemistry of Houston & Costner. The Bodyguard has a little something for everyone…mystery, suspense, action, romance, drama…and gave us what…to my knowledge…is still the best-selling movie soundtrack of all time.
Keanu Reeves first came into our pop culture consciousness in the late 1980’s as Valley Boy slacker Theodore Logan in Bill & Ted’s Excellent Adventure. But since one can’t portray dimwitted high schoolers forever he moved on to more serious roles in Point Break and My Own Private Idaho. And then came Speed. The thriller about a bus rigged with a bomb programmed to explode if it slows down below 50 mph thrust Reeves into superstardom and also introduced the world to Sandra Bullock. It was the 8th highest grossing film of 1994 and has an exceptional 94% Rotten Tomatoes score. Dazed & Confused is a Hindsight Film, meaning that it has remained relevant in large part based on what several of its young stars went on to become…especially McConaughey & Affleck. The movie itself is a slice of life look at the last day of school for a bunch of high schoolers in Austin, TX. It is set in 1976 so there is a lot of pot smoking, cruising, & hazing of younger students…things that wouldn’t fly in our modern PC purgatory, and had even diminished by the late 80’s 
when I was in high school. Dazed & Confused isn’t as much about a particular plot as it is about capturing a mood and painting a picture of an era, which it does really well. The cast is…obviously…stellar, and the soundtrack (featuring songs by Foghat, ZZ Top, Alice Cooper, Ted Nugent, Deep Purple, Lynyrd Skynyrd, Kiss, & Black Sabbath) is terrific. It was only the 121st highest grossing film of 1993 but has become a cult classic in the ensuing years. It has a 93% score on Rotten Tomatoes, with Ebert referring to it as “art crossed with anthropology” and Rolling Stone calling it “the ultimate party movie…loud, crude, socially irresponsible, & totally irresistible”.
The Addams Family made their debut in a series of cartoons published in The New Yorker beginning in 1938. In the 1960’s the kooky clan came to television for two seasons, and although the show was cancelled due to poor ratings it lived on in syndication, to the point that I was watching it as a kid growing up in the 80’s. The Addams Family finally came to the big screen in 1991 in a tale that finds a greedy lawyer & a con artist scheming to get ahold of the Addams fortune that is hidden deep in the bowels of their creepy mansion. The con artist’s son just happens to look like Gomez Addams’ brother Uncle Fester who has been MIA for 25 years, so there’s your plot. Hijinks ensue and of course the evil plan goes off the rails, all in the midst of the oddball family’s usual weirdness. The cast is superb, the movie is entertaining enough, and critics didn’t completely hate it. The Addams Family was the 7th high grossing film of 1991 and its Rotten Tomatoes score of 63% is fairly solid. The New York Times said that its “aimlessness & repetitiveness eventually become draining”, Variety opined that “despite inspired casting and nifty visual trappings the eagerly awaited Addams Family figures as a major disappointment”, and Ebert observed that “there are a lot of little smiles and many chuckles & grins, but they don’t add up to much”. Conversely, the Austin Chronicle gushed that “it’s hard to imagine a better screen adaptation of this queer household….Charles Addams would have been proud”, while the BBC complimented the cast, saying that it “elevates this film from flimsy to sheer delight”. Saving Private Ryan is a totally different kind of movie from its competition. It is a gritty & unflinching look at D-Day and its aftermath when a team of U.S. Army rangers are given the task of finding & rescuing Private James 
Ryan, whose three brothers have all been killed in the war making him the only son remaining. The mission isn’t easy and there is violence & death along the way. This is not a romantic, sanitized, family friendly war movie, though I don’t feel like it is gratuitous either…it’s just very very candid. I won’t spoil the ending, but it is poignant & impactful. Saving Private Ryan was the highest grossing film of 1998, has an amazing Rotten Tomatoes score of 92%, & was nominated for 11 Academy Awards. It won five of those Oscars, including Spielberg’s second Best Director award. It was nominated for Best Picture but lost to Shakespeare in Love, which in retrospect might be the biggest travesty in award show history.
Welcome to Round 1 of 
The Manofesto 