Welcome to Round 1 of Merry Movie Mayhem!! Over the next few weeks we will be looking at 64 of the most notable holiday films & TV specials. Obviously Christmas is the focus of this particular genre, but there have been some prominent stories told about Thanksgiving & Hanukkah, so I am including them as well to round out the field. Most of what you’ll see here is pretty familiar…stuff you’ve watched on TV every November & December your whole life. While that may be an indictment of modern creativity, it is also a testament to the enduring affection that fans have for quality entertainment that soothes the soul, tickles the funny bone, & warms our cockles in a season that encompasses a range of emotions from joy to sorrow to wistful nostalgia. Don’t hesitate to leave feedback. The statements & decisions you’ll see here reflect my preferences & sensibilities, but sometimes I’m wrong. I would love to know what The Manoverse enjoys, so share your thoughts!! We’ll kick off the competition with the Candy Cane Division. Enjoy.
Miracle on 34th Street (1947)
Released 5/2/47
Starring Maureen O’Hara, Edmund Gwenn, John Payne, Natalie Wood 
Director George Seaton (Airport)
Rotten Tomatoes 94%
A cynical retail executive & her precocious daughter befriend the department store Santa that Mom hired. It turns out that Kris Kringle believes he is the REAL Santa Claus, a claim that lands him in court, where he is defended by a lawyer who is also smitten with the jaded Mom.
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Silent Night, Deadly Night
Released 11/9/84
Starring no one you’ve ever heard of 
Director Charles E. Sellier Jr.
Rotten Tomatoes 31%
Holidays have been horror movie fodder for decades, with deranged serial killers stalking their prey on Halloween, Valentine’s Day, St. Patrick’s Day, et al. Christmas hasn’t escaped, though the sacred nature of the occasion makes such a film a tricky proposition. This campy classic finds a young boy witnessing the murder of his parents by a thief dressed as Santa Claus. After growing up in a harsh orphanage the youngster becomes a homicidal maniac when he gets a job as a department store Santa. There were a few sequels made in which the younger brother also becomes a psycho Santa, but I’ve only seen bits & pieces of a couple of them. I remember the original mainly because our church youth group once watched it at a gathering at Christmastime. Wrap your head around that.
The Verdict: Miracle on 34th Street. Easy decision. I’m not really a horror movie guy, but even if I was it’s difficult to overlook the awesomeness of Miracle.
Home Alone
Released 11/16/90
Starring Macaulay Culkin, Joe Pesci, Daniel Stern 
Director Chris Columbus (Only the Lonely, Mrs. Doubtfire, Harry Potter and the Sorcerer’s Stone)
Rotten Tomatoes 55%
A mischievous child is accidentally left behind in Chicago while his family jets off to a holiday getaway in Paris. The boy is then faced with having to defend his house on Christmas Eve against two inept crooks who are looting the entire neighborhood while everyone is out of town. There was a sequel made a couple of years later that is pretty good and will be a part of this project, and then a couple of other “sequels” that may retain the title but have none of the magic of their predecessors.
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Mixed Nuts
Released 12/21/94
Starring Steve Martin, Madeline Kahn, Rita Wilson, Adam Sandler 
Director Nora Ephron (When Harry Met Sally, Sleepless in Seattle, You’ve Got Mail)
Rotten Tomatoes 7%
An all-star cast makes this blip on the pop culture radar somewhat memorable. The story revolves around employees of a suicide hotline that’s about to go under right at Christmastime. There are a lot of interconnecting storylines in a madcap adventure that…on paper…should work, especially given the amount of talent involved. Unfortunately it’s a hot mess and has appeared on various Worst Movies Ever lists.
The Verdict: Home Alone. A no-brainer. I assume I’m not alone in adoring the work of many of those involved with Mixed Nuts, but all of those ingredients thrown together inexplicably results in something that I suppose has fans somewhere, but they are surely few & far between. Conversely, Home Alone has become a beloved Christmas tradition.
How the Grinch Stole Christmas
Released 12/18/66
Starring Boris Karloff, Thurl Ravenscroft 
Director Chuck Jones
Rotten Tomatoes 100%
Dr. Seuss wrote Grinch in 1957, and a decade later it was turned into a 30 minute animated special featuring the voice talents of horror icon Boris Karloff and Thurl Ravenscoft, known better as the original voice of Kellogg’s Tony the Tiger. The story is about a bitter cave dwelling creature who hates Christmas and decides to “steal” it from the delightfully optimistic & cheerful villagers in Whoville. We’ve been watching The Grinch every holiday season for over a half century, and it is adored by multiple generations. A live action film was made in 2000 starring Jim Carey as the titular character, and while I am aware that it has its fans I do not count myself among them. I’ll stick with the treasured original.
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Christmas Every Day
Released 12/1/96
Starring Erik Von Detten, Robert Hays 
Director Larry Peerce (The Other Side of the Mountain)
Rotten Tomatoes 40% (a)
This was a made-for-television film shown on The Family Channel (aka ABC Family, now known as Freeform). I’m not typically a fan of made-for-TV movies. The production values are usually subpar and the writing isn’t always that good. Hallmark shows a ton of Christmas films every December that are mildly entertaining but ultimately forgettable, and Freeform, thru its many incarnations, has made contributions to the sub-genre. This movie is one of the few examples of such entertainment that has tickled my fancy and remains on my radar. The story revolves around a bratty teenage boy who relives the same Christmas over & over until he gets it right. Essentially it is a Christmas version of Groundhog Day, sans the talent of Billy Murray & Harold Ramis. I’m not sure why I like it, but I do.
The Verdict: The Grinch. Another easy decision.
The Ref
Released 3/9/94
Starring Denis Leary, Kevin Spacey, Judy Davis, Glynis Johns 
Director Ted Demme (Blow)
Rotten Tomatoes 71%
A thief on the run on Christmas Eve kidnaps a bickering couple and hides in their house while cops comb the town looking for him. Things are further complicated when the couple’s delinquent son comes home from military school and the dysfunctional extended family drops by for dinner. Kevin Spacey is phenomenal in almost everything he does, and standup comic turned actor Denis Leary is perfectly cast as the acerbic criminal. In contrast to Mixed Nuts the cast of The Ref takes an otherwise pedestrian script and spins it into comic gold.
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Fred Claus
Released 11/9/07
Starring Vince Vaughn, Paul Giamatti, Elizabeth Banks 
Director David Dobkin (Wedding Crashers)
Rotten Tomatoes 21%
Vince Vaughn stars as Fred, the slacker brother of Santa. When Fred runs into money problems his brother agrees to bail him out only if he pops up to the North Pole to help during the Christmas rush. Hilarity ensues. The conceit here is that Santa, because he is a saint, has been able to make his family ageless, so there is a time travel element that is sort of cool though sadly glossed over. Paul Giamatti is one of my favorite actors, and he puts a unique spin on a character that has been portrayed numerous ways in countless movies. Vaughn plays the same loveable loser that he portrays in almost all of his films, but that’s alright because it’s a formula that seems to work for him. Critics despise Fred Claus, and it didn’t do that great at the box office, but it is a pleasant enough diversion on a cold winter’s night.
The Verdict: The Ref. There is a really funny scene in Fred Claus involving Frank Stallone, Roger Clinton, & Stephen Baldwin, all guys with brothers more famous than them. Outside of that Fred Claus is a rom-com wannabe that just doesn’t stick to one’s ribs, although it isn’t nearly as terrible as you might have heard. The charms of Vaughn & Giamatti are considerable, though not quite enough to make the movie anything close to memorable. Conversely, The Ref is an underrated gem that deserves to be shown on TV a plethora of times every December, but it’s never quite achieved that level of popularity.
A Christmas Carol (1938)
Released 12/16/38 
Starring Reginald Owen, Gene Lockhart
Director Edwin L. Marin
Rotten Tomatoes 100%
There is no shortage of A Christmas Carol adaptations out there, and we’re going to be discussing several of them. The 1938 version is a jovial take on Dickens’ novella that omits some of the more macabre aspects of the story and takes other liberties in altering or expanding the plot. I’m not a huge fan of needlessly changing a book’s narrative for the film, but I must admit that this one works.
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Bad Santa
Released 11/26/03
Starring Billy Bob Thornton, Tony Cox, Lauren Graham
Director Terry Zwigoff
Rotten Tomatoes 78%
Department store Santas provide a convenient jumping off point for Christmas movies, and this one puts a…unique…spin on that particular element. Reflecting a 21st century move toward defining vulgarity as funny, the Santa Claus here is a hard-drinking, profanity spewing horndog who also happens to be a thief. He & his partner-in-crime, a “little person” who can conveniently portray Santa’s elf, are using the holiday season to case a shopping mall that they plan to rob on Christmas Eve. Things get complicated when Santa gets a girlfriend and befriends a strange young boy. Critics…surprisingly…really like the film and Billy Bob Thornton was even nominated for a Golden Globe for his performance. I know there are those that absolutely love Bad Santa and laugh hysterically at every F-Bomb. I don’t consider myself a prude by any stretch, but I do try to be a Godly man and also pride myself on having a somewhat sophisticated entertainment palate. This movie is targeted toward teenagers & 20-somethings with a serious case of arrested development. A sequel was made in 2016, and it’s equally as….ehhhh…let’s just be nice and say neither film really frosts my cupcake.
The Verdict: A Christmas Carol. This is purely a personal choice for me. If you love Bad Santa I won’t judge you, and if you dislike this particular version of A Christmas Carol I completely understand & might even agree with some of your reasoning. That being said, if I’m flipping thru the channels on a lazy Saturday in December and both of these movies are on TV I know which one I’d choose to watch.
Scrooged
Released 11/23/88
Starring Bill Murray 
Director Richard Donner (Superman, The Goonies, the Lethal Weapon franchise)
Rotten Tomatoes 68%
I was a little late to the party when it comes to Scrooged, having not ever watched it until atleast a decade & a half after its release. It is a modern, strange, yet oddly faithful retelling of the Dickens tale, with Bill Murray as a greedy television executive who is verbally abusive to his employees and still pines for a lost love. It has become a cult classic that’s not necessarily thought of as being on the same level as other holiday favorites, but three decades after its release it is still shown on television annually and seems to have grown in reputation in the past several years.
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Love the Coopers
Released 11/13/15
Starring Marisa Tomei, John Goodman, Ed Helms, Diane Keaton
Director Jessie Nelson
Rotten Tomatoes 19%
There seems to be a growing trend in the holiday movie genre of putting together a large cast of well-known and highly regarded performers in a story that usually revolves around family angst. I get along great with my nuclear family as well as other relatives like aunts, uncles, & cousins, so I can’t really relate to such anxiety. Our Christmas gatherings are normally quite pleasant. However, I assume such dysfunction does actually exist. Love the Coopers is a newer entry into the mix, and though I really like the actors involved, at the end of the day it is a completely forgettable movie that I’m not sure I’d bother to watch again unless I was really bored.
The Verdict: Scrooged. Citizens of The Manoverse will recall that I consider repeat viewings an essential indicator of a good film. If it’s being shown on television years after its initial theatrical run and if I’m still being entertained by it after I’ve seen it dozens of times then somebody somewhere did something right. Scrooged fits that description…the competition does not.
The Santa Clause 2: The Mrs. Clause
Released 11/1/02
Starring Tim Allen, Elizabeth Mitchell 
Director Michael Lembeck
Rotten Tomatoes 54%
All three of Tim Allen’s Santa Clause movies are included in Merry Movie Mayhem, and I feel like this one gets shortchanged. You may have noticed that the original film and the third entry in the trilogy show up on TV often enough, but this second film is frequently skipped over. I read somewhere that the notion that Santa must find a wife to keep his job is considered by some to be old-fashioned or even misogynistic, which is utterly ridiculous logic. Elizabeth Mitchell, known by some for her work on the television show Lost, is radiant & enchanting. The biggest issue with The Mrs. Clause is that it came out eight years after its predecessor, which was probably 4 or 5 years too late.
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Home for the Holidays
Released 11/3/95
Starring Holly Hunter, Robert Downey Jr. 
Director Jodi Foster
Rotten Tomatoes 62%
Dysfunctional family dramedy isn’t reserved for Christmas…families gather on Thanksgiving too. Another highly regarded ensemble cast is involved, which means that critics praised the film upon its release. It even has a well-known director, a rarity for the genre. I’m pretty sure Robert Downey Jr. was whacked out on cocaine throughout the film, and I find his manic display distracting. Two decades after its theatrical run I don’t feel like Home has really aged well, although it still pops up on TV occasionally around Thanksgiving.
The Verdict: The Santa Clause 2. This matchup would likely generate a spirited debate among film buffs. Home for the Holidays certainly has the stronger cast and is admittedly well-written, but I’ve just never been able to embrace it. Conversely, there are those that consider The Mrs. Clause to be the weakest entry of that trilogy, and it does seem to get shafted as far as being shown on television, yet I find it completely charming.
Scrooge (1970)
Released 11/5/70
Starring Albert Finney, Sir Alec Guinness
Director Ronald Neame (The Poseidon Adventure)
Rotten Tomatoes 75%
I generally prefer movies that stay true to the books they are based on, but I understand that when a story like A Christmas Carol is remade over & over people want to try something new and distinctive to stand out from the crowd. This version of Carol is a musical that is actually more faithful to the novella than one would think. It is a testament to the acting ability of Albert Finney that he was only 34 years old when he portrayed the elderly Ebenezer Scrooge, and he was rewarded with a Golden Globe for Best Actor in a Musical or Comedy.
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Blackadder’s Christmas Carol
Released 12/23/88
Starring Rowan Atkinson, Robbie Coltrane 
Director Richard Boden
Rotten Tomatoes 84% (a)
You probably haven’t seen it and may not have even heard of it. Blackadder is the titular character of a British television series that aired on the BBC in the 1980’s, with comedian Rowan Atkinson starring as Edmund Blackadder, an opportunistic descendant of an unspecified royal family. In this Christmas special Blackadder, in contrast to the traditional portrayal of Scrooge, is “the nicest man in England”, with the twist being that the ghost (there is only one…portrayed by Robbie Coltrane, better known today as Rubeus Hagrid in the Harry Potter films) who visits him on Christmas Eve showing Blackadder that “bad guys have all the fun”, resulting in him waking up bitter, disillusioned, & meanspirited. I am not a huge fan of British humor, but Atkinson is hilarious and this bizarro world take on the familiar story is unexpected fun.
The Verdict: Scrooge. This is a tough one, but I lean toward Scrooge a) due to its award winning pedigree, and b) because Blackadder is tough to find if you’re not really searching for it. Scrooge has shown up on American Movie Classics (or maybe it’s Turner Classic Movies) with some regularity over the years.
Jingle Bells is yet another “winter carol”, meaning it’s not actually a 
weren’t places for mental patients…they were simply long term care hospitals, commonly used for folks with tuberculosis. Anyway, another example of a winter song that was not specifically written in reference to Christmas, Winter Wonderland also makes looking outside and realizing that it’s cold and there’s a ton of snow on the ground seem like a positive thing. It describes snow as “glistening” and “a beautiful sight”. The words conspire, frolic, and Eskimo are utilized as well, and that’s impressive and unique. FYI, because I am here not only to entertain but to educate, 
sexual preferences. Jolly and merry are both used in the song, another example of painting a picture and telling us exactly how we, ideally, should feel during the Christmas season. And finally, as anyone who has watched the perennial holiday classic A Christmas Story can verify, Deck the Halls is the opening theme music as played by an unknown (atleast to me) but quite lovely brass ensemble. I love to hear this song sung by a choir or a group of carolers, and if it’s going to be played orchestrally it should be played in an old fashioned way, not too jazzed up with modern instruments and stylizations. One should be able to hear the trumpet, the trombone, and the saxophone.
worthy. Sleigh Ride is a winter carol not especially written for Christmas and has a lot of similarities both in structure and lyrical content with Jingle Bells and Winter Wonderland. The inaugural version was recorded by The Boston Pops in 1949, and they probably still do it best, though I am torn between their purely instrumental adaptation and those with words, such as Mel Torme and Harry Connick Jr. My best advice is to learn the words…which speak of friends, wintry fairy lands, a wonderland of snow, being nice & rosy and comfy cozy, a fireplace, watching chestnuts pop, coffee & pumpkin pie, and Currier & Ives…then sing along to the Boston Pops rendition.
The connection here is obvious…rock. Rock n’ roll swept the nation into a frenzy in the 1950’s, and these carols came along during the latter part of that decade. Both tunes are more what we would today call rockabilly or southern rock, which is probably why I like them so much. I’m a huge fan of bands like Lynyrd Skynyrd, Stray Cats, and ZZ Top, all of whom fall into that genre to some degree. Even Elvis Presley was really a rockabilly artist. Anyway, both of these songs are just a swingin’ good time. As Dick Clark might say, “they have a good beat, and they’re easy to dance to…I give them both a 10”. The original Bobby Helms version of Jingle Bell Rock is still the best, although The Brian Setzer Orchestra did a nice cover. The song is the opening theme for the original Lethal Weapon (one of the best action and Christmas movies of all time) played just 
before a girl jumps off the top of a high rise apartment building into the roof of a parked car. Brenda Lee did the best and most well known version of Rockin’, and no other cover really stands out as particularly notable. When I hear it I always think of the scene in Home Alone when the bumbling crooks come by what they think is an empty house only to see a happenin’ party going down, a party that is really only MacCaulay Culkin’s Kevin manipulating a bunch of inanimate objects (including a cardboard Michael Jordan).
German carol written in the early 19th century by two Austrians. Supposedly the church organ was broken so the two men wrote the song specifically to be played on the guitar. That seems appropriate. Minimalism is the key when it comes to Silent Night. It doesn’t need to be loud, boisterous, or modern in any way. It needs to be simple, almost meditative. I find it perfectly acceptable to sing acapella, but also with just a single instrument, be it guitar, piano, saxophone, or trumpet. The words are quite possibly the most beautiful and eloquent description of the night Jesus was born ever written. I don’t think it is humanly possible for anyone with even an ounce of faith to not have something stir within them when they hear this song. Give me 24 hours with an atheist and an endless loop of Silent Night and I just might be able to accomplish something wonderful.
by famed composer Irving Berlin (who also wrote God Bless America, Steppin’ Out with My Baby, There’s No Business Like Show usiness and hundreds of other songs), White Christmas was made famous by Bing Crosby, who sang it in the movie Holiday Inn. The song itself inspired another movie (though not a sequel) starring Crosby…you can guess the title. The lyrics provide a perfect mix of wistful nostalgia and old fashioned romantic charm. It’s actually a pretty simple tune, with only two different stanzas that are just repeated. It is the most popular Christmas carol in the world and some say it is the most popular song in history, Christmas or otherwise. Because money grubbing bean counters didn’t really start tracking such things until a decade or so after the song was released no one really knows for sure, but it’s a nice thought. It is certainly influential. Ask yourself this…have you ever hoped, even slightly, for a white Christmas?? Yes, you have…everybody has. The question, again, is why?? Why are we so hell bent on trekking around to various relatives’ houses on Christmas Day in bitter cold and on icy roads?? It makes no logical sense. Christmas would be much easier and more convenient if it were 60 degrees and sunny. But…it just wouldn’t be…right. I blame this song on that kind of insanity being ingrained in to us…this wonderful, beautiful, powerfully expressive song. Because of its popularity dozens…probably hundreds…of artists have covered it. Almost any singer, band, orchestra, or other assorted musical performer who has ever produced a Christmas album puts White Christmas on the playlist. But really, there is only one rendition that is worthy, and that is Crosby’s. That man could sing. Christmas simply isn’t Christmas without White Christmas, and we’re all the better for it.
weather all while I detest such conditions?? So who cares if I’d rather have a big ol’ hunk of chocolate cake than a bag of toasty chestnuts?? I have to admit though, Nat King Cole makes those chestnuts sound tasty. Written in 1944 during a heat wave by Mel Torme, the song began as a simple effort to “think cool”. I dig irony, and I dig descriptive. Several songs mentioned in this list paint a wonderful, cozy, fun, or nostalgic picture of the Christmas season, but none do it with the elegance and class of The Christmas Song. It talks about “yuletide carols being sung by a choir”, turkey, mistletoe, “tiny tots with their eyes all aglow”, Santa with his sleigh full of toys, and reindeer. It’s not a religious song, and it’s not a fun kids’ song…it’s sentimental without being sappy, lighthearted without being frivolous. The aforementioned Cole did the definitive version, and I tend not to stray far from it, though I do like Torme’s rendition alot. And as much as I hate to admit it, Kenny G does an exquisite instrumental on his saxophone. A piano and/or sax is essential for The Christmas Song, it’s just that kind of tune.
years later The King (this time I mean Elvis, not Jesus) came along and the rest is history. I suppose Freud-types would love analyzing a single guy’s bromance with a Christmas carol about unrequited love, and that’s okay with me. It’s completely logical that a man in my situation would appreciate the subject matter, although there’s really no one that I am currently pining away for. Musically it’s a simple song, accompanied best on guitar. Elvis, despite his rockin’ reputation, was an exquisite singer with a sublime voice. I suppose that’s why no other cover quite lives up to his. There is one other version that I really like and it’s a bit off the beaten path. Some years ago a person calling themselves Seymour Swine did Blue Christmas as sung by Porky Pig. Folks, do yourself a favor…if you have not heard Blue Christmas by Porky Pig/Seymour Swine stop whatever you are doing and Google it right now. It is one of the funniest things I have ever heard in my life. I have never been able to find out the story behind Seymour Swine and have never heard any other songs by that artist. I think Blue Christmas may have been recorded live in a radio station or something, as one of the funniest things about it is the guys laughing in the background…it makes the song that much funnier. I don’t know of another Christmas carol that evokes such opposite emotions depending upon who is doing the singing. It’s quite the odd dichotomy.
enjoyed in a candlelit church on Christmas Eve. Written in the mid-19th century in France, it is an emotional account of the night Jesus was born. It refers to the “thrill of hope” as “the weary world rejoices”, a “world in sin and error pining”. It uses words like glorious, divine, beaming, and gleaming to describe that hope, the hope we have in our Savior, Jesus Christ. The song tells us exactly what Jesus is all about, that “He knows our need, our weakness is no stranger”, that “He taught us to love one another, His law is love and His gospel is peace”, and that “chains he shall break, for the slave is our brother, and in his name all oppression shall cease”. If you can’t get on fire for The Lord after reading those words there is something missing and you better get on your knees and search your soul! But…reading the words isn’t even a good substitute for hearing the song. When done right it is soft and tender before building into a powerful crescendo that fills the heart with emotion. Nat King Cole did a great cover in the 60’s, but he doesn’t have quite enough gas in the tank to pull off the climax as well as it should be done. For my money the best cover I’ve heard is probably Josh Groban’s from a few years ago. That dude has some pipes!! I am sure there are other good versions that I am not thinking of at the moment. At any rate, it’s a beautiful song that should be sung acapella or with very minimal instrumentation by a legitimately great singer, not someone who is good looking and can sing just enough to justify making a record (a description that unfortunately describes probably 75% of what you hear on the radio).
The Manofesto 