
Some years back I spoke my peace about Christmas Creep, and since then it’s just gotten worse. The holiday season pretty much starts in October now, which means that television networks like Hallmark and Freeform have already been airing Christmas movies for awhile. However, as much as I adore this time of year and love watching such films, I’ve always had an issue with the way AMC, TCM, and other such channels do their programming. Other than starting way too early I believe they make three key mistakes.
First of all, their definition of a Christmas movie is decidedly…avant-garde. Frozen?? Harry Potter?? Toy Story?? No…just…no. Just because a film is animated and/or produced by Disney doesn’t make it a Christmas movie. Hallmark obviously produces their own holiday flicks, but for the channels that show old big screen classics there are plenty of legit choices that fit the criteria.

Secondly, when the month of December hits I want wall-to-wall Christmas movies. I understand counter-programming. I get it. Some folks aren’t particularly into Christmas and they want some entertainment too. But for a television station…particularly one that is primarily dedicated to movies…I feel like it’s an all-or-nothing proposition. Are you in or out?? Don’t air a great old Christmas movie then follow-it up with a tepid rom-com or a western. You’re creating a vibe…ambiance… a certain kind of mood. Even amongst the Christmas sub-genre there can be synergy. I am not familiar with all the ins & outs of television programming, but I think the powers-that-be can do better.
And finally, I realize that Christmas movies are a relatively finite category. There are only a handful of really good ones, and they mostly fall into one of three groups: wacky family hijinks, Santa Claus stories, & adaptations of Charles Dickens’ A Christmas Carol. Having said that, I still believe that any TV channel dedicating itself to holiday programming can do better than showing the same few movies over & over & over again until even the most ardent fans become a little bit tired of them. In the recent past Freeform has aired Elf, National Lampoon’s Christmas Vacation, & The Polar Express about two dozen times…each. That’s ridiculous.

Citizens of The Manoverse may recall that a few years ago I came up with a weekend movie marathon for Christmastime. So I began to ponder the idea of expanding that concept. What if I owned a TV channel akin to AMC, TCM, Hallmark, or Freeform?? How would I program an entire month+ of holiday classics?? The first thing I had to do was establish some rules:
- My holiday programming begins the day before Thanksgiving and ends a couple of days after Christmas. It runs on weekdays from 4pm-Midnight(ish), with expanded weekend hours.
- Movies would air unedited. I am not advocating rampant profanity or other adult content, but is that really an issue with most Christmas movies anyway?? It has always driven me nuts when Freeform edits references to Jack Daniels & Wild Turkey in Christmas Vacation. There are more objectionable scenes in random commercials for pete’s sake. I’m also not a fan of cutting the infamous “blackface” scene in Holiday Inn. Societal norms evolve…oftentimes for the better…but I don’t believe in censoring a movie made darn near a century ago just because our collective belief systems are a bit different nowadays. If you are so overly sensitive that a two minute scene in a movie offends you that is your problem.
- And lastly…the big one. After compiling a list of movies & television specials for this exercise I gave myself a limit of five airings. No matter how awesome a film might be I think seeing it five times in the space of a month is quite enough. I grew up in an era when It’s A Wonderful Life was on literally every day…multiple times per day…the whole month of December. I have spent the past two decades enjoying TBS/TNT’s 24 hour A Christmas Story marathon Christmas Eve & Christmas Day. I have no issue with any of that…I am simply taking a different approach.
Wednesday 11/21
4pm Free Birds
6pm Dutch
8pm Home for the Holidays
10pm Scent of a Woman


I am grateful for what I am and have. My thanksgiving is perpetual.
– Henry David Thoreau
Thanksgiving Day 11/22
3:30pm WKRP in Cincinnati S1E7 “Turkeys Away”
4pm Holiday Inn
6pm Grumpy Old Men
8pm A Charlie Brown Thanksgiving
8:30pm Planes, Trains, and Automobiles
10:30pm The Nightmare Before Christmas


We eased into our merry month of holiday goodness with some Thanksgiving gems. Free Birds is a 2013 animated tale about turkeys traveling back in time to prevent their brethren from ever becoming the holiday’s main course. Dutch is an early 90’s dramedy starring Ed O’Neill (Married with Children’s Al Bundy) as a guy who offers to pick his girlfriend’s son up at his private school in Georgia and drive him back to Chicago for Thanksgiving. Home for the Holidays is a mid-90’s ensemble dramedy about a family getting together for Thanksgiving, notably starring Robert Downey Jr., Holly Hunter, Claire Danes, Dylan McDermott, Charles Durning, & Ann Bancroft. Scent of A Woman paints outside the lines a little bit, but does take place at Thanksgiving. Ditto for Grumpy Old Men, which has scenes set at both Thanksgiving and Christmas. Planes, Trains, & Automobiles is a beloved Thanksgiving tradition in my house, as is Turkeys Away, probably one of the greatest sitcom episodes of all time. I’m never quite sure where The Nightmare Before Christmas fits in, but I suppose it’s worth a couple of viewings.
Friday 11/23
4pm Planes, Trains, and Automobiles
6pm Trading Places
8pm Holiday Inn
10pm Miracle on 34th St. (1947)

Christmas is not just a time for festivity and merry making. It is more than that. It is a time for the contemplation of eternal things. The Christmas spirit is a spirit of giving and forgiving.
– J. C. Penney
Saturday 11/24
Noon The Year Without a Santa Claus
1pm Blackadder’s Christmas Carol
2pm Rudolph the Red-Nosed Reindeer
3pm The Lemon Drop Kid
5pm Miracle on 34th Street (1994)
7pm Scrooge (1951)
9pm Christmas with the Kranks


Trading Places stars Dan Aykroyd as a wealthy businessman & Eddie Murphy as a fast talking con artist who are both manipulated by two rich old geezers into switching societal roles as part of a bet they view as a sociological experiment. It was Murphy’s follow-up to 48 Hrs. and preceded Beverly Hills Cop. Is it a Christmas movie?? Ehhh…close enough for me. Holiday Inn has scenes set at Thanksgiving, Christmas, New Year’s, and every other major holiday on the calendar, and it introduced the world to White Christmas, which has gone on to become the best-selling Christmas song of all time. The Lemon Drop Kid is a criminally underappreciated Bob Hope offering from 1951 in which he stars as a loquacious hustler who crosses the wrong gangster and must come up with the $10k he screwed him out of by Christmas Eve. When his department store Santa con doesn’t work out The Kid launches a scheme to raise money for a fake retirement home. Hilarity ensues. It is pretty much impossible to find The Lemon Drop Kid on television or elsewhere, but I would absolutely change that because it is a fun movie that deserves some attention, plus it introduced the world to the classic carol Silver Bells. Blackadder’s Christmas Carol is a holiday episode of the British television show Blackadder, starring Rowan Atkinson. In this special episode Blackadder is the kindest & most generous man in England, but everyone takes advantage of him, his business isn’t doing well, and he’s miserable & lonely. On Christmas Eve a single spirit essentially shows him what life would be like if he were mean & uncaring like some of his ancestors, and he becomes convinced that everything would be awesome. It is a clever interpretation that turns Dickens’ A Christmas Carol upside down. Speaking of A Christmas Carol, the 1951 version starring Alistair Sim is generally regarded as the best by many, and so it’s a big part of our special month.
Sunday 11/25
Noon The Star Wars Holiday Special
12:30pm A Charlie Brown Christmas
1pm All I Want for Christmas
3pm Christmas Every Day
5pm Four Christmases
7pm Fred Claus
9pm Frosty the Snowman
9:30pm Scrooge (1951)


The Star Wars Holiday Special aired only once…on November 17, 1978, which was about a year after the first film but a couple of years before The Empire Strikes Back. It received such negative reviews that it has never been on TV again and is a rare find, but since Star Wars is a much bigger deal now than it was then I think it’s time to bring the Christmas special out of the moth balls. It can’t be any worse than the prequels & sequels, right?? Vince Vaughn is a guy that many people either love or hate, and I happen to like the guy. Not all of his movies are winners, but both Fred Claus and Four Christmases are worth an airing or two during the holiday season. All I Want for Christmas and Christmas Every Day are made-for-TV movies that originally aired on ABC Family (now Freeform) back in the early to mid-90’s. They’re cute & entertaining enough that I’ve retained a certain level of fondness for them over the years, and I believe others might enjoy them as well. Christmas with the Kranks is based on John Grisham’s 2001 novel Skipping Christmas and stars Tim Allen & Jamie Lee Curtis as a couple whose plan to ditch the annual holiday hullabaloo in favor of a tropical cruise doesn’t quite work out. It isn’t the greatest Christmas movie, and at first I kind of hated it…but it has begun to grown on me.
Monday 11/26
4pm National Lampoon’s Christmas Vacation
6pm Scrooge (1951)
8pm Trapped in Paradise
10pm Santa Claus: The Movie

Christmas can be celebrated in the school room with pine trees, tinsel, & reindeers, but there must be no mention of the man whose birthday is being celebrated. One wonders how a teacher would answer if a student asked why it was called Christmas. – Ronald Reagan
Tuesday 11/27
4pm Deck the Halls
6pm The Santa Clause
8pm The Santa Clause 2: The Mrs. Clause
10pm The Santa Clause 3: The Escape Clause


Trapped in Paradise stars Nicolas Cage, Dana Carvey, & Jon Lovitz as three dimwitted brothers who rob a bank in a small Pennsylvania town on Christmas Eve then are unable to leave. They are befriended by the super friendly & naive citizens who don’t realize that they’re the bank robbers. Deck the Halls stars Danny DeVito as a guy determined to make the Christmas lights display at his house so dazzling that it can be seen from space, and Matthew Broderick as the tightly wound neighbor hellbent on stopping him. Neither are considered good movies by critics or the viewing public, but I don’t mind watching them once or twice this time of year. For some strange reason only 2/3 of Tim Allen’s Santa Clause trilogy…the original & the third one…currently get a lot of play on television. I seem to recall reading somewhere that feminazis & other social justice warriors have an issue with the second film, but I rather enjoy it. I mean…it’s a trilogy, right?? I readily admit that the first Santa Clause is far & away the best, but I also think it’s pretty obvious that The Mrs. Clause is much more entertaining than The Escape Clause. Not even Martin Short & Alan Arkin could save that one. Still though, all three need to be a part of our celebration.
Wednesday 11/28
4pm Scrooge (1970)
6pm
Disney’s A Christmas Carol
8pm
Frosty the Snowman
8:30pm A Charlie Brown Christmas
9pm Mr. Krueger’s Christmas
9:30pm The Lemon Drop Kid

Once again, we come to the holiday season, a deeply religious time that each of us observes, in his own way, by going to the mall of his choice.
– Dave Barry
Thursday 11/29
4pm Santa Claus is Comin’ to Town
5pm The Star Wars Holiday Special
6:30pm The Lemon Drop Kid
8:30pm A Christmas Carol (1938)
10:30pm A Christmas Carol (1984)

I wrote about my favorite adaptations of A Christmas Carol four years ago, so I won’t go into full rehash mode here, but a little clarification couldn’t hurt. The 1938 version is a sanitized, family friendly movie starring Reginald Owen as Ebenezer Scrooge. The 1984 version was a made-for-TV movie starring George C. Scott as Scrooge that didn’t start airing annually again until 2007 per an agreement with Scott’s estate. The 1970 version is a musical starring Albert Finney as Scrooge. Patrick Stewart starred as Scrooge in a made-for-TV movie originally aired on TNT in 1999. Disney’s screen capture animated version was released in 2009 and stars Jim Carrey as Scrooge as well as other roles.
Friday 11/30
4pm Mixed Nuts
6pm Lethal Weapon
8pm Die Hard
10pm Bad Santa


Wow…talk about a weird Friday night!! Mixed Nuts has an all-star cast, including Steve Martin, Madeline Kahn, Garry Shandling, Juliette Lewis, Adam Sandler, Robert Klein, Rita Wilson, Rob Reiner, Parker Posey, Jon Stewart, & Liev Schreiber. That’s quite an eclectic lineup. It is an alleged comedy about a suicide hotline that has been evicted from its office space on Christmas Eve. There are a lot of subplots & hijinks, but I’ll spare you the details. Mixed Nuts has been mentioned as the worst Christmas film of all time, but I’ve seen worse and believe the impressive lineup of performers alone merits a viewing or two, even though all of that talent adds up to shockingly little entertainment. Bad Santa is a bit too vulgar for my tastes, but it has a 78% rating on Rotten Tomatoes and is considered by some to be a modern classic. Few seem to engage in the same good-natured debate about whether or not Lethal Weapon is a Christmas movie in comparison to the annual arguments for & against the worthiness of Die Hard to be considered thusly, but for our purposes both are included as an action packed & mildly violent break from the typical sentimentality of the holiday season.
Saturday 12/1
Noon Mickey’s Christmas Carol
12:30pm The Star Wars Holiday Special
2pm Disney’s A Christmas Carol
4pm It’s a Very Merry Muppet Christmas Movie
6pm The Muppet Christmas Carol
8pm Miracle on 34th Street (1994)
10pm Scrooge (1970)

Christmas is not a time nor a season, but a state of mind. To cherish peace and goodwill, to be plenteous in mercy, is to have the real spirit of Christmas.
– Calvin Coolidge
Sunday 12/2
Noon The Muppet Christmas Carol
2pm Jingle All the Way
4pm Scrooge (1970)
5pm The Lemon Drop Kid
7pm National Lampoon’s Christmas Vacation
9pm The Ref


I fondly remember watching Mickey’s Christmas Carol when I was a kid. It’s only a half hour long, and let’s face it…Ebenezer Scrooge is a role tailor made for Scrooge McDuck. It’s A Very Merry Muppet Christmas Movie is a Muppet homage to It’s A Wonderful Life in which Kermit is on the verge of losing his theater and a guardian angel shows him what life for his friends would be like if he’d never been born. There are a lot of human performers, including Whoopi Goldberg, David Arquette, Joan Cusack, & William H. Macy. I assume that movie was made based on the success a decade earlier of The Muppet Christmas Carol, starring Michael Caine as Scrooge. I am generally not a fan of remakes, and nothing can touch the greatness of the original Miracle on 34th Street, but the 1994 version is decent enough. My love for The Ref goes all the way back to its initial foray onto home video in the 90’s. Denis Leary stars as a burglar forced to hold a bickering couple and their dysfunctional family hostage on Christmas Eve. You won’t see it on television all that much, but I always seize every opportunity to spread the word & encourage folks to seek it out during the holiday season.
Monday 12/3
4pm Mr. Magoo’s Christmas Carol
4:30pm The Polar Express
6:30pm Santa Claus is Comin’ to Town
7:30pm How the Grinch Stole Christmas!
8pm Frosty the Snowman
8:30pm Mickey’s Christmas Carol
9pm The Muppet Christmas Carol


Peace on earth will come to stay, when we live Christmas every day.
– Helen Steiner Rice
Tuesday 12/4
4pm Mr. Krueger’s Christmas
4:30pm Rise of the Guardians
6:30pm A Charlie Brown Christmas
7pm The Santa Clause
9pm Scrooged


Mr. Krueger’s Christmas is a half hour special produced by the Mormon Church that initially aired on NBC in 1980. Unfortunately you’ll have a difficult time running across it these days, but if it were up to me it’d become an annual tradition. Jimmy Stewart stars as an elderly janitor living in the bottom floor of the building that he takes care of, and he is a very lonely man desperate for human interaction. The story depicts Willie Krueger having Walter Mitty-esque dreams on Christmas Eve, including singing with the Mormon Tabernacle Choir and being part of the manger scene on the night of Christ’s birth. It is a well-written & very poignant story with a fantastic message. Rise of the Guardians is an animated tale about Santa Claus, The Easter Bunny, The Tooth Fairy, & The Sandman recruiting Jack Frost to help them wage battle against The Boogeyman. I saw it when it hit theaters a few years ago and my biggest takeaway was wondering why Alec Baldwin decided to give Santa a German accent. It hasn’t really made much of a holiday pop culture impact, but that could change.
Wednesday 12/5
4pm Miracle on 34th Street (1994)
6pm A Christmas Carol (1984)
8pm The Santa Clause 2: The Mrs. Clause
10pm The Ref


Christmas is a season not only of rejoicing but of reflection.
– Sir Winston Churchill
Thursday 12/6
4pm White Christmas
6pm The Lemon Drop Kid
8pm The Santa Clause 3: The Escape Clause
10pm Scrooged


We are better throughout the year for having, in spirit, become a child again at Christmastime.
– Laura Ingalls Wilder
Friday 12/7
4pm Arthur Christmas
6pm Trapped in Paradise
8pm The Ref
10pm Silent Night, Deadly Night

I’m not a horror movie fan by any stretch, but 1984’s Silent Night, Deadly Night is cheesy fun for fans of the genre. It tells the story of a boy who witnesses his parents being murdered by The Jolly Old Elf, then grows up to become a psychotic Santa himself. There were four sequels produced. We’re not including them here, but you’re welcome to check them out if that’s the sort of thing that you’re into. Arthur Christmas is an animated tale about Santa’s inept son Arthur and his Christmas Eve mission to deliver one present that was inadvertently left behind at The North Pole. It has a really unique vision of what The North Pole & Santa’s toy enterprise might look like, and depicts the role of Santa Claus as a generational title passed down from father to son.
Saturday 12/8
Noon
The Life and Adventures of Santa Claus
1pm
It’s a Very Merry Muppet Christmas Movie
3pm White Christmas
5pm Santa Claus: The Movie
7pm The Bishop’s Wife
9pm Jingle All the Way


Jingle All the Way is another not-so-great movie that has grown on me just a bit. It stars Arnold Schwarzenegger as a negligent Dad trying to track down the hottest Christmas gift of the year for his son, and Sinbad (whatever happened to him??) as the wacky mailman who keeps getting in the way. The Life and Adventures of Santa Claus is an 80’s Rankin-Bass production of a children’s book written by L. Frank Baum (author of The Wizard of Oz). It is essentially another Santa origin story. The Bishop’s Wife stars Cary Grant as guardian angel sent to provide some guidance to a clergyman & his flock, but things get weird when the angel is smitten with the minister’s wife. A remake called The Preacher’s Wife starring Denzel Washington & Whitney Houston was made in the mid-90’s, but no one knows why.
Sunday 12/9
Noon Holiday Inn
2pm White Christmas
4pm Elf
6pm It’s a Wonderful Life
8pm A Christmas Story
10pm Scrooged


Christmas is the season for kindling the fire of hospitality.
– Washington Irving
Monday 12/10
4pm Miracle on 34th Street (1947)
6pm It’s a Wonderful Life
8pm
National Lampoon’s Christmas Vacation
10pm Home Alone


I don’t think Christmas is necessarily about things. It’s about being good to one another.
– Carrie Fisher
Tuesday 12/11
4pm Rudolph the Red-Nosed Reindeer
5pm The Ref
7pm Elf
9pm It’s a Wonderful Life


My idea of Christmas, whether old-fashioned or modern, is very simple: loving others.
– Bob Hope
Wednesday 12/12
4pm The Polar Express
6pm Miracle on 34th Street (1947)
8pm A Christmas Story
10pm Home Alone

The Supreme Court has ruled that they cannot have a nativity scene in Washington, D.C. This wasn’t for any religious reasons. They couldn’t find three wise men and a virgin. – Jay Leno
Thursday 12/13
4pm Miracle on 34th Street (1947)
6pm A Christmas Story
8pm It’s a Wonderful Life
10pm Elf


The main reason Santa is so jolly is because he knows where all the bad girls live.
– George Carlin
Friday 12/14
4pm The Family Stone
6pm Trading Places
8pm Die Hard
10pm Lethal Weapon


Christmas waves a magic wand over the world, and behold, everything is softer and more beautiful.
– Norman Vincent Peale
Saturday 12/15
Noon A Christmas Carol (1938)
2pm Frosty the Snowman
2:30pm All I Want for Christmas
4:30pm Christmas Every Day
6:30pm A Charlie Brown Christmas
7pm The Family Stone
9pm Die Hard

I bought my brother some gift wrap for Christmas. I took it to the gift wrap department and told them to wrap it, but in a different print so he would know when to stop unwrapping. – Steven Wright
Sunday 12/16
Noon A Christmas Carol (1999)
2pm Blackadder’s Christmas Carol
3pm A Christmas Carol (1938)
5pm A Christmas Carol (1984)
7pm Mickey’s Christmas Carol
7:30pm Mr. Magoo’s Christmas Carol
8pm Scrooge (1951)
10pm Scrooge (1970)

Ever wonder what people got Jesus for Christmas? It’s like, “Oh great, socks. You know I’m dying for your sins right? Yeah, but thanks for the socks! They’ll go great with my sandals. What am I, German?” – Jim Gaffigan
Monday 12/17
4pm A Christmas Carol (1999)
6pm Trapped in Paradise
8pm Fred Claus
10pm Four Christmases

The very purpose of Christ’s coming into the world was that he might offer up his life as a sacrifice for the sins of men. He came to die. This is the heart of Christmas. – Rev. Billy Graham
Tuesday 12/18
4pm Christmas Every Day
6pm A Christmas Carol (1999)
8pm Frosty the Snowman
8:30pm How the Grinch Stole Christmas!
9pm Mr. Krueger’s Christmas
9:30pm Scrooge (1951)


A lovely thing about Christmas is that it’s compulsory, like a thunderstorm, and we all go through it together.
– Garrison Keillor
Wednesday 12/19
4pm The Polar Express
6pm Rudolph the Red-Nosed Reindeer
7pm Blackadder’s Christmas Carol
8pm A Christmas Carol (1999)
10pm The Family Stone


The only real blind person at Christmastime is he who has not Christmas in his heart.
– Helen Keller
Thursday 12/20
4pm White Christmas
6pm The Polar Express
8pm
National Lampoon’s Christmas Vacation
10pm The Ref

The Magi, as you know, were wise men…wonderfully wise men who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. – O. Henry
Friday 12/21
4pm The Muppet Christmas Carol
6pm Trading Places
8pm Scrooged
10pm Santa Claus: The Movie


Christmas is a day of meaning and traditions, a special day spent in the warm circle of family and friends.
– Margaret Thatcher
Saturday 12/22
Noon Fred Claus
2pm Santa Claus: The Movie
4pm All I Want for Christmas
6pm Disney’s A Christmas Carol
8pm Home Alone
10pm
Home Alone 2: Lost in New York

Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home! – Charles Dickens
Sunday 12/23
Noon Santa Claus is Comin’ to Town
1pm The Year Without a Santa Claus
2pm Home Alone
4pm Home Alone 2: Lost in New York
6pm The Santa Clause
8pm
The Santa Clause 2: The Mrs. Clause
10pm
The Santa Clause 3: The Escape Clause


T’was the night before Christmas, when all through the house, not a creature was stirring, not even a mouse.
– Clement Clarke Moore
Christmas Eve
Noon Elf
2pm The Santa Clause
4pm Scrooged
5pm
National Lampoon’s Christmas Vacation
7pm A Christmas Story
9pm It’s a Wonderful Life


I heard the bells on Christmas Day
Their old familiar carols play
And wild & sweet the words repeat
Of peace on earth, good-will to men!
― Henry Wadsworth Longfellow
Christmas Day
11am How the Grinch Stole Christmas!
11:30am A Charlie Brown Christmas
Noon Mr. Krueger’s Christmas
12:30pm Miracle on 34th Street (1947)
2:30pm A Christmas Carol (1938)
4:30pm The Polar Express
6:30pm White Christmas
8:30pm Disney’s A Christmas Carol


One of the most glorious messes in the world is the mess created in the living room on Christmas Day. Don’t clean it up too quickly.
– Andy Rooney
Wednesday 12/26
Noon Home Alone
2pm Home Alone 2: Lost in New York
4pm A Christmas Carol (1984)
6pm Elf
8pm A Christmas Story


Perhaps it is because I don’t have children or work in retail and therefore don’t suffer some of the burnout & fatigue that others do as the holiday season draws to its conclusion, but I usually feel a general sense of melancholy when the clock strikes midnight on Christmas night. All the sudden all of the hoopla is over. Radio & TV stations resume regular programming. Some folks take down their decorations immediately. Well that’s not how we roll here ladies & gentlemen. We’re going to wean ourselves off of the holiday high we’ve been on for the past month and have one more day of Santa Claus, Ebenezer Scrooge, & general Christmas merriment.
Thursday, 12/27
Noon
Rudolph and Frosty’s Christmas in July
1:30pm Rudolph’s Shiny New Year
2:30pm New Year’s Eve
4:30pm When Harry Met Sally
6:30pm Holiday Inn
8:30pm Sleepless in Seattle


Christmas may be over but technically it’s still the holiday season. In the old days people used to celebrate The Twelve Days of Christmas (you may have heard a song about it). Those don’t even begin until what we know as Christmas Day and conclude on January 5. Don’t worry…I’m not going to take things that far. However, even in modern times most of us reserve a bit of the ol’ festive mojo for one more round of frivolity, and so we will conclude our holiday celebration with a day of entertainment revolving around New Year’s Eve/Day or atleast having scenes centered on it. I am certain that most are familiar with the offerings suggested here, but I will dive into 2011’s New Year’s Eve just a bit. It’s one of those rom-coms with a large ensemble cast and interweaving stories, all taking place on…well, I’m sure you can figure it out. It’s not a great film, as evidenced by an atrocious 7% Rotten Tomatoes score. Newsday called it “a perfect example of why the adjective Hollywood is so often used as a pejorative”. The New York Post said that it is “a soul-sucking monument to Hollywood greed and saccharine holiday culture”. Our old pal Ebert wondered “How is it possible to assemble more than two dozen stars in a movie and find nothing interesting for any of them to do?”. But it is that all-star cast (including Halle Berry, Jessica Biel, Robert DeNiro, Josh Duhamel, Sarah Jessica Parker, Ashton Kutcher, Hilary Swank, Zac Efron, Katherine Heigl, Michelle Pfeiffer, & Jon Bon Jovi) that is the draw, and I feel alright throwing it in amongst a few other movies that are certified classics, kind of like how a single horn player who isn’t really that talented can just kind of blend in & disappear amongst a large orchestra.

This concept could certainly be modified annually. Most of the movies & specials we’ve chose wouldn’t change all that much from year to year, but there would be nothing wrong with the occasional addition or subtraction. I’d put this lineup against any station out there and am confident that it would be considered by most to be superior to any alternatives. Having said that, I’d love to hear from The Manoverse. What has been included here that you don’t enjoy all that much?? Did I miss something that should be given some love?? As opposed to my viewpoint, do you like watching some holiday classics almost daily each December?? Which adaptation of A Christmas Carol do you prefer?? What is your stance on Die Hard as a Christmas movie?? Leave me some comments and let’s have some back & forth.
My apologies for the brief hiatus I’ve taken from
After receiving a first round bye Apollo 13 defeated John Candy’s underrated rom-com Only the Lonely in Round 2. Most of the attention is…obviously…given to Tom Hanks, as well as his fellow “astronauts” Kevin Bacon, Bill Paxton, & Gary Sinise. The Academy showed some love to Ed Harris & Kathleen Quinlan by giving them Oscar nominations in supporting categories (Harris lost to Kevin Spacey for his role as Verbal Kint/Keyser Soze in The Usual Suspects, while Quinlan lost to Mira Sorvino for Mighty Aphrodite). However, Apollo 13 features a large ensemble that really brings everything together. Character actors like Joe Spano, Chris Ellis, Marc McClure, Brett Cullen, Clint Howard, Loren Dean, & Christian Clemenson portray NASA officials. Ron Howard’s mother plays Jim Lovell’s mother Blanche. The kids portraying Lovell’s children aren’t given much to do but they do it well. These are the kinds of performances that are important in helping the viewer escape reality and really get into a movie. The film was also nominated for an Oscar for Best Original Dramatic Score,
and the music does play a vital role. It’s a shame Apollo 13 only won two of the nine Academy Awards for which it was nominated. One never knows about such things…perhaps if it’d been released a year earlier or later it might have swept all of those awards and be considered one of the greatest films of all time. The Mask got past PCU in the first round and Ace Ventura: Pet Detective in Round 2. Unlike a large ensemble film The Mask is all about Jim Carrey (and to a lesser degree the hotness of Cameron Diaz). His talent (and some unique special effects) are the engine that makes the movie go. It’s a fun & somewhat memorable film, but hardly transcendant.
Good Will Hunting got a first round bye and then defeated Adam Sandler’s Big Daddy in Round 2. The main attraction for me is the presence of Robin Williams in a role that finally won him an Oscar. I recently finished a great biography of Williams, and it was said in that book that at some point Williams began to take some heat from critics for playing sentimental & sympathetic roles that forced him to hide is well-known comic frenzy, but I think he was just so determined to be taken seriously as an actor that he didn’t think it wise to play zany comic characters. It was a balancing act with which he struggled his entire career. Batman Returns beat Showgirls in Round 1 and emerged from a second round triple threat against Pretty Woman & What’s Eating Gilbert Grape?. It has now gotten as far as its predecessor did in 80’s Movie Mania. I’ve read many opinions stating that Returns is actually better than 1989’s Batman, but I feel like it is less memorable. Of course the original featured Jack Nicholson’s superb performance as The Joker, which is hard to beat. Returns tries to match it with three villains…Michelle Pfeiffer’s Catwoman, Danny DeVito’s Penguin, & Christopher Walken’s Max Shreck, a wealthy industrialist whose plans to build a chemical plant in Gotham City are derailed by Bruce Wayne, who then responds by backing The Penguin as a mayoral candidate to get what he wants. It is my understanding that the Schreck
character was created when Billy Dee Williams, who portrayed Harvey Dent in the original film, decided not to return. I assume that Dent would have morphed into Two-Face, something that did occur when Tommy Lee Jones assumed the role in Batman Forever. I really like Penguin’s origin story in Returns, and of course Pfeiffer is the best Catwoman since Julie Newar & Eartha Kitt in the 60’s. Walken’s presence as Shreck feels out of place and somewhat misguided, although I’m not sure Dent’s presence would have been an improvement. Three villains is just too much in a Batman movie.
After Groundhog Day received a first round bye then got past Clueless in Round 1 I said that “I am busting at the seams to say everything I want to say” about it. The cool thing about Groundhog Day is that one can choose to view it from two different angles, and seeing it thru one prism doesn’t exclude a person from enjoying it thru the other. It works as a comedy based on Bill Murray’s sardonic wit, quirky supporting characters, & a unique situation. However, it really shines as an existential examination of life itself. One must realize that weatherman Phil Connors is stuck repeating the same day…depending on which theory one chooses to embrace…dozens, hundreds, or even thousands of times. One story I ran across awhile back estimated that Connors spends over thirty years in Punxsutawney just repeating February 2nd over & over & over. In that time he goes thru a whole range of emotions…confusion, bewilderment, anger, depression. He experiences it all. At first he uses the situation to his advantage, attempting to bed a beautiful woman and making a pass at his lovely co-worker Rita. Phil steals money, drives recklessly, & drinks heavily because he realizes there are no consequences for his actions. But then he becomes depressed and attempts to commit suicide multiple times. However nothing he tries works, and eventually he has a revelation. He accepts his weird circumstance and decides to use his time to learn new things, help people, become a better man, & woo Rita the right way. You see, Groundhog Day is not just another comedy…it’s a morality play about
redemption, happiness, self-improvement, generosity, community, & love. American Pie got a first round bye then defeated Armageddon in Round 2, in no small part because the cast of Armageddon has been scornful of their own movie so I am not inclined to defend it if they don’t. American Pie is a generational teen sex comedy in the grand tradition of Animal House, Porky’s, Fast Times at Ridgemont High, & Risky Business. It might not be a high bar to aspire to, but then again I suppose it’s better to be remembered for gross out humor & delinquent hijinks than not be remembered at all like so many movies. The cast has gone on to do other noteworthy work, but American Pie will always be their legacy. A few sequels were made and they’re…okay…but the original stands on its own as one of the best comedies of its era.
You’ve Got Mail received a first round bye then upended The Firm in Round 2. Greg Kinnear has carved out a nice little career for himself, with roles in charming fare like As Good As it Gets and Little Miss Sunshine. Parker Posey is oftentimes one of the only good things about a bad movie in stuff like Mixed Nuts, but also shines in ensemble mockumentaries like A Mighty Wind, Best in Show, & Waiting for Guffman. Neither star will ever shine as brightly as Tom Hanks or Meg Ryan, but they play key roles in You’ve Got Mail. Aladdin is a great film, but suffers from the same problem as
we walk out of a theater thinking a movie was just alright, but a decade or two later it’s become a cult classic that we love and have watched countless times?? That’s why repeat viewings are crucial in my opinion. There are so many factors that play into one’s enjoyment of a movie that I truly believe it often takes time for appreciation to develop. Robin Williams was brilliant and his performance makes Aladdin great…but that is an opinion that I formed 25 years ago and I can’t be sure that it hasn’t changed. A live action remake with Will Smith as The Genie is scheduled to hit theaters next spring, and I’ll probably check it out.
I am not a “prisoner of the moment” kind of guy. I’m 45 years old so I’m not an old fogey, but neither am I hip, cool, woke, with it, or worried about keeping up with the crowd. Oftentimes I am late to the party when it comes to movies, music, television, books, & various pop culture trends. Perhaps I’m a bit close-minded and stuck in my ways, but generally I like what I like and that’s just fine with me. It isn’t unusual for me to pass over something that has the masses excited, only to decide months or even years later to give it a whirl. I suppose I figure that if people are still talking about something after all that time then maybe it’s legit. At any rate, if you’re new to
June of 1995 was a rough month for me (I’ll spare you the details), so I didn’t see Apollo 13 on the big screen, but oh how I wish I would have because I’m sure it was even more impressive. However, in the years since I have watched it dozens of times, and it just seems to get better with age. I am too young to remember the real life Apollo 13 disaster, but I have developed an interest in reading about the space program and don’t think that knowing how the story ends detracts from one’s enjoyment of the movie. I have no idea what is in the job description of a film director, but it feels like Ron Howard made a lot of correct decisions, starting with the outstanding cast. Apollo 13 was the third highest grossing film of the year, behind only Toy Story & Batman Forever and ahead of Jumanji & Waterworld. It holds a 95% score on Rotten Tomatoes, with the NY Daily News predicting that “Tom Hanks is on his way to becoming the American Everyman…an exemplar of boyish goodwill and quiet moral force”, People Magazine opining that “tense as the best murder mysteries and as kinetic as the most exciting action films…this space adventure is as thrilling as movies get”, and the Washington Post observing that the movie “lifts off with a payload of the right stuff: courage, can-do, grace under pressure, & other qualities derided as machismo by some but
applauded as old-fashioned values by others”. Apollo 13 was nominated for nine Academy Awards and won two. Only the Lonely is an underrated gem. I’m a big John Candy fan, and seeing Maureen O’Hara onscreen in her twilight years nearly a half century after her turn in Miracle on 34th St. is a real treat for aficionados of that Christmas classic, even though she portrays an entirely different kind of character. At first glance this seems like an odd potpourri of talent, and amongst the more well-known work of all involved it kind of gets lost in the shuffle, but it’s definitely not a bad way to spend a couple of hours.
In the past two decades Damon & Affleck have become ubiquitous in Hollywood, starring in everything from thrillers & rom-coms to action flicks & superhero franchises. No one will ever list them among the finest actors of their generation, but kudos must be given for carving out solid, lasting, & somewhat impactful careers for themselves. Back in the mid-90’s they were barely blips on the radar, with Damon having a pivotal yet small role as the titular character in Saving Private Ryan, and Affleck best known as part of Kevin Smith’s ensembles in Dazed & Confused and Mallrats. But then the two best buddies co-wrote a screenplay about a troubled genius working as a janitor at MIT, and that film received nine Academy Award nominations (including Best Picture), winning two of them (Best Supporting Actor for Williams and Best Original Screenplay for Damon & Affleck). The rest is history. Good Will Hunting was the 7th highest grossing film of 1997 and holds an extraordinary 97% rating on Rotten Tomatoes. USA Today thought that Damon “delivers the year’s No. 1 breakthrough performance”, while
our old pal Ebert said that “the outcome is fairly predictable; so is the whole story, really” but added “it’s the individual moments, not the payoff, that make it so effective”. Big Daddy bested Basic Instinct in the first round because when Sandler is funny he’s more entertaining than ice picks & Sharon Stone’s lady parts. When you watch some of the movies that Sandler has starred in during the past decade Big Daddy looks like Citizen Kane in comparison. I understand that his comedy is an acquired taste, but I think this is a film that probably has a slightly broader appeal than most of his other stuff.
Teen sex comedies are a tried & true movie trope, with some being funnier & more memorable than others. It seems like every generation has one such film that they claim as their own. American Pie finds a group of high school seniors making a pact to get laid on prom night. Of course the group of teens has personalities of varying quirks & levels of hilarity and finds themselves in amusing situations. It was a surprise hit in the summer of ’99, ending the year as the 20th highest grossing film. It made stars out of most of its young cast and spawned several sequels, none of which lived up to the mirth & freshness of the original. Rotten Tomatoes gives
American Pie a decent score of 60%. The Cincinnati Enquirer called it “cheap soft-core porn masquerading as comedy”, the L.A. Times complimented its “unusual ability to mix bodily functions humor with a sincere & unlooked-for sense of decency”, our pal Ebert called it “cheerful, hard-working, & sometimes funny”, and USA Today compared it to “the C student who later makes a bundle then comes back to endow the school”. I assume that was meant as a compliment. Armageddon got past Clerks in Round 1, which I’m sure would tick off erudite film aficionados who think Kevin Smith is freakin’ genius.
score on Rotten Tomatoes. Ebert observed that “Ryan and Hanks have more winning smiles than most people have expressions”, the Dallas Morning News said that it “provides a perfectly cuddly night at the movies”, and Variety called it a “winning romantic comedy and great date movie”. The Firm defeated My Best Friend’s Wedding in Round 1. Rotten Tomatoes gives it a 76% rating, with Newsweek crediting it for “restoring faith in Hollywood professionalism”, Variety saying that it is “a smooth adaptation of John Grisham’s giant bestseller”, and Rolling Stone observing that “the book moved at turbo speed…at two and a half hours, the movie crawls”.
It’s Robin Williams vs. Robin Williams!! Patch Adams got by Black Sheep in Round 1. It was the tenth highest grossing film of 1998, ahead of Mulan and The Truman Show but behind Rush Hour and Godzilla. Rotten Tomatoes gives it a hideous 23% rating, with Ebert opining that “it extracts tears individually by liposuction, without anesthesia”, Entertainment Weekly calling it “offensive and deeply false ‘inspirational!’”, and CNN dubbed it a “blubbering ass-kiss of a movie”. It is my opinion that such reviews are a bit excessive, but then again I am one who tends to enjoy what others derisively accuse of being sentimental. It is tempting nowadays for Robin Williams fans to deify the man and his career, but the truth is that his movies were hit & miss. I don’t think Patch Adams is as bad as the critics seem to believe, especially with a charming supporting cast that includes Philip Seymour Hoffman, Michael Jeter, & the lovely Monica Potter, but when the real life subject of the film doesn’t particularly like his own biopic it is an indication that some poor decisions may have been
Clueless got past Empire Records in the first round based largely on its pop culture cache back in the day. If this competition was only about which film represents the 1990’s best I’d have to say that Clueless would be a prohibitive favorite. It was a surprise hit in the summer of 1995, and inspired trends in fashion & slang. Entertainment Weekly said of the main character Cher that “there’s such a gaping discontinuity between her physical beauty and her vacant, gum-snapping personality that she’s like a walking advertisement for everything that’s right & wrong with America”, something that I could say about numerous women I have encountered in my own life. Variety called it “a fresh, disarmingly bright, and at times explosively funny comedy” and the San Francisco Chronicle observed that “by the time you skip out of the theater you’ve had a great time but can’t remember a single reason why”. The story is loosely based on Jane Austen’s 1815 book Emma, but I must admit that’s one classic novel that I’ve never read so I cannot properly compare the two. Much like Scrooged it took me awhile to give Groundhog Day a whirl because for the longest time I just didn’t get the whole Bill Murray thing, but rest assured I most certainly do
now. On its surface Groundhog Day is a simple comedy about a misanthropic weatherman who keeps waking up on the same day (February 2…hence the title) over & over & over again. But it’s so much more than that. Groundhog Day was the 13th highest grossing film of 1993, just ahead of Grumpy Old Men and behind Philadelphia (which won Tom Hanks his first Oscar). It has an incredible 96% Rotten Tomatoes score, with People Magazine calling it “surprisingly inventive”, Empire Magazine saying it is “comic perfection”, and Ebert opining that it is “lovable and sweet”. All of those comments are accurate, but I’d be interested in digging thru all of the reviews to see if any critic actually “got it”, to find out if anyone truly understands the movie on a deeper level.
It’s Jim Carrey vs. Jim Carrey!! Before Ace Ventura hit theaters in February of 1994 Carrey was primarily known as a stand-up comic and one of the stars of Fox’s hit variety show In Living Color. But that all changed with this strangely hilarious tale about a detective specializing in animal cases taking on the task of finding the missing mascot for the NFL’s Miami Dolphins. It was 16th highest grossing film of the year, behind Maverick, The Client, & Disclosure but ahead of Legends of the Fall and D2: The Mighty Ducks. Rotten Tomatoes gives it a score of 46%, which isn’t surprising since it is precisely the sort of goofy comedy that pompous critics just don’t get. Entertainment Weekly compared Carrey’s performance to “an escaped mental patient impersonating a game-show host”. The NY Times said that the movie “has the metabolism, logic, & attention span of a peevish 6-year-old”. Roger Ebert said that he viewed the film as “a long, unfunny slog through an impenetrable plot”. Real folks look at Ace Ventura and see rapper Ton Loc (Funky Cold Medina) as a police detective and NFL quarterback Dan Marino in his acting debut and understand that this is a silly farce intended to make folks laugh, something at which it succeeds.
In 1993 Leonardo DiCaprio was barely a blip on the pulp culture radar. He had joined the cast of television sitcom Growing Pains during its final season in 1991, and had bit parts in a few movies, but Gilbert Grape was his coming out party. The titular Gilbert is actually portrayed by Johnny Depp. What is eating at him is having to be the main caretaker of his morbidly obese mother, mentally challenged brother, & two sisters after his father had committed suicide a few years earlier. DiCaprio plays Arnie, the mentally challenged brother, and Arnie is a real handful for Gilbert. Complicating things further is a fetching young lady who arrives in town and catches Gilbert’s eye. Luckily she takes a shine to Arnie which makes things a bit easier. Gilbert Grape is a touching family drama chockful of great
performances. It was only 111th highest grossing film of 1993, but it garnered an 89% rating on Rotten Tomatoes and got DiCaprio his first Oscar nomination for Best Supporting Actor (he lost to Tommy Lee Jones for his role in The Fugitive). Newsweek complimented Depp’s performance, but predicted that it was DiCaprio who “will take your breath away”. Time summarized the premise as “true heroes are those people who day by day must tend to misfits, and do so with love, tenacity, and a determination not to go terminally sour in the process”. Ebert called it “one of the most enchanting movies of the year”. Julia Roberts’ coming out party was Pretty Woman, the story of a kindhearted & good-natured prostitute hired to be a wealthy businessman’s arm candy for a few days who turns out to be so bewitching that he falls in love with her. It was the 4th highest grossing film of 1990, behind Home Alone but ahead of Total Recall and Die Hard 2. Rotten Tomatoes gives it a rating of 62%, with the NY Times calling it “something special”, Ebert proclaiming it “the sweetest and most openhearted love fable since The Princess Bride”, and the Washington Post dubbing it “a slick, instantly & entertainingly digestible Cinderella fable”. Roberts was nominated for an Academy Award for Best Actress but lost to Kathy Bates for her role in Misery. Batman Returns easily beat Showgirls in Round 1. It was the third highest grossing film of 1992, behind only Aladdin and Home Alone 2. Rotten Tomatoes gives it a score of 81%. The L.A. Times said that “Burton’s dark,
melancholy vision is undeniably something to see…but it is a claustrophobic conception, not an expansive one, oppressive rather than exhilarating, and it strangles 
One may make an assumption that Batman & Robin is included in this competition for the same reason films like Showgirls & Very Bad Things have been thrown a bone…because they are so dreadful that their sheer awfulness prompted a level of negative buzz that warrants discussion (kind of like how Cabbage Patch Dolls were considered so ugly they’re cute). That is partially true. However, as a huge fan of all things Batman I must also opine that it’s not really as bad of a movie as many seem to think. In 1995 Joel Schumacher took the reins of the franchise after Tim Burton was asked to step back from the director’s chair because the studio wasn’t happy with the box office for Batman Returns in 1992. Schumacher had already done St. Elmo’s Fire, The Lost Boys, & the John Grisham adaptation The Client, so there was reason to believe that he wasn’t a decent choice, and 1995’s Batman Forever did little to dissuade that notion. But then, after Val Kilmer decided not to reprise his one stint as The Caped Crusader for various reasons, George Clooney got the job. Clooney was still doing the TV show ER but had begun his movie career as well. Schumacher wanted to pay homage to the kitschy 1960’s Batman television show, so he decided the tone of his films would be more colorful & humorous than its predecessors, and though no one seemed to have much of an issue with the more cartoonish vibe of Batman Forever, it seems to be a point of contention when it comes to Batman & Robin. On paper the cast is top notch…Clooney, Schwarzenegger, Thurman, Silverstone…but critically it bombed & commercially didn’t fare as well as the previous films in the series. I remember seeing it in the theater with my best buddy Greg and thinking that it was aurally & visually obnoxious…an assault on the senses. However, when watching Batman & Robin on video…in the comfort of one’s own home where you can control the volume & the lighting…it’s much more palatable. In hindsight the movie suffered from comparisons with its forerunners, and as the fourth film in a series with two directors and three leading men there was a lack of stability that fans found unsettling. In a game of “One of These Things Isn’t Like the Others” it sticks out like a sore thumb…but on its own merits it is harmless cinematic fluff that is acceptably entertaining. Swingers was
written by Jon Favreau, and was the first starring role for both he & Vaughn. The plot isn’t necessarily as important as the vibe, with the story revolving around a group of underemployed actors in 1990’s Los Angeles, a period when 60’s era swing music was experiencing a revival. The soundtrack is top notch, with tunes from the likes of Dean Martin, Big Bad Voodoo Daddy, Bobby Darin, & Sammy Davis Jr. There is a portion of the film that takes place in Las Vegas, and y’all know that tickles my fancy. Swingers isn’t a thought-provoking masterpiece that will cause one to ponder deep & philosophical questions of life, but it oozes cool and is quite quotable. Critic Roger Ebert called it “sweet, funny, observant, & goofy”, and I concur.
returns as the titular father who must deal with the concurrent pregnancies of his daughter and middle-aged wife. Martin Short is given a bigger role in the sequel after an amusing turn as an eccentric wedding planner in the first film. FotB 2 ranked 17th at the box office in 1995, ahead of some well-regarded movies like Braveheart, Clueless, Casino, Dead Man Walking, The Usual Suspects, & Leaving Las Vegas. It holds a 50% rating on Rotten Tomatoes, with critic Roger Ebert opining “movies like this butter us up so well that we’d feel like a grouch criticizing them”, adding that the movie is “warm & fuzzy, and has some good laughs & a lot of sweetness” before concluding that “I had the unmistakable feeling, toward the end of this film, that they may be reaching the end of this particular road and that there may be new horizons to investigate”. Other critics said things like “Short is trotted back out for more of his mincing shtick…a pretty feeble way to keep his character in the story”, “starts off weak but finishes strong…wacky & weepy, silly & sweet”, and “the strengths of these films are not so much laughs as sincerity & heart”. What About Bob? is a dark comedy about a psychiatric patient who stalks his therapist on vacation and befriends the doctor’s family, which upsets the arrogant shrink to the point that he becomes unhinged & ends up in a catatonic state. Bill Murray apparently doesn’t work & play well with others in real life, and nearly two decades after the film was released Richard Dreyfuss said of Murray “Terribly unpleasant experience. We didn’t get along, me and Bill Murray, but I’ve got to give it to him…I don’t like him, but he makes me laugh even now.”, which kind of sums up my feelings about
Murray. I’m not a huge fan, but I give credit where it is due in that he is a talented actor who has been in some memorable movies. I’m just not sure that What About Bob? is one of them. It was the 19th highest grossing film of 1991 and holds an 83% score on Rotten Tomatoes, with The Washington Post proclaiming it “one comic session strung to feature-length breaking point”, while Entertainment Weekly states that it “begins as a rambunctious satire…but turns into little more than a pleasant one-joke movie.”
The only issue I have with the Lethal Weapon series is that it is easy to get the plots confused. They all star Mel Gibson & Danny Glover as a pair of mismatched cops fighting nefarious criminals, with the latter two films adding Rene Russo as a love interest for Gibson and 2, 3, & 4 having Joe Pesci as an annoying reformed criminal. In the third installment Riggs & Murtaugh track down a dirty cop who has become an arms dealer. A subplot involves the budding romance between Riggs and internal affairs officer Lorna Cole. LW3 was the fourth highest grossing film of 1992 and had the best box office of any film in the series. It has a 57% score on Rotten Tomatoes, with Ebert opining that “we miss the sense of invention that brightened the earlier movies…this one falls back on experience & craftsmanship”, and Peter Travers of Rolling Stone calling the film “mediocrity wielded by experts”. Those are fair assessments in that we
don’t necessarily keep going back to series like Lethal Weapon for innovative storytelling or fresh ideas…we have developed a deep fondness for familiar characters and the actors who portray them. Airheads is an example of the earlier work of guys like Sandler, Buscemi, Fraser, & Mantegna. It is a mildly entertaining tale about an unsuccessful garage band who takes an L.A. radio station hostage in an effort to get their demo tape played. It has a 21% rating on Rotten Tomatoes and ranked 138th at the box office in 1994, which was atleast better than something called Spanking the Monkey.
I love a good biopic. Let’s face it…if a movie is being made about a person’s life story it is a fair assumption that the person & their life was noteworthy and/or interesting. Whether the movie tickles one’s fancy largely depends on the level of curiosity about the subject, and I am old enough to have some degree of fascination with Andy Kaufmann. I am not a big Jim Carrey fan, but do recognize that he has a fair amount of talent when given the right material. Man on the Moon derives its title from a 1992 song by alt-rock band REM that was written as a tribute to Kaufman. The movie follows Kaufman’s rise from struggling night club act to infamous sitcom star thru his death from cancer at age 35. There are some questionable decisions made (like the cast of the sitcom Taxi portraying their 1970’s selves fifteen years later) that negatively impact one’s overall impression of the film, but praise for Carrey’s performance as Kaufman is nearly universal, to the point that he won the Golden Globe for Best Actor. In the Line of
Fire is a criminally underappreciated movie about a guilt ridden Secret Service agent whose failure to save JFK’s life has messed with him for three decades. The agent gets another chance when a deranged former CIA assassin threatens the current President. The conclusion is somewhat predictable, but the ride getting there is lots of fun. I’ve never been a bigtime Eastwood fan simply because he typically stars in westerns & cop films that aren’t really in my wheelhouse, but for some reason I find this particular movie compelling.
I think we’ve established the fact that I have a type. If I am in vegg mode and doing some couch potatoing on a lazy afternoon I gravitate toward breezy comedies with pleasant characters and a charming plot. That’s my jam and I’m not sorry. Grumpier Old Men is a follow-up to the 1993 original and finds our two favorite cantankerous geezers resuming hostilities in the frozen tundra of Wabasha, MN. Things have calmed down between John Gustafson & Max Goldman, with John now happily married to Ariel (who moved into the neighborhood in the first film) and the two men’s offspring…Gustafson’s daughter Melanie and Goldman’s son Jacob…set to get married. But an alluring Italian divorcee moves into the neighborhood and all hell hilariously breaks loose once again. The cast is terrific, proof that not everyone has to be a gorgeous 20something for a movie to be good. Old-timer Burgess Meredith is the unsung hero once again, stealing the show at 87 years of age. It was the 20th highest grossing film of 1995 but only has a 17% rating on Rotten Tomatoes. By 1997 hit TV show Friends was only in its fourth season (not even halfway thru its decade long run) but the cast was already beginning feature film careers. Matthew Perry’s first leading man role was Fools Rush In, about a NY City architect who has a one night stand in Vegas while he is there supervising the construction of a night club. The vivacious young lady shows up at his door a few months later with a bun in the oven, and simply wants to introduce him to her close-knit & very
traditional Mexican family so that when she breaks the news about her pregnancy she’ll be able to tell them they’ve met the baby’s father. The city boy is enchanted by the beautiful woman and her family ties, and in short order the two have a quickie wedding and move in together. Of course the culture clash is inevitable, especially when his snooty parents show up, and as tends to happen in rom-coms the couple fight, break up, & eventually reunite just in time to welcome their child into the world. It’s all very sweet & predictable, but I’m okay with that. Fools Rush In was the 70th highest grossing film of 1997 and has a 33% rating on Rotten Tomatoes.
Galaxy Quest works on multiple levels. It’s a comedy. It’s a sci-fi adventure. And it is a spoof. Allen, Weaver, Rickman, et al portray the cast of a Star Trek-esque TV show that was cancelled long ago but still has a community of hardcore fans that hold conventions & such, many of which the actors attend because they’ve been typecast and aren’t able to make any kind of money otherwise. The “captain” still basks in the glow of his small slice of fame, but the rest of the crew is really just over the whole deal. But then a strange thing happens…they find themselves caught up in an actual outer space adventure when a well-meaning group of aliens mistakenly believes the TV show to be real life and thinks the crew can save their species…or something like that. I suspect that Trekkies & other sci-fi nerds are the only audience that can truly appreciate everything Galaxy Quest has to offer, but perhaps those who just enjoy good popcorn cinema are entertained by it as well. The Bodyguard was a big deal back in 1992 because Whitney Houston was at the top of
the music charts and was transitioning into acting with her first film role. Houston portrays a famous singer (not much of a stretch) who gains a former Secret Service agent as a bodyguard after being nominated for an Academy Award and being sent death threats by a mysterious stalker. Unsurprisingly the singer & the bodyguard fall for each other, and naturally the audience loves it because of the undeniable charm and chemistry of Houston & Costner. The Bodyguard has a little something for everyone…mystery, suspense, action, romance, drama…and gave us what…to my knowledge…is still the best-selling movie soundtrack of all time.
Keanu Reeves first came into our pop culture consciousness in the late 1980’s as Valley Boy slacker Theodore Logan in Bill & Ted’s Excellent Adventure. But since one can’t portray dimwitted high schoolers forever he moved on to more serious roles in Point Break and My Own Private Idaho. And then came Speed. The thriller about a bus rigged with a bomb programmed to explode if it slows down below 50 mph thrust Reeves into superstardom and also introduced the world to Sandra Bullock. It was the 8th highest grossing film of 1994 and has an exceptional 94% Rotten Tomatoes score. Dazed & Confused is a Hindsight Film, meaning that it has remained relevant in large part based on what several of its young stars went on to become…especially McConaughey & Affleck. The movie itself is a slice of life look at the last day of school for a bunch of high schoolers in Austin, TX. It is set in 1976 so there is a lot of pot smoking, cruising, & hazing of younger students…things that wouldn’t fly in our modern PC purgatory, and had even diminished by the late 80’s
when I was in high school. Dazed & Confused isn’t as much about a particular plot as it is about capturing a mood and painting a picture of an era, which it does really well. The cast is…obviously…stellar, and the soundtrack (featuring songs by Foghat, ZZ Top, Alice Cooper, Ted Nugent, Deep Purple, Lynyrd Skynyrd, Kiss, & Black Sabbath) is terrific. It was only the 121st highest grossing film of 1993 but has become a cult classic in the ensuing years. It has a 93% score on Rotten Tomatoes, with Ebert referring to it as “art crossed with anthropology” and Rolling Stone calling it “the ultimate party movie…loud, crude, socially irresponsible, & totally irresistible”.
The Addams Family made their debut in a series of cartoons published in The New Yorker beginning in 1938. In the 1960’s the kooky clan came to television for two seasons, and although the show was cancelled due to poor ratings it lived on in syndication, to the point that I was watching it as a kid growing up in the 80’s. The Addams Family finally came to the big screen in 1991 in a tale that finds a greedy lawyer & a con artist scheming to get ahold of the Addams fortune that is hidden deep in the bowels of their creepy mansion. The con artist’s son just happens to look like Gomez Addams’ brother Uncle Fester who has been MIA for 25 years, so there’s your plot. Hijinks ensue and of course the evil plan goes off the rails, all in the midst of the oddball family’s usual weirdness. The cast is superb, the movie is entertaining enough, and critics didn’t completely hate it. The Addams Family was the 7th high grossing film of 1991 and its Rotten Tomatoes score of 63% is fairly solid. The New York Times said that its “aimlessness & repetitiveness eventually become draining”, Variety opined that “despite inspired casting and nifty visual trappings the eagerly awaited Addams Family figures as a major disappointment”, and Ebert observed that “there are a lot of little smiles and many chuckles & grins, but they don’t add up to much”. Conversely, the Austin Chronicle gushed that “it’s hard to imagine a better screen adaptation of this queer household….Charles Addams would have been proud”, while the BBC complimented the cast, saying that it “elevates this film from flimsy to sheer delight”. Saving Private Ryan is a totally different kind of movie from its competition. It is a gritty & unflinching look at D-Day and its aftermath when a team of U.S. Army rangers are given the task of finding & rescuing Private James
Ryan, whose three brothers have all been killed in the war making him the only son remaining. The mission isn’t easy and there is violence & death along the way. This is not a romantic, sanitized, family friendly war movie, though I don’t feel like it is gratuitous either…it’s just very very candid. I won’t spoil the ending, but it is poignant & impactful. Saving Private Ryan was the highest grossing film of 1998, has an amazing Rotten Tomatoes score of 92%, & was nominated for 11 Academy Awards. It won five of those Oscars, including Spielberg’s second Best Director award. It was nominated for Best Picture but lost to Shakespeare in Love, which in retrospect might be the biggest travesty in award show history.




Columbus that the two of them would not get along so he asked Hughes if there were any other projects he could work on instead. Home Alone was one of the options presented to him.
hairstyle and blue eyes.
Don’t ask why…no one quite knows the reason. – Narrator
reading Kipling’s Jungle Book stories. Dr. Seuss was unsure about casting Boris Karloff for fear that he would make The Grinch too scary.
whole year, we are the people that we always hoped we would be! It’s a miracle because it happens every Christmas Eve. And if you waste that miracle, you’re gonna burn for it. I know what I’m talking about. You have to do something. You have to take a chance. You do have to get involved. There are people that are having trouble making their miracle happen. There are people that don’t have enough to eat, and there are people that are cold. You can go out and say ‘hello’ to these people. You can take an old blanket out of the closet and say, ‘here.’ You can make them a sandwich, and say ‘Oh, by the way, here!’ I get it now! And if you give then it can happen…the miracle can happen to you. It’s not just the poor and the hungry, it’s everybody that’s gotta have this miracle! And it can happen tonight for all of you! If you believe in this pure thing the miracle will happen and then you’ll want it to happen again tomorrow! You won’t be one of these bastards who says, ‘Christmas is once a year and it’s a fraud.’ It’s not! It can happen every day! You’ve just got to want that feeling! And if you like it and you want it, you’ll get greedy for it. You’ll want it every day of your life, and it can happen to you! I believe in it now. I believe it’s gonna happen to me now. I’m ready for it! And it’s great. It’s a good feeling, better than I’ve felt in a long time. I’m ready. Have a Merry Christmas everybody. – Frank Cross
want. The only trouble with that is someone has to be responsible. I’d love to run around and take classes and play with my inner-self! I’d love the freedom to be some pissed-off criminal with no responsibilities, except I don’t have the time! But you don’t see me with a gun. And you don’t see me sleeping with someone else. You think my life turned out the way I wanted because I live in this house? You think every morning I wake up, look in the mirror and say ‘Gee, I’m glad I’m me and not some 19-year-old billionaire rockstar with the body of an athlete and a 24-hour erection! No I don’t! – Lloyd Chasseur
















































would have it rated higher on their list and mine. Sometimes I think enjoyment of a movie is all about timing. Where one first sees the film and under what circumstances, how many times they’ve seen it, what year it came out in relation to the viewer’s age, and other correlations. I was only 8 when Caddyshack was in theaters, and it was Rated R. But many people have come to adore it through the magic of television and video, and there are older films that I find immensely pleasurable, so the timing issue doesn’t fully explain why I rate it dozens of spots lower than the majority likely would. I also believe that everyone’s sense of humor is different and that we “get” certain things while others just go completely over our head. Bill Murray is someone whose humor just never really bowled me over, and his legendary performance in Caddyshack made his career. Actually, I would go so far as to say it IS his career. Anyway, I do enjoy the movie which is why it’s on the list. I just may not enjoy it as much as you do. And the sequel that was made eight years later which is disparaged by most, especially fans of the original…..well, I don’t think it’s all that bad, probably because I don’t have the first one on such a high pedestal.
perfect example of circumstances shaping one’s opinion. I’m not positive that E.T. was the first movie I ever saw in a theater, but I distinctly remember seeing it in a theater with my mother and sister, and I know it’s one of only three movies (we’ll get to the other two much later in this process) that have ever brought tears to my eyes.
launched the careers of Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Forest Whitaker, Nicolas Cage, Anthony Edwards, and Eric Stoltz. There are 3 Academy Award winners in that list ladies and gentlemen. That’s impressive. I’m not a Sean Penn fan by any means, but with Spicoli he created one of the most original and enduringly funny characters in American cinema. And if Phoebe Cates never does another thing in her life (and let’s be honest…..her career after Fast Times hasn’t exactly been noteworthy), she will be immortal to generations of randy teenage boys who’ll never forget her coming out of that pool.
memorable flicks (Taps, Losin’ It, The Outsiders, Endless Love), but the roles were all pretty insignificant. With Risky Business, a tale about a high school boy-next-door type turning his house into a brothel while his parents are away on vacation, Cruise burst onto the scene and over 25 years later is still around. One key element to a good movie can be a memorable scene or two, and all anyone has to say to evoke a smile when it comes to Risky Business is “Old Time Rock n’ Roll” or “El Train”. That kind of positive notoriety is the envy of about 99% of all entertainment produced these days.
as much pleasure the tenth time I’ve seen it as it did the first time I watched. There are exceptions to the rule though. I like Jack Black. He’s funny and creative. Put him in a role where there’s good music involved (and good music is the central backdrop of School of Rock) and the combination is irresistible.