100 Memorable Movie Characters…Part 2

“Movies touch our hearts, awaken our vision, and change the way we see things. They take us to other places…open doors & minds. Movies are the memories of our lifetime.”  –  Martin Scorsese

We’re going to forego a verbose preamble today and jump right into the fray. If you have not read Part 1 please go back and do so at your leisure. As always I appreciate everyone who stops by to read the things that are written here, and your feedback is welcome.

90           Ma & Pa Kettle (various films)

Ma & Pa Kettle starred in ten films from 1947-57. They are simple country bumpkins raising their brood of 16 kids on the family farm, and the movies put them into various fish-out-of-water scenarios like trips to New York, Hawaii, & Paris, as well as winning a “house of the future” in a contest. I seem to recall that the Kettle films were shown on Saturday morning television with some frequency during my childhood. That was way before channels like TCM & AMC, so I assume it had to be a local syndication type of deal. I also have a vague recollection that it was my Dad who enjoyed watching Ma & Pa Kettle and introduced me to the movies.

Quotes

“It may be a good day for you, but it ain’t for Pa. All the poor man wanted was a new tobacco pouch and instead he won a house he didn’t want and he got a bad sunburn.” (Ma)

“You do all the barkin’, but it’s me that’s always in the doghouse.” (Pa)

“You mean, Pa & Me’s got to support all our kids and the government too?” (Ma)

“Pa, you’re lazier than that old hound dog we used to have.” “Which one?” “The one that used to lean against the wall when she barked.”

89           Thelma Dickinson & Louise Sawyer (Thelma & Louise)

Full disclosure…I believe I’ve only watched Thelma & Louise once, but that was enough. The duo are southern ladies taking a girls’ trip to escape from their mundane existence, but things go awry when a drunken rabble-rouser tries to rape Thelma and Louise kills him. Of course we all know that in TV & movies no one ever does the smart thing by calling the police…instead they get spooked & go on the run, which is the foundation for the adventure that follows. Nearly three decades later many of us still refer to mischievous gal pals as Thelma & Louise.

Quotes

“You said you ‘n’ me was gonna get out of town and for once just really let our hair down. Well darlin’, look out ’cause my hair is comin’ down!” (Thelma)

“You get what you settle for.” (Louise)

“He kinda prides himself on being infantile.” (Thelma)

“Good morning everybody, this is a robbery. Now if nobody loses their head, nobody will lose their head. Simon says everybody lay down on the floor, right away, right away, except you sir. You’ll have a story to tell your friends, that or a tag on your toe, it’s your decision.” (Thelma)

“I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?” (Thelma)

88           Raymond Babbitt (Rain Man)

I’m not sure anyone in history has done more to promote awareness of autism than Raymond Babbitt. Dustin Hoffman won his second Academy Award for Best Actor for his portrayal of Raymond, a savant whose deceased father left him millions that his scheming brother is trying to get from him. It is rare for Tom Cruise to be outshined in any film, but Raymond’s charming blend of pathos, humor, & vulnerability does the trick.

Quotes

“I’m an excellent driver.”

“13 minutes to Judge Wapner and The People’s Court.”

“K-mart sucks.”

87           Dr. Frank N. Furter (The Rocky Horror Picture Show)

Some films have broad appeal, and I assume that is what the powers-that-be are going for most of the time. However, there is no shortage of movies that are focused on a rather specific target audience. I haven’t seen The Rocky Horror Picture Show since I was in college, sitting out in a field late at night throwing rice & toilet paper at the screen, but that’s okay since it is exactly the kind of weird, drunken, relatively innocuous, & completely stupid experience one should have at 19, because if that’s how you spend your weekend when your 35 or 50 it becomes a bit disturbing. Dr. Furter describes himself as a “sweet transvestite from Transsexual, Transylvania”, which seems like a fitting description. Unforgettable name?? Check. Unique outfit?? Check. Quirky as all get-out?? You bet. Actor Tim Curry has been nominated for Tony Awards, starred in films like The Hunt for Red OctoberHome Alone 2: Lost in New York, and portrayed Pennywise in the TV miniseries of Stephen King’s It, but he will most likely always be remembered as Dr. Frank N. Furter.

Quotes

“Tonight, my unconventional conventionalists, you are about to witness a new breakthrough in biochemical research, and paradise is to be mine!”

“Don’t be upset…it was a mercy killing. He had a certain naïve charm, but no muscle.”

86           Mick “Crocodile” Dundee (Crocodile Dundee)

Let’s face it…the only reason any of us in the good ol’ USA has ever requested for someone to “throw another shrimp on the barbie” is because Crocodile Dundee taught us what that means in 1986. Outback Steakhouse was created in Tampa, FL two years after the film’s release in hopes of capitalizing on America’s newfound fascination with Australia. Two Dundee sequels were produced, but neither had the magic of the original, a classic fish-out-of-water tale featuring a most unconventional protagonist.

Quotes

“Get on the right side of the road you pelican!”

“That’s not a knife…THAT’S a knife.”

“Well, you see, Aborigines don’t own the land…they belong to it. It’s like their mother. See those rocks? Been standing there for 600 million years…still be there when you & I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.”

“Imagine seven million people all wanting to live together. New York must be the friendliest place on earth.”

85           Tommy DeVito (Goodfellas)

Not too long ago I saw a poll on Facebook asking about the best mob movie and was stunned when Goodfellas beat out The Godfather, because in my humble opinion The Godfather cannot be touched. Having said that, it is a rather unfair comparison. The Godfather is an Shakespearean fantasy with lots of Hollywood style & polish, whereas Goodfellas is more raw & down-to-earth. Inasmuch as The Mafia still exists in modern America I assume Goodfellas is probably a more accurate portrayal, but for me that doesn’t necessarily equal entertainment value. It’s kind of the same thing as people who fawn all over Christopher Nolan’s Dark Knight trilogy because of its gritty realism, while I lean toward the escapism of the Burton/Schumacher Batman flicks from the late 80’s/early 90’s. At any rate, actor Joe Pesci had done Raging Bull in 1980 and added some life to the Lethal Weapon franchise in 1989 so Goodfellas wasn’t his first rodeo, but Tommy DeVito has become one of his defining roles (we’ll get to another a bit later). DeVito is loosely based on real life gangster “Two Gun Tommy” DiSimone, a NY City gangster who “disappeared” in January 1979. Two Gun Tommy was much younger, not to mention physically bigger & stronger, than the diminutive, middle-aged, fast-talking tough guy depicted in the film, but other mobsters have said that Pesci’s portrayal…for which he won the Academy Award for Best Supporting Actor…is otherwise fairly accurate.

Quotes

“What do you mean I’m funny? What do you mean? You mean the way I talk? What? You mean, let me understand this, ’cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how? I mean funny like I’m a clown? I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny? Funny how? How am I funny?”

84           Larry Talbot (The Wolf Man)

Y’all know that I’m not a horror movie fan, but for some reason I love the old Universal monsters from the 1930’s & 40’s. Talbot is a mild-mannered man who returns to Wales after two decades in America to reconcile with his estranged father. He is bitten by a werewolf while trying to rescue a damsel in distress, and thereafter becomes a werewolf himself. After committing a series of murders he is eventually bludgeoned to death by his own father, who doesn’t realize The Wolf Man is his son. Lon Chaney Jr.’s portrayal of Talbot as quiet & reserved and emotionally tortured by his infirmity is the perfect contrast to the ferocity of the beast.

Quotes

“You think I don’t know the difference between a wolf and a man? You’re insane! I tell you, I killed a wolf! A plain, ordinary wolf! Don’t try to make me believe that I killed a man when I know that I killed a wolf!”

83           Tony Montana (Scarface)

I don’t rate Scarface as highly as some simply because I tend not to like movies about crime & drugs…it’s just not my kind of entertainment. Having said that, there’s no denying that Tony Montana is a memorable character. Tony arrives in Miami from Cuba and starts his new life as a dishwasher. A few years later he is a wealthy drug lord with an unhealthy cocaine addiction. As is the case with such characters there is a lot of bloodshed, ultimately ending (spoiler alert) with Tony face down in a fountain after having been shot in the back by a rival’s henchman. Critics like to attach meaning to films like Scarface, seeing it as some sort of allegory about rising & falling, the excesses of the American Dream, or a commentary on criminal avarice, but I prefer to learn such lessons without all the violence & profanity. Italian-American Pacino seems like an odd choice to portray a Cuban, and I’m not sure that would fly in our newly woke culture just a few decades later. Interestingly, Robert DeNiro was the first choice for the role of Tony Montana but he declined the opportunity.

Quotes

“This is paradise. This is paradise, I’m tellin’ you. I shoulda come here 10 years ago. I’d have been a millionaire by this time. By this time, I’d have had my own boat, my own car, my own golf course.”

“Me, I always tell the truth…even when I lie. So say good night to the bad guy! Come on. The last time you gonna see a bad guy like this again, let me tell you. Come on. Make way for the bad guy. There’s a bad guy comin’ through! Better get outta his way!”

“This country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the woman.”

“Okay, you little cockroaches… come on! You wanna play games? Okay, I can play with you. Come on! Okay, you wanna play rough?!?!??  Okay! SAY HELLO TO MY LITTLE FRIEND!”

82           Deputy U.S. Marshal Sam Gerard (The Fugitive)

Other than its love of sequels the other way that Hollywood plays it safe by not being particularly innovative is to recycle old television shows and bring them…or atleast the central premise…to the big screen, with the results being decidedly mixed. The Dukes of Hazzard, Leave it to Beaver, & The Wild Wild West weren’t good movies, while The Addams Family, The Brady Bunch, & Charlie’s Angels were decent enough. One of the best movie adaptations of a TV show is The Fugitive, with Harrison Ford portraying erroneously convicted Dr. Richard Kimble. While the television show had Dr. Kimble doggedly pursued across the country by local police Lt. Philip Gerard, the film kicks it up a notch by making the hunter no nonsense U.S Marshal Sam Gerard, although the quest is essentially limited to Chicago. Tommy Lee Jones won the Academy Award for Best Supporting Actor for his role as Gerard, and became the focus of the story in a much inferior sequel a few years later. In the movie neither Kimble nor Gerard resemble the television characters they are based on all that much, but in this case the adaptation is actually better than the original.

Quotes

“Let that be a lesson to you, boys & girls. Don’t ever argue with the Big Dog, because the Big Dog is always right.”

“Listen up, ladies & gentlemen! Our fugitive has been on the run for 90 minutes. Average foot speed over uneven ground barring injuries is 4 miles per hour and that gives us a radius of 6 miles. What I want out of each & every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, henhouse, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive’s name is Dr. Richard Kimble. Go get him.”

81           Walter Sobchak (The Big Lebowski)

Lebowski is a weird movie, but it sure is fun to watch when a particular mood strikes. One of the key reasons for its success is John Goodman’s portrayal of Walter, the foul-mouthed, slightly unhinged, but loyal best buddy of the film’s protagonist. I’ve never been a fan of Goodman’s infamous TV show Roseanne in any of its incarnations, but I sure have enjoyed his big screen career. Raising Arizona. Everybody’s All-American. The Hangover Part III. They may not be transcendent films, but they’re enjoyable enough and better because Goodman is in them. Walter is most definitely second fiddle in Lebowksi, but that’s okay…great movies need supporting characters that add a colorful layer to the story, and in this case the mission is certainly accomplished.

Quotes

“Donny, you’re out of your element! Dude, the Chinaman is not the issue here!”

“Nihilists!  I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.”

“Lady, I got buddies who died face down in the muck so that you & I could enjoy this family restaurant!”

“You want a toe? I can get you a toe. Believe me. There are ways, Dude.”

“Life does not start and stop at your convenience, you miserable piece of shit!”

“You know, Dude, I myself dabbled in pacifism once. Not in ‘Nam of course.”

“We’re talking about unchecked aggression here, Dude.”

“Smokey, this is not ‘Nam. This is bowling. There are rules.”

80           Captain Louis Renault (Casablanca)

¾ of a century after its theatrical release Casablanca is still regarded as one of the best movies ever produced. There are multiple reasons for that, but one of them is Capt. Renault, a cynical & slightly corrupt French policeman. Casablanca is the largest city in Morocco on the coast of Africa. During World War II it was a vital strategic port, and since a large chunk of Europe was controlled by the Nazis travel was limited, hence the importance of the film’s “letters of transit” (a true film MacGuffin…in reality no such documents existed). Capt. Renault plays all sides, loyal only to his own needs & desires…or so we are led to believe until the film’s conclusion. He isn’t a clichéd movie bad guy…he seems pleasant enough, and in fact has some of the more blithe dialogue. It is rare for an alleged villain to add levity to the story, but that is exactly what Renault does, which is probably why I like him. Actor Claude Rains played more conventional antagonists in films like Mr. Smith Goes to Washington and Alfred Hitchcock’s Notorious, and earned four Academy Award nominations in his career, but Casablanca was the beginning of a beautiful friendship with the audience and Cpt. Renault.

Quotes

“I’m making out the report now.  We haven’t quite decided whether he committed suicide or died trying to escape.”

“It is a little game we play.  They put it on the bill, I tear up the bill.  It is very convenient.”

“I have no conviction, if that’s what you mean.  I blow with the wind, and the prevailing wind happens to be from Vichy.

“How extravagant you are, throwing away women like that. Someday they may be scarce.”

“You mustn’t underestimate American blundering. I was with them when they “blundered” into Berlin in 1918.”

“I told my men to be especially destructive. You know how that impresses Germans.”

“Everybody is to leave here immediately! This cafe is closed until further notice. Clear the room, at once! I am shocked…shocked…to find that gambling is going on in here!”

“Well, Rick, you’re not only a sentimentalist, but you’ve become a patriot.”

“Round up the usual suspects!”

79           Jack Dawson & Rose DeWitt-Bukater (Titanic)

For several years Titanic was the highest grossing film of all time, and it swept thru the 1997 awards season like a tornado. Critics & the general populace both love it, but one of the few condemnations I seem to recall hearing back then was that the main focus wasn’t on actual people who lost their lives in the infamous tragedy. Instead the spotlight was given to two fictional characters in Jack & Rose. They are essentially a riff on Shakespeare’s Romeo & Juliet. He’s a good-natured American guy from the wrong side of the tracks heading home to Wisconsin, while she is a prim & proper British debutante who hates her rigid life. In the course of three hours we become invested in them individually and in their love story. They may not be based on real people, but as composite characters I believe they are solid representatives of the 1500 souls lost on that catastrophic night.

Quotes

“I’m the king of the world!” (Jack)

“Do you know of Dr. Freud, Mr. Ismay? His ideas about the male preoccupation with size might be of particular interest to you.” (Rose)

“I’m not an idiot. I know how the world works. I’ve got ten bucks in my pocket. I have nothing to offer you and I know that. I understand. But I’m too involved now. You jump, I jump, remember? I can’t turn away without knowing you’ll be all right.” (Jack)

“I’m flying, Jack!” (Rose)

“I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what’s gonna happen or, who I’m gonna meet, where I’m gonna wind up. Just the other night I was sleeping under a bridge and now here I am on the grandest ship in the world having champagne with you fine people. I figure life’s a gift and I don’t intend on wasting it. You don’t know what hand you’re gonna get dealt next. You learn to take life as it comes at you… to make each day count.” (Jack)

“Jack, I want you to draw me like one of your French girls. Wearing this…wearing only this.” (Rose)

“I don’t know about you, but I intend to go write a strongly worded letter to the White Star Line about all this.” (Jack)

“Don’t you do that…don’t you say your goodbyes. Not yet, do you understand me? You’re gonna get out of here, you’re gonna go on, and you’re gonna make lots of babies, and you’re gonna watch them grow. You’re gonna die an old… an old woman warm in her bed, not here, not this night. Not like this, do you understand me? Winning that ticket, Rose, was the best thing that ever happened to me. It brought me to you, and I’m thankful for that, Rose. I’m thankful. You must do me this honor. You must promise me that you’ll survive, that you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.” (Jack)

78           Jenny Curran (Forrest Gump)

A lot of subtext can be read into Forrest Gump. Some believe that Jenny…the lifelong friend of the film’s simpleminded hero who was abused as a young girl, becomes a hippie, descends into a life of drugs & prostitution, and ends up dying of (we assume) a sexually transmitted disease…is meant to represent the counterculture & upheaval of the 1960’s that many consider the loss of America’s innocence. She is the darkness in contrast to Forrest’s patriotic optimism. I’m not sure any of that symbolism was purposeful by the filmmakers, but the movie & the character stand on their own merits regardless of intent. Actress Robin Wright has had a solid career in Hollywood, from soap opera Santa Barbara in the mid-80’s to The Princess Bride in 1987 to the recently concluded Netflix hit House of Cards, but the sadness & vulnerability that defines Jenny has been her crowning achievement.

Quotes

“Dear God, make me a bird. So I could fly far. Far far away from here.”

“Listen, you promise me something, okay? Just if you’re ever in trouble, don’t be brave. You just run, okay? Just run away.”

77           Inspector Harry Callahan (Dirty Harry)

Clint Eastwood’s career has spanned over a half century, and he’s done everything from westerns to critically acclaimed dramas to the television show Rawhide. He’s even become an Academy Award winning director. However, Eastwood will always be most closely associated with his portrayal of Harry Callahan, a tough as nails San Francisco cop who plays by his own set of rules.

Quotes

“I know what you’re thinking: ‘Did he fire six shots or only five?’ Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off,  you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do you, punk?”

76           Euphagenia Doubtfire (Mrs. Doubtfire)

The titular character in this film is actually a man in drag. Daniel Hillard is an itinerant voice actor whose uptight wife divorces him and gets custody of their three children. Instead of allowing their father to spend more time with them the career driven mother decides to hire a nanny, so Daniel dons a very convincing disguise and becomes an elderly British woman. The ruse works, and Mrs. Doubtfire allows Robin Williams’ comedic genius to shine.

Quotes

“Oh, sir! I saw it! Some angry member of the kitchen staff. Did you not tip them? Oh, the terrorists – they ran that way. It was a run-by fruiting.”

“I’m a hip old granny who can hip-hop, be-bop, dance ’til you drop, and yo, yo, make a wicked cup of cocoa.”

“Oh. Carpe dentum. Seize the teeth. Just shake them off, like a dog.”

“I found the best way to keep from smoking again and lighting up is to be around those who do smoke. I have to randomly ingest just a little bit of nicotine and it steels my wool.”

“He was quite fond of the drink. It was the drink that killed him. He was hit by a Guinness truck. So it was quite literally the drink that killed him.”

75           Woody Pride & Buzz Lightyear (The Toy Story Series)

The older I get the more I appreciate animated movies, especially since the technology has really advanced in the past couple of decades. It doesn’t hurt that Toy Story is a great example of a film that can be enjoyed by kids but is well written enough for adults to be entertained as well. Buzz Lightyear is a boisterous Space Ranger who doesn’t understand that he’s a toy. He is the newest action figure for young Andy, a birthday present from his mother. Buzz initially has a difficult time fitting in with the rest of Andy’s toys, especially Sheriff Woody, who is envious that he’s been replaced as Andy’s favorite plaything. Woody is the unofficial leader amongst all of Andy’s toys and feels threatened by Buzz at first, although the two eventually become pals.

Quotes

“To infinity and beyond!” (Buzz)

“I can’t stop Andy from growing up… but I wouldn’t miss it for the world.” (Woody)

74           Inigo Montoya (The Princess Bride)

You killed his father…prepare to die!! Inigo Montoya is a Spanish swordsman on a mission. As a child he witnessed six fingered Count Rugen murder his father and has spent his life seeking vengeance. Initially he works with malevolent Vizzini to kidnap the lovely Buttercup, but eventually he becomes a good guy, teaming up with The Man in Black & giant Fezzik to rescue Buttercup. He also comes face to face with Rugen and finally gets his revenge.

Quotes

“He was a great swordmaker, my father. When the six-fingered man appeared and requested a special sword, my father took the job. He slaved a year before it was finished. The six-fingered man returned and demanded it, but at 1/10th his promised price. My father refused. Without a word, the six-fingered man slashed him through the heart. I loved my father. So naturally, I challenged his murderer to a duel. I failed. I was 11 years old. When I was strong enough, I dedicated my life to the study of fencing. So, the next time we meet, I will not fail. I will go up to the six-fingered man and say, ‘Hello, my name is Inigo Montoya. You killed my father. Prepare to die.’”

73           Lt. Dan Taylor (Forrest Gump)

I was born with a birth defect and have been disabled my entire life, so the way I do things & live my life is entirely normal to me. However, I have known people who became disabled later in life thru some sort of calamity, and it isn’t uncommon for such folks to become understandably bitter & angry about their situation. Lt. Dan captures those emotions perfectly. He’s kind of a prick, but one can’t help but have empathy and root for him. Gary Sinise might be the most underrated actor of his generation, and it’s a shame that he didn’t win the Academy Award for Best Supporting Actor for his performance as Lt. Dan.

Quotes

“Now, you listen to me. We all have a destiny. Things don’t just happen…it’s all part of a plan.”

“There are two standing rules in this outfit. One, take care of your feet. Two, don’t go doing something stupid, like getting yourself killed.”

“You call this a storm?!?!?? Blow, you son of a bitch! It’s time for a showdown! You and me! I’m right here! Come and get me! You’ll never… sink… this…boat!!!!”

72           Edward Scissorhands (Edward Scissorhands)

I can’t say I’m on the Tim Burton bandwagon (I have zero interest in Ed Wood, Mars Attacks, or Sweeney Todd, Dark Shadows didn’t really work for me, and I’m thoroughly confused by The Nightmare Before Christmas), but I have enjoyed some of his work (the Batman films of the late 80’s/early 90’s are much more entertaining  than Christopher Nolan’s Dark Knight trilogy no matter what anyone says, and Beetlejuice is a modern classic), with Edward Scissorhands chief among them. Edward is the Pinocchio-esque creation of an elderly inventor whose kind & quiet demeanor is offset by the scary looking blades he has instead of hands. The inventor dies and Edward lives for years in an old gothic mansion until a nosy Avon lady stumbles upon him and tries to integrate him into her odd little neighborhood. There Edward falls in love with the lovely young Kim, which makes her boyfriend jealous. Drama & violence ensue, with Edward fleeing back to his mansion. The movie has a framing device with an older version of Kim telling her granddaughter the story and saying that she believes Edward is still alive & living in the old mansion. Johnny Depp seems like kind of a weird dude, but credit where it is due…the guy is a terrific actor and Edward Scissorhands is probably his best performance. Edward is a quiet character who expresses so much with his eyes & facial expressions, which I find captivating.

Quotes

“Mrs. Monroe showed me where the salon’s going to be. You could have a cosmetics counter. And then she showed me the back room where she took all of her clothes off.”

71           Mickey Goldmill (The Rocky Series)

Burgess Meredith had a long & successful career in Hollywood, doing a little bit of everything from portraying The Penguin in the 1960’s Batman TV show to playing Lenny in one of the best film adaptations of John Steinbeck’s Of Mice & Men, but to those of us of a certain age he’ll always be Rocky Balboa’s grizzled old manager in the first three Rocky films. Mickey sees Balboa’s potential and isn’t afraid to speak his mind. Mickey encourages Rocky in his pursuit of heavyweight champion Apollo Creed, and does his best a few years later to steer the champ away from the menacing Clubber Lang. Of course Rocky is mauled by Lang, but Mickey’s death immediately afterward spurs his path to revenge.

Quotes

“I’m here to warn ya, that ya gotta be very careful about this shot that you got at the title. Because, like the Bible says, you ain’t gonna get a second chance. What ya need is a manager. I know, because I’ve been in this racket for fifty years. I’ve seen it all, all of it. I’ve got 21 stitches over this left eye. I’ve got 34 stitches over this eye. Do ya know that I had my nose busted 17 times. I got all this knowledge, I got it up here now, I wanna give it to you. I wanna take care of ya.  I wanna make sure that all this shit that happened to me doesn’t happen to you. Ya can’t buy what I’m gonna give ya. I’ve got pain and I’ve got experience.”

“You’re gonna eat lightnin’ and you’re gonna crap thunder.”

“You got another shot. It’s a second shot at the, I don’t know, the biggest title in the world. And you’re gonna be swappin’ punches with the most dangerous fighter in the world. And just in case, you know, your brain ain’t workin’ so good, all this happens pretty soon and you ain’t ready. You’re nowhere near in any shape. So I say, you know, for God’s sake, why don’t you stand up and fight this guy hard?! Like ya done before? That was beautiful! But don’t lay down in front of him like this! Like, I don’t know, like some kind of mongrel or something. ‘Cause he’s gonna kick your face in pieces, you know that? That’s right. This guy just don’t wanna win, you know. He wants to bury ya, he wants to humiliate ya. He wants to prove to the whole world that you was nothing but some kind of a freak the first time out. And he said you’re a one-time lucky bum. Well, now, I don’t, I don’t wanna get mad, in a biblical place like this, but I think you’re a hell of a lot more than that, kid.”

“Why don’t you carry this? ‘Cause I liked you a lot better when you was carryin’ spit. ‘Cause the way you’re trainin’, you’re gonna end up pumping gas in Jersey somewhere!”

“You can’t win, Rock! This guy’ll kill ya to death inside of 3 rounds! He ain’t just another fighter. This guy is a wreckin’ machine, and he’s hungry! Hell, you ain’t been hungry since you won that belt! Three years ago, you were supernatural. You was hard and nasty. You had this cast iron jaw. But then, the worst thing happened to you that could happen to any fighter. You got civilized. Don’t worry, kid. You know, presidents retire, generals retire, horses retire, Man o War retired. They put him out to stud. That’s what you should’ve done, retire.”

70           Ace Ventura (Ace Ventura: Pet Detective)

Jim Carrey has gone on to become a fairly well-regarded actor who takes himself, his craft, and life in general way too seriously. However, 25 years ago he was an up & comer known for portraying Fire Marshal Bill on the TV sketch comedy show In Living Color. Critics hated Ace Ventura: Pet Detective, but its 47% score on Rotten Tomatoes was trumped by a $72 million box office, making it the 12th highest grossing film of 1994 and earning a sequel just a year later. The sequel was an even bigger financial success but also more panned critically. Ace is a unique & unforgettable character because really, who would even conceive of “pet detective” being a thing?

Quotes

“Einhorn is Finkle. Finkle is Einhorn! Einhorn is a MAN!”

“Alrighty then!”

“Fiction can be fun! But I find the reference section much more enlightening. For instance, if you were to look up professional football’s all-time bonehead plays you might read about a Miami Dolphin kicker named Ray Finkle, who missed a 26-yard field goal in the closing seconds of Super Bowl XVII. What you WOULDN’T read about is how Ray Finkle lost his mind, was committed to a mental hospital, only to escape and join the police force under the assumed identity of a missing hiker, manipulating his way to the top in a diabolical scheme to get even with Dan Marino whom he blamed for the entire thing!”

69           Rhett Butler & Scarlett O’Hara (Gone with the Wind)

The on again/off again relationship between Rhett & Scarlett reminds me of every “will they or won’t they” antagonistic & tortured  “romance” we’ve seen play out on TV in my lifetime. In the real world such relationships are toxic, but within the scope of entertainment we find the tension & chemistry charming. Rhett Butler is a wealthy scoundrel who eventually enlists in the Confederate Army. Scarlett O’Hara is an entitled debutante, the self-centered daughter of a plantation owner. She spends most of the film pining for southern gentleman Ashley Wilkes, but he’s married to her cousin. Rhett is immediately smitten with Scarlett, but thru the years she marries two other men for all the wrong reasons, and both husbands end up dead. Scarlett goes through a lot of stuff over the course of the story, proving herself to be as resilient & tough as she is spoiled. Eventually Rhett & Scarlett marry & have a child, but she STILL can’t get over Ashley Wilkes. Rhett becomes fed up with her shenanigans and bolts, just as she finally figures out that he’s the man she truly needs. Vivien Leigh won the Academy Award for Best Actress for her portrayal of Scarlett, beating out the likes of Greta Garbo & Bette Davis in the process. Clark Gable wasn’t the original choice to portray Rhett…Gary Cooper turned down the part. Gable was nominated for Best Actor, but lost to Robert Donat for his role in Goodbye, Mr. Chipps.

Quotes

“I’m very drunk and I intend on getting still drunker before this evening is over.” (Rhett)

“As God is my witness they’re not going to lick me. I’m going to live through this and when it’s all over, I’ll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill. As God is my witness, I’ll never be hungry again! (Scarlett)

“The war stopped being a joke when a girl like you doesn’t know how to wear the latest fashion.” (Rhett)

“Tara! Home. I’ll go home. And I’ll think of some way to get him back. After all… tomorrow… is another day!” (Scarlett)

“Open your eyes and look at me. No, I don’t think I will kiss you, although you need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.” (Rhett)

“I’m the only man over 16 and under 60 who’s around to show you a good time.” (Rhett)

“There’s one thing I do know, and that is that I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we’re alike. Bad lots, both of us. Selfish & shrewd, but able to look things in the eyes as we call them by their right names.” (Rhett)

“Frankly, my dear, I don’t give a damn.” (Rhett)

68           Robin Hood (various films)

Sir Robin of Loxley first appeared in English folk ballads in the 15th century and has popped in & out of our collective pop culture consciousness for over 500 years. An outlaw who steals from the rich & gives to the poor, lives in Sherwood Forest with his band of Merry Men (Friar Tuck, Little John, Will Scarlet, et al), battles the dastardly Sheriff of Nottingham, & romances the lovely Maid Marian, Robin Hood has starred in about three dozen movies in the past hundred years. It is likely that he’d be a bit higher in our countdown if more of those films had been…noteworthy. Hollywood keeps trying, but despite their best efforts the only Robin Hood movie that has made much of an impact is 1938’s The Adventures of Robin Hood, a classic starring Errol Flynn.

Quotes

“We Saxons have little to fatten on by the time your tax gatherers are through. Overtaxed, overworked, and paid off with a knife, a club, or a rope.”

“It’s time to put an end to this! Now, this forest is wide. It can shelter and clothe and feed a band of good, determined men – good swordsmen, good archers, good fighters. Men, if you’re willing to fight for our people, I want you! Are you with me?”

“What else do you call a man who takes advantage of the King’s misfortune to seize his power? Now, with the help of this sweet band of cutthroats, you’ll try to grind a ransom for him out of every helpless Saxon, a ransom that will be used, not to release Richard, but to buy your way to the throne. I’ll organize a revolt, exact a death for a death, and I’ll never rest until every Saxon in this shire can stand up free men, and strike a blow for Richard and England.”

67           Clark Griswold (The Vacation Series)

Five years ago The Manofesto ranked Clark Griswold 4th on our list of Superfluous 7 Most Awesome Fictional Dads, opining that despite being kind of a dufus it is obvious that he is a devoted family man. Chevy Chase has portrayed Clark in five films stretching all the way back to the original National Lampoon’s Vacation in 1983. He’s an interesting character in that his occupation as an R&D expert in food additives & preservatives seems to indicate some level of intelligence, yet he is depicted as an ordinary putz in his personal life. Chase’s gift for physical comedy as well as how others play off him…with sort of an eye-rolling tolerance for his buffoonery…endears Clark to the audience, making us glad when everything turns out fine despite his persistent screw-ups.

Quotes

“This is no longer a vacation…it’s a quest. It’s a quest for fun! I’m gonna have fun and you’re gonna have fun! We’re all gonna have so much fuckin’ fun we’ll need plastic surgery to remove our goddamn smiles! You’ll be whistling Zip-A-Dee-Doo-Dah out of your assholes!!! HAHAHA!!! I gotta be crazy; I’m on a pilgrimage to see a moose! Praise Marty Moose! Holy shit!!!”

“Hey, look kids…there’s Big Ben and there’s Parliament.”

“Honey, we’re not normal people. We’re the Griswolds!”

66           John Doe (Se7en) & Keyser Soze (The Usual Suspects)

Oscar winning actor Kevin Spacey may be persona non grata in Hollywood these days, but until he ran into the #MeToo Mafia his career had been full of memorable roles. To be honest Se7en & The Usual Suspects aren’t really my kind of films, but both offer unforgettable villains made even better by the presence of Spacey inhabiting the characters. Se7en tells the story of a serial killer who uses The Seven Deadly Sins as a theme in his murders. John Doe forces a man to eat until his stomach ruptures (gluttony), kills a lawyer by literally taking a pound of flesh from him (greed),  starves a drug dealer/child molester almost to death (sloth), forces a man at gunpoint to kill a prostitute by raping her with a bladed “toy” (lust), & mutilates the face of a model (pride). For those who haven’t seen the movie I won’t spoil the final two crimes representing envy & wrath. The Usual Suspects finds the LAPD interrogating cerebral palsy-afflicted con man Verbal Kint after he survives a massacre on a ship. Kint weaves a tale about a crime lord named Keyser Soze, but in possibly one of the best endings to a movie ever it is revealed (major spoiler alert) that Verbal Kint IS Keyser Soze. Spacey won his first Academy Award (Best Supporting Actor) for his role in The Usual Suspects.

Quotes

“The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” (Keyser Soze)

“Don’t ask me to pity those people. I don’t mourn them any more than I do the thousands that died at Sodom & Gomorrah.” (John Doe)

65           Dr. Frederick Frankenstein (Young Frankenstein)

First of all, it is pronounced “Fronk-en-steen”. That is just one small way in which Frederick has intentionally distanced himself from his grandfather’s twisted legacy. However, upon inheriting the family castle in Transylvania Frederick finds himself at a crossroads, and I think we all know the hilarious path he chooses. I’m a fan of parody films, and the way director Mel Brooks spoofs the classic story is funny in a way that I fear may be lost on modern youngsters. Gene Wilder not only stars as Frederick but he also co-wrote the screenplay with Brooks. The cast…Madeline Kahn, Marty Feldman, Peter Boyle, Cloris Leachman, Teri Garr, Gene Hackman…is first rate, even if no one under 45 these days might appreciate that fact. I have a bad feeling that someday somebody is going to get the bright idea to remake Young Frankenstein, and that would be…at the very least…misguided.

Quotes

“From that fateful day when stinking bits of slime first crawled from the sea and shouted to the cold stars, ‘I am man!’ our greatest dread has always been the knowledge of our mortality. But tonight, we shall hurl the gauntlet of science into the frightful face of death itself. Tonight, we shall ascend into the heavens. We shall mock the earthquake. We shall command the thunders, and penetrate into the very womb of impervious nature herself.”

“My grandfather’s work was doodoo! I am not interested in death! The only thing that concerns me is the preservation of life!”

“Are you saying that I put an abnormal brain into a 7 and a half foot long, 54- inch wide GORILLA?!?!?! IS THAT WHAT YOU’RE TELLING ME!?!”

63           Carl Spackler (Caddyshack)

One would assume that being an assistant greenskeeper at swanky Bushwood Country Club would allow even a middle class guy like Carl a decent lifestyle. Alas, he lives in small hut on the golf course, with his job & the game of golf itself consuming his life. He dreams of one day winning The Masters, and in his spare time breeds grass hybrids that one can “play 36 holes on in the afternoon” then “get stoned to the bejeezus” on it at night. He becomes obsessed with ridding the golf course of a rabblerousing gopher, going so far as to utilize explosives and blow up the very course he is employed to look after.

Quotes

“What an incredible Cinderella story! This unknown, comes out of nowhere, to lead the pack at Augusta.  The crowd is just on its feet here. He’s a Cinderella boy. Tears in his eyes, I guess, as he lines up this last shot. He’s got about 195 yards left, and he’s got a, looks like he’s got about an 8-iron. This crowd has gone deadly silent… Cinderella story, out of nowhere, former greenskeeper, now about to become the Masters champion. It’s in the hole! It’s in the hole!”

“My enemy…my foe…is an animal. In order to conquer the animal I have to learn to think like an animal. And, whenever possible, to look like one. I’ve gotta get inside this guy’s pelt and crawl around for a few days.”

“And he says, ‘Oh, uh, there won’t be any money, but when you die, on your deathbed, you will receive total consciousness.’ So I got that goin’ for me, which is nice.”

64           Hermione Granger (The Harry Potter Series)

Author JK Rowling describes Hermione as having “pale skin, bushy brown hair, brown eyes, & large buck teeth”. In the films she is much lovelier than the impression one gets from the books, but her personality remains unchanged: intelligent, sensible, strong-willed, loyal, & just a tad bit officious. She’s the kind of person that’s nice to have in your corner, and one that presents fierce opposition. She’s tough as nails and not afraid to stand side by side with the boys or go toe to toe with the baddies, yet she retains an element of vulnerable femininity & kindness. I suppose for a certain age of young ladies Hermione could be called a feminist icon.

Quotes

“Honestly, am I the only person who’s ever bothered to read Hogwarts: A History?”

“Now if you two don’t mind, I’m going to bed. Before you come up with another idea to get us killed. Or worse, expelled.”

“I’m highly logical which allows me to look past extraneous detail and perceive clearly that which others overlook.”

“Just because you have the emotional range of a teaspoon doesn’t mean we all have!”

“No Harry, you listen…we’re coming with you. That was decided months ago…years, really.”

62           Austin Powers & Dr. Evil (The Austin Powers Series)

I may not be a James Bond fan, but I really enjoyed the Austin Powers movies, which are essentially a Bond parody. Powers is a 60’s era swinger & British spy whose arch nemesis is Dr. Evil. When Dr. Evil becomes cryogenically frozen Powers does the same so that he’ll be available to stop Evil in the future. That future is three decades later, when both Powers & Evil are thawed out and continue their battle. Dr. Evil intends to steal nuclear weapons & hold the world hostage for “$100 BILLION!!”. It’s all very silly, with double entendres, sight gags, & the kind of goofy humor that tickles my funny bone. Mike Meyers created the story as a tribute to his British parents and plays both characters. Meyers was a couple of years removed from his time at SNL and hadn’t had much success outside of the two Wayne’s World films, but cemented his stardom with the dual roles. Rumors of a fourth Powers movie have persisted since the third one hit theaters 17 years ago, but so far it hasn’t happened.

Quotes

“I bet she shags like a minx.” (Austin Powers)

“Fire the laser!” (Dr. Evil)

“The 70s and the 80s? You’re not missing anything! I looked into it. There’s a gas shortage and A Flock of Seagulls. That’s about it.” (Austin Powers)

“Why must I be surrounded by frickin’ idiots?” (Dr. Evil)

“Oh, behave!” (Austin Powers)

“Throw me a frickin’ bone here!” (Dr. Evil)

“Groovy, baby!” (Austin Powers)

“I have a better idea. I’m going to place him in an easily escapable situation involving an overly elaborate and exotic death.” (Dr. Evil)

“SILENCE!! I will not tolerate your insolence!” (Dr. Evil)

“Ladies & gentlemen, welcome to my new submarine lair. It’s long and hard and full of seamen.” (Dr. Evil)

61           John Bender (The Breakfast Club)

There are five high schoolers in trouble & spending their Saturday in detention at Shurmur High School in suburban Chicago on March 24, 1984: Claire Standish (The Princess), Andrew Clark (The Athlete), Brian Johnson (The Brain), Allison Reynolds (The Basket Case), & John Bender (The Criminal). Of that group it is Bender that shines just a little brighter. The idea behind these characters is that they represent typical high school stereotypes, and it’s the main reason the film holds up nearly four decades later…those labels are universal and don’t change all that much. Every high school has rebels like Bender, the kind of badass who thumbs their nose at authority, doesn’t care all that much about academics, & seemingly has a limited future. However, the great thing about The Breakfast Club is that it explores those archetypes & exposes their folly. It’s a movie that one perceives differently thru the prism of adulthood, and as a grown man I am struck by the not-so-subtle suggestion that Bender has been physically, mentally, & emotionally abused at home. There is a scene in which blowhard Principal Vernon gets in Bender’s face, and contrary to the bluster that he exhibits in the presence of his peers, the tough as nails bully cowers like a scared child. It is a stark reminder that not everything is always as it seems –  sometimes people put on masks to hide their pain.

Quotes

“Screws fall out all the time; the world is an imperfect place.”

“Does Barry Manilow know you raid his wardrobe?”

“I could see you really pushing maximum density. You see, I’m not sure if you know this, but there are two kinds of fat people. There’s fat people that were born to be fat, and there’s fat people that were once thin, but they became fat, so when you look at them you can sort of see that thin person inside. You see, you’re gonna get married, you’re gonna squeeze out a few puppies and then….”

“Eat my shorts.”

“”Face it…you’re a neo-maxi-zoom-dweebie.”

60           Beetlejuice (Beetlejuice)

Horror comedies are a rare treat, but they are the kind of Halloween-ish fare I prefer instead of straight up slasher flicks. Michael Keaton is an undervalued gem of an actor, capable of adding zest to comedies, dramas, big budget superhero films, biopics, or whatever else he does. When a young couple dies in a car accident but still finds themselves residing in their suburban Connecticut home they employ the services of a centuries old “freelance bio-exorcist” to get rid of the new owners of the house. That freelancer is a fast-talking, mischievous, & crude trickster who is essentially a “Livingbuster” (as opposed to a Ghostbuster)…a ghost who exterminates the living by scaring them away. The name Betelgeuse (the proper spelling) refers to a star in the Orion constellation that is the ninth brightest star in the night sky. Rumors of a Beetlejuice sequel have been circulating for years, but the project seems to have hit a wall.

Quotes

“I’m the ghost with the most, babe.”

“It’s showtime!”

59           Sonny Corleone (The Godfather Trilogy)

Hands down Sonny has the greatest death scene in movie history. The eldest son of Don Vito Corleone, hothead Santino takes over as temporary boss of The Family after his father is shot by goons working for narcotics kingpin Turk Sollozzo. Under Sonny’s leadership the Five Families engage in a Mafia war after Sonny’s younger brother Michael kills Sollozzo & a corrupt cop, forcing the entire Corleone organization to “go to the mattresses”. After his brother-in-law Carlo physically abuses his wife Connie, Sonny defends his sister’s honor by beating the holy hell out of Carlo, which leads to rival boss Emilio Barzini setting a trap using Carlo to bait Sonny into making a reckless mistake. He is brought down in a hail of gunfire at a toll booth. Sonny’s sexual prowess and physical…gifts…are elaborated on much more in the book than the movie, but his affair with one of Connie’s bridesmaids at the beginning of the first film is important because his illegitimate son Vincent Mancini becomes Don of the Corleone Family in the much maligned & underappreciated Part III.

Quotes

“Hey, whatcha gonna do, nice college boy, eh? Didn’t want to get mixed up in the family business, huh? Now you wanna gun down a police captain ’cause he slapped ya in the face? Hah? What do you think this is? The Army, where you shoot ’em a mile away? You’ve gotta get up close like this and bada-bing, you blow their brains all over your nice Ivy League suit!”

58           Godzilla (various films)

Godzilla (which in Japanese translates into gorilla whale) is a 300-400 ft. reptilian creature weighing several hundred thousand tons who lives in the sea and is awakened as a result of nuclear radiation. He has been the star of about three dozen films dating back to the 1950’s, and the earliest movies are still the best, mostly because of the kitschiness factor of the archaic special effects & amusingly poor dubbing of English over the original Japanese. Big scary monsters are nothing new in Hollywood, but most of them come & go rather quickly. Maybe they get a couple of sequels but that’s usually it. Godzilla has stood the test of time, and we can still count on a new movie in the series popping up somewhere every few years for our viewing pleasure.

Quotes

57           Bo “Bandit” Darville (Smokey & The Bandit)

At one point in my childhood Burt Reynolds was the biggest movie star in the world, and though he’d previously done well-regarded films like Deliverance & The Longest Yard my earliest memory of him is Smokey & The Bandit. I was five years old and didn’t really get all the humor, but there were car chases & crashes so that was enough to attract my attention. In the ensuing four decades I have watched this movie countless times, and though the entire cast is terrific it is The Bandit that holds it all together. He’s a trucker who’s between jobs, and that guy that knows everyone and is loved by everybody because of his charm & good looks. He’s cocky but not arrogant, confident enough in his skills to agree to a bet wherein he’ll bring 400 cases of Coors beer to Atlanta from Texarkana, TX in just 28 hours. The premise might not make much sense to folks in 21st century America because one first must understand that in the 1970’s Coors was unavailable east of Oklahoma (it didn’t become distributed nationally until 1986), and because it was made without stabilizers & preservatives could spoil quicker than other beers. Bootlegging was the illegal transport of alcoholic beverages due to violation of registration & licensing laws. I have no idea what the penalty was, but I assume the $80k Bandit is offer by Big Enos Burdette is worth the risk. At any rate, his antics are so much fun that it makes an otherwise odd & now outdated idea still entertaining after all these years.

Quotes

“Oh I love your suits. It must have been a bitch to get a 68 Extra Fat and a 12 Dwarf.”

“You’re always hoppin around. And you’re kinda cute, like a frog. And I’d like to jump ya.”

“He was taking a 10-100.”

“Cowboys love fat calves.”

“What’s a Texas county mounty doing in Arkansas?”

56           Moses (The Ten Commandments)

Hollywood’s history with Biblical epics is spotty at best, but they did it right with The Ten Commandments. It’s got to be a tough gig portraying a character from The Bible, right?? They are real people who actually walked the Earth, but it was so long ago that there aren’t photos or video to lay the foundation for an accurate depiction. With the exception of events that are written about in God’s Word there isn’t much to base a character on, yet millions of people whose faith is deeply important to them have high expectations. By 1956 director Cecil B. DeMille had helmed dozens of movies, many of them in the silent era in the first two decades of the 20th century. His epic circus drama The Greatest Show on Earth had won the Academy Award for Best Picture a few years earlier. Charlton Heston wasn’t DeMille’s first choice to play Moses, but the two had worked together on The Greatest Show on Earth and Heston’s knowledge of Egyptian history captivated the director, who thought the actor resembled Michelangelo’s 16th century statue of Moses in the church of San Pietro in Rome. William Boyd, who had portrayed Hopalong Cassidy in over five dozen cowboy movies in the 1930’s & 40’s, turned down the part, so Heston was chosen. He’d acted in over a dozen previous films, but it was The Ten Commandments that made him a star.

Quotes

“A city is made of brick, Pharaoh. The strong make many. The weak make few. The dead make none. So much for accusations.”

“It would take more than a man to lead the slaves from bondage. It would take a god, and I am no god. I am but a man, a man who asks by what right any man may enslave another of a different race or creed. But if I could free these people, I would.”

“Who shall withstand the power of God?!?!??”

55           Buck Russell (Uncle Buck)

It’s the role that John Candy was born to play: a slovenly black sheep uncle called on to babysit his nieces & nephew in the midst of a family emergency. Buck is a middle-aged unemployed bachelor who smokes cigars, drinks beer, drives a noisy old gas guzzler that’s seen better days, & spends a lot of time at the track betting on horses…not exactly the ideal caretaker for children. The two younger kids take an immediate liking to Buck, but he has a much more difficult time winning over his teenage niece. Those interactions between an uncle clearly out of his element and the children are the crux of the film, and Candy infuses Buck with a mix of humor, common sense, tough love, amiable befuddlement, & roguish charm that endears him to the audience.

Quotes

“I’m on to cigars now. I’m on to a five year plan. I eliminated cigarettes, then I go to cigars, then I go to pipes, then I go to chewing tobacco, then I’m on to that nicotine gum.”

“What’s your record for consecutive questions asked?”

“I don’t think I want to know a 6 year old who isn’t a dreamer or a sillyheart, and I sure don’t want to know one who takes their student career seriously. I don’t have a college degree. I don’t even have a job. But I know a good kid when I see one. Because they’re all good kids until dried-out, brain-dead skags like you drag them down and convince them they’re no good. You so much as scowl at my niece or any other kid in this school and I hear about it, I’m coming looking for you! Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.

“Stand me up today and tomorrow I’ll drive you to school in my robe and pajamas and walk you to your first class.”

“Ever hear of a ritual killing? You gnaw on her face in public like that again and you’ll be one.”

“I have a friend who works at the crime lab at the police station. I could give him your toothbrush and he could run a test on it to see if you actually brushed your teeth or just ran your toothbrush under the faucet.”

54           R2D2 & C3P0 (The Star Wars series)

The Star Wars galaxy created by George Lucas offers a multitude of memorable characters. We’ll get to some others eventually, but we begin with a pair of futuristic droids that offer delightful levity amongst all the action & intrigue. There are eleven films in the series…the original trilogy, the prequel trilogy, the soon to be concluded sequel trilogy, Rogue One, & Solo. R2D2 & C3P0 have appeared in ten of these, which is by far more than any other character. R2D2 purportedly stands for Second Generation Robotic Droid Series-2, but the truth is that when Lucas heard his sound editor on American Graffiti ask for Reel 2, Dialog Track 2 in abbreviated form he liked the sound of it. R2D2 is a utility robot used for the maintenance & repair of starships and related technology. In the films he first belongs to Naboo defense forces charged with repairing Queen Padme Amidala’s ship. Thru the years he is owned by Qui-Gon Jinn, Anakin Skywalker, Owen Lars, Luke Skywalker, & Rey. R2’s distinctive shape and various beeps & unique noises are signature elements of the character. C3P0 is a little more humanlike than his buddy, having legs & feet and the ability to speak. He is a protocol droid intended to assist in etiquette, customs, & translation and is fluent in over seven million forms of communication. Thru the years he has served Shmi Skywalker, the Lars family, Padmé Amidala, Raymus Antilles, Luke Skywalker, Princess Leia, & Rey. His distinctive gold plating makes him easy to spot in a crowd, and his fussy, worrisome personality is rather comical. I’m sure back in the 70’s many people thought that by the 21st century robot assistants like R2D2 & C3P0 would be commonplace, but we’re not quite there yet.

Quotes

“For a mechanic, you seem to do an incessant amount of thinking.” (C3P0)

“Don’t blame me. I’m an interpreter. I’m not supposed to know a power socket from a computer terminal.” (C3P0)

“R2, you know better than to trust a strange computer.” (C3P0)

“It’s against my programming to impersonate a deity.” (C3P0)

53           Billy Madison & Happy Gilmore (eponymous films)

Adam Sandler’s career has been a mixed bag. He is undoubtedly talented & funny, but his shtick isn’t everybody’s cup of tea and he’s made a lot of bad movies. In my opinion his funniest films were in the early 90’s, though you won’t find many critics who would agree. I take no issue with solicitous, meaningful films with life lessons, powerful messages, & profound themes, but sometimes we just want to turn off our brain for awhile and laugh at something completely stupid & pointless and Sandler has done a decent job of providing that sort of entertainment. Billy Madison is a rather juvenile 20-something in a clear state of arrested development. When his hotel tycoon father plans to retire he’d prefer Billy take over the business but knows he isn’t capable, especially since the old man bribed teachers to pass Billy all the way thru school. At any rate, Billy accepts a challenge to complete 12 grades of school in two weeks, which is somehow supposed to magically make him qualified to helm a Fortune 500 company. I know…it makes very little sense, but the journey is lots of silly fun, which is the whole point. Happy Gilmore is a failed hockey player wannabe who must figure out a way to help his grandmother buy back her house that the IRS took for back taxes she owes. He inexplicably ends up on the PGA Tour and (spoiler alert) wins enough money as a champion golfer to help out his grandmother. Once again…don’t put too much thought into it. The plots of these movies aren’t meant to be logical and the characters aren’t supposed to be realistic, but Sandler infuses both Billy & Happy with enough affable charm that we root for their success and want them to overcome the odds despite the fact that they are total idiots.

Quotes

“Oh, Veronica Vaughn … soooo hot … want to touch the hiney!” (Billy)

“The Price is wrong, bitch!” (Happy)

“You ain’t cool, unless, you pee your pants! Everybody my age pee their pants; it’s the coolest!” (Billy)

52           Ellis “Red” Redding (The Shawshank Redemption)

Many folks may not realize that The Shawshank Redemption is based on a 1982 Stephen King novella. In that book Red Redding is described as a middle-aged Irish man with greying red hair, so casting Morgan Freeman in the role can only be described as an inspired choice. Red has been imprisoned at Shawshank for 40 years for murdering his wife & passengers in her vehicle after he tampered with the brakes. He has attained a level of influence for being able to smuggle a variety of goods into the jail for other inmates, though his attitude remains somewhat sullen. He is a practical man, resigned to his fate yet regretful of the crime he committed when he was young & stupid. Red befriends new inmate Andy Dufresne, and they end up changing each other’s lives tremendously. Freeman received his third Academy Award nomination for the role, but lost the Best Actor prize to Tom Hanks (Forrest Gump).

Quotes

“In 1966, Andy Dufresne escaped from Shawshank prison. All they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I remember thinking it would take a 600 years to tunnel through the wall with it. Old Andy did it in less than 20. Andy crawled to freedom through 500 yards of shit-smelling foulness I can’t even imagine…or maybe I just don’t want to. 500 yards… that’s the length of five football fields; just shy of half a mile.”

“Hope is a dangerous thing. Hope can drive a man insane.”

“These prison walls are funny. First you hate ’em, then you get used to ’em. Enough time passes, gets so you depend on them. That’s institutionalized. They send you here for life, that’s exactly what they take. The part that counts anyways.”

“Rehabilitated? Well, now, let me see. You know, I don’t have any idea what that means. I know what you think it means, sonny. To me it’s just a made-up word. A politician’s word, so that young fellas like yourself can wear a suit and a tie and have a job. What do you really wanna know? Am I sorry for what I did? There’s not a day goes by that I don’t feel regret. Not because I’m in here, or because you think I should. I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try to talk some sense to him, tell him the way things are. But I can’t. That kid’s long gone, and this old man is all that’s left. I gotta live with that. Rehabilitated? It’s just a bullshit word. So go ahead and stamp your forms, sonny, and stop wasting my time. Because to tell you the truth, I don’t give a shit.”

“I find I’m so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.”

51           Laurie Strode (Halloween)

Screen legend Janet Leigh is the original Scream Queen for her small yet pivotal role in the 1960 Hitchcock classic Psycho, so it is fitting that her daughter Jamie Lee Curtis would assume the mantle after playing Lorrie Strode, an ordinary American teenager who endures a single night of terror at the hands of a knife-wielding masked maniac. Numerous sequels, remakes, & reboots have kept the Halloween franchise alive, but really the 1978 original & its initial 1981 sequel are the only two that matter.

Quotes

“Was it the boogeyman?”

Stay tuned!! There is more to come!!

100 Memorable Movie Characters…Part 1

 

“Everything I learned I learned from the movies.” Audrey Hepburn

About a year & a half ago…prompted by a longtime citizen of The Manoverse…we examined my 100 Memorable TV Characters. I knew back then that we’d eventually get around to talking about characters in feature films, but it was an idea that needed to percolate for awhile, and now it’s time to pull the trigger.

Television characters are rather easy to ponder. They come into our living rooms on a weekly basis for 5-10 years (give or take, and then we may watch reruns for decades). We get to know them. Their personalities…quirks, idiosyncrasies, & relationships…grow & evolve. They interact with a number of people in a variety of situations. Over the years they become something akin to imaginary friends, or in the case of villains & anti-heroes people we love to hate. In time such characters make an impact on our lives and become…within their fictional sphere of influence…somewhat legendary.

Conversely, movie characters don’t have the same opportunity to make an impression. Oh sure, we may get to know some over the course of a trilogy or series comprised of  multiple films, which undeniably provides such characters with an advantage in rankings like this, but most get one shot to make us remember them. It certainly helps if the movie itself is good and/or popular and becomes the kind of film that people watch over & over again years after its theatrical run, but even then movie characters have much less of a chance to crawl under our skin & make a lasting impression. For example, Harry Potter led eight films encompassing about 20 hours of screen time, while JR Ewing of Dallas was on television for about 357 hours over 14 years. Now I grant you, movie characters have a much bigger canvas. ..$100 million budgets, special effects, & more freedom to do really cool stuff or go to awesome locations television shows just cannot afford. But let’s face it…dozens of expensive films come & go from our local cineplex every year and disappear into the ether, rarely to be seen or spoken of again by the masses. So I submit to you that it takes a lot more than bucket loads of cash or cutting edge technology to make a movie character stand the test of time.

What exactly makes a character memorable?? Well, if I knew the correct answer I’d be pretty wealthy, but I suppose I do have a few opinions.

*It’s all about the writing. A well written character with snappy dialogue is a good jumping off point.

*Let’s not overlook the role of a casting director. I have no idea about the ins & outs of their daily grind, but matching what they read in a script to a performer who can bring those words to life seems like an important piece of the puzzle. Should the part be played by an unknown actor looking for their big break, or is there a beloved big screen icon who’d be perfect for the role?? I am always intrigued by stories written years later about various actors who turned down this or that movie, because it’s really interesting to imagine a different performer playing a character made famous by someone else.

*We cannot look past the costume designer. There is no shortage of fondly remembered movie characters well-known for their signature look, whether it is an accessory they always wear, a uniform they are rarely seen out of, a unique vehicle they drive, or some other visual that becomes an identifier. If kids are dressing up like a movie character at Halloween then someone somewhwere did something right.

*The value of a character’s name cannot be overstated. An Oscar winning actor might give the performance of a lifetime in a movie that makes a bazillion dollars, but if the character is named John Smith or Jennifer Jones they’re behind the proverbial 8-Ball when it comes to being remembered.

*Professional wrestlers play one of two roles…their character is either a babyface (good guy) or a heel (bad guy). Wrestlers want one thing when they perform in front of a crowd…a reaction. Whether a face is getting cheered or a heel is getting booed, as long as the crowd reacts one way or the other it’s all good. The concept is similar with film characters…whether we love them or hate them, cheer for them to overcome the odds or relish in their demise, the key is that moviegoers have some kind of reaction. Indifference is undesirable.

As was the case with TV characters, the fact is that my taste in movies is unique & as limited as anyone else’s, therefore universal agreement on this list is unlikely. There are allegedly great movies that I’ve never seen or didn’t particularly enjoy. You will not see Indiana Jones here because I have never watched one minute of any of those films. Y’all should know by now what kinds of movies I prefer, so don’t expect to see many action heroes or psycho killers from slasher flicks. Another thing you won’t see are characters from Christmas films because Santa Claus & George Bailey received love from me a few years ago.

A couple of things surprised me while working on this project. First of all, I’ve always heard actresses complain about lack of great roles for women, and I’ve got to admit that they may have a point. There are just over a dozen ladies on the list, and a few of those are part of a couple. It is likely that, as a guy, my attention leans in the direction of male roles, but I think there’s more to it than that. Secondly, as big of a sports fan as I am I couldn’t help but notice that only a few characters from treasured sports movies felt worthy of inclusion, which I never would’ve guessed at the outset.

I’ve decided to dive in by giving you just a small sample of what is to come, so we will begin with the first ten names to make the cut.

100   James Bond (various films)
Full disclosure: I have never actually watched any of the two dozen Bond films produced in the past sixty years. However, I feel like I have enough of a grasp of the character’s essence, and that he is a such a significant part of the pop culture zeitgeist that I cannot in good conscience leave him off the list. A British secret agent is a rather epic launchpad, and it doesn’t hurt when guys like Sean Connery, Roger Moore, & Pierce Brosnan bring him to life. Author Ian Fleming was an avid birdwatcher and borrowed the character’s name from a real life ornithologist who was an expert on birds of the Caribbean.

Quotes

“Bond…James Bond”

“A martini…shaken, not stirred”

99     Shooter McGavin (Happy Gilmore)

Golf villains aren’t really a thing, right?? I suppose Caddyshack and some other movies have portrayed country club types as uptight snobs, but that’s usually as far as it goes. Shooter McGavin takes things to a whole new level, albeit in a comedic way. He’s the top pro on the PGA Tour and has zero respect for oddball newcomer Happy Gilmore. A rivalry quickly develops, with Shooter buying the repossessed house of Happy’s grandmother at an auction & hiring a deranged fan to run over Happy with a car.

Quotes

“I eat pieces of shit like you for breakfast!”

98     Catherine Tramell (Basic Instinct)

With a single crossing of her leg Sharon Stone became an overnight sensation. History would prove the actress to be little more than a flash in the pan (pun unavoidable), but coldblooded sexpot Catherine is unforgettable. There was a sequel produced fourteen years later, but it was a box office bomb.

Quotes

“Killing isn’t like smoking. You can quit.”

“I’d have to be pretty stupid to write a book about killing and then kill somebody the way I described it in my book. I’d be announcing myself as the killer. I’m not stupid.”

“I finished my book. Didn’t you hear me? Your character’s dead. Goodbye. What do you want…flowers? I’ll send you an autographed copy.”

97     Lt. Col. Bill Kilgore (Apocalypse Now)

The cast of Apocalypse Now is incomparable. Marlon Brando. Martin Sheen. Dennis Hopper. Harrison Ford. Lawrence Fishburne. GD Spradlin. But in my humble opinion it is Robert Duval’s Kilgore that pops off of the screen.

Quotes

“I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ’em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill. Smelled like . . . victory. Someday this war’s gonna end.”

96     Joan Crawford (Mommie Dearest)

Joan Crawford was a real life actress in mid-20th century Hollywood, but I think it is a fair assessment that nowadays she is probably best remembered for the memoir written by her adopted daughter Christina that painted Crawford as an alcoholic & an abusive mother. The book was adapted into a film in 1981, with Faye Dunaway in the lead role. I cannot pass judgment on the veracity of what Christina Crawford wrote, but if Joan Crawford was even half as crazy as what is portrayed in the movie it is difficult to imagine growing up in that household. Dunaway won a Golden Raspberry for Worst Actress and made entire generations of people unable to look at wire hangers the same way ever again.

Quotes

“NO… WIRE… HANGERS! What’s wire hangers doing in this closet when I told you NO WIRE HANGERS, EVER?! I work and work ’til I’m half-dead, and I hear people say, ‘She’s getting old.’ And what do I get? A daughter… who cares as much about the beautiful dresses I give her as she cares about me! WHAT’S WIRE HANGERS DOING IN THIS CLOSET?! ANSWER ME! I buy you beautiful dresses, and you treat them like they were some dishrag! You do! $300 dress on a wire hanger?”

95     Alex Forrest (Fatal Attraction)

Well, there may not be enough great roles for women in Hollywood, but as long as the “crazy chick” trope is alive & well they’ll have a few solid opportunities. Alex is the nutjob that Michael Douglas has sex with in an elevator, who then becomes obsessed with him & stalks his family. Ever hear the term “bunny cooker”?? It originated with Fatal Attraction & Alex Forrest.

Quotes

“We were attracted to each other at the party…that was obvious. You’re on your own for the night…that’s also obvious. We’re two adults.”

“Well, what am I supposed to do? You won’t answer my calls, you change your number. I mean, I’m not gonna be ignored, Dan!”

94     Napoleon Dynamite (Napoleon Dynamite)

Perhaps I’m too old, or maybe just obtuse, but I don’t really get this movie. Having said that, the titular character as portrayed by Jon Heder is so…unique…that he does make me chuckle, and he has a few quotable scenes that have withstood the relentless march of time.

Quotes

“Sorry I’m late. I just got done taming a wild honeymoon stallion for you guys.”

” I caught you a delicious bass.”

“Pedro offers you his protection.”

93     The Hanson Brothers (Slapshot)

Paul Newman may be the star of Slapshot, but three dimwitted hockey goons steal the show. The plot centers around a minor league team on the verge of folding, so an idea is hatched to put all that winning & losing stuff aside and focus on entertaining the crowd with violence. Enter the fierce trio with shoulder length hair & horn-rimmed glasses. Their “look” contrasted with the aggression they display on the ice and their childish demeanor off the ice is an amusing blend, and I think it helps that the young men portraying the characters were real hockey players, and more importantly not professional actors.

Quotes

“Hey ya think they show Speed Racer here?”

92     Max Goldman & John Gustafson (Grumpy/Grumpier Old Men)

Walter Matthau & Jack Lemmon famously brought Neil Simon’s Odd Couple duo of Oscar Madison & Felix Unger to the big screen in 1968, but a quarter century later they reunited as two old codgers in the frozen tundra of Minnesota who have been frienemies since childhood. Max & John insult each other, play ultimately benign pranks, & have similar taste in women. It’s delightful family fun, and one can’t help but like these guys.

Quotes

“Hypothermia’s a bitch. It ain’t quick like a stroke.” (Max)

“Morning, dickhead.” (Max)   “Hello, moron.” (John)

“If my dog was as ugly as you, I’d shave his ass and teach him to walk backwards.” (Max)

“I am the gangster of love” (Max) “Gangster, huh? So tell me, was it more of a hold up than a stick up?” (John)

91     Peter Gibbons & Bill Lumbergh (Office Space)

A shoutout to my former colleague Brad, who introduced me to Office Space a year or two after its fairly uneventful & mostly unprofitable theatrical release. The movie is populated with colorful characters, but two stand out. Anyone who has ever had a mundane, soul sucking, white collar job can identify with Peter, a guy who is drowning in misery until a session with a hypnotist goes awry, leaving him with the newly tranquil philosophy “it’s not that I’m lazy…it’s that I just don’t care”. Lumbergh is how many people perceive their boss…mostly oblivious, slightly dense, & completely unappreciative, focused solely on forcing underpaid employees to sacrifice their lives for the company. Obviously the movie is satire…most employees aren’t quite as despondent as Peter, and most supervisors aren’t a total dufus like Lumbergh. However, I believe that a big reason that Office Space found new life on home video and became a “cult classic” is that there are strains of truth running thru the film, and we see a bit of our own professional lives reflected in such a way that we get a good laugh out of it.

Quotes

“Human beings were not meant to sit in little cubicles staring at computer screens all day, filling out useless forms and listening to eight different bosses drone on about mission statements!” (Peter)

“Ah, ah, I almost forgot… I’m also going to need you to go ahead and come in on Sunday, too. We, uhhh, lost some people this week and we sorta need to play catch-up. Mmmmmkay? Thaaaaaanks.” (Lumbergh)

“I did absolutely nothing and it was everything I thought it could be.” (Peter)

“If you could do that, that would be great.” (Lumbergh)

“I was sitting in my cubicle today, and I realized, ever since I started working, every single day of my life has been worse than the day before it. So that means that every single day that you see me, that’s on the worst day of my life.” (Peter)

“I’d say in a given week I probably only do about fifteen minutes of real, actual, work.” (Peter)

“Oooo…yeahhhh, ummm…I’m gonna have to go ahead and sort of disagree with you there. Yeah, uh, he’s been real flaky lately, and I’m just not sure that he’s the caliber person that we would want for upper management. He’s also been having some problems with his TPS reports.” (Lumbergh)

“That’s my only real motivation is not to be hassled, that and the fear of losing my job. But you know Bob, that will only make someone work just hard enough not to get fired.” (Peter)

That’s all you get for now!! We’ll be back soon with the next installment of our countdown.

90’s Film Frenzy: A Fatal Four Way Finale

Seven months ago we started our journey with 100 movies that defined the decade of the 1990’s. And while trilogies (Toy Story, Austin Powers, Scream) & Christmas films (Home Alone, The Santa Clause, The Ref) weren’t included, we still ended up with a rather eclectic & competitive field representing a decade that is difficult to pigeonhole.

It is tempting to define the 90’s with grunge, flannel, boy bands, hacky sack, baggy jeans, gangsta rap, & the rise of The Internet, which wouldn’t necessarily be inaccurate. However, when it comes to movies I don’t think any of that translated well…atleast to anything noteworthy. When thinking about the 1990’s on film it seems as though there were solid contributions across all genres, with the defining characteristic being a general lack of defining characteristics. Whereas 80’s kids look back with fondness at some of the flicks we enjoyed growing up partly because of their singular music, kitschy style, & overall cheesiness, I don’t feel like 90’s films have that kind of unique vibe. Society seemingly turned down a dark & more violent path in the 90’s, which is certainly reflected in movies as much as anything else, but since I don’t tend to gravitate toward such morose entertainment it isn’t a big thing for me. I suppose it is fair to say technology played an increased role in 90’s movies, especially with improvements in special effects & animation. It is kind of fun & interesting to watch some 90’s films and chuckle at their depiction of The Internet, marvel at the size of cell phones, & realize how much social media would have altered the plot, but it’s not really a dominating theme.

The good thing about this lack distinction is that, instead of stories defined by their style, we were offered plenty of enjoyable movies with enough substance to give them staying power, and y’all know that’s a big deal to me. Do you realize that films made in the 90’s are now as old as films produced in the 1960’s would have been in the 90’s?? When considered thru that prism the sheer number of impactful movies made in the 1990’s that are still being viewed with some regularity three decades later is quite remarkable. Whether you prefer comedy or drama, are into horror or action, hold a special place in your heart for animation or holiday classics…the 1990’s had plenty of solid choices.

As far as this competition goes, just like 80’s Movie Mania I have tried to be fair in my analysis & conclusions, but obviously personal bias can’t be completely eliminated. I’m fine with that though, because at the end of the day favorite movies are always a matter of individual taste. We can cite box office numbers, award nominations & victories, and critical reviews ‘til the cows come home. All of those things are valid criteria for scrutiny, but the truth is that sometimes they matter and sometimes they don’t. Having said all that, my hope is that most won’t have too much of an issue with my conclusions. Enjoy.

 

 

 

 

The Contenders

 

Mrs. Doubtfire             

Of the Final Four contestants Mrs. Doubtfire is probably the one that most represents a 90’s vibe, with a story centered around divorce & child custody. It’s a tough gig to turn such topics into comedy, but with Robin Williams anything was possible. He stars as Daniel Hillard, a fun-loving voice actor whose charm has worn thin with his career-driven wife Miranda, played by Sally Field. When the final straw breaks the camel’s back of their marriage Daniel is inspired to interview for the nanny position that Miranda has advertised, but obviously can’t do it as himself. The solution?? Don heavy make-up, a wig, panty hose, & a dress and transform into Euphegenia Doubtfire, an elderly British lady any mother would want to babysit their children. Adding to the hijinks is Miranda’s flirtation with a former beau, fueling Daniel’s envy. It’s not so much that he wants to rekindle the marital flame as much as he doesn’t like another man so smoothly stepping into a paternal role. At any rate, the premise allows Williams to dip into his arsenal of comedic tricks, and the result is a super family friendly dramedy that doesn’t sidestep real life issues or give into the temptation for an idealistic & sentimental ending, but mostly focuses on humor.

 

 

Groundhog Day

A good friend opined a long time ago that time travel is cool, which is why almost any book, movie, or TV show containing it is enjoyable. But what about a time warp in which a man lives the same day over & over & over & over…(well, you get the point)?? Bill Murray stars as Phil Connors, a grumpy Pittsburgh meteorologist who makes the 90 minute trek up to Punxsutawney on February 2 to cover the annual festivities. Travelling with him are smartass cameraman Larry (portrayed by 80’s funnyman Chris Elliott) & lovely producer Rita (Andi MacDowell, at the apex of her career…a few years after Sex, Lies, & Videotape and a year before Four Weddings & A Funeral). Phil is a malcontent who hates reporting on Groundhog Day and doesn’t seem too happy about anything else. When a snowstorm forces Phil, Rita, & Larry to spend the night in Punxsutawney the weatherman isn’t pleased, and that mood doesn’t improve when he wakes up the next morning to find its Groundhog Day again!! You may recall learning about the five stages of grief at some point in school…denial, anger, bargaining, depression, & acceptance. Phil goes thru similar stages while stuck in the endless loop. At first he is confused. Then he uses his circumstance (and the idea that there are no consequences for his actions) to engage in drunken debauchery. He then becomes depressed and commits suicide multiple times to no avail. After killing himself and the infamous groundhog but still waking up in the time loop Phil decides to use his situation to better himself, learning things like ice sculpting, piano, & French poetry. He then begins being generous & helpful to others and also falls in love with Rita, utilizing the time loop to learn everything about her and become the kind of man she wants in her life. It is her love that ultimately seems to end Phil’s nightmare, although it is never explained what caused the time loop in the first place, how long it lasts, or exactly why it stops. The entire film is an existential enigma disguised as an ordinary comedy.

 

Forrest Gump

Accepted at face value Forrest Gump is simply the life story of “a local idiot” who has some improbable adventures and always gravitates back toward the girl he’s loved since childhood…but is that all it is?? Tom Hanks won his second consecutive Academy Award for Best Actor for his portrayal of Gump, a low IQ child in 1950’s Alabama who grows up to win the Medal of Honor for heroism in Vietnam, become an All-American football player for Bear Bryant’s Crimson Tide, & make millions of dollars as a  shrimping magnate. His childhood friend Jenny takes a different path. Abused as a young girl by her father, she becomes a promiscuous hippie, does drugs, & ends up as a single mother ill with “some kind of virus” (likely AIDS or hepatitis). Along the way Forrest & Jenny drift in & out of each other’s lives, ultimately ending up married & raising their young son together before Jenny dies. Forrest Gump is mostly a drama, but I love the fact that there are moments of levity. And what a soundtrack!! You’ve got music from Elvis Presley, Creedence Clearwater Revival, Aretha Franklin, Lynyrd Skynyrd, Three Dog Night, The Byrds, The Beach Boys, Jimi Hendrix, The Doors, The Mamas & the Papas, The Doobie Brothers, Simon & Garfunkel, Bob Seger…anyone who enjoys classic rock will dig the tunes in Forrest Gump. As far as deep analysis goes, there are some that look at the film as an allegory of two Americas, with Forrest representing small town conservatism and Jenny embodying the anti-war, free love, drug-induced counterculture that rose to prominence in the 60’s. There is plenty of symbolism, philosophical ponderings about fate & destiny, and maybe even some religious or atleast spiritual subtext. If one would rather just enjoy the pleasure of Forrest Gump as a great story, that’ll work and you won’t be disappointed, but the underlying themes are there and serve as food for thought.

 

Titanic                          

I don’t remember exactly when I became fascinated by the infamous Titanic disaster, but I know it was long before 1997.  There had been other books, movies, & documentaries about the tragedy, but this film took the public’s level of interest to a whole new stratosphere and created an entire cottage industry out of a voyage that lasted less than a week a century ago. Kate Winslet & Leonardo DiCaprio earned lifelong fame portraying Rose & Jack, a pair of star crossed lovers whose brief romance is cut short by an iceberg. Rose Dewitt Bewkater is a high society debutante being forced into marriage with arrogant steel tycoon Cal Hockley, while Jack Dawson is third class steerage passenger who won his ticket in a poker game. Think of it as a slightly modernized twist on Romeo & Juliet. The first part of the movie introduces us to the pair, whose initial encounter takes place when Jack talks Rose out of jumping into the ocean…ironic when one considers what is to come. Of course we know that Titanic was a real ship that actually sank, so eventually those events take center stage, the situation having been personalized by our affection for Jack & Rose. There is also a framing device, as the beginning of the film presents a modern day expedition to the bottom of the sea, with a treasure hunter seeking The Heart of the Ocean, a huge heart-shaped diamond given to Rose by Cal. The treasure hunter is contacted by a still living Rose, who is over 100 years old, and she relays the events of her memory to him & his team. Real life Titanic passengers & crew  like “Unsinkable” Molly Brown, ship builder Thomas Andrews, White Star managing director J. Bruce Ismay, Captain Edward Smith, business moguls John Jacob Astor IV & Benjamin Guggenheim, and elderly couple Isidor & Ida Strauss, are depicted, and one of the few complaints that I’ve heard about Titanic over the years is the fact that the stories of such historical figures take a back seat to the fictional love story of Jack & Rose, but personally I don’t have an issue with the creative choices of the filmmakers…it is a movie, not a documentary, and since it set records at the box office & during awards season I assume very few others saw a problem.

 

 

 **************************************************************

 

 

Elimination 1

Mrs. Doubtfire

Robin Williams was a legend, and Mrs. Doubtfire is undoubtedly one of his best movies, but at the end of the day it is just a solid comedy elevated by the performance of its star. There is absolutely nothing wrong with that, but at this point I have to pick nits and I cannot in good conscience promote it as an elite film.

 

 

Elimination 2

Titanic

Surprise!! You assumed it was going to win, didn’t you?? To be honest I might have had the same notion not that long ago. Critically acclaimed, record setting, award winning…Titanic is the total package. However, as I was pondering these final four films something hit me like a ton of bricks. Historical dramas, as these kinds of movies are known, are a double-edged sword. The notoriety of the event itself is obviously what leads to a film being made, and certainly it helps get curious moviegoers into the theater. But on the flip side the movie will always be compared to the actual situation, and in this case I think the tragic sinking of the RMS Titanic is such a fascinating story that Titanic feels merely satisfactory, perhaps even unnecessary. In retrospect the significance of the movie is that it renewed interest in the historic event.

 

 

The Runner Up

Groundhog Day

This breaks my heart. I adore Groundhog Day. Like a fine wine it has grown more deliciously elegant with age. To be honest I didn’t even watch it until years after its initial release. In February 1993 I was in the second semester of my junior year of college, spending most of my time drinking beer, hanging out with my fraternity brothers, and occasionally studying. I am actually glad that I didn’t see Groundhog Day back then, as I undoubtedly would have shrugged it off as the average comedy film that so many believe it to be instead of the metaphysical mediation of life that it actually is. Thru the prism of adulthood I am able to truly appreciate all that the movie has to offer. Though it isn’t winning this competition Groundhog Day is like the 12th seed during March Madness that goes on a run and finds itself head-to-head with the bluebloods, or an NFL team that has finished 8-8 for so many years that no one has any expectations then suddenly becomes a Super Bowl contender.

 

 

and finally…….

 

 

 

90’s Film Frenzy Champion

 

Forrest Gump

Tom Hanks starred in about a dozen significant films during the 1990’s, so I suppose it comes as no surprise that one of his works would win this competition. Something that I have consistently stated in our many discussions about movies in this space over the years is that a key benchmark for me is repeat viewings, and the idea of whether or not I am happy/excited when channel surfing and see that a particular movie is on TV. It is one thing to head to the local cineplex and be entertained for a couple of hours by the latest action flick, rom-com, slasher film, Christmas movie, sports drama, murder mystery, biopic, superhero adventure, sci-fi fantasy, or gross-out comedy, but it is entirely different when you are glad to watch the same story for the hundredth time decades later while vegging out at home. Not only does Forrest Gump check all the requisite boxes…made a ton of money, won a bunch of awards, killer soundtrack, received great reviews, eminently quotable…but I am still delighted to watch it whenever it is on, which is surprisingly often for a movie that hit theaters 25 years ago.  My father shares my love of Forrest Gump, which is a source of amusement for me since Dad & I rarely have a similar pop culture palate. I understand that there are a fair number of cynics who despise the movie for one reason or another, but I believe those folks are either overanalyzing or simply disagree with its perspective. To each their own.  My adoration has endured for over two decades and I don’t see that changing anytime soon.

90’s Film Frenzy: The Elite Eight

It was at this point just over a year ago, as Merry Movie Mayhem was drawing to a conclusion, that I took the easy path and  let the final eight combatants bow out with what was essentially a collective tie. I don’t feel bad about that because Christmas movies are just so special that I am fine with not following thru with a fight to the death. I don’t have the same kind of sentimental attachment to the 1990’s, so today we move forward with the division finals, aka The Elite 8. Enjoy.

 

 

 

 

 

Titanic                vs.              Sleepless in Seattle

After receiving a first round bye Titanic has gotten past Saving Private Ryan, Father of the Bride II, & The Birdcage. Sleepless in Seattle also received a first round bye then overcame challenges from Galaxy Quest, Dumb & Dumber, and My Cousin Vinny. I knew this moment would eventually come, and sadly it has arrived. During 80’s Movie Mania I eliminated National Lampoon’s Vacation in The Final Four because the ending makes it feel outdated. As I mentioned back then, the debate is whether that should be a mark against the film or celebrated as something that marks the era we are commemorating. Obviously I decided the former rather than the latter, and we are faced with a similar situation now. I adore Sleepless in Seattle, but the fact is that it feels dated because the invention of The Internet has made much of the premise irrelevant. The same story simply couldn’t be told nowadays. Conversely, Titanic has the advantage of being an historical drama. The story is what it is and it is…with all due respect to the unfortunate victims of the tragedy…frozen in time. The movie doesn’t feel outdated two decades later, and it won’t be two decades from now. One also cannot overlook the fact that it remains the second highest grossing film of all time and is one of only three films (the others being Ben-Hur and The Lord of the Rings: The Return of the King) to win eleven Academy Awards. It has pretty good scores on Rotten Tomatoes too…89% from critics & 69% from the public, meaning that it is the rare movie that is actually good and popular. Though a film about a disaster that occurred in 1912 can’t really represent the decade of the 90’s I do feel like it is a signature piece of the cinematic experience of the 90’s.

 

      The Verdict:       

 

 

 

 

You’ve Got Mail                    vs.              Groundhog Day

You’ve Got Mail received a first round bye then defeated The Firm, Aladdin, & Good Will Hunting to make it to this point. After a first round bye Groundhog Day has gotten this far by overcoming Clueless, American Pie, & Apollo 13. The bottom line for me is originality. I have said for many years that I am secure enough in my smoldering machismo to admit that I enjoy a good rom-com, and You’ve Got Mail is a good rom-com. However, having said that, the thing about rom-coms is that they all share similar structural DNA. And why not?? The blueprint works, right?? But also, of the three films that Tom Hanks & Meg Ryan did together I think You’ve Got Mail might be the weakest…or atleast the most formulaic. Both Sleepless in Seattle and Joe Versus the Volcano feel more innovative, which makes a lot of sense since You’ve Got Mail is a loose remake of the 1940 James Stewart classic The Shop Around the Corner. Conversely, Groundhog Day is an inspired meditation on life, philosophy, love, & spirituality hiding in plain sight as an ordinary comedy. No one can argue with a straight face that Bill Murray & Andie MacDowell are as cute, perky, & charming as Hanks & Ryan, but his beleaguered cynicism and her enthusiastic naiveté work perfectly in Groundhog Day. It’s the kind of film one can watch over & over and discover something new each time, which seems rather appropriate.

 

      The Verdict:       

 

 

 

 

Forrest Gump             vs.              The Fugitive

After a first round bye Forrest Gump defeated Presumed Innocent, Die Hard: With A Vengeance, & Office Space to land in the Elite 8. The Fugitive received a first round bye then got past Joe Versus the Volcano, The Wedding Singer, & Father of the Bride. If you watch The Fugitive with absolutely no prior knowledge of the 60’s TV hit your enjoyment of the movie won’t suffer at all. Two powerhouse performances by Harrison Ford & Tommy Lee Jones (who won the Academy Award for Best Supporting Actor) combined with great writing & edge-of-your seat drama make for a terrific cinematic experience. Forrest Gump is based on a novel that had gone virtually unnoticed, and the movie makes changes so significant that it feels completely original. Forrest Gump has a great cast (Tom Hanks, Robin Wright, Sally Field, Gary Sinise), a fantastic soundtrack, and was both critically acclaimed & popular with the masses. I do know people that hate it, but I just don’t understand those folks at all. This is a tough one, but repeat viewings give Gump the nod in a photo finish.

    The Verdict:       

 

 

 

 

Mrs. Doubtfire             vs.              The Big Lebowski

After a first round bye Mrs. Doubtfire has beaten That Thing You Do, Tommy Boy, & Scent of a Woman.  The Big Lebowski is the lone film in The Elite 8 that did not receive a first round bye, and thus far has overcome Ten Things I Hate About You, Wayne’s World, Deep Impact, & The Shawshank Redemption. My vibe is that, in a poll of many, those that were teens or in their early 20’s back in the late 1990s would lean toward Lebowski, while older folks might favor Doubtfire. It is probably an unfair comparison, but much like the early comedies of Adam Sandler (most notably Happy Gilmore & Billy Madison), if one happened to be at the exact right age and/or maturity when The Big Lebowski was released then it is likely an essential movie for that person. That doesn’t mean that it can’t be enjoyed by others, just that its humor is quite specific & unique. Jeff Bridges is one of the most underrated thespians of his generation, and his role as The Dude (or His Dudeness, Duder, or El Duderino, if, you know, you’re not into the whole brevity thing) might be his crowning achievement, even if it’s not the kind of character or film that the awards shows fawn all over. John Goodman is another undervalued actor, and his performance as somewhat aggressive & slightly off kilter Vietnam vet Walter Sobchak is a hidden gem. Conversely, it is likely that slightly older folks…those that came of age in the 80’s as Robin Williams rose to fame…would have a greater appreciation of Mrs. Doubtfire. Williams had a rather eclectic career and was capable of playing a whole range of parts, but his wheelhouse was funny comedies in which he could put his full arsenal of comedic genius on display, and Doubtfire fit his skills like a glove. The supporting cast…including Sally Field & Pierce Brosnan…have their moments, but it’s Williams’ show and he carries it well. I suppose that I must reluctantly admit to being part of the older crowd, because, though I appreciate Lebowski for what it is, there are moments of weirdness that don’t resonate with my particular comedy palate, while Doubtfire is the kind of gentle, easygoing, family friendly humor that I tend to gravitate toward.

 

    The Verdict:       

90’s Film Frenzy: The Sweet Sixteen

Greetings friends. No, I didn’t forget. With the holiday season in full swing and football reaching a fever pitch on all levels I suppose I’ve been a bit distracted, but it’s time to get back to 90’s Film Frenzy. I have decided to reintroduce an idea originally utilized during 80’s Movie Mania…a tale of the tape comparison focusing on five factors that I consider significant when evaluating these films:

 

Re-Watchability:       Is it on television a lot?? If it is on TV am I excited enough to stop channel surfing & watch??

Relevance:                 Does the story hold up well?? Or do modern societal norms & changes in technology make it feel dated??

Quotability:                Fun, interesting, well-written movies of all genres are usually very quotable.

Cultural Impact:            Is it one of those movies that everyone of a certain age has seen?? Is it familiar to multiple generations?? Do people still occasionally talk about it & watch it even many years after its release??

Pleasure:                     Do I enjoy watching this movie?? We’ve all read books or watched shows/movies just because we felt compelled to…because we wanted to be cool or seem educated. But what do you enjoy when no one else is around??

 

 

 

                                                                                                           

 

 

Titanic                                            vs.                       The Birdcage

 

Re-Watchability                                                                               

 

Relevance                         

 

Quotability                                                        

 

Cultural Impact                                                 

 

Pleasure                       

 

The Verdict:       Titanic. This one breaks my heart a little because The Birdcage and my man Robin Williams probably deserve a better fate, but I have to “keep it real” as the kids like to say. The Birdcage, while obviously a farce, looks a little different thru a 21st century prism of how we now view & treat the “LGBTQ Community”. Society wasn’t quite as “woke” back in the 90’s, so the caricature presented of a gay couple and their lifestyle might be offensive to some nowadays. And honestly, the exaggeration works both ways, because the movie doesn’t portray conservatives in the best light either. But above & beyond all of that Titanic is simply a cultural phenomenon that still ranks as the second highest grossing movie of all time and just about swept all the major awards. It is still shown on television with some regularity, and I enjoy watching it now almost as much as I ever did.

 

 

  

 

 

                                    My Cousin Vinny             vs.                   Sleepless in Seattle

 

Re-Watchability                    

 

 

 

 

Relevance                              

Quotability                          

Cultural Impact                                                                                     

 

 

 

 

Pleasure                                                                                                   

 

 

 

 

The Verdict:        Sleepless in Seattle. This is a tough one. I’m not sure either movie is all that quotable, but I give the edge to My Cousin Vinny because I still refer to young people as “yutes”. Vinny also wins the relevance category because Sleepless in Seattle has one major flaw…a quarter century later it simply couldn’t happen. Sam Baldwin would probably be pouring his heart out on a podcast rather than a radio show. Instead of thousands of lonely & desperate women sending him letters he’d be getting friend requests and ladies would be “sliding into his DMs”. Annie Reed wouldn’t need to sic a private investigator on Sam or fly to Seattle to check him out…she could just scrutinize his social media profiles. I’m not sure if young Jonah could still pull off the feat of booking a flight & making it all the way from Seattle to New York, but surely it would be much more difficult for a ten year old kid to do that in a post-9/11 world. However, having said that, Sleepless would be my choice to watch in vegg mode, I still get excited to catch it on TV & will occasionally stream it for no apparent reason when I’m bored, and I feel comfortable saying that the cultural impact of Tom Hanks & Meg Ryan outweighs the charm of Joe Pesci & Marisa Tomei.

 

 

  

 

 

                                                          Forrest Gump                    vs.                      Office Space

 

Re-Watchability                        

Relevance                                    

Quotability                                                                                                         

 

 

Cultural Impact                             

 

 

Pleasure                                       

 

The Verdict:       Forrest Gump. Kudos to Office Space for making it to the Sweet 16. That’s pretty darn good for a movie that ranked 121st at the box office in 1999 and has an ensemble of character actors, with Jennifer Aniston as the only real movie star in the cast. While it is extremely quotable it is also inescapably out-of-date with plot points centering around the Y2K “virus”, floppy disks, & a laserjet printer. However, the human frailties & frustrations associated with workplace culture that the movie pokes fun are universal & timeless. Conversely, Forrest Gump is a mini history lesson with a bit of romance thrown into the mix, which makes it somewhat similar to Titanic. Gump won Best Picture, Best Actor (Tom Hanks), and Best Director (Robert Zemeckis), and was the top box office draw of 1994, so its pedigree is irrefutable.

 

  

 

 

                                            The Fugitive              vs.                            Father of the Bride

 

Re-Watchability                              

 

Relevance                                        

 

Quotability                                     

 

Cultural Impact                               

 

Pleasure                                           

 

The Verdict:        The Fugitive. This is a coin toss situation. I could (and have) watched both movies over & over again. I’m not sure either one has any claim to being especially relevant, but neither is there anything about them that is particularly passé two decades later. Neither movie is all that quotable. As far as cultural impact goes, The Fugitive is based on a 1960’s TV show and Father of the Bride is a remake of a 1950 film. So what it comes down to for me is the fact that The Fugitive was nominated for seven Academy Awards (Tommy Lee Jones won Best Supporting Actor and Best Picture was lost to Schindler’s List) and has a 96% score on Rotten Tomatoes, while Father of the Bride has a 71% Rotten Tomatoes score and received two MTV Movie Awards nominations. As much as I adore Father of the Bride I cannot overlook the pedigree of the competition.

 

   

 

 

                                           Apollo 13                            vs.                             Groundhog Day

 

Re-Watchability                              

Relevance                                                                                              

 

 

Quotability                

 

 

Cultural Impact                               

 

 

Pleasure                                         

 

The Verdict:       Groundhog Day. This might be the hardest decision I’ve had to make thus far. Apollo 13 gets a small tip of the cap because all of us still say “Houston…we have a problem” whenever the opportunity arises, and kudos must be given for the film’s nine Academy Award nominations (Best Picture went to Braveheart) as well as its remarkable 95% Rotten Tomatoes score. Having said that, Groundhog Day has an even better 96% Rotten Tomatoes score, and where it really makes an impact is its relevance. Groundhog Day is…ironically…timeless. I cannot emphasize enough that it is so much more than a run-of-the mill comedy. It is profound in a way that is unique & rare. A lot of movies have an agenda and make a concerted effort to be meaningful & didactic, but Groundhog Day takes such a nuanced approach to being insightful that I’m not even sure the filmmakers intended anything so evocative. Apollo 13 is brilliant. Hanks, Ron Howard, Ed Harris, the music…the whole package is a dazzling display of what talented people can accomplish when they unite to make a good movie. However, let’s be honest…it is based on a real event that was pretty extraordinary. I do not want to sell the powers-that-be short. Afterall, plenty of terrible movies have evolved from really cool true stories. But in this case I have to give the edge to creative brilliance born from fiction.

 

  

 

 

                                         Good Will Hunting                 vs.          You’ve Got Mail

Re-Watchability                                                                                                 

 

Relevance                                      

Quotability                                      

 

 

Cultural Impact                                                                                                 

 

 

Pleasure                                                                                                          

 

 

 

The Verdict:       You’ve Got Mail. The biggest mark against You’ve Got Mail is relevance. AOL, dial-up, chat rooms…all are 90’s relics. Much like the other Hanks/Ryan collaboration that I adore…Sleepless in Seattle…social media makes the whole plot of You’ve Got Mail largely obsolete. But despite that notable deficiency it is still a film with irresistible charm and fine performances from its two leads as well as supporting roles for Greg Kinnear, Parker Posey, Jean Stapleton, Steve Zahn, & Heather Burns. Good Will Hunting garnered Academy Awards for Matt Damon & Ben Affleck (Best Original Screenplay) as well as my man Robin Williams (Best Supporting Actor), but honestly…I haven’t watched it in two decades. It just hasn’t remained in our collective pop culture consciousness.

 

  

 

 

                          Shawshank Redemption                 vs.              The Big Lebowski

Re-Watchability                                                                                               

 

 

Relevance                    

 

 

Quotability                                                       

 

 

 

 

Cultural Impact                            

 

 

 

 

Pleasure                   

 

 

 

 

The Verdict:       The Big Lebowski. This may surprise some folks. The pedigree for Shawshank is enviable. Seven Academy Award nominations (though it did not win any of them). A 91% rating on Rotten Tomatoes. Conversely, Lebowski was barely noticed at the box office and took several years to make an impact on the pop culture landscape. I still don’t think one can think of it as “mainstream”. However, once it became a thing amongst film buffs the popularity of Lebowski soared. It is one of the most quotable movies out there, and for me it comes down to the idea of sitting down for the enjoyable diversion of watching a movie. I’m not against drama at all, but Lebowski is just more fun. Shawshank has an inspirational & uplifting conclusion, but one has to grind thru a pretty intense couple of hours before that, and I am rarely in the mood for that.

 

  

 

 

                                             Mrs. Doubtfire             vs.               Scent of a Woman

Re-Watchability                            

Relevance                                     

Quotability                                                                                                        

 

 

Cultural Impact                              

 

 

Pleasure                                         

 

The Verdict:       Mrs. Doubtfire. I recently read a really interesting biography about Robin Williams, and in it there is a discussion about the latter part of his career. His wheelhouse was undoubtedly zany comedy, but a combination of Williams’ determination to prove himself as an actor and some questionable decisions by various folks led him to do films like What Dreams May Come, One Hour Photo, August Rush, & Insomnia. Some of his dramatic roles…Good Will Hunting, Awakenings, Dead Poets Society…are well regarded, while a few of his comedies…Flubber, Patch Adams, License to Wed…missed the mark, but Mrs. Doubtfire is a perfect platform for his talent and I can’t help but wish that his filmography contained a lot more such showcases. Scent of a Woman is essentially two hours of Al Pacino chewing scenery, which is delightful fun that I enjoy just fine, but Mrs. Doubtfire is the better movie.

35+ Days of Christmas on WSAM

Some years back I spoke my peace about Christmas Creep, and since then it’s just gotten worse. The holiday season pretty much starts in October now, which means that television networks like Hallmark and Freeform have already been airing Christmas movies for awhile. However, as much as I adore this time of year and love watching such films, I’ve always had an issue with the way AMC, TCM, and other such channels do their programming. Other than starting way too early I believe they make three key mistakes.

First of all, their definition of a Christmas movie is decidedly…avant-garde. Frozen?? Harry Potter?? Toy Story?? No…just…no. Just because a film is animated and/or produced by Disney doesn’t make it a Christmas movie. Hallmark obviously produces their own holiday flicks, but for the channels that show old big screen classics there are plenty of legit choices that fit the criteria.

Secondly, when the month of December hits I want wall-to-wall Christmas movies. I understand counter-programming. I get it. Some folks aren’t particularly into Christmas and they want some entertainment too. But for a television station…particularly one that is primarily dedicated to movies…I feel like it’s an all-or-nothing proposition. Are you in or out?? Don’t air a great old Christmas movie then follow-it up with a tepid rom-com or a western. You’re creating a vibe…ambiance… a certain kind of mood. Even amongst the Christmas sub-genre there can be synergy. I am not familiar with all the ins & outs of television programming, but I think the powers-that-be can do better.

And finally, I realize that Christmas movies are a relatively finite category. There are only a handful of really good ones, and they mostly fall into one of three groups: wacky family hijinks, Santa Claus stories, & adaptations of Charles Dickens’ A Christmas Carol. Having said that, I still believe that any TV channel dedicating itself to holiday programming can do better than showing the same few movies over & over & over again until even the most ardent fans become a little bit tired of them. In the recent past Freeform has aired Elf, National Lampoon’s Christmas Vacation, & The Polar Express about two dozen times…each. That’s ridiculous.

Citizens of The Manoverse may recall that a few years ago I came up with a weekend movie marathon for Christmastime. So I began to ponder the idea of expanding that concept. What if I owned a TV channel akin to AMC, TCM, Hallmark, or Freeform?? How would I program an entire month+ of holiday classics?? The first thing I had to do was establish some rules:

  • My holiday programming begins the day before Thanksgiving and ends a couple of days after Christmas. It runs on weekdays from 4pm-Midnight(ish), with expanded weekend hours.
  • Movies would air unedited. I am not advocating rampant profanity or other adult content, but is that really an issue with most Christmas movies anyway?? It has always driven me nuts when Freeform edits references to Jack Daniels & Wild Turkey in Christmas Vacation. There are more objectionable scenes in random commercials for pete’s sake. I’m also not a fan of cutting the infamous “blackface” scene in Holiday Inn. Societal norms evolve…oftentimes for the better…but I don’t believe in censoring a movie made darn near a century ago just because our collective belief systems are a bit different nowadays. If you are so overly sensitive that a two minute scene in a movie offends you that is your problem.
  • And lastly…the big one. After compiling a list of movies & television specials for this exercise I gave myself a limit of five airings. No matter how awesome a film might be I think seeing it five times in the space of a month is quite enough. I grew up in an era when It’s A Wonderful Life was on literally every day…multiple times per day…the whole month of December. I have spent the past two decades enjoying TBS/TNT’s 24 hour A Christmas Story marathon Christmas Eve & Christmas Day. I have no issue with any of that…I am simply taking a different approach.

Wednesday        11/21

4pm            Free Birds

6pm            Dutch

8pm            Home for the Holidays

10pm         Scent of a Woman

 

I am grateful for what I am and have. My thanksgiving is perpetual.

– Henry David Thoreau

 

 Thanksgiving Day       11/22

3:30pm      WKRP in Cincinnati S1E7 “Turkeys Away”

4pm            Holiday Inn

6pm            Grumpy Old Men

8pm            A Charlie Brown Thanksgiving     

8:30pm      Planes, Trains, and Automobiles

10:30pm    The Nightmare Before Christmas

 

We eased into our merry month of holiday goodness with some Thanksgiving gems. Free Birds is a 2013 animated tale about turkeys traveling back in time to prevent their brethren from ever becoming the holiday’s main course. Dutch is an early 90’s dramedy starring Ed O’Neill (Married with Children’s Al Bundy) as a guy who offers to pick his girlfriend’s son up at his private school in Georgia and drive him back to Chicago for Thanksgiving. Home for the Holidays is a mid-90’s ensemble dramedy about a family getting together for Thanksgiving, notably starring Robert Downey Jr., Holly Hunter, Claire Danes, Dylan McDermott, Charles Durning, & Ann Bancroft. Scent of A Woman paints outside the lines a little bit, but does take place at Thanksgiving. Ditto for Grumpy Old Men, which has scenes set at both Thanksgiving and Christmas. Planes, Trains, & Automobiles is a beloved Thanksgiving tradition in my house, as is Turkeys Away, probably one of the greatest sitcom episodes of all time. I’m never quite sure where The Nightmare Before Christmas fits in, but I suppose it’s worth a couple of viewings.

 

Friday        11/23

4pm            Planes, Trains, and Automobiles

6pm            Trading Places

8pm            Holiday Inn        

10pm          Miracle on 34th St. (1947)

Christmas is not just a time for festivity and merry making. It is more than that. It is a time for the contemplation of eternal things. The Christmas spirit is a spirit of giving and forgiving.

– J. C. Penney

Saturday    11/24

Noon          The Year Without a Santa Claus

1pm            Blackadder’s Christmas Carol

2pm            Rudolph the Red-Nosed Reindeer

3pm            The Lemon Drop Kid

5pm            Miracle on 34th Street (1994)       

7pm            Scrooge (1951)

9pm            Christmas with the Kranks

 

Trading Places stars Dan Aykroyd as a wealthy businessman & Eddie Murphy as a fast talking con artist who are both manipulated by two rich old geezers into switching societal roles as part of a bet they view as a sociological experiment. It was Murphy’s follow-up to 48 Hrs. and preceded Beverly Hills Cop. Is it a Christmas movie?? Ehhh…close enough for me.  Holiday Inn has scenes set at Thanksgiving, Christmas, New Year’s, and every other major holiday on the calendar, and it introduced the world to White Christmas, which has gone on to become the best-selling Christmas song of all time. The Lemon Drop Kid is a criminally underappreciated Bob Hope offering from 1951 in which he stars as a loquacious hustler who crosses the wrong gangster and must come up with the $10k he screwed him out of by Christmas Eve. When his department store Santa con doesn’t work out The Kid launches a scheme to raise money for a fake retirement home. Hilarity ensues. It is pretty much impossible to find The Lemon Drop Kid on television or elsewhere, but I would absolutely change that because it is a fun movie that deserves some attention, plus it introduced the world to the classic carol Silver Bells. Blackadder’s Christmas Carol is a holiday episode of the British television show Blackadder, starring Rowan Atkinson. In this special episode Blackadder is the kindest & most generous man in England, but everyone takes advantage of him, his business isn’t doing well, and he’s miserable & lonely. On Christmas Eve a single spirit essentially shows him what life would be like if he were mean & uncaring like some of his ancestors, and he becomes convinced that everything would be awesome. It is a clever interpretation that turns Dickens’ A Christmas Carol upside down. Speaking of A Christmas Carol, the 1951 version starring Alistair Sim is generally regarded as the best by many, and so it’s a big part of our special month.

 

Sunday      11/25

Noon          The Star Wars Holiday Special

12:30pm    A Charlie Brown Christmas

1pm            All I Want for Christmas

3pm            Christmas Every Day

5pm            Four Christmases

7pm            Fred Claus

9pm            Frosty the Snowman

9:30pm      Scrooge (1951)

 

The Star Wars Holiday Special aired only once…on November 17, 1978, which was about a year after the first film but a couple of years before The Empire Strikes Back. It received such negative reviews that it has never been on TV again and is a rare find, but since Star Wars is a much bigger deal now than it was then I think it’s time to bring the Christmas special out of the moth balls. It can’t be any worse than the prequels & sequels, right?? Vince Vaughn is a guy that many people either love or hate, and I happen to like the guy. Not all of his movies are winners, but both Fred Claus and Four Christmases are worth an airing or two during the holiday season. All I Want for Christmas and Christmas Every Day are made-for-TV movies that originally aired on ABC Family (now Freeform) back in the early to mid-90’s. They’re cute & entertaining enough that I’ve retained a certain level of fondness for them over the years, and I believe others might enjoy them as well. Christmas with the Kranks is based on John Grisham’s 2001 novel Skipping Christmas and stars Tim Allen & Jamie Lee Curtis as a couple whose plan to ditch the annual holiday hullabaloo in favor of a tropical cruise doesn’t quite work out. It isn’t the greatest Christmas movie, and at first I kind of hated it…but it has begun to grown on me.

 

Monday     11/26

4pm            National Lampoon’s Christmas Vacation

6pm            Scrooge (1951)

8pm            Trapped in Paradise

10pm          Santa Claus: The Movie

 

Christmas can be celebrated in the school room with pine trees, tinsel, & reindeers, but there must be no mention of the man whose birthday is being celebrated. One wonders how a teacher would answer if a student asked why it was called Christmas. – Ronald Reagan

 

Tuesday    11/27

4pm            Deck the Halls

6pm            The Santa Clause

8pm            The Santa Clause 2: The Mrs. Clause

10pm          The Santa Clause 3: The Escape Clause

 

Trapped in Paradise stars Nicolas Cage, Dana Carvey, & Jon Lovitz as three dimwitted brothers who rob a bank in a small Pennsylvania town on Christmas Eve then are unable to leave. They are befriended by the super friendly & naive citizens who don’t realize that they’re the bank robbers. Deck the Halls stars Danny DeVito as a guy determined to make the Christmas lights display at his house so dazzling that it can be seen from space, and Matthew Broderick as the tightly wound neighbor hellbent on stopping him. Neither are considered good movies by critics or the viewing public, but I don’t mind watching them once or twice this time of year. For some strange reason only 2/3 of Tim Allen’s Santa Clause trilogy…the original & the third one…currently get a lot of play on television. I seem to recall reading somewhere that feminazis & other social justice warriors have an issue with the second film, but I rather enjoy it. I mean…it’s a trilogy, right?? I readily admit that the first Santa Clause is far & away the best, but I also think it’s pretty obvious that The Mrs. Clause is much more entertaining than The Escape Clause. Not even Martin Short & Alan Arkin could save that one. Still though, all three need to be a part of our celebration.

Wednesday 11/28

4pm            Scrooge (1970) 

6pm     

Disney’s A Christmas Carol

8pm

Frosty the Snowman

8:30pm      A Charlie Brown Christmas

9pm            Mr. Krueger’s Christmas

9:30pm      The Lemon Drop Kid

 

Once again, we come to the holiday season, a deeply religious time that each of us observes, in his own way, by going to the mall of his choice. 

–  Dave Barry

 

Thursday 11/29

4pm            Santa Claus is Comin’ to Town

5pm            The Star Wars Holiday Special    

6:30pm      The Lemon Drop Kid

8:30pm      A Christmas Carol (1938)

10:30pm    A Christmas Carol (1984)    

 

I wrote about my favorite adaptations of A Christmas Carol four years ago, so I won’t go into full rehash mode here, but a little clarification couldn’t hurt. The 1938 version is a sanitized, family friendly movie starring Reginald Owen as Ebenezer Scrooge. The 1984 version was a made-for-TV movie starring George C. Scott as Scrooge that didn’t start airing annually again until 2007 per an agreement with Scott’s estate. The 1970 version is a musical starring Albert Finney as Scrooge. Patrick Stewart starred as Scrooge in a made-for-TV movie originally aired on TNT in 1999. Disney’s screen capture animated version was released in 2009 and stars Jim Carrey as Scrooge as well as other roles.

Friday 11/30

4pm            Mixed Nuts

6pm            Lethal Weapon

8pm            Die Hard

10pm          Bad Santa

 

Wow…talk about a weird Friday night!! Mixed Nuts has an all-star cast, including Steve Martin, Madeline Kahn, Garry Shandling, Juliette Lewis, Adam Sandler, Robert Klein, Rita Wilson, Rob Reiner, Parker Posey, Jon Stewart, & Liev Schreiber. That’s quite an eclectic lineup. It is an alleged comedy about a suicide hotline that has been evicted from its office space on Christmas Eve. There are a lot of subplots & hijinks, but I’ll spare you the details. Mixed Nuts has been mentioned as the worst Christmas film of all time, but I’ve seen worse and believe the impressive lineup of performers alone merits a viewing or two, even though all of that talent adds up to shockingly little  entertainment. Bad Santa is a bit too vulgar for my tastes, but it has a 78% rating on Rotten Tomatoes and is considered by some to be a modern classic. Few seem to engage in the same good-natured debate about whether or not Lethal Weapon is a Christmas movie in comparison to the annual arguments for & against the worthiness of Die Hard to be considered thusly, but for our purposes both are included as an action packed & mildly violent break from the typical sentimentality of the holiday season.

 

Saturday 12/1

Noon          Mickey’s Christmas Carol   

12:30pm    The Star Wars Holiday Special

2pm            Disney’s A Christmas Carol

4pm            It’s a Very Merry Muppet Christmas Movie

6pm            The Muppet Christmas Carol       

8pm            Miracle on 34th Street (1994)

10pm          Scrooge (1970) 

 

Christmas is not a time nor a season, but a state of mind. To cherish peace and goodwill, to be plenteous in mercy, is to have the real spirit of Christmas.

– Calvin Coolidge

 

Sunday 12/2

Noon          The Muppet Christmas Carol

2pm            Jingle All the Way

4pm            Scrooge (1970)

5pm            The Lemon Drop Kid

7pm            National Lampoon’s Christmas Vacation

9pm            The Ref    

 

I fondly remember watching Mickey’s Christmas Carol when I was a kid. It’s only a half hour long, and let’s face it…Ebenezer Scrooge is a role tailor made for Scrooge McDuck. It’s A Very Merry Muppet Christmas Movie is a Muppet homage to It’s A Wonderful Life in which Kermit is on the verge of losing his theater and a guardian angel shows him what life for his friends would be like if he’d never been born. There are a lot of human performers, including Whoopi Goldberg, David Arquette, Joan Cusack, & William H. Macy. I assume that movie was made based on the success a decade earlier of The Muppet Christmas Carol, starring Michael Caine as Scrooge. I am generally not a fan of remakes, and nothing can touch the greatness of the original Miracle on 34th Street, but the 1994 version is decent enough. My love for The Ref goes all the way back to its initial foray onto home video in the 90’s. Denis Leary stars as a burglar forced to hold a bickering couple and their dysfunctional family hostage on Christmas Eve. You won’t see it on television all that much, but I always seize every opportunity to spread the word & encourage folks to seek it out during the holiday season.

 

Monday 12/3

4pm            Mr. Magoo’s Christmas Carol

4:30pm      The Polar Express

6:30pm      Santa Claus is Comin’ to Town

7:30pm      How the Grinch Stole Christmas! 

8pm            Frosty the Snowman

8:30pm      Mickey’s Christmas Carol   

9pm            The Muppet Christmas Carol       

 

Peace on earth will come to stay, when we live Christmas every day. 

– Helen Steiner Rice

 

Tuesday 12/4

4pm            Mr. Krueger’s Christmas

4:30pm      Rise of the Guardians

6:30pm      A Charlie Brown Christmas

7pm            The Santa Clause

9pm            Scrooged

 

Mr. Krueger’s Christmas is a half hour special produced by the Mormon Church that initially aired on NBC in 1980. Unfortunately you’ll have a difficult time running across it these days, but if it were up to me it’d become an annual tradition. Jimmy Stewart stars as an elderly janitor living in the bottom floor of the building that he takes care of, and he is a very lonely man desperate for human interaction. The story depicts Willie Krueger having Walter Mitty-esque dreams on Christmas Eve, including singing with the Mormon Tabernacle Choir and being part of the manger scene on the night of Christ’s birth. It is a well-written & very poignant story with a fantastic message. Rise of the Guardians is an animated tale about Santa Claus, The Easter Bunny, The Tooth Fairy, & The Sandman recruiting Jack Frost to help them wage battle against The Boogeyman. I saw it when it hit theaters a few years ago and my biggest takeaway was wondering why Alec Baldwin decided to give Santa a German accent. It hasn’t really made much of a holiday pop culture impact, but that could change.

 

Wednesday 12/5

4pm            Miracle on 34th Street (1994)

6pm            A Christmas Carol (1984)

8pm            The Santa Clause 2: The Mrs. Clause

10pm          The Ref

 

Christmas is a season not only of rejoicing but of reflection.

– Sir Winston Churchill

 

 

 

 

Thursday 12/6

4pm            White Christmas

6pm            The Lemon Drop Kid

8pm            The Santa Clause 3: The Escape Clause

10pm          Scrooged 

 

We are better throughout the year for having, in spirit, become a child again at Christmastime.

– Laura Ingalls Wilder

 

Friday 12/7

4pm            Arthur Christmas

6pm            Trapped in Paradise

8pm            The Ref

10pm          Silent Night, Deadly Night

 

I’m not a horror movie fan by any stretch, but 1984’s Silent Night, Deadly Night is cheesy fun for fans of the genre. It tells the story of a boy who witnesses his parents being murdered by The Jolly Old Elf, then grows up to become a psychotic Santa himself. There were four sequels produced. We’re not including them here, but you’re welcome to check them out if that’s the sort of thing that you’re into. Arthur Christmas is an animated tale about Santa’s inept son Arthur and his Christmas Eve mission to deliver one present that was inadvertently left behind at The North Pole. It has a really unique vision of what The North Pole & Santa’s toy enterprise might look like, and depicts the role of Santa Claus as a generational title passed down from father to son.

 

Saturday 12/8

Noon         

The Life and Adventures of Santa Claus

1pm           

It’s a Very Merry Muppet Christmas Movie

3pm            White Christmas

5pm            Santa Claus: The Movie

7pm            The Bishop’s Wife

9pm            Jingle All the Way

 

Jingle All the Way is another not-so-great movie that has grown on me just a bit. It stars Arnold Schwarzenegger as a negligent Dad trying to track down the hottest Christmas gift of the year for his son, and Sinbad (whatever happened to him??) as the wacky mailman who keeps getting in the way. The Life and Adventures of Santa Claus is an 80’s Rankin-Bass production of a children’s book written by L. Frank Baum (author of The Wizard of Oz). It is essentially another Santa origin story. The Bishop’s Wife stars Cary Grant as guardian angel sent to provide some guidance to a clergyman & his flock, but things get weird when the angel is smitten with the minister’s wife. A remake called The Preacher’s Wife starring Denzel Washington & Whitney Houston was made in the mid-90’s, but no one knows why.

 

Sunday 12/9

Noon          Holiday Inn

2pm            White Christmas

4pm            Elf    

6pm            It’s a Wonderful Life

8pm            A Christmas Story

10pm         Scrooged

 

Christmas is the season for kindling the fire of hospitality.

– Washington Irving

 

Monday 12/10

4pm            Miracle on 34th Street (1947)

6pm            It’s a Wonderful Life

8pm           

National Lampoon’s Christmas Vacation

10pm          Home Alone

 

I don’t think Christmas is necessarily about things. It’s about being good to one another.

– Carrie Fisher

 

Tuesday 12/11

4pm            Rudolph the Red-Nosed Reindeer

5pm            The Ref

7pm            Elf

9pm            It’s a Wonderful Life

 

 

My idea of Christmas, whether old-fashioned or modern, is very simple: loving others.

– Bob Hope

 

Wednesday 12/12

4pm            The Polar Express     

6pm            Miracle on 34th Street (1947)

8pm            A Christmas Story

10pm           Home Alone

 

The Supreme Court has ruled that they cannot have a nativity scene in Washington, D.C. This wasn’t for any religious reasons. They couldn’t find three wise men and a virgin. – Jay Leno

 

Thursday 12/13

4pm            Miracle on 34th Street (1947)

6pm            A Christmas Story

8pm            It’s a Wonderful Life

10pm          Elf    

 

The main reason Santa is so jolly is because he knows where all the bad girls live.

–  George Carlin

 

Friday 12/14

4pm            The Family Stone

6pm            Trading Places

8pm            Die Hard   

10pm          Lethal Weapon

 

Christmas waves a magic wand over the world, and behold, everything is softer and more beautiful.

– Norman Vincent Peale

 

Saturday 12/15

Noon          A Christmas Carol (1938)

2pm            Frosty the Snowman  

2:30pm      All I Want for Christmas

4:30pm      Christmas Every Day 

6:30pm      A Charlie Brown Christmas 

7pm            The Family Stone

9pm            Die Hard

 

I bought my brother some gift wrap for Christmas. I took it to the gift wrap department and told them to wrap it, but in a different print so he would know when to stop unwrapping.  –  Steven Wright

 

 

 

Sunday 12/16

Noon          A Christmas Carol (1999)

2pm            Blackadder’s Christmas Carol

3pm            A Christmas Carol (1938)

5pm            A Christmas Carol (1984)

7pm            Mickey’s Christmas Carol

7:30pm      Mr. Magoo’s Christmas Carol

8pm            Scrooge (1951)

10pm          Scrooge (1970)

 

Ever wonder what people got Jesus for Christmas? It’s like, “Oh great, socks. You know I’m dying for your sins right? Yeah, but thanks for the socks! They’ll go great with my sandals. What am I, German?” – Jim Gaffigan

 

Monday 12/17

4pm            A Christmas Carol (1999)

6pm            Trapped in Paradise

8pm            Fred Claus

10pm          Four Christmases

 

The very purpose of Christ’s coming into the world was that he might offer up his life as a sacrifice for the sins of men. He came to die. This is the heart of Christmas. – Rev. Billy Graham

 

Tuesday 12/18

4pm            Christmas Every Day 

6pm            A Christmas Carol (1999)

8pm            Frosty the Snowman

8:30pm      How the Grinch Stole Christmas! 

9pm            Mr. Krueger’s Christmas

9:30pm      Scrooge (1951)

 

A lovely thing about Christmas is that it’s compulsory, like a thunderstorm, and we all go through it together.

– Garrison Keillor

 

Wednesday 12/19

4pm            The Polar Express

6pm            Rudolph the Red-Nosed Reindeer

7pm            Blackadder’s Christmas Carol

8pm            A Christmas Carol (1999)

10pm         The Family Stone

 

The only real blind person at Christmastime is he who has not Christmas in his heart.

– Helen Keller

 

Thursday 12/20

4pm            White Christmas

6pm            The Polar Express

8pm           

National Lampoon’s Christmas Vacation       

10pm                   The Ref

 

The Magi, as you know, were wise men…wonderfully wise men who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. – O. Henry

 

 

Friday 12/21

4pm            The Muppet Christmas Carol       

6pm            Trading Places

8pm            Scrooged

10pm          Santa Claus: The Movie

 

Christmas is a day of meaning and traditions, a special day spent in the warm circle of family and friends.

– Margaret Thatcher

 

Saturday 12/22

Noon          Fred Claus

2pm            Santa Claus: The Movie

4pm            All I Want for Christmas

6pm            Disney’s A Christmas Carol

8pm            Home Alone

10pm                  

Home Alone 2: Lost in New York

 

Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home! – Charles Dickens

 

Sunday 12/23

Noon          Santa Claus is Comin’ to Town

1pm            The Year Without a Santa Claus

2pm            Home Alone      

4pm            Home Alone 2: Lost in New York

6pm            The Santa Clause

8pm           

The Santa Clause 2: The Mrs. Clause

10pm                  

The Santa Clause 3: The Escape Clause

 

T’was the night before Christmas, when all through the house, not a creature was stirring, not even a mouse.

– Clement Clarke Moore

 

Christmas Eve

Noon          Elf    

2pm           The Santa Clause

4pm           Scrooged

5pm           

National Lampoon’s Christmas Vacation

7pm            A Christmas Story

9pm            It’s a Wonderful Life

 

 

I heard the bells on Christmas Day

Their old familiar carols play

And wild & sweet the words repeat

Of peace on earth, good-will to men!

― Henry Wadsworth Longfellow

 

 

Christmas Day

11am          How the Grinch Stole Christmas! 

11:30am    A Charlie Brown Christmas

Noon           Mr. Krueger’s Christmas

12:30pm    Miracle on 34th Street (1947)

2:30pm      A Christmas Carol (1938)

4:30pm      The Polar Express

6:30pm      White Christmas

8:30pm      Disney’s A Christmas Carol

 

One of the most glorious messes in the world is the mess created in the living room on Christmas Day. Don’t clean it up too quickly.

– Andy Rooney

 

Wednesday 12/26

Noon          Home Alone

2pm            Home Alone 2: Lost in New York

4pm            A Christmas Carol (1984)

6pm            Elf

8pm            A Christmas Story

 

Perhaps it is because I don’t have children or work in retail and therefore don’t suffer some of the burnout & fatigue that others do as the holiday season draws to its conclusion, but I usually feel a general sense of melancholy when the clock strikes midnight on Christmas night. All the sudden all of the hoopla is over. Radio & TV stations resume regular programming. Some folks take down their decorations immediately. Well that’s not how we roll here ladies & gentlemen. We’re going to wean ourselves off of the holiday high we’ve been on for the past month and have one more day of Santa Claus, Ebenezer Scrooge, & general Christmas merriment.

 

Thursday, 12/27

Noon         

Rudolph and Frosty’s Christmas in July

1:30pm      Rudolph’s Shiny New Year

2:30pm      New Year’s Eve

4:30pm      When Harry Met Sally

6:30pm      Holiday Inn

8:30pm      Sleepless in Seattle

 

Christmas may be over but technically it’s still the holiday season. In the old days people used to celebrate The Twelve Days of Christmas (you may have heard a song about it). Those don’t even begin until what we know as Christmas Day and conclude on January 5. Don’t worry…I’m not going to take things that far. However, even in modern times most of us reserve a bit of the ol’ festive mojo for one more round of frivolity, and so we will conclude our holiday celebration with a day of entertainment revolving around New Year’s Eve/Day or atleast having scenes centered on it. I am certain that most are familiar with the offerings suggested here, but I will dive into 2011’s New Year’s Eve just a bit. It’s one of those rom-coms with a large ensemble cast and interweaving stories, all taking place on…well, I’m sure you can figure it out. It’s not a great film, as evidenced by an atrocious 7% Rotten Tomatoes score. Newsday called it “a perfect example of why the adjective Hollywood is so often used as a pejorative”. The New York Post said that it is “a soul-sucking monument to Hollywood greed and saccharine holiday culture”. Our old pal Ebert wondered “How is it possible to assemble more than two dozen stars in a movie and find nothing interesting for any of them to do?”. But it is that all-star cast (including Halle Berry, Jessica Biel, Robert DeNiro, Josh Duhamel, Sarah Jessica Parker, Ashton Kutcher, Hilary Swank, Zac Efron, Katherine Heigl, Michelle Pfeiffer, & Jon Bon Jovi) that is the draw, and I feel alright throwing it in amongst a few other movies that are certified classics, kind of like how a single horn player who isn’t really that talented can just kind of blend in & disappear amongst a large orchestra.

 

90’s Film Frenzy: Wicked Round 3

We’ve moved past Halloween and a lot of folks have dived in…atleast emotionally…to the Christmas season. For me though, as much as I love Christmas, it seems a bit premature, which is why I’m glad I have this competition to focus on (as well as football). The quote you are seeing to your left is something I ran across just a few weeks ago, and it makes so much sense to me. I know I’ve mentioned it previously, but while box office receipts & awards are great, what really matters to me is a movie that I’ve enjoyed multiple times and still delight in many years after its initial release. Those movies are special, and unfortunately they are all too rare. At any rate, if you need to catch up on third round results in the Dope, Fly, & Phat Divisions please do so, and then come on back to finish up Round 3 action with the Wicked Division.

 

 

 

 

The Shawshank Redemption                        vs.              Lethal Weapon 4

I’m going to admit something with which few might agree: Lethal Weapon 4 might be my favorite of the series…or atleast it’s right up there with the original. All the elements are in place…Joe Pesci is back as Leo Getz, Rene Russo (aka Lorna Cole) is in a full-fledged relationship with Martin Riggs and about to have his baby, and Chris Rock joins the cast as Sgt. Butters, who (spoiler alert) has secretly impregnated Roger Murtaugh’s daughter. The bad guys are smugglers bringing in illegal immigrants as part of some sort of plot involving organized crime in China. The reason I like it is probably why many critics didn’t…it has a lighter touch and more humor than a typical action movie. Oh there are still shootouts & explosions, but there is also Pesci & Rock riffing off each other while our two favorite cops provoke them then sit back and laugh, and as the conclusion of the film illustrates, all of these characters have become family…to each other and to the audience. It’s about as heartwarming as a buddy/cop movie is going to get. Conversely, The Shawshank Redemption is an unflinching prison movie. It doesn’t attempt to warm our cockles, and that’s okay. The gold star has to go to Morgan Freeman. I can’t imagine that this movie…with all due respect to Tim Robbins…would’ve been nearly as good without Freeman. He simply makes everything he is in better just by his mere presence. It is difficult to fathom…more than two decades later…how Shawshank made less money at the box office than Major League II, I Love Trouble, The Paper, Richie Rich, Timecop, Natural Born Killers, and The Flintstones (with John Goodman, Rick Moranis, & Rosie O’Donnell). Freeman has said in interviews that he thinks the title may have been difficult for some to remember which led to poor word of mouth upon the film’s initial release. If that is true it is a sad reflection on our education system. Easier to understand is why it received seven Academy Award nominations but won none of them. Forrest Gump and Pulp Fiction came out in the same year, so that’s pretty tough competition. Anyway, Shawshank is a great example of what we talked about in the preamble. It bombed in theaters and didn’t win any Oscars despite multiple nominations, but because of home video rentals (VHS…cause that’s how we rolled in the 90’s kids) and sweet television package that allowed for repeat viewings on Turner’s TV channels it flourished and has become a modern classic.

The Verdict:       The Shawshank Redemption. This one is tough because I really do love Lethal Weapon 4. However, though according to my own rules it is included in this competition because it’s part of a series rather than a trilogy, the fact is that I tend to still look at Lethal Weapon as a single entity in multiple parts, and it is difficult to separate them. If I am being honest, on a lazy afternoon of couch potatoing I think my clicker might be just as likely stop on the channel showing Lethal Weapon 4, but Shawshank is clearly the superior film.

 

 

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Mrs. Doubtfire                                vs.                        Tommy Boy

I’ll make this short & sweet. Both are delightful comedies. Both have gotten a lot of repeat viewing and are on television with some frequency. But it comes down to Robin Williams vs. Chris Farley & David Spade. Perhaps age is a line in the sand. Those who came of age and went thru their teens in the 90’s would likely choose Farley & Tommy Boy. However, as an 80’s kid who was there from the very beginning of Williams’ rise to prominence and has been a huge fan of his since childhood I must opine that Mrs. Doubtfire is amongst his finest work. It didn’t receive critical praise & award nominations like Good Morning Vietnam or Good Will Hunting, but it came before later, more depressing efforts like What Dreams May Come and Death to Smoochy. There is a terrific scene near the end when Williams’ character is bouncing back & forth between two situations in the same restaurant, and when it is revealed who Mrs. Doubtfire really is the reaction of the Sally Field character is priceless. The children are well cast, and I really like the boss of the TV station portrayed by fine character actor Robert Prosky.

The Verdict:       Mrs. Doubtfire. It just isn’t a fair fight.

 

 

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Scent of a Woman                         vs.              The Truman Show

As much as I have tried to focus on supporting roles in Round 3, one cannot see this matchup and overlook Pacino vs. Carrey, especially since both men practically put an entire movie on their back and carry it to greatness. The Truman Show was way ahead of its time. I am really surprised that no one has tried to pull off a real life Truman Show in the ensuing years. I’m sure it could be done, and frankly it might actually be gratifying to watch a reality show where the star isn’t doing it on purpose in a vain attempt to grab cheap fame & fortune. Of course then there would be a moral dilemma for viewers because the idea of watching another person’s entire life on TV without their knowledge feels a little depraved. Ed Harris received an Oscar nomination for Best Supporting Actor for his role as creator/director/producer Christoff (he lost the award to James Coburn for his role in Affliction), and the religious overtones are undeniable. The reason Harris’ portrayal is so good is because it is so low-key. Christoff is meant to be the villain, but he isn’t a caricature, laughing manically or foaming at the mouth. My favorite scene is at the end of the movie. The viewing public is on the edge of their collective seat as Truman Burbank figures out the truth of his situation and finally escapes. But two seconds after the show ends everybody simply changes the channel and moves on with their lives just that quick. It is profound, as is the entire film. Pacino had been nominated for multiple Oscars for performances in much better movies, but it took his excessive bravado as Lt. Col. Frank Slade to finally win.

The Verdict:       Scent of a Woman. Such is my disdain for reality television that I have had no desire to watch The Truman Show over & over thru the years. I realize that is flawed logic because the film is actually a satirical commentary about such programs, but the fact that a show that seemed so far-fetched two decades ago is now more than plausible is a sad commentary on the direction we’ve taken as a society. It’s too discouraging to even ponder, so…fair or unfair…I avoid the movie. Those that say Pacino’s performance masks a relatively thin plot probably aren’t wrong, but who cares?? Pacino is awesome.

 

 

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Deep Impact                                   vs.                        The Big Lebowski

Deep Impact is a better movie than Armageddon. That’s my story and I’m sticking to it. However, it isn’t as memorable. Despite the presence of Morgan Freeman as President of the United States (Barack Obama wishes he could be as cool as Freeman) the rest of the cast doesn’t really rev the engines. Tea Leoni. Robert Duvall. Vanessa Redgrave. Ron Eldard. Laura Innes. Leelee Sobieski. I’m not saying they aren’t talented…but there’s no one there with an It Factor that’ll really attract an audience. Elijah Wood was still a few years away from his adventures in Middle Earth, and Jon Favreau was hardly a household name twenty years ago. But despite all of that, it is still a really good movie. The Big Lebowski has defeated Ten Things I Hate About You and Wayne’s World (which some might consider an upset) to get to this point. It is what one might call a hot pepper movie. Have you ever eaten an allegedly hot pepper with the initial thought of “What’s the big deal??”, only for the heat to sneak up on you a few minutes later?? Not only has it become a cult classic long after being a box office flop, but repeat viewings are almost a necessity. Don’t watch Lebowski once and wonder why anyone likes it. You need to see it a few times before you can begin to appreciate its greatness. It is highly quotable and chockful of memorable characters.

The Verdict:       The Big Lebowski. The Dude is headed to The Sweet 16. Not bad for a movie that ranked 96th at the box office in 1998.

90’s Film Frenzy: Phat Round 3

My apologies for the brief hiatus I’ve taken from this competition. I have no valid excuse, so we’ll just move on. We have already covered Round 3 action in the Dope and Fly divisions, so we’ll try to finish up the third round within the next week. I know all you non-sports folks get a little perturbed with me this time of year, but rest assured I’ve not forgotten about you. Allow me to take this opportunity to wish The Manoverse a very Happy Halloween. Whether you’ll be trick-or-treating with your kids, handing out candy to the neighborhood crumb crunchers, curling up with a scary movie or book, or attending a wild & crazy costume party I hope y’all stay safe and have lots of fun.

 

 

 

 

 

Apollo 13                                                  vs.                       The Mask

After receiving a first round bye Apollo 13 defeated John Candy’s underrated rom-com Only the Lonely in Round 2. Most of the attention is…obviously…given to Tom Hanks, as well as his fellow “astronauts” Kevin Bacon, Bill Paxton, & Gary Sinise. The Academy showed some love to Ed Harris & Kathleen Quinlan by giving them Oscar nominations in supporting categories (Harris lost to Kevin Spacey for his role as Verbal Kint/Keyser Soze in The Usual Suspects, while Quinlan lost to Mira Sorvino for Mighty Aphrodite). However, Apollo 13 features a large ensemble that really brings everything together. Character actors like Joe Spano, Chris Ellis, Marc McClure, Brett Cullen, Clint Howard, Loren Dean, & Christian Clemenson portray NASA officials. Ron Howard’s mother plays Jim Lovell’s mother Blanche. The kids portraying Lovell’s children aren’t given much to do but they do it well. These are the kinds of performances that are important in helping the viewer escape reality and really get into a movie. The film was also nominated for an Oscar for Best Original Dramatic Score, and the music does play a vital role. It’s a shame Apollo 13 only won two of the nine Academy Awards for which it was nominated. One never knows about such things…perhaps if it’d been released a year earlier or later it might have swept all of those awards and be considered one of the greatest films of all time. The Mask got past PCU in the first round and Ace Ventura: Pet Detective in Round 2. Unlike a large ensemble film The Mask is all about Jim Carrey (and to a lesser degree the hotness of Cameron Diaz). His talent (and some unique special effects) are the engine that makes the movie go. It’s a fun & somewhat memorable film, but hardly transcendant.

 

The Verdict:       Apollo 13. It’s a pretty easy decision really. I suppose one could look at it as Hanks vs. Carrey, and even by that metric Apollo 13 wins easily. However, Apollo 13 deserves a lot more credit than that. I’ll go so far as to say that it would be a great film even with someone besides Hanks portraying Jim Lovell. But of course Hanks makes everything that he is in better, so in this case he just elevates a fantastic movie to sublime.

 

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Good Will Hunting                                  vs.                        Batman Returns

Good Will Hunting got a first round bye and then defeated Adam Sandler’s Big Daddy in Round 2. The main attraction for me is the presence of Robin Williams in a role that finally won him an Oscar. I recently finished a great biography of Williams, and it was said in that book that at some point Williams began to take some heat from critics for playing sentimental & sympathetic roles that forced him to hide is well-known comic frenzy, but I think he was just so determined to be taken seriously as an actor that he didn’t think it wise to play zany comic characters. It was a balancing act with which he struggled his entire career. Batman Returns beat Showgirls in Round 1 and emerged from a second round triple threat against Pretty Woman & What’s Eating Gilbert Grape?. It has now gotten as far as its predecessor did in 80’s Movie Mania. I’ve read many opinions stating that Returns is actually better than 1989’s Batman, but I feel like it is less memorable. Of course the original featured Jack Nicholson’s superb performance as The Joker, which is hard to beat. Returns tries to match it with three villains…Michelle Pfeiffer’s Catwoman, Danny DeVito’s Penguin, & Christopher Walken’s Max Shreck, a wealthy industrialist whose plans to build a chemical plant in Gotham City are derailed by Bruce Wayne, who then responds by backing The Penguin as a mayoral candidate to get what he wants. It is my understanding that the Schreck character was created when Billy Dee Williams, who portrayed Harvey Dent in the original film, decided not to return. I assume that Dent would have morphed into Two-Face, something that did occur when Tommy Lee Jones assumed the role in Batman Forever. I really like Penguin’s origin story in Returns, and of course Pfeiffer is the best Catwoman since Julie Newar & Eartha Kitt in the 60’s. Walken’s presence as Shreck feels out of place and somewhat misguided, although I’m not sure Dent’s presence would have been an improvement. Three villains is just too much in a Batman movie.

 

The Verdict:       Good Will Hunting. The question…as always…that I ask myself is if I were channel surfing on a lazy day which film would I watch. But more importantly, I think about which one excites me more. I love that feeling of flipping thru the channels and going “Oh cool!! ‘Insert Movie Name Here’ is on!!”, and the truth is that I’ve never felt that way about either of these movies. Batman Returns might legitimately be the best of the Burton/Schumacher Batman series, but it’s not nearly as iconic as its predecessor, and even 1997’s Batman & Robin has gotten more mileage out of being an allegedly terrible movie. I don’t find Good Will Hunting to be particularly memorable, but my love for Robin Williams is enough to push it thru.

 

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American Pie                                          vs.                        Groundhog Day

After Groundhog Day received a first round bye then got past Clueless in Round 1 I said that “I am busting at the seams to say everything I want to say” about it. The cool thing about Groundhog Day is that one can choose to view it from two different angles, and seeing it thru one prism doesn’t exclude a person from enjoying it thru the other. It works as a comedy based on Bill Murray’s sardonic wit, quirky supporting characters, & a unique situation. However, it really shines as an existential examination of life itself. One must realize that weatherman Phil Connors is stuck repeating the same day…depending on which theory one chooses to embrace…dozens, hundreds, or even thousands of times. One story I ran across awhile back estimated that Connors spends over thirty years in Punxsutawney just repeating February 2nd over & over & over. In that time he goes thru a whole range of emotions…confusion, bewilderment, anger, depression. He experiences it all. At first he uses the situation to his advantage, attempting to bed a beautiful woman and making a pass at his lovely co-worker Rita. Phil steals money, drives recklessly, & drinks heavily because he realizes there are no consequences for his actions. But then he becomes depressed and attempts to commit suicide multiple times. However nothing he tries works, and eventually he has a revelation. He accepts his weird circumstance and decides to use his time to learn new things, help people, become a better man, & woo Rita the right way. You see, Groundhog Day is not just another comedy…it’s a morality play about redemption, happiness, self-improvement, generosity, community, & love. American Pie got a first round bye then defeated Armageddon in Round 2, in no small part because the cast of Armageddon has been scornful of their own movie so I am not inclined to defend it if they don’t. American Pie is a generational teen sex comedy in the grand tradition of Animal House, Porky’s, Fast Times at Ridgemont High, & Risky Business. It might not be a high bar to aspire to, but then again I suppose it’s better to be remembered for gross out humor & delinquent hijinks than not be remembered at all like so many movies. The cast has gone on to do other noteworthy work, but American Pie will always be their legacy. A few sequels were made and they’re…okay…but the original stands on its own as one of the best comedies of its era.

 

The Verdict:       Groundhog Day. Much like we all enjoy watching A Christmas Story, It’s A Wonderful Life, Rudolph the Red-Nosed Reindeer, White Christmas, & a host of other classics every December, or some enjoy horror flicks, monster movies, & The Great Pumpkin in October, it has become tradition for me to watch Groundhog Day on February 2. But of course one can watch it any day of the year and it never gets old. American Pie is a solid comedy, a snapshot of an era while being simultaneously eternal, as good teen movies tend to be. It just ran into peerless competition.

 

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You’ve Got Mail                                       vs.                        Aladdin

You’ve Got Mail received a first round bye then upended The Firm in Round 2.  Greg Kinnear has carved out a nice little career for himself, with roles in charming fare like As Good As it Gets and Little Miss Sunshine. Parker Posey is oftentimes one of the only good things about a bad movie in stuff like Mixed Nuts, but also shines in ensemble mockumentaries like A Mighty Wind, Best in Show, & Waiting for Guffman. Neither star will ever shine as brightly as Tom Hanks or Meg Ryan, but they play key roles in You’ve Got Mail. Aladdin is a great film, but suffers from the same problem as The Lion King…its unavailability makes repeat viewings almost impossible. I’m not the kind of person who will love a movie just because a bunch of critics tell me I should, and I am also distrustful of snap judgements. How many times do we walk out of a movie theater heaping praise on what we’ve just watched, but a few years later we’ve never seen it again?? Conversely, how many times do we walk out of a theater thinking a movie was just alright, but a decade or two later it’s become a cult classic that we love and have watched countless times?? That’s why repeat viewings are crucial in my opinion. There are so many factors that play into one’s enjoyment of a movie that I truly believe it often takes time for appreciation to develop. Robin Williams was brilliant and his performance makes Aladdin great…but that is an opinion that I formed 25 years ago and I can’t be sure that it hasn’t changed. A live action remake with Will Smith as The Genie is scheduled to hit theaters next spring, and I’ll probably check it out.

 

The Verdict:       You’ve Got Mail. It’s not a perfect movie, but it is delightful enough to be on TV quite often and I’ll usually watch when it is on. Aladdin…well…it doesn’t have that advantage.

90’s Film Frenzy: Fly Round 3

In the early rounds of 90’s Film Frenzy I provided y’all with as much information as I could about each movie, including the big stars we allegedly flock to the theater to see. That is all well & good, but I think there is much more that goes into one’s enjoyment of a film. The old adage is that little things mean a lot, and we shouldn’t overlook all the small things that can add up to a movie really being a fun experience. What’s the setting?? Is it a small town, big city, or foreign locale?? Don’t forget about music. I happen to think that a film’s soundtrack can be a huge contributor to its success. And while everyone focuses on the lead actors I feel like we should give some love to those with supporting roles and even the “character actors” who might only have a scene or two but make the most out of it. These are some of the things I am focusing on in the third round of this competition.

 

 

 

 

 

 

Forrest Gump                                vs.              Die Hard: With A Vengeance

After receiving a first round bye Forrest Gump got past Presumed Innocent in Round 2 in a contrast of two films based on novels. As good as Presumed Innocent the movie is the book is way better. Conversely, I’ve heard mixed reviews of Forrest Gump the book, to the point that I’m afraid to read it and have it ruin my feelings about the movie. The book’s author actually wrote a sequel called Gump & Co., but thus far it hasn’t been translated to film and it probably won’t be, especially since Tom Hanks has expressed misgivings about portraying the title character again. My affection for Forrest Gump is such that I am amazed that it isn’t universally loved, but there are detractors out there. It’s 72% Rotten Tomatoes score is good, but nowhere near some other films in the competition that have ratings of 90% or more. Some folks think it is manipulative, overly sentimental, tiresome, & not as historically accurate as it could’ve been. There is no shortage of people who believe that Pulp Fiction or The Shawshank Redemption should’ve won the Academy Award for Best Picture as well as the Oscars for Best Actor & Best Director. I disagree with all of that. Even my father loves Forrest Gump, and trust me…Dad & I rarely share similar tastes in entertainment. Die Hard: With a Vengeance wouldn’t even be in this competition if it had been the final Die Hard film since trilogies are disqualified. Alas, two additional (subpar) movies were made in the series with one last hurrah allegedly on the way, so Vengeance gets its well-deserved kudos. The difference between this third entry and its predecessor…1990’s Die Hard 2…is the addition of Samuel L. Jackson as Detective McClane’s reluctant sidekick. It was Jackson’s follow-up to Pulp Fiction and immediately preceded his role in A Time to Kill, meaning he was on a pretty good roll at the time. The filmmakers knew they had to mix things up in the third film because Die Hard 2 was a fairly tepid rehash of the original premise. Jackson breathes new life into the story, injecting additional humor & attitude. He & Bruce Willis play off of each other quite well.

 

The Verdict:       Forrest Gump. Though it made it into the competition thru a loophole, the fact is that Vengeance isn’t nearly as great as the original Die Hard. Sequels are tough. They (usually) get made because the first movie was so good and made a lot of money, but that will always mean unfair comparisons right from the start. Forrest Gump is like a golfer that always finishes second in major tournaments…as good as it is there are people all too willing to point out its flaws. But whether or not you believe it deserved all the accolades it received back in 1994, the fact is that being the #1 film at the box office & winning a half dozen Academy Awards isn’t something I can overlook, especially when it comes to a movie that I stop everything to watch almost every single time it is on TV.

 

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The Fugitive                                   vs.              The Wedding Singer

This is a tough one. I love The Wedding Singer because of its many nods to 80’s pop culture that stir up memories of my long lost youth. The soundtrack is fantastic, with songs from the likes of Culture Club, The Police, Elvis Costello, The Thompson Twins, Billy Idol (who also has a fun cameo in the movie), Spandau Ballet, Hall & Oates, The Cure, Kool & The Gang, Bruce Springsteen, and a few others. That’s quite a lineup. I also want to give a nod to brief appearances by Jon Lovitz & Steve Buschemi. I normally find Lovitz unamusing and mostly dreadful, but his scene in The Wedding Singer is actually quite entertaining. I’m kind of surprised that someone didn’t come up with the idea of a sequel starring Buschemi & Lovitz as new wedding singers. It is my understanding that the film was adapted into a stage musical (kind of a reverse Rock of Ages situation), and I must say that I’d totally go see that show. The Fugitive got past Joe Versus the Volcano in Round 2, which broke my heart because I feel like JVtV is a profound & underappreciated gem. Conversely, appreciation abounds for The Fugitive, with a damn near perfect 96% score from the critics and seven Oscar nominations. I’ve watched The Fugitive countless times, but there is a scene in which Dr. Kimble finds himself in the stairwell of a huge building facing off against Lt. Gerard before narrowly escaping thru downtown Chicago’s St. Patrick’s Day Parade, and no matter how many times I’ve seen it I still feel a palpable sense of drama and tension. Actually there are a few scenes like that, and when a filmmaker can still make the viewer buy into the suspense even when we’ve seen it a bunch of times and know exactly what’s going to happen…well folks, that’s what I call great entertainment.

 

The Verdict:       The Fugitive. These choices are becoming harder & harder, but sometimes I’ve got to pick nits. Ninety percent of the time I’ll lean toward an easygoing comedy, and The Wedding Singer gets bonus points for fantastic music & delightful Sandler/Barrymore chemistry. However, The Fugitive is special. It creates drama without a lot of gratuitous violence, and there is really only one big, explosive action sequence. The rest is just brilliant writing and superb performances.

 

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Billy Madison                                 vs.              Office Space

Back to back Sandler…which nowadays would be a cringe worthy waste of time, but two decades ago that wasn’t the case. Unlike The Wedding Singer, which is a more subdued & pleasant performance, Billy Madison is full on Sandler being Sandler, playing the kind of infantile ne’er-do-well that has largely defined peoples’ perception of him as an actor. This film & Happy Gilmore will always be the first two things that pop into the average cinephile’s mind when Sandler is the topic of conversation, and I don’t think that’s such a terrible thing. Fans of The West Wing will appreciate Bradley Whitford’s appearance as devious businessman Eric, Billy’s nemesis. Christmas film aficionados will delight in seeing A Christmas Story’s Old Man…Darren McGavin…as Billy’s wealthy yet exasperated father. I’m somewhat surprised that the vivacious Bridgette Wilson (wife of tennis legend Pete Sampras) never became a big star, but Billy Madison & 2001’s The Wedding Planner are among her few career highlights, and she hasn’t done any notable acting work since 2008. Office Space got a first round bye before beating out Spielberg’s expensive flop Hook in Round 2. According to my limited research the definition of a cult classic is…flexible…but typically focuses more on obscure & unconventional films shunned by the mainstream. Office Space would seem to qualify since it made less than $11 million during its theatrical run. In comparison, the budget for 1999’s highest grossing film… Star Wars: Episode I – The Phantom Menace…was over $115 million and it made $431 million. But Office Space would find new life on home video and come to be appreciated by anyone who has ever worked in an office environment, which is obviously a lot of people. It is one of the most quotable films of the 90’s, and has characters & situations that are very relatable. Jennifer Aniston was & is the film’s biggest star since she was right in the middle of her run on the hit TV show Friends at the time and has become even more well-known in the ensuing years, but other cast members like Ron Livingston, Stephen Root, Gary Cole, Diedrich Bader, & John C. McGinley have had solid careers (mostly on television). Like most of the general public movie critics pretty much ignored Office Space at first, but once it gained traction and reviews were written they were mostly favorable.

 

The Verdict:       Office Space. I’ve had several people tell me over the years that they thought I’d enjoy popular sitcom The Office, the original British incarnation of which premiered in 2001 and surely had to be somewhat influenced by the movie. However I must admit that I’ve never watched either version of The Office because I’m pretty old-fashioned and prefer multi-camera sitcoms with a live studio audience & laugh track…I just can’t embrace single camera sitcoms like The Office, Modern Family, Young Sheldon, & It’s Always Sunny In Philadelphia. I know I know…I’m probably missing out. At any rate, I can get my fix of corporate culture humor anytime by watching Office Space, and that’s good enough for me.

 

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Grumpy Old Men                                    vs.              Father of the Bride

There’s a Twix commercial that’s getting a lot of play on TV these days that amusingly compares ghosts & spirits, janitors & custodians, and morticians & undertakers, and these two movies could merit a similar appraisal. Both are amiable comedies that did well enough to spawn affable sequels. Both star older comedic actors instead of hot young Hollywood flavors of the month. Both did surprisingly well at the box office, while critics liked but didn’t love both films. I absolutely adore both films and will watch them whenever they’re on television, and sometimes I’ll stream one or the other when I’m bored & in the mood for a good flick. These are what I call comfort food movies. They warm the cockles and make me smile, which is all I really need a movie to do.

 

The Verdict:       Father of the Bride. I have decided against the cop out of a tie and will let the numbers be a tiebreaker. Father of the Bride did slightly better at the box office and the critics like it just a skosh more, so I defer to the will of the people. Personally I think both films are winners.

90’s Film Frenzy: Dope Round 3

As we begin Round 3 of 90’s Film Frenzy the field has been whittled down from 100 to 32 combatants. The bad news is that now choosing a winner becomes alot more difficult. The good news is that going forward my intention is to be much less verbose. It has always been my aim to keep posts here at The Manofesto fairly brief & readable, but I was uncomfortable with the idea of breaking down this competition into anything other than rounds & divisions lest the whole idea become a jumbled mess. Unfortunately that has meant some pretty lengthy entries thus far. However, at this point I believe you have all the essential information about each movie. You know release dates, the main cast, & director(s). I’ve given you quotes and trivia. We’ve talked about box office performance, awards, & critics’ reviews. From here on out it is a matter of separating the contenders from the pretenders and seeing which film will stand out from an impressive crowd.

 

 

 

 

 

Titanic                                             vs.                                 Father of the Bride Part II

After receiving a first round bye Titanic overcame stiff Round 2 competition and defeated Saving Private Ryan. I’m a sucker for biopics and anything historical (except for war movies…obviously), and since the 1912 Titanic disaster had been of interest to me from a young age I was all about this movie back in ’97. DiCaprio & Winslet are perfect as the two leads, but let’s talk about the supporting cast. Kathy Bates as “Unsinkable” Molly Brown. Gloria Stuart as “Old” Rose, a performance for which Stuart became the second oldest person to receive an Oscar nomination (though she lost to Kim Basinger for L.A. Confidential). Victor Garber as Thomas Andrews, the shipbuilder who is devastated by the fatal flaw he never fathomed. Bill Paxton as a greedy treasure hunter digging around the remains of the ship whose perspective is changed by Rose’s emotional recounting of the doomed voyage. The framing device of an expedition exploring the sunken ship with the aid of an immersible is a nice touch mirroring real life explorations of the wreckage. Celine Dion’s song My Heart Will Go On is only heard during the closing credits but became part of the total package of the film’s success and was a #1 hit all across the world. Father of the Bride II has beaten two people…Bob & Mary, to get to this point. It got past What About Bob? In Round 1, and upset There’s Something About Mary in the second round. I am well aware that there is no shortage of people who might consider those two films superior to FotB2, especially Mary. I’m just not much for gross out humor, and while some might think a guy getting his junk caught in a zipper hilarious I just find that scene uncomfortable to watch. At any rate, FotB2 takes the premise of its predecessor in a…different but fun direction. There are a couple of really funny scenes…one where George Banks takes a powerful sleeping pill just as his daughter is going into labor, and another when he’s feeling old and colors his hair, freaking out his wife in the process. I know a lot of folks take issue with the way that Martin Short’s eccentric wedding coordinator from the first film is shoehorned into the sequel, but let’s face it…Franck is responsible for atleast half of the laughs in both movies, and it works. Short & Martin are a great duo. Like its predecessor FotB2 isn’t really laugh-out-loud funny as much as it is heartwarming & cozy. It isn’t particularly quotable and critics really disliked it, but for me it’s one of those reliable, tried & true, go-to movies when there’s nothing better to do than chill out with a good flick.

 

The Verdict:       Titanic. As much as I love Father of the Bride II it just doesn’t stand up to the competition. Eleven Academy Awards and over a decade as the highest grossing film of all time is hard to ignore.

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My Cousin Vinny                                    vs.                                 Independence Day

Independence Day defeated Silence of the Lambs and Swingers in a second round triple threat match after receiving a first round bye. While Will Smith is the big star I am personally fonder of Jeff Goldblum’s performance as a tech expert, Judd Hirsh’s turn as Goldblum’s father, & Randy Quaid as a crazy, alcoholic former fighter pilot. It is those kinds of supporting performances that can take a movie to the next level. Obviously, as a prototypical summer blockbuster there are lots of explosions, mayhem, action, & destruction, but one of the issues that I’ve always had with such movies is that I need more. I need good writing, interesting characters, and a credible premise that makes me care about what happens. Independence Day may not rise to the level of Jaws when it comes to those things, but meets the criteria well enough. Setting it against the backdrop of the holiday that celebrates American freedom while also blowing up The White House and making The President one of its central heroes provides what otherwise may have been just another disaster movie with a sense of patriotism, akin to how Halloween isn’t just another random slasher flick because of the holiday it represents, which is kind of brilliant. My Cousin Vinny beat Speed in the second round after receiving a first round bye, and now finds itself in a similar battle. Joe Pesci has done a little bit of everything in his career, and while he may be best known for tough guy gangster roles in films like Raging Bull, Goodfellas, & Casino, I actually prefer him in lighter fare like the Lethal Weapon series & Home Alone, and he is perfectly cast as fledgling attorney Vincent Gambini. Marisa Tomei famously won the Oscar for Best Supporting Actress for her role as gum smacking car expert Mona Lisa Vito, a rare award for comedy. One of the two guys on trial in the movie is portrayed by Ralph Macchio, who we obviously all remember from The Karate Kid, and the other is played by an actor named Mitchell Whitfield, who really hasn’t done much else worth noting in his career. Honestly those roles could’ve been played by any two random actors because they really aren’t that important after the initial premise is set up, but I understand casting a known face like Macchio, even if his talent is pretty much wasted. The hidden gem of My Cousin Vinny is Fred Gwynne as the judge. Gwynne is most famous for his role as family patriarch Herman in the 1960’s TV show The Munsters, so to see him without monster makeup and using a southern accent is rather amusing. His interactions & exasperation with Vinny are some of my favorite scenes in the movie.

 

The Verdict:       My Cousin Vinny. This is mainly about my preference for comedy over action, although the critics happen to agree with me. Independence Day made a ton of money back in the day, and it’s fine for what it is. However, in hindsight perhaps the powers-that-be tried to cram a bit too much into it at the expense of character development. Vinny is well-written & performed, and it doesn’t rely on potty humor, gross-out gags, sex, or profanity. It creates a farcical (yet quasi-plausible) situation and great characters and sharp dialogue to tell a funny story.

 

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Sleepless in Seattle                      vs.                                 Dumb & Dumber

 

Sleepless in Seattle is the second and most well-known of three Hanks/Ryan collaborations. After receiving a first round bye Sleepless defeated Galaxy Quest in Round 2, mostly because I think it is more accessible and appeals to a wider audience. Bill Pullman portrays the sickly fiancé of Ryan’s character Annie, and he seems more adept at comedic roles than in more serious fare. I kinda sorta identify with the character’s offbeat sense of humor, his perceived fragility, and the fact that I could totally see a hot babe ditching me for someone more charming & handsome. The kid in the movie was actually a recast after the first child actor just didn’t work out, and he plays the part well enough. Rosie O’Donnell, whom I have grown to detest since she became an outspoken political nutjob, was just a comedic actress in the early 90’s, a few years away from hosting her eponymous daytime talk show. Her role as the requisite best friend is necessary & amusing. Dumb & Dumber is probably the best of the Farrelly Brothers filmography, unless one chooses to throw in a memorable fourth season episode of the TV sitcom Seinfeld called The Virgin, which the brothers wrote. Jeff Daniels is another actor (like Bill Pullman) who should do more comedy because he’s actually quite funny. I know Jim Carrey gets all the attention, but this movie wouldn’t be nearly as good without Daniels. I first became enamored with actress Lauren Holly when she co-starred in an underrated CBS dramedy called Picket Fences in the early 90’s, but her spotlight grew brighter in the midst of that show’s run when Dumb & Dumber hit theaters. For some reason she never quite became a huge star though, and in recent years has once again been doing supporting roles on television. She essentially plays the straight man to both Carrey & Daniels in this movie, but she does it well and is certainly easy on the eyes. I must admit that, though I had every intention of heading to my local cineplex back in 2014 to check out the sequel Dumb & Dumber To I never made it and haven’t sought it out in the ensuing years, which is very instructive in analyzing my lukewarm affection for the original. A prequel was made back in 2003, but I didn’t bother and I don’t think many others did either.

 

The Verdict:       Sleepless in Seattle. I love Tom Hanks. I love Meg Ryan. I love Hanks & Ryan together. Both have moved on in their careers and tend to pursue more somber roles these days, but this is their wheelhouse and if they were to ever make another movie together…even though both are 60-ish now and not nearly as adorably appealing as they were 25 years ago…I’d be amongst the first in line at the theater. Dumb & Dumber is a movie I have watched a few times over the years, but it’s not an automatic tune in if I’m channel surfing…I have to be in just the right kind of silly mood.

 

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American Beauty                                    vs.                                 The Birdcage   

I realize that Kevin Spacey is persona non grata in Hollywood at the moment, his career having been mowed down by the #MeToo gestapo. It isn’t my intention to minimize anything odious that someone may have done or to put any unworthy person on a pedestal, but our purpose here is to chill out, have fun, & discuss movies, and Spacey is a brilliant actor who has done some great movies. He is the absolute best part of American Beauty, although…in retrospect…the subplot about him having a thing for a high school cheerleader feels unnecessary. I’ve never had the high paying job, beautiful wife, cute kid, or nice house that Lester Burnham has, but I am at an age now where I can understand the point at which a middle aged man looks at his life and just kind of snaps. Fortunately he loses it in a non-violent, mostly hilarious way, although the idea of emptiness & desperation is still properly conveyed. American Beauty is, at its core, an examination of the fraudulent façade of middle class suburbia, where so many folks who appear to be living the dream are actually drowning in despair. The ending of the movie is a bit of a downer, but when one ponders how the entire film could have been really depressing given the subject matter yet chooses a more lighthearted approach the conclusion becomes not only tolerable but feels almost necessary. The Birdcage is a blueprint that more entertainments should follow if they are hellbent & determined use their bully pulpit to dive into the sociopolitical abyss. It is a story told thru an obvious prism with a fairly clear perspective, but it never feels sanctimonious or divisive. There are some that feel like homosexuality is represented using the most extreme stereotypes, and others that have the same issue with the way conservatives are depicted. All of that is probably true, but the film is a farce, so I take no issue with how the characters are written or portrayed. Robin Williams is brilliant, and a cast that also includes Gene Hackman & Nathan Lane has more than their fair share of fun moments. There is a great supporting character named Agador Spartacus portrayed by the very talented Hank Azaria that almost steals the show. Azaria has done voices on The Simpsons for almost three decades and had small roles in movies like Along Came Polly & Dodgeball. He’s the kind of actor that’s never going to carry a film or become a huge star, but is often one of the most memorable parts of whatever he is in.

 

The Verdict:       The Birdcage. I make no secret of my affection for Robin Williams, so admittedly he has an advantage over a lot of other performers…even Kevin Spacey. This is a tough call, and I concede that American Beauty has a better pedigree, including five Academy Awards. However, there are a couple of things that bother me about it. First is the whole subplot about the creepy next door neighbor and his retired military officer father. Lester Burnham, his wife Carolyn, & their glum daughter Jane are interesting enough characters…we didn’t need weird neighbors thrown into the mix. Secondly, any film that’s been mostly fun throughout but concludes with the main character getting a bullet put into his head leaves an odd impression. I get it. The filmmakers were weaving a complex story with various profound insights about life, which is fine. I actually like that sort of thing. I just feel like they got a little too cute in an effort to be esoteric, especially at the end. Conversely, The Birdcage is just good old-fashioned fun. It ends with Gene Hackman in drag dancing thru a gay nightclub to the sounds of Sister Sledge’s We Are Family. How great is that?!?!??