100 Memorable Movie Characters…Part 1

 

“Everything I learned I learned from the movies.” Audrey Hepburn

About a year & a half ago…prompted by a longtime citizen of The Manoverse…we examined my 100 Memorable TV Characters. I knew back then that we’d eventually get around to talking about characters in feature films, but it was an idea that needed to percolate for awhile, and now it’s time to pull the trigger.

Television characters are rather easy to ponder. They come into our living rooms on a weekly basis for 5-10 years (give or take, and then we may watch reruns for decades). We get to know them. Their personalities…quirks, idiosyncrasies, & relationships…grow & evolve. They interact with a number of people in a variety of situations. Over the years they become something akin to imaginary friends, or in the case of villains & anti-heroes people we love to hate. In time such characters make an impact on our lives and become…within their fictional sphere of influence…somewhat legendary.

Conversely, movie characters don’t have the same opportunity to make an impression. Oh sure, we may get to know some over the course of a trilogy or series comprised of  multiple films, which undeniably provides such characters with an advantage in rankings like this, but most get one shot to make us remember them. It certainly helps if the movie itself is good and/or popular and becomes the kind of film that people watch over & over again years after its theatrical run, but even then movie characters have much less of a chance to crawl under our skin & make a lasting impression. For example, Harry Potter led eight films encompassing about 20 hours of screen time, while JR Ewing of Dallas was on television for about 357 hours over 14 years. Now I grant you, movie characters have a much bigger canvas. ..$100 million budgets, special effects, & more freedom to do really cool stuff or go to awesome locations television shows just cannot afford. But let’s face it…dozens of expensive films come & go from our local cineplex every year and disappear into the ether, rarely to be seen or spoken of again by the masses. So I submit to you that it takes a lot more than bucket loads of cash or cutting edge technology to make a movie character stand the test of time.

What exactly makes a character memorable?? Well, if I knew the correct answer I’d be pretty wealthy, but I suppose I do have a few opinions.

*It’s all about the writing. A well written character with snappy dialogue is a good jumping off point.

*Let’s not overlook the role of a casting director. I have no idea about the ins & outs of their daily grind, but matching what they read in a script to a performer who can bring those words to life seems like an important piece of the puzzle. Should the part be played by an unknown actor looking for their big break, or is there a beloved big screen icon who’d be perfect for the role?? I am always intrigued by stories written years later about various actors who turned down this or that movie, because it’s really interesting to imagine a different performer playing a character made famous by someone else.

*We cannot look past the costume designer. There is no shortage of fondly remembered movie characters well-known for their signature look, whether it is an accessory they always wear, a uniform they are rarely seen out of, a unique vehicle they drive, or some other visual that becomes an identifier. If kids are dressing up like a movie character at Halloween then someone somewhwere did something right.

*The value of a character’s name cannot be overstated. An Oscar winning actor might give the performance of a lifetime in a movie that makes a bazillion dollars, but if the character is named John Smith or Jennifer Jones they’re behind the proverbial 8-Ball when it comes to being remembered.

*Professional wrestlers play one of two roles…their character is either a babyface (good guy) or a heel (bad guy). Wrestlers want one thing when they perform in front of a crowd…a reaction. Whether a face is getting cheered or a heel is getting booed, as long as the crowd reacts one way or the other it’s all good. The concept is similar with film characters…whether we love them or hate them, cheer for them to overcome the odds or relish in their demise, the key is that moviegoers have some kind of reaction. Indifference is undesirable.

As was the case with TV characters, the fact is that my taste in movies is unique & as limited as anyone else’s, therefore universal agreement on this list is unlikely. There are allegedly great movies that I’ve never seen or didn’t particularly enjoy. You will not see Indiana Jones here because I have never watched one minute of any of those films. Y’all should know by now what kinds of movies I prefer, so don’t expect to see many action heroes or psycho killers from slasher flicks. Another thing you won’t see are characters from Christmas films because Santa Claus & George Bailey received love from me a few years ago.

A couple of things surprised me while working on this project. First of all, I’ve always heard actresses complain about lack of great roles for women, and I’ve got to admit that they may have a point. There are just over a dozen ladies on the list, and a few of those are part of a couple. It is likely that, as a guy, my attention leans in the direction of male roles, but I think there’s more to it than that. Secondly, as big of a sports fan as I am I couldn’t help but notice that only a few characters from treasured sports movies felt worthy of inclusion, which I never would’ve guessed at the outset.

I’ve decided to dive in by giving you just a small sample of what is to come, so we will begin with the first ten names to make the cut.

100   James Bond (various films)
Full disclosure: I have never actually watched any of the two dozen Bond films produced in the past sixty years. However, I feel like I have enough of a grasp of the character’s essence, and that he is a such a significant part of the pop culture zeitgeist that I cannot in good conscience leave him off the list. A British secret agent is a rather epic launchpad, and it doesn’t hurt when guys like Sean Connery, Roger Moore, & Pierce Brosnan bring him to life. Author Ian Fleming was an avid birdwatcher and borrowed the character’s name from a real life ornithologist who was an expert on birds of the Caribbean.

Quotes

“Bond…James Bond”

“A martini…shaken, not stirred”

99     Shooter McGavin (Happy Gilmore)

Golf villains aren’t really a thing, right?? I suppose Caddyshack and some other movies have portrayed country club types as uptight snobs, but that’s usually as far as it goes. Shooter McGavin takes things to a whole new level, albeit in a comedic way. He’s the top pro on the PGA Tour and has zero respect for oddball newcomer Happy Gilmore. A rivalry quickly develops, with Shooter buying the repossessed house of Happy’s grandmother at an auction & hiring a deranged fan to run over Happy with a car.

Quotes

“I eat pieces of shit like you for breakfast!”

98     Catherine Tramell (Basic Instinct)

With a single crossing of her leg Sharon Stone became an overnight sensation. History would prove the actress to be little more than a flash in the pan (pun unavoidable), but coldblooded sexpot Catherine is unforgettable. There was a sequel produced fourteen years later, but it was a box office bomb.

Quotes

“Killing isn’t like smoking. You can quit.”

“I’d have to be pretty stupid to write a book about killing and then kill somebody the way I described it in my book. I’d be announcing myself as the killer. I’m not stupid.”

“I finished my book. Didn’t you hear me? Your character’s dead. Goodbye. What do you want…flowers? I’ll send you an autographed copy.”

97     Lt. Col. Bill Kilgore (Apocalypse Now)

The cast of Apocalypse Now is incomparable. Marlon Brando. Martin Sheen. Dennis Hopper. Harrison Ford. Lawrence Fishburne. GD Spradlin. But in my humble opinion it is Robert Duval’s Kilgore that pops off of the screen.

Quotes

“I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ’em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill. Smelled like . . . victory. Someday this war’s gonna end.”

96     Joan Crawford (Mommie Dearest)

Joan Crawford was a real life actress in mid-20th century Hollywood, but I think it is a fair assessment that nowadays she is probably best remembered for the memoir written by her adopted daughter Christina that painted Crawford as an alcoholic & an abusive mother. The book was adapted into a film in 1981, with Faye Dunaway in the lead role. I cannot pass judgment on the veracity of what Christina Crawford wrote, but if Joan Crawford was even half as crazy as what is portrayed in the movie it is difficult to imagine growing up in that household. Dunaway won a Golden Raspberry for Worst Actress and made entire generations of people unable to look at wire hangers the same way ever again.

Quotes

“NO… WIRE… HANGERS! What’s wire hangers doing in this closet when I told you NO WIRE HANGERS, EVER?! I work and work ’til I’m half-dead, and I hear people say, ‘She’s getting old.’ And what do I get? A daughter… who cares as much about the beautiful dresses I give her as she cares about me! WHAT’S WIRE HANGERS DOING IN THIS CLOSET?! ANSWER ME! I buy you beautiful dresses, and you treat them like they were some dishrag! You do! $300 dress on a wire hanger?”

95     Alex Forrest (Fatal Attraction)

Well, there may not be enough great roles for women in Hollywood, but as long as the “crazy chick” trope is alive & well they’ll have a few solid opportunities. Alex is the nutjob that Michael Douglas has sex with in an elevator, who then becomes obsessed with him & stalks his family. Ever hear the term “bunny cooker”?? It originated with Fatal Attraction & Alex Forrest.

Quotes

“We were attracted to each other at the party…that was obvious. You’re on your own for the night…that’s also obvious. We’re two adults.”

“Well, what am I supposed to do? You won’t answer my calls, you change your number. I mean, I’m not gonna be ignored, Dan!”

94     Napoleon Dynamite (Napoleon Dynamite)

Perhaps I’m too old, or maybe just obtuse, but I don’t really get this movie. Having said that, the titular character as portrayed by Jon Heder is so…unique…that he does make me chuckle, and he has a few quotable scenes that have withstood the relentless march of time.

Quotes

“Sorry I’m late. I just got done taming a wild honeymoon stallion for you guys.”

” I caught you a delicious bass.”

“Pedro offers you his protection.”

93     The Hanson Brothers (Slapshot)

Paul Newman may be the star of Slapshot, but three dimwitted hockey goons steal the show. The plot centers around a minor league team on the verge of folding, so an idea is hatched to put all that winning & losing stuff aside and focus on entertaining the crowd with violence. Enter the fierce trio with shoulder length hair & horn-rimmed glasses. Their “look” contrasted with the aggression they display on the ice and their childish demeanor off the ice is an amusing blend, and I think it helps that the young men portraying the characters were real hockey players, and more importantly not professional actors.

Quotes

“Hey ya think they show Speed Racer here?”

92     Max Goldman & John Gustafson (Grumpy/Grumpier Old Men)

Walter Matthau & Jack Lemmon famously brought Neil Simon’s Odd Couple duo of Oscar Madison & Felix Unger to the big screen in 1968, but a quarter century later they reunited as two old codgers in the frozen tundra of Minnesota who have been frienemies since childhood. Max & John insult each other, play ultimately benign pranks, & have similar taste in women. It’s delightful family fun, and one can’t help but like these guys.

Quotes

“Hypothermia’s a bitch. It ain’t quick like a stroke.” (Max)

“Morning, dickhead.” (Max)   “Hello, moron.” (John)

“If my dog was as ugly as you, I’d shave his ass and teach him to walk backwards.” (Max)

“I am the gangster of love” (Max) “Gangster, huh? So tell me, was it more of a hold up than a stick up?” (John)

91     Peter Gibbons & Bill Lumbergh (Office Space)

A shoutout to my former colleague Brad, who introduced me to Office Space a year or two after its fairly uneventful & mostly unprofitable theatrical release. The movie is populated with colorful characters, but two stand out. Anyone who has ever had a mundane, soul sucking, white collar job can identify with Peter, a guy who is drowning in misery until a session with a hypnotist goes awry, leaving him with the newly tranquil philosophy “it’s not that I’m lazy…it’s that I just don’t care”. Lumbergh is how many people perceive their boss…mostly oblivious, slightly dense, & completely unappreciative, focused solely on forcing underpaid employees to sacrifice their lives for the company. Obviously the movie is satire…most employees aren’t quite as despondent as Peter, and most supervisors aren’t a total dufus like Lumbergh. However, I believe that a big reason that Office Space found new life on home video and became a “cult classic” is that there are strains of truth running thru the film, and we see a bit of our own professional lives reflected in such a way that we get a good laugh out of it.

Quotes

“Human beings were not meant to sit in little cubicles staring at computer screens all day, filling out useless forms and listening to eight different bosses drone on about mission statements!” (Peter)

“Ah, ah, I almost forgot… I’m also going to need you to go ahead and come in on Sunday, too. We, uhhh, lost some people this week and we sorta need to play catch-up. Mmmmmkay? Thaaaaaanks.” (Lumbergh)

“I did absolutely nothing and it was everything I thought it could be.” (Peter)

“If you could do that, that would be great.” (Lumbergh)

“I was sitting in my cubicle today, and I realized, ever since I started working, every single day of my life has been worse than the day before it. So that means that every single day that you see me, that’s on the worst day of my life.” (Peter)

“I’d say in a given week I probably only do about fifteen minutes of real, actual, work.” (Peter)

“Oooo…yeahhhh, ummm…I’m gonna have to go ahead and sort of disagree with you there. Yeah, uh, he’s been real flaky lately, and I’m just not sure that he’s the caliber person that we would want for upper management. He’s also been having some problems with his TPS reports.” (Lumbergh)

“That’s my only real motivation is not to be hassled, that and the fear of losing my job. But you know Bob, that will only make someone work just hard enough not to get fired.” (Peter)

That’s all you get for now!! We’ll be back soon with the next installment of our countdown.

100 Favorite Movies…..6-10

Finally. After over a year we have entered hallowed ground…The Top 10. This will be the last group of five, as I will give each of the top five movies their own entry. Part of me is actually a little sad that this series is almost over because I have had so much fun writing it and doing a self-examination of my own tastes. We’ll do it all again in one form or another in a few years, but until then enjoy the remaining entries, and as always thanks so much for visiting my little corner of this wonderful thing we like to call The Info Superhighway. Fear not, because I have much more to say on a variety of topics.

 

 

 


10 The Godfather Part II

As we have covered a few times in this series, sequels are often a very risky proposition. From a business perspective I understand why they are made, but from a creative standpoint and through the prism of the viewing public it is difficult to not fall into the trap of being lazy, repetitive, and uninspired. Too often we see sequels that are just retreads of the original…same stunts, same gags, same jokes, same effects. Or worse yet, the powers-that-be try to make a sequel where few of the original actors or characters remain and they are only borrowing a broad concept or theme with very loose ties to its predecessor. The Godfather Part II is not a victim of any of these issues. It is quite possibly the greatest sequel ever made. It was the first sequel to win the Academy Award for Best Picture, a feat that has only been matched once since with 2003’s third part of the epic Lord of the Rings Trilogy, The Return of the King (movies that will likely make it onto this list next time around). Mario Puzo’s 1969 novel The Godfather is the source material for both the first and second movies in this trilogy and is a great read. I recommend the book to anyone who enjoyed the movies. However, this is a rare case where I must say that the greatness on film exceeds what one finds on the written page. Part II is fascinating, as it shows us two different stories at the same time. We follow Al Pacino‘s Don Michael Corleone as he moves the family business to the left coast in the 1950’s, making his home in Lake Tahoe while simultaneously trying to become a major player in Vegas, which of course mirrors the real life exploits of infamous gangster Bugsy Seagal. Meanwhile, in turn of the century Sicily we see little Vito Corleone‘s parents killed and his escape to Ellis Island. The adult Vito is then played by Robert DeNiro in a performance that won him an Oscar for Best Supporting Actor, the only time that two different actors (Marlon Brando got the nod for Best Actor in the original film) have received Academy Awards for the same role. Vito gets married, has a family, meets new pals Tessio & Clemenza, and quickly rises from small time NY City hood to nationally known, feared, and respected organized crime boss. Flash ahead to the 50’s and we see Michael’s attempt to bring his empire to Cuba, his double cross of rival gangster Hyman Roth and Roth’s henchman The Rosato Brothers, United States Senate hearings with Michael as the chief target that mirror the real life Kefauver investigation of the mob, and the revelation that Michael’s older but dimmer brother Fredo betrayed him which resulted in an assassination attempt and ultimately ends up with Michael having his own brother murdered. I love love love Al Pacino and this movie is neck & neck with Scent of a Woman as his best role. In the original Godfather film he shares the spotlight with Marlon Brando and James Caan, but here he goes toe to toe with DeNiro in what may be his best role as well. The supporting cast is superb, with Talia Shire, Robert Duval, and Diane Keaton returning from the first film and acting legend Lee Strasberg coming out of retirement to portray Hyman Roth. My favorite character though might be Frank Pentangeli, a Corleone family caporegime who replaces Clemenza, a development dictated by a dispute with the actor who played Clemenza. Frankie Five Angels is just tremendous…funny, ham-handed, erratic, and most of all unique. I am not sure Part II would have been quite as good with Clemenza as it ends up being with Pentageli. The flashback sequences with the younger Vito are done completely in Italian, a risky move by director Francis Ford Coppola that pays off. Emulating real events like the coup in Cuba, U.S. Senate hearings, and the mafia infiltration of Las Vegas is a nice touch. There are a significant number of people who rate the The Godfather Part II above its predecessor and say that it is the only sequel in movie history that is actually better than the first film. I can’t go that far for reasons which I will eventually explain. Nevertheless it is an extraordinary achievement and those responsible for it…Coppola, Puzo, Pacino, DeNiro, and many others…can be very proud of what they were able to accomplish. The story arc of the rise & fall of Michael Corleone is truly one of the most inspired ideas in cinema and has been endlessly entertaining for me and millions of others for over 35 years.

 

 


9 Die Hard

I know I have said it before but it bears repeating…I am not an action flick aficionado. Most anything starring Stallone, Schwarzenegger, Van Damme, Seagal, or Chuck Norris just doesn’t frost my cupcake. I have never seen a James Bond film in its entirety. Indiana Jones has never graced a screen big or small in my presence. But as with any rule there are exceptions, and this is the biggest one of them all. 1988’s Die Hard finds Bruce Willis starring as John McClane, a NY City cop whose marriage is on the rocks because his wife took a corporate gig in Los Angeles and now lives there with the kids, estranged from her husband. She invites him out to the Left Coast for Christmas to visit the children and maybe smooth things out. However, upon arriving at the wife’s company Christmas bash near the top of an unfinished skyscraper McClane finds himself the lone wolf fighting against a contingent of foreign terrorists who invade the party, kill the CEO, and hold everyone else hostage. The bad guys are unaware of McClane’s presence and even when he does make himself known he does not reveal that he has the skills to fight back. Soon enough the LAPD and the FBI are involved. There is lots of shooting and explosions, but thankfully they are accompanied by a good story and surprising levity for an action movie. I think maybe that’s why I like it…the humor sets Die Hard apart from others in the genre, who tend to take themselves too seriously. Don’t misunderstand…Die Hard is a serious movie about terrorism and one man’s battle to save the life of his beloved wife, but along the way we get airheaded FBI agents (agent Johnson and Special Agent Johnson), a limo driver that personifies the generation gap between himself and McClane, and the Dad from Family Matters, an 80’s sitcom best known for its nerdy star Urkel, who bonds with McClane over the two-way radio. We also get Hans Gruber, one of the most memorable villains in movie history. Gruber is portrayed by Alan Rickman, who is widely known today as Professor Snape in the Harry Potter films. But in 1988 he was an unknown who ended up creating such a great character. It is implied that Gruber is a ticked off German who has taken over Nakatomi Plaza for political reasons. However, we eventually learn that he is nothing more than a thief whose goal is to steal a half billion dollars worth of bonds, destroy the building making everyone think the terrorists perished as well, and escape with the loot. It is an ingenious plan, and Gruber seems to know everything that will happen. He especially knows the playbook of the police and the feds, who are portrayed as predictable buffoons. But what he and his men don’t plan on is the “fly in the ointment” named John McClane. Willis was a television star at the time, coming into our living rooms each week alongside Cybill Shepherd in the detective rom-com Moonlighting. He had done a few forgettable films, but it was Die Hard that made him a star and he has continued to ride the wave for over 20 years. Die Hard, in my opinion, is the gold standard of action movies. It has just the right mix of drama, action, humor, suspense, good writing, and excellent performances. It is not gratuitously bloody, and it is just plausible enough for the viewer to suspend disbelief and become engrossed in the story and characters. 1988 was, of course, long before the tragic events of September 11, 2001, and for that I am thankful if only because Die Hard would likely never get made in a post-9/11 world. McClane has resurfaced in three sequels with plans for yet another, but those efforts have been hit & miss. I keep using the phrase “lightning in a bottle”, and it applies here as well. Countless films have borrowed elements of Die Hard in the last two decades, and I suppose imitation is the sincerest form of flattery. But I have yet to stumble upon a knockoff that comes anywhere close to being as good as the original.

 

 


8 The Star Wars Trilogy

Yes, I know…I am kinda sorta cheating just one more time. In pondering the three original Star Wars movies…Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi…I just couldn’t find a sensible way to justify any type of separation. It is true that most fans of the trilogy will say that The Empire Strikes Back is the best of the three and that Return of the Jedi comes in third. But I cannot look at these three films as separate entities. The story is an arc with huge themes of good vs. evil, destiny, vengeance, justice, fear, anger vs. patience, self-sacrifice, and betrayal. There are elements of religion, philosophy, and mythology so intertwined yet so subtle that the films may be enjoyed as simple popcorn entertainment by some and appreciated on another level by those who like to ponder life with a deeper, more esoteric thought process. Writer/producer/director George Lucas was heavily influenced by a number of sources, including the Flash Gordon comic books and movies of the 1930’s, the samurai films of Akira Kurosawa, and Joseph Campbell’s 1949 book The Hero With A Thousand Faces. I am making the assumption that most adults have seen the trilogy and know the basic story, but…just in case…allow me to summarize. Star Wars and its sequels is the story of Luke Skywalker, a young man of meager means who is thrust into an ongoing adventure involving the battle between The Rebel Alliance, a resistance group that desires to restore The Republic, and The Empire, which is what has become of The Republic under the tyrannical rule of Emperor Palpatine. One must remember that this story was written and the movies made in the late 1970’s and early 1980’s, so there are obvious parallels to The Cold War and the ongoing battle between The United States and The Soviet Union. Throughout the trilogy we are exposed to a plethora of memorable characters…Darth Vader, Obi-Wan Kenobi, Pricess Leia, Chewbacca, R2D2, CP30, Hans Solo, Jabba the Hutt, Lando Calrissian. I could go on and on. I have never been a big fan of westerns, but what Star Wars does is take many of the elements of the typical western and utilize them in a futuristic space motif. It is a concept brilliant beyond comprehension. Lucas has done some other notable films…The Indiana Jones Series, American Graffiti, Hook, Howard the Duck (well…okay…maybe that isn’t such a great example)…but his crowning achievement is most certainly The Star Wars Trilogy. Over 30 years since the story was first introduced to the public these three films are still among the world’s most popular. They pop up on television all the time and people like me, who have seen them dozens of times, still watch. Earlier this decade when Lucas was preparing to launch a new prequel trilogy…Episodes I, II, and III…the excitement and anticipation reached a fever pitch. People waited in line days in advance for tickets. Unfortunately the prequels did not live up to their predecessors, but honestly how could they?? They aren’t really bad films, especially the third, but there was no way they could possibly approach the greatness of the original trilogy. Every new generation that is introduced to The Star Wars Trilogy embraces it which is a testament to the timelessness and superb quality of the story. And make no mistake…it IS the story. Are there any truly special performances here?? Not really. The only acting that was ever critically recognized was Sir Alec Guinness’ Oscar nomination for Best Supporting Actor in his role as Obi-Wan Kenobi in Episode IV: A New Hope, and even that was likely more a function of his legendary status. Most of the other actors involved have had middle-of-the-road, mildly successful careers but are still primarily known for their roles in the trilogy. The only exception is Harrison Ford, who over the course of the past three decades has become one of the biggest movie stars in the world. So one must conclude that the enduring appeal of these movies is the epic nature of the tale itself.

 

 


7 Apollo 13

This is what NFL scouts might call at quick riser, a movie that has improved its stock the most in the shortest amount of time. Released in 1995 and based on the true story of NASA’s 1970 “successful failure”, Apollo 13 is a film that I honestly didn’t pay that much attention to when it first came out. Looking back I have to assume that is due to the timing. June of 1995 was a bad month, one that I look back on almost daily as a negative turning point in my life. So I guess I was engrossed in my own drama and didn’t make it a priority to go to the theater and pay money to watch tragic events of others’ lives. But over the course of the past 10 years I have discovered its greatness and become familiar with the real life situation. Directed by Ron Howard and starring Tom Hanks, Kevin Bacon, and Bill Paxton as astronauts whose planned mission to land on the moon goes horribly awry, Apollo 13 is just the sort of movie I can truly embrace. It is beautifully written, has understated, moving performances, and the direction by Ron Howard is magnificent. I don’t usually recognize the function of the director because honestly I am not familiar enough with what a director really does and what his/her role is in the final product. But here one can easily see that this story, in the hands of someone else…maybe James Cameron (Terminator, Titanic), Renny Harlin (Cliffhanger, Die Hard 2), Ridley Scott (Blade Runner, Gladiator), Quentin Tarantino (Pulp Fiction, Reservoir Dogs), or God forbid as a Michael Bay/Jerry Bruckheimer production (Bad Boys, Pearl Harbor)…would have been completely different and likely lacked the subtlety and class brought into the mix by Howard, aka Lil Opie Cunningham, who turns it into something better than a cookie cutter action flick. Two supporting performances, Ed Harris as flight director Gene Kranz and Kathleen Quinlan as astronaut wife Marilyn Lovell, were nominated for Academy Awards. The film itself was nominated for Best Picture and Howard for Best Director. Somehow all four of these awards went to others. Braveheart won Best Picture and its director, Mel Gibson, won that award. Kevin Spacey was Best Supporting Actor for his role as Keyser Soze/Verbal Kint in The Usual Suspects. And Mira Sorvino was Best Supporting Actress in some movie no one remembers. I suppose many may disagree, but it is my contention that Apollo 13 was robbed and should have won atleast 3 of these 4 awards. Harris’ performance is especially exceptional and cemented his status as one of Hollywood’s most underappreciated actors. Various television stations show Apollo 13 quite often, and I almost always stop whatever I am doing to watch, which in my mind is the mark of a really good movie. There is a scene near the end of the film where the fate of the astronauts is in question for about 3 minutes. This plays out in real time and is very dramatic. Since this is a true story I know what happens, and even if it wasn’t a true story I have seen it enough times that I know how everything plays out…yet every single time I watch I get goosebumps and am on the edge of my seat. Now THAT is a great movie.

 

 


6 National Lampoon’s Christmas Vacation

This is an oddity simply because it is the third movie in a series, and while traditionally the third movie in a series is better than the second (which is usually a poorly written, hastily produced money grab in response to the public’s love of the original) it is unusual that it would outrank the first. I suppose on most lists the tradition would hold true here, as the vast majority of folks would likely opine that 1983’s Vacation, where we first meet The Griswold Clan, is the best in the series. But by now loyal readers know of my fierce passion for Christmas movies, and that is why Christmas Vacation ranks higher than its parent film, which is 13th on this list. Clark, Ellen, Rusty, and Audrey don’t actually go anywhere this time. They stay home to host a good old-fashioned Christmas for the extended family, which includes Clark’s parents, Ellen’s parents, and the elderly Uncle Lewis & Aunt Bethany, though their exact relationship is never explained. Showing up unexpectedly is cousin Catherine and her redneck husband Eddie, along with two of their small children. Fans of the Vacation series will recall that Catherine & Eddie and their brood make a memorable appearance in the original, and Eddie turns out to be the big star of this film. There is too much goodness for me to go into detail here, but suffice to say that Clark proves himself to be as big of a buffoon as usual, all the grandparents are nuts in that special grandparent way, and Eddie’s antics are the icing on the cake. Virtually every scene in this move has become legendary, from the oversized Christmas tree that Clark stubbornly determines is going in the living room, to Eddie cleaning out his RV’s toilet in his bathrobe, to the 25,000 lights with which Clark adorns the house. As a matter of fact, every December channels like HGTV and The Travel Channel have shows featuring wacky, over-the-top, gaudy Christmas light displays from across the country, and I’d be curious to know whether those kinds of garish exhibits were always around or if Christmas Vacation was the impetus for an odd new holiday tradition. I remember the first time I ever saw this movie, and there is a scene where Clark crashes a saucer sled oiled up with some sort of food varnish that he supposedly invented straight into a WalMart. At the time we did not have a WalMart in my hometown and it was just becoming a big deal. I remember thinking “Man, I wish we had a WalMart”. I laugh at that thought now since WalMart has become such a ubiquitous part of every day life. At any rate, Christmas Vacation has quickly become part of the pantheon of great Christmas movies, one of the half-dozen or so that everyone watches annually. It isn’t high art and it isn’t supposed to be. It is fairly innocuous entertainment, and that’s just fine by me.