Annnnnd we’re back!! Today we finish up our first round matchups, but before we go forward there let’s go back and tie up some loose ends as usual. I posted two polls that absolutely no one voted on. I don’t know what I’m doing wrong, but I’ll just go with the flow. So in the Gnarly Division it’s gonna be Weird Science taking out Raising Arizona and Biloxi Blues defeating Parenthood. Now let’s move on to the first round in the Radical Division. Enjoy.
Radical – Round 1
Fast Times at Ridgemont High vs. Brighton Beach Memoirs
Fast Times is the quintessential high school movie. Released in 1982, it was the first directing effort for 
Amy Heckerling, who would go on to direct films like Clueless, European Vacation, & Look Who’s Talking, as well as the first screenplay written by Cameron Crowe, who has since had a solid career writing & directing movies such as Say Anything, Jerry Maguire, Almost Famous, & Vanilla Sky. That’s already a pretty impressive pedigree for Fast Times, but then we must consider the cast, featuring the earliest work of some very talented performers…Sean Penn, Nicolas Cage, Jennifer Jason Leigh, Judge Reinhold, Forrest Whittaker, Eric Stoltz, & Anthony Edwards. Oh, did I forget to mention the soundtrack?? It has great 80’s songs from folks like Jackson Browne, Joe Walsh, Don Henley, The Go-Gos, Sammy Hagar, Jimmy Buffett, Poco, Donna Summer, & Stevie Nicks. Not to be outdone, 1986’s Brighton Beach Memoirs features Jonathan Silverman, Blythe Danner, & Judith Ivey in the cast and is based on a Tony Award winning play by Neil Simon. It is the first entry in Simon’s Eugene Trilogy about his youth in Depression era Brooklyn. The movie is well written & acted, but I suspect that the theater production is even better.
The Verdict: Fast Times at Ridgemont High. This is 80’s Movie Mania, right?? It only seems right that one of THE signature 80’s films makes it out of Round 1.
Fletch vs. Night Shift
Aside from blundering family man Clark W. Griswold, Chevy Chase’s most famous role is that of L.A. 
Times journalist Irwin Fletcher, aka Fletch. Based on a series of novels written in the 70’s, 1985’s Fletch follows the reporter as he investigates a drug ring on an L.A. beach. He is approached by a wealthy businessman offering him a big wad of cash to kill him because the businessman is ostensibly dying of cancer anyway. Things get complicated from there. The supporting cast includes Tim Matheson, George Wendt, Geena Davis, & Joe Don Baker and the VERY 80’s score was written by master of the synthesizer Harold Faltemeyer. Fletch isn’t really a traditional comedy…it’s more of a mystery/action flick with funny moments provided by Chevy Chase being…well…Chevy Chase. 1982’s Night Shift has an impeccable pedigree. It was written by Lowell Ganz & Babaloo Mandel, who have gone on to write such fantastic films as Splash, Parenthood, City Slickers, A League of Their Own, The Money Pit, Liar Liar, Fever Pitch, & Parental Guidance. It was the first film directed by Ron Howard that anyone remembers. And it stars Henry Winkler as a decidedly un-Fonzie-esque character, as well as Michael Keaton in his first leading role and Shelley Long right before Cheers made her famous. The story has a straight-laced morgue employee, his wild & crazy co-worker, & a “hooker with a heart of gold” team up to start their own escort service. Hilarity ensues. It was an indication of great things to come from Keaton.
The Verdict: Night Shift. I don’t quite get the love for Fletch. It’s mildly amusing I suppose, but mostly quite forgettable. Meanwhile, Night Shift has a solid cast doing some of their best work supported by a really fun script and a director who was just beginning to demonstrate his immense talent.
Spaceballs vs. Summer School
Spaceballs is a rather amusing Star Wars parody from the mind of the legendary Mel Brooks. Made in 
1987 and starring Bill Pullman, John Candy, Brooks, Daphne Zuniga, Rick Moranis, & Dick Van Patten, it is chockful of amusing word play and funny sight gags that any Star Wars fan will appreciate & enjoy. A sequel has been discussed for many years, but half of the original cast is dead now so who knows what’ll happen with that. 1987’s Summer School is a lightweight yet sneakily entertaining comedy starring Mark Harmon (from NCIS) as a slacker gym teacher who gets roped into teaching remedial English to a group of less than stellar students during the summer. The cast also includes Kirstie Alley and a young Courtney Thorne-Smith. Word on the street is that a remake is in the works, which is a shame.
The Verdict: I like both of these films and really don’t want to make a choice, so let’s see if we can get enough votes to take the decision out of my hands.
Sixteen Candles vs. Red Dawn
John Hughes strikes again!! In 1984 Hughes wrote & directed Sixteen Candles, about a girl whose family 
completely forgets her 16th birthday. Molly Ringwald stars as Samantha, whose sister is getting married so she kind of gets lost in the shuffle. On top of that Samantha has a thing for the hottest hunk in school but her existence doesn’t even register on his radar…or so she thinks. Anthony Michael Hall is around too as a geek who has a thing for Samantha (he has NO shot). The supporting cast, including Samantha’s grandparents, their foreign exchange student Long Duk Dong, & the sister who becomes gooned on tranquilizers to calm her wedding day jitters are all quite humorous additions. Conversely, 1984’s Red Dawn is a very sobering action flick about a group of Colorado teens who go on the lam after their town is invaded by the Soviets in the midst of World War III. The movie is notable for its star-studded cast of youngsters, including Patrick Swayze, Charlie Sheen, C. Thomas Howell, Leah Thompson, & Jennifer Grey. A remake was produced in 2012 but I’ve never seen it and likely never will.
The Verdict: This one completely depends on a person’s taste in movies. Do you prefer teen comedy or violent war?? I have my preferences but I’m going to be generous and leave the decision in the hands of The Manoverse.
The Naked Gun vs. Dragnet
It’s police spoof vs. police parody!! 1988’s The Naked Gun is an alleged continuation of a long forgotten 
TV show from a few years earlier called Police Squad. No one remembers it because it only lasted six episodes on ABC. At any rate, Naked Gun follows inept police detective Frank Drebin (portrayed by the hilarious Leslie Nielsen) as he tries to prevent the assassination of England’s Queen Elizabeth while she visits Los Angeles. The film is wall-to-wall sight gags, word play, & slapstick comedy and features an intriguing supporting cast, including George Kennedy, Priscilla Presley (before she got too out of control with the plastic surgery), Ricardo Montalban, & O.J. Simpson (before he started murdering people). 1987’s Dragnet is a comedic big screen take on the legendary 1950’s/60’s TV show and stars Dan Aykroyd as the ultra-serious Sgt. Joe Friday (allegedly the nephew of the original) who is saddled with a quick-witted yet lackadaisical partner named Pep Streebeck (a GREAT name), played by Tom Hanks in one of his more underappreciated funny roles. Together the duo investigate a bizarre rash of thefts committed by a weird cult (which is a redundancy I know). The plot is silly and the reviews weren’t great, but I rather enjoyed the Aykroyd/Hanks chemistry and wish they would have gotten an opportunity to do a sequel with a better script.
The Verdict: The Naked Gun. I probably enjoyed Dragnet more than the average person, but it is admittedly a flawed film. Meanwhile, The Naked Gun, for people who enjoy these kinds of movies, is a classic that spawned two sequels and ranks as one of the funnier flicks of the 80’s.
Revenge of the Nerds vs. Twins
It’s a story as old as time…David vs. Goliath, unsophisticated vs. cool, ugly vs. good-looking, ostracized 
vs. popular, geeks vs. jocks. In 1984 it was presented as a battle between two fraternities…one full of socially awkward computer geeks, the other comprised of cocky football players. The hows & whys of their rivalry are unimportant…all that matters is that there is an abundance of conviviality, with an undertow of social commentary about discrimination & pride in being true to one’s self. The cast consists of second tier performers like Ted McGinley, Curtis Armstrong, Timothy Busfield, & James Cromwell, although Anthony Edwards would go on to brief moments of stardom and John Goodman has a small part as a football coach. A few sequels followed over the next decade, but none are as fun as the original. 1988’s Twins pairs diminutive Danny DeVito with brawny Arnold Schwarzenegger as long lost fraternal twins. DeVito’s Vincent is a hardened ne’er-do-well who was raised in an orphanage. Schwarzenegger’s Julius was raised on a small Pacific island by the professor who conducted the genetic experiment that resulted in the two men’s birth. Julius learns of Vincent’s existence and seeks him out. The two then go on quite the adventure in search of their long lost mother. Hilarity ensues.
The Verdict: Revenge of the Nerds. It’s not the most unique concept but it works really well. Twins relies on a one-note joke about the obvious physical differences between its two stars, but that gag runs out of steam. Schwarzenegger is better than one might assume in comedies, yet it is very much a meta idea that it’s supposed to be hilarious seeing a muscle-bound tough guy doing comedy. Sorry…I need more.
Flight of the Navigator vs. The Goonies
Flight of the Navigator still flies under the radar three decades after its release. Made in 1986 and 
starring Howard Hesseman (WKRP’s Dr. Johnny Fever) and Sarah Jessica Parker in one of her early roles, the story is an intriguing time travel tale about a young boy who falls into a ravine and wakes up the next morning to find that eight years have passed, though he hasn’t aged at all. It turns out that he was abducted by aliens. Folks, trust me…this is a seriously entertaining film. It strikes the perfect balance of action, drama, & whimsy. Meanwhile, The Goonies is a much celebrated film starring a group of youngsters (including Sean Astin, Corey Feldman, & Josh Brolin) who go on an adventure in search of a long lost treasure map. The film’s pedigree is first rate, with the script being written by Chris Columbus (who would go on to write and/or direct stuff like Mrs. Doubtfire, the first two Home Alone movies, Only the Lonely, the first two Harry Potter movies, & Jingle All the Way), directed by Richard Donner (Superman, Scrooged, Lethal Weapon), & produced by the iconic Steven Spielberg.
The Verdict: Flight of the Navigator. This will probably be considered a pretty big upset by many. However, I’ve just never understood what the big deal is about The Goonies. Several 80’s films had ensemble casts with kids that would end up having memorable careers, but that’s not enough. The movie has to be engaging, with a plot that makes me want to enjoy repeat viewings. The Goonies isn’t that…atleast for me. Your mileage may vary and that’s okay. I happen to believe that Navigator is a superior entertainment experience…escapism at its finest.
Friday Night Lights. Plus, if I may be perfectly candid, there’s a love scene involving Leah Thompson that by today’s standards is rather docile, but it sure was seared into the minds of all preteen boys of that era.
second viewing), this conclusion of the adventures of the hapless Jim, his obnoxious friend Stifler, and Jim’s well intentioned but clueless father (played perfectly by Eugene Levy) is an admirably amusing effort.
any of the other spy flicks that Austin Powers apparently spoofs. But that doesn’t distract from the enjoyment factor for me.
Throw Momma From the Train, and Planes, Trains, and Automobiles..…and during the Thanksgiving/Christmas holiday season…..so it’s not surprising that it seemingly got lost in the shuffle. Still, it’s an amusing look at the TV news business with a scene stealing performance by the vastly underrated Albert Brooks.
Bruce Willis/Ben Affleck film Armageddon, the other was Deep Impact, whose biggest stars are Morgan Freeman and Robert Duvall. But despite the lack of star power aimed at the younger demographic, Deep Impact is a better movie.
story in which Jimmy Fallon plays an obsessed Boston Red Sox fan and Drew Barrymore is his new girlfriend. Is it high art? No. But it is a pleasant diversion, and almost every film I can think of in which baseball is used as a backdrop offers some level of amiable pleasure.
born or atleast when I was too young to notice. But these two movies, about bickering neighbors in the frozen tundra of Minnesota, brought their charmingly hilarious magic into my consciousness and onto the radar of a whole new generation. Appreciation must also be shown to Burgess Meredith, best known to movie audiences as the crusty old manager of underdog boxer Rocky Balboa, who steals every scene he’s part of in these two movies, both made when he was well into his 80’s.
Liar Liar is my favorite Carrey comedic performance hands down. He plays a lawyer forbidden to lie for an entire day (it’s not important why), and hilarity ensues.
was actually better than its big screen predecessor is MASH. But that doesn’t mean that the movie is subpar. It’s actually quite good.
Jeremy Piven and Jon Favreau) draws comparisons to Animal House, but it’s not really a fair association. Animal House is just a rollicking good time. This movie tries to weave in a message. Whether or not that’s a good thing is a matter of personal discretion.
seen literally dozens of times, and if it happens to be on TV one just automatically stops and watches. With Rain Man neither of these applies. I don’t see it on television much, and if it were to be on I’m not sure I’d jump for joy and immediately cease whatever else I might be into.
Daddy. Admittedly Sandler flicks aren’t targeted at a mature and educated audience, but they are fun in a gratuitously dim-witted way.
still amusing 30 years later, but it doesn’t hold up well enough to make The Top 100. Even back then I didn’t understand what the big deal was about driving a truck full of beer from one state to another, and now that frame of reference is completely obsolete.
popular and made a ton of money, plus they are well written and critically acclaimed. It’s probable that my affection for all things Batman clouds my judgment when it comes to other superheroes. However, I have to be honest with myself, and I just don’t put these movies into the category of “must see” in my universe. Your mileage may vary.
Anger, and even less has actually seen it. The film stars Kevin Costner (in his best performance since Tin Cup nearly a decade before) and the underrated Joan Allen as two neighbors with only one thing in common…..their love of booze. He’s a retired baseball player (imagine that), and she’s a mother of four lovely daughters who is dealing with all the inherent responsibilities and stress that comes with that role. Her husband has apparently ditched her and taken off with his secretary, so she bonds with Costner’s character and a relationship evolves. The characters are nicely developed and the actors are top notch. The ending is one of those that you don’t see coming, and I like that. The Upside of Anger doesn’t make The Top 100 yet because it’s a fairly new movie that I just caught for the first time a couple of years ago. We’ll see how my affection for it grows over time.
Favreau, Cameron Diaz, Jeremy Piven, Daniel Stern, Christian Slater. In a nutshell, the story revolves around a raucous bachelor party that goes wrong…..very, very wrong. I cannot stress how badly this party and its aftermath goes for all involved. I guess one has to have a certain type of macabre sense of humor to really appreciate Very Bad Things and I suppose I have that mentality on occasion.
Academy Award for his superb turn as Gordon Gekko, the man who etched in our minds the life lesson that “greed is good”.
could have been better. I understand that the powers-that-be needed a big name to sell the product, but I’m unconvinced that Matthew McConaughey was the correct choice. Meanwhile, the other Matthew..…Matthew Fox of Lost and Party of Five fame…..gives an understatedly moving performance. We Are Marshall is an emotional tale for those of us who know the real life story well, but I suspect that the average moviegoer was underwhelmed.
The Manofesto 