I bet you thought I forgot, didn’t you?? Well, I didn’t. Today at long last we conclude the Top 50 Favorite TV Shows series with the Top 5. I am sure there won’t be any big surprises here. All five finalists are generally thought of as being amongst the finest franchises to ever grace the small screen. You’ll see three sitcoms, one drama (or nighttime “soap opera” if you prefer), and one comedy/talk/variety show that has stood the test of time & come into our living rooms for over a half century. Television, like movies, sports, and other forms of entertainment, isn’t necessarily vital to our existence, but it certainly adds an undeniable layer of pleasure and relaxation that can enrich our lives. I appreciate the opportunity to learn something and gain knowledge from any medium…books, music, film, radio, and yes…television. However, at the end of the day a good television show should be…used to be…comfort food for our souls. It should be like an old friend that we welcome into our lives for 30-60 minutes every week (or every night in some cases), that makes us smile & feel content, that when it leaves the airwaves makes us kind of melancholy and nostalgic, and that we remember fondly long after the final episode has aired. These five shows are being lauded for a variety of reasons…smart writing, memorable storylines, great acting, and the indelible mark they have made on pop culture in general and my own life in particular. They are indeed old friends that I miss dearly but have provided a plethora of memories that I will cherish always.
5 Dallas
CBS 1978-91
One of my fondest childhood memories is sitting in my living room every Friday night at 9pm with both of my parents and my sister watching the adventures of the lecherous & deceitful Ewing clan battle their enemies and each other in the race for power & wealth that only billions of barrels of oil could bring. My father loved the conniving JR Ewing and how he always seemed to be able to come out on top while totally screwing over his wife, his
brother, his business rivals, and especially his sworn enemy…the slovenly, woefully overmatched Cliff Barnes. Dallas had elements of Shakespearean tragedy mixed with campy soap opera drama, and in no way resembled the real world. I think that was the key to its charm…even as a child I realized that this was all just great fun and that very few individuals (even rich people) actually behaved that way. It is a show that defined a genre and a generation. It gave us season ending cliffhangers and juicy sneak previews of next week’s episode. It gave us larger-than-life characters and stirring, emotion-filled theater that no “reality” show can ever dream of matching. Dallas was pure escapism, which is kind of the point of watching television, right??
4 Frasier
NBC 1993-2004
Rarely does a sequel…or in this case a spin-off…excel to a point that it exceeds its predecessor. However, I must say that as much as I love Cheers I love Frasier even more. I think there are a few reasons for that. First of all, Cheers came about in the 80’s and to be honest I started watching it because it was something my Dad watched (not that there is anything wrong with that). Conversely, Frasier came on the scene when I was on my own in college. I made the conscious, independent, adult decision to watch. Secondly, by the time the 90’s rolled around I was past my “I watch way too much TV” 
phase. I much preferred hanging out with my friends, drinking copious amounts of adult beverages, and even occasionally studying to watching television. I had a life!! I was too busy for TV. Therefore the few shows that I made a special effort to keep up with during that time had to, by definition, be extraordinary. Also, the setting of Frasier…the professional & personal world of two intelligent yet socially awkward yuppies…spoke to me in a very personal way. I have always envisioned myself as a sort of yuppie-country boy hybrid, so I got a kick out of Frasier & Niles’ odd relationship with their blue collar father and their constant effort to ingratiate themselves into culture & society. The writing was about as quick-witted & razor sharp as any sitcom in the history of television. The characters were smart & relatable and the plots as sophisticated as anything you’ll ever see on a 30 minute comedy show. I’m not sure Frasier was as broad & accessible to the masses as many sitcoms, but that’s okay…dumbed down products don’t appeal to this humble Potentate of Profundity anyway.
NBC 1954-Present
Anything that has lasted 50+ years like The Tonight Show has to be doing something right and must be given its due. It is undoubtedly the gold standard against which all other shows of its ilk are measured. Now I am way too young to have watched during the Steve Allen or Jack Paar years. Rather, I came along in the midst of the Johnny Carson era, and what a time it was. Admittedly I didn’t get to watch the show back then as often as I would have liked…afterall, 11:30pm is a bit late for a young boy who has school the following day. But I usually watched every Friday night during the school year and in the summertime got to see it more often. Carson was born to host a late night talk show. His monologue was always funny and current, but didn’t have the self-important, smartass edge that seems to be the norm today. He was an easygoing, smooth interviewer. And an 
appearance with Carson on The Tonight Show…especially if he gave the “okay” sign or waved the performer over to the couch for a chat…could legitimately make a young comedian’s career. That’s how far our society has fallen: from having the goal of making the preeminent funny man in show business laugh in order to launch a career, to saying “Ehhh…maybe I’ll just make a sex tape or do a reality show.” Personally I preferred the former protocol. At any rate, even Johnny’s retirement took late night television to a whole new level. The battle between Jay Leno & David Letterman brought much publicity, and eventually gave us more competition in the time slot, which is good for viewers. Leno took the Tonight Show mantle and was almost as solidly & comfortingly funny as Carson for many years. Then there was more controversy, Conan O’Brien got his shot, and eventually Leno returned. I didn’t like how that whole thing went down but hindsight being 20/20 I guess it all worked out. Conan wasn’t the right fit, and despite the fact that I think he handled the situation poorly the fact is that Leno is a worthy successor to Carson. At the end of the day (literally), we all just want to relax, put our troubles on the backburner, laugh a little, and forget how badly humanity can totally suck. Whether one does that by watching a movie, reading a book, praying, or making sweet love to a significant other, it’s all good. And it’s nice to know that amongst our plethora of choices The Tonight Show has been a viable option for so many years.
CBS 1960-68
I have been dreading this moment. Why?? Well, because while I feel like I am a decent enough writer I am unsure if I can 
come up with the exact right words to properly encapsulate not only my own but the world’s admiration for The Andy Griffith Show. It was…is…precisely everything a television show should be and more. Mayberry may ostensibly be a fictional town, but it is a place that I desperately wish was real and would absolutely move to in a heartbeat. The people are friendly, the pace is slow, and any problems that arise are easily solved with a little old-fashioned ingenuity and good solid love, understanding, and neighborliness. It is fascinating to think that this show was produced in the midst of the raucous counterculture 60’s but never dared to go near any of the controversy that decade manufactured. Now I suppose touchy feely, bleeding heart, politically correct types would consider that a damning indictment of The Andy Griffith Show, but I think it is part of its genius. Whereas so many modern television programs strive to be current, hip, & edgy, and utilize storylines “ripped from the headlines”, the powers-that-be in Mayberry understood that real life was hard enough, that when one sits down to watch TV they want to be entertained not 
preached at or talked down to. They understood that traditional values like friendship, family, kindness, hospitality, empathy, and respect for the law could be communicated in a way that was funny, inviting, and palatable. The Andy Griffith Show embodies everything great that America once was and could be again. I know that times have changed. We live in a different world these days. Entertainment seems to be all about sex, drugs, violence, werewolves, vampires, hating God, and 
embarrassing stupidity (Honey Boo-Boo?? Please, just shoot me.) I am so thankful that, even though this show was long gone before I was ever born, reruns have continued for over 40 years. Think about that for a second. This is such a great show that four decades after it went off the air it is still being shown. That is remarkable!! I get an opportunity to watch it every weekday at 12:30pm right after the afternoon news. I even interrupt my post-midnight shift daytime nap for it. We lost Andy Griffith just a few months ago, and almost all the rest of the cast (Don Knotts, Frances Bavier, George Lindsey, Jack Dodson, Hal Smith, etc.) have also gone to be with The Lord (Ron Howard, Jim Nabors, and Betty Lynn are still with us). However, the memories that they all created over 8 years & 249 episodes will remain forever, and for that I say a most heartfelt Thank You.
1 Seinfeld
NBC 1989-98
As we reach the pinnacle a few things must be said. First of all, Seinfeld beats out Andy Griffith in a photo finish for one simple reason…it was on the air in my lifetime and I enjoyed it as it was happening rather than enjoying it in reruns several decades after it was gone. Secondly, I am more than a little surprised (even though this is my list) that a 90’s show comes out on top. I would have thought an 80’s show would have received the honor. And finally, the contrast between #1 & #2 couldn’t possibly be starker. Whereas Griffith is gentle, benevolent, and laid-back, Seinfeld boldly embraces the brash callousness, egotism, and pessimism of not only its NY City setting but of its era. However, it does this in such a way that is completely hilarious, more than a little ironic, and overwhelmingly self-aware. Jerry Seinfeld was The It Comedian at a time when the thing to do was give comedians their own sitcom. Sometimes it works (Gabe Kaplan/Welcome Back Kotter, Tim Allen/Home Improvement, Bob Newhart/Newhart, Bill Cosby/The Cosby Show, Ray Romano/Everybody Loves Raymond), sometimes it doesn’t (George Lopez/The George Lopez Show, Brett Butler/Grace Under Fire, Roseanne Barr/Roseanne, Ellen Degenerate/Ellen, DL Hughley/The Hughleys), but Seinfeld most definitely worked. When a show has been off the air for more than a decade and folks can still recite memorable lines and recall the plots of entire shows it says to me that the show was memorable and extremely well-written. It was always promoted as “a show about nothing”, and lived up to that promise. While lots of other programs would tackle big topics and have a point-of-view about certain themes, Seinfeld instead concentrated on life’s minutiae and mundane details. The supporting cast (Jerry’s ex Elaine, his next door neighbor Kramer, and his best friend George) was probably amongst the best in television history. As characters they were 
self-absorbed, insecure, cynical, superficial, and insensitive…but hysterically so. How many shows could take simple, relatable concepts like waiting for a table at a restaurant, forgetting where you parked the car in the mall garage, dealing with an eccentric boss, or leaving a regrettable voicemail, and turn them into 30 minutes of laughs that people remember 20 years later?? The answer is not many. Jerry Seinfeld himself was never a great actor, but he was saved by the writing and his superb co-stars. Seinfeld had the good fortune to come along at the perfect time. A decade earlier and it would have been dismissed as too mean-spirited and esoteric, a decade later it would have been lost amidst the white noise of shows trying too hard to be edgy, post-modern, and sardonic. We the viewers were the beneficiary of that perfect timing, and for that we should all be appreciative.
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innocent in comparison, but anyone who remembers high school knows what a huge deal those seemingly innocent obstacles feel like at the time. Based on a 1971 play that I have admittedly yet to see but hope to someday, Grease has long been one of my very favorite movies. John Travolta and 
track down the convict. The cat & mouse game, the close calls, and the daring escapades of Kimble, who is concurrently pursuing and being pursued, gives the viewer a heart pounding edge-of-your-seat thrill ride while always remaining within the realm of plausibility and never straying from writing that is nothing short of excellent. The Fugitive is that rare action film with a well laid out plot. It does not rely on phony looking special effects and mindless explosions and gunfire for no apparent reason. The bus wreck/train crash that sets the chase in motion by facilitating Kimble’s escape is one of the more memorable scenes in recent movie history and kudos should be given to the folks who pulled that off. The climax is exciting though convoluted. The details of who really killed Kimble’s wife and why are secondary to the fact that it wasn’t him, he confronts the real culprit, and Gerard is thrown into the mix as a wild card whose actions are unpredictable. The one-armed man is sort of a 
aren’t playing for megabucks and being treated like kings. They are renting rooms, riding on buses, and finding ways to combat boredom between games. Kevin Costner stars as Crash Davis, a long-in-the-tooth veteran catcher who is given the task of holding the hand of dimwitted bonus baby pitcher Nuke Laloosh, played by Tim Robbins in his breakout role. They form an odd triangle with Annie Savoy (played by Susan Sarandon), a groupie who chooses one player from the Durham Bulls each season with which to have an affair. Annie is…unique. She has a singular set of values, and views herself as sharing more than just a bed with her chosen beau. It is a strange brew of spiritualism, friendship, poetry, metaphysics, sensuality, and moral support. She tells us, in a voiceover at the start of the film, that she believes in “the Church of Baseball” because she has “tried all the major religions, and most of the minor ones. I’ve worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms, and Isadora Duncan. There are 108 beads in a Catholic rosary and there are 108 stitches in a baseball. When I heard that, I gave Jesus a chance. But it just didn’t work out between us. The Lord laid too much guilt on me. I prefer metaphysics to theology. You see, there’s no guilt in baseball, and it’s never boring… which makes it like sex. There’s never been a ballplayer slept with me who didn’t have the best year of his career. Making love is like hitting a baseball: you just gotta relax and concentrate. Besides, I’d never sleep with a player hitting under .250… not unless he had a lot of RBIs and was a great glove man up the middle. You see, there’s a certain amount of life wisdom I give these boys. I can expand their minds. Sometimes when I’ve got a ballplayer alone, I’ll just read Emily Dickinson or Walt Whitman to him, and the guys are so sweet, they always stay and listen. ‘Course, a guy’ll listen to anything if he thinks it’s foreplay. I make them feel confident, and they make me feel safe, and pretty. ‘Course, what I give them lasts a lifetime; what they give me lasts 142 games. Sometimes it seems like a bad trade. But bad trades are part of baseball It’s a long season and you gotta trust. I’ve tried ’em all, I really have, and the only church that truly feeds the soul, day in, day out, is the Church of Baseball.” When Crash refuses to “try out” Nuke becomes Annie’s boy toy by default. Meanwhile, the relationship between pitcher and catcher is volatile, as world-weary Crash resents the “million dollar arm and ten-cent head” of the wildly goofy Nuke. The supporting cast is chock full of unknowns whose career highlight likely was Bull Durham, but that is just fine. The three main characters along with a strong, well written, amusing script are enough to make this a movie that has stood the test of time. One cannot help but think of it when attending any type of baseball game. Every time I see a “conference” on the mound I wonder if they are really talking about live roosters, jammed eyelids, and how candlesticks make a nice wedding gift. Eventually our trio comes to a crossroads. Nuke is called up to “The Show” and we get an inkling that some of Crash’s wisdom may have actually seeped through. Crash is released from the team once his babysitting task is done and must decide whether or not to call it a career or keep chasing a dream he knows will never become reality. And Annie must face her feelings for Crash. There is a certain sweetness mixed in with the hilarity, and that is a good combination. Writer/director Ron Shelton has done a few other notable films…White Men Can’t Jump and another Costner vehicle, Tin Cup, among them. But Bull Durham is one more case of lightning in a bottle, a once in a lifetime piece of magic that is almost impossible to replicate.
blocked it from their mind, disco was a unique dance style music that dominated the mid to late 1970’s. It could conceivably be thought of as a forerunner to techno…a much cooler, less annoying predecessor. But disco encompassed much more than music. It was a lifestyle personified by fashion, rampant recreational drug use, dance clubs with mirror balls, and sexual indulgence. Fever mostly leaves the seedier aspects of the subculture alone and concentrates on the music, the dancing, and the fun. John Travolta, already famous as Vinnie Barberino on television’s Welcome Back Kotter, was vaulted into superstardom by playing Brooklyn dancer Tony Manero. The story concentrates on Tony’s home life and the classic struggle of one’s desire to escape bleak circumstances versus staying within the comfort zone of family and friends. Tony’s only escape is the local disco, where he is The Man. The Saturday Night Fever soundtrack, featuring several Bee Gees songs, is the best selling movie soundtrack of all time and is essential to the enjoyment of the movie. Fever has aged gracefully over the course of 30+ years, and I anticipate that folks will still be watching it three decades from now. I just hope no one gets the bright idea to do a remake starring Zac Efron or Freddie Prinze Jr.
plays a significant part in this film, even though the majority of the action does take place in Los Angeles. When you combine a 60’s vibe with Vegas that automatically brings to mind The Rat Pack, of which I am also a big fan. The convergence of all these things were no doubt intentional by the filmmakers, and it works. 
opinion, and so you will see “the three evens” on this list. We begin with the final ride for Captain Kirk, Spock, Bones, Sulu, Uhura, Scotty, and Chekov in 1991’s The Undiscovered Country. The plot involves The Federation and The Klingons attempting to make peace, with that effort being thwarted when the Klingon chancellor is assassinated. There seems to be thinly veiled references to The Cold War, with The Federation representing America and The Klingons standing in for Russia. One could analyze and pick apart the sociological foundation of the script and the political motivation of the powers-that-be, and if that frosts your cupcake then by all means go for it. Personally, I just enjoy the Shakespearean zeitgeist created by the best Trek villain not named Khan…Christopher Plummer’s sublime Chang, as well as the comfortable and oftentimes humorous interactions between the crew. They knew it was their last film together, and the actors gave 100%. 
likely be pleased. The original Die Hard came out in 1988 and dealt with one man taking on a group of terrorists in a high rise office building on Christmas Eve. We’ll examine it closer much later in this list. 
Yes, I know…I am cheating. Here’s the deal. I did not have enough slots to include both of these films in the Top 100. I did not want to leave out any others that I had chosen. So then it became a question of which of these two did I like better. Upon pondering that question I came to the conclusion that they really are one movie split into two parts, and I couldn’t bear to eliminate either. So call it a tie if you wish, but I maintain that this is a case where, unlike most sequel situations, the story here flows like one film and therefore will be awarded this spot. Anyway…Father of the Bride is a 1991 Steve Martin remake of a 1950 film starring Elizabeth Taylor and Spencer Tracy. Father of the Bride II is a sequel to the 1991 film and a remake of a 1951 film called Father’s Little Dividend, itself a sequel to the 1950 film. Confused yet?? No worries…just forget about the 50’s flicks – the remakes are actually better, which is rare. The remakes star Steve Martin as the Dad and Diane Keaton as his wife. The extremely lovely Kimberly Williams made her film debut in Father of the Bride, and nearly 20 years later she’s still gorgeous and is now married to country singer Brad Paisley. In Father of the Bride the daughter returns home from a summer trip to Europe with big news…she fell in love with a fellow American and they’re getting hitched. Dad freaks out. Mom decides they need a wedding planner, which brings the hilarious Martin Short into the fold. Dad then really freaks out. Eventually all’s well that ends well, 
but the ride sure is fun. Then in the sequel both Mom and the daughter end up pregnant. Dad does a double freak out. They find a way to bring Martin Short back (to plan the baby shower and convert a bedroom into a nursery). All’s well that ends well again. These movies are pretty simple. There are no car chases, no explosions, no gunfights. There isn’t even any notable salty language or nudity. It’s all very sweet and easy to watch. Watching these movies is like sitting on the front porch with a glass of iced tea and a gentle breeze, and that’s why I like them. Action can be good sometimes, as can drama. I am a big fan of comedy, but even then sometimes one doesn’t want to spend two hours doubled over in laughter. Sometimes one just wants to sit back, relax, and watch some old fashioned folksy, homespun, inoffensive, warm & fuzzy entertainment…the kind of lighthearted fun that’ll cure a bad mood and make one’s life a little brighter for a few hours. The Father of the Bride films more than deliver that. They put a smile on my face every time I see them, and that’s something we all could use more of in our lives.
One of my consistent mantras over the course of the last several years is that television has become a wasteland of mediocrity. I know it is perfectly natural to have a revisionist memory and recall one’s childhood as being far more idyllic than it probably was in reality. But I don’t think my recollection of how interesting the TV landscape was 20-30 years ago as compared to today is that far from the truth. I fondly remember legendary comedies like Cheers, One Day At A Time, Happy Days, Taxi, Family Ties, and The Cosby Show, as well as well written dramas like Dallas, LA Law, Hill Street Blues, and Little House On The Prairie. I even have a soft spot for not-so-legendary shows like Three’s Company, The Love Boat, The Dukes of Hazzard, Newhart, The A-Team, Night Court, Who’s The Boss?, and ALF. I could probably name dozens more memorable shows. I almost feel sorry for today’s generation of kids. They flip through the channels and are faced with a glut of “reality” shows that in no way represent anything real, kicked up action programming where death and mayhem reign supreme & sc-fi is bastardized beyond recognition, and animated fare that just further emphasizes society’s descent into depravity, crude behavior, Godlessness, and disrespect toward our fellow man. It is amazing that we have hundreds more channels available now but far less quality programming. However, if one looks in the right places at the right times there still are some interesting, informative, eminently watchable shows on your television. And since I am here to not only entertain but to educate, it is my pleasure to give you…..
Giada De Laurentiis is just plain smokin’ hot, and a plethora of other shows satisfy any foodie’s entertainment appetite), but amongst the abundance of food-centric fare on television, Man vs. Food stands out. The basic premise is that the host visits a city and takes on one of those infamous gigantic food challenges, the kind where one attempts to consume enough food to choke a horse within a limited window of time, all so they can get a crappy t-shirt or have their picture placed on a wall in the restaurant for the masses and posterity to celebrate. I’ve watched Adam (the host) try to defeat such precipitous tests of will as a 12 pound hamburger, an 11 pound pizza, 15 dozen oysters, a 7 pound breakfast burrito, a 2 gallon ice cream sundae, and all manner of inhumanly hot wings. He is successful in his quest about 60% of the time, but that’s not really the point. If all there was to this show was the ginormous food feats of craziness I probably wouldn’t be all that interested. To be honest watching someone try to eat such epic portions of food can make one a little uncomfortable and concerned for the host’s health. However, what I find so cool about Man vs. Food is the celebration of food and the spotlight it shines on local eateries that many have never heard of but might now be inspired to check out. I don’t travel as much as I’d prefer, but when I do I try to stay away from chain restaurants and things I can have any time right in my own back yard. I like to venture out ever so gently onto a limb. After watching Man vs. Food I now know of hidden gems I should seek out if I ever find myself in places like Durham NC, Boise ID, or Amarillo TX. There are other shows on TV that do some of the same investigative work, but I find Adam accessible, like a guy me and my buddies might hang out with and share a pitcher of brew. Man vs. Food airs on The Travel Channel. Check your local listings.
trained a dog before and circumstances make it somewhat difficult to do so in the manner most others might go about the task. I read everything I could find online and elsewhere, and sought the counsel of knowledgeable friends. But one of the biggest sources of assistance and pleasure during that time became this little gem of a show. Most people have heard of and many rave about The Dog Whisperer Caesar Milan, and he is quite helpful and just fine by me. However, I am drawn much more to Victoria Stilwell. I am perfectly aware that her hot dominatrix aura likely reaches some sort of latent sexual yearning deep within me. After all, coquettish British minx vs. middle aged Latin animal pseudo-psychologist is an easy choice for a relatively young and virile single man. Putting all that aside though, I find Victoria’s methods and the people she deals with on her show much more relatable and entertaining. Does she tend to oversimplify things a bit?? Probably. But not nearly as much as Milan, who in my opinion just makes dog owners look stupid and incompetent. Sure he’s got a special gift, but that does me and almost everyone else no good because we don’t have that gift. It reminds me of college, where there were professors who were experts in their field and could not seem to grasp why no one else found the subject so simple, and then there were professors who appeared to realize they were dealing with a bunch of kids who had probably been out until 3am partying up a storm and were not automatically brilliant scholars just because they had pulled off the task of gaining entry into a university. Victoria is that type of understanding teacher, and trust me…she needs to be. The dog owners on this show are oftentimes hilarious in a pathetically aggravating sort of way, but somehow they usually manage to learn atleast a few techniques to make their lives easier. It’s Me or The Dog airs on Animal Planet, and I encourage all dog lovers to check it out.
Channel, which has strayed so far from its original premise that it’s not even spelled correctly and the highest rated program is professional wrestling. The Science Channel is part of The Discovery Channel family, as so many of the best networks seem to be (TLC, Animal Planet, The Travel Channel). How It’s Made takes us inside various factories and shows the mass production process for a plethora of products, from foodstuffs like cereal and beer, to household items like washers, light bulbs and batteries, to more unusual things like slot machines and artificial Christmas trees. This is exactly the kind of show that I would have skipped right past in my younger days. Science was only slightly less tedious than math when I was a student. But somewhere along the line my intellectual curiosity branched out and the way the world (and the stuff in it) works began to be an appealing topic of informal study and observation. I blame mundane teachers who are somehow unable to grab the attention of kids and show them what a fascinating universe God has provided. Anyway, How It’s Made isn’t a fancy show with a lot of bells and whistles. It’s straightforward and very minimalist. But I look at it like one should view a good steak…..if the meat is high quality and tastes good then it does not need to be enhanced with sauces and other garnish. I would like to take this opportunity to say that another show was in the running for this spot but was disqualified because it is no longer in production. John Ratzenberger, better known as Cliff the know-it-all mailman from Cheers, used to host a program on The Travel Channel called Made In America, which was basically the same sort of thing except it highlighted only factories in the United States and had Ratzenberger instead of a narrator.
I would like to visit but never will. While some may consider it sad to live vicariously through television, I choose to embrace the fact that technology allows us to realize that there is a huge world outside of the confines of our small individual lives, and sometimes permits us to take a pretty fascinating ride all while dressed in cozy jammies in the comforts of our own abode. My philosophy is that if you are going to waste time in front of the “idiot box” then why not try to learn something and have it be a somewhat enlightening experience instead of wallowing in just how far into the abyss our society has sunk. At any rate, Anthony Bourdain is a master chef who, in this series, travels the globe and shows the viewer the real deal about the food and culture of various locales. He is dismissive of the normal tourist traps, going beneath the surface to seek the authentic aspects of what makes a place unique. Bourdain himself isn’t your normal television pretty boy. He’s a subversive, slightly contentious, crusty curmudgeon who makes no secret about his hard drinking, drug induced, very colorful past. He tells it like it is and if people don’t like it that’s too bad. On the flip side though, his genuine affection for food and average, hard working, real people is obvious, and his edgy sense of humor is infectious. No Reservations has explored familiar destinations like New York City, Vegas, Italy, London, Chicago, and Hawaii, but there have also been shows about such out of the way places as Ghana, Sri Lanka, Iceland, and Uzbekistan, which is apparently an actual country and not one of those places they used to fictionalize on The West Wing. I promise you this is unlike any foodie show you’ve ever watched. So light up a smoke, pour yourself a glass of single malt scotch or top shelf whiskey, and find Anthony Bourdain: No Reservations on The Travel Channel. You won’t be sorry.
nickname that no one really uses). Also along for the ride is Cory’s best bud and fellow employee Chumley, referred to often as the village idiot. The format of each show is pretty standard…someone comes in with some very odd or theoretically very old item that they want to sell (very few people want to pawn things on this show, which is interesting), Rick doesn’t know if it’s authentic or how much it’s worth or how much might need to be spent on repair and restoration so he “knows a guy” who can tell him. That expert comes in and gives the pawn shop crew, the item’s potential seller, and we the viewers a mini history lesson. A deal is struck…or not. There are 3 or 4 of these little storylines interspersed throughout the thirty minute program. As you might imagine, precious air time is not wasted on some college student wanting to ditch his outdated herringbone gold necklace for beer money or someone who just lost their job and needs to hock all the junk in their house to pay the mortgage. These stories need to be interesting to keep our attention, so the items we see being brought into the shop are things like Civil War weapons, American Revolution era currency, 1970’s & 80’s video games, mint condition classic guitars, and all kinds of vehicles…boats, motorcycles, airplanes, old cars. I can count on one hand the number of times I have ever been inside a pawn shop in my life, but I am smart enough to realize that it’s not always that interesting. Kudos though to the creators and producers of this show for taking the concept and finding a way to make it absolutely mesmerizing. The interaction between the guys is great. When I eventually make it to Vegas I will be stopping at The Gold & Silver Pawn Shop to meet The Old Man, Rick, and Chumley. Cory seems like kind of a tool.
but rather fascinated by it, this is the show for you. If you are a history buff but seek more than what your school textbooks taught you, this is the show for you. But more than anything else, this is the show for anyone who likes to feel like they’ve just sat down for an hour, relaxed, been entertained, but also learned some cool stuff and didn’t completely waste their time. Modern Marvels has been on the air for about 15 years, but I am sad to say that it is only in the past year that I have discovered its brilliance. I suppose it is yet another example of my changing tastes combined with the erosion of traditional network television into the dark void of suck. History repeats many Marvels episodes, so usually what I do is DVR several shows and then on a night when there is absolutely nothing else going on (which isn’t unusual) I have an instantly entertaining and informative backup plan. Many episodes are available from Netflix as well, which is cool. Modern Marvels has covered a vast array of subjects over the years, everything from The Brooklyn Bridge, The Golden Gate Bridge, and The Hoover Dam to the telephone, fireworks, and nuclear submarines. The topic can be a specific place or structure (Times Square, The St. Louis Arch, Disney World) or a more general, esoteric theme (water, fire, candy, ice, milk). Over 500 episodes have been produced, so a lot of ground has been covered. It is indicative of what a wonderfully intriguing world we live in, something we should embrace.
The Manofesto 