Since we only covered two films in the previous installment, we’ll finish out that grouping’s other three entrants now. And since I did a lengthy preamble last time I will spare my dear readers that type of verbosity this go round.
23 A Christmas Carol
When I first did this series at the original Manofesto on MySpace I left out A Christmas Carol. My reasoning was that there were so many different versions, many of them very good in their own way, that I just could not pick one. That is still the case, but this time I am not letting that fact stop me from recognizing the story and putting it in its rightful place in The Top 100. There have been dozens of adaptations of A Christmas Carol on the big screen and on television, and countless others that aren’t really versions of the story but borrow certain elements.
For anyone who has been living in a vacuum their entire life, A Christmas Carol is an 1843 novella by Charles Dickens in which bitter old miser Ebenezer Scrooge is visited by the Ghosts
of Christmases Past, Present, & Future on, of course, Christmas Eve. He is shown the error of his ways and wakes up on Christmas morning a changed man. Along the way we meet Scrooge’s poor but cheerful nephew Fred and Bob Cratchit, Scrooge’s underpaid and mistreated clerk, who is barely able to support his large family, which includes young son Tiny Tim, who has been stricken with a disease that is never specified and will die without proper (and expensive) medical care.
I highly recommend reading the book, but we are here to talk about movies. So with that being said, I have a few favorite versions of the tale. Reginald Owen starred as Scrooge in a 1938 MGM release which one can usually catch a few times during the holiday season on Turner Classic Movies or American Movie Classics. It is a scaled back, family friendly movie that leaves out some of the darker details of Dickens, but still gets the point across. More grim is the 1951 movie starring Alistair Sim. This one doesn’t leave out as much but it adds some things, detailing some peripheral issues in which Dickens was not as specific. It too is a favorite of the classic movie channels at Christmas time. In 1999 TNT did an excellent made-for-TV adaptation with Patrick Stewart (Captain Picard from Star Trek: The Next Generation) as Scrooge. I was attracted to it initially because I am a Trekkie so I dig Stewart, but it is a really good version, especially for being a television movie instead of on the big screen. It is more faithful to the book than any other take on the story that I have seen. Last year Robert Zemeckis and Jim Carrey teamed up for the newest A Christmas Carol using the same unique performance capture technology used in The Polar Express (which we will discuss at a later date). I saw it in the theater and was impressed, though it is the darkest vision of the story I have seen yet. They were very faithful to the book but went a tad crazy with special effects, making it a bit of an assault on the senses. Time will tell where it rates in the pantheon. Several movies have been made that are not meant to be faithful to the book…they are “modernized” updates. Among the best of those are 1988’s Scrooged in which Bill Murray plays a cynical TV producer, Mickey’s Christmas Carol and Mr. Magoo’s Christmas Carol, both lighthearted animated fare starring some of our favorite cartoon characters, and A Carol Christmas, with Tori Spelling as a Scrooge-esque talk show host, a Hallmark Channel offering I mention only because it stars a uniquely kitschy combination of Spelling, William Shatner, and Gary Coleman.
Modern audiences may not fully grasp the significant role A Christmas Carol played in reviving Christmas. English Puritanism had nearly killed the holiday in the 18th century, but Dickens and his little novella helped spearhead a renewed Christmas spirit. Some may criticize his seemingly secular vision of what is meant to be a celebration of the birth of Christ just as many complain about the modern issues of commercialization, and those are valid criticisms…Dickens does not mention Jesus or delve into the religious aspects of Christmas at all. But A Christmas Carol is about Christian principles like friendship, love, and generosity, and I don’t think The Lord would have any objections.
22 Jaws
More than 30 years after the release of Jaws I still have no desire to swim in an ocean. I think that speaks volumes about the impact of this particular movie. Not really a horror film but more than a thriller, Jaws was the first summer blockbuster and permanently altered the way we view movies and the way Hollywood produces and promotes them. Nowadays it is an expected cliché that all the “big” movies, mostly special effects laden action flicks or highly anticipated sequels, will come to your local cineplex sometime between Memorial Day and Labor Day. But in 1975 this was not the case. Jaws changed the rules. However, while I think it appropriate to give that aspect of the story its proper due, I am more interested in the story itself, which is awesome.
I am not really all that much into action movies, a fact that I am sure I have mentioned more than once in the course of this series. Too often the filmmakers seem to believe that if enough people get shot, a plethora of stuff explodes, and computer generated special effects make us gasp in amazement that we will overlook little things like character development, plot, and good writing. And sadly they are correct way too much of the time. But that sort of trickery doesn’t work with me. Obviously I am a writer, so that is what I tend to focus on. Jaws is the rare film that works on both levels. Based on a 1974 novel by Peter Benchley, Jaws scares of the crap out of the viewer but also makes us give a damn about the folks on the screen. As faithful readers know, I tend to believe that the book is better than the movie in almost all cases. Is that the case here?? I don’t know. I have to confess that I have never read the book. I have heard that the movie is much better, that the book isn’t really all that stellar. Maybe someday I will decide for myself. In the meantime, Roy Schneider, Richard Dreyfuss, and Robert Shaw star as a police chief, a marine biologist, and a shark hunter charged with the task of hunting down a great white shark that is terrorizing a small New England tourist trap. We get to know each of these characters, and the subplot of the town’s angst concerning the safety of the masses versus the need to make a profit is an important element as well. But make no
mistake…the real star of the show is the shark. Jaws was directed by Steven Spielberg before anyone knew or cared who he was, and he does a masterful job of exercising restraint, creating suspense and drama instead of just enabling the cheap blood and gore mentality. Much of this was due to a limited budget and a lot of headaches during filming, but those negatives are turned into such a positive that Jaws is and will forever will be a legendary movie. It is not a coincidence that several subpar sequels were made and that Spielberg was not involved in any of them. I would be remiss if I did not mention the haunting musical contribution of composer John Williams. Who knew that two simple notes could be made into such spectacularly memorable music?? Jaws is like a fine wine…its greatness grows on a person over the course of time and multiple viewings. Modern filmmakers should take heed of the lessons learned from this movie. Just because one has access to unlimited funds and countless technological toys does not mean that the movies they make are great. Write a good story first, then get some truly talented actors (and just because they are huge movie stars does not mean they qualify as good actors). Don’t go too crazy with all the special effects…a little goes a long way. Throw in a quality musical score and you just may have something. Spielberg’s offerings have been kind of hit or miss over the last decade. Minority Report?? War of the Worlds?? Come on Spielberg…step away from the pitcher of Tom Cruise Kool-Aid. But no matter what he does in the future he must always be given kudos for the ultimate summer blockbuster.
21 Casablanca
I did not realize it until just now, but today’s threesome really brings home the old adage “they don’t make ’em like they used to”. The best versions of A Christmas Carol were made more than 50 years ago, Jaws is the youngster at only 35 years old, and then we have 1942’s Casablanca. Some of the films in this Top 100 may fall out of fashion and not frost my cupcake 10 or 20 years from now, but I will be shocked if Casablanca ever leaves the collective consciousness of the moviegoing public.
I don’t remember when I first saw Casablanca. I am sure it was probably sometime back in junior high on a channel like American Movie Classics. I am not one to try to keep up with the
joneses, but there are certain books that I feel need to be read and certain films I think need to be seen in order to become the well rounded, educated, cultured person that elevates one above toothless hillbilly, perpetual bottom feeder status. I am proudly born and bred in the great state of West Virginia and tend to be sensitive to such things. At any rate, Casablanca stars Humphrey Bogart as Rick, an American misanthrope running a nightclub in the French controlled North African colony of Morocco during World War II at a time when the Nazis are steadily taking over the vast majority of Europe. Rick gains possession of “letters of transit” which would allow the bearer to escape to America. Things get complicated when Rick’s ex Ilsa pops in, with her husband, a Czech resistance leader, in tow. Ilsa’s appearance explains Rick’s cynical resentment and hardscrabble attitude. She attempts to convince Rick that she is still in love with him in order to gain possession of the letters of transit so her husband can escape to America. Rick seems to buy into it, but at the last second pulls an ol’ bait & switch, revealing himself to be more of a softy than we realize. He makes Ilsa get on a plane with her husband, and runs interference against the Nazis and the corrupt local French police captain while the couple make their escape. Casablanca is one of our most quotable films and there is not a bad performance from any of the cast. It is a nearly flawless exercise in filmmaking. There’s a little romance, a little drama, some suspense, a twist ending, and even a laugh or two. There simply aren’t enough superlatives in the dictionary to properly encapsulate its greatness, and nothing I write can do it justice. Rent it at your local video store or make an effort to catch it sometime on AMC or TCM and you will understand. I hope that younger generations continue to embrace the superb quality of Casablanca and use it as an example in demanding better stories from modern Hollywood.
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advantage of his one shot at success and shocks the world (even though he actually doesn’t win until the sequel). In the 34 years that have passed since the film’s debut, it’s thematic arc has been used countless times, some successfully (Rudy, Remember the Titans, Hoosiers, Seabiscuit, The Karate Kid, Dodgeball), some not so much (The Replacements, Summer Catch, any Rocky sequel past 2). Face it…the formula works if the writers, actors, and directors are halfway talented and put forth a little effort. By now though you know my mantra…it is nearly impossible to surpass the original. What is funny about Rocky is that it is remembered as a sports film and for its boxing sequences and some scenes of the titular character in training, when in reality it is a well written film with tremendous performances and really good development of the main players. Burgess Meredith and Talia Shire are probably not given enough credit for their roles, but their support is the backbone of the movie’s success. Sly Stallone actually wrote the script, but was an unknown commodity at the time and had to beg the powers-that-be to let him star in his own story then ended up giving the best performance of his career. Rocky went on to be nominated for 10 Academy Awards, winning 3 of them including Best Picture. Not bad for a movie that was made on a shoestring budget and shot in under a month. I am sure that films will continue to “borrow” the formula in perpetuity, but I am also confident that we will still be talking about Rocky in another 34 years.
more. Matthew Broderick stars as Ferris, the kind of loveable schemer it’s almost impossible not to like and nearly as difficult not to envy. He convinces his clueless folks that he is too sick to go to school and then proceeds to drag his gorgeous girlfriend and his morose best friend to accompany him on a day long adventure. The only people who seem to see through his BS are his caustic sister and the school principal, who seems quasi-maniacal in his efforts to bring down the teenager. Ferris is wise beyond his years. He understands that soon enough he and his friends will be in the “real world” and wants to take advantage of one last opportunity to be carefree and have some harmless fun. I suppose it is possible that the modern tradition of
screens every December for decades, here we have a criminally overlooked holiday treat. Somewhere in the deep dark recesses of my mind I vaguely recall seeing this for the first time in The Original Bachelor Palace back in my college days with a few good friends. It may have even been the same night we rented Trapped in Paradise. Or I could be totally off base. If my memory isn’t playing tricks on me it would partially explain my affection for The Ref. At any rate, whatever the particular circumstances may have been initially, I have seen this movie multiple times in the past 16 Christmas seasons. It is required holiday viewing in my household. Denis Leary…an excellent stand-up comedian who is now known primarily for his TV show Rescue Me…stars as a crook who, after a robbery has gone awry, is forced to hold a haughty Connecticut couple hostage in their home on Christmas Eve. The problem for Gus is that Lloyd and Caroline have some major issues. They are in marriage counseling because Caroline had an affair, Lloyd hates his life, and both blame each other for their son’s troubles. Now I know that doesn’t sound funny, but trust me…it is h-y-s-t-e-r-i-c-a-l. The bickering couple really tests Gus’ patience. Things get more complicated when Lloyd’s even snootier family shows up for dinner and then the conniving son comes home from military school. Hilarity ensues. Kevin Spacey makes almost anything instantly better…he’s such a great actor. The Ref isn’t as easy to find on your television as many of the better known holiday classics, but Comedy Central usually shows it once or twice. It is well worth the rental if you cannot find it on the ol’ tube though. For anyone who has never seen it, I assure you…you won’t be disappointed.
Ocean’s Eleven is the textbook definition of popcorn cinema, and I =guess that’s not a bad thing. Danny Ocean is fresh out of prison and has his sights set on robbing not one…not two…but three Las Vegas casinos all at the same time. He recruits his best wingman and they assemble a team to pull off the job. We eventually learn that Ocean’s real beef is with the owner of said casinos, played by the always superb Andy Garcia. The evil casino owner has hooked up with Ocean’s ex-wife, played by Julia Roberts. The crew that is to pull off this massive heist is a ragtag group of con men, played by guys like Don Cheadle, Bernie Mac, Elliot Gould, and Carl Reiner. They all have their key roles to play in the masterful plan, and for the most part the plan goes off without too much consternation. As a viewer I advise against trying to figure out details or attempting to apply logic. There are some holes…like: they are supposed to be robbing three casinos, but really they’re just robbing one vault that holds the money from three casinos. But it’s all good. The cast is very Rat Pack-esque in their breezy delivery and cool demeanor. There’s a little action, a little romance, a little comedy. The performances are very good. Don Cheadle is an underrated actor, and it is nice to see old timers Gould and Reiner in a big time flick with the younger, hipper It Guys. Two sequels were made, and as per usual the second was a subpar money grab while the third rebounded nicely with the addition of Al Pacino to the cast. I am tempted to point out that it is another case where the original is the best, but technically it is a remake of an original.
his career would have evolved had he not tragically left us far too soon. He stars as Jake, who along with his brother Elwood (played by Dan Aykroyd) formed a successful blues act before he landed in prison for armed robbery. Upon Jake’s release, the duo gather up the rest of their old band so they can do a benefit show and help the orphanage where Jake and Elwood grew up pay its property taxes. Along the way they manage to tick off the police, a group of neo-Nazis, Jake’s ex-fiancée, and a country band called The Good Ol’ Boys, all of whom chase The Blues Brothers and cause mayhem and destruction. Our heroes make the gig, pay off the taxes for the orphanage, and are ultimately sent to prison for all the havoc they have wreaked. The soundtrack is spectacular if you like blues music, and I do. There are alot of fun cameos…Ray Charles, Carrie Fisher, Aretha Franklin, James Brown, John Candy, Chaka Khan, John Lee Hooker, Paul Reubens/Pee Wee Herman, Joe Walsh, and Steven Spielberg, among others. The Blues Brothers is just a lot of mindless fun, and it continues to be a unique classic thirty years later.
expensive restaurant, stay at a luxury hotel, visit his big brother, make love to a beautiful woman, and then blow his brains out”. The Colonel apparently wants to go out in a blaze of glory, and has a few fun adventures, like doing the tango with a lovely and accommodating stranger, test driving a Ferrari (getting pulled over by a clueless policeman…who doesn’t catch on that Slade is blind…in the process), and ambushing his unsuspecting brother’s family on Turkey Day. Meanwhile, Charlie has his own issues. He and a buddy witnessed a few of their classmates vandalizing school property, and the school’s headmaster has bribed a reluctant Charlie to snitch on the perps by guaranteeing that he can singlehandedly get Charlie into Harvard. Maybe it says a lot about my moral fiber or lack thereof, but I’d take that deal in a heartbeat. But Charlie doesn’t want to be THAT guy, so he is conflicted. It is rather weakly constructed drama and definitely takes a backseat to the main story, that of Colonel Slade. Pacino plays Slade in such a way that one dislikes him, feels sympathy for him, and is kind of rooting for him all at the same time. I especially enjoy when Charlie and the Colonel visit Slade’s brother’s family on Thanksgiving. We learn more about Slade’s backstory and how he ended up blind. We begin to understand why he acts the way he does, and somehow we end up cheering him on as he faces off with his prickly nephew (played by a pre-West Wing Bradley Whitford). Gradually Charlie and Colonel Slade form a respectful bond, and the movie culminates with the Colonel defending Charlie against a disciplinary committee at his stuffy prep school. Pacino’s soliloquy rivals anything Shakespeare ever wrote and is one of my favorite movie scenes of all time. He won the Oscar for his role in Scent of A Woman, and rightly so. Sometimes I think maybe it would have been a better movie if someone else besides O’Donnell would have portrayed Charlie, but I suppose it was necessary for Charlie to fade to the background so Colonel Slade could be what anyone who watches this film will remember.
Made in 1964, A Shot in the Dark is the second in the series, and in my opinion the best. Clouseau is charged with solving the murder of a chauffeur in a very wealthy and large household. The prime suspect is one of the maids, Maria Gambrelli, who was sleeping with the chauffeur. Despite the fact that all the evidence undeniably points to Maria, Clouseau will not arrest her because he has instantly become smitten with the undeniably beautiful woman. He bumbles his way through the investigation, getting himself arrested several times and driving his boss, Commissioner Dreyfus, absolutely mad. Several more murders are committed as well, but Clouseau refuses to believe Maria is guilty. A subplot involves Clouseau’s servant, Cato, whom the inept detective orders to attack him “whenever and wherever he least expects it”, a command that Cato follows in hysterical fashion. The relationships between Inspector Clouseau and the Commissioner and Cato, respectively, are laugh-out-loud funny, the very best parts of the film. Those relationships and the antics of Clouseau in general make the particulars of the whodunit plot relatively insignificant. Like any film series The Pink Panther became more and more ridiculous as the powers-that-be tried to squeeze more money out of the franchise, but A Shot in the Dark is a true gem and not to be missed.
& Robin) in an era where most movies are gone within a month or two…so somebody watched the damn movie, and the law of averages would point to just about anyone and everyone. Personally I believe Titanic is a very well written movie with great performances and tremendous effects. I had been fascinated with the tragic story of the Titanic long before the movie was made, and I think the tale is told well. Some may say that real life, historically accurate characters should have been the focus and the movie about them. I understand that point, but I also see what James Cameron was trying to do and why he did it. The characters of Jack and Rose, as well as some of the other supporting roles, were meant as tributes to all 1500 passengers that perished. The “rich girl falls for a guy from the wrong side of the tracks” motif may be a bit cliché, but it works. The framing plot of the old lady who essentially tells the story as a flashback allowed Cameron to use actual footage captured on a dive in a submersible to the actual wreckage, which is pretty ingenious. If you really are one of the handful of people who has never seen Titanic, quit being a stubborn jackass and rent it. It’s a timeless narrative that I believe will stand up well for decades to come.
machine and went back in it himself to once more alter 1985 so that he is a wealthy and powerful tyrant that has killed George and forced Marty’s mother, Lorraine, into marriage. So Marty and Doc have to go back to 1955 one more time to fix the damage. They do and all is well…for a brief moment. Lightning strikes the DeLorean, Doc disappears, and Marty is stuck in 1955. We have a cliffhanger. The third film has Marty, stuck in 1955, receive a letter from Doc, who has been transported back to 1885. Marty finds a way to have 1955 Doc get him to 1885, where he meets up with Doc and some of his own ancestors as well as forebearers of the Tannen clan. Marty saves Doc’s life, which is the reason he went back to 1885. He then finds a way, with the help of a steam locomotive, to get back to 1985. Doc is once again inadvertently left behind trying to get to his 1885 girlfriend Clara. At the end though, Doc and Clara arrive in 1985 via a wicked cool souped up train that has been converted into a time machine. The first Back to the Future is the best, and the third film the weakest. But it’s another case where a trilogy really needs to be treated as one entity. Time travel is almost always an awesome movie device, and these movies do it really well. We see what was at the time modern day, the 1980’s…go back to the 1950’s…go forward to a technologically advanced future in 2015…and go back to the 19th century Old West. It is the very definition of escapism. I haven’t done it for awhile, but it is a lot of fun to spend a rainy day watching all three movies consecutively. I have heard rumors for years about plans to revive the franchise, and I am sure at some point it shall be so, albeit with a whole new cast and likely nothing more than a cameo from Michael J. Fox. If and when that day comes I will judge the new film appropriately, but I will say this much…it’d have to be pretty special to live up to the original trilogy.
money. Unfortunately they get caught in a “perfect storm”, the convergence of three storms in the same place. I am not usually a fan of action films, but in this case the action is so well done…plus it’s unique, i.e. not the usual guns ablazing and mindless explosions but instead a fishing boat and its crew fighting horrendous weather. Even if considered alongside natural disaster flicks like Twister, Deep Impact, and Dante’s Peak, The Perfect Storm stands out due to excellent performances and good writing. The first time I ever watched the film I was not aware that it was based on a true story. I kept waiting for the heroic rescue and the happy ending. When it did not happen and I realized that it was a factual account, I almost cried because it was so sad. Subsequent viewings, with full knowledge of the real life tale, has only deepened my appreciation.

