Jason Segel

90’s Film Frenzy: Wicked Round 1

Before we conclude Round 1 of 90’s Film Frenzy please go back and check out first round action in the Dope, Fly, and Phat divisions.

 

You have likely noticed that I consistently use two metrics in my evaluation…box office and critic reviews. I utilize Rotten Tomatoes to see what the critics had to say, and I look at Box Office Mojo to see how the movie stacked up financially against its competition. When I was growing up we didn’t have The Internet and movie critics were a rare breed mostly confined to big city newspapers. The big dogs on the block were Siskel & Ebert because they actually had their own television show, so you’re seeing them referenced a lot, mostly out of nostalgia. I also tend to focus on reviews that were written at the time of a film’s release in the 1990s because it is rather bogus and a bit unfair to give credence to something written many years later by a critic who has suddenly jumped on the bandwagon of a cult film that has grown in stature thru the magic of home video. Having said that, neither the box office nor the critics are always an accurate measure of a movie, and something that has achieved cult status for whatever reason shouldn’t be overlooked just because it didn’t make much money or receive critical acclaim two+ decades ago. It’s a delicate balancing act…one I hope that I am doing well.

 

 

 

 

 

 

Ghost

Release:                       7/13/90

Starring:                        Patrick Swayze, Demi Moore, Whoopi Goldberg

Directed By:                 Jerry Zucker (Airplane!, Ruthless People)

 

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Reality Bites

Release:                       2/18/94

Starring:                        Ethan Hawke, Winona Ryder, Janeane Garofalo, Steve Zahn, Renée Zellweger, John Mahoney

Directed By:                 Ben Stiller (The Cable Guy, Zoolander, Tropic Thunder)

 

If there is one film in this competition that might qualify as “quintessential 90’s” I think Reality Bites fits the bill. It’s right there in the title…Reality Bites. Angst-ridden twenty-somethings try to find their footing in the post-graduate jungle that is life. That’s pretty much the idea. The cast is impressive, and the soundtrack is representative of its era, with songs from Crowded House, Lenny Kravitz, Julianna Hatfield, & The Posies. Not exactly mainstream, right?? I feel like the most enduring legacy of Reality Bites is the hit song Stay by quirky Lisa Loeb. This movie came out right after I graduated college and had entered the workforce, but at the time I was also still clinging to the old college life…hanging out with my friends and patronizing familiar watering holes ‘til 3am. Stay was in heavy rotation on the jukebox, and I have a vague recollection of a female acquaintance of mine dancing to the song and stripping down to her unmentionables right in the middle of the bar. Ghost was nominated for five Academy Awards and won two of them. When a banker is shot & killed by a mugger his ghost enlists the help of a shady psychic to warn his grieving girlfriend of impending danger. The enduring legacy of Ghost includes the zenith of Patrick Swayze’s solid career, Whoopi Goldberg when she was still funny and not a political hack, one of Demi Moore’s best performances, a renewed appreciation for The Righteous Brothers’ hit Unchained Melody, & a sudden interest in learning more about pottery.

 

The Verdict:       Ghost. I was precisely the target audience for Reality Bites and still found it dull. It was the 63rd highest grossing film of 1994, behind such stalwarts as Shaquille O’Neal’s Blue Chips, Pauly Shore’s In the Army Now, & Jean-Claude Van Damme’s Timecop. Rotten Tomatoes scores it at 66%, with the Chicago Tribune calling it “a good example of an anti-establishment comedy crippled by a seeming desire to infatuate the establishment itself”, while The New Yorker observed that “when the movie is over you don’t feel as if you had shared the experience of a new generation…you feel puzzled and vaguely crummy”. Conversely, Ghost won Oscars for Best Original Screenplay and Best Supporting Actress (Goldberg). It was the second highest grossing film of 1990, behind only Home Alone, and holds a 74% rating on Rotten Tomatoes. Gene Siskel declared that “Moore has never been more fetching”, while his buddy Ebert said that the movie “occasionally succeeds in evoking the mysteries that it toys with”.

 

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Glengarry Glen Ross

Release:                       10/2/92

Starring:                        Al Pacino, Jack Lemmon, Alec Baldwin, Alan Arkin, Ed Harris, Kevin Spacey

Directed By:                 James Foley (Reckless, The Chamber)

 

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Striking Distance

Release:                       9/17/93

Starring:                        Bruce Willis, Sarah Jessica Parker, Tom Sizemore, Dennis Farina, John Mahoney

Directed By:                 Rowdy Herrington (Road House)

 

Just glancing at the cast of Glengarry Glen Ross elicits such high expectations that it’d be almost impossible for a film to live up to them. Based on a 1984 Pulitzer Prize winning play by David Mamet, the story shows us two days in the lives of aging real estate salesmen desperate to keep their jobs. The corporate office has announced that half of them will be fired in a week, so they must do whatever necessary to get the numbers needed to impress the boss. Lemmon, Arkin, Harris, & Pacino are powerful performers on an individual basis, and as an ensemble they are unmatched. Throw Spacey and a brief but memorable appearance by Baldwin into the mix and what you have is a movie in which the plot is secondary to the performances. In the hands of lesser actors it might be a total yawner, but what we end up with is a masterclass in how to make relatively mundane subject matter absolutely riveting. Bruce Willis was already a big movie star by 1993, with two Die Hards, two Look Who’s Talking films, & less appreciated fare like The Bonfire of the Vanities, Hudson Hawk, & The Last Boy Scout on his resume. Striking Distance tells the story of a disgraced Pittsburgh homicide detective relegated to river rescue duty after opining that a serial killer might be a rogue cop. When someone begins stalking him the game is afoot and the only person he can trust is his fetching female partner…or so he thinks. Striking Distance isn’t fondly recalled as one of Willis’ best, but with a cast that includes Parker, Mahoney, & Farina and a Pittsburgh backdrop familiar to this West Virginian I believe it is better than many may recall.

 

The Verdict:       Glengarry Glen Ross. I’m not usually into murder mysteries or police dramas, but Striking Distance works for me in a way it doesn’t seem to for many others. It was the 63rd highest grossing film of 1993 (better than Rudy but behind Pauley Shore’s Son-in-Law) and has an abysmal 14% Rotten Tomatoes score. Entertainment Weekly called Willis “morose” and the movie a “flat, dankly lit, grindingly inept thriller”, while Ebert called it “an exhausted reassembly of bits & pieces from all the other movies that are more or less exactly like this one”. Conversely, Glengarry Glen Ross has a stellar Rotten Tomatoes score of 94%, with Ebert saying that “you can see the joy with which the actors get their teeth into these great lines” and ReelViews opining that “for anyone who loves sharp dialogue, compelling characters, and a stinging social rebuke, Glengarry Glen Ross is not to be missed”. It was only the 94th highest grossing movie of 1992, yet we must consider that it isn’t a big budget epic but rather a stage play put on film. The fact that one can still appreciate its prominence nearly three decades later outweighs any perceived box office shortcomings.

 

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The Big Lebowski

Release:                       3/6/98

Starring:                        Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Tara Reid, Philip Seymour Hoffman

Directed By:                 Joel & Ethan Coen (Raising Arizona, Fargo, No Country for Old Men)

 

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Ten Things I Hate About You

Release:                       3/31/99

Starring:                        Heath Ledger, Julia Stiles, Joseph Gordon-Levitt, Larisa Oleynik

Directed By:                 Gil Junger (Black Knight, If Only)

 

Ol’ William Shakespeare is still inspiring people 400 years after he left this mortal coil, and a big Hollywood trend the past few decades is to take the basic theme of a Shakespeare play and set it in modern times with young & hip movie stars. Ten Things I Hate About You turns Shakespeare’s Taming of the Shrew into a romantic dramedy about high school students. Stiles, Ledger, Gordon-Leavitt, & Oleynik star as two sisters and the guys attempting to woo them, and the cast also includes Andrew Keegan, David Krumholtz, Gabrielle Union, & Allison Janney. It was the 53rd highest grossing film of 1999 and has a Rotten Tomatoes score of 62%, with Variety observing that it “doesn’t even seem certain which decade it’s set in”, the San Francisco Chronicle opining that the movie “wimped out by blanding down the story and the characters to the point where she isn’t really a shrew and he isn’t really a maniac”, and Ebert chiming in that high school films are “running out of new ideas and have taken to recycling classic literature”. The Big Lebowski has grown in stature & popularity in the two decades since its release when it was the 96th highest grossing movie of the year, behind immense competition like Half Baked, Simon Birch, & Bulworth. It is the very definition of a cult film, although with a Rotten Tomatoes score of 82% it seems like critics recognized its greatness long before the masses caught up. Jeffrey Lebowski is known by his friends and refers to himself simply as The Dude. He is the quintessential slacker who enjoys sitting around in his bathrobe, drinking white Russians, and bowling with his pals Walter & Donny. When two thugs assault him in his house demanding money that is owed to their boss it becomes clear that they have the wrong guy…they’re after the other Jeffrey Lebowski – an old, handicapped millionaire. The thugs leave The Dude in peace but take a wiz on his area rug first, which offends him tremendously because the rug “really tied the room together”. When The Dude seeks out the other Lebowski for recompense he ends up getting caught in a complex plot involving kidnapping, ransom, a porn magnate, & a high school kid named Larry. The Cincinnati Enquirer called The Big Lebowski “loopy, unfathomable, profane, & very funny”, while Ebert simply framed it as “weirdly engaging”. There is actually an annual event in Louisville, KY called Lewbowski Fest which, since 2002, has celebrated the film with bowling, trivia, & costume contests, and a “religion” called Dudeism that advocates & encourages “going with the flow”, “being cool headed”, and “taking it easy” in the face of life’s difficulties, which does sound kind of awesome.

 

The Verdict:       The Big Lebowski. No contest. The Dude abides. But well, you know, that’s just, like, my opinion, man.

 

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October Sky

Release:                       2/19/99

Starring:                        Jake Gyllenhaal, Chris Cooper, Laura Dern, Chris Owen

Directed By:                 Joe Johnston (Honey I Shrunk the Kids, Jumanji)

 

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Four Weddings & A Funeral

Release:                       5/13/94

Starring:                        Hugh Grant, Andie MacDowell

Directed By:                 Mike Newell (Donnie Brasco, Harry Potter and the Goblet of Fire)

 

Hugh Grant first became a thing in the early 90’s mainly because of Four Weddings & A Funeral. The plot is pretty simple, as it follows a small group of people whose lives keep intersecting at various social engagements, specifically…you guessed it…four weddings and a funeral. Andi MacDowell is a charming actress who has been in a few films that I’ve really enjoyed but she mostly flies under the radar. I vaguely recall seeing Four Weddings & A Funeral back in college, and what I remember most is a cover of an old 60’s song Love Is All Around that would be co-opted again a decade later for the British Christmas rom-com Love Actually. I think others enjoyed the movie more than me, as Four Weddings & A Funeral was nominated for Best Picture and Best Original Screenplay at the Academy Awards, holds a 95% Rotten Tomatoes score, & was the 21st highest grossing film of 1994. Gene Siskel observed that it “couldn’t be more psychologically astute in its portrait of a man who defines himself by his bachelorhood”, while Entertainment Weekly raved that its “infectious charm and sunny goodwill can immediately buoy a soul”. Fellow West Virginian Homer Hickam is the subject of October Sky, which is based on his memoir Rocket Boys. We meet Homer as a high school student living amongst the economically and otherwise depressed coal fields of southern West Virginia in the 1950s. Homer and his pals dream of a better live outside of Appalachia, and the launch of Soviet satellite Sputnik into space inspires an interest in building rockets. Unfortunately dreams of success, happiness, & achievement are met with resistance from the redneck masses, and it’s up to the young lads to blaze their own trail and prove everyone wrong. The only person who seems to be in their corner is a kindhearted science teacher, but that’s enough. Homer Hickam went on to become a NASA engineer for nearly thirty years. October Sky was the 63rd highest grossing film of 1999 and holds a 90% rating on Rotten Tomatoes. Ebert complimented the movie’s “deep values”, while CNN called it “a sensational character-driven story with a strong narrative and great visual style”.

 

The Verdict:       October Sky. In doing my prep work I was surprised to learn that Four Weddings & a Funeral had been nominated for Best Picture. Perhaps the timing is just off for me. Back then I was at the tail end of my collegiate existence and caught up in other things. I remember seeing it once, and in the ensuing decades I don’t think I’ve ever seen it again. I’m sure if I went back and watched it now I’d find it perfectly delightful, but obviously it didn’t really resonate with me for whatever reason. Conversely, I can identify with certain beats in October Sky that few outside of Appalachia could ever understand. This was Jake Gyllenhaal’s first starring role, and he & the rest of the cast are superb.

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Liar Liar

Release:                       3/21/97

Starring:                        Jim Carrey, Maura Tierney

Directed By:                 Tom Shadyac (Patch Adams, Bruce Almighty)

 

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Doc Hollywood

Release:                       8/2/91

Starring:                        Michael J. Fox, Julie Warner, Woody Harrelson, Bridget Fonda, David Ogden Stiers, Barnard Hughes

Directed By:                 Michael Caton-Jones (Rob Roy)

 

Jim Carrey is a mixed bag for me. His shtick gets old really quick, and I tired of it fifteen years ago. However, between 1994 & 2003 he starred in a handful of memorable films, and Liar Liar might deserve a spot at the top of the list. Carrey plays a hotshot attorney whose focus on his career and deceitful ways have already ended his marriage and are on the verge of costing him his young son Max, who makes a wish on his birthday that his Dad not be able to lie at all for just one day. Max’s wish comes true and hilarity ensues. Liar Liar was the fourth highest grossing film of 1997 and has a Rotten Tomatoes rating of 81%. Variety called it “close to an ideal jumping-off point for Carrey”, the Hollywood Reporter opined that “Carrey has never been better, funnier, or more controlled”, and Ebert expressed trepidation that “I am gradually developing a suspicion that Jim Carrey is growing on me”. Doc Hollywood marked Michael J. Fox’s emergence from the Back to the Future niche that he’d been in for over five years, and the results aren’t too shabby. He plays a hotshot Washington DC doctor on his way to Los Angeles to make bank as a plastic surgeon. But when he crashes his classic Porsche in a rural South Carolina town he finds himself marooned for awhile and forced to serve as the local physician for a quirky group of townsfolk. Gradually he starts to mellow and grow fond of his new neighbors, and of course there is a fetching young lady with which he becomes smitten. Doc Hollywood is kind of predictable, but enchantingly so, with a great cast and fun characters. It was the 24th highest grossing movie of 1991, ahead of Bugsy, Thelma & Louise, and Point Break. Rotten Tomatoes scores it at 71%, with Newsweek saying that it “oversells its whimsy and fits its quirkiness into a sitcom formula”, while Ebert called it “a sweetheart of a movie”.

 

The Verdict:       Doc Hollywood. There is a scene in Doc Hollywood involving the exquisite Julie Warner emerging from a lake that rivals Phoebe Cates infamously exiting a swimming pool a decade earlier in Fast Times at Ridgemont High. I can’t get that scene out of my head when pondering the film. I’m a sucker for stories involving big city types being beguiled by easygoing small town life, and the cast pulls this version of the formula off to my satisfaction. I am not swayed by the box office for Liar Liar and like Fox better than Carrey.

 

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Lethal Weapon 4

Release:                       7/10/98

Starring:                        Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, Jet Li

Directed By:                 Richard Donner (Superman, The Goonies, Scrooged)

 

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Can’t Hardly Wait

Release:                       6/12/98

Starring:                        Ethan Embry, Jennifer Love Hewitt, Lauren Ambrose, Peter Facinelli, Seth Green, Charlie Korsmo, Jason Segel, Donald Faison, Selma Blair, Sara Rue, Jenna Elfman, Jerry O’Connell, Melissa Joan Hart, Breckin Meyer

Directed By:                 Deborah Kaplan (A Very Brady Sequel)

 

Fans of the Lethal Weapon series have been anxiously awaiting a fifth installment for twenty years, and though I’m usually a “never say never” kind of guy I believe at this point that it’s too little too late and I’m okay with that. The fourth & final Lethal Weapon finds Riggs reluctant to marry his very pregnant girlfriend Lorna, Murtaugh dealing with the pregnancy of his eldest daughter by a mystery man, and the long in the tooth duo investigating an illegal Chinese immigrant smuggling situation. Rock joins the cast as an overzealous detective who is more than he lets on, and of course Pesci is back as fast talking ex-con Leo. Lethal Weapon 4 was the 11th highest grossing film of 1998, though it was also the most expensive of the four films to produce. It holds a 52% score on Rotten Tomatoes, with Time referring to it as “mindless, sadistic violence juxtaposed with rote sentimentality”, while the New York Times generously pronouncing that it “turns out to be one of the nicer blow-’em-ups around”. Can’t Hardly Wait is another Hindsight Film, full of young actors who have stuck around long enough to be known for other things. It is also a classic high school film, set at a conventional graduation party and deconstructing all of the requisite high school archetypes. It was the 74th highest grossing movie of the year, ahead of Rushmore and A Simple Plan but behind Bride of Chucky and A Night at the Roxbury. It holds a 40% Rotten Tomatoes rating, with Entertainment Weekly calling it “a high-spirited, synthetically raucous house-party comedy” and Ebert saying that it “lumbers ungracefully from romantic showdowns to deep conversations to bathroom humor”.

 

The Verdict:       Lethal Weapon 4. Though rumors of one last movie persist I think 4 provides a fitting conclusion to a very entertaining series. Perhaps the powers-that-be could learn a lesson from Die Hard, a franchise that should have stopped after three installments but has subjected the masses to two additional films with a sixth one possibly on the way. Sometimes it’s better to end on a high note and leave the memories alone. Back in the days of Party of Five I had a huge celebrity crush on Jennifer Love Hewitt, so I’m all in on Can’t Hardly Wait. However, in a sub-genre that has produced so many memorable movies the past few decades it really doesn’t stand out from the crowd.

 

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Backdraft

Release:                       5/24/91

Starring:                        Kurt Russell, William Baldwin, Robert De Niro, Donald Sutherland, Jennifer Jason Leigh, Rebecca De Mornay

Directed By:                 Ron Howard

 

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That Thing You Do

Release:                       10/4/96

Starring:                        Tom Everett Scott, Liv Tyler, Johnathon Schaech, Steve Zahn, Ethan Embry

Directed By:                 Tom Hanks

 

Every uniformed profession…policemen, the military, doctors, lawyers (hey…a three piece suit is kind of a uniform)…seems to get their own movie or TV series eventually. After all, life or death situations provide plenty of theatre. Backdraft is an ode to firefighters that tells the story of a wave of suspicious fires in Chicago, with a little family drama, political intrigue, & romance thrown into the mix. Ron Howard is a terrific director and the all-star cast is impressive, helping to make it the 14th highest grossing film of 1991, just behind Fried Green Tomatoes and Teenage Mutant Ninja Turtles II but ahead of JFK and The Prince of Tides, and has a solid 74% Rotten Tomatoes score. Gene Siskel called it “a spectacle worth observing”, Ebert feebly praised it by saying “the scenes involving fire are so good they make me recommend the movie anyway, despite its brain-damaged screenplay”, and the Washington Post said “Backdraft is sure to do for fire what The Poseidon Adventure did for water”, which may have been meant as a compliment…possibly. That Thing You Do was written & directed by Hanks and tells the story of a small town band that quickly rises to fame in the early 60’s on the popularity of an infectious pop hit. Hanks plays a supporting role, while the real stars are the band along with a fetching young female groupie. As with many actual bands egos & personal agendas quickly get in the way and torpedo the group’s success, making the movie a more insightful than expected examination of why one hit wonders are what they are. It was the 60th highest grossing film of 1996 (better than Fargo and Sling Blade) and has a stellar 93% Rotten Tomatoes score. Variety calls it “a sweet, likeable tale”, the New York Times dubbed it “rock-and-roll nostalgia presented as pure fizz”, & Rolling Stone framed it as “a brightly entertaining blend of humor and heartbreak”.

 

The Verdict:       That Thing You Do. This matchup illustrates a few things. First of all, my personal tastes are on full display, with a breezy, lightweight, fun movie beating out an effects laden, action packed melodrama. Secondly, I think it points to the dichotomy that we see even more today than two decades ago when it comes to movies…the action film packed with explosions and A-List talent that inspires awe on the big screen versus the frivolous guilty pleasure that we watch over & over again on television years after its release. And finally, if the material is written well enough then sometimes it’s okay to cast a few under-the-radar performers and help them pull it off with catchy tunes and a good director. Tom Hanks also wrote & directed 2011’s Larry Crowne, so he isn’t infallible…but I’d be willing to give anything he wrote & directed a whirl based on That Thing You Do.

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A Time to Kill

Release:                       7/24/96

Starring:                        Matthew McConaughey, Samuel L. Jackson, Kevin Spacey, Sandra Bullock, Kiefer Sutherland, Donald Sutherland

Directed By:                 Joel Schumacher (St. Elmo’s Fire, Falling Down, Batman Forever)

 

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The Blair Witch Project

Release:                       7/14/99

Starring:                        Heather Donahue, Michael C. Williams, Joshua Leonard

Directed By:                 Daniel Myrick (Believers, The Strand)

 

In 1999 The Internet was still in its infancy and “going viral” was a new concept. Social media wasn’t a thing yet, but that worked out well for The Blair Witch Project. The movie was highly anticipated before it even hit theaters because of its ingenuous marketing campaign. Reality television wasn’t on anyone’s radar yet either, so many folks were easily duped into believing that the movie was actual lost footage of a student documentary gone terribly awry. One kind of longs for those halcyon days when we weren’t so jaded & cynical. The movie itself follows three student filmmakers investigating an urban legend called The Blair Witch. I’m not a horror film aficionado, but I recall thinking that the movie isn’t really that scary, that it is more fascinating as an examination of the trio’s descent into madness. It was the tenth highest grossing film of 1999, earning more than The Green Mile, Oscar winning Best Picture American Beauty, and the first American Pie movie. That feat is even more impressive when you know that The Blair Witch Project had a budget of only $60k and earned almost $250 million. It has a Rotten Tomatoes score of 87%, with the Associated Press pointing out that “the thought that it might just might be real makes it much scarier”, the Minneapolis Star-Tribune calling it “a no-excuses horror show with an emotional wallop like falling headlong into a bear trap”, and the Washington Post saying it is “not the goriest, the grossest, the weirdest, the eeriest, the sickest, the creepiest, or the slimiest movie…just flat out the scariest”. A Time to Kill might be John Grisham’s best book…even better than The Firm…maybe. The movie takes a few liberties in telling the story of a Mississippi lawyer attempting to defend a black man who murdered two white men that raped & beat his young daughter. McConaughey is superb as the stressed out attorney, and Jackson gives one of his most nuanced performances as the distraught & vengeful father. The main issue I have is that the part of the female law student helping the defense team is beefed up considerably from the book because Sandra Bullock was cast in the part, but I realize that probably only bothers fans of the novel. A Time to Kill was the tenth highest grossing film of 1996, ahead of Scream but behind The Nutty Professor. It has a 65% rating on Rotten Tomatoes. Rolling Stone called McConaughey “dynamite in a performance of smarts, sexiness, scrappy humor, and unmistakable star sizzle”, while Ebert thought the movie “a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions”.

 

The Verdict:       The Blair Witch Project. Wow, this is a very difficult decision. Neither film is the kind of breezy couch potato escapism to which I am typically drawn. However, evaluated on their own merits the choice becomes a bit clearer. I am not a big Sandra Bullock fan. There is just something about her that annoys me for no apparent reason. Given that fact, I was more irritated than usual when her character was magnified in the movie far more than she had been in the book. Secondly, while the novel A Time to Kill is probably a better book than The Firm I am not sure that is true when comparing the two movies. I am not at all into horror movies and probably won’t ever watch The Blair Witch Project again, but I cannot overlook its uniquely astounding success and the fact that it was most certainly a product of its time…probably a little ahead of it.

The Sammy Awards 2011 – Episode I: There Is No Hope

In producing the 2nd Annual Sammy Awards, I began to imagine the choices I would make if this were to become a televised awards show. I would want it to be taken a bit more seriously than MTV’s awards shows, but not be quite as demure as The Academy Awards. The telecast itself would certainly have a brisk pace, because anything over 2 hours loses the audience’s attention and reeks of self-important ostentatiousness. There would be no acceptance speeches because A) a few of these categories have far too many nominees to have in the audience, and B) there are some awards where the winner might not be especially proud of the victory. The host of the show would be actor Paul Giamatti. I believe him to be one of the more talented yet underrated actors in Hollywood, with just the right mix of gravitas, low-key sense of humor, and beleaguered animosity simmering just below the surface that I appreciate tremendously. We would be live on HBO, which would eliminate commercial interruptions, allow for abundant repeats, and create a sense of freedom that should minimize any kind of politically correct pomposity inherent in dealing with the broadcast networks. So without further ado, let us take an introspective look back at the year that was 2011 and reward the people & stories that made it another memorable ride.

To present our first award, The Manofesto is proud to introduce the cast of the classic 1985 teen dramedy The Breakfast Club: Anthony Michael Hall, Judd Nelson, Ally Sheedy, Emilio Estevez, & Molly Ringwald. And the nominees are:

Favorite Movie (That I’ve Seen)

Little Fockers

I loved the original, and the sequel benefited from the addition of Dustin Hoffman & Barbara Streisand to the cast. However, this third battle of wills between patriarch Robert Deniro and son-in-law Ben Stiller is lacking something. It feels like it was written & produced in a hurry and unfortunately not very well. It’s an example of going to the well one too many times and trying to extract one last drop out of something that is already empty.

Bad Teacher

I really thought this movie had potential, but outside of Cameron Diaz being smoking hot it has few redeeming qualities. Diaz stars as a teacher who absolutely hates her job, but is forced to keep it after her wealthy fiancée dumps her. It is never explained why such a shallow, mean spirited malcontent chose teaching as a profession in the first place, which is a question that can’t help but baffle any viewer with a working brain as we see this 30-something woman smoke pot at school, drink like a fish, and let her students watch movies while she sleeps. I am assuming it is supposed to be funny, but I did not find myself laughing. I kept looking for a reason to root for the character (who spends much of the movie scheming to raise enough money for an expensive boob job), but there just isn’t any. Justin Timberlake (who I’ve rapidly come to really like as an actor) is decent in a supporting role, and I really enjoyed newcomer Lucy Punch as Diaz’ goody-two-shoes rival teacher. The real crime is the underutilization of very talented actor Jason Segal (How I Met Your Mother, Forgetting Sarah Marshall), who is barely an afterthought.

No Strings Attached

This is the first of two nominees where the story revolves around two pals who decide to enter into a purely physical relationship without the messy complications of romance. Starring Natalie Portman and Ashton Kutcher, it’s not a bad little film, but it ain’t Shakespeare either. I was sort of surprised at the rather dramatic turn it took toward the end, and Portman has potential as a comedic actress although it clearly is not her comfort zone.

The Muppets

One might think that a 30-something year old man going to see a movie with The Muppets is kind of odd or maybe even a bit sad. I am sure all the soccer moms in the theater with their crumb crunchers might have thought it strange as well, but thank goodness I was clean shaven and not wearing a Penn St. hoodie. At any rate, there aren’t enough superlatives in the dictionary to describe what a wonderful experience this film is. Is it corny?? Sure, but that’s okay. For those of us that grew up in the 70’s & 80’s when Kermit, Miss Piggy, Fozzy Bear, and the rest of the gang were a ubiquitous part of pop culture it’s like being a kid again. And the angle that is taken…acknowledging that The Muppets are forgotten relics and that the world prefers edgier entertainment nowadays…is absolutely brilliant. There are wonderful cameos, smartly written in jokes about movies, and of course goofy song & dance numbers. Jason Segal (he who did not receive enough screen time in Bad Teacher) is awesome, which is a surprise because I never figured him as a musical kind of guy. Amy Adams is her usual perky self and perfectly cast.

The Hangover 2

It’s not that it’s not a funny movie…it is. The drug dealing monkey elicits some chuckles, and Zack Galifinakis is still hilarious. It’s just that the folks in charge got really really lazy…or were just afraid to take any chances…and so what we get is almost a replica of the first film, only set in Bankok instead of Vegas. The original was unique, but the sequel is just predictable and safe.

Friends With Benefits

Two decades ago the Billy Crystal/Meg Ryan classic rom-com When Harry Met Sally asked the question “Can men & women ever just be friends??”. In 2011 this was the second film to turn that question on its ear and ponder the implications of two friends having casual sex without dating or falling in love. I enjoyed this take on the situation a lot more than the aforementioned No Strings Attached, which I think can be owed to the winning charm of the two leads, Justin Timberlake & That 70’s Show’s Mila Kunis. Sure we can all see the ending coming a mile away, but it’s a fun trip.

Bridesmaids

I presume it is supposed to be The Hangover for ladies, but it falls short of the mark. SNL’s Kristin Wiig stars as a down-on-her-luck baker whose best friend is getting married. Wiig is the maid of honor and an eclectic group of ladies round out the wedding party. We see this group of women gather for several events that I guess women get into when planning the festivities. Hilarity ensues, atleast theoretically. There are some funny moments in the film, but it is a mixed bag. Wiig’s character is such a pathetic and, at times, unlikeable loser that it’s really difficult to become invested in her journey. Mike & Molly’s Melissa McCarthy steals the show as one of the bridesmaids and is the best thing about the movie.

Hall Pass

Two guys get a week long “vacation” from marriage from their frustrated wives. It’s a fresh twist on the relationship genre, and it sorta kinda works, doing so in a way one does not see coming. The two guys…Owen Wilson & SNL’s Jason Sudeikis…are okay, and the wives…Christina Applegate and The Office’s Jenna Fischer…are quite fetching. The funny twist is that the men, when given this tremendous opportunity that many middle aged dudes would kill for, totally whiff and realize just what complete losers they are, while the ladies are the ones who find out they still got it even if they are unsure they want to use it. This is a less funny, less cool version of Old School, but it isn’t a bad way to spend an evening. I could have done without that idiotic shrew Joy Behar besmirching the screen, but I got over it.

And the Sammy goes to…..

 

The Muppets. Honestly, toward the end when Kermit breaks out into Rainbow Connection I became so swelled with happiness & emotion that if I could have jumped out of my wheelchair and given a standing ovation I swear to God I would have (obviously that did not happen cause if it did you might have read about it in your local newspaper). I sincerely hope more Muppet movies are made and that a whole new generation grows to love them as much as their parents did. 2011 was kind of a down year for movies in my humble opinion, with the vast majority of films being crap that I had no interest in seeing and several of the ones I did see being somewhat disappointing, but The Muppets was a fine way to end the year.

There’s always time for a little comic relief, and to provide that please welcome America’s foremost conservative Christian comedian Brad Stine.

Regrettably Vice President Joe Biden had to decline our invitation to participate, but to present the next award we found a “man” who is certainly a clown and apparently knows a lot about ass. Please give a tepid welcome to soon-to-be former (thank God) U.S. Congressman Barney Frank. And the nominees are:

Assclown of the Year

Charlie Sheen

Charlie Sheen has had what most would call an above average acting career, starring in a handful of decent movies like Red Dawn, Platoon, Major League, & Wall Street, as well as two pretty good TV shows: Spin City & Two and a Half Men. But he’s also long had a reputation as a party animal, and that reached a crescendo in 2011. Sheen apparently lost his damn mind back in the first quarter of the year, becoming a media sensation after doing a few interviews and posting some YouTube videos in which he appeared to be batshit crazy. He told the masses that he was “tired of pretending like my life isn’t perfect” and said that he was indeed using a drug called Charlie Sheen. That drug, according to Sheen, is made of “tiger blood’ and “Adonis DNA”. Whether it was all an act or Charlie is genuinely nuts, eventually his behavior got him canned from his sitcom, after which he went on a nationwide tour doing a one man show called Violent Torpedo of Truth. You can’t make this stuff up.

Rep. Anthony Weiner

The ironically named & very married Weiner…a 46 year old, 7 term U.S. Congressman…not only made the absolutely idiotic mistake of putting a picture of his junk on Twitter, but he then gave a very weak denial in which he acted like he couldn’t recognize his own penis. He was only able to run from his own stupidity for about a month before being forced to resign. Where have you gone John Adams??

Terrelle Pryor

Back when Pryor was a highly recruited high school QB he was being courted by my WV Mountaineers. That all ended when then head coach Rich Fraudriguez bolted for Michigan, and I opined at the time that the Mountaineers had dodged a bullet. I was right. Pryor is very talented, but he is an egotistical prima donna who, to the surprise of no one who’d been paying attention, managed to do significant damage to the fabled Ohio State program. Sure there were other players who got suspended for trading memorabilia for tattoos (which is asinine), but the red hot spotlight shined down on Pryor, who should have shown better leadership qualities. Instead he seemed to scoff at the NCAA investigation, publicly driving a sports car that no uncompensated college football player could possibly afford. I’m not sure we will ever know how much money & other illegal benefits Pryor received as a Buckeye, and it’s a damn shame that his former coach Jim Tressel’s career is effectively over and the team will be suffering under NCAA sanctions for a few years, all while this ghetto thug is making quite the comfortable living in the NFL.

Harold Camping

It was the end of the world as we know it and I feel fine. On May 21, 2011 the California based (well there you go…that explains it) “Christian” radio broadcaster predicted that Jesus would return to begin The Rapture, which would then culminate in the end of the end on October 21st. Needless to say neither event occurred. This wasn’t Camping’s first rodeo, as he had also predicted The Apocalypse in 1988 & 1994. I guess if one keeps blindly throwing darts long enough eventually…maybe…you might hit something. Any genuine Christian…and even the ones who have successfully faked it long enough that all the fundraisers & public displays of phony religiosity make them SEEM authentic…knows that The Bible, in the book of Matthew, says that we “know neither the day nor the hour wherein the Son of man cometh”. But I guess Camping has shucked that pesky Bible stuff in favor of numerology. How’s that workin’ out for ya there Harry??

MLB Umpire Jerry Meals

My Pittsburgh Pirates, after nearly two decades of frustrating futility, finally seemed to be on the verge of a breakthrough in 2011. They were actually in first place after 100 games near the end of July. On July 26 the Pirates battled the Atlanta Braves into the wee hours of the next morning. After 19 innings of all even baseball home plate umpire Meals made what might be the single worst call in the history of baseball, declaring Braves runner Julio Lugo safe at home plate when he was clearly out by a country mile. The Pirates completely crumbled following the crushing loss, going 19-42 the remainder of the season and finishing in 4th place, 24 games out & 18 games below .500. Both Meals & MLB later acknowledged the colossal mistake, but a lot of good that did.

Kim Kardashian

Maybe I’m old fashioned, but I consider marriage sacred. I realize I am in the minority nowadays since the divorce rate in America is somewhere around 50%, but I’m betting that the overwhelming majority of marriages still last a lot longer than 72 days, which is how long this mental giant’s union with NBA bench warmer Kris Humphries lasted before she decided she was bored. Kardashian was already worthy of a nomination simply by being herself…an obnoxious, out of touch, airheaded attention whore who is only famous because she made a sex tape. However, having her head stuck so far up her own ample posterior that she decided to give up on marriage less than 3 months in makes her even more worthy of consideration.

Questlove

First of all, what a stupid nickname. His actual name is Ahmir Khalib Thompson, which figures. He is the drummer for The Roots, a band so successful & popular that they had to resort to taking a gig as the house band on a late night TV show. Back in November this idiot had the band play a song called Lyin’ Ass Bitch (how classy) as Presidential candidate and U.S. Congresswoman Michele Bachmann made her way onto the stage of Late Night with Jimmy Fallon. He even tweeted beforehand about what he was going to do. Now if a conservative entertainer would have perpetuated such a sophomoric gag on a liberal politician, the outcry would have been loud & forceful. But since Bachmann is a Republican Mr. Thompson faced no penalty and was only halfheartedly reprimanded by his network bosses. The situation, as well as Rep. Bachmann, was treated like one big joke.

Penn St. Fans

As late as Halloween no one would have ever predicted that legendary Nittany Lions football coach Joe Paterno would be fired before the end of the season. However, less than two weeks later he was ousted, buried under a mountain of criticism that he had not done enough after being told that former defensive coordinator Jerry Sandusky was molesting young boys in the locker room showers. Thousands of the school’s students (and I suspect a considerable number of adult non-students) took to the streets in protest, acting as if Paterno had been canned because he’d lost a bowl game or not won a conference championship. It was completely backassward (as my Grandma might have said) and a total failure to recognize the seriousness of the charges, not to mention utterly disrespectful to the alleged victims of the abuse. I am a passionate sports fan and can appreciate such fervor, but there are things that are far & away more significant than sports, a fact the folks in Happy Valley, PA don’t seem to grasp.

NFL Commissioner Roger Goodell

Commandant Fidel Goodell isn’t fooling me. He has consistently abused the power of his position by handing out arbitrary fines & suspensions. It’s all under the guise of “player safety”, which has caused Goodell to crack down on “helmet to helmet” and other bone crushing hits that not that long ago were highlight reel fodder. I realize that modern medical advancements and research have revealed alarming information about concussions & their long term effects. No one wants to see players suffer brain damage or any other calamity. But neither do fans want to see the game we love watered down & wussified to the point that it is unrecognizable. At best Goodell and his minions need to develop some structure & consistency in the rules and the way players are disciplined.

And the Sammy goes to…..

 

Charlie Sheen. Duh. Still WINNING!!

This seems like the appropriate place to take a break.

Please join us tomorrow for Part II of the 2011 Sammy Awards!!

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