Welcome to Round 1 of Merry Movie Mayhem!! Over the next few weeks we will be looking at 64 of the most notable holiday films & TV specials. Obviously Christmas is the focus of this particular genre, but there have been some prominent stories told about Thanksgiving & Hanukkah, so I am including them as well to round out the field. Most of what you’ll see here is pretty familiar…stuff you’ve watched on TV every November & December your whole life. While that may be an indictment of modern creativity, it is also a testament to the enduring affection that fans have for quality entertainment that soothes the soul, tickles the funny bone, & warms our cockles in a season that encompasses a range of emotions from joy to sorrow to wistful nostalgia. Don’t hesitate to leave feedback. The statements & decisions you’ll see here reflect my preferences & sensibilities, but sometimes I’m wrong. I would love to know what The Manoverse enjoys, so share your thoughts!! We’ll kick off the competition with the Candy Cane Division. Enjoy.
Miracle on 34th Street (1947)
Released 5/2/47
Starring Maureen O’Hara, Edmund Gwenn, John Payne, Natalie Wood 
Director George Seaton (Airport)
Rotten Tomatoes 94%
A cynical retail executive & her precocious daughter befriend the department store Santa that Mom hired. It turns out that Kris Kringle believes he is the REAL Santa Claus, a claim that lands him in court, where he is defended by a lawyer who is also smitten with the jaded Mom.
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Silent Night, Deadly Night
Released 11/9/84
Starring no one you’ve ever heard of 
Director Charles E. Sellier Jr.
Rotten Tomatoes 31%
Holidays have been horror movie fodder for decades, with deranged serial killers stalking their prey on Halloween, Valentine’s Day, St. Patrick’s Day, et al. Christmas hasn’t escaped, though the sacred nature of the occasion makes such a film a tricky proposition. This campy classic finds a young boy witnessing the murder of his parents by a thief dressed as Santa Claus. After growing up in a harsh orphanage the youngster becomes a homicidal maniac when he gets a job as a department store Santa. There were a few sequels made in which the younger brother also becomes a psycho Santa, but I’ve only seen bits & pieces of a couple of them. I remember the original mainly because our church youth group once watched it at a gathering at Christmastime. Wrap your head around that.
The Verdict: Miracle on 34th Street. Easy decision. I’m not really a horror movie guy, but even if I was it’s difficult to overlook the awesomeness of Miracle.
Home Alone
Released 11/16/90
Starring Macaulay Culkin, Joe Pesci, Daniel Stern 
Director Chris Columbus (Only the Lonely, Mrs. Doubtfire, Harry Potter and the Sorcerer’s Stone)
Rotten Tomatoes 55%
A mischievous child is accidentally left behind in Chicago while his family jets off to a holiday getaway in Paris. The boy is then faced with having to defend his house on Christmas Eve against two inept crooks who are looting the entire neighborhood while everyone is out of town. There was a sequel made a couple of years later that is pretty good and will be a part of this project, and then a couple of other “sequels” that may retain the title but have none of the magic of their predecessors.
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Mixed Nuts
Released 12/21/94
Starring Steve Martin, Madeline Kahn, Rita Wilson, Adam Sandler 
Director Nora Ephron (When Harry Met Sally, Sleepless in Seattle, You’ve Got Mail)
Rotten Tomatoes 7%
An all-star cast makes this blip on the pop culture radar somewhat memorable. The story revolves around employees of a suicide hotline that’s about to go under right at Christmastime. There are a lot of interconnecting storylines in a madcap adventure that…on paper…should work, especially given the amount of talent involved. Unfortunately it’s a hot mess and has appeared on various Worst Movies Ever lists.
The Verdict: Home Alone. A no-brainer. I assume I’m not alone in adoring the work of many of those involved with Mixed Nuts, but all of those ingredients thrown together inexplicably results in something that I suppose has fans somewhere, but they are surely few & far between. Conversely, Home Alone has become a beloved Christmas tradition.
How the Grinch Stole Christmas
Released 12/18/66
Starring Boris Karloff, Thurl Ravenscroft 
Director Chuck Jones
Rotten Tomatoes 100%
Dr. Seuss wrote Grinch in 1957, and a decade later it was turned into a 30 minute animated special featuring the voice talents of horror icon Boris Karloff and Thurl Ravenscoft, known better as the original voice of Kellogg’s Tony the Tiger. The story is about a bitter cave dwelling creature who hates Christmas and decides to “steal” it from the delightfully optimistic & cheerful villagers in Whoville. We’ve been watching The Grinch every holiday season for over a half century, and it is adored by multiple generations. A live action film was made in 2000 starring Jim Carey as the titular character, and while I am aware that it has its fans I do not count myself among them. I’ll stick with the treasured original.
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Christmas Every Day
Released 12/1/96
Starring Erik Von Detten, Robert Hays 
Director Larry Peerce (The Other Side of the Mountain)
Rotten Tomatoes 40% (a)
This was a made-for-television film shown on The Family Channel (aka ABC Family, now known as Freeform). I’m not typically a fan of made-for-TV movies. The production values are usually subpar and the writing isn’t always that good. Hallmark shows a ton of Christmas films every December that are mildly entertaining but ultimately forgettable, and Freeform, thru its many incarnations, has made contributions to the sub-genre. This movie is one of the few examples of such entertainment that has tickled my fancy and remains on my radar. The story revolves around a bratty teenage boy who relives the same Christmas over & over until he gets it right. Essentially it is a Christmas version of Groundhog Day, sans the talent of Billy Murray & Harold Ramis. I’m not sure why I like it, but I do.
The Verdict: The Grinch. Another easy decision.
The Ref
Released 3/9/94
Starring Denis Leary, Kevin Spacey, Judy Davis, Glynis Johns 
Director Ted Demme (Blow)
Rotten Tomatoes 71%
A thief on the run on Christmas Eve kidnaps a bickering couple and hides in their house while cops comb the town looking for him. Things are further complicated when the couple’s delinquent son comes home from military school and the dysfunctional extended family drops by for dinner. Kevin Spacey is phenomenal in almost everything he does, and standup comic turned actor Denis Leary is perfectly cast as the acerbic criminal. In contrast to Mixed Nuts the cast of The Ref takes an otherwise pedestrian script and spins it into comic gold.
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Fred Claus
Released 11/9/07
Starring Vince Vaughn, Paul Giamatti, Elizabeth Banks 
Director David Dobkin (Wedding Crashers)
Rotten Tomatoes 21%
Vince Vaughn stars as Fred, the slacker brother of Santa. When Fred runs into money problems his brother agrees to bail him out only if he pops up to the North Pole to help during the Christmas rush. Hilarity ensues. The conceit here is that Santa, because he is a saint, has been able to make his family ageless, so there is a time travel element that is sort of cool though sadly glossed over. Paul Giamatti is one of my favorite actors, and he puts a unique spin on a character that has been portrayed numerous ways in countless movies. Vaughn plays the same loveable loser that he portrays in almost all of his films, but that’s alright because it’s a formula that seems to work for him. Critics despise Fred Claus, and it didn’t do that great at the box office, but it is a pleasant enough diversion on a cold winter’s night.
The Verdict: The Ref. There is a really funny scene in Fred Claus involving Frank Stallone, Roger Clinton, & Stephen Baldwin, all guys with brothers more famous than them. Outside of that Fred Claus is a rom-com wannabe that just doesn’t stick to one’s ribs, although it isn’t nearly as terrible as you might have heard. The charms of Vaughn & Giamatti are considerable, though not quite enough to make the movie anything close to memorable. Conversely, The Ref is an underrated gem that deserves to be shown on TV a plethora of times every December, but it’s never quite achieved that level of popularity.
A Christmas Carol (1938)
Released 12/16/38 
Starring Reginald Owen, Gene Lockhart
Director Edwin L. Marin
Rotten Tomatoes 100%
There is no shortage of A Christmas Carol adaptations out there, and we’re going to be discussing several of them. The 1938 version is a jovial take on Dickens’ novella that omits some of the more macabre aspects of the story and takes other liberties in altering or expanding the plot. I’m not a huge fan of needlessly changing a book’s narrative for the film, but I must admit that this one works.
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Bad Santa
Released 11/26/03
Starring Billy Bob Thornton, Tony Cox, Lauren Graham
Director Terry Zwigoff
Rotten Tomatoes 78%
Department store Santas provide a convenient jumping off point for Christmas movies, and this one puts a…unique…spin on that particular element. Reflecting a 21st century move toward defining vulgarity as funny, the Santa Claus here is a hard-drinking, profanity spewing horndog who also happens to be a thief. He & his partner-in-crime, a “little person” who can conveniently portray Santa’s elf, are using the holiday season to case a shopping mall that they plan to rob on Christmas Eve. Things get complicated when Santa gets a girlfriend and befriends a strange young boy. Critics…surprisingly…really like the film and Billy Bob Thornton was even nominated for a Golden Globe for his performance. I know there are those that absolutely love Bad Santa and laugh hysterically at every F-Bomb. I don’t consider myself a prude by any stretch, but I do try to be a Godly man and also pride myself on having a somewhat sophisticated entertainment palate. This movie is targeted toward teenagers & 20-somethings with a serious case of arrested development. A sequel was made in 2016, and it’s equally as….ehhhh…let’s just be nice and say neither film really frosts my cupcake.
The Verdict: A Christmas Carol. This is purely a personal choice for me. If you love Bad Santa I won’t judge you, and if you dislike this particular version of A Christmas Carol I completely understand & might even agree with some of your reasoning. That being said, if I’m flipping thru the channels on a lazy Saturday in December and both of these movies are on TV I know which one I’d choose to watch.
Scrooged
Released 11/23/88
Starring Bill Murray 
Director Richard Donner (Superman, The Goonies, the Lethal Weapon franchise)
Rotten Tomatoes 68%
I was a little late to the party when it comes to Scrooged, having not ever watched it until atleast a decade & a half after its release. It is a modern, strange, yet oddly faithful retelling of the Dickens tale, with Bill Murray as a greedy television executive who is verbally abusive to his employees and still pines for a lost love. It has become a cult classic that’s not necessarily thought of as being on the same level as other holiday favorites, but three decades after its release it is still shown on television annually and seems to have grown in reputation in the past several years.
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Love the Coopers
Released 11/13/15
Starring Marisa Tomei, John Goodman, Ed Helms, Diane Keaton
Director Jessie Nelson
Rotten Tomatoes 19%
There seems to be a growing trend in the holiday movie genre of putting together a large cast of well-known and highly regarded performers in a story that usually revolves around family angst. I get along great with my nuclear family as well as other relatives like aunts, uncles, & cousins, so I can’t really relate to such anxiety. Our Christmas gatherings are normally quite pleasant. However, I assume such dysfunction does actually exist. Love the Coopers is a newer entry into the mix, and though I really like the actors involved, at the end of the day it is a completely forgettable movie that I’m not sure I’d bother to watch again unless I was really bored.
The Verdict: Scrooged. Citizens of The Manoverse will recall that I consider repeat viewings an essential indicator of a good film. If it’s being shown on television years after its initial theatrical run and if I’m still being entertained by it after I’ve seen it dozens of times then somebody somewhere did something right. Scrooged fits that description…the competition does not.
The Santa Clause 2: The Mrs. Clause
Released 11/1/02
Starring Tim Allen, Elizabeth Mitchell 
Director Michael Lembeck
Rotten Tomatoes 54%
All three of Tim Allen’s Santa Clause movies are included in Merry Movie Mayhem, and I feel like this one gets shortchanged. You may have noticed that the original film and the third entry in the trilogy show up on TV often enough, but this second film is frequently skipped over. I read somewhere that the notion that Santa must find a wife to keep his job is considered by some to be old-fashioned or even misogynistic, which is utterly ridiculous logic. Elizabeth Mitchell, known by some for her work on the television show Lost, is radiant & enchanting. The biggest issue with The Mrs. Clause is that it came out eight years after its predecessor, which was probably 4 or 5 years too late.
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Home for the Holidays
Released 11/3/95
Starring Holly Hunter, Robert Downey Jr. 
Director Jodi Foster
Rotten Tomatoes 62%
Dysfunctional family dramedy isn’t reserved for Christmas…families gather on Thanksgiving too. Another highly regarded ensemble cast is involved, which means that critics praised the film upon its release. It even has a well-known director, a rarity for the genre. I’m pretty sure Robert Downey Jr. was whacked out on cocaine throughout the film, and I find his manic display distracting. Two decades after its theatrical run I don’t feel like Home has really aged well, although it still pops up on TV occasionally around Thanksgiving.
The Verdict: The Santa Clause 2. This matchup would likely generate a spirited debate among film buffs. Home for the Holidays certainly has the stronger cast and is admittedly well-written, but I’ve just never been able to embrace it. Conversely, there are those that consider The Mrs. Clause to be the weakest entry of that trilogy, and it does seem to get shafted as far as being shown on television, yet I find it completely charming.
Scrooge (1970)
Released 11/5/70
Starring Albert Finney, Sir Alec Guinness
Director Ronald Neame (The Poseidon Adventure)
Rotten Tomatoes 75%
I generally prefer movies that stay true to the books they are based on, but I understand that when a story like A Christmas Carol is remade over & over people want to try something new and distinctive to stand out from the crowd. This version of Carol is a musical that is actually more faithful to the novella than one would think. It is a testament to the acting ability of Albert Finney that he was only 34 years old when he portrayed the elderly Ebenezer Scrooge, and he was rewarded with a Golden Globe for Best Actor in a Musical or Comedy.
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Blackadder’s Christmas Carol
Released 12/23/88
Starring Rowan Atkinson, Robbie Coltrane 
Director Richard Boden
Rotten Tomatoes 84% (a)
You probably haven’t seen it and may not have even heard of it. Blackadder is the titular character of a British television series that aired on the BBC in the 1980’s, with comedian Rowan Atkinson starring as Edmund Blackadder, an opportunistic descendant of an unspecified royal family. In this Christmas special Blackadder, in contrast to the traditional portrayal of Scrooge, is “the nicest man in England”, with the twist being that the ghost (there is only one…portrayed by Robbie Coltrane, better known today as Rubeus Hagrid in the Harry Potter films) who visits him on Christmas Eve showing Blackadder that “bad guys have all the fun”, resulting in him waking up bitter, disillusioned, & meanspirited. I am not a huge fan of British humor, but Atkinson is hilarious and this bizarro world take on the familiar story is unexpected fun.
The Verdict: Scrooge. This is a tough one, but I lean toward Scrooge a) due to its award winning pedigree, and b) because Blackadder is tough to find if you’re not really searching for it. Scrooge has shown up on American Movie Classics (or maybe it’s Turner Classic Movies) with some regularity over the years.
fondly recall the Saturday morning Chipmunks cartoon. But their first success is still their best…an almost too simple tune about being anxious (as most kids are) for Christmas to arrive and wanting toy planes and a hula hoop.
Jesus and the gift of salvation to the world, it’s a tune supple enough to be energetically sung by a choir or congregation, or solemnly played by any manner of instrument.
would give anything if all their kids wanted were hopalong boots or dolls that can talk as opposed to the mega-expensive video games, computers, and various other electronic toys today’s children demand, and a lesson in economics can be gleaned when pondering a “five-and-ten” in comparison with their modern counterparts, dollar stores. I dig almost anything that hearkens back to a less complicated time, even if, in reality, those times weren’t much less complicated. 
I made this a tie for one reason. These three songs have a common thread…home. However and wherever one defines “home”, it’s where we want to be for Christmas. I’ll Be Home for Christmas was written and recorded during World War II and was extremely significant to soldiers and their families. 
home”. Please Come Home for Christmas has a couple things going for it in my universe. It was originally a blues carol, and its best covers have been done by two of my favorite bands, 
Another tie, another reason. Both of these songs have attachments to movies. Let It Snow is played at the end of my favorite action flick, Die 
Hard, which I consider a Christmas movie even if no one else does. Meli Kalikimaka (Hawaiian for Merry Christmas) is prominent in Chevy Chase’s classic Christmas Vacation. Bing Crosby does the definitive version of Mele Kalikimaka, while Let It Snow is done best by original artist Vaughn Monroe but a viable alternative is the Dean Martin cover. Let It Snow is technically a winter song and makes no references to Christmas at all, but it has become so closely associated with the holiday season that it qualifies as a Christmas carol.
into English as the more familiar O Come All Ye Faithful in the 19th century. The words of the song exhort us to celebrate the birth of Christ, to adore and behold The King. However, I have to say that the best versions of this song are audacious, grand, thunderous ensemble pieces by orchestras like The Boston Pops or the Mannheim Steamroller.
(brother of John, the founder of Methodism) and paired with music composed by Felix Mendelssohn a hundred years later, this is just one of those songs that IS Christmas. It speaks of everything Christmas should encompass: glory to The King (Jesus Christ, not Elvis), peace, mercy, joy, triumph, and righteousness. Like other songs it speaks about the birth of Christ and what that means to the world, and since that is the whole point of Christmas it’s fine with me if the message is rehashed in as many songs as possible. Off the top of my head I cannot think of one singular cover that stands out…they’re all great since it’s a pretty difficult song to mess up. It lends itself well to orchestral or instrumental versions, but choral versions with the words are probably my favorite.
of Christ is the centerpiece of the holiday. Adults who don’t consider themselves to be particularly spiritual appreciate things like home, family, and sentimental memories. But for kids Christmas is all about The Big Guy, the Jolly Old Elf, the fat man in the red suit…Santa Claus. So it makes sense that there would be a plethora of Christmas carols dedicated to Kris Kringle. The two most pervasive of these have been covered by an endless array of artists with mixed results, but they are so wonderful because they are so descriptive. They paint such a vivid picture of the mythology of Santa that anyone who doesn’t know the story can have it re-created in their mind just from these songs. Here Comes Santa Claus was written in 1946 by cowboy Gene Autry, who also sang the definitive version. About Santa, the singer sings “he doesn’t care if you’re rich or poor, he loves you just the same…Santa knows that we’re God’s children, that makes everything right…fill your hearts with Christmas cheer cause Santa Claus comes tonight”. What a great message. Santa Claus Is Coming to Town was written in 1934 and is a sort of cautionary tale for children. It warns them that Santa knows when they are sleeping and awake, knows when they’ve been bad or good, and will be making a list and checking it twice so he can divide it into two categories: naughty and nice. Call it gentle discipline or call it mind games…but it works and has scared millions of kids into being good little boys and girls. Bruce Springsteen might have the best known cover of the tune, but I think that’s simply because it’s so odd to hear such a gruff and tough rocker singing a children’s Christmas carol.
the sanctuary as the congregation softly sings. This moment usually encompasses three songs, one of which is Away in a Manger. Published in the late 1800’s, it has been credited by some to famed 16th century theologian Martin Luther, but there seems to be a lot of disagreement on the facts. At any rate, it’s a beautiful song that takes us back to the night of Jesus’ birth, the night He was born in a stable because there was no room at the inn. The best covers of the song seem to be by country artists, possibly because the majority of them still seem to have some virtue remaining and are therefore capable of singing songs of faith with some sense of authenticity.
Coming, not His first. Nevertheless, it is such an ingrained part of the holiday season that we won’t quibble over details. It’s a tune best performed in as loud and energetic a fashion as can possibly be mustered…afterall, the book of Psalms directs us to make a joyful noise unto the Lord. So I tend to like boisterous choral or booming orchestral versions of the song. As a matter of fact, when it comes to Joy to the World I am not sure any singer or band could be subtle and hushed, although I am sure some have tried.
is a Ukrainian carol written early in the 20th century. I’m not sure where it ranks in general popularity since even if you do know the words (and most don’t) it’s not really something you sing as you trek thru the neighborhood on your annual church singalong…the pace is rather quick and not caroling friendly. But I like the tune a lot. It’s kind of a Christmas theme song, one of those tunes that you hear in commercials, in bumper music during talk radio shows, at the mall on the loudspeakers, etc. It’s everywhere, yet not so overdone that it grows tiresome. Plus I think I may have learned to play it in high school as part of the concert band’s holiday show.
choir it’s absolutely beautiful, but even in just a commonplace group of worshipers or carolers it is usually sung with such fervent spirit that it doesn’t matter if not everyone can actually carry a tune. The aforementioned refrain is Latin for “glory to God in the highest”, which pretty much sums up what Christmas is, or atleast should be, about. I love orchestral versions of the song as well. The music lends itself well to things like French horns, cornets, and trombones. It doesn’t seem to get as much love as a lot of other carols, but I’ll take Angels over Grandma Got Run Over By a Reindeer or I Saw Mommy Kissing Santa Claus any day.
Anyway, Burl Ives, as some may or may or may not recall, was a folk singer/actor/entertainer from the 1940’s through the 1970’s. But he is most likely best known to most, especially anyone under the age of 35, as the voice of Sam the Snowman, narrator of the perennial Christmas classic Rudolph the Red-Nosed Reindeer. Even as an adult I cannot wait each Christmas season for that TV special. And even though Burl’s performance of the song Rudolph the Red-Nosed Reindeer isn’t at the top of the list (more on that song later), he did contribute two other tunes…Silver & Gold and Holly Jolly Christmas. Holly Jolly Christmas could probably best be described as…catchy. It’s just got that kind of beat. And while some carols are melancholy, many show reverence to Christ, and others are plainly meant for kids, Holly Jolly Christmas is uplifting, positive, and fun without being the least bit childish. It talks about things like “the best time of the year”, “mistletoe”, “cup of cheer”, and “friends you know”. This is the kind of song that should put you instantly in a good mood no matter what’s going on in your life.
refresher for those who might not know what in the world the 12 days of Christmas actually means. After all, we live in a world where we start celebrating” Christmas almost before Halloween is over and these days almost certainly before Thanksgiving has even arrived. Of course by “celebrating” I mean retail stores and anyone else who has figured out a way to make a buck off of the birth of Jesus Christ. Anyway, originally the 12 days of Christmas were December 25-January 5, followed by Epiphany on January 6 (this is the day that the Magi, aka The Three Wise Men, arrived to visit the baby Jesus…not on Christmas as so many Christmas plays portray). Encompassed within this timeframe is Boxing Day on December 26. Contrary to what some may think, Boxing Day is not the day Canadians and Englishmen come bearing gifts to Muhammed Ali, Mike Tyson, and Floyd Mayweather Jr. January 5 was known as Twelfth Night and was the conclusion to the holiday season. The entire 12 days was a long festival of gift giving & merriment. So basically in the Middle Ages folks in England did what we do today, only they did it in 12 days instead of 2 months and they did it later. December 25 was the actual beginning of the season for them, whereas in modern times most of us are exhausted and ready for the whole ordeal to be over by the time the actual holiday arrives. What we call New Year’s Eve/Day was when they were really into the swing of things. By January 6 we’ve already moved on with our lives and those crazy cats were just winding down. Personally I’d LOVE to see our country revert back to this old fashioned way of doing things, but that and $2 will almost buy me a cup of coffee.
Christmas season’s gain. Silver Bells was written in 1950, and unlike a lot of other Christmas carols that emphasize rustic, old-fashioned, pastoral settings this tune recognizes the hustle and bustle that overcomes a city during the holiday season. What’s funny is that a half century later even that description sounds quaint and charming. This song holds a special place in the hearts of millions of us who grew up watching the annual Bob Hope Christmas Special, which ran on NBC for over 40 years. Three traditions were a huge part of the Hope Christmas show: the introduction of the All America College Football Team, Hope closing the show with his theme song Thanks for the Memory, and a duet featuring Hope and a much younger, very attractive starlet singing Silver Bells. I didn’t realize until I was actually writing this how much of an indelible mark those specials made on me. The last one aired over 15 years ago and Bob Hope himself has been gone for about 6 years. Thanks for the memories indeed Bob.
The Manofesto 