Citizens of The Manoverse may recall that I enjoy a good parody song, and while I’ll never approach the skill level of Weird Al Yankovic or country crooner Ray Stevens there are occasional moments of inspiration. An old axiom says that sometimes we have to laugh to keep from crying, and I have been quite amused by some of the more creative merriment that has grown out of this global pandemic we have been battling since last spring, so much so that I decided to marry that train of thought with my fondness of parody and love of Christmas carols. I don’t assume the end result is all that memorable, but perhaps it will provide a chuckle or two in the midst of a stressful day, which is all I can really ask. Allow me to give a shout out to composer Robert Meredith Willson, who wrote It’s Beginning to Look Alot Like Christmas in 1951, and Perry Como, who sang the most popular rendition. I seek not to steal their idea, only to borrow & pay homage to it.
It’s beginning to look alot like Covid
Everywhere you can’t go
Take a look at the emergency room, full of doom & gloom
With shortness of breath and runny noses all aflow
It’s beginning to look alot like Covid
Locks on every store
And the only sight to see is a view of the street
From your own front door
An N95 mask & hazard pay
Are what essential employees want to assist
Toilet paper & hand sanitizer
Top nearly every grocery list
While Mom & Dad can hardly wait for home schooling to desist
It’s beginning to look alot like Covid
Everywhere you can’t go
Social distancing is a thing, unless you are protesting
No church, no weddings, no funerals, & no shows
It’s beginning to look alot like Covid
Soon a new year will start
But the thing that’ll change the scene is a brand new vaccine
Until then we must remain six feet apart
It’s beginning to look a lot like Covid
No crowds anywhere
And the coolest thing will be when each other we can see
Back in the public square
Y’all know what needs cut?? My hair!!
fondly recall the Saturday morning Chipmunks cartoon. But their first success is still their best…an almost too simple tune about being anxious (as most kids are) for Christmas to arrive and wanting toy planes and a hula hoop.
Jesus and the gift of salvation to the world, it’s a tune supple enough to be energetically sung by a choir or congregation, or solemnly played by any manner of instrument.
would give anything if all their kids wanted were hopalong boots or dolls that can talk as opposed to the mega-expensive video games, computers, and various other electronic toys today’s children demand, and a lesson in economics can be gleaned when pondering a “five-and-ten” in comparison with their modern counterparts, dollar stores. I dig almost anything that hearkens back to a less complicated time, even if, in reality, those times weren’t much less complicated. 
I made this a tie for one reason. These three songs have a common thread…home. However and wherever one defines “home”, it’s where we want to be for Christmas. I’ll Be Home for Christmas was written and recorded during World War II and was extremely significant to soldiers and their families. 
home”. Please Come Home for Christmas has a couple things going for it in my universe. It was originally a blues carol, and its best covers have been done by two of my favorite bands, 
Another tie, another reason. Both of these songs have attachments to movies. Let It Snow is played at the end of my favorite action flick, Die 
Hard, which I consider a Christmas movie even if no one else does. Meli Kalikimaka (Hawaiian for Merry Christmas) is prominent in Chevy Chase’s classic Christmas Vacation. Bing Crosby does the definitive version of Mele Kalikimaka, while Let It Snow is done best by original artist Vaughn Monroe but a viable alternative is the Dean Martin cover. Let It Snow is technically a winter song and makes no references to Christmas at all, but it has become so closely associated with the holiday season that it qualifies as a Christmas carol.
into English as the more familiar O Come All Ye Faithful in the 19th century. The words of the song exhort us to celebrate the birth of Christ, to adore and behold The King. However, I have to say that the best versions of this song are audacious, grand, thunderous ensemble pieces by orchestras like The Boston Pops or the Mannheim Steamroller.
(brother of John, the founder of Methodism) and paired with music composed by Felix Mendelssohn a hundred years later, this is just one of those songs that IS Christmas. It speaks of everything Christmas should encompass: glory to The King (Jesus Christ, not Elvis), peace, mercy, joy, triumph, and righteousness. Like other songs it speaks about the birth of Christ and what that means to the world, and since that is the whole point of Christmas it’s fine with me if the message is rehashed in as many songs as possible. Off the top of my head I cannot think of one singular cover that stands out…they’re all great since it’s a pretty difficult song to mess up. It lends itself well to orchestral or instrumental versions, but choral versions with the words are probably my favorite.
of Christ is the centerpiece of the holiday. Adults who don’t consider themselves to be particularly spiritual appreciate things like home, family, and sentimental memories. But for kids Christmas is all about The Big Guy, the Jolly Old Elf, the fat man in the red suit…Santa Claus. So it makes sense that there would be a plethora of Christmas carols dedicated to Kris Kringle. The two most pervasive of these have been covered by an endless array of artists with mixed results, but they are so wonderful because they are so descriptive. They paint such a vivid picture of the mythology of Santa that anyone who doesn’t know the story can have it re-created in their mind just from these songs. Here Comes Santa Claus was written in 1946 by cowboy Gene Autry, who also sang the definitive version. About Santa, the singer sings “he doesn’t care if you’re rich or poor, he loves you just the same…Santa knows that we’re God’s children, that makes everything right…fill your hearts with Christmas cheer cause Santa Claus comes tonight”. What a great message. Santa Claus Is Coming to Town was written in 1934 and is a sort of cautionary tale for children. It warns them that Santa knows when they are sleeping and awake, knows when they’ve been bad or good, and will be making a list and checking it twice so he can divide it into two categories: naughty and nice. Call it gentle discipline or call it mind games…but it works and has scared millions of kids into being good little boys and girls. Bruce Springsteen might have the best known cover of the tune, but I think that’s simply because it’s so odd to hear such a gruff and tough rocker singing a children’s Christmas carol.
the sanctuary as the congregation softly sings. This moment usually encompasses three songs, one of which is Away in a Manger. Published in the late 1800’s, it has been credited by some to famed 16th century theologian Martin Luther, but there seems to be a lot of disagreement on the facts. At any rate, it’s a beautiful song that takes us back to the night of Jesus’ birth, the night He was born in a stable because there was no room at the inn. The best covers of the song seem to be by country artists, possibly because the majority of them still seem to have some virtue remaining and are therefore capable of singing songs of faith with some sense of authenticity.
Coming, not His first. Nevertheless, it is such an ingrained part of the holiday season that we won’t quibble over details. It’s a tune best performed in as loud and energetic a fashion as can possibly be mustered…afterall, the book of Psalms directs us to make a joyful noise unto the Lord. So I tend to like boisterous choral or booming orchestral versions of the song. As a matter of fact, when it comes to Joy to the World I am not sure any singer or band could be subtle and hushed, although I am sure some have tried.
is a Ukrainian carol written early in the 20th century. I’m not sure where it ranks in general popularity since even if you do know the words (and most don’t) it’s not really something you sing as you trek thru the neighborhood on your annual church singalong…the pace is rather quick and not caroling friendly. But I like the tune a lot. It’s kind of a Christmas theme song, one of those tunes that you hear in commercials, in bumper music during talk radio shows, at the mall on the loudspeakers, etc. It’s everywhere, yet not so overdone that it grows tiresome. Plus I think I may have learned to play it in high school as part of the concert band’s holiday show.
choir it’s absolutely beautiful, but even in just a commonplace group of worshipers or carolers it is usually sung with such fervent spirit that it doesn’t matter if not everyone can actually carry a tune. The aforementioned refrain is Latin for “glory to God in the highest”, which pretty much sums up what Christmas is, or atleast should be, about. I love orchestral versions of the song as well. The music lends itself well to things like French horns, cornets, and trombones. It doesn’t seem to get as much love as a lot of other carols, but I’ll take Angels over Grandma Got Run Over By a Reindeer or I Saw Mommy Kissing Santa Claus any day.
Anyway, Burl Ives, as some may or may or may not recall, was a folk singer/actor/entertainer from the 1940’s through the 1970’s. But he is most likely best known to most, especially anyone under the age of 35, as the voice of Sam the Snowman, narrator of the perennial Christmas classic Rudolph the Red-Nosed Reindeer. Even as an adult I cannot wait each Christmas season for that TV special. And even though Burl’s performance of the song Rudolph the Red-Nosed Reindeer isn’t at the top of the list (more on that song later), he did contribute two other tunes…Silver & Gold and Holly Jolly Christmas. Holly Jolly Christmas could probably best be described as…catchy. It’s just got that kind of beat. And while some carols are melancholy, many show reverence to Christ, and others are plainly meant for kids, Holly Jolly Christmas is uplifting, positive, and fun without being the least bit childish. It talks about things like “the best time of the year”, “mistletoe”, “cup of cheer”, and “friends you know”. This is the kind of song that should put you instantly in a good mood no matter what’s going on in your life.
refresher for those who might not know what in the world the 12 days of Christmas actually means. After all, we live in a world where we start celebrating” Christmas almost before Halloween is over and these days almost certainly before Thanksgiving has even arrived. Of course by “celebrating” I mean retail stores and anyone else who has figured out a way to make a buck off of the birth of Jesus Christ. Anyway, originally the 12 days of Christmas were December 25-January 5, followed by Epiphany on January 6 (this is the day that the Magi, aka The Three Wise Men, arrived to visit the baby Jesus…not on Christmas as so many Christmas plays portray). Encompassed within this timeframe is Boxing Day on December 26. Contrary to what some may think, Boxing Day is not the day Canadians and Englishmen come bearing gifts to Muhammed Ali, Mike Tyson, and Floyd Mayweather Jr. January 5 was known as Twelfth Night and was the conclusion to the holiday season. The entire 12 days was a long festival of gift giving & merriment. So basically in the Middle Ages folks in England did what we do today, only they did it in 12 days instead of 2 months and they did it later. December 25 was the actual beginning of the season for them, whereas in modern times most of us are exhausted and ready for the whole ordeal to be over by the time the actual holiday arrives. What we call New Year’s Eve/Day was when they were really into the swing of things. By January 6 we’ve already moved on with our lives and those crazy cats were just winding down. Personally I’d LOVE to see our country revert back to this old fashioned way of doing things, but that and $2 will almost buy me a cup of coffee.
Christmas season’s gain. Silver Bells was written in 1950, and unlike a lot of other Christmas carols that emphasize rustic, old-fashioned, pastoral settings this tune recognizes the hustle and bustle that overcomes a city during the holiday season. What’s funny is that a half century later even that description sounds quaint and charming. This song holds a special place in the hearts of millions of us who grew up watching the annual Bob Hope Christmas Special, which ran on NBC for over 40 years. Three traditions were a huge part of the Hope Christmas show: the introduction of the All America College Football Team, Hope closing the show with his theme song Thanks for the Memory, and a duet featuring Hope and a much younger, very attractive starlet singing Silver Bells. I didn’t realize until I was actually writing this how much of an indelible mark those specials made on me. The last one aired over 15 years ago and Bob Hope himself has been gone for about 6 years. Thanks for the memories indeed Bob.
The Manofesto 