Welcome back to Merry Movie Mayhem!! If you have not yet perused first round action in the Candy Cane and Eggnog divisions please follow the links to check it out.
Before we proceed further it may be worth considering what exactly makes a Christmas movie a Christmas movie, because there is legitimate dispute on the issue when it comes to certain films. Since I am the king of The Manoverse I make the rules here so it boils down to three things for me:
*the film has to be set…mostly…during the holiday season
*Christmas carols/songs must be part of the soundtrack, even if they’re just in the background
*Christmas imagery…tree, lights, Santa Claus…needs to be present
Those are the biggies…the dealbreakers. After that it becomes a matter of opinion, and sometimes those opinions might not make sense to anyone else. Why is Die Hard a Christmas movie but Lethal Weapon isn’t?? Why does Mixed Nuts make the cut but Batman Returns does not?? Edward Scissorhands isn’t but Love Actually is?? I don’t put a lot of stock in the whole idea of “if you set the film’s storyline at any other time of year other than Christmas it wouldn’t change the plot”, because that is such a broad notion. The opposite could be just as true. If George Clooney & Brad Pitt were robbing Vegas casinos on Christmas Eve would that make Ocean’s Eleven a Christmas movie?? I think it might. If Doc Brown & Marty McFly had used their time machine to visit Christmases past & yet to come would that qualify Back to the Future as a Christmas film?? Perhaps. In the grand scheme of things I believe that most people know a Christmas movie when they see it, right?? As always I value the opinions of The Manoverse and welcome your feedback.
National Lampoon’s Christmas Vacation
Released 12/1/89
Starring Chevy Chase, Beverly D’Angelo, Randy Quaid 
Director Jeremiah Chechik (Benny & Joon, Diabolique)
Rotten Tomatoes 64%
I never would have dreamed 28 years ago that Christmas Vacation would become the holiday entertainment juggernaut that it has evolved into, especially in the past decade. It is one of about a half dozen Christmas movies that is shown almost daily from Thanksgiving clear thru New Year’s, and oftentimes I see it popping up at other times of the year (usually as part of a Vacation marathon). I’m sure I don’t have to review the plot. Everyone has seen Christmas Vacation. Many people love it, some folks hate it. Either way, no one can deny its staying power.
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Eight Crazy Nights
Released 11/27/02
Starring Adam Sandler 
Director Seth Kearsley
Rotten Tomatoes 12%
Adam Sandler made this mess right around the time that his career had plateaued and was beginning to approach the abyss on the other side. I’m not Jewish, but to my knowledge Hanukkah films are rare. This is an animated story wherein Sandler gives voice to Davey Stone, a thirtysomething malcontent with an alcohol problem & a rap sheet. After Davey’s latest arrest he is sentenced to community service under the guidance of an elderly referee for a youth basketball league. The rest of the film focuses on the relationship between Davey & the old guy, which has its ups & downs. This is about the least heartwarming holiday film of all time, making slasher flicks about Santa Claus look like after school specials.
The Verdict: Christmas Vacation. Come on now…was there ever any doubt?? I think two hours of infomercials would be more entertaining than Eight Crazy Nights, and probably have just as much to do with Hanukkah. Believe it or not Sandler has done worse…but he’s also produced much better, funnier, & more memorable films. Meanwhile, Christmas Vacation is a certified classic that just seems to get better with age.
Rudolph the Red-Nosed Reindeer
Released 12/6/64
Starring Burl Ives 
Director Rankin/Bass
Rotten Tomatoes 92%
An advertising copywriter for Montgomery Ward named Bob May created Rudolph in 1939. Montgomery Ward had been buying and giving away coloring books for Christmas every year and it was decided that creating their own book would save money and be a nice goodwill gesture. The oddball reindeer became the star of that coloring book (with accompanying poem). May’s sister just happened to be married to Johnny Marks, a songwriter whose hits would eventually include Rockin’ Around the Christmas Tree and A Holly Jolly Christmas. But in 1949 Marks’ career hadn’t gotten off the ground yet (no pun intended) and he adapted May’s poem into a song, which was then recorded by “The Singing Cowboy” Gene Autry. The song was a smash hit, and just over 15 years later an animated special was produced and began to air annually on NBC. It shifted over to CBS in 1972 and has now been a beloved Christmas tradition for a half century.
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Shrek the Halls
Released 11/28/07
Starring Mike Meyers, Eddie Murphy, Cameron Diaz, Antonio Banderas
Director Gary Trousdale (Rocky & Bullwinkle, Beauty and the Beast)
Rotten Tomatoes 63% (a)
In comparison Shrek has only been a holiday tradition for about a decade, and calling it a tradition is being quite generous. Of course a quartet of movies spanning from 2001 to 2010 introduced us to the big green ogre & his quirky pals Donkey & Puss-in-Boots (a fifth film is rumored to be in the works), and he’s even made it to Broadway. The Christmas special has Shrek learning about Christmas so he can celebrate properly with his wife & children. Unfortunately all of his plans turn into chaos thanks to the well-meaning interference of his friends.
The Verdict: Rudolph. I have absolutely nothing against Shrek. The movies are solidly entertaining, and the Christmas special is just dandy. Perhaps kids growing up right now will feel about it in 35 years the way that I feel about Rudolph, Hermie the Elf, Yukon Cornelius, et al. But for me Shrek is the newbie that I have no attachment to whatsoever, while Rudolph is a HUGE part of the whole Christmas zeitgeist.
Scrooge (1951)
Released 10/31/51
Starring Alistair Sim 
Director Brian Desmond Hurst
Rotten Tomatoes 84%
Charles Dickens’ novella has been adapted for the big screen countless times, with several of those versions being part of this competition. And while you will find varying opinions of many of those movies there is almost unanimous agreement that the 1951 film starring Alistair Sim as Ebenezer Scrooge is…at the very least…one of the best. I can’t say that it’s a faithful rendering of the book, as there are several plot points that are either expanded upon or entirely fabricated for the film. However, I don’t mind these changes all that much, especially since the film does capture the solemn tone of the book quite effectively.
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It’s A Very Merry Muppet Christmas Movie
Released 11/29/02
Starring Kermit the Frog, Miss Piggy, David Arquette, Joan Cusack 
Director Kirk Thatcher
Rotten Tomatoes 90%
Be careful not to confuse this film with The Muppet Christmas Carol. This was a made-for-TV movie that originally aired on NBC, and it is basically a Muppet send-up of It’s A Wonderful Life. Kermit is despondent at the prospect of losing his beloved theater, so various characters show him what life would be like if he’d never existed. There are several human actors involved, including Mel Brooks, David Arquette, Willam H. Macy, the cast of Scrubs (which was a semi-popular NBC show at the time), Snoop Dogg, & Kelly Ripa. That’s way way way too much humanity for a Muppet movie. IAWL has been ripped off too many times to even fathom, and this is far from the worst tribute to a great film. However, it’s not even the best Muppet Christmas film!!
The Verdict: Scrooge. Neither is an original idea. Both are based on other works. Scrooge just happens to be a far better adaptation of its source material.
Die Hard
Released 7/15/88
Starring Bruce Willis, Alan Rickman
Director John McTiernan (Predator, The Hunt for Red October, Last Action Hero)
Rotten Tomatoes 92%
Here we go!! Yes…I do consider Die Hard a Christmas movie. NYPD Detective John McClane comes to Los Angeles on Christmas Eve to see his estranged wife at her company Christmas party. Winter Wonderland & Let It Snow! Let It Snow! Let It Snow! are part of the soundtrack. At one point a dead terrorist shows up with a Santa hat & the words “Ho Ho Ho” written on his shirt. Case closed my friends. Oh, and it also happens to be a great action flick, and that’s coming from a guy who doesn’t particularly like action flicks.
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The Year Without A Santa Claus
Released 12/10/74
Starring Mickey Rooney, Dick Shawn
Director Rankin/Bass
Rotten Tomatoes 83% (a)
Hey, we’re all entitled to a bad day & the occasional foul mood, right?? Even Santa Claus isn’t always so jolly. In this stop motion animated classic from the prolific folks at Rankin-Bass ol’ Saint Nick is under the weather and isn’t sure anyone really believes in him anymore anyway, so he decides to skip the whole ordeal. Mrs. Claus helps the cause by playing two evil brothers…Heat Miser & Snow Miser (who both apparently control the weather)…against one another (with an assist from Mother Nature). Long story short…all’s well that ends well and Santa goes forth with his annual gift giving. You might have a hard time finding it on television in comparison to other Rankin-Bass classics, but Freeform (or whatever they’re calling that channel this week) usually has it on at some point.
The Verdict: Die Hard. This is a tough call. The debate about Die Hard’s worthiness as a Christmas film is legit, and though I obviously come down on the pro side that doesn’t mean I don’t understand the veracity of the argument. Conversely, TYWASC is indisputably a Christmas classic, but I’m not sure that it has held up well thru the decades. To be honest I don’t even recall it being that important of a viewing tradition in my childhood, and as an adult I can take it or leave it.
Elf
Released 11/7/03
Starring Will Ferrell, James Caan, Mary Steenburgen, Zooey Deschanel
Director Jon Favreau (Iron Man)
Rotten Tomatoes 84%
Will Ferrell has to be considered one of the Top 5 alumni whose career was launched on Saturday Night Live, and that is mostly due to the staying power of Elf. As much as one might enjoy watching Talladega Nights, Old School, Step Brothers, Wedding Crashers, or Blades of Glory none of those films has achieved the pop culture significance or made the kind of sustained entertainment impact that Elf has in the past 15 years. Buddy the Elf is the role Ferrell was born to play, and its popularity will probably outlive him.
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Santa Claus: The Movie
Released 11/27/85
Starring Dudley Moore, John Lithgow, David Huddleston
Director Jeannot Szwarc (Jaws 2)
Rotten Tomatoes 17%
I can imagine the pitch to the studio back in the mid-80’s…”Santa…as an action fantasy!!”. It may help you wrap your head around the concept and understand why this film is what it is to know that it was produced by the same guys who produced the Superman movies starring Christopher Reeve and directed by the man who helmed Jaws 2. The Movie tells a…unique…Santa Claus origin story, and weaves in subplots involving an industrious elf and an evil toy manufacturer. The cast…Dudley Moore, John Lithgow, Burgess Meredith, among others…is solid, but the movie as a whole is largely style over substance.
The Verdict: Elf. In the three decades since its release Santa Claus: The Movie hasn’t really become a cherished holiday tradition. Oh sure, it has its fans…but there doesn’t seem to be that many of them. And it hasn’t gotten a lot of airtime on TV over the years. I understand that technology has transformed the world and that virtually anything that has ever been produced can be watched with the push of a few buttons, but please understand that I’m an old school child of the 80’s and repeat viewings to me entail using my remote to flip thru the channels and catch whatever is on. Elf almost immediately took its place as a Christmas classic when it hit theaters a decade & a half ago, and its stature as lighthearted family fun has only grown in the ensuing years.
A Charlie Brown Thanksgiving
Released 11/20/73
Starring Charlie Brown, Snoopy, Peppermint Patty
Director Bill Melendez
Rotten Tomatoes 73% (a)
More than three dozen animated television specials starring Charles Schultz’s comic strip characters from Peanuts have been produced from the 1960’s until just a few years ago. Several have been centered on holidays (there’s even one about Arbor Day), which makes sense because Schultz was a very devout man. This Thanksgiving story finds Peppermint Patty, Marcie, & Franklin inviting themselves over to Charlie Brown’s place for the holiday, and ol’ Chuck being too timid to tell them that he & his family will be heading out to Grandma’s house. Linus, Snoopy, & Woodstock are recruited to help, and when the kids all sit down at a ping pong table in the back yard they are served a hilarious meal of toast, pretzels, popcorn, jelly beans, & an ice cream sundae, which totally sounds like my diet. Luckily Grandma (unseen, as all adults are in Peanuts) invites all the children to her house for real food, while Snoopy & Woodstock stay behind and have their own feast.
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Jingle All the Way
Released 11/22/96
Starring Arnold Schwarzenegger, Sinbad, Rita Wilson, Phil Hartman
Director Brian Levant (Beethoven, A Christmas Story 2)
Rotten Tomatoes 17%
The commercialism of Christmas has been a popular subplot for holiday films thru the years, and this one might be among the best at capturing the pathetic retail frenzy. Schwarzenegger stars as a busy, somewhat neglectful Dad (as many fathers are in Christmas movies) who waits until the last minute to find the toy that his son really wants to find under the tree. Every Christmas season has THE toy, right?? Cabbage Patch Kids, Rubik’s Cube, Beanie Babies, Tickle Me Elmo, Furby, Xbox, Playstation. Parents spend time, energy, & money to get their child what every kid wants that particular year, only to see it collecting dust before spring arrives. At any rate, in this film that toy is a super hero action figure called Turbo Man. Dad quickly develops a rivalry with a weird mailman who is desperately seeking the same item. Meanwhile, a smarmy neighbor (the late Phil Hartman at his slimy best) has his eyes on Mom and successfully drives a wedge into the marriage. The whole movie crescendos to a really fun conclusion, and overall it’s a better film after you watch it a few times than one might think from a first impression.
The Verdict: Charlie Brown. There are better Peanuts specials, and Jingle All the Way is a better movie than you may remember. However, while we all recognize the commercialization of Christmas as a bad thing I think an entire movie focused on it is a bit too cynical. Schwarzenegger can be funny (Twins is pretty good), but he is miscast here and would have benefitted from a better foil than Sinbad. Peanuts is what it is…and that’s why we’ve loved it for decades.
Disney’s A Christmas Carol
Released 11/6/09
Starring Jim Carrey, Gary Oldman
Director Robert Zemeckis (the Back to the Future trilogy, Forrest Gump, Cast Away)
Rotten Tomatoes 54%
Although I’m not really sure what a director does when helming an animated film, I am a huge Zemeckis fan and was thrilled far in advance when I found out he’d be making a new version of the Dickens classic using performance capture technology. Jim Carrey’s shtick wore thin two decades ago, but his talent is undeniable and put to good use in an animated format that allows him to portray multiple characters. This is a fairly faithful interpretation of the source material, and technology allows scenes & characters to be depicted in fresh, distinctive, & inspired ways. Some are critical of the film’s dark tone, and Zemeckis probably does go overboard & have a little too much fun with the toys at his disposal, but one must remember that the book is rather macabre. Don’t blame the director for not caving into the temptation to make a more palatable “family friendly” adaptation…it’s been done.
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Mr. Krueger’s Christmas
Released 12/21/80
Starring James Stewart
Director Kieth Merrill
Rotten Tomatoes No Score Available
The legendary Jimmy Stewart’s career had peaked long before he ever made this little gem, although he would do a few more projects in the following decade. If you’ve never seen Mr. Krueger’s Christmas you are far from alone. It was produced by The Church of Jesus Christ of Latter-Day Saints and broadcast on NBC just a few days before Christmas 1980. Since then it is impossible to find on television and isn’t even available for streaming. The only avenue available to watch it…to my knowledge…is YouTube. It is a half hour in length and tells the story of Willie Krueger, an elderly janitor who lives in the basement apartment of the building that he takes care of. Willie is a lonely widower whose only companion is a cat named George, and he fills the void with Walter Mitty-esque fantasies. On this Christmas Eve Willie’s imagination has him conducting the Mormon Tabernacle Choir, wearing finer threads than he can afford in real life, enjoying a delightful sleigh ride, welcoming carolers into a much nicer abode than he actually lives in, decorating a grander tree than the little tabletop one he has, & talking to Jesus as he lays in the manger at the Nativity. You might notice that in all of these dreams except the last one Willie, as opposed to his actual life, is surrounded by people who respect & appreciate him. While he is talking to Jesus he is, as in life, invisible to others…but in the presence of Christ there is no loneliness. This short film makes such a profound impact on multiple levels that it’s a shame it isn’t shown somewhere on television during the Christmas season.
The Verdict: It’s a tie!! I’m sorry. It was never my intention to cop out in such a manner at any point in this competition, but I just can’t choose between these two. I like Zemeckis, love A Christmas Carol, & am smitten with motion capture animation. Some find the technology a bit creepy and believe its use in A Christmas Carol is too dark & scary, but I think the combination is fantastic. Mr. Krueger’s Christmas is difficult to find and repeat viewings are few, but its story is so delicately effectual that it must not be overlooked. Jimmy Stewart still had it even at 72 years old!! If you’ve never seen Mr. Krueger’s Christmas please set aside some time to find it online. Trust me…you won’t regret it.
Trapped in Paradise
Released 12/2/94
Starring Nicolas Cage, Jon Lovitz, Dana Carvey
Director George Gallo (The Whole Ten Yards)
Rotten Tomatoes 10%
I have to give Nicolas Cage credit. There’s no way to typecast or pigeonhole him as an actor because he’s done a little bit of everything…comedy, action, drama, rom-coms. With films on his resume like Raising Arizona & Honeymoon in Vegas it can’t be said that he’s not funny. Yet having said that he feels…out of place…in this movie. The story follows three dimwitted brothers who head to a small Pennsylvania township (think modern day Mayberry) to rob a bank. Everything that can go wrong does go wrong and the trio is unable to make their escape, all while they are being treated warmly by the pleasant, unsuspecting citizens. I’m not a fan of Jon Lovitz, and Dana Carey is inexplicably annoying…but somehow it all works, atleast for me.
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Mr. Magoo’s Christmas Carol
Released 12/18/62
Starring Jim Backus, Morey Amsterdam
Director Abe Levitow
Rotten Tomatoes 67% (a)
Quincy Magoo dates all the way back to the 1950’s when he starred in animated shorts that would precede feature films. Eventually he’d make his way onto television, and in the 90’s there was even a live action movie starring Leslie Nielsen. However, the most enduring legacy of Mr. Magoo is his take on Dickens, a fairly authentic telling of the story, or atleast as faithful as a less-than-an-hour long cartoon can be. I seem to recall this particular special being an annual thing when I was a kid, but in the past 25-ish years airings have been hit & miss, and I believe it is often heavily edited to allow for more commercials.
The Verdict: Trapped in Paradise. I feel like I’m betraying my 80’s kid roots. Is Trapped in Paradise a good movie?? Not really. However, for reasons that I have alluded to on a few occasions it holds a special place in my heart, despite its shortcomings. I cannot get behind Magoo a) because repeat viewings have been scant (it’s hardly a Christmas tradition), & b) airings are usually edited significantly. I’m sure the original, full length show can be streamed, and maybe someday that’ll be the norm, but right now I’m still old school and want my Christmas movies & specials to be available the way they always were…thru mindless channel surfing.
through the prism of the viewing public it is difficult to not fall into the trap of being lazy, repetitive, and uninspired. Too often we see sequels that are just retreads of the original…same stunts, same gags, same jokes, same effects. Or worse yet, the powers-that-be try to make a sequel where few of the original actors or characters remain and they are only borrowing a broad concept or theme with very loose ties to its predecessor. The Godfather Part II is not a victim of any of these issues. It is quite possibly the greatest sequel ever made. It was the first sequel to win the 
Robert Duval, and Diane Keaton returning from the first film and acting legend Lee Strasberg coming out of retirement to portray Hyman Roth. My favorite character though might be Frank Pentangeli, a Corleone family caporegime who replaces Clemenza, a development dictated by a dispute with the actor who played Clemenza. Frankie Five Angels is just tremendous…funny, ham-handed, erratic, and most of all unique. I am not sure Part II would have been quite as good with Clemenza as it ends up being with Pentageli. The flashback sequences with the younger Vito are done completely in Italian, a risky move by director 
I know I have said it before but it bears repeating…I am not an action flick aficionado. Most anything starring Stallone, Schwarzenegger, Van Damme, Seagal, or Chuck Norris just doesn’t frost my cupcake. I have never seen a James Bond film in its entirety. Indiana Jones has never graced a screen big or small in my presence. But as with any rule there are exceptions, and this is the biggest one of them all. 1988’s Die Hard finds Bruce Willis starring as John McClane, a NY City cop whose marriage is on the rocks because his wife took a corporate gig in Los Angeles and now lives there with the kids, estranged from her husband. She invites him out to the Left Coast for Christmas to visit the children and maybe smooth things out. However, upon arriving at the wife’s company Christmas bash near the top of an unfinished skyscraper McClane finds himself the lone wolf fighting against a contingent of foreign terrorists who invade the party, kill the CEO, and hold everyone else hostage. The bad guys are unaware of McClane’s presence and even when he does make himself known he does not reveal that he has the skills to fight back. Soon enough the LAPD and the FBI are involved. There is lots of shooting and explosions, but thankfully they are accompanied by a good story and surprising levity for an action movie. I think maybe that’s why I like it…the humor sets Die Hard apart from others in the genre, who tend to take themselves too seriously. Don’t misunderstand…Die Hard is a serious movie about terrorism and one man’s battle to save the life of his beloved wife, but along the way we get airheaded FBI agents (agent Johnson and Special Agent Johnson), a limo driver that personifies the generation gap between himself and McClane, and the Dad from Family Matters, an 80’s sitcom best known for its nerdy star Urkel, who bonds with McClane over the two-way radio. We also get Hans Gruber, one of the most memorable villains in movie history. Gruber is portrayed by Alan Rickman, who is widely known today as Professor Snape in the Harry Potter films. But in 1988 he was an unknown who ended up creating such a great character. It is implied that Gruber is a ticked off German who has taken over Nakatomi Plaza for political reasons. However, we eventually learn that he is nothing more than a thief whose goal is to steal a half billion dollars worth of bonds, destroy the building making everyone think the terrorists perished as well, and escape with the loot. It is an ingenious plan, and Gruber seems to know everything that will happen. He especially knows the playbook of the police and the feds, who are portrayed as predictable buffoons. But what he and his men don’t plan on is the “fly in 
the ointment” named John McClane. Willis was a television star at the time, coming into our living rooms each week alongside Cybill Shepherd in the detective rom-com Moonlighting. He had done a few forgettable films, but it was Die Hard that made him a star and he has continued to ride the wave for over 20 years. Die Hard, in my opinion, is the gold standard of action movies. It has just the right mix of drama, action, humor, suspense, good writing, and excellent performances. It is not gratuitously bloody, and it is just plausible enough for the viewer to suspend disbelief and become engrossed in the story and characters. 1988 was, of course, long before the tragic events of September 11, 2001, and for that I am thankful if only because Die Hard would likely never get made in a post-9/11 world. McClane has resurfaced in three sequels with plans for yet another, but those efforts have been hit & miss. I keep using the phrase “lightning in a bottle”, and it applies here as well. Countless films have borrowed elements of Die Hard in the last two decades, and I suppose imitation is the sincerest form of flattery. But I have yet to stumble upon a knockoff that comes anywhere close to being as good as the original.
Yes, I know…I am kinda sorta cheating just one more time. In pondering the three original 
anticipation reached a fever pitch. People waited in line days in advance for tickets. Unfortunately the prequels did not live up to their predecessors, but honestly how could they?? They aren’t really bad films, especially the third, but there was no way they could possibly approach the greatness of the original trilogy. Every new generation that is introduced to The 
This is what NFL scouts might call at quick riser, a movie that has improved its stock the most in the shortest amount of time. Released in 1995 and based on the true story of NASA’s 1970 “successful failure”, Apollo 13 is a film that I honestly didn’t pay that much attention to when it first came out. Looking back I have to assume that is due to the timing. June of 1995 was a bad month, one that I look back on almost daily as a negative turning point in my life. So I guess I was engrossed in my own drama and didn’t make it a priority to go to the theater and pay money to watch tragic events of others’ lives. But over the course of the past 10 years I have discovered its greatness and become familiar with the real life situation. Directed by Ron Howard and starring Tom Hanks, Kevin Bacon, and Bill Paxton as astronauts whose planned mission to land on the moon goes horribly awry, Apollo 13 is just the sort of movie I can truly embrace. It is beautifully written, has understated, moving performances, and the direction by Ron Howard is magnificent. I don’t usually recognize the function of the director because honestly I am not familiar enough with what a director really does and what his/her role is in the final product. But here one can easily see that this story, in the hands of someone else…maybe James Cameron (Terminator, Titanic), Renny Harlin (Cliffhanger, Die Hard 2), Ridley Scott (Blade Runner, Gladiator), Quentin Tarantino (Pulp Fiction, Reservoir Dogs), or God forbid as a Michael Bay/Jerry Bruckheimer production (Bad Boys, Pearl Harbor)…would have been completely different and likely lacked the 
subtlety and class brought into the mix by Howard, aka Lil Opie Cunningham, who turns it into something better than a cookie cutter action flick. Two supporting performances, Ed Harris as flight director Gene Kranz and Kathleen Quinlan as astronaut wife Marilyn Lovell, were nominated for Academy Awards. The film itself was nominated for Best Picture and Howard for Best Director. Somehow all four of these awards went to others. Braveheart won Best Picture and its director, Mel Gibson, won that award. Kevin Spacey was Best Supporting Actor for his role as Keyser Soze/Verbal Kint in The Usual Suspects. And Mira Sorvino was Best Supporting Actress in some movie no one remembers. I suppose many may disagree, but it is my contention that Apollo 13 was robbed and should have won atleast 3 of these 4 awards. Harris’ performance is especially exceptional and cemented his status as one of Hollywood’s most underappreciated actors. Various television stations show Apollo 13 quite often, and I almost always stop whatever I am doing to watch, which in my mind is the mark of a really good movie. There is a scene near the end of the film where the fate of the astronauts is in question for about 3 minutes. This plays out in real time and is very dramatic. Since this is a true story I know what happens, and even if it wasn’t a true story I have seen it enough times that I know how everything plays out…yet every single time I watch I get goosebumps and am on the edge of my seat. Now THAT is a great movie.
The Griswold Clan, is the best in the series. But by now loyal readers know of my fierce passion for Christmas movies, and that is why Christmas Vacation ranks higher than its parent film, which is 13th on this list. Clark, Ellen, Rusty, and Audrey don’t actually go anywhere this time. They stay home to host a good old-fashioned Christmas for the extended family, which includes Clark’s parents, Ellen’s parents, and the elderly Uncle Lewis & Aunt Bethany, though their exact relationship is never explained. Showing up unexpectedly is cousin Catherine and her redneck husband Eddie, along with two of their small children. Fans of the Vacation series will recall that Catherine & Eddie and their brood make a memorable appearance in the original, and Eddie turns out to be the big star of this film. There is too much goodness for me to go into detail here, but suffice to say that Clark proves himself to be as big of a buffoon as usual, all the grandparents are nuts in that special grandparent way, and Eddie’s antics are the icing on the cake. Virtually every scene in this move has become legendary, from the oversized Christmas tree that Clark stubbornly determines is going in the living room, to Eddie cleaning out his RV’s toilet in his bathrobe, to the 25,000 lights with which Clark 
adorns the house. As a matter of fact, every December channels like HGTV and The Travel Channel have shows featuring wacky, over-the-top, gaudy Christmas light displays from across the country, and I’d be curious to know whether those kinds of garish exhibits were always around or if Christmas Vacation was the impetus for an odd new holiday tradition. I remember the first time I ever saw this movie, and there is a scene where Clark crashes a saucer sled oiled up with some sort of food varnish that he supposedly invented straight into a WalMart. At the time we did not have a WalMart in my hometown and it was just becoming a big deal. I remember thinking “Man, I wish we had a WalMart”. I laugh at that thought now since WalMart has become such a ubiquitous part of every day life. At any rate, Christmas Vacation has quickly become part of the pantheon of great Christmas movies, one of the half-dozen or so that everyone watches annually. It isn’t high art and it isn’t supposed to be. It is fairly innocuous entertainment, and that’s just fine by me.
blocked it from their mind, disco was a unique dance style music that dominated the mid to late 1970’s. It could conceivably be thought of as a forerunner to techno…a much cooler, less annoying predecessor. But disco encompassed much more than music. It was a lifestyle personified by fashion, rampant recreational drug use, dance clubs with mirror balls, and sexual indulgence. Fever mostly leaves the seedier aspects of the subculture alone and concentrates on the music, the dancing, and the fun. John Travolta, already famous as Vinnie Barberino on television’s Welcome Back Kotter, was vaulted into superstardom by playing Brooklyn dancer Tony Manero. The story concentrates on Tony’s home life and the classic struggle of one’s desire to escape bleak circumstances versus staying within the comfort zone of family and friends. Tony’s only escape is the local disco, where he is The Man. The Saturday Night Fever soundtrack, featuring several Bee Gees songs, is the best selling movie soundtrack of all time and is essential to the enjoyment of the movie. Fever has aged gracefully over the course of 30+ years, and I anticipate that folks will still be watching it three decades from now. I just hope no one gets the bright idea to do a remake starring Zac Efron or Freddie Prinze Jr.
plays a significant part in this film, even though the majority of the action does take place in Los Angeles. When you combine a 60’s vibe with Vegas that automatically brings to mind The Rat Pack, of which I am also a big fan. The convergence of all these things were no doubt intentional by the filmmakers, and it works. 
opinion, and so you will see “the three evens” on this list. We begin with the final ride for Captain Kirk, Spock, Bones, Sulu, Uhura, Scotty, and Chekov in 1991’s The Undiscovered Country. The plot involves The Federation and The Klingons attempting to make peace, with that effort being thwarted when the Klingon chancellor is assassinated. There seems to be thinly veiled references to The Cold War, with The Federation representing America and The Klingons standing in for Russia. One could analyze and pick apart the sociological foundation of the script and the political motivation of the powers-that-be, and if that frosts your cupcake then by all means go for it. Personally, I just enjoy the Shakespearean zeitgeist created by the best Trek villain not named Khan…Christopher Plummer’s sublime Chang, as well as the comfortable and oftentimes humorous interactions between the crew. They knew it was their last film together, and the actors gave 100%. 
likely be pleased. The original Die Hard came out in 1988 and dealt with one man taking on a group of terrorists in a high rise office building on Christmas Eve. We’ll examine it closer much later in this list. 
Yes, I know…I am cheating. Here’s the deal. I did not have enough slots to include both of these films in the Top 100. I did not want to leave out any others that I had chosen. So then it became a question of which of these two did I like better. Upon pondering that question I came to the conclusion that they really are one movie split into two parts, and I couldn’t bear to eliminate either. So call it a tie if you wish, but I maintain that this is a case where, unlike most sequel situations, the story here flows like one film and therefore will be awarded this spot. Anyway…Father of the Bride is a 1991 Steve Martin remake of a 1950 film starring Elizabeth Taylor and Spencer Tracy. Father of the Bride II is a sequel to the 1991 film and a remake of a 1951 film called Father’s Little Dividend, itself a sequel to the 1950 film. Confused yet?? No worries…just forget about the 50’s flicks – the remakes are actually better, which is rare. The remakes star Steve Martin as the Dad and Diane Keaton as his wife. The extremely lovely Kimberly Williams made her film debut in Father of the Bride, and nearly 20 years later she’s still gorgeous and is now married to country singer Brad Paisley. In Father of the Bride the daughter returns home from a summer trip to Europe with big news…she fell in love with a fellow American and they’re getting hitched. Dad freaks out. Mom decides they need a wedding planner, which brings the hilarious Martin Short into the fold. Dad then really freaks out. Eventually all’s well that ends well, 
but the ride sure is fun. Then in the sequel both Mom and the daughter end up pregnant. Dad does a double freak out. They find a way to bring Martin Short back (to plan the baby shower and convert a bedroom into a nursery). All’s well that ends well again. These movies are pretty simple. There are no car chases, no explosions, no gunfights. There isn’t even any notable salty language or nudity. It’s all very sweet and easy to watch. Watching these movies is like sitting on the front porch with a glass of iced tea and a gentle breeze, and that’s why I like them. Action can be good sometimes, as can drama. I am a big fan of comedy, but even then sometimes one doesn’t want to spend two hours doubled over in laughter. Sometimes one just wants to sit back, relax, and watch some old fashioned folksy, homespun, inoffensive, warm & fuzzy entertainment…the kind of lighthearted fun that’ll cure a bad mood and make one’s life a little brighter for a few hours. The Father of the Bride films more than deliver that. They put a smile on my face every time I see them, and that’s something we all could use more of in our lives.
The Manofesto 