Top 25 Christmas Carols…The Top 10

December 9, 2009

Be sure to read Part 1 to get numbers 11-25 on this list. And now…from the home office in the beautiful, snow covered hills of northcentral West Virginia…The Manofesto’s Top 10 Christmas Carols:

10 Winter Wonderland / Jingle Bells

Ok, so The Top 10 is going to have slightly more than 10 songs. Hey, if the Big 10 conference can get away with having 11 football teams then why should I be forced to stay within arbitrary boundaries?? Anyway, as we move into the upper echelon you will find that the ubiquitous quotient increases exponentially. In other words, now we’re getting to the songs that you sing while caroling and hear on the radio several times per day this time of year. That kind of repetitiveness would serve to drive many of us nuts most of the time, but personally my love for Christmas carols is such that I not only can endure hearing the same song a half dozen times a day for a few weeks, but I actually embrace it.

Jingle Bells is yet another “winter carol”, meaning it’s not actually a Christmas song. Seriously…listen to the lyrics. It never references Jesus, Santa, trees, decorations, gifts, or anything else even remotely associated with Christmas. What it does do is make schlepping around outside in bitter cold and snow sound like fun, which I suppose it would be in a horse drawn sled as opposed to a two ton motor vehicle with hundreds of bad drivers surrounding you and endangering your life. All of us, from the smallest child to the greyest head have probably sung Jingle Bells thousands of times. It’s a happy, upbeat song and that’s a good thing.

Winter Wonderland was written in a sanitarium. I bet you didn’t know that. But it’s not as bad as it sounds. In the 1930’s, when the song was written, sanitariums weren’t places for mental patients…they were simply long term care hospitals, commonly used for folks with tuberculosis. Anyway, another example of a winter song that was not specifically written in reference to Christmas, Winter Wonderland also makes looking outside and realizing that it’s cold and there’s a ton of snow on the ground seem like a positive thing. It describes snow as “glistening” and “a beautiful sight”. The words conspire, frolic, and Eskimo are utilized as well, and that’s impressive and unique. FYI, because I am here not only to entertain but to educate, Parson Brown would have been a preacher. I kind of like that term. Maybe I’ll start calling my minister Parson Rod.

9 Rudolph the Red-Nosed Reindeer / Frosty the Snowman

I realize I am in my late 30’s heading downhill toward 40. But darn it, I am fully in touch with my inner child and proud of it. Evidence that these two songs are the top two children’s’ Christmas songs can be found on your television, where two animated specials featuring Frosty and Rudolph have been annual traditions for over 40 years. Rudolph may be the second example in history where commerce and holiday wonder converged successfully not only on the balance sheet but in the hearts of the American public (leave me a comment on what you think was the first and we’ll see if we’re on the same wavelength). “The most famous reindeer of all” was created by an ad executive for Montgomery Ward department store in 1939. The character grew from that man’s story into the song written by Johnny Marks and recorded by Gene Autry in 1949 into the famous Rankin/Bass animated special first shown on television in 1964. Frosty was likely created in an effort to ride the wave of success brought on by Rudolph, but that’s okay. If one thinks of it as a sequel atleast it’s a good sequel and not something awful like Jaws: The Revenge or Staying Alive. It’s also another game effort to make cold, snowy weather seem pleasant. The Autry version of Rudolph is still the best, but a very close second is a swingin’ cover by Dean Martin, in which he refers to the titular character as Rudy the Red-Beaked Reindeer. How cool is that?? I personally still like the Jimmy Durante version of Frosty used for the television special better than any cover I’ve ever heard.

8 Deck the Halls

Deck the Halls continues the tradition of taking a tune (in this case a Welsh song written in the 16th century) and then creating appropriate lyrics for it a few hundred years later. A few random notes must be made about the song. “Gay apparel” meant a whole different thing when the words were written and has nothing to do with cross dressing or anything else in relation to sexual preferences. Jolly and merry are both used in the song, another example of painting a picture and telling us exactly how we, ideally, should feel during the Christmas season. And finally, as anyone who has watched the perennial holiday classic A Christmas Story can verify, Deck the Halls is the opening theme music as played by an unknown (atleast to me) but quite lovely brass ensemble. I love to hear this song sung by a choir or a group of carolers, and if it’s going to be played orchestrally it should be played in an old fashioned way, not too jazzed up with modern instruments and stylizations. One should be able to hear the trumpet, the trombone, and the saxophone.

7 Sleigh Ride

Sleigh Ride is the Christmas carol equivalent of Boise State or TCU…one doesn’t really expect to see it highly ranked but that lack of respect doesn’t make it any less worthy. Sleigh Ride is a winter carol not especially written for Christmas and has a lot of similarities both in structure and lyrical content with Jingle Bells and Winter Wonderland. The inaugural version was recorded by The Boston Pops in 1949, and they probably still do it best, though I am torn between their purely instrumental adaptation and those with words, such as Mel Torme and Harry Connick Jr. My best advice is to learn the words…which speak of friends, wintry fairy lands, a wonderland of snow, being nice & rosy and comfy cozy, a fireplace, watching chestnuts pop, coffee & pumpkin pie, and Currier & Ives…then sing along to the Boston Pops rendition.

6 Jingle Bell Rock / Rockin’ Around the Christmas Tree

The connection here is obvious…rock. Rock n’ roll swept the nation into a frenzy in the 1950’s, and these carols came along during the latter part of that decade. Both tunes are more what we would today call rockabilly or southern rock, which is probably why I like them so much. I’m a huge fan of bands like Lynyrd Skynyrd, Stray Cats, and ZZ Top, all of whom fall into that genre to some degree. Even Elvis Presley was really a rockabilly artist. Anyway, both of these songs are just a swingin’ good time. As Dick Clark might say, “they have a good beat, and they’re easy to dance to…I give them both a 10”. The original Bobby Helms version of Jingle Bell Rock is still the best, although The Brian Setzer Orchestra did a nice cover. The song is the opening theme for the original Lethal Weapon (one of the best action and Christmas movies of all time) played just before a girl jumps off the top of a high rise apartment building into the roof of a parked car. Brenda Lee did the best and most well known version of Rockin’, and no other cover really stands out as particularly notable. When I hear it I always think of the scene in Home Alone when the bumbling crooks come by what they think is an empty house only to see a happenin’ party going down, a party that is really only MacCaulay Culkin’s Kevin manipulating a bunch of inanimate objects (including a cardboard Michael Jordan).

5 Silent Night

Earlier I made reference to sitting in a candlelit church at midnight on Christmas Eve singing softly. This is the second tune which fits that motif. Silent Night is a German carol written in the early 19th century by two Austrians. Supposedly the church organ was broken so the two men wrote the song specifically to be played on the guitar. That seems appropriate. Minimalism is the key when it comes to Silent Night. It doesn’t need to be loud, boisterous, or modern in any way. It needs to be simple, almost meditative. I find it perfectly acceptable to sing acapella, but also with just a single instrument, be it guitar, piano, saxophone, or trumpet. The words are quite possibly the most beautiful and eloquent description of the night Jesus was born ever written. I don’t think it is humanly possible for anyone with even an ounce of faith to not have something stir within them when they hear this song. Give me 24 hours with an atheist and an endless loop of Silent Night and I just might be able to accomplish something wonderful.

4 White Christmas

Here we go again with trying to make snow sound positive!! The question I have as a person who hates snow is…why do I get sucked in EVERY time?? Written in 1940 by famed composer Irving Berlin (who also wrote God Bless America, Steppin’ Out with My Baby, There’s No Business Like Show Business and hundreds of other songs), White Christmas was made famous by Bing Crosby, who sang it in the movie Holiday Inn. The song itself inspired another movie (though not a sequel) starring Crosby…you can guess the title. The lyrics provide a perfect mix of wistful nostalgia and old fashioned romantic charm. It’s actually a pretty simple tune, with only two different stanzas that are just repeated. It is the most popular Christmas carol in the world and some say it is the most popular song in history, Christmas or otherwise. Because money grubbing bean counters didn’t really start tracking such things until a decade or so after the song was released no one really knows for sure, but it’s a nice thought. It is certainly influential. Ask yourself this…have you ever hoped, even slightly, for a white Christmas?? Yes, you have…everybody has. The question, again, is why?? Why are we so hell bent on trekking around to various relatives’ houses on Christmas Day in bitter cold and on icy roads?? It makes no logical sense. Christmas would be much easier and more convenient if it were 60 degrees and sunny. But…it just wouldn’t be…right. I blame this song on that kind of insanity being ingrained in to us…this wonderful, beautiful, powerfully expressive song. Because of its popularity dozens…probably hundreds…of artists have covered it. Almost any singer, band, orchestra, or other assorted musical performer who has ever produced a Christmas album puts White Christmas on the playlist. But really, there is only one rendition that is worthy, and that is Crosby’s. That man could sing. Christmas simply isn’t Christmas without White Christmas, and we’re all the better for it.

3 The Christmas Song (Chestnuts Roasting On an Open Fire)

Let me get this off my chest right off the bat: I don’t really care for chestnuts. But look over the list so far…how many songs do I love that glorify snowy , cold, wintry weather all while I detest such conditions?? So who cares if I’d rather have a big ol’ hunk of chocolate cake than a bag of toasty chestnuts?? I have to admit though, Nat King Cole makes those chestnuts sound tasty. Written in 1944 during a heat wave by Mel Torme, the song began as a simple effort to “think cool”. I dig irony, and I dig descriptive. Several songs mentioned in this list paint a wonderful, cozy, fun, or nostalgic picture of the Christmas season, but none do it with the elegance and class of The Christmas Song. It talks about “yuletide carols being sung by a choir”, turkey, mistletoe, “tiny tots with their eyes all aglow”, Santa with his sleigh full of toys, and reindeer. It’s not a religious song, and it’s not a fun kids’ song…it’s sentimental without being sappy, lighthearted without being frivolous. The aforementioned Cole did the definitive version, and I tend not to stray far from it, though I do like Torme’s rendition alot. And as much as I hate to admit it, Kenny G does an exquisite instrumental on his saxophone. A piano and/or sax is essential for The Christmas Song, it’s just that kind of tune.

2 Blue Christmas

While White Christmas seems to get all the good PR, I give the nod to another color…blue. Country artist Ernest Tubb originally recorded the song in 1948, but a few years later The King (this time I mean Elvis, not Jesus) came along and the rest is history. I suppose Freud-types would love analyzing a single guy’s bromance with a Christmas carol about unrequited love, and that’s okay with me. It’s completely logical that a man in my situation would appreciate the subject matter, although there’s really no one that I am currently pining away for. Musically it’s a simple song, accompanied best on guitar. Elvis, despite his rockin’ reputation, was an exquisite singer with a sublime voice. I suppose that’s why no other cover quite lives up to his. There is one other version that I really like and it’s a bit off the beaten path. Some years ago a person calling themselves Seymour Swine did Blue Christmas as sung by Porky Pig. Folks, do yourself a favor…if you have not heard Blue Christmas by Porky Pig/Seymour Swine stop whatever you are doing and Google it right now. It is one of the funniest things I have ever heard in my life. I have never been able to find out the story behind Seymour Swine and have never heard any other songs by that artist. I think Blue Christmas may have been recorded live in a radio station or something, as one of the funniest things about it is the guys laughing in the background…it makes the song that much funnier. I don’t know of another Christmas carol that evokes such opposite emotions depending upon who is doing the singing. It’s quite the odd dichotomy.

1 O Holy Night

As bumbling burglar Marv says to his partner Harry in Home Alone 2: Lost In New York…”I’ve reached the top!”. O Holy Night completes the triumvirate of songs best enjoyed in a candlelit church on Christmas Eve. Written in the mid-19th century in France, it is an emotional account of the night Jesus was born. It refers to the “thrill of hope” as “the weary world rejoices”, a “world in sin and error pining”. It uses words like glorious, divine, beaming, and gleaming to describe that hope, the hope we have in our Savior, Jesus Christ. The song tells us exactly what Jesus is all about, that “He knows our need, our weakness is no stranger”, that “He taught us to love one another, His law is love and His gospel is peace”, and that “chains he shall break, for the slave is our brother, and in his name all oppression shall cease”. If you can’t get on fire for The Lord after reading those words there is something missing and you better get on your knees and search your soul! But…reading the words isn’t even a good substitute for hearing the song. When done right it is soft and tender before building into a powerful crescendo that fills the heart with emotion. Nat King Cole did a great cover in the 60’s, but he doesn’t have quite enough gas in the tank to pull off the climax as well as it should be done. For my money the best cover I’ve heard is probably Josh Groban’s from a few years ago. That dude has some pipes!! I am sure there are other good versions that I am not thinking of at the moment. At any rate, it’s a beautiful song that should be sung acapella or with very minimal instrumentation by a legitimately great singer, not someone who is good looking and can sing just enough to justify making a record (a description that unfortunately describes probably 75% of what you hear on the radio).

Merry Christmas to all, and to all a good night. And God bless us everyone.

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What Is Your Favorite Christmas Movie??

December 8, 2009

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Top 25 Christmas Carols…Part 1

December 6, 2009

I love Christmas. Love it. I enjoy the movies, the food, the lights, the aromas, and the general overall buzz around the holiday season. Now I grant you, commercialization has become an issue, and I sometimes feel that many of us get so caught up in the hustle and bustle that it all becomes one big pressure cooker instead of the sublime delight it always should be. And in an increasingly amoral society where Christianity has become an unlikely villain the true reason for the season is not only oftentimes lost, but sometimes overtly censored. However, be that as it may, I cannot control how others’ live their lives and I won’t let them spoil my joy.

A vital component to ones’ pleasure during this time of the year is the music. Christmas carols are just splendid. Some are soft, sentimental, and full of spiritual reverence. Others are amusing and frivolous. Our modern catalog of carols run the full width and breadth of an extensive range of genres and styles, but they all have one thing in common…they are beloved by the masses. And because of their popularity and flexibility most Christmas tunes have been covered by a plethora of artists over the course of the decades. So any particular song you like has probably been performed by everyone from country superstars to crooners to rockers to full orchestras. What I am presenting here is a two part special …my Top 25 Christmas carols.

When making this list I took several factors into consideration. Some songs are just so ubiquitous that one either loves them or hates them…period. Sometimes one particular version of a song is extremely memorable and has made it a holiday staple. I’m not discriminatory when it comes to subject matter. In other words, you will see some religious songs and some fun songs. There are particular artists that I tend to gravitate toward, and certain genres I like better than others. I like jazzy, bluesy versions of songs. I like big band or orchestral arrangements. I like crooners like Sinatra, Dean Martin, Harry Connick Jr., and Michael Buble. I like people who can actually sing…so it’s unlikely that any kind of post-modern rap, alternative, or bubblegum pop will frost my cupcake. I am also very fond of simple, stripped down instrumental interpretations…lyrics can be important, but not always necessary. Most of these songs have been around for many many many years, and I’m a huge advocate of “if it ain’t broke don’t fix it”. I suppose I’m either old fashioned or a traditionalist, depending on the spin one chooses to utilize. At any rate, this is my list…one can either agree or disagree. Enjoy.

25 The Chipmunk Song

The Chipmunks were created in the late 1950’s and have enjoyed an on again-off again, intermittently successful career over five decades. As a child of the 1980’s I fondly recall the Saturday morning Chipmunks cartoon. But their first success is still their best…an almost too simple tune about being anxious (as most kids are) for Christmas to arrive and wanting toy planes and a hula hoop.

24 God Rest Ye Merry Gentlemen

This is one of the oldest carols, having been written in the fifteenth century. Unabashedly and overtly delivering the message of the birth of Jesus and the gift of salvation to the world, it’s a tune supple enough to be energetically sung by a choir or congregation, or solemnly played by any manner of instrument.

23 It’s Beginning to Look Alot Like Christmas

Maybe this should more accurately be categorized as a pre-Christmas song, one intended to set the mood and prepare us for the onslaught. Most 21st century parents would give anything if all their kids wanted were hopalong boots or dolls that can talk as opposed to the mega-expensive video games, computers, and various other electronic toys today’s children demand, and a lesson in economics can be gleaned when pondering a “five-and-ten” in comparison with their modern counterparts, dollar stores. I dig almost anything that hearkens back to a less complicated time, even if, in reality, those times weren’t much less complicated. Perry Como and Johnny Mathis did the two best covers of the song.

22 I’ll Be Home for Christmas / Home for The Holidays / Please Come Home for Christmas

I made this a tie for one reason. These three songs have a common thread…home. However and wherever one defines “home”, it’s where we want to be for Christmas. I’ll Be Home for Christmas was written and recorded during World War II and was extremely significant to soldiers and their families. Bing Crosby was the original artist, but I’m not married to that particular version per se…countless artists have done perfectly wonderful covers. Perry Como said it best in Home for The Holidays when he sang “no matter how far away you roam, if you want to be happy in a million ways, for the holidays you can’t beat home sweet home”. Please Come Home for Christmas has a couple things going for it in my universe. It was originally a blues carol, and its best covers have been done by two of my favorite bands, The Eagles and Bon Jovi. The Eagles version is especially popular and usually in heavy rotation on your local radio station. These are melancholy songs, but that’s okay…Christmas is often a bittersweet season.

21 Let It Snow! Let It Snow! Let It Snow! / Meli Kalikimaka

Another tie, another reason. Both of these songs have attachments to movies. Let It Snow is played at the end of my favorite action flick, Die Hard, which I consider a Christmas movie even if no one else does. Meli Kalikimaka (Hawaiian for Merry Christmas) is prominent in Chevy Chase’s classic Christmas Vacation. Bing Crosby does the definitive version of Mele Kalikimaka, while Let It Snow is done best by original artist Vaughn Monroe but a viable alternative is the Dean Martin cover. Let It Snow is technically a winter song and makes no references to Christmas at all, but it has become so closely associated with the holiday season that it qualifies as a Christmas carol.

20 O Come All Ye Faithful/ Adeste Fideles

This isn’t a tie. It’s the same song in two different languages. Adeste Fideles was originally written…maybe…in the 13th century. No one knows for sure. It was translated into English as the more familiar O Come All Ye Faithful in the 19th century. The words of the song exhort us to celebrate the birth of Christ, to adore and behold The King. However, I have to say that the best versions of this song are audacious, grand, thunderous ensemble pieces by orchestras like The Boston Pops or the Mannheim Steamroller.

19 Hark! The Herald Angels Sing

In the opening I spoke of some songs being ubiquitous during the Christmas season. This is a perfect example. With lyrics written in the 1700’s by Charles Wesley (brother of John, the founder of Methodism) and paired with music composed by Felix Mendelssohn a hundred years later, this is just one of those songs that IS Christmas. It speaks of everything Christmas should encompass: glory to The King (Jesus Christ, not Elvis), peace, mercy, joy, triumph, and righteousness. Like other songs it speaks about the birth of Christ and what that means to the world, and since that is the whole point of Christmas it’s fine with me if the message is rehashed in as many songs as possible. Off the top of my head I cannot think of one singular cover that stands out…they’re all great since it’s a pretty difficult song to mess up. It lends itself well to orchestral or instrumental versions, but choral versions with the words are probably my favorite.

18 Santa Claus Is Coming to Town / Here Comes Santa Claus

As we grow into adulthood our thoughts about Christmas begin to evolve. Those of us whose faith is extremely important understand and revere the fact that the birth of Christ is the centerpiece of the holiday. Adults who don’t consider themselves to be particularly spiritual appreciate things like home, family, and sentimental memories. But for kids Christmas is all about The Big Guy, the Jolly Old Elf, the fat man in the red suit…Santa Claus. So it makes sense that there would be a plethora of Christmas carols dedicated to Kris Kringle. The two most pervasive of these have been covered by an endless array of artists with mixed results, but they are so wonderful because they are so descriptive. They paint such a vivid picture of the mythology of Santa that anyone who doesn’t know the story can have it re-created in their mind just from these songs. Here Comes Santa Claus was written in 1946 by cowboy Gene Autry, who also sang the definitive version. About Santa, the singer sings  “he doesn’t care if you’re rich or poor, he loves you just the same…Santa knows that we’re God’s children, that makes everything right…fill your hearts with Christmas cheer cause Santa Claus comes tonight”. What a great message. Santa Claus Is Coming to Town was written in 1934 and is a sort of cautionary tale for children. It warns them that Santa knows when they are sleeping and awake, knows when they’ve been bad or good, and will be making a list and checking it twice so he can divide it into two categories: naughty and nice. Call it gentle discipline or call it mind games…but it works and has scared millions of kids into being good little boys and girls. Bruce Springsteen might have the best known cover of the tune, but I think that’s simply because it’s so odd to hear such a gruff and tough rocker singing a children’s Christmas carol.

17 Away in a Manger

One of the seminal moments of the Christmas season for me is sitting in church during midnight service with nothing but the soft glow of candles in the window to light the sanctuary as the congregation softly sings. This moment usually encompasses three songs, one of which is Away in a Manger. Published in the late 1800’s, it has been credited by some to famed 16th century theologian Martin Luther, but there seems to be a lot of disagreement on the facts. At any rate, it’s a beautiful song that takes us back to the night of Jesus’ birth, the night He was born in a stable because there was no room at the inn. The best covers of the song seem to be by country artists, possibly because the majority of them still seem to have some virtue remaining and are therefore capable of singing songs of faith with some sense of authenticity.

16 Joy to the World

Joy to the World is another song that have been adopted as a Christmas carol but wasn’t originally written as one. As a matter of fact, it’s actually about Christ’s Second Coming, not His first. Nevertheless, it is such an ingrained part of the holiday season that we won’t quibble over details. It’s a tune best performed in as loud and energetic a fashion as can possibly be mustered…afterall, the book of Psalms directs us to make a joyful noise unto the Lord. So I tend to like boisterous choral or booming orchestral versions of the song. As a matter of fact, when it comes to Joy to the World I am not sure any singer or band could be subtle and hushed, although I am sure some have tried.

15 Carol of the Bells

I’ve seen the words, and they are quite lovely and appropriate. However, the best way to enjoy this one hands down is a strictly instrumental version. Carol of the Bells is a Ukrainian carol written early in the 20th century. I’m not sure where it ranks in general popularity since even if you do know the words (and most don’t) it’s not really something you sing as you trek thru the neighborhood on your annual church singalong…the pace is rather quick and not caroling friendly. But I like the tune a lot. It’s kind of a Christmas theme song, one of those tunes that you hear in commercials, in bumper music during talk radio shows, at the mall on the loudspeakers, etc. It’s everywhere, yet not so overdone that it grows tiresome. Plus I think I may have learned to play it in high school as part of the concert band’s holiday show.

14 Angels We Have Heard On High

You know this one…the one where the singer bellows out at the top of their lungs “Glo-o-o-o-o-O-o-o-o-o-O-o-o-o-o-O-ri-a in Ex-cel-sis De-o!”. When sung by a great choir it’s absolutely beautiful, but even in just a commonplace group of worshipers or carolers it is usually sung with such fervent spirit that it doesn’t matter if not everyone can actually carry a tune. The aforementioned refrain is Latin for “glory to God in the highest”, which pretty much sums up what Christmas is, or atleast should be, about. I love orchestral versions of the song as well. The music lends itself well to things like French horns, cornets, and trombones. It doesn’t seem to get as much love as a lot of other carols, but I’ll take Angels over Grandma Got Run Over By a Reindeer or I Saw Mommy Kissing Santa Claus any day.

13 Holly Jolly Christmas

A friend of mind in college once told me I looked like Burl Ives. I’ve always had an…ample…midsection, and at the time I was sporting a goatee. Anyway, Burl Ives, as some may or may or may not recall, was a folk singer/actor/entertainer from the 1940’s through the 1970’s. But he is most likely best known to most, especially anyone under the age of 35, as the voice of Sam the Snowman, narrator of the perennial Christmas classic Rudolph the Red-Nosed Reindeer. Even as an adult I cannot wait each Christmas season for that TV special. And even though Burl’s performance of the song Rudolph the Red-Nosed Reindeer isn’t at the top of the list (more on that song later), he did contribute two other tunes…Silver & Gold and Holly Jolly Christmas. Holly Jolly Christmas could probably best be described as…catchy. It’s just got that kind of beat. And while some carols are melancholy, many show reverence to Christ, and others are plainly meant for kids, Holly Jolly Christmas is uplifting, positive, and fun without being the least bit childish. It talks about things like “the best time of the year”, “mistletoe”, “cup of cheer”, and “friends you know”. This is the kind of song that should put you instantly in a good mood no matter what’s going on in your life.

12 The Twelve Days of Christmas

First of all…yes…it’s not by accident that The Twelve Days of Christmas just so happened to end up at number 12. I’m poetic like that. Sue me. Secondly, a little refresher for those who might not know what in the world the 12 days of Christmas actually means. After all, we live in a world where we start “celebrating” Christmas almost before Halloween is over and these days almost certainly before Thanksgiving has even arrived. Of course by “celebrating” I mean retail stores and anyone else who has figured out a way to make a buck off of the birth of Jesus Christ. Anyway, originally the 12 days of Christmas were December 25-January 5, followed by Epiphany on January 6 (this is the day that the Magi, aka The Three Wise Men, arrived to visit the baby Jesus…not on Christmas as so many Christmas plays portray). Encompassed within this timeframe is Boxing Day on December 26. Contrary to what some may think, Boxing Day is not the day Canadians and Englishmen come bearing gifts to Muhammed Ali, Mike Tyson, and Floyd Mayweather Jr.  January 5 was known as Twelfth Night and was the conclusion to the holiday season. The entire 12 days was a long festival of gift giving & merriment. So basically in the Middle Ages folks in England did what we do today, only they did it in 12 days instead of 2 months and they did it later. December 25 was the actual beginning of the season for them, whereas in modern times most of us are exhausted and ready for the whole ordeal to be over by the time the actual holiday arrives. What we call New Year’s Eve/Day was when they were really into the swing of things. By January 6 we’ve already moved on with our lives and those crazy cats were just winding down. Personally I’d LOVE to see our country revert back to this old fashioned way of doing things, but that and $2 will almost buy me a cup of coffee.

As far as the song, there is a modern folktale that says it was written in code to teach Catholics about their faith at a time when Catholicism was illegal. Supposedly the True Love is God, the Partridge in a Pear Tree is Jesus Christ, the Two Turtle Doves are the Old & New Testaments, the Three French Hens are The Trinity, the four colly birds are the Four Gospels (Matthew, Mark, Luke, John),  the Five Golden Rings are the Pentateuch or first five books of the Old Testament, the Six Geese-a-laying are the six days of Creation, the Seven Swans-a-swimming are the 7 gifts of the Holy Spirit (wisdom, understanding, counsel, courage, knowledge, piety, and fear of the Lord), the Eight Maids-a-milking are the Beatitudes (see Matthew 5:3-12), the Nine Ladies Dancing are the Fruits of the Spirit (see Galatians 5:19-23), the Ten Lords-a-leaping are The Ten Commandments, the Eleven Pipers Piping are the 11 faithful Apostles, and the Twelve Drummers Drumming are The Apostles’ Creed. Whether or not this story is accurate is unknown and quite honestly to me is irrelevant. Especially in an era when anything pro-God is treated dismissively the story is treated with a complete lack of respect. Even if the song wasn’t originally written for this suggested purpose I think it’s a great way to interpret it.

11 Silver Bells

How come the only time we hear bells is around Christmas?? Bells are quite charming and should be heard more often. However, the other 11 months’ loss is the Christmas season’s gain. Silver Bells was written in 1950, and unlike a lot of other Christmas carols that emphasize rustic, old-fashioned, pastoral settings this tune recognizes the hustle and bustle that overcomes a city during the holiday season. What’s funny is that a half century later even that description sounds quaint and charming. This song holds a special place in the hearts of millions of us who grew up watching the annual Bob Hope Christmas Special, which ran on NBC for over 40 years. Three traditions were a huge part of the Hope Christmas show: the introduction of the All America College Football Team, Hope closing the show with his theme song Thanks for the Memory, and a duet featuring Hope and a much younger, very attractive starlet singing Silver Bells. I didn’t realize until I was actually writing this how much of an indelible mark those specials made on me. The last one aired over 15 years ago and Bob Hope himself has been gone for about 6 years. Thanks for the memories indeed Bob.

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100 Favorite Movies…..61-65

November 7, 2009

It dawned on me after I posted the previous installment of this series that I failed to write a pithy little introduction. My apologies. It is difficult when one takes into consideration that by the time I’m finished with this project I will have written about 20 such intros. What makes it even harder is that my taste in movies tends to be so eclectic, something that is really being driven home to me as I write these little dittiess, that usually there’s nothing to tie any 5 of these movies together. Today’s entry is a perfect example. There are virtually no similarities between any of these five films. I suppose the good thing is that with such a wide variety of things that I like I am bound to touch on atleast one thing or another that’ll be of interest to everyone.

 

65 Airplane!

If anyone were ever to build a Mount Rushmore of parody films, the first and foremost honoree would have to be Airplane!. Made in 1980, the film is meant to spoof a plethora of 70’s airline disaster flicks. It’s cast is a brilliant collection of heretofore tough guy types known for their dramatic roles, most notably Robert Stack, Leslie Nielsen, Loyd Bridges, and Peter Graves, who are very much cast against type. Kareem Abdul-Jabbar makes a super fun cameo as himself apparently trying to live a double life as an airline pilot under an assumed name. The plot involves many of the passengers and nearly the entire crew, including the pilot and co-pilot, becoming ill because of food poisoning and a passenger who just happens to be a pilot with post traumatic stress disorder being called into action to fly and land the plane. But this is another rare case where the story takes a back seat. This time though the centerpiece of hilarity are sight gags and side-splitting word play. One has to watch Airplane! a few times to take in all the visual and verbal gags. There’s Barbara Billingsley, the mother on Leave It to Beaver, speaking ebonics. The emergency autopilot is a blowup doll. A guy who thinks he’s Ethel Merman (played, in her final appearance on film, by Ethel Merman). Co-pilots named Roger and Captain Oveur (think about it). And the great thing is, it never gets old. After over a quarter century those of us who love this movie still laugh when we watch.

64 Raging Bull

Robert Deniro is such a brilliant actor that he could take the worst story imaginable and make it halfway compelling. Fortunately as real life boxer Jake Lamotta, in a film directed by the legendary Martin Scorcese, Deniro has a good story with which to work. He also has capable support from Joe Pesci in what was his first major film. I’m not a big boxing fan, but the acting and Scorcese’s style make this a modern classic. Maybe if I’d have been born a few years earlier or if I loved boxing as much as I do other sports Raging Bull would rank higher, as it does on most lists of this ilk. However, I must remain true to my own tastes and preferences, and this is where it falls on my spectrum.

63 Mr. Smith Goes to Washington

Readers of this series know by now of my affection for Jimmy Stewart. I’m also a bit of a political aficionado and an unabashed patriot, so Mr. Smith falls right into my wheelhouse. The story revolves around a small town yokel (a role Stewart showed many times he could play perfectly) who is handpicked to fill an open seat in the U.S. Senate. He is chosen by a corrupt political machine who believes he can be easily manipulated so they can achieve their selfish goals. The villain in this complex web of deceit is the elder senator from Stewart’s state, played by Claud Rains, who is probably better known for playing the corrupt police official in Casablanca. Rains played the role of conflicted slimeball several times and was apparently quite good at it. I’m not sure how a Frenchman snagged the role of a United States Senator, and the fact that he doesn’t really make much of an effort to hide the accent is somewhat distracting. Adding support as a caustic adminstrative aide is Jean Arthur. She is assigned the task of babysitting the doe-eyed new Senator and gradually falls for him. The plotline specifics, in which Stewart’s character wants to build a “national boys’ camp” on land that, unbeknownst to him, Rains’ character has more nefarious and profitable plans in store, are not necessarily all that crucial. The film is about political corruption, and in its time it was groundbreaking. We’ve become a much more cynical nation now. But 70 years ago a movie that took such a dark view of the inner workings of our government was quite controversial. Stewart’s performance show’s his range. Over the course of his career, from lighthearted comedies like Harvey and The Philadelphia Story through Hitchcockian fare such as Vertigo and Rear Window to hardscrabble westerns including Shenandoah and The Rare Breed Stewart did a bit of everything and proved himself to be a fine actor. With Mr. Smith he gives a small sampling of that range within one movie, goofy and fun in some scenes and dark and solemn in others. Because of the access the masses now have through things like CSPAN, the internet, and talk radio there’s not a whole lot that goes on in Washington DC that’s unknown or all that shocking. To some degree that hurts the legacy of Mr. Smith because we don’t see what the big deal is outside of Stewart’s winning charm. However, taken within the context of its time it’s quite a cinematic achievement.

62 Meet the Parents

DeNiro makes a second appearance in today’s group, so I guess I was wrong…there is a common thread after all. This time however, he’s doing comedy…and doing it surprisingly well. Meet the Parents stars Ben Stiller as a male nurse who goes home for the weekend with his girlfriend (who he is planning to make his fiancee) to…you guessed it…meet her parents. Unfortunately for Stiller, things get off on the wrong foot and get worse from there. Hilarity ensues. This is one of those movies that has more than its fair share of memorable scenes and lines, which is its main charm. Stiller has never been funnier in my opinion, and Owen Wilson has an hysterical cameo as the girlfriend’s former boyfriend. After watching this film water volleyball, Puff the Magic Dragon, airports, and cats can never be thought of like they were before…trust me. A sequel was made a few years later called Meet the Fockers. It was okay, but as with most sequels it failed to rise to the high level of the original.

61 Silence of the Lambs

Is it a horror film?? I suppose. I’m not necessarily sure how the experts categorize it. If it is officially a horror film it is most certainly on the high end…..sort of like how Dom Perrignon and Andre Extra Dry are both technically champagne but one is $150/bottle and the other is available at 7/11. Silence of the Lambs is based on a really great book about a young FBI agent who enlists the aid of a jailed, psychotic cannibal to track down a fellow serial killer. The psychotic cannibal is Hannibal “The Cannibal” Lechter and he is one of the creepiest yet most sublime creations in cinematic history as portrayed by Sir Anthony Hopkins. Unlike most maniacal killers in stereotypical gorefests (think Jason from Friday the 13th, Leatherface from Texas Chainsaw Massacre, or Freddy Krueger from Nightmare on Elm Street), Hannibal doesn’t need knives or chainsaws, doesn’t wear a mask, and doesn’t have any kind of otherworldly nonsensical powers. He’s actually pretty realistic…almost like a normal person you or I may know, may work with, or who might live down the street…except for the fact that he likes to eat humans. Jodie Foster is fantastic as Clarice Starling, the agent who looks to be in way over her head. The whodunit part of the movie is secondary to the interactions involving Hannibal and Clarice, but it’s also what separates Silence of the Lambs from the rest of the cliched mass of blood-n-guts. Sure there is some violence, but there is also a compelling story and extraordinary performances. I won’t go so far as to say the movie is better than the book, but let’s call it a tie.

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Top 100 Favorite Movies…..66-70

October 8, 2009

70 The Glen Miller Story

I’m a big fan of Jimmy Stewart and I love big band & jazz music, so this movie provides an irresistible combo. Stewart is quite the Miller doppelganger, which I assume is a prime reason he was cast in the film. June Allyson provides perky support as Miller’s wife, and a pre-MASH Harry Morgan plays Miller’s best buddy. The story follows Glen Miller from his struggling musician days through his rise to fame to his untimely demise in a presumed plane crash during World War II. I decided to watch this movie years ago simply because I had become a fan of Stewart and wanted to see as many of his films as possible. But the movie made me a Glenn Miller fan and I continue to enjoy his music immensely.

69 The Shrek Trilogy

I have to admit…I didn’t see any Shrek films until all three were already out and available on video, so I’m fairly new to the Shrek universe. I didn’t bother with them at first because I assumed they were kiddie films. However, I decided to watch one on television a few years back and have since seen all three. I was both right and wrong in my original assessment. They are undoubtedly geared toward an demographic far younger than I, but on the other hand sometimes it’s okay to temporarily feel like a kid again. For anyone unfamiliar (which I assume would only be folks who, like me, are both single and childless because anyone with children is surely familiar with Shrek), this animated trilogy follows the adventures of a surly but loveable ogre, his talking donkey sidekick, and the ogre’s lady love. There are a host of other characters. Lending their considerable voice talents to the three films are an all star team of folks such as Mike Myers, Eddie Murphy, Antonio Banderas, Cameron Diaz, John Lithgow, Justin Timberlake, John Cleese, Rupert Everett, and many more. Most of the visual humor and jokes in the series parody well known fairy tales, which is a huge part of the charm for me…I love parodies and who doesn’t appreciate childhood fairy tales. The animation is computer generated, which far exceeds the animation most of us grew up with. These movies need to be viewed in high definition to really get the full effect.

68 The Greatest Show On Earth

Once again my favorite actor Jimmy Stewart is paired with something cool. This time it’s the circus. I think this is one of Stewart’s best performances. It is certainly low key and subtle, as he spends the entire film in clown makeup. The bigger draw for most people, I suppose, would be Charlton Heston in one of his finest performances as well. Heston kind of became a sad parody of himself in the latter part of his career, but this is one of his earlier movies and he shows why he was once one of the top box office attractions in the world. Directed by famed auteur Cecil B. Demille (I’m ready for my close-up…indeed), the story follows the Ringling Brothers/Barnum & Bailey Circus as it travels from town to town. We meet several of the performers and become involved in their lives behind the big top, so to speak. That behind the scenes view reveals a lot of romance, intrigue, drama, and tragedy. Basically it’s a soap opera set at the circus. Demille is known for his lavish, over-the-top, extravagant productions, and he doesn’t disappoint with The Greatest Show On Earth. Like so many beloved memories of yesteryear, the circus has almost slipped into being a remnant from a bygone era. Sure they are still around, but they are no longer an event. Even when I was a kid not that long ago it was a big deal when the circus came to town. Nowadays kids are into their video games and computers and iPods and couldn’t possibly care less about the circus. But watch this movie and you will be reminded of just how extraordinary it used to be.

67 Ocean’s 13

In 2001 George Clooney, Matt Damon, and Brad Pitt teamed up to remake the 1960 Rat Pack romp Ocean’s 11, about robbing a Vegas casino. The remake was a smashing success and unlike the original spawned sequels. The first movie will be dealt with later in this list. The second movie, Ocean’s 12, was poorly written and quite forgettable. The third movie was Ocean’s 13, and it’s a nice rebound from its disappointing predecessor. This time the gang returns to Las Vegas and they don’t actually rob a casino as much as they…turn the odds in their favor through uniquely nefarious means. The bad guy is played by Al Pacino, which automatically makes this a must see. As with the other Ocean’s films, don’t try to interject logic or make sense out of the proceedings. This is pure popcorn cinema, escapism at its best.

66 The Frat Pack Three Pak (Anchorman, The 40 Year Old Virgin, & Wedding Crashers)

Anyone who grew up in the 80’s is familiar with The Brat Pack (Molly Ringwald, Emilio Estevez, Judd Nelson, Andrew McCarthy, Rob Lowe, and a few others). And while imitation is the sincerest form of flattery I would not necessarily call the modern Frat Pack imitators. The only similarity is the name homage, which was itself a takeoff on the 1960’s Rat Pack of Frank Sinatra and his pallies. The Frat Pack is generally thought to be comprised of Vince Vaughn, Ben Stiller, Will Ferrell, Owen and Luke Wilson, Steve Carell, Jack Black, Paul Rudd, and Seth Rogen. Some combination of those actors has starred in a host of films together with a wide array of results. Zoolander and Starsky & Hutch…not so good. Old School and Blades of Glory…much better. But for me three Frat Pack films stand head and shoulders above the crowd and have stood up to numerous repeated viewings. Anchorman: The Legend of Ron Burgundy stars Ferrell with Carell and Rudd in very amusing supporting roles. Vaughn, Stiller, Black, Rogen and Luke Wilson all have brief cameos. Ferrell plays an over-the-top misogynistic 70’s news anchor whose world is turned upside down when he’s forced to share the anchor desk with a woman. Anchorman is among the most quotable movies of the past two decades and is just pointless yet harmless fun. The 40 Year Old Virgin stars Carell as the titular character, with Rogen and Rudd in vital supporting roles that really make this film work. It’s hilarious but sweet, with more quotable dialogue and a few really memorable scenes. I really like Rudd in this film. Wedding Crashers, starring Vaughn and Owen Wilson, is a movie I really like but probably not as much as some people. I don’t think it’s really any better than any other Frat Pack film, which doesn’t mean anything negative it just means my praise seems to not rise to outlandish and undeserved peaks of hyperbole. Will Ferrell makes possibly one of the best cameos of all time, and to say that Rachel McAdams (who I someday intend to make my bride) is quite fetching may be one of the biggest understatements I could conceive. Plus there’s Christopher Walken and that’s just the cherry on top.

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100 Favorite Movies…..71-75

September 29, 2009

I am usually a person who appreciates some steak with my sizzle, who doesn’t fall for style over substance. However, a common thread amongst our lineup today is that it’s the actors and their performances that contribute to the success of these films, not necessarily the scripts themselves. As a writer I usually find that irksome. Too many movies these days have an unimaginative and flimsy story but attempt to attract an audience with explosions and special effects. Many others think that the masses will shell out their hard earned cash based solely upon the big name actors they’ve gotten to sell out and be part of their wretched production. Sadly this works all too often. But every once in awhile even I fall in love with a film where I can’t make head or tails out of the plot much less explain it yet I am beguiled by strong performances by actors going above and beyond their normal range of mediocrity.

75 Goodbye Mr. Chips

I liked school. I wouldn’t go so far as to call myself a nerd, but I did make good grades and actually attempted to learn stuff. For folks like me, there are always one or two teachers that rise to the top of the memory because of how well they did their job, how personable and helpful they were, and because they always went the extra mile to make sure being in their class was a positive experience. Goodbye Mr. Chips is a story about such an extraordinary educator. It is set in an English boarding school during the 1930’s, and flashes back over five decades telling the story of Professor Chipping, aka Chips. There is a touching love story woven into the narrative, as well as references to both world wars. But it is the man’s relationships with literally generations of boys, oftentimes from the same family, that is at the heart of the film. I remember catching this movie in college with a good friend of mine, although I can’t remember if we rented it or it just happened to be on a channel like American Movie Classics. I wish I could recall the exact circumstances, because either way it seems like it was an odd choice knowing our mindset at the time and my maturity level at that age. Whatever the details, I just know that it’s always stuck with me and 20 years later continues to be one of my favorites. I would encourage anyone who runs across Goodbye Mr. Chips, whether it is in a video store or on some random TV channel on a lazy, rainy, movie watching sort of day to give it a whirl. You won’t be disappointed.

74 Glengarry Glen Ross

On rare occasions…very rare…the plot of a movie takes a backseat to its performances. Glengarry Glen Ross is one of those singular cases. Any movie with the combined talents of Al Pacino, Kevin Spacey, Jack Lemon, Ed Harris, Alec Baldwin, and Alan Arkin has a head start before one scene is even filmed. When the movie is based on a David Mamet play that’s even better. For the record, the story is about a couple of days in the life of some real estate agents who have been told they need to sell some property or lose their jobs. I suppose a deep examination would yield a lot of mumbo jumbo about this movie being a commentary on the rat race, the pressures of success, and the moral yin and yang of how far some folks are willing to go to make a buck. I understand all that. But trust me, don’t ruin your enjoyment of Glengarry Glen Ross with paralysis by analysis. Just sit back and enjoy some of America’s finest actors at the top of their game hitting it out of the ballpark. Lemon should have been the runaway winner of the Best Supporting Actor Oscar. How he wasn’t nominated and the award was given to Gene Hackman (for Unforgiven) is something I will never understand. Pacino was nominated in the supporting category, but lost. However, that same year he won the Best Actor Oscar for Scent of a Woman, and no one can argue with that.

73 North by Northwest

I’ve said it a million times and I’ll say it a million more…Hitchcock was one twisted freak. Brilliant…..but nevertheless twisted. His films are an acquired taste and I have to admit I’m not a huge fan. Thrillers and old style “horror” just aren’t my cup o’ tea. However, ol’ Al did produce a few films that weren’t so palpably creepy but were more subtly, subversively strange. That’s a variety of freaky that can entice my sensibilities. North by Northwest is an ideal case in point. Cary Grant stars as a man who is the victim of mistaken identity. Some thugs think he is someone else and that he is in possession of an item they want. The details aren’t really important at all. The chase is the thing. North by Northwest is a thrill ride that takes us from New York City to Mount Rushmore and contains some of the most iconic scenes in movie history. I think I watched it on TV back in junior high thinking it was just one of those movies everyone needs to see. I’m not so much of a follower now and don’t really care what anyone else thinks most of the time, but I’m glad I was back then, otherwise I may have cheated myself out of a truly enjoyable “popcorn” experience and a film I enjoy to this day.

72 American Pie

Wow…talk about shifting gears. American Pie came along in the late 1990’s and earned its rightful place in the pantheon of great teen comedies alongside Porky’s, Fast Times At Ridgemont High, and Risky Business. This isn’t high art we’re talking about folks. But you know what? Funny is funny. I appreciate films that are well written, make me think, and have some sort of valuable lesson. On the other hand, sometimes it’s okay to just relax and have fun. I believe a huge part of the success of American Pie is that the characters are pretty realistic. We’ve all known horndog teens like these guys. Some of us have BEEN teenage horndogs like these guys. We laugh because we understand their point-of-view. And even if we’ve grown older and have taken on the inherent responsibilities of adulthood, part of us always hearkens back to those carefree school days. American Pie is fun without being senselessly offensive (for the most part), and on a certain level it is even a bit heartwarming and poignant.

71 The Patriot

Much ado was made about the late Heath Ledger’s brilliantly over-the-top, splendidly manic performance as The Joker in The Dark Knight. And since it was his final role before his untimely death one can understand the commotion. But for me, when I reflect on Ledger’s all too short career, I instantly think of his role in The Patriot. Mel Gibson stars as a widower who just wants to raise his children and desires to stay out of the Revolutionary War. But tragic circumstances pull him into the conflict against his will. Gibson is outstanding in one of his most underappreciated roles, and Ledger was launched into instant stardom. Jason Isaacs (known to audiences now as Lucius Malfoy, malevolent foe of Harry Potter) makes a chilling villain, and restrained yet evocative supporting characters are played by Tom Wilkinson, Donal Logue, and a host of other unheralded performers. As I’ve mentioned previously in this series, I’m not usually a big war film kind of guy. However, I am a history buff so stories about The Revolution or The Civil War atleast get a look. Gibson’s choice of roles outside Braveheart and the Mad Max & Lethal Weapon series has been somewhat shaky (Air America, Man Without A Face, Maverick…all clunkers, and not ones that the government will give you money for), but he hit a home run with The Patriot.

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100 Favorite Movies…..76-80

September 14, 2009

Today’s selection is pretty…..dramatic. Even the lone comedy in the bunch is more of a poignant “dramedy”. There are a couple 90’s movies, one from the 70’s, one from the 80’s, and one from the 50’s, before I was even born. No one can ever say I discriminate in my movie watching. If it’s good I don’t care when it was made or who is in it, as long as it makes me laugh, makes me think, or both.

80 Big

In yet another example of divine timing I caught this movie on HBO just as I was ready to write about it. I love it when a plan comes together. It seems like eons ago that Tom Hanks was a relatively obscure TV star on Bosom Buddies. Flash ahead nearly three decades and he is among the most famous and successful movie stars in the world and has two Best Actor Oscars sitting on his mantle. Though the 1984 mermaid flick Splash was Hanks’ coming out party as a major movie star, 1988’s Big cemented that status. It tells the story of a 13 year old boy who is the wimpy type that gets picked on and overlooked. He goes to a carnival where he uses a fortune telling machine to wish he were big. Lo and behold the next day his wish is granted and he’s been transformed, atleast physically, into a 30 year old man. I state it that way for a reason. Hanks’ performance in Big is brilliant (it earned him his first Best Actor nomination) because he makes it clear that although the character is 30 years old on the outside, on the inside he is still a little boy. His mannerisms, the things he says and the way he says them…..it’s a spot on interpretation of a child by an adult. Able support is given by Robert Loggia and Elizabeth Perkins (a smoking hot, underrated, underutilized actress even now), but Big is all about Hanks. Funny and touching without being overly sweet and sentimental, Big hits exactly the right note, the rare “fantasy” film that is utterly believeable.

79 Saving Private Ryan

Back to back Tom Hanks?? You bet. Although this is a completely different Hanks vehicle. You won’t see very many war films on this list. I’m just not a big fan. I prefer to laugh rather than do the whole blood and guts thing. But Saving Private Ryan is so powerful, so raw, so realistic in its portrayal of the World War II D-Day Invasion that it simply cannot be overlooked. The cast is stunning…..Hanks, Matt Damon, Ed Burns, Tom Sizemore, Vin Diesel (showing that he has legit acting chops), and Adam Golberg star, and small cameos are made by Ted Danson, Dennis Farina, Paul Giamatti, and Bryan Cranston. And oh, by the way, the film is directed by Steven Spielberg. The opening scene hits you like a sledgehammer to the nether region, and things don’t really let up after that. The conclusion is so potently memorable and emotional that it takes the movie to another level. Irrespective of the war motif, Saving Private Ryan forces a self evaluation of one’s life, making a person really examine if they’ve made a difference and earned the right to take up space on this planet.

78 The Godfather Part III

Many many people disregard this third installment of The Godfather franchise. It’s like the crazy uncle that you keep locked in the basement and pretend doesn’t exist. But I think that’s unfair. First of all, it is the conclusion to one of the all time great movie trilogies. The first two films are generally considered to be among the finest ever made. Secondly, III still stars Al Pacino, and anything that is graced with the presence of Pacino cannot be all that bad. The legendary supporting cast from the first two films is nearly all gone…..only Talia Shire and Diane Keaton remain. In the absence of Brando, Duvall, and Caan we get Andy Garcia and Joe Mantegna, which isn’t necessarily as bad of a trade off as it may seem. Garcia is among the most underrated actors of his generation. The plot is a bit hard to follow and mirrors real life events involving the Vatican and papal murder & mayhem. Repeated viewings are almost a necessity to really have all the intricacies of the story really sink in, and that may be the biggest mark against III. One really has to invest some effort into completely understanding the story, and only big fans of the first two will likely have the inclination to undertake that endeavor. I personally believe it is worth the time. The Godfather Part III really grows on you and it becomes much clearer how it fits with the first two films. I have come to see it as a logical and almost necessary conclusion to Michael Corleone’s story, although director Francis Ford Coppola has stated that it was not originally intended to be so. He has been up front in saying that the only reason that he made the film was due to the box office failure of Tucker: A Man & His Dream. In other words, he needed the money. It is interesting to note two things about this movie. First, Robert Duvall was supposed to reprise the character of consiglieri Tom Hagen, but didn’t because he wanted a bigger payday. The character had to be rewritten as having died. Also, the character of Mary Corleone was orginally to be played by Julia Roberts and then Winona Ryder. Sophia Coppola, the director’s daughter, got the part only as a last resort after Ryder dropped out. Ms. Coppola’s performance is almost universally at the top of the list of reasons why some dislike The Godfather Part III. So imagine if Duvall had taken part and if either Roberts or Ryder would have played Mary. I guess we’ll never know for sure, but if those two things would have occurred the third installment may possibly have become as beloved as the first two films. As it is, I like the film. I love Pacino, I dig Andy Garcia, and I see the tragic conclusion to Michael Corleone’s tale as being well written and the only logical way it could have ended.

77 Rocky II

When people think of the Rocky story I sometimes think they get things a bit mixed up. They forget that at the end of the first Rocky film the titular character lost the fight, the point being that he had gone the distance which was a moral victory in and of itself. It’s not until the end of the second fight that Balboa wins in a dramatic near double countout. I’ve always believed that having Rocky lose at the end of the first fight only to have him actually win at the end of the second was a brilliant idea. I’m not privy to inside information, but I suspect that unlike how things work today, back in 1979 a sequel was not assumed or planned. So one can make an educated guess that the whole moral victory angle was Stallone’s original intent. After the enormous success of the first movie a sequel was demanded, and there’s no way on earth the audience would have stood for the underdog losing again. It is somewhat surprising that this foregone conclusion does not diminish Rocky II’s quality, which I suppose can be attributed to the fine writing and performances. Unlike The Godfather films I do not believe a third (or 4th, 5th, & 6th) movie was necessary to elaborate on Rocky Balboa’s saga. I would have been okay with forever remembering him as the imaginary World Heavyweight Champion and skip seeing him lose everything, fight the Russians, and not-so-gracefully grow old. I suppose we can blame George Foreman for the last two sequels and the Cold War for one of its predecessors. I can think of no logical reason why anyone thought Rocky III was a good idea.

76 Twelve Angry Men

Here in 2009 we have short attention spans, and we have been poorly conditioned to expect the wrong things from our movies. Dramas are oftentimes needlessly violent, and comedies constantly try to outdo each other with ever increasing offensiveness. Almost every movie of any genre is fast paced, shallowly written, and an all out assault on our eyes and ears. Hollywood seems to make the assumption that it needs to continuously ramp up the foul language, sexual content, blood & gore, and unrealistic death defying stunts. They are right of course, but only because they have dictated the rules. Most anyone who doesn’t have any grey hair on their head has spent their lives going to movies replete with brutality and debauchery to the point that a film without it is deemed tedious. I say this as a basis for bringing up just such a “boring” movie, 1957’s Twelve Angry Men, a film that comes across more like a play because it was in fact adapted from one. It stars Henry Fonda as the one dissenting voice of a jury that is deciding a murder case. There are no car chases, no explosions, not hot and heavy sex scenes. It is simply 12 men sitting in a room arguing about the case they’ve just heard and whether or not the accused is guilty or not guilty. In my youth I talked of one day becoming an attorney. Though I strayed from that path the law is still something that interests me, which in some small way explains my interest in this film. The other thing that captivates my attention is its simplicity. I am a minimalist, and Twelve Angry Men is the ultimate testament to minimalism in moviemaking. There are no gimmicks…..everything, the whole roll of the dice, rests on the shoulders of fine acting and writing. I only wish that contemporary filmmakers were willing to gamble like that, and even more that modern audiences were capable of appreciating that type of quality.

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100 Favorite Movies…..81-84

August 21, 2009

Because of my “tribute” to John Hughes we kind of got off track with the 5 films at a time concept. Let’s catch up with 4 films here.

84 Apocalypse Now

I’m not really into war movies…they’re just not my thing. I much prefer to laugh than watch people get killed. I think a lot of it has to do with my age. Both world wars occurred before my parents were even born and the Korean War took place 20 years before I was even a gleam in my Daddy’s eye. Even Vietnam ended when I was a toddler. I never had the privilege of serving my country in the military either. So I suppose it stands to reason that war films just don’t resonate with me in any meaningful and relevant capacity. However, there are some exceptions. Loosely based on Joseph Conrad’s novella Heart of Darkness, Apocalypse Now features a dream cast…..Marlon Brando, Robert Duvall, Martin Sheen, Lawrence Fishburne, Dennis Hopper, and a very young and unknown Harrison Ford…..all directed by the incomparable Francis Ford Coppola. That’s a group that could make just about any movie on any subject appealing, but in this case they have superbly written material to work with.

83 Dirty Dancing

I believe there are a handful…..maybe 8 or 10…80’s films that defined the decade and would need to be put into any 1980’s time capsule. Dirty Dancing is one of those iconic films, even though it is set in the 60’s . Patrick Swayze would be on the Mount Rushmore of late 20th Century actors, and this is among his best performances. The movie has a bit of everything…..romance, class warfare, great music, drama. It’s the very definition of a popcorn movie, which should not be seen as a derisive term. After all, what’s wrong with a little escapism?? Timing is a key issue here as well. I don’t know if Dirty Dancing is something I would have connected with had it been made 5 years earlier or 5 years later. But it came out when I was 15 and is a definitive moment in my teenage pop culture memory.

82 Top Gun

Top Gun is another 80’s time capsule necessity starring another icon of the era, Tom Cruise. Cruise, at one time, oozed cool. He was the very essence of how we define the term “movie star”, and Top Gun was his crowning achievement. I suppose it’s debatable as to whether he changed or I just grew up and began understanding that actors have more than their fair share of unique shortcomings. Nevertheless, I give credit where credit is due and will always fondly recall several of his better roles. It’s unlikely that Top Gun is a very accurate portrayal of Navy life, but it’s a fun story with a good mix of action for the guys and romance for the ladies, one of those “a little something to interest everyone” rarities.

81 Trapped In Paradise

I know some will see Trapped In Paradise on this list and think I’ve lost my mind. But in the introduction to this series I made it clear that these are my favorite films, not the greatest films of all time. And while I take pride in what I believe to be pretty good taste I will also readily admit that sometimes my heart falls for something that my head tells me isn’t really that good (and no, we haven’t suddenly segued into discussing my love life). Two things must be said in defense of my affection for this early 90’s Nicolas Cage/Dana Carvey/Jon Lovitz dramedy. First of all, it’s a Christmas movie, and I love love love Christmas movies. They have a warm and fuzzy, timeless quality…..atleast most of them. Secondly, I remember seeing this film as if it were yesterday. I had just graduated college. My two best friends and I were hanging out at my apartment and decided to venture to the video store a few blocks down the street. One of the videos we ended up with was Trapped In Paradise. It was silly and funny and I was enjoying it with two people who were like brothers to me…..interesting since the movie is about three brothers. Not long after that I would move away and a very special chapter in my life would end. I look back now and realize just how extraordinary those years were. So yes, Trapped In Paradise may not be critically acclaimed or even be a very good movie, but for me it represents a moment in time forever frozen in my mind and fondly imprinted into my soul. But even for the other 99.999% of the population who don’t have any kind of emotional attachment it is still an eminently watchable and I daresay enjoyable flick for a cold winter night when you’re sitting under a blanket, sipping hot chocolate, and enjoying the soft glow of twinkling lights emanating off your tree.

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100 Favorite Movies…..#85

August 8, 2009

Progress on this series had hit a noticeable standstill, but happenstance has intervened and given me motivation to move forward. Coinciding with the untimely death of director/producer/writer John Hughes, the next film in the countdown is actually three films, because I just couldn’t leave one out and also because the three share so much common ground. Hughes directed two out of three.

Anyone who came of age in the 80’s is familiar with John Hughes and The Brat Pack (Molly Ringwald, Ally Sheedy, Judd Nelson, Andrew McCarthy, Anthony Michael Hall, Rob Lowe, Demi Moore, and Emilio Estevez). Hughes was the master of capturing teen angst on film, and those 8 actors were apparently his muses. Hughes did a lot of other great stuff, and including his two films we’ll discuss here, nine of his films appear in my Top 100. But it’s the teen stuff, the Brat Pack movies, that he is most remembered for creating. All 8 Packers appear in this three pack.

Specifically I am talking about Sixteen Candles, The Breakfast Club, and St. Elmo’s Fire. Those were the three Brat Pack films that most resonated with my sensibilities.

Sixteen Candles is obviously aimed at a more female demographic. That’s okay…..I’m in touch with my feminine side I guess. Molly Ringwald stars as a teenager whose entire family forgets her 16th birthday because they are gearing up for her older sister’s wedding. The grandparents are hilarious, and even better is the exchange student one set of grandparents bring along. This exchange student, Long Duk Dong, takes Sixteen Candles over the top in my opinion. Anthony Michael Hall is also amusing as a total geek trying to win a bet involving a a pair of panties and a dozen floppy disks (wow…what an outdated reference *lol*).

The Breakfast Club is classic 80’s, prototypical John Hughes, quintessential Brat Pack. It epitomizes the zeitgeist of teen angst on film. Is it a comedy? Is it a drama? Does it really matter? The story involves 5 high schoolers (Molly Ringwald, Ally Sheedy, Emilio Estevez, Anthony Michael Hall, & Judd Nelson) serving detention in the school library on a Saturday. The characters encompass archetypal high school clichés…..nerds, jocks, rebels, WASPS, and loners. The genius of the film is that it takes those clichés and makes us truly understand. It’s a deep message wrapped in an easily digestible and fun movie. And I’m not sure any song has ever been so closely associated with a movie as Simple Minds’ Don’t You Forget About Me.

St. Elmo’s Fire could have been a sequel to The Breakfast Club. It stars 3 of the 5 Clubbers (Nelson, Estevez, & Sheedy), as well as Rob Lowe, Demi Moore, and Andrew McCarthy. This time the setting isn’t high school but college, where the group has just graduated and now needs to figure out what’s next. I’ve been there, done that. Actually, 14 years later and I’m still searching for answers, but that’s a whole other issue. The title alludes to an electrical phenomenon that appears to sailors. I’ve never really understood what exactly that had to do with events in the movie, but atleast the title is creative and easily remembered. St. Elmo’s Fire is understandably heavier and more intense than The Breakfast Club, but it’s also intended for a slightly older audience. It is often lost in the shuffle amongst more lighthearted and ostensibly better 80’s/Pack flicks, but I think it deserves to be recognized right up at the top of the list.

As an amusing aside, I will say that I literally just now noticed that this is number 85 in the countdown and that both St.  Elmo’s Fire and The Breakfast Club came out in 1985. I’m good.

I toyed with the idea of doing a standalone tribute to John Hughes, but the timing of this entry (and the order of this list has been rock solid for months, so it really was coincidental) combined with the fact that a half dozen other Hughes films appear in the list will serve as a proper testament to the man’s pop culture influence and my enjoyment of his contributions.

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100 Favorite Movies…..86-90

June 27, 2009

Staying power. It’s a key element in my definition of a favorite movie. It’s easy to sit down and watch a movie on TV or even head to the theater for a matinee and some popcorn (and chocolate covered peanuts) and be entertained for a couple hours. But will you watch the movie again in the future?? Ten years from now if the film you watched at the cineplex today is on television will change the channel or not?? When you’re at the video store or shopping on Netflix do you stick to new releases or are there some special movies you rent over and over?? Today’s group has staying power. They range in durability from 14 to 26 to 70 years, with only one of the five being less than a decade old.  In contrast, how many movies have you seen in the past few years that you forgot about almost immediately upon leaving the theater or changing the channel??

90 The Birdcage

I’m a huge Robin Williams fan. Serious Robin Williams, funny Robin Williams…it’s all good. Robin Williams is what Jim Carrey wishes he could be. In this remake of a film version of the play La Cage aux Folles, Williams co-stars with Nathan Lane as a gay couple whose son falls in love with the daughter of a conservative Senator. The two families meet, with the son and his gay parents going to great lengths to cover up the true nature of their lifestyle. Hilarity ensues. Besides Williams and Lane the cast features the always compelling Gene Hackman, Dianne Weist, Christine Baranski,  and Calista Flockhart (Mrs. Harrison Ford). The underrated Hank Azaria (who voices many characters on The Simpsons) is amusing as Agador Spartacus, a flamingly flamboyant housekeeper. I’m not easily offended at all, but I am kind of surprised at this film’s success. Both conservatives and homosexuals are portrayed using the most extreme stereotypes. The gay characters embody all the typical gaudy clichés, and it is not so subtly inferred that the conservatives are anti-Semitic. However, despite the unfortunate caricatures it’s still a fun movie.

89 The Wizard of Oz

If there are more than a dozen people in America above the age of 30 who haven’t seen The Wizard of Oz multiple times I’ll eat a bug. It’s the very definition of a classic. Everyone knows the story…..young Dorothy (and her cute little puppy Toto) is transported in the midst of a tornado to the magical (and colorful) Land of Oz where she encounters several strange characters (The Tin Man, The Cowardly Lion, The Scarecrow,  a bunch of Munchkins, some flying monkeys, and a very nasty witch). Dorothy desperately wants to get back home to her Auntie Em and Uncle Henry. That quest is the catalyst for the adventure. The film likely would have ranked much higher for me a couple decades ago when I was younger and it was an annual television event. I’ve never read the books on which the story is based, but maybe someday I will.

88 Seabiscuit

I’m a big fan of sports films. I’ve also begun to follow horse racing a bit the past several years. The book by Laura Hillenbrand is extremely good and I highly recommend it whether or not you’ve seen the film. The tale could be construed by some to be an animal version of Rocky, except for the fact that it’s a true story. The events depicted occurred during The Great Depression and to be honest I’d never heard about any of it until the book came out. What I find especially interesting is the inside look at the cutthroat, mercenary, brutal world of thoroughbred racing. The cast, headed by Spiderman Tobey Maguire, is just dandy.

87 The Big Chill

Take the TV show Friends, make the characters a skosh older, make the subject matter more solemn and thoughtful, add quite possibly one of the most memorable soundtracks in history, and boom…..you have The Big Chill. Made in 1983 in the midst of The Reagan Revolution, The Big Chill is the story of a group of college friends, 1960’s radical types, reuniting for the funeral of one of their own who has just committed suicide. Thankfully politics don’t play too big a part in the story. It’s more a tale of change and friendship, and how true friendship doesn’t change even when the people do. I am not sure why I have always felt a connection to this film…..after all I was just 11 years old when it was in theaters. However, now I am mere months away from attending a college reunion of my own and it makes total sense. Facebook, MySpace, cell phones, online chat, and other modern conveniences have made it much easier to reconnect and stay in touch with people, but there’s nothing like being face to face in the same room, being able to laugh, hug, and share a drink with individuals who had a hand in shaping who you are and influenced the path of life in some way. I am excited, and fortunately a funeral will not be the centerpiece of my reunion. On a basic level the movie explores former 60’s counterculture vs. the increasingly conservative Me Generation 80’s, but on a deeper level it is so much more. As a current 30-something I can now understand the restlessness, that feeling of growing stale, the inner turmoil of seeing the dreams of youth slowly dying, of looking back and wondering where all the time has gone and why life hasn’t turned out the way you’d planned. All this deep introspection is done with humor and through characters that are as real as any you’ll ever see on film. The Big Chill may be fading into the distance for many folks…..it is nearly 30 years old and features nary a car chase or explosion…..but it is so well written, the performances so good, and the subject matter so utterly timeless that it won’t soon fade for those of us who enjoy quality and don’t mind using our brain occasionally. And I mentioned the soundtrack…..wow. Most albums, especially soundtracks, will have 2 or 3 tremendous tunes. The Big Chill soundtrack is solid from top to bottom. Joy to the World…..I Heard It Through the Grapevine…..My Girl…..What’s Goin’ On…..it’s a cornucopia of musical goodness and is a huge part of the film’s success. Writer Lawrence Kasdan summed up the meaning of the title, and in a way the film, this way:  ”The Big Chill deals with people who have discovered that not everything they wanted is possible, that not every ideal they believed in has stayed in the forefront of their intentions. The Big Chill is about a cooling process that takes place for every generation when they move from the outward-directed, more idealistic concerns of their youth to a kind of self-absorption, a self-interest which places their personal desires above those of the society or even an ideal.” The the juxtaposition of the order of things then versus now is fascinating. Kasdan seems to be saying that as young adults we are idealistic and concerned with the world at large and making it a better place, and as we get older we become more selfish and focused on our own needs and wants. But here in 2009 it seems that young people are the selfish ones and we tend to grasp the big picture better as we get older. That’s how I feel anyway.

86 Tin Cup

I like Kevin Costner…..in the right role. His comfort zone seems to be “laid back scalawag”, something he pulls off better than anyone (Vince Vaughn is good too, but not Costner good). If you liked Bull Durham (which you will eventually see I do very much) you’ll like Tin Cup…..and if you are a golf fan you will love Tin Cup. Ample support is provided by Rene Russo, Cheech Marin, and Don Johnson…..but it’s Costner that makes this movie work. The story involves a small time golfer who hopes to make it big by winning the U.S. Open. I won’t spoil it for anyone who hasn’t seen the film, but there is a scene near the end that takes this film straight to the upper echelon of sports flicks. You’ll know it when you see it.

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